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#i feel compelled to say that a lot of my favorite albums this year didn't come out in 2023
godofsmallthings · 5 months
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@andisitover tagged me to share my albums of the year! (i'm going with nine faves that came out this year & not including rerecords/reissues/deluxe versions where the og album didn't come out this year)
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i tag anyone who wants to do it (seriously pls do it and tag me, i would love to see your faves!!!!!)
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ponett · 4 months
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Bobby's 2023 Media Wrap-Up
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So! Like I said before, this past year I kept a running list of everything I watched, every game I finished, every new album I listened to, etc., and wrote one-paragraph blurbs with my thoughts on every single one. Please enjoy this journey through everything I liked, or didn't like, in 2023, with my favorites of the year listed at the bottom.
(Yes! This is long!!)
Some notes:
I mainly only included things I finished. Exceptions are marked with an asterisk.
I included some YouTube stuff as "TV shows" - mostly particularly long, high effort video essays and documentaries.
I was a bit less adventurous than I'd like to have been this year. Part of this was just that I felt like I was constantly playing catch-up with Big Releases I felt obligated to check out, and part of this was just executive dysfunction from burnout. Wait until you see how long it took me to beat Mario Wonder lmao
Yes, I need to read more books. I don't read a lot of books these days. I need to get back to Discworld.
COLOR KEY
Video Games • TV / Web Video  •  Movies  •  Comics  •  Music
January
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1/15: Final Fantasy XIV: A Realm Reborn (MSQ) - Very slow at times, the Primal shit is generally extremely lame to me outside of the boss fights themselves, but god if the quality of life improvements over WoW, the JRPG energy, and the fact that it Actually Has A Story carry it pretty hard.
1/18: Sonic the Hedgehog: Scrapnik Island miniseries - One of the most creative and compelling uses of the Sonic IP… ever? Fantastic little self-contained arc about the struggles of Eggman’s abandoned creations that gracefully weaves between heartfelt optimism and moody horror with some of the best art ever seen in a Sonic comic.
1/18: Mega Man X4 - Glad I finally actually beat this after never even beating any of the Mavericks as a kid! I can see why it’s a lot of peoples’ favorites. The gameplay has very little of that X series bloat and is just fun, especially after getting X’s armor upgrades. (But the story really is a long series of missed opportunities.)
February
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2/2: Donks - Felix Colgrave continues to be an exceptional artist. The sound design on this is fantastic and really sells this short as something unique. Had to go back and watch his older stuff again after this.
2/4: Final Fantasy XIV: Heavensward (3.0 - 3.3 MSQ) - I get it now. I get why people say this is just a proper mainline Final Fantasy game built into the framework of an MMO. That shit ruled. Not even walking back the drama in Ul’Dah from the end of ARR can sour me on it because the main storyline was so strong.
2/8: Disneyland's Forgotten Sci-Fi Rock Band - Live From the Space Stage - A nice and honest tribute to a group of artists who could have easily been forgotten. In hindsight this feels like a precursor to Kevin’s Disney Channel jingle video, a tribute to the unsung artists pouring their hearts into “lesser” art for a megacorporation, art that was designed to be transient but sticks with people nonetheless.
2/9: Metroid Prime Remastered* - Not gonna finish because I just played through the Wii version in 2021, but still. Very, very pretty remaster.
2/16: Theatrhythm Final Bar Line - It’s more Theatrhythm. What more could I want
2/17: JoJo’s Bizarre Adventure: Stone Ocean (anime) - Probably the best part of the anime so far (assuming they continue on to SBR). A near perfect mix of the more structured plot of part 5 with the goofiness of parts 3 and 4 that crescendos into a fantastic, bombastic, emotional, bittersweet ending. The use of footage from the original opening and the new ending set to Roundabout in the finale were perfect, and made me intensely nostalgic for the early days of my JoJo fandom between seasons 1 and 2 of the anime.
2/22: Aggretsuko Season 5 - I don’t really know what to make of this one. Once you get past the agonizing initial arc all about Haida where Retsuko has to be his overbearing mommy GF who flips out and starts spying on him when she’s left on read and chides him when he misbehaves, it feels like an improvement over the previous seasons. But I don’t know how much of that is due to the extremely low bar set by season 4. And then the ending is extremely rushed and anticlimactic. They got legally married and the only acknowledgement was a shot of them signing the paperwork in a montage partway through the final episode?????????
2/24: Double Fine PsychOdyssey - God, what a journey the making of this game was. I already loved 2 Player’s past efforts at documenting Double Fine’s process, but this takes it to a whole new level. This feels culturally significant. The depth and honesty with which they depict not just the nitty gritty of making a game, but also the inherent struggles of working on a collaborative creative work for years at a time, is astounding. Not to mention that they were there to capture the shift from office life to remote work as COVID hit. So much of this would have been nightmarishly stressful to watch if I didn’t already know how successful the game was, but that’s just because they really didn’t sugarcoat it. And yet even after all that, it leaves me feeling optimistic about video games as an art form in a way that the constant headlines about cynical live service games don’t. There are still people out there pouring their hearts into making real art, and this is their story. Everyone who plays video games should watch this.
2/25: Cracker Island (Gorillaz) - New Gorillaz albums feel like less of an event these days, but after Humanz it feels like they’re just more chill with the project and their ambitions with it. Every couple years we get some more laid back jams from Damon along with some fun new collabs. Hard to complain. Favorite track: New Gold
2/25: Pool Kids (Pool Kids) - I discovered this band because Derek knows them and was excited when they got a song added to Fortnite through the Bandcamp collab. Always down to find more cool indie rock bands I can vibe with. The mix of dreamy vocals and energetic riffs on some of the tracks here almost fill the Crying-shaped hole in my heart. Almost… Favorite track: Conscious Uncoupling
2/25: Insane in the Rain (insaneintherainmusic) - I thought it was really funny timing when Carlos announced that his first original project would be a jazz fusion album inspired by acts like T-Square and Casiopea right as I was getting into those two specific bands. The final product does not disappoint. Favorite track: Insane in the Rain
2/26: Get Up Sequences Part Two (The Go! Team) - I’ve never been one to believe that a band’s sound has to remain exactly the same forever, but it really does hit you hard that the first two tracks here sound like classic The Go! Team. Their more recent cleaner sound is still here too, though, for a nice mix of old and new. Favorite track: Divebomb
2/28: Mobile Suit Gundam: The Witch From Mercury (Season 1) - Oh my god. Oh my god. I got distracted around the time I was finishing SLARPG, but finally catching up now, wow. My assumption that the seemingly lighter tone of the series compared to the prologue was there to lull us into a false sense of security before twisting the knife when war finally breaks out was spot on. This is peak Gundam.
March
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3/4: Pizza Tower - One of the best platformers I’ve played in a long time. It transcends its blatant Wario Land inspirations with the sheer speed at which Peppino can move and the way things like the level design, his wall running, and even the hidden ability to do a second lap around the level reward getting into a flow state where you’re just constantly moving. This is the type of game that wants to turn you into a speedrunner. My only real complaint is a few iffy enemy designs that I wish would get patched.
3/6: Bloons TD 6 * - I bought this before bed one night on a nostalgic whim and then the next morning woke up and saw the Steam receipt email on my phone in one of the most “what did I do last night” moments of my life. I like when the monkeys pop the balloons.
3/7: The Book of Boba Fett - I put off finishing this show for a very long time but finally caved upon the release of The Mandalorian season 3. This show spends four episodes failing to make me give a shit about Boba Fett trying to be “the daimyo” and drive the drug trade off of Tatooine, then just gives up and becomes season 2.5 of Mando, which in turn feels like it undercuts the main series. It fails as both its own story and as a spinoff. I know that finishing this after Andor did it no favors, but WHOOF.
3/12: Obi-Wan Kenobi - Some interesting ideas in the first half hinting at a more introspective show, but it’s mostly swept aside in the back half so it can become a generic Star Wars adventure remixing things from A New Hope and Rebels (and apparently Jedi: Fallen Order). Action scenes have zero stakes because you know nothing can happen to any of the returning characters and none of the new ones are particularly interesting. Why there’s a second climax hinging on a Luke Skywalker death fakeout eludes me. Obi-Wan throwing the rocks at Vader is one of the funniest things in Star Wars history. But it was still better than Book of Boba Fett, I guess.
3/19: The King of Braves GaoGaiGar - Wow, cool robot indeed… GaoGaiGar isn’t going to blow anyone away with its writing, but sometimes you just need a really fun monster of the week mecha show with great action and lovably goofy characters. This is a show where like 20% of every episode consists of recycled transformation, combination, and signature attack sequences and I ate it up every time because they look fucking cool as hell. I don’t care. I’d watch Final Fusion another 49 times.
3/21: The Last of Us (HBO) * - Watched the first two episodes out of curiosity, but I’m not sure if I’ll continue because I don’t give a shit about The Last of Us. It’s definitely a well done adaptation, though, even if I know it’s inevitably going to devolve into miserable torture porn with questionable politics if they adapt Part II faithfully. The ending of episode 2 also lines up perfectly with where I stopped in the game in 2013 lmao
3/27: The Future is a Dead Mall - Decentraland and the Metaverse (Folding Ideas) - Another banger from Dan Olson. This time the premise inherently gives him more time to just show off a bunch of stupid ugly bullshit made by crypto guys, which is fun. My main complaint was that I wished he would’ve brought up Second Life more as a point of comparison (a thing I basically always want out of discussion of “the metaverse”), but he at least did touch on it in the last section.
3/31: The Murder of Sonic the Hedgehog - I can’t believe after years of begging for the supporting cast to get more and better material in a Sonic game I got my wish in the form of a freeware murder mystery VN released for April Fools. This kicked ass.
April
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4/7: Berserk - Completed Miura’s run and caught up on the chapters that have been released posthumously. It’s hard to say anything that hasn’t been said about Berserk, universally agreed upon as one of the greats of manga and fantasy fiction as a whole. What begins in its first few volumes as a nihilistic and edgy action comic built to facilitate as much sex and gore as possible quickly evolves into something deeply human and vulnerable and beautiful, both figuratively and in terms of its lavish art. The world sucks and is immeasurably cruel, and you will see that cruelty illustrated in graphic, sickening detail repeatedly throughout the series. (Perhaps a little too often throughout the Golden Age, where it feels like Miura never misses an opportunity to threaten Casca with sexual assault mid-battle.) But the point isn’t to wallow in that misery. It’s the story of a victim of horrific abuse learning to slowly open up to others, having those people he cares about torn away from him in the worst night of his life, hardening himself into a cold killing machine, and then slowly learning to open back up again, even if it means leaving himself vulnerable to more hurt. Anyone who says that the series peaked with the eclipse and went downhill in the “Guts’ JRPG Party” era is missing the point. Guts needed to find new people in his life to care about, to begin to find happiness again. Because no matter what unspeakable things Guts has gone through, it’s still possible for him to heal and to be loved. It takes time, but eventually you stop and realize that life has moved on.
4/8: Dedede’s Drum Dash Deluxe - Skipped it upon release because I didn’t particularly care for the minigame in Triple Deluxe, and I didn’t miss much. It’s fine as a little distraction, but not as a standalone rhythm game with only seven songs. If you don’t bother with the hard modes or chase after high scores this game is 15 minutes long. Oh how I yearn for Kirby to get the Theatrhythm treatment.
4/10: The King of Braves: GaoGaiGar FINAL - Eh… It was okay. Lots of cool robot fights, but said fights are stitched together with a mediocre plot that tries too hard to be more “mature” than its unabashedly schlocky kids’ show predecessor. Not crazy about the ending, either, which tries to be a bittersweet farewell closing off the series once and for all while also teasing that maybe there’ll be ANOTHER sequel after the OVA series they literally called “FINAL.” Ah well.
4/11: The Owl House - Sad to see this one go, but it’s hard to imagine them doing a better finale than this, even if they had gotten the six seasons they deserved. I’m not as obsessed with The Owl House as I probably would’ve been had it come out when I was, like, 20, but it’s a really fantastic show for all the reasons people always say. Great characters, great world, great story. I love that this starry-eyed fantasy story about a teenager finding love and a place where she belongs is also set on the rotting corpse of a titan with Hieronymous Bosch-inspired scenery and freaky monsters everywhere. What a great mix. If anything, I just wish I would’ve watched the first season as it aired so I could’ve had more time with it.
4/29: Mega Man Battle Network 3: Blue Version - FINALLY beat this via the new collection, 20 years after playing it as my first Mega Man game. (Technically my first was White, not Blue, but whatever.) There are more annoyances than I remember - lots of really really bad forced backtracking sections where you have to revisit every previous part of the internet, low chip drop rates, some really aggravating bosses like BubbleMan and KingMan, etc. But it’s still a great time overall. It’s Battle Network. In the back half the story gets surprisingly emotional, too. I was always under the assumption that the Hub stuff never came back up much in the story after 1, so I was pleasantly surprised with how relevant it was to the emotional arc of 3.
4/30: Mega Man Battle Network 4: Red Sun * - Yeah I’m not playing through the whole thing lmao. I just wanted to play the first couple hours for nostalgia’s sake, and as a baseline for how much better the rest are. Even before getting deep in the game and having to deal with all the shit gated between doing two new game+ playthroughs, it’s immediately obvious how much of a downgrade this one is. Tons of glaring errors and typos all over the script, blander music, a way more boring aesthetic for the internet, and a premise that mostly just recycles the tournament idea from 3.
May
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5/14: The Venture Bros. - Glad I finally sat down and watched all of this with Anthony after having seen one (1) episode as a teenager and a bunch of random clips in the years since. Great show. Some jokes in the early seasons haven’t aged gracefully, but what the show grows into over time... man. Hank and Dean go from being the butt of the joke to being characters you actually sympathize with - while still also being funny little goofballs. And the journey Henchman 21 goes on throughout the show. Man. Amazing that a comedy like this could run for 20 years and maintain its level of quality. Can’t wait for the movie.
5/18: Future Me Hates Me (The Beths) - Okay yeah I’m now just discovering bands through Fortnite lmao. I can’t complain really, they pick some really great indie artists for the in-game radio stations. Anyway: It’s very easy to win me over with a combination of energetic power pop, catchy guitar riffs, and earnest lyrics like this. One of those albums where three or four tracks in I know I have to buy it. Favorite track: Not Running
5/18: Jump Rope Gazers (The Beths) - Ditto. Favorite track: Dying to Believe
5/18: Expert In A Dying Field (The Beths) - Another good album. (I’m listening to these in release order.) I’ve been a bit slower to warm up to this one, initially thinking it was a little too mellow overall, but it might be my favorite after a few listens. Some real high highs. Interestingly, the lead singer’s New Zealand accent is also coming out more in her singing? Favorite track: Your Side (or maybe Head in the Clouds)
5/19: The Super Mario Bros. Movie - As a Mario fan, I think I enjoyed it? As a movie, less so? It was decent, in spite of feeling like they came up with a list of fun action setpieces first and then wrote the absolute bare minimum possible for the story scenes tying it all together. Full thoughts here. (This is the first movie I’ve seen this year, huh? I really don’t watch a lot of movies.)
5/23: Don't Know What You're In Until You're Out (Gladie) - I feel like I don’t like Gladie as much as I should. Their style of noisy indie rock is very much in my wheelhouse, and I do enjoy listening to them, but I dunno. Maybe it’s that the particular style of vocals makes it more monotonous to me. A good album nonetheless, if not 100% my thing. Favorite track: Nothing
5/24: City Slicker (Ginger Root) - Yes I am still making my way through Bandcamp artists I heard on Fortnite don’t @ me. Any excuse to get me to listen to some cool city pop-inspired funk like this is a good excuse. Favorite track: Loretta
5/24: Rikki (Ginger Root) - Favorite track: Why Try
5/25: Spotlight People (Ginger Root) - Favorite track: The Classic
5/29: Succession - A good dramedy series that increasingly focuses more on the drama than the comedy as it progresses, but it’s hard to complain about that since the drama is so compellingly produced. I enjoyed it. That being said, I kind of rankle at the claims that it’s The Greatest TV Show Of All Time. It’s great, don’t get me wrong. Amazing performances all around. But the show LOVES to spin its wheels, to repeat itself, and to let most of its interesting dramatic developments fizzle out before anything really comes of them, almost as if the show is constantly getting bored with its own ideas. To some extent this is intentional - Logan Roy is the untouchable billionaire, his kids fail at everything (but will nonetheless remain billionaires), and in the long run none of them really give a shit about anything other than their own status. But it’s not like things tend to visibly impact anyone else, either, be they supporting characters or the world at large. Even the Big Scary Election, where the Roy siblings are directly responsible for plunging the nation into chaos, ultimately has zero impact on the finale a mere two episodes later. Certain Other Things do have an impact in the last season, though, allowing things to meaningfully change for the cast and for the show to sit with the ensuing drama, which has stopped me from souring on Succession more. There was finally a payoff for something. But it does still kind of feel like a show that goes in circles until it’s ready to call it quits, even if those circles did contain a lot of great acting and music along the way.
5/29: Kipo and the Age of Wonderbeasts - I’d watched the first 12 episodes when they originally released, but I guess the Netflix binge release and the fact that all three “seasons” came out in one year led to me waiting until it finished… and then I just never got around to finishing it. Glad I fixed that! Really fun and stylish cartoon with an art style reminiscent of Teen Titans, a hip hop-filled soundtrack, dynamic fight scenes, and a colorful post-apocalyptic world filled with mutant (mostly anthropomorphic) animals. I’ll admit that at times I do kinda roll my eyes at Kipo’s unshakeable belief that everyone can be friends in a way that I don’t necessarily with similar shows like Steven Universe, and not every joke lands, but I dunno. It’s a kids’ show. That’s to be expected. It doesn’t detract from the overall package for me.
June
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6/1: Craig of the Creek (Season 4) - It’s been years and I’m still processing the fact that kids can turn on Cartoon Network and hear Jeff Rosenstock. Anyway! Craig continues to be one of the best cartoons on TV, consistently funny and creative and way more engaging than a show about a bunch of kids LARPing in the woods has any right to be. This season turned into One Piece with the gang effectively hunting down the Poneglyphs in search of a legendary treasure. The kids think it’ll be magic. It isn't. An increasing number of cartoon logic gags aside, this show is firmly set in the real world. Does that make it any less interesting? Hell no. Season 3 turned a game of capture the flag into an all-out five episode war between the heroes and villains, filled with dramatic turnabouts and a climactic guest appearance from Del the Funky Homosapien. I’m sure however they wrap things up in the (sadly shortened) final season, it’ll be great. (Also? I would watch a whole show based on that “what if” episode that jumped forward to everyone’s 20s.)
6/6: Barry - Holy shit, what a show. I ended up binging it in less than a week in a cycle of “okay, just one more episode.” The way this show is able to swing between tones and genres while still feeling like a cohesive whole is truly masterful. It’s a layered character drama, a tragic crime thriller, a farcical comedy, an understated action series, a surrealist morality play, and a scathing satire of Hollywood, all in one. Even within the criminal underworld subplots the show ranges in tone from Breaking Bad to Paddington 2. And it works! While the show naturally gets bleaker over time as it confronts the repercussions of Barry’s murders, it never completely loses sight of its comedic roots. My favorite episode was easily season 2’s “ronny/lily,” a mostly self-contained episode that somehow manages to keep throwing the perfect curveballs to escalate its dark comedy.
6/12: The Lord of the Rings: The Fellowship of the Ring (Extended Edition) - Y’all heard of this movie? Pretty good, it turns out. (I’d seen the theatrical cut before, but this was my first time watching the extended edition. I’ve also only seen parts of the other two movies, so it’s time I finally watch all the extended cuts. The Gollum game pushed me to this.)
6/13: The Lord of the Rings: The Two Towers (Extended Edition) - give it to us RAW and WRIGGLING
6/17: The Lord of the Rings: Return of the King (Extended Edition) - I’m not crying YOU’RE crying
6/22: Clone High (Season 2) - While the first episode being about “cancel culture” (or, more accurately, a teenager from 2003 being transported to 2023 and putting his foot in his mouth a lot) put a lot of people off, I ended up enjoying the new season of Clone High. The new clones grew on me as the season went on and their roles in the web of teen romance melodrama crystalized, and it made me laugh a lot, and Cleo/Frida is galaxy brained. Also they played one of my favorite Antarctigo Vespucci songs like a minute into the first episode. I don’t think I could really ask for much more.
6/28: The Mandalorian (Season 3) - I'd been watching this weekly but put off the last episode for no real reason. Responses to this season have been all over the place, but my blistering hot take is… it was fine. Is it as good as the first season? Probably not. But Mando no longer needs to carry the whole franchise on its shoulders and set the bar for how good the live action Disney Star Wars shows can be, because Andor exists, and it’s never gonna top Andor. The Mandalorian is free to just be a pulpy space adventure show where Giancarlo Esposito plays a scenery-chewing cartoon villain and a little puppet does wire stunts. These are things Andor cannot and should not do, but that’s Star Wars, baby. It’s delightful. I could watch Grogu get underhand tossed like a sack of flour all day.
July
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7/2: Mobile Suit Gundam: The Witch from Mercury (Season 2) - LOVE WINS. (More nuanced take from way later: It definitely feels like a lot of the more messy political conflicts in this show got swept aside by the big final battle where some more easily resolved family conflicts take center stage. I’m not sure the ending is the most satisfying. But also this show only got half the episode count that damn near every other Gundam show ever made got, so that might be a factor here. Idk. Still one of my favorite Gundams.)
7/4: Final Fantasy XVI (watched Anthony play) - I had to write my longest Medium article ever about this one because I was so frustrated
7/10: Home Movies - “Things I like that I’ve never seen in full” has certainly been a recurring theme this year. Home Movies remains an all-time classic of animated comedy that went out on a high note before things got stale or the characters became parodies of themselves. While it’s mostly known for its funny improvised banter, throughout the last season you can really see the arc where Brendon no longer enjoys making movies, yet he feels obligated to keep using them to escape from the real world. In that light, the ending where the nature of their dysfunctional makeshift family is cemented, Brendon’s camera suddenly breaks, and life moves on really does feel like the perfect note to end on. Truly one of the best to ever do it.
7/15: The Legend of Zelda - Tears of the Kingdom - Wow. Just… wow. I had serious doubts about TotK in the months leading up to release due to how close Nintendo was playing their cards to their chest. I didn’t want this to be a Saints Row IV, where the game is fun enough but the recycled map makes it feel like a rehash. Instead, I found a game that made me look at BotW’s map in a whole new light, brimming with so many more things to do and people to meet. Add on a better, more versatile set of tools, more varied dungeons and bosses, and a story that I felt was told somewhat better and we’ve got a real contender for my new favorite Zelda game. It was hard to tear myself away, but as this list shows, it’s been basically the only game I’ve played since it came out.
7/16: Sonic Prime (Season 2) - I liked the parts with Shadow and Chaos Sonic, but I’ve come to the sad conclusion that most of this show is just mediocre. More thoughts here.
7/18: We ♥ Katamari Reroll + Royal Reverie - “I’m a dog, but I love Katamari Damacy.” Truer words have never been spoken.
7/19: Transformers: Rise of the Beasts - Pretty good! It didn’t blow me away, but after how bad the Bay movies got I’m just thankful to have a decently cohesive Transformers movie where the human story is okay and I like the bots (although half of them needed more screen time), even if it is just another Hollywood blockbuster about two sides fighting over a macguffin that devolves into a big CGI battle against an army of nameless monsters in the third act. This is basically a mid-tier MCU movie but with Transformers, which won’t do much for most people, but again: the bar was underground.
7/22: The Venture Bros.: Radiant is the Blood of the Baboon Heart - God DAMN. A phenomenal ending for the series. While I would have loved to see a full final season to get some more one-off episodes in there, this doesn’t feel creatively compromised in any way–either due to the time constraints, or due to a desire to make it more marketable as a movie. It really does feel like they just took their outlines for the canceled final season and gently massaged them into the shape of an 84-minute movie, and I mean that in the best possible way. It’s completely on par with the previous seasons. A hilarious and fitting sendoff for one of the greats of adult animation.
7/23: Beautiful Katamari - This was one of my first Xbox 360 games, but a frustrating temperature-based level made me put it down for 16 years. “Maybe it won’t be as bad now that I’ve beaten the first two games and am better at Katamari,” I thought. Nope! Still an absolutely dogshit level. But also, turns out the whole game is only like two hours long lmao. It’s still Katamari, so it’s still fun - the final level in particular, which seamlessly takes you from ground level all the way to space, feels like a logical endpoint for the series - but beyond that it just doesn't have the same soul without Keita Takahashi's input.
August
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8/4: Doom Singer (Chris Farren) - I’ve been waiting so long for Chris and Jeff to do another Antarctigo Vespucci album, but god damn. This is the best of Chris’s solo work, and a contender for his best record, period. Every track’s a banger, with more energy than some of his previous solo work but also a good deal of variety. Favorite tracks: First Place, Cosmic Leash
8/4: Transformers Earthspark (Season 1) - This show had a bit of an uneven start, unsure if it wanted to have the emotional maturity of a more serious action cartoon or a preschool cartoon where the characters have little kid mood swings and outbursts and learn basic lessons. It also felt like it was speedrunning its Wholesome Found Family Dynamic with characters who just met, which didn’t feel earned. While these problems never completely go away (see: the cheap and corny way the otherwise very dark season finale suddenly resolves), the show improves quickly, and the positives outweigh the negatives. It’s so great to have a Transformers cartoon that feels fresh, giving us a post-war setting with a bunch of new characters and new dynamics between the Cybertronians and the humans. The returning characters are also uniformly great as the old veterans overseeing the new generation. (Reformed Megatron! Danny Pudi as Bumblebee! Steve Blum returning as Starscream! Keith David as Grimlock!!!) And those super dynamic action scenes! I can nitpick, but Earthspark’s a ton of fun, and easily the best new Transformers cartoon since Prime and Animated.
8/5: Ghost Trick: Phantom Detective (remaster) - Everyone who told me this game was a masterpiece was right. I had played the first chapter when it dropped as the demo for the iOS version years ago, but never went further than that until now. What a game. Absolutely incredible through and through. Great story, great twists, great characters, great puzzles, great art direction. Everything comes together so perfectly to form a totally unique, unforgettable package, a top tier video game murder mystery. Everyone should play this, preferably going in as blind as possible.
8/15: It’s Always Sunny in Philadelphia (Season 16) - Wow! Recent seasons of Sunny have been kind of up and down, with some interesting experiments (Mac Finds His Pride, the Ireland arc, etc.) paired with some comedic duds. Most of this latest season is standard fare for the series with fewer big creative swings, but it’s just hit after hit in terms of comedy. Not a single dud, whether we’re seeing Mac and Dennis try to start a rental business for inflatable furniture or watching the gang meet Bryan Cranston and Aaron Paul, believing the entire time that the latter is Malcolm from Malcolm in the Middle. Even the attempts at topical comedy landed better. Easily the funniest season in years.
8/16: One Piece Film Gold - It’s easy to see why this one has kind of been forgotten in the wake of Stampede and Film Red, which revolve around established fan favorite characters, but this was still pretty fun. Perhaps a little too long, but it’s fun to see the Straw Hats fool around in a giant casino and do a heist. They definitely cranked the fanservice up even more than usual in this one, though, as I probably should have expected for a movie made alongside the anime’s adaptation of Dressrosa.
8/17: One Piece: Stampede - This one goes for a different kind of fanservice. While most One Piece movies are isolated from the ongoing plot and its expanded cast of characters, Stampede instead asks “What if we just put damn near every active character on the same island and had them fight?” The answer: a fun time! It would get old if all of the movies were like this, but after a bunch of movies that are just like “the Straw Hats are gonna land on another new island and fight some more weird guys” it’s fun to see characters like Law and Buggy and Smoker get in on the fun. It’s also nice to get a movie with the Wano era art style, and Usopp surprisingly gets some really good character moments in here.
8/18: One Piece Film Red - This really is the best of the One Piece movies, huh? (Baron Omatsuri is a close second.) It really feels like a change of pace after the last four with the most interesting and emotionally engaging story out of any of them. And even if the events of these movies are never canon, it still feels significant in my understanding of Shanks as a character as we move into the final phase of the manga.
8/21: Pikmin 4 - The opening hour of the game made me really question if they’d changed too much, with all the focus on your new dog unit over your Pikmin and the extremely dull, drawn out dialogue scenes with your new companions back at the base. But once I got into the swing of things I had a blast. This is probably my new favorite Pikmin game. There’s a great mix of activities here to keep things fresh. I also really ended up liking Oatchi’s role as basically your second captain who can also serve as your tank or a rideable mount. The Dandori stuff and nighttime missions in particular show off how useful Oatchi is for your multitasking without necessarily overshadowing the Pikmin.
8/22: Never Get Tired: The Bomb the Music Industry! Story - I literally backed this on Kickstarter eight years ago (my name is in the credits!) and then never got around to watching it for no reason. It’s on YouTube now, and Jeff’s got a new album out next week, so now feels like the perfect time to watch it. And man… what a great documentary. Obviously I’m just a fan of the band, but this also really spoke to me as an artist. Jeff wanting to stick to his principles and give out his music for free and play cheap all ages shows, his discomfort over the idea of selling merch, and the struggles that come with not playing the game like that… It's hard. They readily admit that Jeff is an idealist, that people fight him on this stuff, that he’s missed out on some big opportunities because of these stances, and that he’s had to compromise a bit on some of these things over time. But that incredible climax with their final show, including a full opening performance of the slowly building “Campaign for a Better Next Weekend” and the closing performance of “Future 86” where the whole audience is singing along as the members of the band are hugging and crying… it’s beautiful. This may have been a band where the members had to go back to their shitty day jobs after every tour because they weren’t selling out arenas, but their art meant something to people, and that makes it all worth it.
8/25: Nimona - I haven’t read the original comic (yet), so I can’t compare them too much, but it’s nonetheless pretty apparent that some things were softened and easy kids’ movie jokes were added by the studio to squeeze this graphic novel for teens into a PG animated movie. Regardless, the emotional throughline hits REALLY hard, particularly the very blatant trans allegory and the climax. (It’s no wonder Disney was afraid of this movie seeing the light of day lmao.) The animation is also very squishy and fun to watch throughout. Great movie.
8/26: Puss in Boots: The Last Wish - Spider-Verse really has done so much for animation, huh? This one was as good as everyone said. Beautiful use of stylized color and lighting throughout, and every time this movie very conspicuously shifted to different framerates for a flashy fight scene it owned. Very cute and heartwarming story, too, which thankfully gave its second act plenty of time to explore the cast and let them go on their journey, unlike a certain plumber movie that came out a few months later. Also I would let Death [redacted]
8/28: Holocure: Save the Fans! - This isn't really something I can beat, but I've been addicted to Holocure lately. I don't even watch VTubers aside from maybe seeing a funny Korone animation every now and then, this is just a really, really good freeware Vampire Survivors clone with a huge roster of varied characters to pick from.
8/31: HELLMODE (Jeff Rosenstock) - A new album from Jeff is always a major event for me. If there were any worries that he was starting to go soft at 40 (because one of the three singles off this album was a gentle acoustic piece), the frantic opening of this album put those worries to rest. The first two tracks are Jeff screaming out for help as he’s pulled in a million directions by the chaotic state of the world, a theme that becomes the thesis of the album. I’d say it lags slightly in the middle, but overall this is another extremely well-rounded record full of bangers that’s unapologetically Jeff, with possibly my favorite closing track he’s ever done. Favorite tracks: I WANNA BE WRONG, 3 SUMMERS
September
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9/3: One Piece (live action, Season 1) - They did it. I can’t believe it, but they did it. While I have my nitpicks (Usopp and Sanji don’t get enough big moments to shine), this is an extremely solid and faithful adaptation of the first few arcs of One Piece with a great cast. For the most part the changes feel smart and logical, and the big emotional beats of the story are all there and executed very well. I doubted it a little in episodes 2-4, where the Orange Town and Syrup Village arcs saw some major changes to shift the action indoors, and the increased focus on the drama in favor of repeating every gag and battle from the manga 1:1 took a bit of getting used to, but by the end I was having a blast. It’s a different take on One Piece, but it still feels like One Piece. Genuinely very excited for season 2.
9/4: Pseudoregalia - A great little N64-style 3D Metroidvania focused on platforming and very satisfying movement. I always love entries in the genre that are less prescriptive in what order you have to tackle areas in, a la Symphony of the Night or Hollow Knight, and this one’s great in that regard. While there are a number of new moves to find, most of the map is open to you very early in the game, and smart use of your moveset can allow you to “sequence break” without even realizing it. (You would not believe how long I went without getting the wall run.) I do wish it had a map, but that’s already being patched in.
9/6: Bomb Rush Cyberfunk * - Not a bad game at all, but I quickly remembered how bad I am at skating games, so like… eh? Not sure I have much desire to play past chapter 2. Also the soundtrack is sadly kinda hit or miss for me outside of the obvious Naganuma tunes.
9/9: The History of the Minnesota Vikings (Dorktown) - Jon Bois never misses. Even as someone who doesn’t actively follow sports, Jon Bois is a master storyteller, using graphs and statistics and funny anecdotes to explore these deeply human stories. He can convey why people care so much about these teams, these people, and sports in general, and how our popular sports reflect on American culture. He could tell the story of just about any team or player in any sport and I just know I’ll come out the other side a misty-eyed fan. And what a fascinating cast of characters we have this time, with origin stories for everything from the Hail Mary pass to a Minnesota state supreme court judge to the Griddy. Nine hours well spent.
9/10: Timespinner - A fun and highly polished Metroidvania that maybe doesn’t quite have enough of its own identity in its quest to replicate Symphony of the Night…but also, like, this was pitched as a Symphony throwback on KickStarter in a pre-Bloodstained, pre-Hollow Knight world, so I can’t really blame ‘em! Stopping time to avoid boss attacks is fun, the pixel art is gorgeous, and I liked the dark science fantasy story about warring empires and meddling with time a lot more than I thought I would - lore journal text dumps and all.
9/14: The Decay of Sam & Cat (Quinton Reviews) - All the stuff at the end with Matt Bennett (the actor who played Robbie on Victorious and Sam & Cat) in this was really good and sweet. It’s that kind of thing that makes these videos feel like they’re still worthwhile on some level. But the padding and the things Quinton chooses to spend the colossal runtime on does drive me more and more insane with each passing Nick sitcom video. I don’t know how much longer he can keep this schtick up. I hope he’s able to move on to other things before too terribly long instead of continuing to extend this “miniseries.”
9/19: Marvel’s Spider-Man: Miles Morales - AKA Insomniac’s Marvel’s Spider-Man 1.5. It’s fun for the same reasons Peter’s first game was fun. I had a good time swinging around New York again in preparation for the sequel, and there’s a lot of cute stuff with Miles becoming Harlem’s neighborhood hero, but WOW did the Underground v. Roxxon conflict fall flat for me.
9/20: I Think You Should Leave with Tim Robinson - I understand so many posts now.
9/25: Spider-Man (2002) (rewatch) - It’s you who’s out, Gobby! OUT OF YOUR MIND!
9/25: Futurama (Season 8) - I was ready to be a hater, recalling the fact that Futurama has already had three “perfect endings” with the show getting a little weaker with every revival. Then I watched the first new episode on a whim and thought it wasn’t bad, so I was like, eh, sure, I’ll watch the rest. Overall Hulurama is hit or miss. There are chuckles to be had, and it sure as hell beats modern Simpsons, but almost every episode is either a belated take on an overplayed Topical Issue (the pandemic, Amazon, cancel culture, etc.) or a direct sequel to an old episode people liked. Or both! It’s also really noticeable that certain voice actors sound way older - Billy West is struggling with the Fry voice in particular, and it hurts his comedic timing. But just when all hope seemed lost after the nigh-incomprehensible toy-themed anthology episode, possibly the worst episode of the entire series… the last episode, where the Planet Express crew explores whether or not the universe could be a simulation, was really, really solid. Great note to end on to make me not regret my time with this season as a whole.
9/26: Spider-Man 2 (2004) (rewatch) - Once the GOAT, always the GOAT.
9/27: Spider-Man 3 (rewatch) - Revisiting this movie for the first time since I saw it in theaters… it’s not bad. It’s fine! It continues to have the heart and sincerity that make the first two movies work. It’s just not as concise with three villains vying for the spotlight, but I also wouldn’t cut any of them, necessarily. I guess Eddie/Venom would be the easiest, but Peter getting the black suit and giving in to his resentment feels too central to cut. (Yes, even with Emo Peter becoming a meme.)
9/28: Adventure Time: Fionna and Cake - I wasn’t really sure what to expect with this one, especially since I was never really a fan of the genderbend episodes in the original show. (At the time they mostly just felt like an excuse to crank up the teen romance stuff to 11.) But MAN. This was a fantastic coda to the original series. It made me care about Fionna and Cake and their friends as their own characters separate from their original counterparts, it gave the Simon/Betty arc a much more satisfying (if no less bittersweet) resolution than the original finale had time to do, and it even managed to be a multiverse story that didn’t make me roll my eyes in 2023. A+ all around. Makes me wanna rewatch the original show again. [spoiler: I did]
9/29: Meanwhile (aivi & surasshu) - It’s been a whole decade–they were busy with, you know, all the music in Steven Universe, among other things–but we finally have a new aivi & surasshu album! Their chiptune/piano fusion style is familiar, but they’ve definitely grown as composers in subtle ways. Favorite track: Time Travel
October
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10/1: This is Financial Advice (Folding Ideas) - A lot of the nitty gritty finance law stuff turned into white noise for me, but still, great video. I had no idea that the GameStop stock craze devolved into this bizarre cult that thinks they’re going to crash the global economy and rise from the ashes as the new kings with the value of their GME stocks. Glad this video exists to try and balance out the narrative.
10/5: Sonic Frontiers: The Final Horizon DLC - Good ideas, absurdly frustrating and tedious execution. Full thoughts here.
10/10: Spider-Man: Into the Spider-Verse (rewatch) - I didn’t plan this, but very fitting that I would end up rewatching this on 10/10.
10/12: Half-Life Alyx but the Gnome is Self-Aware (wayneradiotv) - ha he! (Seriously though, that finale was a fucking masterpiece. The RTVS crew has an incredible knack for using the framing device of video game livestreams to blur the lines between comedy and horror, or ironic anti-humor and complete sincerity. I’ve never seen anything else like this.)
10/15: Spider-Man: Across the Spider-Verse - Not sure how much I can say that hasn’t already been said. The most visually creative movie I’ve ever seen, grounded by some really excellent storytelling about Miles (and now Gwen) that’s probably better than his actual comics. But it also does feel like it’s about to end and then the movie just keeps going like ten times over lmao. Can’t wait to watch this a second time on a better TV.
10/20: Sonic Superstars - A mostly really solid and fun 2D Sonic game that’s unfortunately dragged down by an extremely hodgepodge soundtrack and some overly drawn out boss fights. I spent HOURS trying to beat the final boss of the bonus scenario (which is required for the true ending in this one) before giving up. Really a shame that that’s the note I’m leaving the game on, because I otherwise enjoyed it, but ah well. More thoughts here.
10/27: Marvel’s Spider-Man 2 - Another good Spider-Man game from Insomniac. Liked the story more than the one in Miles Morales, but maybe not as much as the first game. Extensive thoughts here.
10/28: Venom - Was in the mood for more Venom after the game. As expected this was not a very good movie, but the dynamic between Eddie and Venom made it a fun watch. Tom Hardy is constantly about to shit his pants in this movie. It’s great.
10/28: Venom: Let There Be Carnage - I had a way better time with this one. Is this a good movie? No. But it cranks the insanity of the first movie up to 11. Goofy as fuck in an extremely watchable way.
November
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11/5: Pluto - An absolutely masterful series that anyone interested in sci-fi needs to watch. The anime adaptation was great, and I immediately understand why people who’ve read the manga speak so highly of it. Really makes me want to get into Astro Boy more, and also read some of Urasawa’s other works.
11/18: Scott Pilgrim Takes Off - Wow, just wow. When news of a Scott Pilgrim anime broke I was cautiously curious to see if we’d get a more direct adaptation of the comics, and instead it veered off in the exact opposite direction in the best way possible. This is almost entirely a different story, one that’s in conversation with the previous versions (sometimes in very meta ways), and I think it’s really valuable to see O’Malley revisiting these characters with new things to say about them. The major story divergence gives us a chance to examine the characters from a new angle - particularly Ramona, who’s the real protagonist of this version, and the evil exes, who completely steal the show. This was a great reminder of why I fell in love with this series as a teenager. I now genuinely hope we get more Scott Pilgrim.
11/22: Void Rivals (Issues #1 - #6) - The first arc of the new Robert Kirkman series that kicked off Skybound’s new “Energon Universe” is now complete, and I’m left thinking Void Rivals is… okay? I thought the first issue was a decent (if not particularly original) sci-fi comic with an appealing art style, which just so happens to also briefly have a Transformer in it so there can be a Big Surprise. And the series still hasn’t quite shaken that feeling to me. It’s an okay sci-fi series that arbitrarily dedicates a couple of pages of every issue to something from Transformers, but I’m not really sure what the shared universe stuff adds to Void Rivals, or what Void Rivals adds to Transformers and GI Joe. I guess we’ll have to wait and see.
11/22: Journey to EPCOT Center: A Symphonic History (Defunctland) - Yeah, gotta be honest, I only got halfway through this one. It seems like Kevin just 1) really wanted to push himself creatively and 2) make a love letter to Epcot, and while I respect that, I think it suffers as a historical documentary. It’s Fantasia but for the creation of Epcot. That might be very impressive on a technical level, but it feels more like a piece of Disney propaganda than prior Defunctland videos due to a lack of context and nuance. 
11/24: Aperture Desk Job - A short, sweet, and funny little tech demo for my new Steam Deck set in the Portal universe. More effort was definitely put into this than was strictly necessary.
11/26: ESCHATOS - I am not good at bullet hell games, but I enjoy them from time to time and I really love this one’s FM synth soundtrack, so I picked it up on a whim in the Steam sale. I only beat it on Easy, but still, I had a lot of fun with it! It’s straightforward but very flashy, with the camera dynamically zooming around from set piece to set piece at ridiculous speeds and each level segueing directly into the next. The lack of a powerup system on the main mode in favor of just needing to know when to use your different shot types makes it feel very approachable.
11/27: Lunistice - A great little 3D platformer with a good soundtrack that I had fun hunting down all the secrets in. This is an easy recommendation for fans of games like Kirby or Klonoa - whimsical games set in colorful dream worlds where the underlying story can get a bit more somber. (Although the story in this one is mostly told through mildly cryptic lore dumps, so your mileage there may vary.)
11/28: Spark the Electric Jester 2 - The leap from 2D to 3D here is impressive, but this is very clearly a rough draft for Spark 3. Very, very fun Sonic-style 3D platforming, but the combat is lacking and the storytelling is just kinda bad. More extensive thoughts on this and the above two games here.
December
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12/2: Fortnite (Chapter 4) - This was my first full chapter of Fortnite, after having been roped into the game by the siren songs of Zero Build mode and Goku during Chapter 3. This means it’s harder for me to compare this chapter to previous ones, but still, Fortnite remains a genuinely very well made Battle Royale shooter that’s a blast with friends. If I have any complaint about this Chapter, it’s that they would regularly introduce zany ideas and then slowly reel them back in, whether it was the Augment system or the increasingly mundane movement items. It also felt like it was a little too easy to get the perfect loadout in every match, meaning the final showdown would almost always be against players with Slurp Juice and gold shotguns. And I missed the smaller mid-season map updates of Chapter 3. But overall I still had a really good time, and look forward to playing more for the foreseeable future.
12/4: Plagiarism and You(Tube) (HBomberguy) - This will get written off by many as “YouTuber drama,” but this really is an excellent video essay that feels like the kick in the pants that YouTube needs. If video essayists are gonna be a major source of information for so many, then they gotta have standards. I also think it does a good job of highlighting the people that have been plagiarized and trying to drive more attention their way in an attempt to right those wrongs.
12/6: Transformers (Skybound comic) - We only got the first three issues of this in 2023, but I just HAVE to say something about how incredible this series is here. Daniel Warren Johnson is knocking it out of the park. This is the new bar for Transformers. The hand-inked art is extremely dynamic and full of character, and the story is using the familiar beats of G1 Transformers but doing very new things with them. You can tell this from the very first page, but the emotional scene of Optimus accidentally crushing a deer in the forest and realizing how fragile life is on Earth sealed the deal for me. And yet in the very same comics Optimus can do suplexes and clotheslines and lord knows how many other wrestling moves on Decepticons, and it doesn’t feel like tonal whiplash? These comics just fucking rule, and anyone with even the slightest interest in Transformers should be reading them.
12/8: What We Do in the Shadows (Season 5) - [spoilers] WWDITS has very much settled into being a status quo show. Every season has its own little arc where one or two things change to keep things interesting, but then everything returns to normal by the end. Guillermo finally becoming a vampire, only to become a human again in the end, might just be the most egregious example of this yet. But also… the show’s still really funny? And I continue to be happy that Kristen Schaal has stuck around as a series regular as the Guide. So it’s hard to complain. I could see the show running out of steam over the next few seasons, but it’s still hitting for me right now.
12/12: Pony Island - Finally got around to this since the trailer for the sequel dropped. I feel like playing this years later in a post-Inscryption world where Pony Island is a known quantity kind of lessens its impact, but still, it’s a fun and funny puzzle game where you try to hack your way out of a possessed arcade machine. I’m not sure I found it particularly scary, but I’m not sure it’s supposed to be? The way the game messes with you during the Asmodeus “boss fight” was probably the highlight for me. I also like being able to say things like “The part where you have to not kill Jesus was so hard. I kept getting terrible butterfly patterns.”
12/16: Breaking Bad VR but the AI is Self-Aware (wayneradiotv) - As always, Wayne and co.’s commitment to the bit is unrivaled. This kind of got interpreted as just a way to troll HLVRAI fans, but so many moments in this genuinely made me laugh out loud.
12/18: Soul of Sovereignty Prelude - As someone who would list Cucumber Quest as a big creative influence, I was naturally very excited for this first chapter of GGDG’s new visual novel. Their mentality of both scaling things back in terms of labor while also going more shamelessly self-indulgent in terms of storytelling after burning out on making webcomics has really spoken to me, and WOW, the end result of that new process of theirs is shaping up to be something really special. The art and music are sparse but extremely evocative, giving you the rough sketch of the world and letting your mind fill in the rest. The story blends literary high fantasy vibes with the style of fantasy seen in ‘90s JRPGs (you can definitely tell this came from an idea for an RPG), but rather than constantly winking at the audience and making self-aware video game references it plays these storytelling ideas extremely sincerely, giving them real dramatic weight while still indulging in fun tropes to their fullest extent. While it’s a far cry from their most famous work with much more mature content, GGDG always excels at creating characters and worlds that immediately grab me. I can’t wait for the rest.
12/18: Barbie - I’m only… what, five months late for the whole Barbenheimer thing? Perfect timing. Anyway! On the one hand, I get the critiques saying that this movie is just a major corporation funding a self-aware feminist critique of their own product as a marketing ploy. And I kinda agree with that. And the movie is a little too long, and I don’t really know what to think of the way the Barbie/Ken conflict plays out. Anthony asked me to summarize what the story ended up being about, and I had no idea what to even say. But also… I did still like the movie? We don’t get a lot of cartoonish, absurdist, fourth wall breaking comedies like this anymore, and this is a good one of those. Also the whole cast is great, the set design is kind of stunning, and the cinematography is consistently appealing. I wouldn’t say it’s a revolutionary work of feminist filmmaking by any stretch, but it’s a good comedy movie.
12/21: Dr. Stone: New World - Man, Dr. Stone is great. I’ve said this many times, but I just love that this series uses all the trappings of shounen that would normally be used to hype up the protagonist learning a new move to instead hype up things like the protagonist building a loom or a hot air balloon. It’s shounen Bill Nye. I didn’t completely love everything about the Treasure Island arc this season, but it all built towards a really fun climax with a lot of satisfying turnabouts where the heroes use their ingenuity to just barely win.
12/23: The History of Mike Tyson’s Punch-Out World Records (Summoning Salt) - Truly one of my favorite Summoning Salt videos ever, even with how repetitive Punch-Out can get to watch. It’s just so hard to beat “and that runner… was me.”
12/24: Super Mario Bros. Wonder - What more can be said that hasn’t already been said? It’s the best and most creative 2D Mario game since the ‘90s. The only real flaws are that it’s a little easy, the Search Party stages are annoying in singleplayer, and I wish that every boss prior to the final boss wasn’t just some form of Bowser Jr. fight. But those aren’t nearly enough to drag the whole experience down. It was a blast.
12/24: Do a Powerbomb! - Got this from Anthony as a birthday present. This is the previous series by the creative team currently doing the new Transformers comics I was gushing about a few entries ago. Even with the high bar set by those comics, Do a Powerbomb! exceeded my expectations. Holy shit. An absolutely entrancing fantasy wrestling miniseries full of dynamic, energetic action and tons of heart. These comics where a guy wrestles a giant talking orangutan almost made me cry. Twice. An instant favorite.
12/25: Adventure Time (rewatch) - We ended up finishing our rewatch of Adventure Time (the main series, anyway) on my 30th birthday, which feels appropriate. I already kinda knew this, but this rewatch has truly confirmed that Adventure Time is my favorite TV series of all time. The entire show is even better on a full series rewatch. In hindsight, even parts that annoyed me when they aired end up being important parts of the beautiful tapestry that is this series. The many low points of Finn’s adolescent love life are important stepping stones in his growth as a person, which leaves him in an extremely satisfying place by the end. Jake having kids didn’t get to be a huge status quo change because they grew up instantly, but then they did a bunch of fun episodes about Jake’s relationships with his adult children that deepened him as a character. And most of the big lore questions they kept teasing over the years (“Where’d the humans go?” “Who are Finn’s parents?” “When’s Finn gonna get a robot arm?” etc.) ended up getting satisfying and creative answers, because the show left itself the room to figure those things out later. This is a truly special, one-of-a-kind series, one that lasted nearly 300 episodes and yet still seems like it was over too soon. And yes, I did in fact cry during the final montage, like I knew I would. I will always cherish this show with all of my heart.
12/25: Olive the Other Reindeer (rewatch) - Haven’t seen this one since I was a kid! It was a favorite of mine back then, and while it might not be quite as funny as I remember it’s still very cute, with a 2D/3D hybrid art style that remains very unique and appealing. As an adult I can also appreciate the cast they got for this, with like half the cast of Futurama bolstered by guests like Michael Stipe from REM and The Sopranos’ Joe Pantoliano.
12/26: Guillermo Del Toro’s Pinocchio - Anthony and I capped off our Christmas with the most jolly and festive stop motion movie of all! Jokes aside, man, what a beautiful movie. The animation is immaculate, and we really just don’t get children’s animated films like this anymore. Ones that overtly feature real world politics and religion and so many other dark themes in a way that doesn’t talk down to kids or sugarcoat things. This one hits hard. We need more movies like this.
12/31: Oppenheimer - This was an interesting one. Despite being three hours, the way that first hour jumps around in time makes it feel like Oppenheimer is constantly being propelled forward through life at a breakneck pace, swept up by the rising tide of nationalism in spite of his personal left wing politics, never really reflecting on what he’s doing until it’s too late. Then when he’s no longer useful to the empire, he’s chewed up and spat out, only to eventually be honored as a national hero as a symbolic gesture. It’s a compelling story. However, I’m a little torn on how certain aspects of history were framed. Does the abstraction of the bombings detract from the true weight of those events, in favor of sympathizing with the man who built the bomb? Or is it clever a way to show how the realities of the war were compartmentalized away by people who were complicit in its most heinous acts of violence? One minute a bunch of physicists are talking theory, thousands of miles away from the theaters of war, and the next they’ve killed 200,000 people. So which is it? Eh, probably somewhere in the middle, I guess. But I liked it overall.
12/31: Kirby’s Return to Dream Land Deluxe - I’ve been really surprised by how good this rerelease is. It kind of flew under the radar for me. I liked the original game, but at the time it also almost felt like the New Super Mario Bros. of Kirby. It was a straightforward throwback game where you went through a grass world, then a desert world, then a water world, etc., and also they added four player co-op. But returning to this one after the kinda mid Star Allies has made me appreciate just how solid RtDL is as a Kirby game. I really like the updated graphics, too - yes, even the new cel shaded outlines around the characters - even though I didn’t think it looked that great in screenshots. Also the two new copy abilities (Sand and Mecha) are fun, the minigame collection is shockingly fleshed out to the point that they could’ve sold it as a standalone eShop game, the collectible character masks are fun, and the new epilogue mode where you play as Magolor is one of the coolest bonus modes they’ve ever done. This is a top tier Kirby remake any fan of the series should check out.
Ongoing things I followed in 2023 that don't have a blurb:
Halo Infinite multiplayer
IDW Sonic the Hedgehog (main series + specials)
One Piece
Chainsaw Man
My Hero Academia (not caught up)
The JOJOlands (not caught up)
Things I started in 2023 that I still need to finish:
Freedom Planet 2
Hi-Fi Rush
Live A Live
Super Monkey Ball: Banana Mania
Star Wars Jedi: Fallen Order
Picross 3D Round 2
Rhythm Heaven MegaMix
Mega Man Battle Network 5: Team ProtoMan
Ratchet & Clank: Rift Apart
Spark the Electric Jester 3
Sonic Dream Team
One Piece (Wano arc, anime)
Jujutsu Kaisen season 2 (I’ve already read the Shibuya arc already in the manga, though)
Astro Boy (2003 anime)
Futurama (original run rewatch)
One Piece (manga reread)
The Amazing Spider-Man (Lee/Ditko era)
Scott Pilgrim series (reread)
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And finally... my favorites of 2023!!!
Overall favorite game: The Legend of Zelda: Tears of the Kingdom
Favorite indie game: Pseudoregalia
Games remastered in 2023 that are now among my all-time faves: Ghost Trick: Phantom Detective, We Love Katamari
Most pleasant surprise in gaming: The Murder of Sonic the Hedgehog
Favorite film: Spider-Man: Across the Spider-Verse
Favorite live action show: Barry
Favorite anime: Pluto
Favorite anime written by a Canadian guy and an American guy based on the Canadian guy's old graphic novel series: Scott PIlgrim Takes Off
Favorite live action adaptation of an anime that I still can't believe they didn't fuck up: One Piece
Favorite Western cartoon: Adventure Time: Fionna & Cake
Favorite older cartoon I only got around to watching in its entirety this year: The Venture Bros.
Favorite documentary: Double Fine PsychOdyssey
Favorite semi-improvised semi-scripted absurdist comedy/horror/tragedy Twitch livestream performance art thing: Half-Life Alyx but the Gnome is Self-Aware finale (wayneradiotv)
Favorite manga: Chainsaw Man
Favorite older manga that I only read this year: Berserk
Favorite Western comic book: Daniel Warren Johnson's Transformers
Favorite album: HELLMODE (Jeff Rosenstock)
And that's a wrap!!!!! Happy new year, everyone! Here's to me maybe actually reading a goddamn book this year
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lil-tachyon · 6 months
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For the last couple years I've been keeping a handwritten list of good horror stories I've read. I guess the most recommendable ones are The Music of Erich Zann by Lovecraft, The Stolen Body by Wells, Mimic by Wollheim, The Thing in the Weeds by Hodgson, Cyclops by Leiber, The Screaming Man by Beaumont, and The Open Window by Saki. I might type up and post the whole list on my blog after I've done some more reading (my list of things I still need to read grows much faster than the other list).
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Including your other suggestions so I can tackle them all in one post.
I wasn't sure I was going to get to all these but I ended up being kinda knocked out by a nasty cold this week and had time to lay up in bed reading through all of them. Which was an absolute pleasure! Thank you for putting this list together. For fun I thought I'd do a mini-review of each story.
For context, I'm the kind of guy that's read probably every H. P. Lovecraft or Clark Ashton Smith story ever published. I had devoured most of Jules Verne and H. G. Wells by the time I was 14. What I'm trying to say is that I'm already a nerd pre-disposed to loving any Weird Fiction or early sci-fi/horror. If that kind of stuff isn't your speed, then adjust your expectations accordingly.
Also SPOILERS AHEAD for 50-100+ year old short stories.
"The Music of Erich Zann" - H. P. Lovecraft - 1921: This was always going to get a recommendation from me, I just enjoy Lovecraft too much. I'm glad I re-read it though, it had been a while and I think this might be one of my favorite of his stories now. The thing that stood out to me this time around was the exploration of the relationship between Zann and the anonymous protagonist. Feels uncharacteristic of a Lovecraft story to focus so much on the interactions between two human characters and it's done with a fair bit of depth. Bonus: no Lovecraftian racism in this story! Also check out this thrash/prog banger from the Mekong Delta album named after this story.
"The Stolen Body" - H. G. Wells - 1898: So when I opened up my copy of A Dream of Armageddon: The Complete Supernatural Tales (a misnomer it turns out, because it didn't contain the other Wells story on this list) I was surprised to find a bookmark exactly halfway through "The Stolen Body" from where I must've stopped the last time I tried reading this anthology over a decade ago. And I can understand why I would've stopped there because this story is kind of a slog. The premise is fine- a man severs his consciousness from his physical body in the course of an experiment in astral projection and is alarmed to find that when he attempts to return to corporeality another spirit has already taken possession of his frame. The problem is that this story is recounted twice- first from the perspective of a friend where, in spite of their incomplete information, it's pretty obvious what has transpired, and then a second time from the astral-projecting protagonist himself. In the protagonist's telling there's an interesting account of his journey through a kind of vapid hell where body-less spirits wander through eternity suffering of boredom and only able to interact with the physical world via mediums but the concept isn't explored in any depth and is recounted in a painfully "tell, don't show" manner. Can't say I recommend, but it's an interesting artifact of a time when late 19th century occultic beliefs showed up in sci-fi. Kind of like how a lot of 50s-70s sci-fi features psychics.
"Mimic" - Donald A Wollheim - 1942: My favorite story from the list. It's weird, compelling, and extremely brief. I won't summarize it because I think you should just read it. Surprised I hadn't heard of it before, especially since there's apparently a Guillermo Del Toro film adaptation of it? Also surprisingly difficult to track down the text. There are a few incomplete versions of it floating around but if you want the full story, I found it as part of this anthology on archive.org.
"The Thing in the Weeds" - William Hope Hodgson - 1913: - Before this, my only exposure to Hodgson had been "The House on the Borderland" (great story by the way), and reading the "The Thing in the Weeds" has me thinking I should dig a bit deeper into his bibliography. Conveys a sense of claustrophobia and anxiety that feels like classic "Weird Tales" fare while dealing with much lower stakes than unnameable cosmic beings. Maybe more horror stories should be set on the open sea...
"Cyclops" - Fritz Leiber - 1965: This is not a story, this is Leiber's idea for a cool vacuum-dwelling space creature dressed up as a story. Dialogue feels totally unnatural, characters are blank slates, tension is set at zero. But the creature is pretty darn cool and the story is very short. So if you want to just read about a neat alien, go ahead!
"The Howling Man" - Charles Beaumont - 1959: I had already seen the Twilight Zone adaptation of this story a while back so I knew the outline of the plot already, but that in no way diminished my joy in reading this. Beaumont's prose is highly engaging and contains a surprising amount of humor that I don't remember being present in the television version. The only real weak point is the ending. I think a bit more ambiguity over whether and to what the extent the Howling Man and the Abbott were lying to the protagonist would've demanded more introspection from the reader. The idea that releasing the Howling Man / Satan is the direct cause of WWII feels a little too simplistic and also depends on this weird assertion that the early Weimar Republic was experiencing an unprecedented era of peace and prosperity that I'm pretty sure doesn't hold up to historical scrutiny. Still highly recommend, a very fun read!
"The Open Window" - Saki / H. H. Munro - 1914: Less a horror story and more a... silly story? I don't know how to describe it other than it feels like the kind of thing you would have to read and analyze for a single high-school English period. Didn't really do anything for me but it's like a 5-minute read so check it out if you want. Does make me wish I could go on one of those "retreats to the countryside for my nerves" that turn-of-the-century English gentleman and ladies are always going on.
"In the Abyss" - H.G. Wells - 1896: A much better Wells story! And I was lucky enough to find this in the other print Wells anthology I own. (I have an addiction to bringing home old paperbacks I don't need but it's a cheap addiction and I don't have the heart to break it. Plus they're all on shelves and alphabetized so my wife can't get mad at me. Anyway, it's the shelves and shelf space that gets expensive...) It can be a little bit "gadget fiction-y" in its description of the submersible but overall it's well-paced with some good tension and a truly weird exploration of an underwater world. Recommend if you're looking for something outright odd or you like specifically underwater sci-fi. Don't recommend if you don't like thinking about the ways you might die in a submersible.
"The Stone Ship" - William Hope Hodgson - 1914: An interesting and definitely weird story, again about strange happenings on the open sea. Stretches the premise a bit too much, both in the actual length of the story and in my willingness to suspend my disbelief of the "scientific" explanation given at the end. I enjoyed it, but for a spookier and shorter take on a similar premise I'd recommend Lovecraft's "Dagon."
Anyway, thank you again @siryl for your recommendations, I had a blast reading through them!
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hershelchocolate · 1 month
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do you wanna talk about why wally (or any of your other Huge Faves) are so beloved to you
I honestly think a lot of it came from the fact that, at the time I made them, I really really related to them on a personal level
Wally was the first one, and he was just a design for Wally Franks from Bendy And The Ink Machine for a while. Kinda silly kinda stupid and everyone thinks he's always annoying and in the way, but he's a good kid! And he was fun to draw. So when I needed another filler character to round off a 10-character group, I just shoved him in there so I'd have a chance to draw him more.
But his personality in this environment suddenly gave him an all-new character and all at once he was the kid who came from a rough home, one that always wanted him to be smaller, out of the way, less of himself, but the one thing they couldn't take from him was his unending desire to be kind. Sure he has problems defending himself or setting boundaries or saying "no" in any scenario, but all of that comes from his desire to be kind to everyone he meets.
At the time I could really relate to that because I struggled with a lot of the same things, and as I've made more and more versions of him he's gotten a lot more confident than the original kid hiding scared behind his friends. He still has problems with setting boundaries, that's consistent, but he no longer has problems taking up space
I, on the other hand, am still working on that part 😳
I think the next big obsession was Lyf and the funny thing was? I didn't really care for them at first. They were just the narrator to my favorite Mechs album but they didn't really feel like a character to me.
Then I read Wayfarers
The concept was pretty simple: Lyf stumbles across Nastya post-Out and the two just. Travel together. But something about that made them click in my brain and suddenly I really really loved the concept behind their character.
Someone who was doomed from the start to be part of something they didn't understand, set up to lose everything and everyone they ever cared about, but who pushed through it all, survived, made a friend, and was thriving. There were setbacks, consequences of what set them on this path in the first place, but they had someone there with them who understood what they were going through and offered unending support.
I discovered the Mechs during March 2020. I'm sure you can see how I might have related to the concept of "my entire life is falling apart at the seams and nothing will ever be the same again but at least I can rely on the people around me"
I rediscovered them during my thesis year at college and became even more obsessed with Lyf, but this time in a slightly different way. I think the idea of graduating college was a whole new "my life is falling apart and will never be the same again", except this time I had a better idea about how rough it was going to be. The fans were always so kind in the tags of my silly notebook doodles, and looking forward to making and uploading those got me through a lot of really rough days at school. I wish I had the time to draw them more often.
It took me a really long time to connect with Finch, actually. At first I was even disappointed that I had to talk about them a lot solely for being the protagonist, because I found a lot of the side characters to be more compelling (Lorelai specifically for reasons I do not have time to get into).
And then I started writing the outline.
They're just a kid, man. They don't know what they're doing. The world is so big and they are so, so small. Everyone else seems to have a handle on things and for some reason refuses to tell them. No one is giving them the home-life support they need, and they have to figure it out themself, and everyone gets mad at them for getting it wrong.
And then suddenly I would protect them with my life
I saw a lot of myself in them all of a sudden when I realized just how lost and afraid they were to be navigating a world they didn't understand and no one seemed to be understanding how to help them in the first place. The fact that they were so young and childlike just meant that instead of relating to them, I wanted to protect them. It actually hurt to write a few of the scenes in Whisper Court because I wanted to go in there so bad and tell them they were loved, that they were fine existing the way they were, that there was nothing else they could have done.
I think it says a lot about me that these specific characters struck a chord with me and made me relate to them
But I think it says more about me that my instinct in every single one of these was to find a way to let them be happy and loved. Because maybe then I want myself to be happy and loved too
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wozman23 · 7 months
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Our Tastes In Music Related to Time, Part II: Goo Goo Dolls
Today's albums were 1998's Dizzy Up the Girl and 1995's A Boy Named Goo by Goo Goo Dolls.
I mentioned how much I love "Iris," so they were my prime band to start with. Today, it perhaps ranks amongst one of my favorite songs of all time, particularly for the chorus, the overall cathartic feel of the tune, and the way it flows between time signatures. It's a song that I enjoyed in its time, but didn't really fully appreciate until many years later. When one of my favorite (and underappreciated) vocalists of all time, Jeff Gutt, reappeared on X Factor around a decade ago, he finally found some success. On one of his final shows, he got to sing "Iris" with John Rzeznik, and that's when it really hit me. It's one of only a few songs that will make me tear up nearly every time I hear it. I could write a whole post about its beauty, and the psychology about why I identify with it and how I interpret it. (There are various interpretations, the most common mirroring the plot of the movie it was written for, about an angel who gives up his immortality to be with the love of his life, and in doing so, becomes vulnerable to both the joyous and undesirable qualities of being human, like love and joy versus pain and loss. But I also think the great thing about music is how fluid the definition of a song can be based on people's own experiences. I don't seek out romantic relationships very often. And even if I'm interested in someone, I may not even approach them unless I feel compelled to by a detail about them that I find out. But when I do find someone I like, I'm all in. I know I'm an enigmatic, stoic, weirdo, so I just “want that person to know who I am.” I'm really honest, and never shy away from being vulnerable, and try to paint the perfect picture of who I am – a person who I'm very proud of these days. Sadly, and painfully, things haven't worked out, but I'm always peering through my spyglass, observing my world to find my next “Iris.” But enough about why “Iris” is so damn good.) With Dizzy Up the Girl, I knew the big hits well: “Iris,” “Slide,” and “Broadway,” but found some other great songs as well. There are a few slow spots, but overall it's pretty good. I feel like Rzeznik's voice has dimensions I never knew about, and they're a little more punk influenced then I originally thought. Then I went right into A Boy Named Goo. There I really was only familiar with the big hit, “Name.” But the rest of the album feels even more upbeat and punk-ish. There's even an F bomb at one point. Punk, and grunge, aren't necessarily genres I liked as much, so I'm not sure how I feel about the more punk-ish stuff. But there's still a lot of great, anthemic pop rock there as well, like “Long Way Down,” Flat Top”, “Ain't That Unusual,” and “Eyes Wide Open.” Ultimately, I'm not sure how much I'd crave listening to the deeper cuts of Goo Goo Dolls, and I didn't find a gem like yesterday's 3 Doors Down track that dumbfounded me, but the hits definitely stand up well today. Also for reading this far, I'd like to remind you of one of my favorite stupid jokes. It came from Andy Richter as part of one of Conan's In The Year 2000 bits. I don't remember it verbatim, only the basic punchline, but let's say it went something like this: Baby's everywhere will fill stadiums when Lady Gaga and the Goo Goo Dolls decide to unite, forming the supergroup Gaga Goo Goo.
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buildinggsr · 2 years
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What did you think about the CSI finale? How would you rank the seasons? Who do you ship?
Hi @vladimirputinskremlinqueenmary27 thanks for your question. I'll (try to) answer point by point.
1. What did you think about the CSI finale? I once wrote my take on the CSI finale here. In this other post I described it this way, "all f*ing angst for like 80 minutes and 10 minutes of sailing off into the sunset together."
Maybe - maybe - it would have been good as a regular episode, but not as a series finale. I also found it a bit disrespectful to the fans who had followed the series for so many years. I had been very annoyed by the lack of references to any of the events that had happened over the previous 15 years or to the characters that had been part of the series. (By comparison, there were many, many more in the recent reboot!) The finale was supposed to conclude a series that changed the history of TV series and instead it felt like a collection of post-it notes stuck to each other, with no real logical sense. 2. How would you rank the seasons? I have watched and re-watched several times only the seasons up to when Grissom left, the ninth, while I have watched only once, maybe twice, the following ones - apart from the episodes that involved Grissom and Sara to some extent.
Taking this into account, for me each season has its own peculiarities and beauties, maybe in one I find the stories more engaging, in another the character development is what interests me most, in yet another I like the aesthetic side, the lights, the visual effect.
From a general point of view, I can certainly say that the seventh season is the one I prefer: the story of the miniature killer is fantastic from all points of view and is very compelling and all the stories in the middle are great. I think the seventh season constitutes the pinnacle of the entire series. The development of the episodes had been a crescendo up to that season, and after that everything got a bit lost.
Recently I had started a re-watch (again) of the series from the first season and I have to say that it's not surprising that it had such a great success, because, in my opinion, from the very first episodes it had a great intensity of both the stories and the characters. Already from the very first episode the actors show to have a great feeling between them – even though at the time they didn't know what the hell they were doing. Everything seems very very natural and engaging. For this reason, apart from the seventh season, I think my favorite seasons are the first ones, I would say the first three, when the members of the team were outlined episode after episode, the bonds between them grew and the stories were very real, the creativity of the authors probably feverish. And then there were also a lot of funny scenes. If I had to choose to watch an episode at random - not for GSR reasons - I'd probably watch one from among those seasons.
One thing I also like about those episodes is recognizing traits in the team members' personalities that would later become their hallmarks over the years. It's kind of like looking at a family album, starting when the kids are little, and flipping through the pages to see them grow up, and remember the highlights of their lives.
Aside from the seasons up to the ninth, I have to say that the Dr. Jekyll arc hadn't been bad - although I never liked how they had made Ray Langstone the leader of the team with the minimal knowledge of the job he had. Conversely, I really liked DB, but not enough to go back and watch his seasons.
As for my favorite seasons from the GSR point of view, they are the sixth and the seventh.
3. Who do you ship? If we understand the term "ship" as referring to a love story, as you can easily guess from my blog, my ship is GSR. It's amazing the depth of Grissom and Sara's characters and how over time they, driven by the propulsive force of love, have undergone a radical change to be able to stay together. It's great that in the last scene of the reboot we see them, they're on a roller coaster, because there's nothing that better exemplifies what their relationship has been. And everything they've been through, ups and downs, steep climbs and maddening descents, has brought them electrified at the end of the ride. Electrified because what they went through to get to the end was electrifying: every event that characterized their love story was non-random, intense, provocative (in the sense that it provokes an intense emotion). And electrified they still appear now, in the recently aired reboot: with their looks, their simple, normal intimacy, the way they have of confessing their flaws to each other. Everything is pure energy.
I think I'm the only person on the face of the earth who dares to say that even the period of their divorce, as much as I wish it hadn't been there, was functional to the complete serenity of their relationship that we saw in the reboot. All the mistakes that could have been made have been made and, okay there's no limit to the worst, but at this point there's nothing that can sour their relationship anymore. They are now fused together, forever. Pure Lonsdaleite, the hardest mineral in the world.
Other than GSR, I don't have any other ship, but if we understand that term in a broader sense, including friendships as well, then:
- I liked Catherine and Warrick's relationship, it would have been nice to see something blossom between the two of them. I think they would have been maybe as good as Griss and Sara. - I loved Warrick's relationship with Sara, the most intense characters of the show, in my opinion. Both of them with difficult childhoods, they worked their way up in some part through shoulder pushes and in some part through their intelligence and the great work they did on themselves. They earned and deserved every accomplishment they achieved. I happened to rewatch Goodbye and Good Luck and even Forget Me Not, but I have never, ever, ever rewatched the last two episodes of Warrick and never will. I think that's all. Thanks again for your question. Stay safe and take care of yourself. L
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mytastessuck · 3 years
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Gorillaz: Humanz
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SHere it is, the comeback tour! I was so excited for this album, I sucked all the singles that came out before I could download the album. This album basically reminded me of the reasons I love Gorillaz. All of them. One particular reason a little too well...
Okay, let's get the elephant out of the room. This album is a bit controversial among the community for playing a little too hard to one of Gorillaz' strengths: showcasing cool artists. There are more than a few tracks where Damon doesn't even show up. Hell, my favorite track doesn't even have it on him. Me, I honestly don't care about that as long as I get to hear good music but for the rest of you die hard Gorillaz fans? Just think of this as a compilation album like NOW That's What I Call Alternative/Indie Hip-Hop/R&B/Electronica/Pop.
See? Rolls off the tongue. Now let's get started.
1. Intro: I Switched My Robot Off
Nice. Real ominous. Gorillaz really know how to build up a presentation. Feels like you're walking through the doors of the doors to the Shrine of the Silver Monkey. Anybody remember Legends of the Hidden Temple? Were there doors on that stage? Anyway, awesome.
10/10
2. Ascension
Holy hell, Vince really knocks it out of the park on this one. Different beat, nice flow, social commentary...He was not fucking around on this track. Damon's barely on the track but Vince makes up for it with his existential rhymes and chorus back-up. Man, Gorillaz has gotta take advantage of gospel more often.
9/10
3. Strobelite
That didn't take long, did it? Anyway, this is my favorite song on the album. Peven has an incredible voice, the music psychically compels you to dance and...that's it. Sometimes, well usually with me, you just need to go with Simple Yet Awesome. Have a good voice and a good beat. This song has both and I'm pretty sure that one day, a scientist will hear this song and will be inspired by it to cure diabetes.
100/10
4. Saturn Barz
Ah, the lead single from the album. Remember the 360 house, everyone? Yeah, you remember. Glad to have Gorillaz welcome back Reggae into their line-up with Popcaan manning the helms. He and Damon tag-team the eardrums with the power of dread as the instrumentation makes you feel like you're in a haunted house. Welcome back, guys.
25/10
5. Momentz
WELCOME BACK, GUYS! De La Soul returns to say some real shit about time and how you should, respect and stuff. Seriously, awesome track. Kicks so much ass and you can even dance to it as you wonder if this MOMENT will be one of the last times when you feel really happy. Nice...
9/10
6. Interlude: The Non-Conformist Oath
Hey, Steve Martin! I like to imagine a bunch of assholes listening to this and...just not getting it. Not us though. We get it. We're smart. Smarter than those guys...
10/10
7. Submission
This song had to grow on me but years after I got the album and after I learned to appreciate Danny Brown a little more like all humans should, this song became one of my favorites off the album. Don't worry Kelela, he doesn't carry the whole song. Her voice is so beautiful that it can calm a charging rhino or a coked-up Connor McGregor. These make the song a lot classier than it had any right being.
90/10
8. Charger
She's beauty, she's Grace...she's also Jones. Man, I haven't heard from this woman since Corporate Cannibal and she has clearly been keeping up practice. God, how can a woman's laughter both scare and arouse me? Damon's no slouch on this track either, singing about the monster that keeps us all tethered: the charger. I kid, I kid. Hey, did Damon really get a boner on stage when he sung this or are you guys messing with me? Message me if you know.
9/10
9. Interlude: Elevator Going Up
On a recent trip, I tried to go up the elevator but it was card-activated so a desk lady had to help me. That's it.
8/10
10. Andromeda
Damon has to do the heavy lifting here and his muscles have not completely wasted away from lack of use. He tells us to take in our heart and you know what? I did. I took this song directly in my heart...and my playlist.
50/10
11. Busted And Blue
Yeah, this song is a bummer. A good bummer. It's Broken's younger brother who joined the army to make his parents proud after he couldn't get into university like his older brother who managed to form a separate family with his squad and began to think that maybe he was good enough after all before his squad gets bombed and, as he lies legless dying painfully on the ground, a blue butterfly land directly on his outstretched busted hand...
Directed by Mervyn LeRoy
10/10
12. Interlude: Talk Radio
You ever wonder how we get voices in machines? I know you think it's a complicated process but I know a dude who picked up the radio in his electric fan once. Think about it.
8/10
13. Carnival
Again, this song had to grow on me but one day, while I was thinking about Gamzee for a godforsaken reason, I thought "Geez, he talks about the Dark Carnival and the Dark Carnival isn't even some of ICP's best days. What's a good song about a carnival?" Anyway, Anthony can spin a person's mind and mind around just by singing. He's wild.
80/10
14. Let Me Out
Hey, wouldn't it be funny if Mavis was Vince's mother? She's not but that would be funny as well as cool. Her and Pusha T bang on the walls of this track as they rant about the politics at the time of this song. Yeah, they're talking about Trump. That car horn can't protect you forever, you orange bastard.
9/10
15. Interlude: Penthouse
Dear Penthouse: Hi. Does anyone check in on you, just you? I'm here to say I think you're important and you provide a necessary outlet for men to brag about being perverts. At least before the Youtube comment section existed.
Thanks for everything,
mytastessuck
8/10
16. Sex Murder Party
Ooooo, this track puts me in a funky mood. Like, there's a part but there's sex there...and MURDER. So you know it's an awesome party. Kick-ass, right? I know it's kick-ass. Keep dancing, people.
11/10
17. She's My Collar
Pretty sexy song. Gotta love people vauging about being used in a song. That's why we love Offspring, that's why we love Damon on his knees onstage. Hey, there was a post that said Noodle wrote this song about her girlfriend. That was an excellent post. Well done.
9/10
18. Interlude: The Elephant
I SAID GET OUT OF HERE, YOU BASTARD!
8/10
19. Hallelujah Money
Ah, the technical first single. Remember when they said that they weren't going to put this song on the album? Anyway, this is exactly the song we needed after The Incident occurred. Benjamin manages to calm down an entire populace while Damon just fearfully wonders what our future will be like...and he's in the UK. This song is one long terrifying lullaby to an entire country...until the end, anyway.
75/10
20. We Got The Power
A great way to remind listeners that no matter what's happening, no matter who's in charge, we have the power change everything. An excellent message for people who were still recovering from The Incident.
10/10
21. Interlude: New World
Okay, the bonus tracks. Should be nothing special here, right? Just some B-sides and I've never shown favoritism towards B-sides, right?
8/10
22. The Apprentice
A nice song from the same Rag n' Bone Man who brought us "Human". Zebra manages to lay down some nice rhymes as Ray BLK backs them both up with the force of her voice. These guys should form a team with how well they work together. Oh, they should make a virtual band! All they need to do is find an artist...
9/10
23. Halfway To The Halfway House
A very nice song if a bit overshadowed by the others on the album. Still, Peven can't be beat when it comes to crooning and he raises a song from a solid C to a B.
8/10
24. Out of Body
This song had to grow on me also but when it did...lord, this song is weird. Hypnotic suggestions, telephone tones, the song starts then Zebra jumps in to help then who is this person?! Why are people applauding?! Who are you people?! Why are there so many crows gathering outside my house?!
60/10
25. Ticker Tape
Well well well, look who's back. Damon returns with his old friend Kali to join the accuser of the vain Carly Simon to beg us to stay on the album. Sorry Damon, but I got places to do and people to go. There's nothing you can do to convince me to stick around after how long this album already is.
9/10
26. Circle of Friendz
Huh. Seems like a riot is going on. Weird for Gorillaz to get this real. What, this guy is just going to keep saying Circle of Friendz again and again? Is this supposed to affect me? Get real. It'll take a lot more than a nice voice and implications to...
To...
...
...Maybe I should listen to the album again.
11/10
Album score: 25/10
Damn, that took a while. Shouldn't be the case next week when we cover The Now Now. See you then!
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