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inthedayswhenlandswerefew · 4 years

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But You Can Never Leave [Chapter 14: Fever]

A/N: I’ve written a lot of chapters for Tumblr, but this one was by far the hardest. Thank you for reading. 💜

Chapter summary: Queen enjoys an American tradition, Y/N struggles to be optimistic, John offers distractions, Roger makes questionable decisions (what else is new).

This series is a work of fiction, and is (very) loosely inspired by real people and events. Absolutely no offense is meant to actual Queen or their families.

Song inspiration: Hotel California by The Eagles.

Chapter warnings: Language, accidental intense flirting, inconvenient erections, drugs, overdoses, near-death experiences, medical emergencies, hospital stuff, pregnancy, babies, miscarriage, drama, sexual references, do I even need to say angst...? Y’all already know.

Chapter list (and all my writing) available HERE

Taglist: @queen-turtle-boiii @loveandbeloved29 @maggieroseevans @imnotvibingveryguccimrstark @im-an-adult-ish @queenlover05 @someforeigntragedy @imtheinvisiblequeen @joemazzmatazz @seven-seas-of-ham-on-rhye @namelesslosers @inthegardensofourminds @deacyblues @youngpastafanmug @sleepretreat @hardyshoe @bramblesforbreakfast @sevenseasofcats @tensecondvacation @queen-crue @jennyggggrrr @madeinheavxn @whatgoeson-itslate @brianssixpence @simonedk @herewegoagainniall @stardust-killer-queen @anotheronewritesthedust1 @pomjompish @writerxinthedark @culturefiendtrashqueen

Please yell at me if I forget to tag you!

It’s November 12th, 1977, and you’re six weeks pregnant.

“I can’t believe I’m going to be a grandmother!” Your mom is positively giddy, beaming ceaselessly, patting the back of Roger’s hand at least once every three minutes. I was right about this delightful English boy and my future gorgeous, doe-eyed grandchildren, that look says. Your parents either never saw any headlines, or—a possibility that seems increasingly conceivable—didn’t believe them.

“I know it’s early to announce,” you add nervously. “But we figured...you know, since we’re here now...and who knows when we’ll be back in Boston...”

“Oh, I’m so happy you told me!” your mother peals like a wind chime. “Here, have some more sweet potatoes, and some salmon too, they’re so good for the baby...have you thought about names yet?”

“Roger Junior,” Roger jokes.

“Freddie Junior,” Freddie offers with a flamboyant flourish of his hand; his fingernails are jet black with glinting flecks of silver.

“A few,” you tell your mother, rolling your eyes at Freddie. “But there’s still plenty of time to figure that out.” In truth, this whole having a baby thing still feels rather nebulous and untrustworthy, like it’s a dream you might wake up from, like it’s a desert mirage that will evaporate as soon as you stumble too close, parched and ravenous and aching for it. Roger slips his arm around your waist, and you don’t exactly dislike that; but it feels a little like a mirage too.

“We’re so happy,” he says, with a gentle wistfulness that is striking on him. Roger is happy, as happy as you’ve ever seen him. He drinks only in moderation. He does his physical therapy. He’s taken up meditation. He fucking meditates. He wants to get clean for the baby, for you, for this second chance at a future together. And you don’t entirely trust this—because everyone lies and everyone disappoints and everyone carries around mortal shadows in the marrow of their bones—but you are beginning to let it make you happy too.

“You’re next, Fred,” Brian says. “You’re the only one left. Come on, it’s your turn. Cough up an infant.”

Freddie cackles. “All my children have whiskers and tails and I wouldn’t have it any other way.”

Your mother shoves a glass baking pan of sweet potato casserole, topped with a layer of gluey burned marshmallows, towards you. “Eat!” she commands.

You warily spoon yourself some, grimacing; you’re more or less constantly nauseous. Then you stare down at the heap of lumpy orange root vegetables that—to you, at least—contains a choking quantity of cinnamon. The sweet potato casserole stares menacingly back. John leans over and scoops himself a bite off your plate.

“Mmmmm!” he exclaims, to your mother’s delight. Then, more quietly to you: “Not to worry. I’ll help.”

“Everything is delicious, as always,” Brian tells your parents, ever well-mannered. “It’s always such a delight when work brings us to Boston. This was so kind of you!”

Your mom and dad wanted to treat Queen to the band’s first-ever American Thanksgiving dinner, even if actual Thanksgiving was still two weeks away; the table features a monstrous turkey with brown crispy skin, stuffing and mashed potatoes and gravy, homemade cranberry sauce, green beans almondine, ham, Atlantic salmon, buttered rolls, pumpkin pie, and of course the loathsome sweet potato casserole. You endeavor to taste at least one bite of everything, sipping sparkling apple cider cautiously, biting back waves of nausea that surface at random like breaching whales. The tablecloth is speckled with autumn leaves and inappropriately jolly cartoon turkeys. Your parents are glowing, proud, thrilled...although they’re visibly channeling effort into not being offended by the fact that Brian won’t try the turkey.

“It’s our pleasure, of course,” your father deflects as he puffs on a cigar. He’s mixed a drink for all of the non-pregnant attendees: Apple Cranberry Moscow Mules for everyone except John, who requested his usual Manhattan. “And you’ve timed it perfectly. There’s no better time to be in New England than the fall.”

“Oh, the foliage is just stunning, and the skies are so clear, you can see all the constellations!” Brian cranes his neck and points out the dining room window. “Look, there’s the winged horse Pegasus, and Cassiopeia, and Perseus...”

“The scenery is gorgeous! Creatively rousing!” Roger agrees.

“Oh, planning a Boston-inspired sequel, are we?” John quips. “I’m In Love With My Lobster Boat?”

“I’m In Love With My Revolutionary War Memorabilia?” Freddie suggests.

“Get a grip on my extremely unreliable and difficult to load musket...” John sings.

Freddie points his fork at him and grins. “Yours wouldn’t be so difficult, Deaky dear.”

“How long did those old muskets take to load?” Bri asks.

“About two minutes,” your father pipes cheerfully.

Freddie snorts. “Sounds about right.”

John bears the laughter with a good-natured, smug sort of smirk. I’m not bothered because I know I’ve got nothing to worry about, that look says. You wiggle your eyebrows at him. He winks back.

Roger groans as he stretches his hands up towards the ceiling. “Am I really expected to play after all this?! Jesus christ. I’ve gained a stone in the past hour. Alright, one more slice of pie, then we have to get going...”

Queen has reserved your parents front-row seats at the show, as well as a limo to shuttle them there and back. While your mother fusses over whether you’ve eaten enough and what appropriate rock concert attire is—“leather and feather boas and riding crops, darling” Freddie informs her—your father circles the table snapping photographs, first with your Canon and then with his own Polaroid. You and Roger pose together, lean into each other, plant giggling kisses on each other’s cheeks. And you marvel at how a photo is a snapshot, a split second, nothing less and nothing more; that it’s instantly and mechanically captured, impersonal even, cheap to print and easy to burn. As your mother begins gathering up plates and glasses, you stand to help her.

“No no no,” Roger says, wiping the crumbs from his chin with an orange napkin. “Not allowed, Boston babe. Sit down, I’ll do it, I’ll help clean up.”

“I want to,” you insist. “I feel better when I’m moving around.” Less likely to vomit into anyone’s sweet potato casserole.

“You sure?”

“Absolutely.” You smile down at him fleetingly, ruffle his short bleached hair, then disappear into the kitchen.

Your mother is scrubbing plates in the bubble-filled sink, her hands turning pink under the hot water, humming Rhiannon in a bright merry voice. She’s wearing a sparkling crimson dress that reminds you of blood. Your stomach lists like a sailboat.

“I’ll wash if you want to dry,” you offer.

“I raised such a kind girl. My beautiful daughter, a future mama. Mrs. Roger Meddows Taylor.” She twirls a lock of your hair affectionately, then steps aside so you can reach into the sink. “That John Deacon is a bit strange, isn’t he?”

You resist the reflex to bristle, to snap at her; it’s not her intention to be cruel. It never is. “No, not really. He’s wonderful, he’s a genius. He’s my best friend, actually.”

“Oh alright, dear. I’m sure he’s lovely enough. He’s just so terribly quiet. He fades away next to the others. And certainly next to Roger.” She sighs, infatuated, dazzled.

You hear Roger’s voice echo in your skull: Watch out, baby. I get everything I want eventually.

Maybe he was right about that.

You’re trying to be happy, really you are; you’re trying to fall in love with this future Roger has planned for you. But you can’t shake the gnawing sensation that—somewhere along the way—your life stopped being written by you. You’re anxious all the time; you bite your lips until they bleed and wring your ringless hands and rarely sleep. You feel restless and ineffectual and nervy, like there’s some inescapable horror crouched behind every door you open, every page you turn. You feel the opposite of free.

Your mother notes casually, drying a china plate patterned with pink roses and edged with gold: “It must get difficult sometimes, having to share him with the world.”

You gaze into the nest of pearlescent bubbles that pop around your wrists like interrupted dreams, like broken promises. “You have no idea.”

~~~~~~~~~~

It’s December 21st, 1977, and you’re twelve weeks pregnant.

Blood trickles down your palm, the underside of your wrist, your velveteen-soft forearm. You hold the wad of gauze against the Scottish roadie’s pouring nose. What’s this one’s name? Nick? Nate? Niall? You’ve lost track. Whoever he is, he sustained an accidental elbow to the face as the crew was unloading the band’s luggage from the tour bus and is now slumped on the marble floor of the New Orleans Ritz-Carlton, splattered with drops of blood like the freckles sprayed across his pale cheeks. Giant red bows and Christmas trees trimmed with twinkling white lights rim the lobby.

“Alright, let’s take a look.” You lift the gauze away; the bleeding has slowed considerably. You gingerly probe the bridge of his nose as the roadie moans in pain.

“You trying to kill me, lady?” he jests.

You wrap an ice pack in fresh gauze and press it against his swollen face. “It’s not broken. Keep the ice on it, apply pressure, come get me if the bleeding doesn’t stop in ten minutes. Okay? You might have black eyes but you’re gonna be fine. You’ll look extra badass for the babes at the club.”

“Okay.” The roadie smiles gratefully. “Thanks, Florence Nightingale.”

You smirk up at Roger. “Did you have to teach them that?”

“You’ve cultivated quite the reputation, love.” He grins, takes a drag off his cigarette, glances around the lobby through his opaque prescription sunglasses. And you’re struck by how pertinent he looks here, in grand rooms with chandeliers and towering ceilings, in famed cities littered across the globe. He belongs in the spotlight. He belongs to the world. He doesn’t belong to just me, and he never will.

You reach for your duffel bag, but Roger yanks it away and slings it over his own shoulder.

“Will you please stop trying to lift heavy things?!” he pleads.

“I’m pregnant, I don’t have brittle bone disease.”

“Brittle bone disease!” Freddie cries, horrified. “Is that an actual ailment?!”

John snickers. “Yes, and it’s sexually transmitted, so watch where you stick your bone.”

“Oh, ha ha ha, you are hilarious!” Freddie says, rolling his large dark eyes. “Worry about your own performance, Mr. Misfire. Bri, you’ll join us for a drink tonight, won’t you?”

“Well...” Brian hesitates, and you suspect you know why. He’s been looking forward to this stop for months, Queen’s last in the States during the News Of The World tour; after two days in New Orleans the band will fly back to London, spend the holidays there, resume the tour with shows throughout Europe beginning in April. In just a few rotations of the Earth, Brian will be back at home with Chrissie and the twins. But tonight he has plans to see the girl he calls Peaches.

“You undependable poodle,” Freddie scolds. Then, saccharinely, batting his eyelashes: “But you’ll surely come along, won’t you Nurse Nightingale?”

“Fred...I hate to disappoint, but...”

“This is unacceptable!” he exclaims. “I am distraught! Not even an orgy with spicy Cajun men will lift my spirits!”

“I doubt that,” you reply, smiling. “I’m exhausted, Freddie. This making a kid business isn’t easy.”

“Oh, but you’re not too exhausted to cart around luggage like a fucking alpaca!” Roger massages your shoulders, enfolds the slight bump of your belly with his hands, lands a series of featherlight kisses down your neck. He’s still clean, he’s still effervescent, he’s continuously devoted in a way that is unusual for him, tender and sensitive, simultaneously ecstatic for the future and nostalgic for the past. “Want me to stay?”

“For fuck’s sake!” Freddie laments.

“That’s alright. John said I can help him wrap Christmas presents for Veronica and the kids. I’m learning how to be all maternal and domestic, isn’t that exciting?”

“I’d say you’re fairly effortlessly maternal,” Roger says, rather proudly. “Want me to bring you back anything?”

“No, I’m okay. I’ll send a roadie for chili cheese fries or something.”

“You can send them for lobster and filet mignon. Whatever you want.” He reaches into the pocket of his fitted black jeans and pulls out a small ring box.

“Roger...?”

He opens it, grinning, and taps an antique gold ring with a ruby stone into his calloused palm. “I found this at a shop in Miami. You remember the first time we were ever there? March of 1975. Hotel room with a view that looked out onto the beach, taking photos on the balcony with the ocean crashing behind you, feeding the seagulls chips until the bitches started attacking us.”

“I never forget.” And that’s true; there have been times you wish you could, but you don’t.

Roger takes your left hand and slips the ring onto your wedding finger. Then he lifts your knuckles to his lips, bites them gently, leaves faint burning indents in the flesh.

“I love it,” you breathe, turning your hand back and forth, watching the lights from the Christmas trees glimmer off the ruby. It feels real in a way that sharing a future with Roger hasn’t for a long time.

“Now don’t get all emotional over it. It doesn’t mean anything, you know.” Roger winks and lands a parting kiss on your forehead. Then he passes your duffel bag to a roadie, who vanishes with it into an elevator. “Deaks, you’ll take care of my girl?”

“I always do,” John replies.

“Have fun,” you tell Roger, beaming up at him. “But not too much fun.” This could work. This could really work.

Freddie crosses himself like one of Veronica’s Catholic great aunts. “Depravity? Us? Never in a million years, darling.” Then he hooks an arm around Roger and leads him towards the glass hotel doors. They’re engulfed by a crowd of Queen’s roadies, laughing and shoving each other playfully: Ratty Hince, Paul Prenter, Chris Taylor (dubbed Crystal by the band), Brian Spencer, John Harris, others whose names you haven’t committed to memory yet.

“You ready, Emily Post?” John asks, heading towards the nearest elevator, and you follow him.

In his hotel room is a messy stack of gifts accumulated over the past month and a half from tour stops all over the United States: tiny model Liberty Bells from Philadelphia, Yankees baseball caps from New York City, a slot machine that spits out gumballs from Las Vegas, red socks embroidered with the logo of—what else?—the Boston Red Sox, NASA astronaut action figures from Houston, teddy bears wearing Cubs t-shirts from Chicago, plushies from the Miami aquarium: a hammerhead shark for Laszlo, a dolphin for Anna, and an octopus for the newest Deacon due in mid-February. You and John sit on the floor together in a flurry of tubes of Christmas-themed wrapping paper, stick-on bows, name labels, greeting cards, and pens. John flips through the tv channels until he finds It’s A Wonderful Life. You send a roadie to get dinner from a New Orleans-based fast food chain called Popeyes, and you take leisurely breaks between gift wrapping to chomp on crispy chicken wings and biscuits and mini apple pies and to guzzle down towering cups of Southern-style sweet tea.

“Octopuses are gender-neutral, right?” John asks, floundering as he tries to wrap all eight tentacles individually.

“Totally.” You’ve been brainstorming how best to package the slot machine for fifteen minutes. You take another contemplative bite of a flaky biscuit. “These kids are gonna be super confused when it comes time to pick a favorite team for the World Series.”

“Well obviously they’ll have to be Boston fans or I’ll disown them.”

You sigh contently. “This is just too adorable. I want to wake up early on Christmas morning and open presents with some hyperactive children. Please adopt me into your family.”

“Done. You’re in.”

You laugh. “I don’t think Slavic Jesus thinks highly of polygamy.”

“Whoa whoa whoa, who said anything about a second wife? You can be the live-in nanny but also the filthy secret mistress. Take it or leave it. Final offer.”

“Alright, Mr. Misfire. But you’ll have to fuck me for at least slightly longer than two minutes.”

Oh god, I should not have said that.

John stares at you. You stare back. And something flies between you, something like a pop of static electricity or a firing neuron, something hot and lightning-quick. There’s blood flushing his cheeks, but it’s not quite embarrassment; you know because the same heat is swirling in yours.

Stop, you order yourself.

But it’s too late, now you’re thinking about it, what it would be like: what he would feel like, taste like. Not like wildfire, reckless and consuming, disaster nipping at its heels. Something different, something constant and dependable and soulful, something that feels like home anywhere in the world.

It wasn’t about me. It wasn’t about me. You’re My Best Friend wasn’t about me.

John grabs a sheet of crinkling wrapping paper patterned with chortling Santa Claus faces and drags it over his lap to conceal the sizable bulge growing there in his white pants. You pretend—unconvincingly, you’re sure—not to notice.

Finally, he chuckles uneasily. “However you want it.”

“I’m so sorry. That was wildly inappropriate. I’m hormonal and stupid.”

“I kind of like you hormonal and stupid.”

“Well don’t get used to it, this is a temporary condition.”

“You really can come over,” John says. “On Christmas morning. You and Roger can come over if you want to. The kids love you both. And honestly neither of them are old enough to remember this year anyway, so no pressure if you fuck up Christmas by being accidentally slutty or whatever.”

The smile ripples through the muscles of your face, uncoiling all the tension there. He really does make everything better. “Okay. But you have to promise to behave too.”

He shrugs coyly, lights a cigarette, watches you as he exhales smoke. “You’ve always said I have game.”

There are voices out in the hallway, uproarious laughter, the pounding of irregular footsteps, thumps against the walls. You can hear Freddie giggling: “Rog, darling, come on, get it together...!”

John furrows his brow at you. He doesn’t say anything, but you know that look. What John means is: Is he okay?

“I’m sure he’s fine,” you reply. He’s been fine all tour.

And then, more desperately: He HAS to be fine. Not just for me anymore.

“Rog?!” Freddie shrieks, and now the voices are louder, more numerous. There’s one massive thud. Someone screams for help.

You and John scramble to your feet. You snatch your kit off the dresser and bolt out into the hallway. Roger is sprawled on the floor in the center of a reeling crowd, unconscious, gasping for air, his skin a starved bluish. Freddie and Crystal are hovering over him, shouting and horrified.

“Oh my god,” John says.

“Call an ambulance,” you tell him, and John sprints back into his hotel room.

You shove Freddie and Crystal aside and kneel beside Roger, jostle him awake, pry open his eyes and shine your flashlight into them. His pupils are pinpricks. His breathing is shallow and uneven. You close your fingers around his right wrist; his skin is drenched with sweat. Roger’s pulse is erratic, fading.

“Roger, can you hear me?”

“Hey, baby,” he murmurs. Then he blacks out again.

“What did he take?” you pitch at Freddie.

Freddie and Crystal exchange a glance, hesitating.

“If you don’t tell me what it was he’s going to die, what did he take?!”

“He wasn’t in the same room as us,” Freddie says, his voice quaking. “We don’t know—”

“So you left him alone,” you seethe. “Of course you fucking did.”

Roger’s hand shoots up and seizes your shirt, twisting the fabric in his gnarled fingers. “Speedball,” he rasps. His vivid blue eyes—like bruises, like veins, like cold rain—are huge and bloodshot and frantic. He’s begging for his life. He’s begging you to save him. “The guy said it was a speedball.”

You know exactly what a speedball is; it’s your job to know things like that, to know all the chemical combinations that errant rock stars love destroying themselves with. “A speedball has heroin in it, Roger!”

“I can’t breathe,” he sighs dispassionately, as if it doesn’t bother him at all. His eyes are glassy now, unseeing.

“Don’t you fucking die on me!” You rake through your kit for the vial of Naloxone that you thought you’d never need. That’s not for bands like Queen, you remember thinking when the record company insisted you carry it. That’s for people like The Rolling Stones or Black Sabbath or maybe even Fleetwood Mac on a bad day, but not Queen. Not my boys. Not my Roger.

Oh, but has he ever really been mine?

You pull a syringe out of your kit, throw off the cap, and hold the vial of Naloxone upside down. You stab the needle through the rubber stopper and measure out 1cc—an entire syringe’s worth—of the drug that can reverse opioid overdoes. CAN, not will. It doesn’t always work.

Freddie is sobbing as Crystal drapes an arm over his shoulder and turns him away. So they don’t have to watch. So they don’t have to see him die.

You don’t have the luxury of not watching.

John is back. “What can I do?” he asks.

“Shake him. Keep him awake. Hit him if you have to.”

John kneels, cups Roger’s face in his hands, smacks his cheek each time Roger begins to nod off. Roger gazes up at him numbly, breathing in haphazard wheezes. “Stay with me, Rog. That’s it. Stay with me, you’re gonna be fine...”

You pinch a tiny roll of fat in Roger’s upper arm and jab the needle in. You push down the plunger and 1cc of Naloxone vanishes from the syringe barrel as it surges into Roger’s disordered bloodstream. You toss the syringe away and rub his arm as crimson blood beads from the injection wound.

“Come on, Roger,” you beg him. “Come on, Roger, please...”

You fill another syringe and inject it an inch below the first puncture mark. Roger’s eyes—those eyes that you’ve been trying to claw your way out of since you first saw them across a hospital room in the June of 1974—flutter closed. His sweated rib cage stills.

“Roger?!” John roars, shaking him. “Roger, Rog, wake up!”

“Roger!” you scream.

He sucks down a sudden breath—deep, clear, life-giving—and his intense blue eyes fly open.

“Oh thank god!” you cry, clutching your chest. “John, help me, help me get him up...”

Together with Fred and Crystal you drag Roger to his feet, force him to walk, parade him up and down the hallway until the paramedics arrive and ferry him away—still dazed and ghastly pale, still grasping for you and muttering things you don’t understand—and then your adrenaline rush evaporates and you crumble to the floor, one shaking hand covering your face, the other on the small swell of your belly.

I’m so sorry, little guy, little lady. You deserve better than us.

“I have to go after him,” you tell John when he reaches for you, trying to lift you off the floor. “I have to make sure he’s okay, the Naloxone, it could wear off before the heroin does, and it...it...it can stop an opioid overdose but speedballs have coke in them too and he could still have effects from that...”

“Okay, no problem, we can go, come on, we’ll get a cab and we’ll be right behind them.”

And you remember what Roger once told you as the planet rolled into 1975, under streetlights casting islands of luminance in an ocean of cold darkness: But I can promise you that your life will never feel like a cage. And isn’t that what this was all about for you anyway?

But Roger was wrong.

My life does feel like a cage. It feels exactly like a cage.

You sputter weakly: “He’s not, he isn’t, he can’t...”

“What?” John presses. “Slow down. Breathe. Tell me.”

“He’s never going to change, John,” you whisper. The weight of the ruby ring is heavy on your trembling left hand. “He’s never going to change.”

~~~~~~~~~~

It’s February 15th, 1978, and you’re nineteen weeks pregnant.

The kitchen phone rings, and you answer. The date for your twenty-week ultrasound is circled on the calendar in red ink. “Hello?”

“Do you need to get out of the house?” John asks. “Because I really need to get out of the house.”

You do, incidentally. Yesterday was Valentine’s Day, and Roger did everything right: a bouquet of pink roses and carnations waiting on the kitchen table when you woke up, a new Ferrari parked in the driveway, a candlelit dinner at Mon Plaisir. It was a little too right, actually, like Roger was trying to coax you into serenity, like he was proving how illogical it would be to consider ever being unhappy with him, like he was making up for something; and that’s how things feel a lot of the time, now that you think of it. Roger is fine, mostly. He’s home, usually. He’s clean until he isn’t, and then afterwards he’s so dazzlingly radiant and kind that you can’t stand the thought of not being there to help if he needs you, can’t remember your frustration or your anger half as much as your fear of losing him. And it’s incredible how good you’ve gotten at pushing the memory of that News Of The World headline out of your mind, like it was something from a soap opera or a cheap romance novel, like it was just a slice of scandalous fiction that happened to somebody else. That’s the way the body works too, isn’t it? Wounds close over, livers regenerate, old cells slough away and reveal fresh tissue beneath with no recollection of the pain that comes tangled up with all the other eventualities of existence. Times like Valentine’s Day are a revival, a resurrection: brand new cells, a healed fracture, a shot of Naloxone to restore the blood to equilibrium. But today is not Valentine’s Day, and Roger isn’t home. You aren’t entirely sure where he is, and you don’t know if you’d want to be. “Yeah, I’ll pick you up. I can show you my wicked new ride.”

“I’m intrigued. You’ll have to let me drive it one day.”

“What, directly into a cop car?”

“You’re awful and I hate you,” John says, and you can hear the smile in his voice. “See you at 8? There’s a new disco in Soho I’m dying to check out.”

“Sure thing, I just have to make myself glamorous first. It’s quite a process now that I have all the elegance and svelteness of a large marine mammal. But I’ll rise to the occasion. I’ll be the most attractive whale you’ve ever seen.”

He chuckles. “I don’t doubt that at all.”

You roll up to John’s Putney house in your maroon Ferrari, the convertible top down despite the biting cold, a bomber jacket—just a tad too tight to zip up over your bump—concealing your short black dress. Pregnancy has finally started to look good on you, aforementioned marine-mammal-ness notwithstanding: your hair is thick and gleaming, your skin clear, your face fuller and emitting a mysterious, ethereal sort of glow. You check your hair and makeup in the rear view mirror as John jogs out of his front door. He stops dead in the driveway.

“Wow.”

You pat the passenger’s seat. “Hop in, felon.”

“He bought you a freaking Ferrari?!”

“Am I not worth it?” you joke, flipping your hair.

John slides into the car. “How do I become married to Roger Taylor? Tell me your secrets.”

“Well, to receive a Ferrari, you’ll probably have to get pregnant with his firstborn child too.”

“Ahhh. A minor obstacle.”

You laugh as you spin out of the driveway and cruise towards downtown London. Then you peer over at John, really taking him in, reading him like heart rates or units of measurement inked to the barrel of a syringe. His elbow is propped up on the window sill, his chin nestled in the heel of his hand, his blue-grey eyes unfocused as they gaze out into the night sky and streetlights that flicker by like the episodic flashes of a firefly. “Are you okay, John?” you ask seriously.

“Yeah,” he replies, a prospect that seems implausible.

“I’m glad you called.” You both know what that means: Roger isn’t home, I don’t know where he is, I don’t know when he’s coming back or what condition he’ll be in when he does.

John smirks wryly. “You have a shit husband. I am a shit husband. We should stick together, people like you and me.”

The disco is a small place called Lo Asilo with neon blue lights rimming the entrance way like vines laced through a trellis. John orders a Manhattan for himself, goes back and forth with the bartender for a while about the virgin drink options, ends up passing you a non-alcoholic raspberry mojito.

“I love it,” you pronounce after a tentative sip. This kid loves fruit. And sugar. And you feel a abrupt groundswell of affection for that sometimes inconvenient, frequently anxiety-inducing little person who temporarily shares your blood and bones: who they are, who they one day will be. These moments are coming more and more often, as your future solidifies in some ways and becomes more imprecise in others.

“You’re almost halfway done,” John says, pointing at your belly like he can read your mind.

You sigh. “Do we have to talk about me?”

“We definitely can’t talk about me.” He studies you for a moment, makes mental notes like someone browsing through archaeological artifacts in a museum. Then he realizes: “You don’t want to have to stay home.”

You nod, downing your sort-of-mojito. No offense, kid, but I could really use some mind-numbing inebriation right now.

“Because you don’t trust him...?”

“It’s not quite that,” you reply. “I can’t stand the thought of not being there if something happened to him. If something happened to any of you. If I wasn’t there to at least try to help and someone ended up...you know...” Goddammit, I’m so much more sensitive these days. You force it out. “If someone ended up dying, I wouldn’t be able to live with that.”

“No one’s going to die, love,” he says gently.

“People die all the time. Especially rock stars. Hendrix, Joplin, Morrison, Murcia, McIntosh, Bolin. I could go on. There will be more names a year from now. Maybe some we recognize.”

“What do you want me to do? You want me to haul him off to rehab? You want me to handcuff him to his hotel bed every night we’re on tour? I’ll do it if you think that would help. I’ll do whatever you want. Obviously I don’t want to lose him either. But I’ve never known Roger to be someone you could force into anything.”

“No, he’s definitely not,” you agree softly, in surrender.

The opening notes of Fleetwood Mac’s Go Your Own Way rumble from the stereo. John knocks back the end of his Manhattan and sets the glass on the bar.

“Alright, congratulations, you get your wish.” He grins, holding out his hand. “We don’t have to talk about you anymore.”

“I’m warning you, I am zero percent graceful in my current state.”

“I’ll manage somehow.”

“Loving you

Isn't the right thing to do

How can I ever change things

That I feel?”

John leads, pushing through the crowd to a spot near the center of the kaleidoscopic dance floor. Then he knots his fingers through yours, sways with the music, dances comically sluggishly as you struggle to keep up, twirls you randomly until you’re giggling against him, blushing and not thinking about Roger or the tour or your impending career change at all; and you suspect John isn’t thinking about Veronica either. You belt out the lyrics at the top of your lungs, flouncing around like an extremely ungainly Stevie Nicks, and after a moment John joins you, pumping his fist in the air:

“You can go your own way

Go your own way

You can call it

Another lonely day...”

And it feels good. It feels more than good. It feels almost like being free.

Lindsay Buckingham’s guitar solo splits through the fog-filled room, and your smile begins to fade, recedes like the frothing ocean waves at low tide. And you think, more clearly and more inauspiciously than you ever have in your life: Something’s wrong.

The body knows when it nears catastrophe. There’s a primal dread that sparks up in the blood and nerves and endocrine system, seeps from your pores like smoke, cloaks you in that bleak, biological premonition. Dogs can smell it, can be trained to alert people before that nascent calamity manifests into a cardiac arrest or diabetic coma or asthma attack or stroke; and humans can feel it when that inevitable devastation creeps close enough, when it sharpens its fangs and scrapes them down the jugular. You’ve never truly been able to understand that before. But you recognize it now.

There’s cold sweat springing up on your skin like goosebumps. There’s a stormy rush of blood pounding in your ears. You can’t remember the name of the club, the city, the type of car Roger bought you for Valentine’s Day, the stone gleaming in your ring. The air that you wrench into your lungs is thin and fleeting, without the relief of oxygen. There’s an indescribably heavy iron twist of fear buried in your guts.

John freezes in the middle of the dance floor. “What?” he asks, alarmed.

There’s pain; sudden, sharp, low. Your eyes follow it. There’s blood snaking down your bare thighs. There’s indigo darkness crumbling around the edges of your vision as you sink to the floor. Your knees bruise against cold tile.

Someone is screaming for help; you aren’t sure who. But you reach for them, because they sound so irrevocably strong, because they sound like home. Your fingertips collide with John’s leather jacket.

“Make it stop,” you choke out through bared teeth, as claws of glass and barbed wire tear at where your future once lived. The agony is unnatural, razored, almost surgical.

“I can’t. Here, we’re gonna get you help, hold on, hold on to me—”

“I don’t want to be here anymore,” you sob into John’s neck. His skin is stubbled and dusted with nicotine and flare-hot. He’s trying to drag you to your feet, shouting over his shoulder for someone to call an ambulance. “I don’t want this anymore, I don’t want any of it. I don’t want to see the world. I want to go home.”

“Don’t say that, everything’s going to be okay, they’re coming, listen to me, listen to me, I’m going to get you help—”

“It’s too late,” you whisper. And every light in the world blinks out.

~~~~~~~~~~

It’s February 16th, 1978, and you’re not pregnant at all.

You’re a registered nurse, and so you understand perfectly the terms that the doctors use when they explain to you why it happened, after they do the ultrasound to make sure the miscarriage was complete; when they tell you why it was doomed from the start. Stage 4 endometriosis. Placental abruption. Difficult to conceive, nearly impossible to carry to term. An open and shut case. That’s the genetic lottery, and some people roll straight sevens, blood-red sevens rimmed with fool’s gold.

What you have a harder time understanding is how this could have happened to you. How is it possible to have all of that organic poison building inside of you, all that latent ruin, and yet not know it? To have never had any symptoms besides slightly-more-annoying-than-average periods? To have a nursery set up in one of the five extraneous bedrooms—the one with the blue-grey wallpaper, to be exact—with a crib your child will never use, never peer out of with their tiny fists curled around the wooden bars, never cry out to you in the middle of the night from? To have a list of names scribbled on a notepad stuck to the refrigerator—Roger favors deeply Anglophile possibilities like Arthur and Jasper and Alice, while you tend towards names with a Southern European flair like Aurelia, Callista, Felix, Augustus, although you both quite like the idea of incorporating some variation of John—that you suddenly have no use for? To have to inform your husband, your parents, your friends that there is no baby, that there most likely never will be, and that it’s entirely your fault: So terribly sorry, due to a genetic glitch my womb is rendered inhospitable, we’ll have to leave that ultimate trophy of womanhood off the shelf indefinitely I’m afraid.

You’re in and out through the night. The dreams are murky and fragmented and ominous, jolting you awake four times an hour. John never leaves, except to periodically phone the Surrey house from the nurse’s station. And there’s pain now, of course, even through the haze of the morphine drip—your uterus cramping down to collapse the void, your head splitting from the shock and hormonal bedlam—but it’s almost like that pain belongs to someone else, someone you might have heard of but don’t know especially well. The pain doesn’t surprise you. What surprises you is the totality of the darkness that rolls over you like a quilt, like a second skin.

Shouldn’t I feel at least some infinitesimal amount of relief, of liberation? Shouldn’t I feel free?

“I don’t feel free,” you murmur, your voice hoarse and very quiet.

“What?” John leans into you, takes your hand in his, lays his palm on your forehead and smooths back your hair. Harsh morning sunlight streams in through the window. “What did you say?”

“I don’t feel free at all. I just feel empty.”

His greyish eyes are slick and anguished. “I am so fucking sorry,” he says, his voice breaking.

You whisper: “He’s never going to be able to love me now.”

“Shhhhh, don’t,” John pleads. “He’s always loved you. As much as he can, and in the way that he can.”

“You’ve been here all night.”

“Of course.” And he hasn’t managed to tell Roger. Which means Roger hasn’t come home yet.

You shake your head groggily. “No, you have your own family. You have to go home.”

“It’s fine, don’t worry about it,” he says tersely.

“John, you have to go home. You have to call at least. Veronica could have gone into labor or something.”

“No, seriously, it’s fine, she pops out one a year no problem. I’m staying.”

A scalding tear slinks down your cheek. “You’re lucky to have her.”

“They must have you on a lot of drugs.”

You laugh, then begin to cry.

“Hey, don’t do that, please don’t do that, shhhh...”

John climbs into the hospital bed and you fold into him, burrow into his warmth that smells like cigarettes and dusky cologne and Manhattans, sob against his chest as he locks his arms around you and pulls you in until there’s no space, no air, no line between you at all.

“You have to be okay,” he murmurs, his lips to your forehead. “I need you to be okay for me. Because when I was messed up I didn’t get better for me, I didn’t do it for me, I got better for you. So now you need to get better too, okay?”

“Okay,” you promise, not meaning it at all.

And he makes you promise again and again until you drift back to sleep with his steady heartbeat drumming against your palm, just loud enough to keep the dreams away.

~~~~~~~~~~

John finally reaches Roger at 9:47 a.m. Roger arrives at the hospital twenty minutes later, his hair a chaotic tangle, his eyes shielded by prescription sunglasses, still wearing the sapphire blue suit he left the house in the night before, his tie undone and several buttons missing from his shirt.

“I’m so sorry,” Roger begins. “I was at this party and met some guys who wanted to collaborate on my solo album, and it turned into a whole...oh, fuck, it doesn’t matter. Is she—?”

John grabs him, pushes him against the hallway wall, yanks off Roger’s sunglasses and pries open his eyes. Roger flinches, but doesn’t struggle.

“What—?”

“I’m making sure you’re not high.” John observes normal pupils and shoves Roger away, disgusted. “Get in there. She needs you.”

“You’ve done a lot for us,” Roger says.

“It’s mutual.”

“Thank you.” There are tears in Roger’s crystalline blue eyes. “Thank you so much, John.”

John nods towards the hospital room. “Just go.”

She wakes up when she hears the door open, and she knows it’s Roger instantly. Of course she does. Everyone knows the way a room changes when Roger walks into it, the way he lights up people and places like wildfire, the way he gets humans addicted to his innate magnetism the same way some are hooked on coke or alcohol or heroin. John isn’t that kind of man, and he knows it. He will never be that kind of man.

“I’m so sorry,” she tells Roger.

Roger shakes his head, cradling her face in his hands. “Baby, I’m not mad. I don’t blame you. I’m not mad at you.”

John watches as she explains everything, as Roger embraces her, as he says all the right things, all those beautiful and hopeful and effortlessly spellbinding things, as she begins—slowly, yes, but unmistakably—to light up again like rising sunlight glinting off quicksilver waves.

And only then does John leave.

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