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#i do this rant/infodump a Lot tho like it's on my mind very often . i love rambling for nearly an hour abt stupid internet culyure
charliespringverse · 10 months
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rewatching house led to me infodumping at my mother about ao3 and gen z purity culture and honestly . if she didn't want these things to happen to her she shouldn't have had children with a man so incredibly neurodivergent
#there was a logical progression to the infodump . but i fear it was only logical in an adhd way#bc my friend went ''u can rlly tell this is early 2000s bc they wouldn't let him say things like that today''#which led to the ''they Could theoretically make it but like . toned down and also no character would ever be able to agree w him''#which led to the thing of how audiences seem unable to separate depiction from endorsement#like the whole ''if a character is transphobic and nobody in-world calls them evil and wrong then the creator must be transphobic'' thing#which led to the tag system on ao3 and the proship/anti thing abt whether the existence of the archive warning system means they're —#- endorsing/supporting works that contain 'problematic' themes and content#which led to me ranting abt the reasons Why ppl create dark media (eg a story abt csa could be written by a nonce or a survivor)#and my mother was just Sat There like 🧍🏻‍♂️ bc she's a 60 yr old woman and doesn't care about fanfiction or proship/anti discourse#i do this rant/infodump a Lot tho like it's on my mind very often . i love rambling for nearly an hour abt stupid internet culyure#also the quote i think best sums up my entire stance on the proship vs anti thing is from sarah z's video on it#''i am a tax paying adult woman not a member of a fucking fandom war sports team'' which is so me except that i'm a man n i don't pay taxes#((i'm not a tax evader i just don't meet the threshold to pay them))#anygay . i get on a plane in like 15 hours and i need to sleep#jay screams into the void
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heloflor · 3 years
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Rogue arc : An analysis of “Abducting Murphy’s law” ’s B plot
So, as I mentioned in one of my fics, I wanted to write a long ass thing about Cavendish’s arc in season 2. Well, here’s part one!
While I said that I wanted to talk about the arc, to be honest I mostly had this episode in mind. “Abducting Murphy’s Law” is not my favorite episode but it does have my favorite B plot (by B plot I mean Cavendish and Dakota). The reason why I love this plot so much is because there’s tons of stuff to talk about, hence this post. So yeah, when I said I wanted to talk about Cavendish’s arc, what I mostly meant was that I wanted to infodump about this episode. Although, I did make a second post about how the reconciliation didn’t feel earned, along with some comments about the arc in general, including how Dakota definitely has some dependance issues but, instead of addressing it, the show tends to validate his fears. I’ll make sure to post both parts around the same time so that, if anybody wants to add or talk about it, they already have all my arguments.
This first half will be in four parts : a short explanation of which scenes I will talk about, one small side note about Bob Block being the least trustable character in this show, one pretty long part about how Dakota is throughout the episode and finally another long part about Cavendish and his evolution during the episode. And yeah, I know I could’ve made the Bob Block part into its own post but for some reason my brain really wants to put it in this post so…
And because I don’t want people to scroll through such a long text to read a tl;dr , here it is now :
tl;dr : - Bob Block is an untrustworthy condescending creep.
- Dakota plays moral support and does seem to believe Cavendish but is mostly worried about what Cavendish is trying to do and is gently trying to get him to give up while trying to stay on his side, as if something like that happened before.
- Cavendish is desperate to prove himself and the world that he’s someone, so when nobody takes him seriously or believe him, he’s willing to take matter into his own hands to prove them wrong.
 As for the full post (warning : it’s VERY long) :
So first off, I will talk about four scenes here : the scene on the parking lot, the three scenes at P.I.G. (warning Block, the computer room and the argument in the armory) and the scene with Cavendish leaving. So basically, every scene with the duo except for the dialogue between Dakota and Heinz, mostly because there isn’t really anything interesting to say about this scene, except maybe the fact that Dakota drowns his sorrows in food but that was pretty much expected given his personality and the fact that he literally says in “Missing Milo” that he eats when he’s stressed. Also, leave it to Doofenshmirtz to be vague about why Milo was missing, making it impossible for Dakota to know that there truly was an abduction; just like how in “The Last Day of Summer” in PnF, when he asks Candace if she saw his nemesis, he conveniently doesn’t describe Perry to her.
As for the small part about Bob Block : I don’t trust that guy in the slightest. Firstly, like basically everyone who watched the show already said, this guy gives off a very creepy vibe that makes him scream “villain”. And his design with his teeth + the voice actor’s former roles doesn’t help. Also, I recently re-watched the B plot of “Milo’s Shadow” and Cavendish calls P.I.G. a “clandestine government agency”, and I’m a bit curious about the “clandestine” part.
Secondly, I’ve seen a few people say that Block was hiding something darker because he was “too nice to be a good person” but like…he isn’t nice ??? Not in the slightest ??? Haven’t you heard him talk to Cavendish and Dakota in episodes like “Disco Do-Over”, “Lady Krillers” or “Field of Screams” ? He’s extremely condescending to them. Seriously, he talks to them like they were toddlers. Like, you know that “baby voice” you take to make kids feel excited about something ? He uses the exact same kind of voice with Cav and Vinnie. And the fact that he speaks slowly or him killing aliens while telling Cav that he’s doing the important job doesn’t help with the condescending aspect.
Another thing that I noticed about him is that he tends to be in control of every discussion he’s a part of. In particular, he has a tendency to cut off Dakota when the two are talking. I don’t know why Dakota specifically but in my rewatchs I didn’t notice him do the same with Cavendish. And since we’re on the topic of him being condescending and cutting off : first, in “Walker, Runner, Screamer”, he hangs up on Cavendish without listening to him and secondly and most importantly, in “Parks and Wreck”, not only does he cut Dakota again but he also goes from “I’m 100% listening to what you want to tell me” to “Sorry I’m too busy” in like 5 seconds. Bob Block doesn’t care about them. He isn’t being nice. He’s a condescending ass who borderline gaslight them by pretending to be nice.
Another thing that I’d like to discuss about him is the fact that I’m seriously doubting that he’s related to Mr. Block, which is not reassuring because it would mean that he somehow learned about time travel and time agents etc. But yeah, about the relation with Block : Thing is, Mr. Block is at the head of B.O.T.T. and one of the judges of whatever their court system is. So in other words, he knows about the rules better than anyone. And while he does seem a bit immature at times and in canon went back in time to watch a movie he missed, I don’t feel like going back to meet his ancestors is something he’ll do ? I mean, we know that “don’t cross your own timeline” is a pretty big rule for time agents, and in “A Christmas Peril”, Block seems genuinely surprised to see his future self, which makes me think that he doesn’t do this kind of time-travel much. Also, if he’s willing to go back in time to meet his ancestors, why doesn’t he go back to buy pistachios ? So yeah, I know this is all speculation and for all I know he could have gone back in the past but there’s just something about his character and the situation that makes me go “would he tho ?”.
Also, while I completely agree that it can be possible, I’m a bit surprised about the fact that the family managed to keep the same last name for over 120 years. Like, did every generation had sons ? I know it’s entirely possible but would it happen here ? Or were there daughters who kept their last name after getting married ? Did Block really go back in time to meet his ancestors, leading to them wishing to keep the last name ? As for the physical appearance, aside from the hair, they don’t really have anything in common but it’s expected given the number of years between the two.
One last thing about Bob Block : In “Abducting Murphy’s Law” (you know, the episode that’s supposed to be the main focus of this post), there’s that moment with the character “Toodles” and I genuinely wished I had something to say about this moment, especially with the “I need to look like I’m going somewhere” line but I have no idea how to interpret it (and it’s frustrating honestly). So yeah, this line is here and it’s weird but I don’t know what to do about it.
  Now, onto the actual episode (this will be cut in different parts to make it easier on the read, especially for those who wish to read it but can’t take it all at once. So yes, this post is literally an actual essay) :
I. Dakota’s side
1. Emotional support
So in the first two scenes, Dakota does what he always does. I’ve mentioned it in this long-ass post but when Cavendish gets frustrated or angry, Dakota has a tendency to act more laid-back and chill as a counterpoint. I think a good example of that is at the end of “Walker, Runner, Screamer”.
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During the entire episode, Dakota looks annoyed or unhappy and yet, in that scene, he’s suddenly smiling. And it’s something that he does throughout the entire show, as if it was his way of “soothing” Cav. And in “Abducting Murphy’s Law”, that’s what he does at first. If you notice, when Cavendish gets angry after Block’s call and throw that metallic pick-up thing on the ground, Dakota closes his eyes for a good second. And when he reopens them, he starts talking about his lunch, going back into his laid-back role as if to try calming Cav down. This is also what he does after his rant a few seconds later, when he immediately offers food to Cavendish after said rant.
And speaking of that rant, I have a few things to say about it. First off, I do believe that Cavendish needed to hear that. Yes, it hurt his feelings, but given what happens during the rest of the episode, it does feel like Cavendish needs a reality check. Also reminder that this is the man who spent years dying ever so often; and on the island, some Dakotas look older than the one we follow in the show. So you’d think that after knowing about all these deaths, he’ll try to be at least a bit more careful. So yeah, while Dakota could’ve phrased things differently, I feel like this is something Cavendish needed to hear at some point.
Secondly, I can understand why Dakota would rant like that. Ever since the beginning of season 2, Cavendish has been complaining about his new job, ever more than the pistachios mission (for which Dakota also didn’t seem really satisfied, given how he easily follows through with Cavendish in “Time Out” and how he complains at the beginning of “Perchance to Sleepwalk”.). And when Cavendish complains, there are a few times like in “Disco Do-Over” or “Walker, Runner, Screamer” in which Dakota doesn’t seem to be very happy having to deal with Cavendish’s mood. Also, keep in mind that we see the duo like every three episodes and that just because they aren’t on screen doesn’t mean that they aren’t working. So for at least a month, given how each “show season” takes place during an “earth season” (if that makes sense), Dakota had to deal with working a shit job with someone who’s constantly complaining about it.
I’d also like to point out that, in “Backwards to School Night”, the line about Dakota not wearing much on Sundays and Cavendish not knowing about it hints that they don’t live together in the future. So that “constant roommates” situation could be new to them; and given how little they probably earn, it’s understandable that they’d rather keep this small “apartment” and share rent rather than splitting to go live in a different place each. In other words, Dakota doesn’t really have much choice but to live with Cavendish and hear him talk about saving the world everyday. Given all that, I’m honestly not that surprised that Dakota ended up snapping and giving Cav a piece of his mind. His patience was bound to run out at one point.
Side note : I’m not saying that Dakota is an easy person to live with compared to Cavendish. Honestly, they probably argued about money at some point due to Dakota’s eating habits and the fact that neither of them seems to know how to cook, so they have to eat out every day. I’m just saying that Cavendish is seen always complaining about his job and Dakota most likely hears him complain much more than we do. And no matter how much you like someone, hearing them say the same things over and over again get tiring. And besides, the argument could work in the opposite direction too. Maybe Cav is tired of Dakota never taking everything seriously; but much like Dakota, he can’t just buy his own place and live alone easily.
 Thirdly, I’d like to comment on this face :
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Two things to say about this face. First, the most obvious, he’s sad for Cavendish. If the whole “being chill when Cav is angry” is any indicator, Dakota doesn’t like seeing Cavendish be sad or miserable. Besides, this guy didn’t spend years saving Cavendish and trying to always be by his side just to destroy his self-esteem later on.
Secondly, I can’t help but feel like Dakota is also thinking of his own emotions here. As said before, Dakota isn’t very happy with his new job either, as we clearly see in “Walker, Runner, Screamer” (I swear mentioning this episode is turning into a drinking game). While he’s still cheerful from time to time, he went from having a lazy smile as a resting face in season 1 to having a more neutral or tired expression.
But at the same time, Dakota doesn’t really express his frustrations, most likely because Cavendish is much more vocal than him and he’d rather help Cavendish with his emotions than work on his own, like a “you have enough frustration for the both of us” kind of way. After all, we see in season 1 that he tends to shut down and keep to himself, which led to all his frustration in the argument of “A Christmas Peril”, since he wasn’t able to tell Cav why his lack of consideration was making him so angry, especially when Cavendish calls him selfish.
So here, it feels like Dakota isn’t just feeling shitty because Cavendish feels shitty but he’s also dropping his mask and showing more of his emotions, here the fact that he isn’t happy about his current life either. But unlike Cavendish, he’s able to go with the flow and find some contentment in the smaller things.
 Now, about the scene at P.I.G.’s office : For the “support” part, there isn’t that much to say. When Block turns Cavendish down and the guy starts feeling bad, Dakota goes back to his supporting role. In a way, he’s acting like in season 1. Except that this isn’t season 1 and he can’t time-travel anymore. So when Cav starts talking about breaking the rules and risking their jobs, Dakota immediately considers his words a mistake and try to stop Cavendish from thinking too much about it.
  2. Opposition
So I’m going to cover a part of the last two scenes at P.I.G. . First off, the scene in the computer room. At the beginning, Dakota seems still pretty encouraging with how he reminds Cavendish of what he said about what the ship looks like. But quickly, he starts to make Cavendish doubt himself.
What’s really interesting though is Dakota’s phrasing. When he starts talking to Cav, he says “Maaayybe I suppose but are you really sure you saw what you saw ? I mean…” and then goes on with the reasons why Cavendish might have imagined it. But about that quote, what I find interesting is the amount of incertitude he puts there with the “maybe”, “I suppose”, “are you sure”. It really feels like Dakota is trying to discourage Cavendish from looking for the ship while at the same time trying to stay on his good side by doubting him but not too much. This actually makes me wonder if such a situation happened before, hence why Dakota tries to stay on Cav’s good side.
Side note : “This isn’t my running tracksuit, this is my eating tracksuit!”, he says as if his tracksuits weren’t all eating tracksuits.
 Then there’s the scene in the armory. First off, this face :
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He keeps that same expression throughout the entire moment, both when watching Cavendish and the guard, and I don’t know how to interpret it, which is frustrating. My best guess is that Cavendish seems in better spirits, which reassures him or something like that. Or maybe the fact that Cavendish still wants to hang out with him to try finding the ship makes him think that Cavendish won’t ghost him. Really, I don’t see why he would smile like that only to start being frustrated again ten seconds later.
As for the argument in the armory; here I’m not going to talk about the main parts of the argument but a few things that Dakota says. Firstly, he again seems to try being on Cavendish’s good side with him saying “I believe that you believe”, though this isn’t enough to convince Cavendish. He also says “maybe we shouldn’t touch those” (not a direct quote) instead of just saying “we can’t touch those” or something like that. So again, he’s more into the “maybe you’re right maybe you’re wrong” area of the argument.
Secondly, I find the line “We’re stuck here. We live here now” really interesting. Like for at the beginning of the episode, this seems like Dakota showing more of his feelings. The way he says “we’re stuck here” first before catching himself and saying “we live here” shows again that he’s not happy with his current situation. Heck, it also means that he’s not just unhappy about the job but also being forced to live in a different time period than his, given that he says “stuck”. So yeah, he’s not happy about the situation and tries to hide it to make Balth his priority.
 Thirdly, there’s this expression when he leaves the room and tries to follow Cavendish :
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(He looks like a kicked puppy I’m-)
So, when Cavendish leaves the room, he leaves behind an angry Dakota. And yet, barely a few seconds later, we see Dakota trying to follow Cav and his expression is filled with worry. This again makes me think that such a situation happened before, which would be why Dakota is so worried about not being at Cavendish’s side. Like, maybe at some point they had a mission that resulted in a terrible argument and Cavendish ended up trying to solve things alone, only to get injured or even die or something like that. And if something like that happened, that could explain why Dakota is now trying to convince Cavendish to stop looking for the ship without putting Cavendish against him and why he would look so worried when he realizes that he’s losing the battle; especially given how he can’t time-travel now. But again, this is all a complete speculation here. We have no concrete proof that such a thing happened before.
And since we’re on the topic of Dakota trying to be gentle in his approach : I’d argue that Dakota actually believes Cavendish when he says that he saw a ship. This is due to four reasons :
- They’ve been time-travelers for a while and probably saw a lot (just the “milk to death line”. Whatever this is, Dakota saw some shit.); the same way they met aliens a few episodes before this one. So seeing a spaceship wouldn’t be the most surprising thing in the world (Heck, P.I.G. literally has a computer showing all kind of ships they discovered; also the duo once went on the moon given the montage in “Island of the Lost Dakotas”).
- When they’re talking to Bob Block, the boss asks Dakota if he saw the abduction, and while Dakota says no, he starts saying “But if he says he saw it” before getting interrupted by Block.
- In the armory, when Dakota says “I didn’t saw what you saw but I believe that you believe and that’s” before getting interrupted. This line kind of gives off the impression that he does believe in Cavendish and so believe that Cav saw a ship. Though the “I believe that you believe” can definitely be seen as him not really believing him, just like with Cavendish saying “it’s like saying ‘I believe you’re hallucinating’ “
- In the scene when Cavendish leaves, Dakota says “I’m sorry I didn’t believe you in the way that you wanted me to.”. The fact that he adds the “in the way that you wanted me to” again gives the impression that he does think that Cavendish saw a spaceship. It’s just that Cav expects more than just a “I believe that you saw it”.
So overall, there’s the possibility that Dakota does believe in Cavendish. Honestly, the only thing that seems odd is the fact that Dakota doesn’t want to go and try to save the abductee. Though, given the fact that they’re risking their jobs and given the possibility of such a situation happening before, paired with Dakota’s fears for Cavendish’s life and the fact that he can’t time travel anymore, meaning that all of his actions have consequences; I guess it does make sense to some extent that Dakota doesn’t want to save the abductee. He worries more about Cavendish being alive and safe, especially now that he can’t go back. However, I’ll admit that the way Dakota just brushes off the possibility of someone being abducted and in danger does feel out of character. Although, watching “The Substitute” again, the two did leave the classroom without trying to do anything to help the kids against the blob; so honestly I don’t know.
This all leads us to the last part for Dakota :
3. The evolution throughout the scenes
So as I said, Dakota starts off trying to be supportive of Cavendish by being reassuring, but as Cav starts to be more and more absorbed by the idea of proving the ship exists, Dakota starts to distance himself from him by trying to convince him to stop looking. And then comes the last scene, in which all Dakota can do is try to convince Cavendish to stay with him.
Honestly, thinking about this scene, it feels like Dakota already knows that he lost the fight. When he asks “you say that sarcastically ?”, he just sounds tired. Also, there’s how his way of talking changes in the episode. At first, in the computer room, he tries to use facts to convince Cav to stop looking for the ship, talking about how there was some sunlight or how Cavendish got worked up. Then, during the argument on the armory, it’s kind of the same, although the facts that he gives are much more personal this time around with how he mentions that it’s a question of how their actions now have consequences and he can’t just fool around anymore.
Then, during the last scene at the “apartment”, he doesn’t even try to argue about the ship aside from his apology. Instead, he mentions his partnership with Cav and how they’re always able to talk things through, which actually reminds me of how in the scenes when they’re in private they act differently than in public, making it seem like they do communicate quite a lot by dropping their defenses around each other and vent to each other. Heck, the way Dakota says in this episode “We talk it out, we’re a team” really gives off the impression that yes, Cavendish and Dakota do talk things out when they have a big argument. And that’s what Dakota wants to do in this scene. He just wants the two of them to sit down and talk it out; no more running away, no more argument.
But yeah, in this scene, it’s not about the ship. It’s about Cavendish staying with him. And honestly, it feels like something that can be applied to how Dakota is throughout the entire episode. All he seems to care about is if Cavendish is going to stay with him or ghost him. Again, it kinds of falls into the idea that a similar situation happened before.
One last thing that I’ve written down is the fact that Dakota sutters while trying to convince Cav to stay in that last scene. But after watching a few of the previous episodes, Dakota actually has a tendency to sutter when he gets anxious or nervous. As a few examples : the ending of “A World Without Milo” at the beginning of his talk with Elliot, the crossover episode when Cav learns about the island, several scenes in “Escape” (Dakota’s such a mess in this episode).
 So that’s all for my breakthrough of Dakota’s part in this episode. Overall, he seems like he just wants to be with Cavendish, and for some reason seems to believe him while at the same time not trying anything to help the abductee. He’s protective, most likely due to the trauma of seeing Cavendish die over and over again for years. In short, that man has some issues that the show should really consider mentioning if season 3 comes around. But I will discuss more about these issues in my second post on the topic.
Now, onto Cavendish :
II. Cavendish’s side
1. Insecurities and evolution before this episode
So let me get this out of the way first : Cavendish is a very insecure guy, and what happened in “Abducting Murphy’s Law” was bound to happen at some point. We see glimpses of it in “Time Out” and “Abducting Murphy’s Law” seems to revolve around it : Cavendish is a guy who seems to have a pretty low self-esteem and who tries to hide it in his way to act all professional and “know-it-all/all-mighty”. We see it in how easily he gets sad in “Time Out” when realizing that his job barely matters, and we also see it when he’s in private with how soft he becomes. Just look at how, at the beginning of the Halloween special, he very easily agrees to follow Dakota’s plan and only calls Dakota a “meanie” for steaking stuff, which contrasts with his “Doughty snackhound” from “We’re Going to the Zoo”. He also shows his anxiety in “Snow Way Out” and is very soft and calming in “Perchance to Sleepwalk”.
So yeah, his attitude outside is more of an act than anything, though I’m not denying that he also gets grumpy because that’s a side of his personality (I wish I had any artistic talent so I could draw Cavendish with John Mulaney’s “When I walk down the street, I need everybody, all day long, to like me so much. It’s exhausting !”, including John talking about his wife after this line).
So all this to say that Cavendish is insecure. And because of those insecurities, he feels the need to prove himself. He wants to be a hero, he wants to feel like a hero, but he also wants others to see him as a hero. Again, “Time Out” shows it well with how quickly he gets obsessed at the possibility of a counter-agent working against him, nevermind the fact that it’s a literal child.
And we see it even more in season 2. Every episode, he complains about how shitty his life became and how unfair it is. In particular, there’s the episode “Free Fall”, his last appearance before “Abducting Murphy’s Law”. In “Free Fall”, he seems even more fed up than usual about his job, and when a drone attacks him, he’s immediately happy that someone, anyone, noticed him. The ending of this episode actually makes me feel sad for him. He’s just so desperate for something good to finally happen to him; and he does deserve better than that. It’s just sad.
It also feels like he’s starting to distance himself from Dakota during the first half of season 2. By that, I mean that they don’t have as much interactions as they did in season 1, which was full of their banter (which is what made them so entertaining to watch). Heck, in “Milo’s Shadow”, Cavendish is shown alone, without Dakota. And in this episode, Cav tries to tell others about the aliens and get some people concerned about it.
Also, he clearly tries to impress the others when telling his story, even if he doesn’t consider them much. As for the other episodes, Cavendish and Dakota are mostly concerned over their mission and as such aren’t seen interact much, aside from like the beginning of “Lady Krillers”; which is a bit of a shame considering how their interactions are the best thing about their plot (but I already have another post ready that talks about season 2 and its issues so I won’t rant about it here).
So in short, Cavendish is desperate for good things to happen to him. He���s desperate to prove himself, he’s desperate to have other people take him seriously for once, he’s desperate to have a better life than that. During the first half of the season, it feels like this is what they were trying to show. And it all culminates in “Abducting Murphy’s Law”.
2. His evolution throughout the episode
So I’m going to do one big part here, going scene by scene.
Parking-lot scene :
So, in the first scene, Cavendish is the same as in previous episodes. He’s not satisfied with his job and wishes for more, in particular recognition for his previous actions in season 1. He’s (rightfully honestly) having a hard time accepting that this is all he gets, and when Dakota gives him a reality check, it only makes him feel worse.
Then there’s the encounter with Scott. This one’s pretty interesting. Alright so first off, it seems that Cavendish considered what both Dakota and Scott told him and decided to try and stop sulking, trying to see a more positive side of his situation. Though, it’s very interesting how he says “but how ?” right before seeing the UFO. In a way, it also really shows the difference of mentality between him and Dakota. Dakota has accepted that this is all he’ll get, and while he’s not happy about it, he decides to try seeing the good in smaller things. Cavendish on the other hand doesn’t seem to be able to do the same. Heck, when Dakota does it at the beginning of the episode, Cavendish sees it as Dakota lacking ambition; which in itself isn’t actually wrong since Dakota really doesn’t seem to want much from life aside from having fun and being with Cav.
Then, there’s also the line “Loss can lead to new adventures”. What I love about this is how, when we start the episode, the “loss” is more about how Cav is feeling. I mean, even Cavendish says that he needs to stop sulking after hearing this sentence. But then we watch the end of the episode and suddenly “Loss can lead to new adventures” has a brand-new meaning. And ouch. Don’t get me wrong, I absolutely love it, but still, ouch. Though, to be honest, I do wonder if at some point during the episode, Cavendish realized that “loss” could also mean leaving Dakota behind. Honestly tho if Cavendish repeated the sentence during the separation it would have been some amazing angst. But I’m getting off-topic.
Afterwards, there’s the abduction. When Cav sees it, he reacts exactly like he did at the end of “Time Out” and “Free Fall” : he gets excited and touchy, ignoring what Dakota says as he’s too taken from seeing this as a new opportunity to prove himself worthy of a better life. Thinking about it, it’s actually both funny and sad how he seems to care more about people seeing the ship and promoting him than the fact that someone was straight-up kidnapped by aliens (what’s up with Cavendish and Dakota not caring about people’s lives in this episode ? Though, given how they were in early season 1, I guess they just don’t care for the people they don’t know, do they ?).
Though, Cavendish mostly thinking about a promotion does fit his character. Again, he’s now desperate for recognition. In the spun of the moment, it isn’t about someone getting abducted, it’s about him being a hero again.
One last thing that I want to mention, mostly because I don’t really know where to put it otherwise : some scenery regarding Cavendish and Dakota at the end of the scenes. Every single scene with the two of them in this episode ends with Cavendish leaving the frame without Dakota, with Dakota trying to follow him in the first and second scene. Then, starting with the computer room scene, Dakota is left behind, the first time by his own volition as he’s starting to be less and less able to follow with Cavendish’s mindset and get angry about it, then left behind because Cavendish is too far gone into his ideas and prevents Dakota to stay with him, no matter how much Dakota tries to follow him, desperate to set things right. That’s all I have to say about how the characters move into the frames, but I found that to be a very interesting detail.
  The P.I.G. desks + the computer room scenes :
Like for Dakota, I don’t have much to say about the second scene. Bob Block doesn’t believe Cavendish in the slightest (and is being a condescending smartass about it; god I hate this guy. He’s great as a character but my god I hate him as a person) and it leaves Cavendish sad and disappointed. But then, Dakota tries to cheer him up, which only prompts Cavendish to try acting against his boss’ wishes. It’s like I said earlier : they have the same mentality as in season 1 in which ignoring the rules had little to no consequences aside from a slap on the wrist, leading them to do what they wanted.
But here, this isn’t season 1 and their actions have consequences. Dakota had realized that and tries to call Cavendish off his goal, but Cavendish is too excited to listen to him. This is the same structure as “School Dance” or “The Little Engine that Couldn’t” in which Cavendish gets his mind set on something. And in these two episodes, Dakota simply follows him without complaining. Heck, in “School Dance”, when the kids confront them about the whole “vampire” business and say “We know what you’re up to”, Dakota replies “Really ? Cause I barely know” which shows that, in this episode, he basically blindly follows Cavendish around, not caring enough about his job to object when Cav wants to do something that goes against what their boss want.
So, because of how they were in season 1, Cavendish is used to act when his mind is set on something. And he’s also used to have Dakota follow him, which might explain why he sounds like he’s taking Dakota’s objections in this scene like a joke. After all, Dakota always let him have his way, even when he disagreed with it. So why should it be different this time around ?
In a way, Cavendish has a certain disconnect, not really realizing the consequences of his actions. I guess that may be due to his previous job or the fact that, with Dakota secretly protecting him all the time, it never occurred to him how badly things can turn out.
One last thing for this scene, about the dialogue with Block and Cav mentioning the need to save the abductee : it’s again a bit unclear whether Cavendish wants to save them because they’re a person in danger or if he’s only thinking about people discovering that he was right and making him a hero. Though, looking back at his facial expression, he does seem genuinely concerned for the person (and I’m actually starting to wonder how he would’ve reacted had he known that the abductee was Milo).
As for the computer scene, again, not much to say. It’s Cavendish focusing on the task he wants to accomplish while Dakota’s just there to be there. Again, we see Cavendish be too obsessed with his task to pay mind to Dakota’s objections. We also see him get irritated when Dakota objects, though not as much as later on, as if he could tell that Dakota wasn’t truly believing him but at the same time thinks that Dakota will keep following and supporting him.
Side note : Seeing Cavendish knowing how to use a computer feels really weird. Like, I know he’s from the future so obviously he knows how technology works without any problem, but this is a guy who walks around with an 1850s outfit and who keeps using outdated expressions. So seeing him use a computer just doesn’t feel right.
The armory scene :
Now we get into the juicy part.
Alright so first off, a side note : “I am a naughty boy !” Cavendish, buddy, please don’t ever say something like that again ! Although it’s pretty adorable to see that dork feeling like such a gangster after “breaking” one rule (I mean, he was allowed in by the guard so it’s not really breaking the rules).
Secondly, like in the first scene at the beginning of the episode, when talking about saving the abductee, he seems more focused on the fact that he’s a hero who needs to save the world. It really gives off the impression that he doesn’t care that much about what happened to this person. He just wants validation and uses the current circumstances to do so. Again, this is just sad (I swear making this analysis is starting to make me feel really bad for Balth).
Thirdly, the line “Come on, partner !”. At first, I thought Cavendish was trying to convince Dakota to help him by reminding him of how close they are. But thinking about it again, I can’t help but see it as Cavendish trying to convince himself that Dakota will help him. I mean, he definitely noticed that Dakota wasn’t ok with what he was doing, no matter how oblivious he seems to be to Dakota’s objections. But up until now, Dakota had a tendency to just shrug it off and follow. So seeing him be so insistent now may have made Cav realize that maybe Dakota won’t follow through this time. So he tries to convince himself that Dakota will come through for him, because they’re partners.
Fourthly, the argument itself. When Dakota starts to interject more seriously, Cavendish reminds him of the obvious : that, when they were time-travelers, Dakota couldn’t care less about the rules. But things are different for them now, actions have consequences, and Cavendish doesn’t seem to truly grasp that. Heck, after Dakota argues that they have responsibilities to keep, Cavendish immediately points the finger at him with the “You don’t believe me” line, which completely changes the direction of the argument. Seriously, Dakota was talking about how they needed to follow the rules to survive in this new time-period and Cavendish starts talking about something that has nothing to do with what Dakota just said. Although, given that these two have known each other for at least like 10 years or so, given how much Cav changed from his design in “First Impressions”, I guess him changing the topic like that might be due to him knowing Dakota well enough to understand that, when Dakota objects to him like that, it’s because there’s a lack of trust there.
As for the rest of the argument, I guess this is mostly Cavendish’s desperation and obsession that are speaking. I mean, Cavendish is never taken seriously by anyone aside from Dakota. So here, when Dakota doesn’t support him like he expected him to, this is probably the last straw for him. He isn’t willing to listen to Dakota’s excuses, cutting him mid-sentence. And if Dakota’s face is any indicator, he can clearly tell that Cav doesn’t want to listen and that he’s losing the battle.
Cavendish has made up his mind. He knows what he saw, he knows that aliens are on earth, kidnapping people; and if nobody, not even Dakota, is willing to listen to him, then he’ll have to prove them all himself, no matter the cost.
  The ‘leaving’ scene :
Then comes the last scene, with Cavendish packing his bags. Again, he isn’t willing to listen to Dakota. He made up his mind and he’s determined to find the UFO. As he says it himself when Dakota tries to apologize : “It’s too late for that”.
Though, as I’ve seen mentioned in a fic that was basically an analysis of that last scene, we do have Cavendish leave a teddy bear behind. The bear wasn’t on the couch when he was packing, so it’s likely that he felt genuinely bad for ditching Dakota and decided to leave a plush behind to keep him company.
Also, a thing that I keep bringing up in my fics : I truly don’t think that Cavendish wanted to leave forever. I mean, he probably only took the essentials in the bag he used; he probably has much more than that stuff. Also, I highly doubt that he would wish to never see Dakota again. Heck, in “Escape”, when they reunite, Cavendish is pretty nonchalant about the whole thing, as if he expected to see Dakota again. Overall, it’s more that he thinks that Dakota’s going to try to stop him or slow him down since he doesn’t really believe in him, so he wants to do this rescue alone.
And one last thing regarding Dakota : the whole “It’s safer for you to stay here”. I find this line really interesting. Because thing is, no it’s not safer. Cavendish doesn’t go alone to protect Dakota, he does it to prove a point, to prove that he’s right and everyone else is wrong. But thing is, Cav already has some pretty low self-esteem, and accepting the fact that he’s being selfish by leaving wouldn’t help with it. Also, as I’ve mentioned in my long-ass “fun facts about these two” post, when Cavendish is in a situation that’s possibly dangerous, his first reflex is almost always to worry about Dakota’s well-being. So, in my interpretation, Cavendish knows that he’s being selfish by leaving like that and ghosting Dakota, so he tries to tell himself to leave by convincing himself that he’s leaving the guy behind to protect him; because there’s nothing more important to him than Dakota’s safety, so it’s much easier on the mind to tell himself that he’s doing it for Dakota.
  Aaaand that’s pretty much all for this analysis, which is already a lot to take in (12 pages. This entire post is 12 pages long. 11 without the pictures).
Thanks for reading !
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cloudy-cranium · 3 years
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I want the labor song rant tho ?
I mean, if someone WANTS me to ramble on a near-pointlessly infodump, I assure you I am more than happy to. This is extended and involves a bit of background, but probably the TL;DR is “music that can move and shape bodies can also be used to move and shape minds.” Feel free to scroll past ~7 paragraphs if that doesn’t interest you.
A few different things can make a song a labor song or work song. Sometimes it tells the steps of a process, to help someone learn a repetitive action or sequence; sometimes it talks only about work, or about workers. More often, though, it’s something that’s sung (or played, or listened to) as people work - usually groups of people together. They’re especially useful for work like chopping trees, where multiple people need to be working right in time with each other for Bad Things (missing limbs) happen. Sea shanties and Spirituals - originally made by enslaved African-American people - are the two most well-known genres, although there are many others that don’t appeal so widely.
People have been singing songs while they worked for about as long as they’ve been working. We have songs people would sing as they harvested together with their community, to connect with your neighbor across the field. We have songs that were sung as other people ground those crops into rice, sung in quick rhythm to keep the work moving at a steady pace. There were songs to be sung as weavers made tapestries that helped them shape their threads, songs sung as shepherds marched herds of livestock to new pastures, songs sung as smelters fired their craft....
These songs were about all kinds of things - love, often, because love is something people sing about a lot (anything that brings a LOT of emotion will inspire a lot of music); family, young children or aging parents or perhaps a homestead; comfort or riches or retirement or sometimes a better afterlife; these were things they were working for. Travels to distant lands and unseen waters; tales of beasts and foes and bravery; fantasies, of wishes and fae and magic or of curses and warning; these songs distracted laborers from what they were doing, to allow their minds to wander from whatever task they were doing.
Not every job has been willing, or good, though; and music can do more than just distract. An example from the post about The Chemical Worker’s Song that started this thought train is how sailors would hum when it was time for mutiny - can’t stop a sourceless idea. Another good example of usurped work songs are some Spirituals - all the slaveowners could hear was a hymn that was keeping the work from slowing down. In reality, though, enslaved people were hiding messages in the songs - in the words themselves, or in the narrative of the verses, or in the number of chorus repeats, or in the order of tunes - that would tell the dates, times, and locations of chances to escape and places to meet.
That’s an aspect of music we don’t talk about enough, imo, and the source of many of my rants - music can, does, and in fact is actively changing us. It’s a fast, effective, entertaining way to distribute information, and it unifies people. Work songs have the purpose of unifying people anyway, so when the lyrics start to share a new idea, it’s really amazing how quickly people can start to agree. It’s even more impressive how fast a group like that can rally, and how very little the bosses could do about it by then.
The power and history of work songs isn’t talked about enough in academic music circles, and it’s certainly not talked about enough in our lives in general. The last thought I’ll have on the subject is that, if there was singing at the Amazon warehouse I worked at a few years ago, I think the managers might have understood their place a bit better - we would have been a LOUD call.
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bytemycupcakes · 4 years
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Changeling!Pabit AU
I said I was makin a post and I don’t care that nobody seems interested in him cause I love this little puppet boy and wont stop making aus for him.
Under a cut cause l o n g e
--
-Pabit only ever remembers Boris as his caretaker
-Not unusual for a changeling, really but it’s true
-Boris always says he just found Pabit on a walk. People usually take that as a joke, but he’s being serious.
-Ya see, Pabit wandered a bit too far from the fae as an infant, and Boris almost tripped over him on a walk in the woods.
-Boris picked up this strange little faerie baby, they made eye contact, and Pabits body shifted to resemble Boris.
-Well fuck I guess Boris has a kid now. The thought of calling the local orphanage doesn’t even cross his mind, it’s really just, “Ah fuck I found a kid.. Guess I’m a dad then”
-Really the fact that Pabit seemed to latch onto and form to look like Boris didn’t help with that train of thought.
-It didn’t take long at all for it to click in Boris’ head that Pabit wasn’t human. Obviously the whole shapeshifting thing, but this child was practically FERAL.
-In a non-babyproofed home, Pabit wreaked havoc. Being a master at hiding, scuttering Boris’ walls, and getting into everything, especially things that a baby shouldn’t be touching.
-It took ages for Boris to get the house at least somewhat Pabit-proofed.
-Pabit still manages to get into shit constantly, it’s like a talent.
-Just like Child!Au, Pabit is not Pabit’s actual name, it’s a name he gained later on because of how much he mimics Boris. (Whats his actual name? No idea)
-Pabit’s gender was literally assigned. He doesn’t have typical human anatomy, being completely androgynous, and thus Boris just... -stamps Pabit with “boy” sticker-
-By the time of the habitat, Pabit id’s as masc non-binary
-Boris considers the day he found Pabit as his birthday, not actually knowing how old he was when found, he counts up from that date, thus where Pabit being 15 comes from.
-Pabit is so tall both because he is fae, and because his body mimics Boris for its aging. So he’s just.. so fucking tall.
-Pabit has a shadow form, but didn’t seem to gain one until he first saw Boris do it when he was a toddler.
-For awhile he’d just randomly shift to it, until his subconscious realized it was primarity an anger-based “transformation”
-While Boris’ shadow form is just intense anger, Pabit’s becomes almost like a rage. As his body grows to adapt most of his non-human ability (strength and some subtle basic magic) into said form.
-Depending on the source of anger, Pabit can be incredibly destructive or eerily calm but a ticking bomb.
-Even Boris gets a bit scared when Pabit shifts to the form... One too many times he’s had his house demolished from this child- Or even being injured by the rage (Nothing serious, but more damage than an 8 y/o should be able to give a grown man)
-From a very young age Pabit always showed signs of adhd/autism. Though he doesn’t technically have these conditions because he’s fae, he’s found comfort in knowing he’s not just really weird, and if people ask about it, he and Boris will just say he has ADHD and/or is autistic*
*[Lil step back: This whole au exists because I heavily project my adhd onto Pabit. And my girlfriend, who is autistic, loves the changeling trope (We even call her one fairly often). So please don’t get hateful about this]
-Boris was always pretty open about Pabit not being human, never tried to hide it from him. He grew up as the outcast and couldn’t figure out why, he’s not gonna let his son feel that same lost and broken feeling.
-Pabit tends to speak in broken sentences. He can speak in full, but feels more comfortable doing more of a Hulk speech pattern. Thus he often talks in third person, and leaves out words he deems unneeded to understand the sentence.
-He’ll fall into proper speech when ranting or infodumping, though. Speaking much more like Boris, with proper and large words.
-He stutters over bigger words a lot, and sometimes gets frustrated and just uses “dumbed down” language in its place (this is how he’ll describe it)
-Pabit has a major hyperfixation of puppetry and puppet making, and a smaller one on musical theatre/acting.
-There is Pabit, and then an actual puppet Habit. It was a gift for fathers day, and though it’s not as pretty as the irl puppet, it’s still pretty damn good for a 15 y/o with claws. Boris keeps it on a shelf in his office, it’s Pabits favorite out of all the puppets he’s made.
-Pabit will nab it and, using Boris’ desk as a stage, will just talk to Boris as “Boris”.
-Boris finds this absolutely adorable, and goes along with it. He’s made several business deals with this puppet. Usually for teeth.
-Which yes, Pabit eats. (No Pabit au is complete if he doesn’t eat teeth, fight me.)
-Pabit stims. A lot. His most common stims are kicking, bouncing, or wiggling his legs, chewing (Yes teeth eating is a stim for him, but he mostly goes for more rubbery textures), hand flapping, and full body wiggling/bouncing. He’ll also play with his hair, but it’s not as common.
-Pabit will occasionally repeat things, usually funny things he hears while giggling.
-Pabit’s hair is so stupidly thicc and curly that no stylist in town will deal with it.
-Boris has learned to cut hair, which comes in handy more often than you’d expect in a house of two very long-haired people.
-aka: Pabits hair grows so fucking fast, its ridiculous.
-His hair sticks together so much that it almost acts like one solid pillow-like mass. No hairtie can contain it. (If it’s tied back, it’s usually an actual string litterally tied around his hair)
-Pabits ears can emote, they don’t move much, but it’s noticeable. They wiggle when he gets really heccin happy.
-Pabit’s pupils alwas seem to be slitted, but at general shock (among other various things) his iris’ will slit aswell, leaving Pabit with a line in some massive sclara’s.
-Pabit has gotten very good at sewing thanks to his love of puppet making. This becomes very useful since he usually has to tailor his clothes slightly.
-In the habitat proper, Pabit is surprisingly popular with all the kids. Most notably Tim Tam and Trevor.
-He knew Trevor (And of Nat) before the habitat. He and Trevor are classmates while Nat is in the class behind them.
-Trevor didn’t really acknowledge Pabit’s existence until he bit a bully and seemed to break skin effortlessly??? hmmmmmmmm.
-Thus Trevor started theorizing, nothing in depth, but the kid was on his radar.
-Trevor was really surprised to find Pabit in the habitat, and even more surprised when Pabit told him Boris is his dad.
-The most these two ever talked before the habitat was a single “peer review” assignment, but in the habitat they start talking a lot more cause they’re the oldest kids, know eachother a bit, and both need to infodump like crazy.
-It takes a while for Trevor to get used to Pabits broken speech, but he eventually finds himself mimicing it occasionally. and Pabit will mimic him as well (adhd solidarity, boys)
-Pabit and Tim Tam can communicate non-verbally with no trouble at all. Thus this is used to wreak so much havoc on habititians since they’re both feral little goblins.
-It doesn’t help that Pabit has special access to “employees only” areas since he’s Boris’ son.
-Trevor and Pabit have gone on massive theory rants about random musicals while Nat’s in the room and she just watches these two in confused awe because of all the little details they’ll pull out to support these wild theories.
-Nat seriously has no idea how these two can just. keep. going. It’s been three hours at least let her have a snack!
-Pabit has allowed Trevor to ask so many weird questions about him because Pabit is also very curious about what exactly he is.
-Boris isn’t going to question why Trevor was poking at Pabit’s ribcage with a pen and just let boys be boys.
-Nat supplies Trevor with books on mythical beings she steals from Trencils room.
-Even with the three of them mostly working together, they cant figure out exactly what Pabit is.
-Until they’re all going over it in the boiler room one day. Where Wallus can hear them.
-YES ONCE AGAIN WALLUS IS NOT HUMAN! AGAIN, FIGHT ME.
-Did three children just lure out the frightened janitor cause they’re describing changelings and Wallus, a fae, knows about these kinda things? Yes. Yes they did.
-Wallus really never got a good look at Pabit before he took refuge in the wall, Pabit never got too involved in his work, or his talks with Boris. So Wallus isn’t too surprised that he missed it.
-It takes a bit of courage building from Wallus and Pabit litterally dragging him to Boris’ office before Wallus talks to Boris about how he aquired Pabit.
-Lots of details short: Wallus actually remembers when Pabit went missing which is pretty neat.
-Boris was almost worried he’d lose Pabit to his birth parents... Until Wallus says they didn’t really worry too much cause he was supposed to be put into someones life anyway. Was only mildly concerning since the fae couldn’t keep an eye on him.
-Pabit barely processes any of this information. Same with nearly all fae information Wallus tells him.
-Its not that he doesn’t like it or anything, he just doesn’t really care about the details. He got a name for what he is and why he acts like he does, and now he’s done. Mission complete.
[I wanna type more but my adhd is being MEAN so I’ll stop here for now. Feel free to send me asks about this au tho cause I love it]
EDIT:
-One last thing: Pabit loves the night. He adores the moon. He loves sitting on the roof past bedtime just to stare at the sky
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