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#i lost my shows coloring nd the struggle is real
pettyelves · 4 years
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a man opens a door
three’s a crowd I TW: Sexual themes
A man opens a door.  He is seeking. He is confident.  He is curious.
Shadows consumed the room, bodies-- even the dead ones swallowed up. It was a force of nature, meant to knock the attacker out of not just her mind, but Zelphryin's. The caveat being the transportation. If they were actually moving through space and time, it was unclear-- but to be certain, the Infinite felt real.
Images bombarded him. Chaotic shadowy visions that jittered in whatever manner of vision he was seeing it all with. A massive puzzle box balanced impossibly on a corner, constructed steel colored metal. It rotated endlessly. The vision jumped, as though they were moving inside of it. No clear door, or passage inside. From a dark abyssal floor, rose constructs-- an entire city of pillar, obelisks, platforms. High up, to down below. Nothing made perfect sense. Objects seemed to come out of the sky, or black pit below at random. Buildings wove like mazes on into eternity.  Wherever they were, the influence had lifted from his mind and they stood on an open platform, over looking the life's work of the the Shol'Shar bloodline.
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"Why do I get the feeling that we are not in my apartment anymore."
His wonder was to be expected. The construction permeated with raw shadowy energy and was a display of power which any man, particularly one like Zelphryin would be drawn to. While he looked, Mirin took the time to compose herself fully.
"We are inside of the Infinite," she stated, as though that explained it. "And as much as I enjoy being conjoined with you physically, it would behoove us both to locate the host and cast it into the Axis. I encourage you to stick closely to me, lest you be lost inside."
She had never seen him so enthralled by anything. Unlike the stare he gave any woman. Greedy eyes that stared around at everything they could. He wanted to learn this place--he wanted to own it. 
Mirin knew he did not know what it meant to own this place.
"I suppose this is the part where I promise to make it up to you on the later." He said as he came to stand near to her once again. "Will certainly do better at vetting my next communal, no clothes, soiree." He took 
She waited patiently for him. It was likely that the threat was not immediate. Not here. But when he joined her, she twisted her hand  and metal particles constructed a bridge before them. Not only did she seem to own the space, but she had full control of it.
"Oh yes, there is plenty of time to discuss you making this all up to me. My preference is naked, and directly following  some manner of provocation." Though it seemed they were inside of her mind, one distinct thing of note was there was no place where her thoughts echoed loud enough for him to hear. Whispers, faint as though they were held elsewhere in the puzzle box. She moved, her split-pupil eyes scanning above and below for signs of their attacker.
"Well that seems a bit unfair, placing the entire blame on me. Stormwind has a number of cart peddlers, how exactly was I to know she was somehow involved in all the slug fest." He neither really seemed to be helping. Perhaps the longer it took to find their assaulter, the longer he would have to mentally map this; the grand center piece being that of the steel and churning puzzle box like a piece of clockwork. "Had you taken my original offer for the Cock and Candle we certainly would not be in this situation." His lips drew tight as he leaned down over her shoulder. "Now who is to blame?"
Zelphryin was a master of manipulating each and every situation to suit him. There was no winning against him-- yet there wasn’t any losing either. Mirin decided, in for a penny-- in for a whole pound. 
"This was inevitable." She said, stopping on the bridge to push her hands outward. From the bridge, extended more bridges. Each with a doorway to nowhere at the end of it. Now she resumed walking by it. Each door they passed, seemed to glimpse into another reality, another option, another timeline? She explained as they passed them, her arm hooked in the crook of his. 
" If I had not come tonight, she would have found you alone. Inside of the Cock and Candle, distracted by your cock buried in your chosen whore. Your night, ended-- with a Warden's blade in your back. Standing trial for the brutal murder of all the women you had brought to your bed." The options went on. "Had you stayed at home, you most certainly would have fucked a corpse. And in the middle of it, been invaded with naught but me to wonder where you were the next day." And on. "Had we gone together, sharing chocolates with the lovely women we planned to enjoy. Carnage. As an army of puppetted whores turned on each other, on patrons, on me, on you. The would call a massacre the next morning, you and I--captured or dead." They moved on along the bridge and if he thought to look behind him, the way they came looked completely different. It was always moving. "Blame, is irrelevant. I.. am more interested in purpose. Why you. Why tonight." And why had she known about Mirin's father.
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At An’Diel Manor, Eilithe had provoked Kurel with a single press of the bare knee to his rough knuckles. He’d sat in his chair with a drink gripped loosely in his hand-- covered gaze our over his kingdom harbor. 
His hand moved flat to palm against the skin of her thigh, up and under the silk of her gown. She stared down at him, and he-- without eyes, back up at her. A smirk formed on either’s face and the night was slated to be spent tangled in their sheets. 
For nearly a month, Eilithe had gone to the city very little-- sent her Whispers, or Mirin to do her dirty work. Instead, she had been doing this. Enjoying Kurel and the little blip of peace that came when things were good. 
Hours later, she was laying half a-top him, nearly put to sleep by the sound of his slow-beating heart. She did not hear the seal-- and so whatever came to Kurel’s ear must have been through a communicator she did not possess.
“What’s wrong?” She asked when he sat up and started to get his things.  "Zelphryin."  Kurel spoke his name with a growling snarl, throwing aside the bedsheets as he moved swiftly out of bed. His next words heard across the seal-- publicly to everyone who was privy to the link. "I nee' available Wardens to the Starse' Reach district stat. Zelphryin's apar'men'. Blow the fuckin' buildin' up if you have to to ge' inside. Issue a new bounty. Dead or Alive. Sin'dorei. Male. Former Gambi' crew member Severin."
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"You cannot lie to the Infinite, Zelphryin."
By now there were more doors than there were obelisks and structures. It was loud, whispers from each scenario. "It knows your preferences," It learns them. "It knows the probabilities." She turned, as though she would leave him to keep opening doors. "The power is in the control of it." The power was in the ability to push one outcome over another.
He pressed, like a toddler. For each new option he presented, a new path, a new door presented itself.
A man opens a door.
"In another scenario, I do not leave you at the bath house." He turned his head to the presentation of a new door. "I give you what you want. I have my own fun." He grinned. "My shirt and jacket are not left for you to take with you. The following day, the exchange at the fortune teller never happens. I skip my meeting with Mavas Hawke, rescheduling for later. During the time frame where I would have encountered the cart woman is when I am in Duskwatch. Our paths still converge in the courtyard of Stormwind. Only I had just arrived. If the cart woman is present, she does not interest me. Because I have seen you, before you have seen me.”
He is seeking.
"She tries to get my attention, but she can not. I am too preoccupied undressing you in my memory and constructing my first five reactions and responses to you, while you are preoccupied with spying the evenings entertainment as you had put it.”
"You have no plans to make an appearance at my apartment and I have made arrangements ahead of time at the Cock and Candle, Room 5.”
He is confident.
"Now the cart woman could attempt to still infiltrate the harbor, but at a greater risk with less information. Making it, in this scenario, not worth the reward.”
"In this scenario. We would never be here, either."
 He is curious.
The game he was playing excited her. Not only physically, but in a way she would have struggled to describe. Her teeth seldom showed when she smiled, or in this case, when she grinned. But for him-- in the expanding Infinite, they did. The construct shifted now, bridges bending up and over them like archways that turned.
Somewhere in this maze of mindmap, there was a fraction of an intruder. But it was far out of Mirin's thoughts by now. Caught up in the Droste effect that was slowly forming. The Infinite did not seem to be outsmarted easily, if at all.
She answered him. "You are distracted. By my hand slipped in your pocket, working your cock in the slowest of manners-- to which you protest. I tell you, absently, as I work-- that I felt someone watching me at the Faire. You make no reply, so as not to seem too interested. You in fact, aren't interested. We slip away, she follows but cannot rightly attack effectively." 
"There is no attack that night, no-- but the choices you made. To leave me. There. In the bathhouse. Tonight. To walk me backward to your bed. To undress me slow and indulge in me. There is no other outcome." Her voice was but an echo by then.
The longer they remained. The more questions he asked. The closer their minds became. "And what of your choices, Miss Mirin? What outcomes would they have changed?"
The archway bent locked into place, like they were not a part of the construct. She stood before him, and decided if she would answer or not.
One door opened. "I never come to your apartment, we never rut in your shower, nor meet in the bathhouse. You greet me, incorrectly and are forced in my company for many years to come. You never end here. You never get a taste of power that brushes what your father found, nor have the thought to push even deeper than he went."
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"A more concise inquiry." He looked to a door. "What if you never came to Dead Sun at all."
A door dropped squarely in front of him, opening up and obscuring her view beyond it. "It is the Third War. I ignore the Infinite's warning for the first time in my life. I never meet Eilithe Duskbringer, I never return to the Eastern Kingdoms."
If he looked to long, the door was oh so inviting. Visions of warm sands, crystal clear.
"I wander the sands, in search of something that I never find."
Her an echo against his ear, she was moving away from him. Outside, their bodies were slumped in darkness. The corpse, being sucked up into blackness. As though she were falling into the floor, while the other two slept through it all. Severin was in a panic. 
@kurel-andiel​, kurel and zel, @bellwetherspromise​ @deadsunharbor​ 
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stereogeekspodcast · 3 years
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[Transcript] Season 1, Episode 1. Detective Mode – Batman’s Worst Enemy is Himself
In our first Detective Mode episode, we discuss why Batman is his own worst enemy, and consequently, bad for Gotham City, and the Bat-Family.
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Listen to the Episode on Anchor.
[Continuum by Audionautix plays]
Ron: Today we're talking about Batman.
Mon: Yes, welcome to our first episode of Detective Mode.
Ron: Batman is a starting point for all superhero fans and he was for us. Mon: Yeah, we started off by watching the 1960s show with Adam West, and that really shaped our love for superheroes. It was camp but it was fun.
Ron: Yes, we struggled with the other versions of Batman because we loved the Adam West show so much. But once we started reading the comics, we definitely changed our minds about how we felt about Batman yeah exactly because Mon: Bruce himself is a complicated character but also a very inflexible person.
Ron: Yeah, that's a good point. Well, Shelfdust has this whole series about Batman's worst enemies, and he has a huge rogues gallery. But finally, we decided that Batman's greatest enemy is himself.
Mon: Yeah, and in this episode, we’re really going to be discussing why we think that.
Ron: Because, as much as everybody loves Batman, and we do love Batman, there are a lot of flaws with this character. In many ways he's making his own life, and the life of the citizens of Gotham, nd the people of the Bat-Family, very difficult.
Mon: Exactly. I mean, when we talk about Batman's enemies, we have Riddler, Joker, Penguin, Poison Ivy, Bane. these are just the compelling ones. There are so many more. But they are his own enemies, his personal enemies, and yes, they wreak havoc on Gotham. But why do they keep coming back?
Ron: And that's actually the only way to look at Gotham City. It's a place where crime happens but justice is never really served. And that's the whole point of Batman to actually bring justice to his city, and looking back at his past, Batman lost his parents. They were killed right in front of his eyes when he was a small boy, and that shaped his future. That shaped the person that he was going to grow up to be, and that shaped Batman. But the set of rules that he set for himself when he was a child… He was a traumatized child, and that completely colored the way he looked at justice, and that's shaped the way he's tackling the villains that attack him, and the city.
Mon: Yeah, that's true. I mean, it's a child's point of view. It's good. I mean, he's innately a good person. He has a code of honour which he usually doesn't break. There's always going to be a chance here and there, where it's going to change.
But while I like that code of honor, I feel like Bruce is working on crime in Gotham from the top down. It's easier for him to be Batman, to use his face to beat up these bad guys and throw them in Arkham. But what is he doing to make the city better?
Bruce is the wealthiest guy in the whole of Gotham. I mean, he comes from the wealthiest family, who have a history of wealth and a history of power and influence over people. So why isn't he using that? Instead he's just, you know, putting these bad guys away in Arkham, and they're breaking out of there, like every three weeks or so.
Ron: Yes. Nobody really stays in Arkham for very long. It's really a revolving door.
Mon: Yeah, and let's talk about Arkham for a minute. Like every iteration of Arkham, be it in the comics, in the games, in the TV shows and films. It's this horrible, wretched place. All it does is re-traumatizes anybody who goes in there. And it makes them worse.
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Ron: So, where does the rehabilitation happen? Can you get justice in a city like Gotham without actually rehabilitating these people? All these criminals, you know, Poison Ivy, Joker, Bane, they come from great poverty, great deprivation, and they're trying to make sure that not only they can have some kind of luxury, but they can give it to their cohorts that they work with. So, where is Bruce Wayne? And where is Batman? When those people need help, before they become Joker and Poison Ivy. Mon: Yeah. And another way that I feel that Batman is not only his own worst enemy, he's also Gotham’s worst enemy is that he's fighting bad guys, he's putting them away, they come back out way stronger. But all he is doing all the time, is using his power and wealth to give himself and the Bat-Family better tech, better weapons. And that's something that's alluded to in the Christopher Nolan films. In Batman Begins where detective James Gordon says that if you're more invincible, they're going to start bringing out more powerful weapons.
Ron: Exactly. And that's actually a concerning issue, especially as we look at the world in 2020. There's so much money being spent on the police force, they have tanks, they have Kevlar, and the kind of weapons that they have access to, they could do real harm. And that's just to protect the city. I mean, that's exactly what we've been seeing in Batman. He has a suit that protects him. He has a utility belt that has all sorts of gadgets. But these are not just for him, he's making the same things for the GCPD. So, what we've seen in real life has actually been reflected in the Batman books for a very, very long time. He's actually making a world around him that allows for, even gives permission to, people to create super weapons, and that becomes dangerous for the common man.
Mon: Absolutely. The most recent arc in the Batman comic series deals with a new character called Clown Hunter, who has been killing Joker's henchmen. And Batman is dead set against it. When the Clown Hunter is introduced, Batman speaks to him about his murderous ways and Clown Hunter tries to explain to him that he lost his parents and he was orphaned. He's homeless, he's squatting in this place because of a fight between Batman and Joker. So, this young boy is collateral damage. And these are the characters that we don't often see, or we don't often see Batman engage with. But this clown hunter character, he's presented as a villain, or a villain-to-be. But he's just collateral damage in a fight that really shouldn't have happened.
Ron: We see that quite often. Even Kite-Man, he’s probably one of my least favorite characters in the DC Universe, he's extremely irritating.
Mon: I can’t believe he's such a huge part of the Harley Quinn TV show!
Ron: It actually did a really good job with him in that show. I was quite impressed. But otherwise, he's not a very good character; he's not very interesting. But his villain origin story comes from Batman. He lost somebody in his life because of Batman. It comes back to the same thing. Is Batman really helping the people of his city? What is he doing for people like Clown Hunter, for Kite-Man so that they don't end up on a path to villainy? How many heroes are in Gotham City, that will actually bring about something good? Apart from the Bat-Family. Even Nightwing, he's left, he's gone to Bludhaven. There's Red Robin. He's usually with his group of superheroes. There's Robin, who well, he doesn't really have a choice. He's Batman’s son. There’s Batgirl. At least, she is trying to do something. But she has a connection to the GCPD, because Gordon is her father. So, in a way, she has a very blinkered view of crime fighting, as well. Again, it comes back to the same thing. What are they doing to actually rehabilitate these people? What are they doing to mitigate the kind of collateral damage that they're causing?
Mon: Yeah, I mean at the end of the day, Batman is working on a surface level. He's not trying to structurally make a change to Gotham itself, and he's one of the rare people who has the power to do that.
Ron: Exactly. I mean he does have limited unlimited resources. So, what is he doing with that money?
Mon: Exactly. And we're always hearing about the corrupt cops in the GCPD and the mayor, who's usually being bribed by the Penguin or whoever. I mean, Penguin becomes mayor in several iterations of Batman series. So, we have to ask ourselves: why is Bruce just standing by and letting all this happen? And, of course, we're talking about a comic book character here, and he is just a reflection of the people who create him or writing. So, is it that much harder to think of a good character, a heroic character, who does the dirty work, but doesn't necessarily do it with his fists? Ron: Yeah. Gail Simone had an interesting Twitter chat with a few people some time ago about Batman. Quite a few people were asking, why does Bruce Wayne not do something with his money to save the city of Gotham and actually put an end to crime? And she was saying, it doesn't really make for great comic book writing, because the visceral action of somebody hitting somebody's face, or punching them in the solar plexus, that makes for great art, that makes for great reading. Somebody sitting behind a desk crunching numbers, trying to run an orphanage, or pay off some bills, that's not very exciting.
Mon: And also, I know that the diktat from up above in DC is that every comic book needs to have an action scene. It’s something Tom King alluded to a couple of years ago about his series, which is a little bit more cerebral from time to time. But yeah, he said basically every issue must have some action in it.
Ron: I think you can still have some kind of action. While also acknowledging the fact that Bruce Wayne has to do something with the money he has.
Mon: Something more. Because at the moment, what he's doing is, it looks like he's hoarding it.
Ron: It's actually quite interesting because the current Rebirth run has Bruce pretty much losing all his money. All of its been transferred to Lucius Fox. So, what is he going to do now? And another thing that we're seeing is Bruce is actually being questioned about what he's done for the city. He's actually having to rethink his war on crime, and whether it's actually brought anything to the plate.
Mon: Exactly. How effective is Batman?
Ron: We haven't seen him be very effective at all. Somebody like Joker; he's been around for quite a while. There used to be kind of comedic elements to him and the Adam West shows and. And we've seen that character become darker and darker. We've seen The Killing Joke, where he maimed Barbara. He was one of the more terrifying villains that we saw, when he was portrayed by Jack Nicholson, and he was portrayed by Heath Ledger. Let's not go into the Joaquin Phoenix Joker movie, which was not good.
But this is a person who is still a mystery in many ways, but he keeps harming the city, he keeps coming back. He harms people he causes damage, and he ends people's lives. And he causes a lot of pain in the process.
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Mon: Exactly. And the worst thing is, at the end of it all, because the DC executives are so keen on keeping the Joker alive in some form or the other, it almost seems like Batman forgives the Joker. Yeah, that's why he always lets him live or sends him to Arkham, but it's not enough. Something more needs to be done about somebody who constantly returns and destroys the city.
Ron: Yes, I mean, he's a dangerous, dangerous man, and he has shown time and time again that he does not care about getting better.
Mon: So, something needs to be done. Maybe Arkham needs to be redone or restructured completely. Bruce has the power to do that. And unfortunately, he really just hasn't. So, in a way, you have to ask, is Bruce enjoying this? Maybe Bruce just keeps these people around so that he remains relevant.
Ron: Yes, it does. But in a way it makes sense because if there are no criminals, what's Batman going to do? There is no need for Batman. The whole point of Bruce becoming Batman was that he would make a city that would one day not need him. But it's been, what, eighty years of Batman and he’s still needed. Mon: Exactly. In fact, more so, because every time there's a colossal fight or battle, it seems like the city is completely at its end and there are even more new villains coming up. Just now, we've got two new different iterations of villains who are out to take on Batman and able to fight him toe to toe.
Ron: And the other thing is that, the newest villain that's been introduced, we don't really know very much about him, but it seems that he has history with Bruce. So, this is a personal battle that is being fought, and the victim is once again Gotham City.
Mon: There's so much collateral damage in the city, but even if we don't care about the poor faceless Gotham-ites, Batman's own family have been affected by his incompetence.
Ron: How can we forget Jason Todd, his second Robin, a feisty character, in many ways, but he ended up being murdered by the Joker. And because comics, he came back to life; he was resurrected. And he is still, after very many issues, very angry with Batman, who basically is a father figure to him. Because Batman never did anything to the Joker despite Jason dying. And that ended up leading to Jason becoming Red Hood, and he was a villain for quite a while.
Mon: Yeah, and it's funny because Batman basically saved Jason from being a villain. When he was young, his greatest concern was, if he left Jason out on the streets, then Jason would just become a bad guy. He would just be another one of Batman's rogues’ gallery. So, he invited him to the mansion, taught him to become the Robin. And that was great. And then, because of Batman's forgiveness of the Joker, when Jason does come back, he comes back angry, because it's constantly fueled by the fact that Batman refuses to act on what happened to him. Ron: That's how he keeps going. It's this vengeance that has shaped his relationships with almost everybody around him. And it's made him a very, very despondent, angry young man. We've had an issue with writing for Jason. It's not been good for a long time, but he can't grieve properly, he can't be a relatable person.
It seems like, because Batman is basically the flagship of DC, to make him as interesting as possible, everybody else around him is suffering.
Mon: Yeah. And let’s take Barbara Gordon, for example. We, especially nowadays, everybody talks about Jason's pain and Jason's anguish about what happened with the Joker. But people tend to forget what happened to Barbara Gordon. In The Killing Joke, which is a huge favorite among a lot of people.
Ron: It's not a very good book, actually.
Mon: It's quite problematic by today's standards, anyway. But for Barbara, she was left in a wheelchair after being shot by the Joker. And she took that opportunity. She saw it as an opportunity and became Oracle, still a very, very helpful superhero to the Bat-Family. And in the Rebirth comics, she was able to get some surgery, and she's back to being Batgirl.
But the writers, in general, tend to forget that the Joker had a lasting impact on her, as well. And while with Jason, it’s very much about his anger, with Barbara, she has to deal with it. And I don't think she's allowed to be angry at Batman. Even though she should be.
Ron: Yes, exactly! She's always been by Batman’s side, but has he earned that? Has Joker earned her forgiveness? Of course, it comes back to writing, and how female characters are never… It's a huge problem with the big two, that female characters have had certain personality traits that are not very realistic, at all.
Mon: So, it's hard to see them as rounded, fleshed out characters because that's not how the people see them.
Ron: And they have largely been written by men who seem to have very strange views on women. So that's also quite unhelpful. But again, it comes back to the same thing. What is Batman doing for his city, for his people, for himself? Because people are getting hurt. And nothing's being done about it.
Mon: There's the old adage that goes: violence begets violence. And, in essence, that's exactly what Batman is doing. Because every time he brings out his Kevlar and his armor and his fancy batmobiles, somebody is trying to figure out a new way to get through all that.
Ron: You don't want to say that it is an invitation, but because nothing is being done to keep these people behind bars or to find a way to make them better, then, it does become an invitation. Because they know that they're not going to be in Arkham for very long. Somebody is going to break them out or they're going to find a way to break themselves out. And they're going to have an upper hand because they've already fought Batman and now, they've actually learned the things that Batman seems to be working on
The principle that all the henchmen, they're desperate people so they're aligning themselves with the Riddler or Joker or whoever is the villain of the week. But those people, they're easy to grab. They're easy to punch, they're easy to put behind bars. What happens to the bosses?
Mon: Also, we have to ask ourselves: why are there so many henchmen lining up for these jobs with the Penguin and whoever? Where are the other jobs?
Ron: Exactly! That means there’s a high rate of unemployment in Gotham.
Mon: And again, that comes down to structural, systemic issues. Even if the bosses, none of them really do any work, all the henchmen have to do all the hard work and dirty work. So, if they didn't have a huge rotating door of henchmen coming in and out, they wouldn't be too effective.
Ron: We know that Bruce Wayne has a very large corporation, and obviously people are working there. Maybe there are opportunities to make new jobs. Why isn't he taking that up?
Mon: Exactly, exactly. It seems wrong to lambaste Bruce Wayne and Batman so thoroughly, since he is definitely one of our favorite superheroes. But at the same time, I feel like after 80 years of reading pretty much the same thing over and over, I think that, especially the most recent disappointment would have to be when The Joker War was happening in the Batman: Rebirth series. And by the end of it, he’s still a threat, an insidious threat, but he's still a threat.
And it just makes us wonder why DC is so against letting go of this character. Its comics. If a character dies, they'll be back in a year. It's fine. But give us a year where we do something different with Bruce Wayne.
Ron: Yes. And you know what, I would say, make a huge change. You know what this is making me think about? There's been a lot of discussion about colorblind casting in films. And we have seen different versions of certain characters. We've seen Thor, the mantle was taken up by Jane Foster. We've seen Miles Morales’ Spider-Man. Maybe we need a Bruce Wayne who is not so white.
Mon: In fact, we are going to get a few. I don't think they’re canon versions, but we do have a few things coming up in the DC future slate. The publications which will try and expand the variety and diversity of characters, even characters that we are familiar with. I hear that there's going to be a Batman who isn't exactly all white. Ron: Okay, but again, that's not the main title. That's always going to be a problem because I think, up until this year, we felt like whatever Batman was doing, it was fine. We were okay with it.
Mon: Yeah, as long as the stories are entertaining, we will keep coming back.
Ron: The stories have not been entertaining, that's a different matter altogether.
Mon: Yeah, that's it.
Ron: But since 2020 has happened. Since we’ve seen what an extremely rich, white man can do when he is in a position of power, right now, Bruce Wayne's entire arc really needs to be rethought. Because it is very difficult. The two of us are women of color. We're immigrants. Reading Batman do what he does, it's not relevant anymore. It's actually a slog for me to read Bruce Wayne’s stories. I feel really bad saying that because Batman has been in our lives forever.
Mon: Yeah. Can't remember a memory without Batman in the background
Ron: I have to really prepare myself to be like, okay a new issue of Batman has come out, let me read it. It is really difficult, because there is nothing about this man that I'm interested in or that I care about.
Mon: Yeah, I mean, he's gruff, he's rugged, he's always talking about how he works solo, and he must work alone. He has a gigantic Bat-Family. He would be so much more effective if he actually invited them to help him, instead of fighting on his own. I can't say I look forward to reading the Batman title, either. Which, again I feel really bad. But I think it's because there's a predictability that has crept into his comics. And it's because it's the safety net.
Ron: And it's the same kind of people writing the same kind of stories over and over again. I think, now is the time to really make a change.
Mon: Yeah, behind the scenes. And on the page. To really shake things up and make Bruce a compelling character again and even if it means a romantic getaway with Catwoman for seven-eight issues, we’re fine with it. It's okay! It's still different. If that makes him change his mind about how he does this war on crime.
Ron: Because Catwoman comes from nothing. Maybe that's what he needs. I do like BatCat, and I did like those issues in the Rebirth comics, but we haven't gone anywhere with it. That is the problem. There is so much that can be done with it.
Mon: Catwoman is far too restrained in her relationship with Batman. I think it again comes back to the safety of not pushing the boundaries of what Catwoman can do or can say to Batman. Because half the time I'm like, really? Why is she with this guy? He's Batman but, she deserves better.
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Ron: Yeah, she's smart. She's seen a lot of the really bad parts of the city. She knows what can be done to make things better, because she's been on both sides. She's fought by Batman’s side. She's fought to save Gotham City. But she's also fought to steal stuff.
Mon: So that she can survive!
Ron: Exactly. She changes the perspective. Batman has not really had to do that. In a way, I kind of like the Christopher Nolan movies because we saw him leave Gotham City behind, leave his life behind, and actually have to be out on the streets. We see him trying to steal an apple. sharing it with another fellow thief, because he had nothing.
Mon: But in the comics, it feels like he hasn't learned from any of those kinds of experiences, or at least he's so far removed from those experiences now that he can’t really put himself in the shoes of anybody who is in that state. Ron: Yes, that's true. You were mentioning how we're going to have a future DC book where we're going to see a different version of Bruce Wayne, but I'm not sure what that's going to give us. Because I just read Batman: Overdrive which was quite enjoyable. And it wasn't written by a white man, but the ethos of Batman is somebody who has money, who has privilege. And it doesn't seem like he is able to see beyond that. And that is the problem that we have in 2020.
Mon: Interesting. So even in this Batman? I haven't read it yet.
Ron: Yes, it's a YA book, it's quite enjoyable. He's a young man. This is teenage Bruce Wayne, but he just doesn't see the privilege that he has. And it's a bit jarring when you're reading it, because… Yes he has friends who come from the wrong side of the tracks, who don't have as much money as he does, but he is just so self-absorbed. I think that's what's the problem with Bruce Wayne's money and privilege. He can't see beyond himself, even in his crime fighting. It's not how much of it is for Gotham City, and how much of it is for revenge for what happened to his parents. Mon: Wow. Yeah, that's it. I'm a little disappointed to hear that, because I was quite excited to read it. I kind of agree with you because , the problem with a character who is self absorbed or the issue with such characters, it's about them being—not being apathetic towards other people's pain and suffering, and their situation.
I think therein lies the problem with Batman. He is so absorbed with him being the sole protector of Gotham when he has so many people he can rely on. He's got Lucius Fox backing him up right now. He has Barbara who is back in the Oracle chair when she really should be fighting as Batgirl. He has all these safety nets. And he's not really doing anything with these partners that he has. And it really just comes back to the same thing that he doesn't see beyond himself. And that has repercussions on the people around him, on his city, and on the villains that he's been fighting all these years.
Ron: Exactly.
Mon: They're always saying, yeah, Batman he has his rules which is why he can't step over the boundaries. But that's not the point. Batman doesn't have to go around killing people to make a point. He needs to just make sure that Gotham isn't a breeding ground for these people.
Ron: Make structural changes when you have the ability to make those structural changes. And we're not really seeing that. I'm not saying that we need entire issues dedicated to Batman trying to build the halfway houses or something. but at least give us an inkling that he is doing something like that. And when they are introducing new villains like Clown Hunter, this is a boy who is murdering people, because of the deaths that have been caused by Batman.
Mon: And he's not just murdering common people. He's murdering people who worked with the Joker.
Ron: And who are also in some way, just regular people in difficult circumstances. So, it's such a vicious cycle.
Mon: Well, it actually reminds me off the first season of Batwoman on The CW. In Batwoman, where Ruby Rose’s Kate Kane, she's Bruce’s cousin, so she's also a person of wealth. She returns to the city and while at first, she really does want to fight as Batman, and then as Batwoman, she also starts making little changes. She buys those halfway houses, she's making a little club, which is friendly towards queer people. So, she makes her own little changes. Unfortunately, we won't be able to see more of that.
But we have a new hero in Javicia Leslie’s Ryan Wilder who is going to be debuting next year. 2021. And she is also affected by the structural issues, the systemic problems of Gotham. And she will be fighting for those people.
Ron: Javicia Leslie is a Black woman. She's playing the first Black Batwoman. And this is the kind of change that we need to see.
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Mon: Exactly. Who knows, if Rose had remained as Batwoman into the second season, we probably wouldn't have seen this. But she stepped back and they saw what was happening around the world, and they made a positive change by bringing in a Black woman who can give us a completely different idea of what it is like to fight crime in Gotham. Ron: And is this something similar with Sophie Moore. They didn't have to have a Black woman in that role, but they did, and we get a completely different perspective because she's a Black, queer woman. We don't get to see characters like that. So for me, the Batman comics, if they really want to make Batman more relevant, maybe, to make sure that Batman doesn't seem like an enemy to his own people, maybe start making a big change like that.
Mon: Yeah, I, for a very long time, I've always wanted to make a sort of Elseworlds story where Batman is like sort of, half-Asian or full Asian, who knows. And the problem is that they will be rich, but because of the systemic racism and societal racism, he's not quite accepted by everybody else which is why he works alone so often. You need to sort of mold it, so it makes a little bit more sense.
Ron: But I would take that even further. What if Batman, an Asian Batman, whose parents built Gotham City, ended up seeing his parents being killed in front of him, because they were immigrants, because they were doing something for the city. We've managed to get a completely new perspective. I'm looking at it this way: we were in Dubai for so long, and there were so many South Asians who stayed there and built the city from the ground up. And it makes a difference to what the outcome of the city is. So, maybe that's what Gotham needs. Maybe that's what Batman needs. His titles need a refreshing change in point of view. Mon: Exactly.
Ron: Unfortunately for us, though we really do love Batman, we do have to admit that he has not been good for his city, for his close friends and relatives. Or for himself. He's not healing, he's not getting better. He's doing the same thing over and over again, which is quite literally the definition of madness. So, we need to see something new in Batman. We need to see him change. We need to see him held accountable for what he's been doing wrong. And maybe we just need a new Batman.
Ron: You can find us on Twitter @Stereo_Geeks. Or send us an email [email protected]. We hope you enjoyed this episode. And see you next week!
Mon: The Stereo Geeks logo was created using Canva. The music for our podcast comes courtesy Audionautix.
[Continuum by Audionautix plays]
Transcription by Otter.ai and Ron.
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meicacayat-blog · 3 years
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The Girl Who Found Herself in the Midst of Darkness
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On January 28, 2002 Ms. Precious Glizel Velasco Rinon was welcomed by the world at Mabanengneng 2nd, Bacnotan, La Union where she was also hailed. She is now 19 years old aspiring to be a lawyer that can also educate the younger generations. Ms. Precious Rinon is the last child of Ms. Flordeliza Balusdan Velasco from Mountain Province and Mr. Ganzon Ocampo Rinon who is from La Union. Their eldest is a boy while her two other siblings are all girls which is for her is an advantage because she has someone who were able to understand her points.
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Growing up was never easy for her since she has to be separated from her parents from in a very young age because of financial problems. After finishing her Kinder and Grade 1 years at the Lord of Zion Divine School in La Union, she was sent to Kayan West, Tadian, Mountain Province. Her grandparents were the ones who supported her education and let her continue elementary at Kayan Elementary School where she also graduated with flying colors. Living in a new home was not easy for her especially that she has to make big adjustments in her own way despite of only being a 7-year old child.
As Precious grew up she began to yearn for a mother’s care and a father’s guidance despite of her grandparent’s love. Eventhough her grandparents tried to fill her needs from her biological parents, it was not enough since emptiness started to build inside her. Too young to realize their family’s situation, confusions started to visit her innocence that leads her to ask many questions. Her only aid to this problem is her studies and achievements where she found attention, little happiness but a limited satisfaction.
Starting her junior high school at Holy Rosary High School with fear makes her lose confidence in herself. She thought that she won’t be able to cope up with her new environment but to her surprise it didn’t turn out that way. She was able to enjoy her junior high school life full of happiness and earned life lessons from her new found friends and the hardships and challenges she faced. Even with these blessings, at the end of the day, emptiness and confusions still lingers in her heart and mind. She began to keep herself from the people around her and even her parents. However, she never intended to plant grudges towards her parents, instead, she found ways to understand them and make them proud with her achievements through studying well. Unfortunately, during her last year, she was putted in a traumatizing event. Her cousin’s live-in-partner emotionally abused her which affected her grades since she is unable to handle the situation. Ms. Precious Rinon didn’t let this event make her give up, rather, it made her closer to God, her family and friends.
Before entering the seniority in high school, she thought that she would be spending it with her parents in La Union but to her dismay, her parents decided to let her finish it in Mountain Province. She continued her senior high school in the same school and took up Humanities and Social Sciences since it was the only available strand offered by the institution. Unfortunately, her grandfather died when she was grade 11 but this didn’t hindrance her to make her senior high worth having. The school became her second home where she found friends that turned into a family. She became more mature and independent. Moreover, she was able to understand her parents, accept herself and the situation. Holy Rosary High School taught her many things that she can apply in life wherever she may be.
On March 2020, during the outbreak of COVID-19, her grandmother who was her only family in the province died so she was left alone. This made her parents to finally decide to take her home with them at La Union where she is currently residing.
For her college, she chose to take up Bachelor of Arts in Political Science and finish it at the University of the Cordilleras. She is still a freshman in the said university and still thinking of her steps in the near future.
Going deeper in our online conversation, I asked Ms. Rinon the greatest struggle she faced and she answered “My struggles were my emotional breakdowns, insecurities and worries. I was not good in communicating to other people but through prayers and pushing myself I was able to overcome it.” When I asked her about her greatest heartbreak and fear she sadly answered me “My greatest fear is losing my love ones and losing myself. Unfortunately, one of these fears happened when both of my grandparents died which turned to be my greatest heartbreak with the regret of not spending more time with them and created unforgettable memories that I can treasure.”
Ms. Precious Rinon doesn’t have any idol or a motto in life and when I asked her why she laughingly said “I only go with the flow of what happens in my life and because I easily lose interest and forget things.”
Before ending our interview, I requested a message from her for the younger generations and she left these words “Just enjoy everything and every moment. Make friends, don’t be afraid to commit mistakes because that is part of growing up but you should also know how to correct them. Remember to make your teen age years memorable. Love and accept yourself, through that you would able to show the real you. Just be strong and trust yourself to be able to pass through the challenges you may face” smilingly she added “when it comes to love, don’t find it because it will come to you in the right time. Don’t rush things, be patient and God will provide. Jesus Christ have better plans for you and everything happens for a reason. Whenever you make mistakes, forgive yourself and make it better.
Ms. Precious Glizel Velasco Rinon didn’t have an easy journey to where she is today. She faced many emotional problems like confusion and lost people who are dearly to her. In spite of these challenges, even if she was still struggling she was able to collect her pieces and slowly filled the emptiness in her life.
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chickenstab · 7 years
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Will you tell us more about your OCs? What are their stories?
i’m pissed off and grumpy and i’m gonna make this 10000x longer than it needs to be specifically to piss off the anon that wanted me to stop sharing my art of my characters so here goes
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This guy’s name is Teddy. He’s the nicest person you’ll ever meet. He likes puppies and space and snuggling. 
When he was 15, he moved from Chile to the US, where he and his family now reside. However, upon turning 18, he has since moved out to a town over. He still keeps in contact with his parents nearly every day, and he loves them plenty. His parents worked very hard to be able to afford those arms of his. He didn’t want to burden them any further, so as soon as he got them at the age of 17, he immediately started working towards living on his own.
He’s a very hard and committed worker. He has tried very hard to become fluent in English since he’s moved to the US. Spanish is his first language! Living in a small secluded area meant he never had the need to learn English as a second language early on, so it’s still a struggle for him sometimes. But look at him now! 21 and fluent.
Also, remember when I mentioned his arms? Do you see?? have you noticed???? he has robot arms. Wow! This is because he does not have real arms. Not anymore, at least. He lost them when he was 12. Unfortunately for Teddy, the touchy and contact heavy person that he is, he cannot feel with his robotic arms. So he’s a very sad man. In fact, he’s very hesitant to touch things at all, even if he cannot feel what he may want to touch.
He’s not allowed to touch the dogs at work. He works at an animal shelter, doing heavy lifting in the back. He can lift a lot of things because of his arms! Such a strong boy! But in turn, he needs to keep his body mass up to support the weight and constant stress of his arms. So he’s got a nice bod. Whoever he’s dating must feel very lucky.
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This is Hazel. He’s feels very lucky, because he’s dating Teddy. However, every other aspect of his life he’s not as keen on. He’s a very grumpy man.
Hazel is not 100% my own character. He was created by my friend. This does not mean I love him any less. If anything, I probably draw him the most. He probably wouldn’t like that fact if he knew it, though. Because he’s, as previously stated, a grouch. He gets into fights, he hates most of the people he lives with, and he’s known to seclude himself from time to time. To most people, he might seem like an elusive asshole.
But, this doesn’t mean he doesn’t have a nice side. Aside from being a bit rowdy, he’s a rather caring person underneath. So long as he cares for you, he will turn out to be a rather attentive listener, and will fight on your behalf. He’s not a very good fighter, for as many fights as he gets into, so let’s hope that doesn’t happen. 
Speaking of fighting, and just in general being rather bad at it– He’s a man to worry about! Always coming home with a black eye or a broken nose. Who wouldn’t want to care about him? I certainly would!
While not as much of a softy as his boyfriend, he is probably the most physically softest boy around. Look at him! Such fluffy hair! Such poofy clothes! And his skin??? oh, BABY BUTT SOFT! Such a pleasant man to look at. (Just don’t stare for too long, because he’ll probably punch you)
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This lovely man’s name is Harley. He’s tall and doesn’t say much, and he’s always coughing for some reason. He’s also quite the memer.
He doesn’t have much to do with the other two, other than the fact that he lives under the same roof as them. He lives in a house with five other people! Wow! That’s a lot! While in his own home, he’s well known, he’s probably not seen too often. Moreso because he tends to be very quiet. But boy, when he’s around, it’s hard not to see him! Long limbs and a flowing red scarf? Hard to miss, for sure.
While his sense of fashion is questionable to say the least, his sense of humor is even more so one to remember. While deadpan and stoic, he’ll deliver the dankest, absolutely moisture promoting memes that’ll ever pass through your ears. If you need to know the latest meme, he’s your guy.
And obviously his library of memes have attracted quite the crowd. Everybody’s dropping their pants for this guy, for reasons unbeknownst to me past the fact that he’s the meme king. I wouldn’t be surprised if he was bangin’ someone in the house right now. (spoiler: he is and she’s a total babe, and sucker for his memes.)
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This is not the total babe that’s banging Harley.. Sorry to get your hopes up. However, she is a babe on her own, and her name is Candy. She’s sweet and energetic, and she believes in you.
She’s a close friend of Teddy’s, and even works the same place and job as him! Though lacking in the robotic strength department, she’s stout and has a lot more muscle than you might think. So don’t worry, she’s qualified for the job. She, again like Teddy, is a lover of dogs and animals in general.
She’s not part of the same household, but she’s lived in the same town all of her life, and she even got her own dog from the shelter!
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Her dog’s name is Noodle. Yes, she’s getting a spot on this because Noodle is very important. She’s a beagle and she likes eating cardboard boxes. She is the most important character in this universe.
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This is Nova. She’s 4′9 and 18 years old. She’s often mistaken for being twelve. Sometimes younger. But she takes that as a compliment! Everything’s a compliment to her. Criticism is always constructive in her mind.
She loves colorful things and drawing with her friends. Giggly and finds the most odd things fun and joyful, one might say she’s the epitome of an LOL so R4NDUM xD! girl. And she probably is. But she finds comfort in the things she likes and does, so nobody judges her on it. In fact, all of her friends celebrate such a feat! All of her friends are a little bit out there, and they all love each other.
She, like Candy, does not live under the same roof as the first three. It seems like the other three who live under that household will forever be a mystery.
Speaking of mysteries– Nova loves a good mystery! Catch her and her friends inspecting rocks on the ground in search of a crumbling forgotten tomb of the undead. She’d never go inside it, but she’d love to take pictures of it to share with others! She thinks of herself as an adventurer, even if she doesn’t like putting herself in danger. She believes that you don’t need to be in harms way to have fun and explore!
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This gal’s name is Salmon. She’s loud and rambunctious, and if you look into a body of water long enough, she’ll emerge from it wresting a fish no doubt.
She’s hard of hearing, but spending a majority of her time in and underwater, she forgets that she ever is. And when she’s not, she’ll be sure to let you know to speak up. Aggressively so. She’s just an aggressive person in general.
Unlike Nova, Salmon is the definition of danger. She’s feisty and loves exploring, and she’ll be the first of your friends to fight a large fish for dominance. She’ll probably win, too.
She’s not really purely friends with one or two people. She’s always just sort of around whether you know her personally or not. Catch her a state away showing a leg on the side of the road to get back home. She knows she’s a sizzling masterpiece and she’ll use that to her advantage to get back home. It’s happened more than once.
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Who the fuck is this??? I don’t know! He doesn’t even have a name but I liked how I drew him so I made a post with a picture of him in it. So now I’m going to give him an entire character and personality just out of spite.
His name is Leaf and he’s another one of Teddy’s friends. He enjoys wearing banana suits atop windy roofs of 10 story apartments. Why? For the thrill.
He’s never worn the same outfit twice. Or at least nobody’s ever seen it. He frequents the town’s beloved Super Sally’s Salad Bar, not for the salads but for the delicious other-food they serve. Turns out a salad bar has a lot more in it than plants. I guess it’s like IHOP but even though pancake is in the name, they serve a hell of a lot more than just pancakes.
He’s a food lover, and he always has a snack in his pocket. Whether or not he’ll share with you depends on just how much you’ll do for the sake of a snack. So long as your willing to kill a man, you’re in the clear for his pocket granola.
He’s also the cool friend. Even though he doesn’t seem to work a job that pays much, he always seems to have a lot more money than you’d expect. He’s always getting obscurely neat gifts for his pals. It’s suspicious, but nobody seems to be complaining. Instead everybody is only slightly skeptical of his means.
This is the only picture of him I’ve ever drawn.
If I didn’t have a baby chick shitting on my lap right now I’d be inclined to include even more OCs that I didn’t post yet, but I’ll leave this for all of you guys thank u nd goodnight,. fuck u whoever told me to stop talking about my ocs also.
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