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Frida: Be Yourself by Allyson Elliott

Magdalena Carmen Frida Kahlo y Calderon: if you somehow don't know her name, I'm sure you know her face.

Frida was born July 6, 1907, and has become one of the most iconic figures of our time 110 years later, predominately in the feminist movement. How, do you ask? She believed in the equality of all sexes and classes. She interpreted and portrayed shamelessly not only many intimate moments of the female condition but of the human experience as a whole. Regardless of actual fact she insisted on claiming July 7, 1910 for her true birth date as to be unequivocally aligned with the birth of the Mexican Revolution, one of the lesser ways she determined the truth of her own life.

“They thought I was a Surrealist, but I wasn’t. I never painted dreams. I painted my own reality.”

She had an undeniable tenacity in the face of a life filled with a myriad of physical pain and emotional turmoil. At the age of 6 she was diagnosed with polio leaving her with a limp she would carry the rest of her life. She experienced a nearly fatal trolley accident at the age of 18, which she survived but suffered numerous injuries. The severity of which would incite over 30 surgeries through the course of her life and rendered her incapable of bearing children. Heartbreaking as it is, we can thank that fateful accident for instigating Kahlo’s love of painting. She was confined to a bed in a full body cast for months with nothing to do but consume herself in her art. “I was Born a Bitch. I was Born a Painter” and no one dare combat her on this or any front. She died at the mere age of 47. In her brief lifetime she received acclaim though nothing compared to the persona she now embodies.

She loved herself as all of us should. Never giving way to conventional standards of beauty by plucking or shaving a single hair on her body. She boldly broke convention and never drifted away from who she wanted to be; you could take it or leave it. Her first painting was of herself: "Self-Portrait in a Velvet Dress."

On the back of the canvas Frida wrote in German “Heute ist immer noch,” meaning “Today is always.” She lived in the moment and mostly for herself.

“The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.”

Her passion for painting was spurred by her need to express and vent her frustrations making it challenging to separate Frida’s personal life from her artwork (not that it necessarily should be.) Many artists often return to beloved themes, Frida’s most beloved was herself. An oeuvre containing 143 paintings, 55 of which were self portraits. “I am my own muse, I am the subject I know best. The subject I want to know better.”

One of Kahlo’s most famous and brutally honest works is that of “The Broken Column”

“My painting carries with it the message of pain.” Depicted here crying in anguish from the injuries she had endured. She is split in two with her stable spine replaced by decaying stone. She experienced chronic pain the entirety of her life but never hid behind it. She embraced those cracks as part of who she was and only became stronger for it. Nails pierce her body and face, and yet despite her tears she gazes straight at the viewer as if to defy any weakness.

However, her vulnerability manifested in a similar manner to that of many women today: a man. I am not by any means a man hating feminist and neither was Frida, I say this as for many years she was overshadowed and seen only as the wife of renowned muralist Diego Rivera. Frida and Diego’s marriage was tempestuous to say the least. “There have been two great accidents in my life. One was the trolley and the other was Diego. Diego was by far the worst.” Countless affairs were had on both sides, Frida with both men and women, neither party exerted much effort to conceal their infidelities from the other and yet with this quote she seemingly views herself as the victim. Perhaps it is due to Diego’s most monstrous betrayal. That of a lustful love affair between him and her sister, resulting in their subsequent divorce.

As a result of this deception one of Frida’s greatest masterpieces was created. “Self-Portrait with Thorn Necklace and Hummingbird”

Multiple interpretations are seen in many of her works through symbolism born intensely in her imagery. This particular composition has a slew of interpretations in and of itself. Bearing an unraveled crown of thorns as a necklace drawing blood as they penetrate her flesh dripping to a pristine white frock presents her in a martyr like fashion. It may be a wit hypocritical, as she too had her fair share of lovers. She was duped by both husband and sister. I’d say there are worse things she could do than claim no fault in the matter. The hummingbird indicative of freedom, luck in love, sometimes war, and perhaps even emblematic of Frida herself, dangles lifelessly. A fervent picture of her soul, no doubt. The Monkey on her back (both literally and figuratively) was a personal pet, and gift from Diego (literally and figuratively.) Also symbolic of the devil and animal sexuality. Sitting opposite a black cat, symbol of bad luck and death. Is this a representation of Good vs. Evil? If so which is Good, which is Evil? Feasibly, The Spirit vs. The Flesh? Which side should she choose? Maybe neither. The Butterflies have been said to represent her own resurrection. Considering this and the fact that the couple remarried only one year following their divorce, I believe she chose the path of forgiveness and she knew she would all along. The heart wants what the heart wants and the pain of losing Diego possibly was worse than the pain caused by his scandalous acts. “At the end of the day, we can endure much more than we think we can.” Diego might have been her biggest weakness but she loved him and it took great strength of will be able to accept these facts and move forward. Embracing the life she wished to lead against the judgement of others.

Due to her brutal and unforgiving honesty Frida redefined the personal as political and believed to be painting ‘Revolutionary Realism’. Her Cultural Nationalism is reflected in her "Mexicanidad" (love of things Mexican). Placing an emphasis on Pre-Columbian traditions in an effort to purify the effects of colonization in Mexico and reclaim lost traditional values of the civilization. Yet the intensity of her personal life frequently eclipses the profoundly intelligent woman, utterly brilliant technical painter, and devout Communist/Stalinist that she was.

Fridamania first struck, hard, in the mid 1980’s but over the past few years there has been a definite resurgence in her popularization. Her image is plastered indelibly on every style of merchandise you can imagine. Posters, shoes, coasters, bags and inspiration from her styling expanding further everyday. Numerous exhibitions have surfaced not only of her works but of artists directly inspired by her paintings and personality as well as recreations of her home and belongings. Just last spring she joined the ranks of the top 10 highest selling female artists when one of her paintings sold for 8 million dollars at auction. She undoubtedly deserved every inch of this praise, still how is it that in a day an age where information is at the beck and call of our fingertips Frida’s love of herself had been trivialized with proclamations titling her “Queen/Mother of the selfie”. Outwardly her body of art is once more dwarfed by her personal life when they truly they are one in the same and should be viewed and appreciated side by side. However, because she embodied self-empowerment, if her image or artwork has reached and resonated with you in one way or another I believe she would want me to leave you with this final thought. “I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me, too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.”

#frida kahlo #art #feminism #self portrait #fridamania #allysonelliott #writing

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