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duncanwrites · 3 years

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All the books I read in 2020, reviewed in two sentences or less

My 2020 in reading was, naturally, a little strange. I had lots of long pauses, did a bad job of keeping track of everything I read, used an e-reader for the first time, and read more for work than I usually do.

So these may not be in strict chronological order as they usually are, and there may be a few missing, but here’s the list, as per tradition:

Rising Tide - John M. Barry: This history of the Mississippi floods of 1927 and the resulting changes in how the US deals with natural disasters is one of those stories about how politics and personality can become a part of the concrete world, and essential for understanding the racial dynamics of disaster response. Well-told, and worth reading.

The Consultant's Calling - Geoffrey M. Bellman: A very useful recommendation from a trusted friend that now has a long-term spot in my office shelf. This book isn't only about consulting, it also offers great thoughts about finding your place and impact in organizations in general.

Range - John Epstein: I think Range is the nonfiction book that had the second- greatest impact on my thinking about myself this year (stay tuned for number 1!): I've always approached my professional and political work as a generalist, and for a long time I felt like that approach was leading me to a dead end. Reading this convinced me that I could be effective and even more useful with my fingers in a lot of different pies, and nudged me to keep searching for my most effective place in the movement.

The Accusation - Bandi: A harrowing work of realist fiction from North Korea that shows the toll authoritarian hero-worship takes on the soul.

The Underground Railroad - Colson Whitehead: I found that the quality of The Underground Railroad did not quite match its notoriety. It felt like two books awkwardly joined, where the more grounded approach to the emotional and interpersonal stakes of slavery and freedom was attached to a poorly-explored fantasy device.

Maus - Art Spiegelman: So much more than a book about the Holocaust, Maus is about parents and how pain is handed down between generations.

I Love Dick - Chris Kraus: After a long enough time, it becomes hard to evaluate books that are meant as a provocation as well as storytelling, but even 20 years on, it's not hard to see why I Love Dick brought us so much of the style and voice of feminist writing on the internet. A unique, itchy, sticky piece of work.

Bloodchild - Octavia Butler: Whenever I see an Octavia Butler book in a used book store, I buy it. This collection of short stories is a fantastic example for what transgressive, visionary speculative fiction should aspire to.

King Leopold's Ghost - Adam Hochschild: What I love about this book and the other I've read by Hochschild (Bury the Chains_ is that he very carefully merges deep explorations of systems of violence with the way that they can be undone by the people who participate in them. King Leopold's Ghost is as much about Belgium's murderous plunder of the Congo as it is about the successful global movement against it.

Priory of the Orange Tree - Samantha Shannon: Priory of the Orange Tree is built on a strong foundation, melding Eastern and Western dragon stories into one universe, but couldn't seem to tie all of its threads together in a compelling way by the end.

Desiring the Kingdom - James K. A. Smith: Smith's point about meaning and desire being embedded in every day practices is a valuable one, but I think I may be just too far outside of his target audience of religious teachers and thinkers to get the most out of his explorations here.

City of Brass, Kingdom of Copper, Empire of Gold (The Daevabad Trilogy) - S. A. Chakraborty: This series is exceptional, and some of my favorite books of any kind that I read this year; I certainly think I recommended them more often than anything else I read in 2020. A high fantasy built on Islamic and Arab cultural iconography, the characters are insightfully developed, the world building grows with precise pacing, and the themes of intergenerational trauma, and sectarianism are handled with expert delicacy.

Leadership and the New Science - Meg Wheatley: While I appreciate the effort to apply metaphors developed from scientific paradigm shifts to provoke paradigm shifts of thinking in other areas of work, I think this book strains its chosen metaphors a bit too far to be useful.

The American Civil War: A Military History - John Keegan: I appreciate that there's a value to these kinds of military analyses of conflicts, but I found this book's neutral tone - and sometimes admiring takes - towards the Confederacy off-putting. Two things I did take from it: the outcome of the war was not certain at the beginning, and speed is truly a critical part of winning conflicts.

To Purge This Land with Blood - Stephen Oates: This was the first substantial reading I had ever done about John Brown, and Oates' book made it very clear why he is still one of the American historical figures most worth talking about today. The contradictions, complexities, and unimpeachable truths caught up in his raids are almost too many to name, but I think he is one of the people most worth thinking about when considering what actually changes the world.

Normal People - Sally Rooney: Anyone who denies that this book is anything less than a truly great novel is not telling the truth, or does not actually care about the feelings people feel. It is a work of keen emotional observation, and perfect, tender language, as well as a pleasingly dirty book -- and there is nothing I would change about it.

Conversations With Friends - Sally Rooney: Still a banger, I think Conversations with Friends struggles somewhat to get to its point, and has less of the pleasing depth and ambiguity of Normal People. Still worth your time and attention, I think.

The Glass Hotel - Emily St. John Mandel: I loved Station Eleven, and I can't imagine having to follow it up, and I unfortunately think The Glass Hotel doesn't quite accomplish all it set out to do. It wandered, hung up on a few strong images, but never progressed towards a point that needed to be made, and I finished it feeling underwhelmed.

The Water Dancer - Ta-Nehisi Coates: Coates is an essential nonfiction writer who can turn a phrase to make devastating, memorable points - but I thought his novel failed to do very many of the things that make his nonfiction great.

A Visit From The Goon Squad - Jennifer Egan: Someone once recommended this book to me as a way to study voice in character development - it is certainly that, as well as a brutally efficient window into hope, fame, and aging.

Trick Mirror - Jia Tolentino: The best parts of Trick Mirror show why Jia Tolentino is one of the writers most worth reading today: she knows how to find the experiences and people that wormhole you into dimensions of American culture that you might not otherwise think carefully about. While I think some of the essays in the book are weaker than her usual work, overall it is still terrific, and her essay on Houston rap, evangelical culture, and drugs is one of the best anythings I read all year.

My Dark Vanessa - Kate Elizabeth Russell: I feel like I'm on very shaky ground making any definitive takes about a book like this that is so fundamentally about gendered violence and what it means to be a victim of that violence. But I will say that I think it's important to recognize how power and charisma can be used to make you want something that actually hollows out your soul.

Prozac Nation - Elizabeth Wurtzel: Without a doubt, this is the nonfiction book that had the greatest personal impact on my life in 2020, and I have much longer things I've written about it that I will probably never share. While I've not ever been to the extremes she describes here, Wurtzel describes so many things that I clearly remember feeling that the shock of recognition still hasn't worn off.

The New Jim Crow - Michelle Alexander: In truth, we should all be shaking with rage at the American justice system every single day. This is certainly not the only book to explain why, but it does a particularly good job of explaining both the deep roots, and rapid expansion of the system we need to dismantle.

The Martians - Kim Stanley Robinson: Getting another little taste of the world Robinson built in the Mars Trilogy only made me want to drop everything and read them again. Well-made, but not stand-alone short stories that are worth reading if you've finished the novels and aren't ready to leave the formally-Red yet.

The Wind’s Twelve Quarters - Ursula K. Le Guin: One of the things that makes Le Guin so special is the sparseness of her prose and world building, and her genius is very much evident in her short stories.

Matter - Iain M. Banks: This is the second Culture series book I've read by Banks, and once again I thought it was inventive, satisfyingly plotted, but not so heady to be imposing. A very solid read.

Ogilvy On Advertising - David Ogilvy and Ogilvy On Advertising in the Digital Age - Miles Young: The original Ogilvy on Advertising is frustratingly smug but at least delivers plain and persuasive versions of advertising first principles. Ogilvy on Advertising in the Digital Age is also frustratingly smug, but is mainly useful as an example of the hubris and narcissism of contemporary advertising executives.

Goodbye to the Low Profile - Herb Schmertz: Schmertz was the longtime public affairs director for Mobil Oil, and in this book he talks about how they worked to manage public debate about the oil industry, without realizing that he's writing a confession. Reading this it is abundantly clear how the oil industry's commitment to making deception respectable led to the collapse of the American public sphere.

The Lean Startup - Eric Ries: I was surprised by how much I liked this book, and wish more people who wanted to start political projects would read it. The Lean method is a way of building organizations that are ruthlessly focused on serving their base of supporters, and evaluate their work against real results - and I think we all could use more of those.

Zero To One - Peter Thiel: Another book that reads like a confession when perhaps not intended to, Zero To One's main point is that the point of building businesses should be to build monopolies, and that competition is actually bad. A great starting point for understanding what's gone wrong in America's tech economy.

The Mother of All Questions - Rebecca Solnit: Of the many things to cherish about Solnit as a writer, the one I needed most when I re-read this book is her ability to gently but doggedly show other ways of imagining the world, and ourselves in it.

Native Speaker - Chang-Rae Lee: I think this is the third time I've read this novel, and the time I've enjoyed it the least: somehow on re-re-reading, the core metaphors became overbearing and over-used, and the plot and characters thinner.

Song of Achilles - Madeline Miller: There are several excellent entries in the sub-genre of classic tales re-told from the perspective of silent women characters, but this is the first I've read re-told from a man's perspective - in this case, the likely-lover of Achilles in the Iliad, Patroclus. While not necessarily a groundbreaking work of literature, it is a very well-executed one that tells a compelling story about how violence can destroy men who carry it out.

Uprooted - Naomi Novik: What makes Uprooted so engrossing is that its magical world feels grounded, and political: magic has consequences for the individuals who use it, and further consequences based on their place in the world. What makes it frustrating is the overwhelming number of things the author has happening in the story, and the difficulty they have bringing them to a conclusion.

#books #reading #booklist

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strayframes · 6 years

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Jet Li - China’s Hero

By Sam Cave

Beijing, 1963. A child is born into poverty, the youngest of five. By two years old, his father has passed away. His family can’t afford meat, so young Lie Liajie is often hungry but never complains. When he is eight years old, his mother enrolls him in a summer course for martial arts. He shows a natural talent for Wushu, and his instructor takes notice. The boy attends a non-sparring Wushu event. Soon after, the instructor refers him to Wu Bin, coach for the Beijing Wushu Team. With his family’s permission, he is allowed to join. The coach takes a special interest in the boy, making him practice twice as hard as the other students. The criticism is harsh and constant, but he has good to food to eat and a sense of purpose that will help him to rise above his environment - China’s rocky crossroads between the Great Leap Forward and Mao’s cultural revolution.

A few years pass. Once a year the team is allowed to go to the movies. They watch Shaw Brothers and Shaolin five venoms, and sometimes Jimmmy Chang. One night the team gets to see a film called Fist of fury, Starring a westerner name Bruce Lee. the older boys love the film, and they clap and cheer, some of them smoking cigarettes and drinking rice wine. Their instructor chaperones hush them but also smile and laugh. Even as strict as the coaches can be, these boys need to blow off steam. The boy sits and watches the film, wide eyed. A friend passes him a Coca-Cola but he doesn’t notice. He is mesmerized by Lee Little Dragon’s screams and whoops, his speed and tempo. It is not so much Bruce Lee’s skills - the boy has seen Wing Chun and Southern Style Kung Fu before many times. It is the pauses, the stare, the speed with which he executes each maneuver. These are the things that a young Lie Lianjie would incorporate into his own fighting style, as the years ahead transformed him into the Martial Arts idol in known as Jet Li.

Asian cinema is a vast genre, with very different subsets. When I think of Japanese film, I picture ghost stories and bloody action like The Grudge or Battle Royale. Korea has the darkly comic revenge films of Chan Wook Park (Oldboy, Lady Vengeance). John Woo (Hard-Boiled) and Wong Kar Wai (2046, In The Mood For Love) both hail from Hong Kong. Historically, Mainland China’s identity in film has been firmly rooted in martial arts and Wushu-style historical epic tales. This makes sense, since the Wushu novels of writers like Jin Yong hold a place not unlike Tolkien in Chinese literary culture. Jet Li’s characters in Once Upon A Time in China, Fist of Legend and Fearless are based on real historical figures, and the China depicted in these stories is an honorable, decent place worth fighting for. The nationalistic message is often heavy-handed, but considering the China of twenty or thirty years ago, perhaps people needed to believe in not just heroes, but Chinese heroes.

I first discovered Jet Li when I saw Lethal Weapon 4. He played a silent martial arts villain with a ponytail who could dismantle a gun in seconds. His pre-combat stare was like nothing I’d ever seen onscreen before. It is his trademark - when he glares at his enemy he eminates both pure calm and pure danger. LW4 was Li’s first time crossing over into American films, after making over 30 movies in China since his debut in the 1980’s. Becore Jet Li started acting, there was an effort to find a successor to Bruce Lee, as evidenced by the early films of another Chinese martial artist, Jackie Chan. Chan was ten years older than Jet Li, and had been trained at the Chinese Opera. By Contrast, Li’s training focused purely on martial arts. He specialized in Wushu from the age of eight. Unlike Bruce Lee, who broke with Kung Fu tradition to establish his own style of fighting, Jet Li would become a Kung-Fu formalist. His trained at the Shao-Lin temple and spent years becoming an expert in Northern-style Kung Fu. Before the age of 10, Li won gold medals at the All China Games, and his team performed for Richard Nixon at the White House. According to Wikipedia:

he was asked by Nixon to be his personal bodyguard. Li replied, "I don't want to protect any individual. When I grow up, I want to defend my one billion Chinese countrymen!"

Jet Li would not be groomed as Chan was, to carry on Bruce Lee’s legacy. Too much time had passed and the industry had moved on from Bruce-sploitation and the legacy of Enter the Dragon. When Li first emerged in the 1986 film Shaolin Temple, his Northern Wushu and Tai Chi background was evident in every move, every trap, every aerial spinning kick. His fighting and performing style harkened back to old-school Kung Fu films by Shaw Brothers like Five Venoms and (bla).

…

The storyline of a typical Jet Li film goes something like this: A guy from mainland China (cop, soldier, fill in the blank) is tasked with the responsibility of protecting someone or exacting revenge for a dead master. He goes to Hong Kong, Japan or America, where his upstanding and honorable values are called into question by his new surroundings. There’s a girl, a villain, and much flying of fists and feet until finally the hero returns to China, happy to be home (in The Defender, he is killed and his body goes back to China).

After a few years as a supporting, utility player, Jet Li got the role of a lifetime playing Wong in Once Upon A Time in China. The film, directed by Tsui Hark, was a retro/throwback style historical epic with sharp cinematography and high-flying wire assisted wushu fight choreography and stunts. It was a leap forward for Hong Kong film, and spawned 3 sequels with Li reprising the main role. The films that followed could be described as Jet Li’s Hong Kong period. Fist of Legend, The Defender (also titled Bodyguard from Beijing), The Enforcer, Meltdown, Hitman, Tai Chi Master, Swordsman series. The list goes on.

Some of these movies showcased Li’s martial arts skills better than others. Sometimes he had guns, like Chow Yun Fat in Hard Boiled. Sometimes he had a kid sidekick or a love interest. One thing is for sure - playing in a Hong Kong action movie in the 90’s was not for the faint if heart. Cut-rate action techniques and low-budgets loaned themselves to accidents. The fighting was often full-contact. Actors could end up with a face full of glass from explosions. Still, the Beijing Wushu prodigy found his place amongst other martial artists like Donnie Yen and Michelle Yeoh, churning out epics, gangster films and cop dramas for audiences in Hong Kong (now hurtling towards its handover to the mainland) as well as the rest of Asia and beyond.

The only unfortunate aspect of Jet Li’s Chinese catalogue lies in the poor production values of most of these films. The overdubbed English is poorly translated, the action has a cartoonish quality and the characters are usually stock and cheesy. In other words, they are typical ‘Chop-Socky’ Kung Fu films made in the style of Bruce Lee’s catalogue, before the technical achievements of later films like Crouching Tiger, Hideen Dragon and Iron Monkey. There are some clear exceptions, such as the Once Upon a Time in China series, expertly directed by Tsui Hark and featuring another Kung Fu prodigy, Donnie Yen.

Because they were made before the age of DVD and HD, Li’s films could only be seen by Western audiences in rare Chinatown screenings in a few major cities. In the late 1990’s a new pop culture trend would change this pattern, and the trajectory of Li’s career – catapulting the Wushu prodigy from China to the United States. When Wu-Tang Clan first arrived on the American hip-hop scene in 1993, no one was prepared. Their albums were soundscapes comprised of hard-hitting verses, skits, and samples from Kung Fu and martial arts films. Along with Nas, DMX and others, Wu-Tang popularized Jet Li’s films by referencing him directly in their music. Li noticed, and his late 90’s output reflected this unlikely alliance. Black Mask, Romeo Must Die, and Cradle 2 the Grave featured Li’s action sequences cut to high-energy hip-hop. The films were successful, proving that Jet Li’s Wushu could be imported to the West.

Like Jackie Chan, Jet Li’s late 90’s crossover into Hollywood films was inevitable. It was a career move probably not based on financial need (he was already wealthy), but more based on the fact that he had outgrown the Hong Kong film scene. After his role in Lethal Weapon 4, he starred in a string of ambitious but fairly crappy vehicles like Romeo Must Die, Kiss of the Dragon, and Cradle 2 the Grave. These films, though largely panned by critics, served the purpose of greater exposure to US audiences and access to directors and filmmaker

In 2006, Jet Li announced his retirement from martial arts movies. The final entries into Jet Li’s martial arts catalogue, all made around this time, are easily the best. Hero, Unleashed, and Fearless are examples of bigger-budget Jet Li, not so different from his Chinese films but with an emphasis on acting and emotional content.

Hero is an epic historical tale in the style of Crouching Tiger, Hidden Dragon. In the film Li plays Nameless, an assassin tasked by an Emperor to eliminate those warriors perceived as threats to his his throne. Filmed in wild and beautiful colors with flawless cinematography, Hero is an example of contemporary Chinese cinema, and how much technical ground has been gained in the past 15 years. The film has been hopelessly replicated and borrowed from since its release in 2002, mostly due to its historical accuracy, dark tone and operatic fight sequences. It was at the time the most expensive mainland Chinese film ever made, and sits at the beginning of a trio of martial arts films by director Zhang Zimou, who before Hero was mostly known in art house circles for his dramatic collaborations with actress Gong Li.

The casting of Hero was an eclectic mix of non-martial artists and experts, with Jet Li (the mainland’s biggest star) in perhaps his biggest starring role to date. Donnie Yen, who at that time was still a supporting player, was brought in for the first fight scene. Maggie Cheung and Tony Leung, coming off the huge success of Wong Kar Wai’s In The Mood For Love, played the feuding lovers Broken Sword and Flying Snow. And Crouching Tiger’s Ziyi Zhang played Moon, the loyal servant. Leung and Cheung were both veteran Hong Kong actors, neither one from strictly martial arts but with 20 years of experience in all genres. Zhang came from a ballet background, and though she had a breakthrough performance in a Crouching Tiger, her martial arts skills were limited. Jet Li recognized her talent and mentored her on set, and joked about his short legs being the reason for his never trying ballet. It made sense for Li to reach out to the younger Zhang, also from the mainland and twenty years his junior. For so long he himself had been the young Wushu prodigy, but now at over 40 years old he was sliding into an elder-statesman role.

The action sequences in Hero used wires extensively - not just as a tool to exaggerate aerial jumps and spins but to make the characters fly and soar the air, dreamlike and surreal. This deliberate wire choreography may have been influenced by The Matrix and Crouching Tiger, but Hero has its own sort of Cecil B DeMille outrageousness to it that is totally out of balance with the serious tone. In fact, Hero is almost weighed down by its own sense of gravity, and is sometimes unintentionally funny when it’s adding more and more layers to each action sequence. (Arrows). It is here that Jet Li is the films saving grace. His sense of form, toughness and his skill not just as a martial artist but as an actor corrects the balance. When Li extends both arms in front of his face and slides his sword back into its sheath with a resounding and satisfying ‘click’, the film resets itself and we, the audience are given a break from the proceedings.

Unleashed raises a poignant question: can a man who has been reduced to an animal find salvation? In this film Jet Li plays Danny, a childlike soul with violent tendencies, trained since childhood to fight and kill on demand. His aggression is symbolized by a metal collar, which is controlled by his brutal ‘master’. Li is passive until the collar comes off, at which time he becomes an attack dog, dispatching his opponents in a flying, screaming rage. Unleashed is pure pulp, but it is elevated by the presence of Morgan Freeman (as Danny’s kind savior), and by Jet Li’s performance. Danny is a kid, full of wonder and innocence, but unable to escape the violence that has defined his existence. Li plays it with subtle, quiet emotion and dignity. The action in Unleashed is as usual exciting and well mounted, choreographed by longtime collaborator Yuen Woo Ping. There are even some darkly funny moments, like when Danny kills an opponent with one poke to the Adam’s apple. Yikes.

Fearless is an atypical Chinese martial arts film, because it shows the hero as lacking virtue (at least for the first half of the film). Li plays Huo Yuanjia, Godfather of Wushu and undefeated champion of Tianjin. After murdering a rival in the ring, the rival’s disciple takes revenge and kills Huo’s family. In his grief, Huo goes into exile and lives amongst simple farmers. Finally he returns home, humbled but also disgusted by the imperialist influx of foreigners taking over China. He begins to fight again, but this time for the honor and reputation of China – essentially for China’s place in the world. His final fight before dying from poisoned tea is against Tanaka, a Japanese samurai. It is worth noting that the Japanese occupation is a common theme amongst Chinese and Korean films. Both countries suffered under Japan at different times, and in the world of Fist of Legend and Fearless (two parts of the same story) the scars are still fresh. Fearless is actually titled Jet Li’s Fearless, and this film finds the actor back in his comfort zone of pure Wushu action and Chinese history. Where in Fist of Legend he reprised Bruce Lee’s performance in Fist of Fury as Chen Zheng, student of Huo Yuanjia and avenger of his master’s death, Li gets to play the master himself. Fearless is a mainland production, not as artsy as Hero and more in the vein of Once Upon a Time in China.

In the wake of Bruce Lee’s untimely death, the martial arts world was fractured. In the West, Karate was gaining speed and this popularity gave actors like Chuck Norris (a contemporary of Lee’s) and Jean-Claude Van Damme

It would seem the sun has set on Jet Li’s career. He left his audience wanting more, and with Disney hinting that he might return to his martial arts roots in Mulan, there may be more to see. In his personal life, Li occupies the rare position of the a mainland Chinese with wealth, who, now living in Singapore, is somewhat beyond the reach of the communist government. As a devout a Buddhist he has in fact visited the Dalai Lama (while making sure to voice his belief in a united China). He

So, the question remains. What is your favourite Jet Li movie? And why does Jet Li Matter? In the opinion of this humble critic, Jet Li Matters because China matters. Mainland China needed a hero during times of extreme transition, when the Western idea of the Middle Kingdom was that it was a place that manufactured plastic trinkets. Audiences got used to Jet Li, Michelle Yeoh, and yes, Jackie Chan - as the heroes of Shao Lin or daring Beijing Police detectives, fighting their way through low-budget films made by an industry trying to keep up with the world, yet not afraid to have some fun in the moment. I still have only seen a handful of the original Jet Li movies, and so my perception of his work is top-heavy, weighed down by the performances from the end of a unique and amazing career. But what performances they are: Danny the Dog sitting next to Morgan Freeman at the piano, trying to find the courage to say his own name. Nameless and Flying Snow deflecting a sea of arrows with their swords, weightless in the air above a temple. And finally Huo Yuanjia, in the last moments of his life and with poison coursing through his veins, finishing his battle against Tanaka, Japan, Imperialist Britain, and himself. Jet Li Matters.

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dapperfvck-arc · 7 years

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BASIC.

FULL NAME. John Constantine NICKNAME. officially, Conjob, mostly from his days on the punk scene. On the esoteric side of things he may be referred to “The Laughing Magician” or, more derisively “a petty dabbler”. BIRTHDAY. May 10 (by original Hellblazer canon, he was born in 1953, but I’ve taken it upon myself to adjust his birth year to some time in the early 70s give or take) ETHNIC GROUP. Caucasian NATIONALITY. English (with strongly implied deep Russian roots) LANGUAGE. English, basic grasp of most major European languages, profound fluency in dead/magical/infernal languages SEXUAL ORIENTATION. Bisexual af RELATIONSHIP STATUS. Verse/continuity dependent, though this blog is fairly heavily multi-ship. However, it should be noted that on the MCU continuity, John is in an exclusive, committed relationship with Matt Murdock ( @dcviltongued ) CLASS. Middle to lower class. Is very good at getting fast money (scams, gambling, dealing in magic artifacts/antiques of questionable quality and veracity) so may appear to be better off at certain times HOME TOWN / AREA. Liverpool, England, but has been living in London since leaving the family home at 17. CURRENT HOME. Heavily verse/continuity/thread dependent. John is a frequent traveller. PROFESSION. Somewhat verse/continuity dependent. Really it’s just a matter of whether or not he charges for exorcisms or magic rituals. My personal endgame for John is legitimacy. Like becoming a preternatural PI (and sometimes mundane) for hire or whatever. As a general rule though, his profession is con artist. He’s never worked a honest day’s work in his life. The closest he ever got was when he was a “rock star”. He could also be considered a professional gambler, patronizing horse tracks, underground card games, legal casinos, and I imagine can hustle at pool. Scams range from blackmail to using his reputation as an occultist to take advantage of people willing to pay for spell work.

PHYSICAL.

HAIR. Short and usually rather messy. He rocks bedhead pretty aggressively. May be shaved and very short on the sides and styled into a faux to actual mohawk. He’s very blonde despite not getting very much sun as a general. EYES. Electric blue, often almost fever bright. Deep and captivating, extremely intense straight on. NOSE. difficult to pin down due to the range of styles in which John have been drawn. Usually broad and more or less regular, occasionally somewhat crooked from being broken, though by and large, it’s portrayed as straight. Some artists, such as Moriat and Sean Murphy have drawn it as narrow and somewhat aquiline. I guess, I tend lean toward the former despite my deep love for Murphy’s interpretation of John, simply because I feel like my choice in FC is somewhat based on Tim Bradstreet and Leonardo Manco’s artistic interpretations of John, both of which I honestly adore just as well. FACE. Yet another loooong explanation here, I’m sorry. Artists tend to lean between giving him either a square face, classically handsome appearance (Steve Dillon, John Higgins, Ron Tiner, most of artists that have drawn him in the DC titles he’s appeared in), a broader, more every man appearance (Sean Phillips, Leonardo Manco to some degree, though later proved quite capable of drawing him stunningly handsome, and Tim Bradstreet), however still attractive but somewhat more haggard, stubbled, and/or slightly seedy in appearance, and finally a sharper, more diamond shape to his face featuring high cheekbones, a pointed chin and fine bone structure (Sean Murphy, Marcelo Frusin, and Moriat). Once more, in reference to my face claim for John, I suppose I tend to favour a more classically handsome appearance, simply because I like the idea of him having a pleasant, almost trustworthy face given that he is a con artist and considered an extremely good one (sometimes even the greatest con artist alive but idk whatever), and I feel like looking as dodgy as say, Frusin’s interpretation, I can’t imagine him being as successful as he is, you feel me? That guy looks like he’ll fuck you over for a corn chip. LIPS. Sensuous, faintly lined from his his smoking habit COMPLEXION. Like any good Englishman that tends to move about by night and quite a bit dressed, John’s very pale. I do think he has a faintly pronounced undertone of pink. This colour will get brighter when he gets drunk, aroused, angry, or the exceedingly rare instance that he’s embarrassed BLEMISHES. None SCARS. Aside from the scarification, which is better off detailed in the next section, and I ALWAYS FORGET TO MENTION THIS, he definitely has a long scar over one eye from a demon trying to cut it out with a blade. Since many magic rituals call for blood, I head canon that he also has faint scarring on his arms because he doesn’t practice human or animal sacrifice and his own blood instead.

TATTOOS. Arse tattoo of pine tree courtesy of Swamp Thing being a punk bitch, ritual tattoos faded into appearing as scarification. HEIGHT. 5′11 (184.34 cm) WEIGHT: prolly ranges between 150-160lbs (140 at his lightest) BUILD. Long legs, somewhat of a broad upper torso, can be a bit soft in the middle. In general, he’s rather thin but his musculature is not usually very defined. In other words, no big, sexy pecs or cut abs. If anything he’s more sleek lines and narrow planes. ALLERGIES. none USUAL HAIR STYLE. Freshly fucked USUAL CLOTHING. Dark suits, usually dark blue or black and trench coat, usually tan, has also been portrayed as black, yellow, or a mossy kinda green. In theory it could be said that these aren’t just differing interpretations from artists but that John owns coats in different colours, styles, and fabrics, but his favourite is the tan, longer style

PSYCHOLOGY.

FEAR. abandonment, amounting to nothing, not being able to protect those he cares about ASPIRATION. survival, making some kind of mark on this world, a measure of contentment POSITIVE TRAITS. Compassionate and determined, above all. Though not about to admit to it, he's still deeply idealistic. Strangely forgiving. He doesn’t really keep grudges. Loving, considerate, understanding, and rarely judgmental NEGATIVE TRAITS. Those good things up above? They’re encased in a shell of harsh cynicism and apathy. Depending on his mood or particular part of his life depends on how hard a shell he is to crack. He may also experience depressive periods where he doesn’t give a shit about anyone or anything and just wants to drink. VICE HABIT. Chain smokes, drinks, frequency dependent on what’s up in his life, though I do not believe he’s an alcoholic, sorry, because lol look, drinking a lot doesn’t mean you have a dependency. Indulges in drugs infrequently, mostly hallucinogens and weed, though I also tend to head canon that he flirted with a cocaine habit while fronting Mucous Membrane. FAITH. It’s complicated GHOSTS? Duh. He sees them plain as any living person AFTERLIFE? Yeah, but uh, he doesn’t consider them eternal respites. They’re just planes of existence that he can either enter, leave, or pull people out. REINCARNATION? Maybe? ALIENS? I meeeeaannn....technically in DCU he’s acquainted with the concept of aliens and may or may not have fucked Hal Jordan POLITICAL ALIGNMENT. Liberal ECONOMIC PREFERENCE. comfortable SOCIOPOLITICAL POSITION. working class warlock EDUCATION LEVEL. Predominately self-educated. His frightfully intelligent and has been cited as having genius level intellect. Although I’m not sure I’d go so far as confirm that, I do thing he’s extremely clever and pragmatic. School bored him to tears and he was the type of kid the counselors and teachers say “exceedingly bright but unwilling to apply himself”. He reads voraciously, has an eidetic memory, and isn’t afraid of putting himself in new situations.

FAMILY.

FATHER. Thomas (dead, murdered by the Family Man) MOTHER. Mary Anne (died in child birth) SIBLINGS. Cheryl (murdered by husband, currently residing in Hell), an unnamed twin brother referred to as the Golden Child or Boy, the true heir to the Laughing Magician (stillborn, soul was later absorbed by John in trippy magic ritual, only to be expelled later in life when it was revealed that...uh...he was influencing John’s destiny to be perpetually sabotaged. Hellblazer’s a weird comic, you guys) EXTENDED FAMILY. Gemma, his niece. They have a rather stormy relationship. Chas, his best mate. Lovers may also be included in this. NAME MEANING. John: Jehovah has been Gracious/Shown Favour (lmao) Constantine: Constant, steadfast, generally referred to as “The Constant One”

HISTORICAL CONNECTION. Is strongly implied that John’s related, if perhaps distantly, to Constantine the Great.

FAVOURITES.

BOOKS. Prefers non-fiction MUSIC. Rock music, most notably 70s and 80s era punk rock. Likes the Pogues. Given the stack of evidence that John skirts the edge of the Goth scene cos he likes the aesthetic on women, I have a feeling he’s adopted into his music tastes. The Cure, Smiths, and Cocteau Twins in reference to an 80s mixtape John might make. Which i question the Smiths heavily, but The Cure and Cocteau Twins seems fairly legit. I bet Kit loved the Cocteau Twins. In that same vein of thought, although I tend to think John doesn’t like electronic music, he may have adopted some industrial bands into his preferences but he’s not about to talk about ti any time soon. DEITY. Whichever one doesn’t hate him HOLIDAY. doesn’t care MONTH. same SEASON. Fall PLACE. London or New York, in the case of sentimentality that he will never be able to get back to, the years when he was bumming around Ireland with Brenden and Kit WEATHER. Overcast SOUND. He’s a city boy through and through, even if he may get frustrated with society on a whole, so he’s comforted by city sounds more than silence SCENT. A freshly poured pint, the first cigarette of the day, skin and sex sweat TASTE. Gin FEEL. He’s a sensualist. Body to body, breathing another person’s breath, his please, another person’s pleasure, his pleasure, all that good stuff. I also feel like he enjoys being drunk or stoned for the sake of having his thoughts dulled to a degree. He’s the sort of man who has lots of thoughts and situational observational input. John is basically perpetually mentally overstimulated and he likes the relief from that in inebriation. ANIMAL. Fox NUMBER. hahaha idea numerology man COLOUR. warm and neutral tones

EXTRA.

TALENTS. So many. He’s a jack of all trades in a lot of ways. He can pick a lock, displays some artistic talent in that he can draw very intricate magic circles and sigils, if you consider that John wrote Venus of the Hardsell, he’s clearly got some ability to express himself in lyrics and words, i like to think he can play guitar, is apparently good with delicate craftsmanship (he used to help Dani build furniture for her dollhouses. This is canon by the way), suppose you could say he can sort of sing, but that’s debatable, and of course he’s very manipulative and speaks very well, is educated enough to be able to bullshit through various situations. TURN ONS. Total ass man, loves a great ass on a man or woman, dark hair, dark eyes, strong men, he’s a switch, but loves being manhandled and dominated to a degree, by either gender, honestly, danger, open affection, being wanted, loved, and cherished. So many things, honestly. John Constantine is easy. TURN OFFS. Hardcore kink HOBBIES. Sleep, pub crawls, pretending he’s normal, reading TROPES. Con man with a heart of gold, charming bastard, unrepentant rogue, urban magician, supernatural detective, living legend AESTHETICS. smoke, chalk dust, wind and rain swept streets, London after midnight, narrow, dark alleys, haunted places, rumpled bed sheets, messy hair, dive bars, wicked smiles, deep kisses

FC INFO.

MAIN FC. Ewan McGregor // comic caps from various issues he’s appeared ALT FC. Keanu Reeves for my filmverse OLDER FC. Don’t have one as yet YOUNGER FC. Ewan McGregor VOICE CLAIM. Jason Stathem

Tagged by: @vamptrampbamf Tagging: lmao fuckin everyone.

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thrashermaxey · 5 years

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Ramblings: Hart Wins His Debut, Ghost Wakes Up, Morrissey, Skinner, Kadri, & Kase (Dec. 19)

The Maple Leafs and Devils met on Tuesday evening in Jersey. Toronto came into the contest on a mini-slide, picking up just four points in their last five contests. That slipped them to third in the Atlantic and they were looking to right the ship. Meanwhile, Taylor Hall returned from injury for a floundering Devils squad who needs to get the momentum running in the right direction if they have any aspirations of a wild card spot this spring.

It was all Toronto early in this one. The Maple Leafs scored three goals on their first eight shots, with Auston Matthews getting in on two of them (1+1). The porous play of Keith Kinkaid only further exacerbates the issues in net for the Devils. Cory Schneider is now mercifully on the IR, but his days of stopping pucks at a respectable level appear over. Kinkaid has had stretches of success, but shouldn't be considered a long-term solution.

That leaves Mackenzie Blackwood.

The 22-year-old is up with the big club after posting a .911 save percentage in 15 AHL games this season. Blackwood has the pedigree of a potential NHL starter but still has more than a few warts to clear up. If you're looking for a prospect goalie with a clear path though, there aren't too many better spots than in New Jersey.

Blackwood would see some action after Kinkaid let in his fifth of the night. It wasn't overly promising for the youngster either as he stopped 8/10 and the Leafs cruised to a 7-2 victory.

Nazem Kadri produced three even-strength primary assists on the night. The line of him, Marleau and Nylander seem to be forming some chemistry. Kadri still sees strong deployment on that vaunted top power-play unit. He's likely good for a better pace than the 45-point clip he was at coming into this game.

Watch for an opportunity to buy low.

With Dave Hakstol finally and mercifully, let go. The Flyers hosted the Red Wings on Tuesday evening. Fill-in coach, Scott Gordon shook up the lines ahead of this one. It was JVR being elevated to the top line next to Claude Giroux and Travis Konecny. A great spot for the two youngsters.

Jakub Voracek, who has been waking from his early-season slumber and just saw a seven-game, eight-point streak snapped in Vancouver last Saturday, was skating next to Sean Couturier and Wayne Simmonds. That left Nolan Patrick to skate beside Scott Laughton and Michael Raffl.

What really needs to be fixed for the fantasy folk is the power play.

The Flyers have historically been a dangerous team on the man-advantage. They clicked at 20.7 percent a season ago, but have slipped all the way the 30th overall this season with a putrid 12.7 percent conversion rate. This has been felt in no bigger a spot than to Shayne Gostisbehere owners.

Ghost led all defenders in power-play points last season with 33. He has seven in 31 contests this year to be on pace for 19. Bravo to all you who have remained patient, waiting for your All-Star blueliner to return to form.

Ghost continued to skate on the top unit with Voracek next to him on the point. Simmonds was given the first crack at the net front job on the top unit – a place that he occupied (and thrived in) for years in Philly.

Lo and behold, Gostisbehere managed to get in on the action tonight. He assisted on a van Riemsdyk first period even-strength tally and converted an even-strength goal as well. That brings the Gostisbehere up to 15 points in 33 games. We'll take this a positive indication that more good times will follow.

Allow me to bury the lede here and slip in that 20-year-old, Carter Hart started his first NHL game. He's the sixth goaltender to start a game for Philadelphia this season.

The Flyers' top prospect wasn't exactly lighting the AHL on fire as a first-year pro, with just a 0.901 save percentage in 17 games. He had been warming up though, with a 0.922 mark across his last seven starts.

And what'd ya know, the kid earned himself a victory. Hart stopped 20 of 22 shots as the Flyers took down Detroit 3-2. Not a bad opening act.

Obligatory Elias Pettersson chat. Coming into Tuesday's matchup against the Lightning, here is how the 20-year-old rookie compares to his first-year brethren over the past 25 years

{source}<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Most points through their first 30 NHL games (last 25 years):<br><br>Alexei Yashin 36<br>Elias Pettersson 35<br>Alex Ovechkin 34<br>Connor McDavid 34<br>Evgeni Malkin 33<br>Sidney Crosby 31<br>Patrick Kane 30 <a href="https://t.co/DgtIhvtQrS">pic.twitter.com/DgtIhvtQrS</a></p>— /Cam Robinson/ (@Hockey_Robinson) <a href="https://twitter.com/Hockey_Robinson/status/1074537548616163329?ref_src=twsrc%5Etfw">December 17, 2018</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>{/source}

The 20-year-old saw his seven-game, 13 point streak come to an end on Tuesday as the Canucks fell to the Lightning 5-2. It was a feisty and shot-filled affair. Not bad for a couple of teams on opposite ends of the continent.

The Lightning are now 26-7-2 on the season. Vasilevskiy is back and looking like the franchise netminder he is. This team is jacked up.

The Ducks took on the Rangers on the road. They've been riding hot of late and I think I know the reason.

{source}<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Ducks are 12-3-2 since Ondrej Kase recovered from concussion and joined the lineup. Nine goals in his 17 games, with six in his last six.</p>— Eric Stephens (@icemancometh) <a href="https://twitter.com/icemancometh/status/1074894735196733440?ref_src=twsrc%5Etfw">December 18, 2018</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>{/source}

I've been a big proponent of Kase's for a while. Maybe not as big as our boy, Slim Cliffy, but a proponent nonetheless. His spot in the top six was facilitated by injuries, but he's held it due to his production. He looks like a perfect fit next to Ryan Getzlaf on L1. Now all that's left is to get him onto the top power-play unit and watch him produce at a consistent 60-point-pace.

Kase managed to snag a secondary assist in this one to give him eight points in his last five games. That's a heater. But it's not as good as what Kevin Hayes is up to. The Rangers' pivot scored the shorthanded game-winner on Tuesday to extend his point streak to five games and 10 points.

Hayes has been excellent in the second quarter and doesn't look to be slowing down anytime soon. He's clicking below his career shooting percentage and has been feasting on opponents at five-on-five. Those are great signs for prolonged success.

If he's still on the wire, it's time to snatch him up.

Vladdy Namestnikov had a goal and two helpers in this one. But he's seeing virtually no power-play deployment and has been living in the bottom six.

Leave him be for now.

John Klingberg skated at Stars' practice for the second consecutive day. He's getting closer to a return and could suit up on Thursday against Chicago. Needless to say, this is a big-time Christmas present for the Stars and for fantasy owners. I know it's been a long five weeks without him on my roster.

Dallas and Calgary hooked up for a battle in the Big D. The Flames came into this one having won eight of their last nine games. Meanwhile, the Stars reunited Jamie Benn, Tyler Seguin and Alex Radulov on the top line to spark some offence. The Dallas trio hooked up on the first goal of the game as the Stars beat the Flames 2-0

It wasn't an overly exciting contest, but Ben Bishop did leave this one after taking a knock to the head. He returned to lock up the shutout, but we've seen players come back into games after potential concussions only to feel the effects a day later. Keep an eye on his status.

{source}<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Chicago just announced that they will loan Henri Jokiharju to Finland for the <a href="https://twitter.com/hashtag/WJC2019?src=hash&ref_src=twsrc%5Etfw">#WJC2019</a>. That's HUGE for the Suomi. They've got their top defender now and will hope to get Vaakanainen to complete the top pair.</p>— /Cam Robinson/ (@Hockey_Robinson) <a href="https://twitter.com/Hockey_Robinson/status/1075069051234222080?ref_src=twsrc%5Etfw">December 18, 2018</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>{/source}

The Panthers earned a much-needed victory on Tuesday evening. They overcame two first period deficits to beat the Sabres 5-2. Evgeni Dadonov led the way with two goals and an assist. One of the tallies came via a penalty shot that narrowly squeaked in. And I do mean narrowly.

https://dobberhockey.com/wp-content/uploads/sites/2/2018/12/Daddy.mp4

Dadonov continues his terrific season. The 29-year-old now sits with 33 points in 32 contests.

Jeff Skinner tallied his 25th goal of the season and added an assist in this one. He's all alone in second for the race for the Rocket. But at some point, his 24 percent conversion rate is going to crater. I love him next to Eichel in all-situations as captain Jack is establishing himself as a premier talent in this league. However, I smell a serious sell-high opportunity here with Skinner.

If you can pull an established 75-80 point player for Skinner, please do.

Martin Jones and the Sharks shutout the Wild 4-0. Logan Couture provided two goals, while Tomas Hertl chipped in with a couple of assists.

This was a big outing for Jones and his owners. He had just a 0.893 save percentage over the last six weeks coming into this game. Hopefully, this is the beginning of a sustained run of quality starts. Erik Karlsson is looking more and more like himself. That shouldn't hurt things.

Josh Morrissey kept his hot play alive despite Winnipeg losing 4-1 to LA in one of the late games. The 23-year-old grabbed a first period assist to give him 10 points in his last seven games. He's up to 21 points in 32 games all while seeing just 1:43 on the man-advantage each night. Granted, that Jets' second power-play unit boasts some big skill, but it's difficult to maintain a 50-plus point pace from the backend with top unit deployment.

I expect a cold streak is coming.

Feel free to follow me on Twitter @Hockey_Robinson

from All About Sports https://dobberhockey.com/hockey-rambling/ramblings-hart-makes-his-debut-ghost-wakes-up-morrissey-skinner-kadri-kase-dec-19/

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funnythingshere0-blog · 6 years

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Assassin's Creed Origins, Six Months Later

New Post has been published on https://funnythingshere.xyz/assassins-creed-origins-six-months-later/

Assassin's Creed Origins, Six Months Later

Half a year ago, Ubisoft released Assassin’s Creed Origins. It was in some ways the most ambitious Assassin’s Creed game ever made, and in other ways noticeably less ambitious than its predecessors. In the months since then, Origins has become considerably more interesting.

Join me now as we climb into the Animus and travel back in time to the world inhabited by our distant ancestors, those people who lived in the fabled era of October, 2017. From there, we’ll embark on a journey through our unusually exciting first six months with Assassin’s Creed Origins.

Assassin’s Creed Origins came out on October 27, 2017. It was released simultaneously for PS4, Xbox One, and PC. It shared that release date with Wolfenstein II: The New Colossus and Super Mario Odyssey, making it probably the biggest single video game release date of the year. It received generally positive reviews. In my review for Kotaku, I said that for all its extraordinary visual splendor, it was ultimately an ordinary video game. But I liked it overall.

A couple months later I recorded a spoilercast with fellow Kotaku Assassin’s Creed fans Luke Plunkett and Stephen Totilo, where we talked more in-depth about what we made of the story and the game overall.

There was one weird wrinkle just as it was coming out, as bots flooded the game’s Metacritic user reviews with fake, positive reviews that were often total gibberish. It’s still unclear why or how that happened, though Metacritic’s boss said that it does happen from time to time.

The game immediately got some quality cosplay and plenty of glitch videos, of course. It was a Ubisoft game, and despite its level of polish relative to other recent Assassin’s Creed games, it still had some funny bugs. In particular, we liked the flying boat, a bug that was patched several months later in January.

There were a few interesting small details hidden inside the game, including some irrefutable evidence that Assassin’s Creed’s present-day timeline and Ubisoft’s Watch Dogs series take place in the same universe.

The game also proved shockingly large, earning some praise as players discovered more of its vast expanse. Its sheer scale somewhat made up for the fact that the game leaned so hard on its straightforward numbers-based RPG leveling system and dropped many of the interesting gameplay experiments (support assassins, grappling hooks, city takeover, pirate ships) of past games.

There was also a fascinating story behind the explorable tomb the developers placed within the Great Pyramid of Giza. Just as the game was coming out, news broke that scientists had discovered a previously undetected space within the pyramid… but that space was already in Origins. Turns out that was because the developers based their design on the work of a French architect who had already theorized the location and general size of the chamber, and correctly, as it turned out.

The developers were clear up front that there’d be a lot of stuff coming to Origins after release. A couple weeks before the game came out, Ubisoft launched a trailer detailing the two main DLC packs Curse of the Pharaohs and The Hidden Ones, which you only got if you bought the game’s season pass. They also detailed a bunch of free post-release stuff including the Trial of the Gods and a Horde Mode, and the ambitious Discovery Tour, a combat-free mode that would offer guided historical tours of the game’s re-creation of ancient Egypt.

The Trial of the Gods consisted of a series of limited-time boss fights that would pop up on players’ maps. Go to the spot on the map, and an Animus glitch would crack open and a massive boss would emerge, fashioned after one of the Egyptian pantheon. They started hitting the game in November, but as Stephen pointed out at the time, that was actually a little early for most players to be high enough level to try them. Fortunately they’ve repeated many times since then, and just about everyone has had a chance to defeat all the gods. Ubisoft eventually even offered harder iterations of the gods.

In December, Origins got an extremely important patch that changed the backdrop color of your throwable item from blue to gold. That made it possible to make your entire gear screen show gold items instead of having a single one remain blue. And I mean, let’s be real, that was basically been a game-breaking problem, so it’s a good thing Ubisoft fixed it. This was also one of many patched changes that showed Ubisoft being swiftly responsive to numerous complaints about the game offered in its subreddit or official message boards.

In a December “Developer Q&A” blog post seemingly written with an awareness that some fans found the amount of the game dedicated to the franchise’s modern-day storyline lacking, Ubisoft wrote that Ubisoft wrote that “The main story in each game is the one set in the past.” That frustrated some fans who’ve wanted more from the game’s present-day storylines, and reinforced the series’ clear trend toward minimizing the present-day stuff compared with the first few games. Sorry, present-day-lore junkies.

The 1.1.0 patch also brought a couple of other notable new features, including a new Nightmare difficulty mode, enemy level scaling to keep low-level areas engaging for high-level players, and a more intuitive way to customize Bayek’s look in the “gear” menu. That last option made it much easier to make sure Bayek was always rocking a beard, a shaved head, and no hood, which is objectively his best look and I will hear no arguments to the contrary.

It’s just true.

One funny addition to the game in December was a bit of crossover content tied to Square Enix’s Final Fantasy XV. If you went to a spot in the desert and solved a puzzle, you could get a chocobo-lookin’ camel to ride and unlock some weapons that look like something Noctis would use. The Origins content corresponded to a much more elaborate event that took place in Final Fantasy XV, which included an entire mini story-campaign tied to an Assassin’s Creed festival that Noct and his bros attended.

The game’s first expansion, The Hidden Ones came out in January, and while it offered some nice-looking new environments, it was really just more Assassin’s Creed Origins. Not such a bad thing, though given how absurdly huge the base game was (I STILL haven’t finished every sidequest!), the expansion didn’t really stand out that much from what players already had. Entertainingly, the expansion was accidentally released a week early on Xbox One, though it was subsequently pulled by Ubisoft.

In advance of The Hidden Ones, Ubisoft added a free bonus mission that set up the events of the expansion. It was a cool way to stitch together old and new parts of the game, and was a trick they’d done earlier to set up a free horde mode, and then in March for Curse of the Pharaohs.

Also in January, Ubisoft patched in an audio message to a tomb that you come across in the main game. That set players theorizing that it was meant to hint at some as-yet-unveiled secret, but Ubisoft claimed it was just rectifying a mistake. The message had been meant to be in the game at launch, but for some odd reason had been left out.

Discovery Mode hit in February, and it basically turned the game into a museum. It was a neat idea, and it was particularly cool that Ubisoft sold it as a separate standalone game on PC. Many raved about it, though there was some drama over Ubisoft’s decision to censor naked statues (there are no nude statues in the Discovery Mode version of the game). John Walker at Rock, Paper, Shotgun, offered a more critical look, pointing out that the tour’s lack of clear sourcing and transparency undermined what could otherwise have been a nice educational tool.

In February Origins also got a New Game+ mode, one of several post-release additions aimed at letting players draw out their time with the game and get even more out of it.

The second DLC, Curse of the Pharaohs, hit in March, and Luke Plunkett liked it a lot. It goes buckwild with the story, introducing phantoms from the afterlife, mystical curses, and all sorts of other dimension-shifting shenanigans. Even from the little I’ve played it’s clear that this expansion is special, and will doubtless rank among the best Assassin’s Creed expansions Ubisoft has put out.

At the Game Developers Conference in March, Ubisoft developers shared how they managed to make a game as vast and full of stuff as Origins. The answer, as it turned out, was to have not one but several full studios working on the game, a practice they’ve been refining over the years to allow them to make such vast games on a somewhat consistent timetable.

In April, Ubisoft put out the “Animus Control Panel” for PC players, which lets you tweak all sorts of parameters for the game like enemy awareness, maximum number of tamed animals, and even enemy hitboxes and attack speeds. It’s a nifty bonus, and it’d be nice if console players will eventually get it. That was the last thing added to the game, and no further additions, features, or expansions have been announced.

As you can tell just by reading through this post, Origins has gotten an unusually large amount of post-release support, even for a game from a major-label publisher like Ubisoft. Like Ghost Recon: Wildlands before it, Origins demonstrates how Ubisoft is testing and recalibrating their approach to converting their most well-known series into service games. In the case of Origins, it also demonstrates how an entirely single-player game can still function like a service game, keeping players engaged and coming back months after they ordinarily would’ve stopped.

I’ve grown fonder of Origins over the six months since I first played it. That’s been at least in part because Ubisoft has done such a good job of refining, expanding, and deepening the game. Origins will never be as varied, experimental, or interesting as some other Assassin’s Creed games, but it’s beautiful and relaxing, and makes for a pretty splendid way to spend an evening unwinding after a long day.

It is a testament to Origins’ ambitious scope that after dozens and dozens of hours, I’ve still so many more things to do. It’s a testament to its quality that even after all that time, I’m still glad I’m not finished.

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