#i really wanna play but im so close to finishing this hs i just need to look for more blueprints and inspo pics for the exterior
not two posts going out on the same day wth tumblr -.-
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My first time writing fanfiction
It was that day for Nora. The past few years, before the bombs dropped, this very day was one of the happiest days for her. But not this year.
Today was her and Nates Wedding day, at least it would have been. It was the middle of the night no later than 2am, she was sitting with Hancock in the old State
house, sharing a bottle of bourbon. Nora has never been the type to talk about her feelings.
Hancock could feel that something was off today, he couldnt put his thumb on it, so he just sat next to her quietly.
Both sipping from the half full bottle, sharing the golden liquid that made Noras throat burn. In the background you could hear diamond city radio play
"one more tomorrow" by Frankie Carle & Marjorie Hughes. Nora let out a quiet sigh and turned to Hancock: "Lets go to the Third Rail" Hancock looked back at her,
nodded, and together they left his lounge room leaving the beverage on the table next to the Jet and Mentats which were placed on it.
They stepped inside the doors when they were greeted by Ham: "A friend of mayor Hancock is a friend of the Third Rail, go on in entertainment is down the stairs."
Downstairs Hancock was immediatley greeted by some of his citinzen, "perfect" she thougt. Magnolia just finished her song. She sang train train.
"thank god this song is finished, im not sure if I coud have handled listening to it right now." nora thought to herself.
She walked up to Magnolia and asked her: " Hey Mags, could you sing "I'm the one you're looking for" please?
"of course gorgeous, anything for you" Magnolia replied seductively.
Nora bought some beer and walked over to one of the couches and seated herself there.
("...have you gotten history that needs erasing... did you come in just for the beer and cigarettes..")
She took a sip of her beer and looked over to hancock, he's still occupied with his citizens who involved him in a conversation.
(... "ou well im just a girl to make you forget"..)
"perfect... maybe I can sneak out of here", nora slowly gotten up, without letting hancock out of her sight and started walking towards the exit. She just made it
out of the door when hancock looked over to the couch and noticed that Nora was missing. He let his gaze wander through the room, looking for hs companion but he can't
find her. He turned to his interlocutor and gave them one of his smooth " I could stay here and listen to how wonderful I am till the rest of my days, but I really
think I need to get going"! he turned away and rushed to the exit.
" But hancock you've just gotten here..!"
He didn't even hear them, he was too focused on finding The Soule Survivor.
Upstairs he asked Ham if he had seen Nora and he said that she had just left through th door two minutes ago.
He went back inside the old state house, and saw that her gear was still laying on the couch next to the table where they left the bourbon and the chems.
"Damn it Nora?? Where are you going, unprotected and without me?" he grabbed her stuff and headed toward the exit.
Just outside Goodneighbour he heard a Group of Raiders. "Fuck Nora!, why would you do something like this?"
(A few Hours later)
Arrived at Sanctuary, nora went back into her old house. She walked past the kitchen and straight back into her old bedroom.
Its been looted empty so she sat on the floor and played "Hi Honey!" on her Pib Boy.
"...Little fingers away... *baby giggles*... Hi honey!" She started tearing up, hearing the sound of his voice.
"Listen... I don't think Shaun and I need to tell you how great of a mother you are... but we're going to anyway.
... But everything we do, no matter how hard... we do it for our family.
Now say goodbye, Shaun... Bye bye? Say bye bye? *baby giggles* Bye honey! We love you!
She passed out on the Floor. When she woke up, Hancock caught up to her. Nora walked out of her house, on her way to the vault.
She doesnt see Hancock but he sees her. As soon as he spottet her his heart skipped a beat because of relief to see her alive.
He was about to call out to her when something told him not to. Instead he followed her quietly. Arrived at the Vault, she pressed
the button and let herself into the ground. Hancock watched her and did as she did after waiting a few minutes.
"Wow..." he thought to himself upon entering.
Nora was sitting infront of the opened cryopod crying, holding Nates frozen, ice cold Hand while playing "Hi Honey!" over and over again.
Slowly Hancock stepped into the room, his face pained by what he saw.
Noras eyes shot up in Horror, just to be equal parts relieved and upset to see him there. She quickly wiped her eyes and stood up, cleared
her throat and asked: "Wh... what are you doing here? how .. how did you find me?"
He walked up to her and wordlessly hugged her. Her face in his chest and her arms around him she couldnt help herself but started crying again.
He put his forehead on her head and they stood motionless.
Hancock was the first to speak: "hey, look, if you wanna get outta here..."
Nora looked up to Hancock, eyes swollen and nose red.
Hancock looked back at her and thought:" how can she still be so beautiful while crying? what stop, what why did I think that??"
Before he could say anything nora took a long breath in and let an even longer breath out.
She turned towards the cryopod and closed it back up. Then she liftet her necklace with the two weddingrings from under her shirt and looked at them.
"You know...she started.. nevermind, nothing... lets get going"
Hancock handed nora her gear and together they left the vault and headed back to santuary.
Nora fixed or rebuild every building except of her own pre-war home.
She didnt want anybody else living in it.
When they gotten back to sanctuary, preston and the other settlers were awake and started their daily tasks.
When preston spottet her he approached her, smiling from ear to ear. "GENERAL! I'm so happy to see you! What brings you to sanctuary?"
"Hey Garvey, how have you been? Its been a minute, I thought I'd come see how things are going."
"Your time is impeccable! There is a settlement near by that needs our help! I'll mark it on your map."
Nora looked down and let out a slight chuckle. She turned to Hancock and asked him: "ready to help an other settlement?"
John looked back at her smiling: "Of course, lets go"
So they started wandering towards Finch Farm.
They have been on the road for three hours already when John turned to Nora and said: "look, I got there something i wanted to talk to you abou.."
Before he could finish his sentence Gunfire started and they both duked behind an old car.
"Raiders, shit!" said both of them simultaneously and looked at each other and giggled.
The group of raiders were on a bridge. One with Power armour and one with a Rocket launcher. The rest were regular raiders.
Luckily they hadnt noticed them yet, too occupied with the ferals.
"Should we take them out or walk around them?"
"Well, those three shouldn't be difficult to eliminate but the one In the Power armour and the one with launcher seem more difficult"
Nora pulled out her sniper rifle annd took out the Launcher guy with a headshot.
"Guess we fightin'" said hancock with a grin.
Hancock pulled out his shotgun and killed the two raiders running towards them with meele weapons. "nice shot!" said nora.
"easy.." replied hancock smug.
Taking out the regular Raiders wasnt a problem but the Metal man put up a tough fight. He shot nora in her stomach. She let out a loud defening scream.
Hancock isnt the type to easily lose his shit but he looked over at nora with panick in his eyes.
He had to do something, and he had to do it quickly. He ran over to the Rocket launcher and aimed it at the last standing raider, pulled the trigger and
he heard the loud almost unbearable sound of the explosion.
With a ringing in his ears he ran over to Nora ( who was huddled on the floor in a small puddle of blood)
and picked her up. Panic in his eyes, he grabbed one of the stimpaks and injected her. "You're not going to die on me! I'm sorry! this is going to hurt a little,
but I cant let the stimpack fix you while the bullet is still inside you" He put his bony rough fingers into her wound and pulled out the bullet.
Nora was whimpering in agony. Hancock sat down on the floor and held Nora in his arms. "It's going to be okay! I promise!"
John carried her back to Tenpines Bluff. Once arrived the settlers looked at Nora and gasped! " OH NO!" They ran over to Hancock and helped him carry her to the next
bed.
Nora, still unconcious was recovering inside the shed. Although the Settlers reassured him to get some rest because they would take care of her,
he wouldnt leave her side. Then, after two days Nora opened her eyes. Hancock sitting on a chair next to her bed, barely able to keep his eyes opened shot up in relief
once he saw that she had opened her eyes "NORA!, oh god nora! I was so worried! How are you feeling?"
"J..John? Wh..What happened?"
"You were shot in the stomach, here this is purified water, please drink something. We were fighting the raiders when the last one shot you. I carried you back here."
"Ar..Are you okay John?"
Hancock looked at her in disbelief. It took him a second to realize what she had asked. "Youre the one who almost died but youre asking me if I'm okay? I have never met
a more selfless person in my life Nora!
"Can you lay next to me?" she said, in almost a whisper.
John looked at her stunned. "Are...are you sure? he asked?
"Yes please."
She pulled up the blanket and motioned for him to lay next to her.
He did as she asked and she layed her head on his chest.
"Thank you"
"Anything for you sunshine"
With nora on his chest, he finnally passed out from exhaustion.
The next morning she woke up before him, when she opened her eyes she didnt recognize where she was. Then she noticed that she was not laying on a pillow but indeed his
chest. "SHIT...what have I done? why am I sleeping cuddled up with Hancock? Oh fuck..." she thought to herself. she looked up to him "okay good he is still asleep"
As carefully as possible she gotten out of the bed trying not to wake him. As Nora placed the first foot on the floor an audible "Ouch" left her mouth, her face grimaced.
"Are you okay?"
"Fuck" she thought.. "uh yes im fine, my stomach hurts a little.
"I have some Med-Ex if you need some" he said.
"oh no im sure im fine, thank you, "ouch...oh god" her face twitsted in pain.
"PLease take it". He reached out his hand to give it to her.
"Thanks hancock" she took it and immediately injected herself.
"So uhm, what are the plans for today?" she asked
He looked over to her and answered: "Well I wasnt sure on when you were going to be ready to travel again. But we still gotta talk to the settlers at Finch Farm.
But first of all, lets get you something to eat."
They got dressed and left the shed together. "How about tato salad?" "Yea sounds good, actually please pack some for the road too."she said.
he looked over to her slightly surprised: "Oh you feel ready to travel again?"
"Maybe its the Med-ex speaking but I feel ready to head out after breakfast."
"Alright" he said "I'll pack our bags in the meantime. Meet me when youre done eating."
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hey liz i've been thinking a lot about story structure lately and i wanted your take on how you decide what structure your stories will have? i know there's that "you have to do what your story needs and tells you to do" thing but these bitches dont ever tell me anything they just multiply so. thoughts? - bma
(as an aside, i don't know whether involving medium would change many things but it may be worth considering. mainly i think medium is just a matter of arrangement and that the story would be for most intents and purposes the same no matter how you choose to tell it. i guess you could argue that structure is arrangement in itself and intrinsically tied to medium but i sort of feel like it is secondary arrangement, if at all? like if you consider time as an element to outline -- the time IN the story (how things happen to your characters) is not necessarily the time you’re telling the story IN (how you are telling your reader that things are happening) aka internal chronology doesnt equal your work’s pacing? or should it??? does this make sense? i dont think so. i am sorry.) - bma :|
NOOO dont be sorry ur making total sense
i think there’s 3 thots to unpack here (medium, structure, & chronology) & i’m gonna start with medium bc it’s easier. im also putting it behind a cut bc it’s gonna get just stupidly long and rambly. i’m sorry in advance if it’s not helpful to you, i have a lot to say for someone who has never taken even one single class on writing and as a result doesn’t know jack shit (there’s a tl;dr at the end dont worry)
about MEDIUM:
so like ok i’m just some goof-off with a HS degree who writes fanfiction but In My Very Super Qualified Personal Opinion, i don’t think that most of the time medium is intrinsically tied to STRUCTURE of the main storytelling arc...i think the art of storytelling itself is distinct from the medium you choose to tell the story IN. this post puts it better than i ever could but basically for me, i feel like the story itself is sort of the raw, malleable concept, and the medium you choose to tell it in is how you convey the information??
like in a book, you can say “she forgot her keys” and in a film you have to show her smacking her forehead, heading back into the house, and swiping her keeps off the counter. you can’t TELL in film, you have to show. similarly i regret every day i cannot perfectly describe a facial expression with words when i see it so clearly in my head. for audio-only podcasts that are dialogue heavy out of necessity you have different limitations than you would for, say, animated music videos with no dialogue at all. games allow for more interactivity and exploration while sacrificing accessibility, tv shows allow for more length while sacrificing, uh, a big hollywood budget...medium affects the kind of story you can reasonably tell which is why some stories are better suited to one medium than another. i think trying things in other mediums is a good way to stretch your storytelling muscles but with enough skill nearly any story could be told in any medium. i think when trying to decide on a medium you just gotta weigh the pros & cons and what you feel comfortable with/what you think would be most effective/what would evoke the strongest reaction
re: structure:
firstly “do what the story tells u to do” is a little silly like...the story isn’t sentient. come on. that’s like “i can only write when the writing gods inspire me” there are no writing gods! inspire yourself! it’s all in our weird messed up brains! ok anyway.
this is, again, just how i do things, and i am 700% self-taught so take it with a grain of salt, but when i sit down and start blocking out a story from scratch i don’t...actually consider the big structure at all! sorry if that’s not helpful to you. i like to make a list of everything i want to happen, and then put it together in a few different orders to see what looks best. and when i’m finished, whatever i have just like...IS the structure i go with, with perhaps minor tinkering to make it flow more smoothly. (i think this might be in the same spirit as “do what the story tells you” with less bullshit and more Agency Of The Writer.)
for long and more complex projects, i actually usually have several lists - one list of stuff that is, for example, the Action Plot (the kingdom has been cursed, i’m tracking down my serial killer sister to bring her to justice, i’m running from djinn who wanna kill my dad, i’m trying to bring my dead not-boyfriend back to life). then i have another list for Character A & Character B’s romance or whatever. and maybe a even another one for solo character development (magicphobic prince learns to love magic, former werewolf hunter figures out his family is a cult, half-demon learns to embrace his own nature). and as many lists as we need for however many Main Characters and or Plots/Sideplots
how i order the lists: individually first. don’t mix them together to start with. when deciding the order of an individual list i like to, for example in a romance arc, use escalating intimacy. “A and B have dinner together” is naturally gonna go way sooner than “A and B kiss” or “A and B talk about A’s angsty backstory” because that’s more satisfying. draw it out, good/important stuff last, dangle that carrot so we have a reason to keep reading! for singular character development, it’s basically a straightforward point A to point B...if i want my guy to start hating magic with everything he is and end up being very comfortable with it, i have to put “reluctantly uses magic to save his own life” WAYYY before “casually using magic to light torches and reheat his cold stew.”
the tricky part for me is when i’m done with these lists and then i need to mix them together To Pace My Whole Story. (this is usually why i wind up with a rainbow colored spreadsheet.) i don’t like to put too many things too close together because then the pace feels uneven. even if my Action Plot is only a thinly veiled excuse for romance and character development, i still don’t want to focus on a romance for 30,000 words and then go “and oh yeah in case you forgot Serial Killing Sister is still coming for your asses.” the more sideplots and major character arcs you’re juggling the harder it is to get an even distribution, which is my main concern always
and like, generally, whatever i have when i’m finished...is my structure. (sorry.)
i don’t know much about the classic 3-act or anything like that, but i usually can divide them up into 3-5 big arcs based on story turning points. sometimes i take a scene out of one arc and put it in another because it fits better and i like for my shit to be organized, but usually by the time i’m finished with all that, that’s what the final story is mostly gonna look like. (there have been a few exceptions when i realized i needed extra scenes/changes while i was MID-DRAFT and let me tell you that murders me EVERY time. it happened on the merlin fic i’m currently posting and that was like my own personal hell.)
this is also where thots about chronology come in:
i think time CAN be an element of this if you WANT it to be, but it doesn’t HAVE to be. if you want it to be, i would consider it just another “list” like character development or the romance arc.
i usually plot without considering Time very much...to me, it’s all down to the events you want to show, and however much time it takes is the byproduct. if you want to show something from a character’s chilhood but then tell the bulk of it when they’re adults, that’s one thing. if you want to show a scene from their childhood, teenhood, young adulthood, etc, that’s a different kind of pacing?? i usually do it this way so i can regard time like wordcount: it takes as long as it takes. 3 days or 3 years, a 1.5k drabble or a 100k epic...overall, my LARGEST CONCERN is that even distribution. in the same way that i don’t want one chapter to be 30,000 words when the rest are 10,000 words, i personally am not a fan of huge timeskips offscreen
(because this where i think someone’s own internal chronology DOES matter...this is just a personal preference, as a reader i have a hard time really comprehending, say, a year timeskip or a 10yr timeskip when all i did was turn one page. like, a year is such a long time. i can’t even begin to describe how different i am now to how i was a year ago. it’s the same for character development. time IS development and as a writer i’m not really comfortable having that take place offscreen - for main characters, at least. it’s just too jarring. a little prologue with something happening 10 or 20 years ago is usually fine, but for the most part, i’m not a fan. ...i can do one chapter per year a lot easier than i can do two chapters in childhood and the other 8 in adulthood. of course you can play with this a LOT with nonlinear storytelling, which is a whole other very cool thing, and someone skilled in their work can keep me sucked in no matter what, but imo if you don’t want to risk throwing your reader out of your work it’s better to keep things steady)
HOWEVER sometimes time IS an element u wanna consider outside of just making sure your shit is evenly distributed...if your heart is moved to tell a story in a specific timeframe, over a year, or from solstice to solstice (this was almost the timeline for my merlin fic and then i changed it), for the first six months of a friendship, or even a huge journey in the span of a single day (toby fox had a lot of success with this one lol).
i think it can help to choose a start and end point for your chronology the same way you do for character development (prince goes from hating magic to being ok with it, story takes place from ages 8 to 25, or from new year’s eve 2038 to 2039, whatever) - that way you can keep your distribution even, if that’s a thing you want to do...even if you have a lot of skips you can still note what happens offscreen to make it work better in your head? like, if you just make it another List, another column on your spreadsheet, when you’re in the early stages of organizing you can be conscious of it and make sure it’s playing into the story the way you want it to
anyway these r my thots im SOOOO SORRY this is so long lmao. brain machine broke today which is why i had to ramble more to explain myself. the tl;dr in case ur brain is melting out of ur ears & u didn’t sign up for an essay:
imo medium is totally distinct from storytelling tho ofc some stories are better suited to some mediums
structure? i don’t know her. i plot w/o regard to structure and then if it looks funny i mush it into a more structurally sound shape
my main concern when structuring anything, including time, is an even distribution of Events and a steady rate of escalation
structure to me is just what i have when i’m finished plotting. i’m sorry one day i’m gonna take a writing class
internal chronology matters to me personally because i have a little bit of time blindness but maybe not to everyone, i know many very successful stories where they disregarded that entirely to no ill effect
writer’s block isn’t real! everyone just needs more rainbow spreadsheets
thank u for asking I HOPE i didn’t make you regret it too badly lmao and that at least a little of it was helpful!!
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I was tagged by @cloudedsunshines thank u Bree ily
Favorite snack?
idk if I have like a FAVORITE but I eat popcorn the most lol and I put white cheddar seasoning on it mmm it’s so good
Favorite place to go on vacation?
oh god uh I haven't been on vacation in a while adfhsjhgk and I've only gone to a few places but my favorites are Hawaii (Oahu especially) and San Francisco (cuz they’re all abt gay pride baby)
Tea or coffee?
I don't drink either lmao I've only really found one of each that I like so
And what kind?
okay so for tea there’s this flowering tea that I've only ever seen irl at this one lil coffee shop but I believe it was jasmine green tea or smth similar (it’s been a couple yrs idr) and it was amazing. and for coffee the only one I like is the mcdonalds chocolate mocha frappe bc it’s more chocolate than coffee afsfklsfjhg
What is a song that makes you dance immediately?
Don’t Threaten Me With a Good Time by P!atD and OKAY I know this is lame and white af but also cha cha slide >
Do you play an instrument?
NOPE. I tried to learn guitar and piano but I don’t have the dexterity or the memory to pick up notes and chords
What is your favorite personality type?
what does this even mean
Favorite comedian?
John Mulaney and Iliza Schlesinger (I saw her in person and she was so good omg)
Gummy candy or chocolate?
chocolate all the way
What did you want to be when you grew up as a kid?
p sure I wanted to be a teacher bc both of my parents are teachers but that shit’s HARD yo
What’s your favorite physical feature of yourself?
uhhh do freckles count? bc I have freckles all over my face and shoulders/arms and I just love freckles idk
When was the last time you watched a show or a movie on a TV?
I don’t have any kind of cable but I just watched glee tonight lmao but the last thing I watched live (Hulu live is gr8) was the shadowhunters finale
Unpopular opinion
????? I can’t think of any off the top of my head??? altho I agree with Bree
“bernie is awesome but hes old as fuck and we need to acknowledge the fact he very well could die in office and not get much done”
I been thinking the same shit since the last election that man is OLD im sorry
Are you scared of bugs?
hell yea I am, the only ones I'm chill with are ladybugs and roly polies (however the fuck u spell it lmfao) otherwise I'm gonna scream and run
FUN FACT I'm deathly afraid of spiders bc when I was a kid I had a dream that a giant orange spider was in my garage and it ate my mom and I cried for like an hr after I woke up
Cats or dogs?
I like both and have owned both but I prefer dogs that’s why I have 5 adkjfhskhg
Are you allergic to any foods?
uhhhh not that I'm aware of
Does the description of your star sign match your personality?
hell no. Leos are always described as outgoing (as if), confident and brave(HAHAHAHAHAH), wanting to be the center of attention (oh god no), just generally like most-popular-kid-in-school kinda traits and yeah that ain’t me. the only thing close to me that I saw is stubborn which yeahh I can be lmao. I swear I was supposed to be a libra (I think) bc I was born early like libra or virgo fit me so much better
Name the first song that comes into your head?
Pussy is God by King Princess cause I guess im in a lonely lesbian mood adshfgalk
Cake or pie?
cake. altho certain kinds can be too sweet but I like more cakes than pies
When was the last time you read an entire book?
I finished Johnny Got His Gun by Dalton Trumbo a few weeks ago
Favorite junk food?
chicken nuggets
Do you like your height?
nope I'm 5′0 MAYBE 5′1 im short as fuck
Apples or oranges?
I don't like either one sjdfajhg I like apple juice tho not orange juice if that counts
What’s your favorite personality trait in a person?
compassion is always good
Do you like salad?
nah I have texture issues w certain foods and lettuce makes me wanna throw up tbh
Which person inspires you the most?
I just answered this in another recent ask meme I think so I'm just gonna say the people not the reasons lol. my hs journalism teacher and also Anne frank
What is a song that has made you cry?
funny enough I was watching glee and they sang Pure Imagination from Willy Wonka and the Chocolate Factory and it made me tear up
I tag anybody who wants to do it and also @sapphic-maiden
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Murray Backstory
so murray and bianca lived in same neighborhood
cute fat kids in their class
only fat kids
sometimes they'd get teased early on like they gunna get married
and they'd laugh it off like yeah w/e
bianca has a pretty backyard with her own tiny garden
she invites him over to help her out lifting bags of dirt
cuz she lives with her aunty and she's brittle/can’t lift much
over the years, murray starts to grow a crush on her
bianca is always super sweet
and never malicious, she is very caring person
she even had a choice to live with her rich uncle or frail aunt and picked her cuz she thought she needed the most help
so one day, some bullies sneak into bianca's backyard and smash up bianca's garden
and that was just tip of iceberg
bianca's aunt has a nasty fall and breaks her leg
they end up having to move with her uncle cuz they can't provide for her in their tiny town
but she never told murray cuz she didn't want him to worry about it
he knows about the garden, not the moving part
so he saves up all his money and in one night, replant a good chunk of what she had planted before
it just so happened to be on the night before bianca left
but then murray goes to school next week wanting to hear about her new garden
but her friends all oh i guess she didn’t tell u but
she moved away
doesn’t believe them
runs to her house to find it for the most part empty, she never had a whole lot in the house, all that mattered was that garden
there's a note on the gate to the garden left for him
thanking him and asking him to forgive her for not saying anything about the move
he ends up keeping this note throughout his life
but that kicks starts his spiral of depression
he gets mad first
and bitter
for not saying anything to him
questioning if they were ever really friends
but he's just a teen, he's a very sensitive boy and bianca knew that
no matter how much he tried to hide it by acting quiet and cool
mad at himself for never telling her how he felt though
it seemed obvious to everyone else, including Bianca
as he grows up, he passes by her house every day to school
has to start taking the longer route to avoid it
checks on the garden he planted
it's withering, close to dying
he goes on to school
by the time he's in hs, he's gone total cool quiet commando
wrestle team captain
but still really smart
ends up being a part of poetry club as well
which gets the babes
babes start asking him out
he sees quite a few of them after school
and they tell their friends
somewhere during that time, he bumps into tippo and serenity
they like hey we heard you're a decent writer, we need a songwriter for our band, u interested
Murray like yeah maybe
Serenity’s shitty hs band only consists of her, Tippo and Murray
Murray as bass player
Im sure Anit is invited to be in the band as well
but they're maybe unsure of their potential
Anit goes to college later on, Murray takes over drums for the songs that need it
most the songs don't require them as much
Murray also in charge of odd instruments
kazoo, triangle, tamborine, digiridoo, rainstick
Murray finishes hs but doesn't go off to college
gets lots of girls for his looks and mute demeanor
plenty of them prolly groupies of shitty hs band
that's the name of the band
"shitty high school band"
has a gang motif
they usually only play one gig a month
2 if they really wanna
but for Murray it's a decent distraction
then one of their so-called fans, a Roselia, says she's been a fan since their beginning
but Murray never takes the compliments to heart
he doesn’t recognize her
but they fuck and later she finds him like we gotta talk, I am pregnant, you’re the dad and I wanna keep it
Murray world comes crashing in
first of all
how did you get this number I’m half way across the countryside for this tour
*consisting of 8 cities, lame ass tour
but BEFORE ROSELIA CALLS HIM
he's performing at a stadium in the desert
think south west, arizona, new mexico
fans come up to him and he does the schtick of pleasing the crowds
but then he catches a glimpse of someone familiar
then bolts to them it's
grown up Bianca
has to stand up on her tippy toes to hug around his neck
she still fat but she swoons like look at u~
you got sick muscles now
you could be one of the security guards
murray departs from rest of gang to go off with her
looking at the clear vast desert skies at night
catching up all night
murray debating bringing up her note
he gets some closure by telling her he forgives her for leaving without a word
but is still hesitant to bring up his past feelings to her
now that he's been around the countryside and banging a lot of girls along the way, he feels
very dirty being in front of her again
and she's literally unchanged
then he decides he gunna do it
he gunna come clean
but then she sneezes
her familiar cute baby kitten sneeze
when she wipes her nose, he sees a ring
like
.......
that's new
:I
oh yeah, I met him while I was going to school
he didn't go to school with me he was the son of my uncle's gardener
after I would come home, he'd be there helping his dad and I brought them drinks and sometimes I'd help them too
uvu
my uncle would scorn me, telling me it's their job to get messy
but i didn't mind
uou
murray peeks over
growing up, bianca was very poor
her only pairs of shoes were a pair of old boots that seemed to last forever
by the time she was in middle school, she seemed to already fit into them
they were always dirty from being outside
sure enough, she's wearing boots, different pairs, but same brand/style
and they are worn and muddy
even shows her a picture of baby Kassandra
and murray like I sure would like to meet her someday
Bianca hands her a card with her address like stop by any time!
we'd love to have you! and your band could come too if they have the time
:>
the next morning, Murray gets the call
being around bianca that one night has sparked something in murray
he's not sure what to call it
but maybe from seeing the baby picture, he maybe felt a bit of remorse
again for himself
if things were different
maybe that could have been our baby
remorse for the child that IS his
like I didn't love this woman, now I have a responsibility to raise it
cuz I know going in, this lady is gunna be trouble
and everyone else knows it too
keeps Serenity on speed dial when he has to get Leila out of there quick
KALA ALSO HAPPENS TO BE A SWEET TENDER LADY WHO ALSO HAPPENS TO BE ROUND AND CURLY HAIRED
HE'S GOT A TYPE
Murray winds up having to put his visit with Bianca someday on hold
kazukoyo
Gotta support his babby
ProfessorBees
as this crazy lady he's currently married to is abusive and threatens him and their child every other day
Kazukoyo
She got a screw or two loose
ProfessorBees
working mom
as a stripper
Murray stay at home dad
and part time repair guy or construction
mom works day shift
daddy has to work at night
then the wife finds Murray's note and address card from Bianca
burns them
then takes Leila like I knew you never loved me after all I've given you
she clearly drunk
Murray has his phone on 911 and on speaker
as soon as she out the door, leila in the car crying
dont u worry sweetheart, i'll make sure he doesnt hurt us again
>:0
but baby leila reaches out to daddy
trying to escape mom
idk how his phone would be on speaker if this is early 90's
late 80's?
maybe just leaves phone handle down and towards angry wife
doesnt know what to do
she just slammed the door
he immediately tells the cops his address and reporting of kidnapping
then furious dials serenity and tippo to call them whats up too
then mad dash to his own car and chase after wife
but then crosses a dinky bridge, and sees almost if it was in slow motion,
her car hit the side of the bridge and it flips over
and it bursts into flames
murray reaching inside desperately, manages to find baby Leila's car seat
easily slips her out as she was only half buckled in, thankfully is still alive and no open wounds
is about to go back for his wife, but the car's weight and flames wear strain the car cabin's support and it crushes down
Murray holding baby Leila refusing to let her go
waiting on the other side of the bridge for police/firemen/paramedics to check on this small baby
his ex-wife did not survive the crash
but Leila only had a few bruises
Murray decides he's not going back to that horrid apartment full of broken memories
buys a house from his old neighborhood
one with dusty old items and a little dusty garden in the backyard
he starts with expanding Bianca's garden from a small gated corner to the majority of the backyard, completely covering it with dirt and plants
then starts to work on remodeling the house
it's small but it's just him and Leila so it doesn’t have to be huge
breaks down a few walls to make it more open
finds a few of Bianca's old belongings
puts them in a shoebox
he no longer has her address but he's got it memorized by now
he'll deliver them personally when he's got stuff sorted out
it's nothing of huge importance
her dishes, bowls, lunchbox, maybe her kid needs something of her mother’s?
Leila sees the box from time to time but doesn't know a Bianca
so in her early years, makes her up
like she's an imaginary friend
it makes Murray's heart bleed
how much little leila acted like he did when he was a kid
trying to act cool/quiet
but of course his face always :I
:'I
and continues to do so for the most part
ends up going to a community garden to get tips from fellow gardeners and meets a lady who's there for a weekly course
she recently had a miscarriage and is taking this class as a therapy
but so far, only proceeds to depress her a bit as she knows nothing about plants
and her crop is wilting
Murray helps her out a lot
and they seem to really hit it off
younger staff at garden center ship them hardcore
and Kala even invites them to wedding
lmao Murray just wants close family and friends
Kala brings her family plus the ones who shipped them from the start
Leila super >:I
for a new mommy
*cling to her
she mine now, dad
off with you
we have things to discuss
like
who's gunna get me more cake?
>:I
*grabs at wedding cake
gimme
murray and kala put her down
lEila like nO wrONG direction
Leila like what 4-5?
old enough to know she getting her very own mom
look ferro I got one
>:I
*shows off tall round mom
Murray invites Bianca and family too
but only Bianca shows up and gives Leila a toy too
Leila like thanks stranger
Bianca getting her shoebox of old treasures back
and Murray telling stories of young Leila pretending to have a friend based off of u
Bianca finding this all wonderful that he came back to her garden and just made it bigger
and also renovated that drafty house into something much more fit for a family
tl;dr bittersweet murray backstory I made up in the span of 2 hours?
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