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#it's just that i like having an emphasis on teenager stuff with finn
tommyspeakycap · 5 years
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Wow I’m living for these Shelby sister fics, they are my favourite things to read and there never seems to be enough people writing them so please keep going!!! Maybe with her being a little sarcastic cheeky shit talking back to Tommy after she’s been caught drinking and getting into a fight at school and he’s likes wtf how has she been allowed to become this rebellious?
omfg tommy being like when did YOU start giving me shit??? it’s a no from me short stuff. “just cause ur an old man who no longer understands what young people call FUN these days” and he’s like 0.0 ok then. fucking ouch. he puts up a hard from but being called old actually cut deep for some reason. he goes to london for ONE day to sit down w alfie solomons and before he knows it he’s sitting across a table from a tall man with a shining bald head and a pointy nose, you standing gingerly by the door with bruised knuckles and a shiner while the boy you got in a fight with has a split lip, two black eyes, a bloody nose and broken hand. he’s stuck in the space between a Proud Bro ™️ because look, yes!! his baby sis!! he taught you that!! gal defending herself. the headmaster didn’t know what to do w you because you’re a peaky blinder and if he was to cane you he would VERY likely lose a finger or four, couldn’t suspend you or he’d probably lose his job and so he called in tommy and the boys parents. when informed the young man had “gotten mouthy, been rejected then gotten handsy.” - your words exactly, so you “showed him what happened when he harassed a woman from now on.” and tommy knows he has to be mad because you’ve just bet someone up pretty gnarly but you’ve got to stand for something and you’ve chosen to stand for equal rights?? can he be angry ?? not really?? he’s angry at your behaviour though and makes this known and you’re like ok tom boy pop off back to london - which you say with a posh accent for emphasis. he then has to use his warning tone because he’s like?? how much of this girls life have i actually been oblivious to what the FUCK. teenage girl phase is one he’s struggling with. “who does she think she- WHO do you think you are?!?!” he’s hoping someone can answer because since WHEN have you been such a cheeky shit. he deems that you’ve spent far too much time with john and finn #bad influences. alas you’re like “tom boy you are THE HEAD of a notorious gang who happen to be known for blinding their victims. you don’t really get to talk bad influences.” he swears hes going to slide tackle you real soon. he honestly can’t figure out if you’re just pushing him as a phase of rebellion or if you’ve decided to adapt a permanent severe don’t give a shit attitude and he REALLY hopes it’s the former.
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blueinkedfrost · 5 years
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Heathers: The Musical - Part 1/3, Stuff I Like
Part 2 of 3: Stuff I Don't Like Part 3 of 3: Alternate Adaptation Ideas
I saw the Heathers musical this year with people I love; we had a fantastic night out.
Here is a review of the musical in three parts. First, stuff I like. Second, stuff I don't like. Third, alternate adaptation ideas I would like.
Stuff I like!
The Singing
The musical is a candy-coloured singing extravaganza that cranks up the melodrama to maximum with catchy tunes. Definitely a plus!
The Fandom
While I can't prove it, I suspect the musical is one of the key reasons why the Heathers fandom is still somewhat alive thirty years later. People hear about the musical production and sometimes seek out the movie, so even though the movie is better the musical is still attractive. If you're a fan of the movie who likes an active fandom better than a dead one, the musical might have something to do with that.
Woo, Ghosts!
The dead characters singing from beyond the grave is a melodramatic and near-supernatural touch that goes far beyond the movie's brief dream sequence, but turning on extreme drama and colour in a musical is great. The tangible presence of ghosts also increases Veronica's guilt at murder.
No Mobile Phones. That Means You, Heather.
If Heather Chandler delivers the 'no mobile phones' speech at the beginning in character, this is awesome and funny.
Martha Finn
Making Martha and Betty into a single character is an excellent adaptation choice. Movie Betty only has one personality trait, being extremely self-effacing, and I think this isn't very interesting and would get very annoying over a long period of time. There's an argument that making Martha Veronica's childhood friend makes Veronica change less, but I think the change is still there. Here's why:
At the beginning of the movie, Veronica's friends are the Heathers and Betty. At the end, her friends are Martha, McNamara, Betty, and possibly Duke.
At the beginning of the musical, Veronica's only friend is Martha. At the end, her friends are Martha, McNamara, and probably Duke.
So I think there's change in both versions. (I have a Strong Opinion that in the musical adaptation, Heather Duke deserves to be included in the group hug at the end! She's a schoolkid who was messed up from Chandler's relentless bullying and deserves to have good friends who look out for her, not to be treated like she's irredeemably evil.)
Musical Martha being the smartest character (figuring out J.D. did it) as well as the nicest character is also an adaptation choice I can definitely get behind.
‘Fight for Me’/Casting
J.D. makes his dramatic entrance with a fist fight rather than pulling a gun. This is more visually dynamic, and also makes J.D.'s casting more race neutral - getting away with bringing a gun to school & shooting blanks has a lot to do with him being a white middle-class teenager in the movie, but I like how the musical can and should have race neutral casting. The movie made it clear that Sherwood is a mostly white town and Veronica and J.D. get away with it partly because they're white middle class kids. However, I like how the musical adaptation alters the emphasis to a more general school-bullying message and makes race blind casting possible for basically all the characters. (It's problematic if Heather Duke is always and the only non-white Heather, though. It'd be better if the musical did a better job of her character; Duke is the most complicated and interesting Heather and that should make it into her musical version.)
‘Dead Girl Walking’
I love the room break-in reversal in the adaptation, where Veronica breaks into J.D.'s room early on and it's fun and silly and hopeful, and then J.D. breaks into Veronica's room in the end and it's awful and scary and dramatic. Dead Girl Walking is a cool song, both original and reprise. In both musical and movieverse, I like how consensual-but-ill-advised sex was the least worst thing J.D. and Veronica did.
Musical McNamara
Musical McNamara's adaptation is significantly different to Movie McNamara, but I like it. Movie McNamara is a generic silly blonde cheerleader who's not very bright and has not-so-hidden insecurities. Musical McNamara gets lines like "If I took a meat cleaver down the centre of your skull, I'd have matching halves. That's very important." Musical McNamara seems to have little to no sense of what's socially appropriate in a given situation, complaining about how "I'm on the freaking bus again because all my rides to school are dead." She's much more quirky than the movie version, and I think that's an adaptation choice that works well for the candy-coloured melodrama of the musical. The musical also takes away the nuance of "I was supposed to be captain of the cheerleading team" and makes McNamara actually the cheer captain; I think it's a good choice to simplify things when you're going for for melodrama rather than subtlety. Musical McNamara is morally worse than Movie McNamara - she deliberately tries to volunteer Veronica for gang rape. (A role reversal where, in the movie, Veronica and J.D. were bystanders while Ram raped McNamara; I'd prefer to think that it was dark and they were up on the hill and mistook what they overheard for consensual sex.)
Chandler’s Ghostly Fashion Sense
Chandler's ghost outfit being red, not pink. It's a small change, but I think it makes a lot of sense. In the movie, red is the symbol of power. Just before Movie Chandler dies, she's wearing a pink nightgown rather than her usual red; pink is a weaker colour, showing her vulnerability. In the musical, Chandler's ghost is going to stay around and hold on to some of her power. She deserves to be wearing her signature colour, the bold red.
Songs I Love
Lifeboat. One of the very best songs. This is probably why Musical McNamara's such a fan favourite because the song is so awesome. Both McNamara and Duke are bully victims as well as perpetrators, so it's unfair that McNamara gets a good song and Duke doesn't, but it's such a good song. I like how McNamara reaching out and seeking help from Veronica after her suicide attempt means there's hope she can change for the better.
Fight for Me. Fun, melodramatic, excellent choreography with the slow-motion fight and comically exaggerated injuries to unsympathetic characters, Veronica’s sudden enthusiasm, both hilarious and kind of touching at the same time.
Freeze Your Brain. Great melody, lots of angst.
Dead Girl Walking and Reprise. Powerful and exciting.
Meant To Be Yours. So many changes of musical genre; I love plotty, exciting songs that reverse direction so many times. This is my absolute favourite song and the one that tempted me to watch Heathers in the first place.
Songs I Like But Don’t Absolutely Love
Dead Gay Son because it's campy and fun. I love the irony of the dads finding true love with each other after their sons' murders. It takes the movie joke and turns it up to eleven.
Seventeen is lovely and angsty.
Shine a Light is pretty good too as Fleming has some decent jokes and audience participation in it.
Tip of the hat to @scouts-mockingbird's musical series!
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unexpectedreylo · 6 years
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A Few Random Thoughts on the TLJ Novelization
I finally finished the book and have a few thoughts to share (check out the Wayward Jedi’s 1 hour, 40 minute breakdown if you have time...this will be much shorter).
Overall I thought it was pretty good though of course it’s written for people who had seen the film and is no substitute for the film itself.  
When Leia recalled Ben causing things to fall off the wall and break or to malfunction when he was a teenager, it made me think of the PK (psychokinesis) phenomenon.  I’m a big paranormal geek and it’s known that a lot of what’s called poltergeist activity originates from a living person, usually an adolescent with so-called psychic abilities.  Raging hormones and the extreme of emotions that go with adolescence can manifest as psychokinesis, where the person is often unknowingly affecting the physical environment with the mind.  In extreme cases, family members can experience being kicked, punched, scratched, etc..  If this is what was happening to the Solo family, it would be pretty terrifying, even if Leia knew it was coming from Ben, perhaps unwittingly, not from some “demon” or “ghost.”  It does paint a clearer picture of having to send Ben to someone who understands this Force stuff and can help him control himself.  It would be completely logical.  But teenagers are not logical and Ben might have viewed it as his parents getting rid of him because he scared them.  Ah, so much heartbreak.
The book confirms something I’d suspected all along and that was Snoke not only messing with Ben but also screwing with everybody in the Skywalker family so that they’d turn on each other.  It’s interesting to see too why Snoke wasn’t interested in turning Rey, he just wanted her gone.  He was undecided about Kylo, thinking him too weak ironically up until his death, when Kylo had already decided to take out the trash.
A lot of people have said Rose comes off as jealous of Rey, though to be fair Finn spends a lot of time thinking stuff like, “Gee, this hot dog is really delicious.  Too bad Rey’s not here to eat one too!”  I think the point of his arc in TLJ is that in his pursuit of the goddess (Rey) he finds something unexpected and that is Rose.  It’s Rose who gets him to finally stop running, to embrace something bigger than himself and his own desires, and to find his purpose.  Rey might motivate him but it’s Rose who keeps him grounded and focused.  
The Reylo stuff has a few juicy bits but the emotional power of the relationship is largely in the film.  Interesting highlights:  the emphasis on Rey’s willingness to wait for both Luke and Kylo, Rey realizing Kylo’s life isn’t hers to take and that the Force wasn’t done with him yet (redemption hint, anyone?), and Kylo’s feelings about Rey after she leaves him.  At least what little there is from his perspective.  In some lines not in the film, it sounds like he’s telling Luke “Waaaah, she’s your favorite!  No fair!”  Then the infamous bit where he sees no compassion in her eyes.  It doesn’t mean it’s not there though or that Reylo Is Over Forever.  They do want to fake us out and make us think these two are so far apart there’s no hope for them together.  But it’ll happen!
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smashmusicideas · 6 years
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Actually I'd really interested in learning how each of these sources are used.
Cool! Just to note, this one’s gonna be kinda long. So Star Wars is made of a huge smorgasbord of sources, and I’ll have missed a few, but here are at least the ones I can immediately remember.
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Akira Kurosawa: probably more than any other single source, Kurosawa’s classic samurai movies loom large over Star Wars. Lucas is an unabashed Japanophile, and you can see dozens of details in the movies, the first one especially. Darth Vader’s beetle suit is a stripped down samurai armor, the lightsaber battles were modeled on samurai duels more than fantasy sword fights, and several of the characters were given “pseudo”-Japanese names like “Kenobi” to create a sense of exoticism. The plot of the first movie is basically The Hidden Fortress, a film about a general and princess’ escape from a villainous army both with the help and from the perspective of two lowly peasants - peasants who became the series’ Greek chorus C3PO and RD-D2. Lucas even wanted Kurosawa’s most famous collaborator, Toshiro Mifune, to play Han Solo.
1950s car culture: So even though the plot steals from Kurosawa, the premise came from Lucas’ teenage years. He was a fairly typical California kid obsessed with cars, and Luke Skywalker’s desire to get out from under his aunt and uncle’s care was modeled after his own desire to drive away from home in the seat of a classic American car. Most of the spaceships are part-WWII biplane, but also part muscle car, with fins and a smooth design. Instead of planes being generic units, everyone just gets their own; it’s actually kind of like Cowboy Bebop, which also drew from a broad swath of mid-century American culture.
WWII era adventure movies: This one’s fairly well known, I think. The space battles are basically dogfights, the high adventure takes a lot from Errol Flynn movies, and like those, the plots are heavily based around a very clear “good versus evil” plot. Some of these movies have a fatalism that’s really deliberately avoided in Lucas’ stuff, with characters knowing they’re going off to die, but his an have that there - it’s just in the background. And falling in with the prism of “everyone teaming up to fight the villains" through which we typically view World War II, there’s a sense of camaraderie and almost “building up the team” that happens, usually during a grand heroic climax.
Nazi imagery: This is sort of a weird one, because while the shadow of Nazism does loom over Star Wars - the term “Stormtrooper” literally comes from a contingent of the Nazi party that went around assaulting Jews and communists, some shots of villains mimic Triumph of the Will - it’s not really used in a political context. There are political elements found throughout the series (most infamously Lucas’ somewhat tin-eared criticism of Bush-era government overreach), but the Empire isn’t really representative of the Nazis or any other villainous fource, just as I don’t really think the Death Star is emblematic of, say, nuclear weapons. The Empire just represents evil at its most generic, a Rorschach test that can be whatever vaguely oppressive force the viewer wants. Star Wars is an interesting bridge that led the films of the late Sixties and Seventies into the Eighties, and a big part of that is a deliberate avoidance of overtly political storytelling in the name of more broadly popular, non-confrontational “popcorn flicks.” But there’s still an interest in these more difficult political elements at the fringes.
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Planet of the Apes: we forget, but Star Wars wasn’t the only big science fiction franchise. There were five Apes movies, and there are a few parallels between the series (notably an emphasis on softer structures, a distrust of technological encroachment of nature, and a sort of Sixties New Age fetishization of the natural world), but what where the influence can really be seen is in the toys. Somewhat weirdly for a series so cynical and fatalistic that thee of the films had to be prequels because humans annihilated the world with a nuke in the second, Apes was one of the first big licensed toy lines, with a whole variety of dolls and playsets. The relationship between the Star Wars films and the Star Wars toys was in place from the first movie, and a lot of how it sold its dolls and playsets was definitely influenced by how Apes did it.
Film serials: we don’t really have these anymore, but classic film serial series of the Thirties through early Fifties were a big influence. For those less familiar, often in that period of time, film showings could be a longer affair; you might see a full-length film, but also documentary newsreels, a cartoon, and short films. Some of those would be serialized, but would include dialogue and writing to help people if they’d not seen the previous episodes. Star Wars shows that from the word go; the entire concept of it being an “Episode 4″ is itself a joke, a recap for a preceding story that doesn’t exist. And tonally, the movies take a lot from these series, with a generally upbeat tone, runtimes and plotting that take a lot from the attitude of those multiple-hour shows, problems that take no more than another episode to solve, and cliffhangers that promise an all new adventure coming up. Revenge of the Sith even puts a point on this by naming a minor character after one of the most famous serials: Commando Cody and the Radar Men from the Moon.
Sixties and Seventies Sci-Fi: This is a case where Lucas was looking at, among other things, his own source: the techno-dystopia TXH-1138, whose title gets a little reference in Star Wars as the cell Princess Leia is held in. Science fiction of those two decades often struck a line between smoother and blockier design, each associated with more optimistic or serene or more cynical and paranoid attitude that kind of defined American cultural attitudes in the mid to late-Seventies. Star Wars kinda bridged the gap; it was optimistic but decidedly apolitical, a world where both sides of the technological divide could exist. The machinery in particular takes a ton from those moves, all monochrome rooms and constant lights and switches. Unsurprisingly, these streams are all mostly tied to Seventies softcore hippiedom, an interest in light transcendental thought. But it’s not really about those; the science itself isn’t the focus. It’s why people - myself included - sometimes discuss Star Wars as not “really” science fiction. I’m not really as interested anymore in having that argument, but it’s certainly indebted to science fiction.
New Hollywood: More than anything, though, Lucas was part of the New Hollywood crew, a new breed of filmmaker that dominated the late Sixties to late Seventies in America. These were (almost all white and male) graduates of newly founded film schools. Influenced by Japanese and French cinema and inspired by communist revolutions (though very much not communist dogma; they viewed themselves as rebels from both marxist and capitalistic conformity), people like Lucas, Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Tobe Hooper, Woody Allen, Roman Polanksi, and Ridley Scott tried to create a “revolution” in western and particularly American film. Lucas’ big pre-Star Wars films were THX and American Graffiti (as well as working on Apocalypse Now for a few years), and each represented two parts of Star Wars: oppressive technological social machinery and nostalgic small town chill. Eventually this culture died, partially from Lucas and Spielberg themselves; Jaws and Star Wars became cultural monoliths, altered film distribution, and indirectly began the slow death of both New Hollywood and drive-in theater culture.
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There are other touchstones of less importance. Pretty much everything in Jabba’s Return of the Jedi palace comes from fantasy comics, and especially the art of Conan and death metal album artist Frank Frazetta. The pod-racing sequence in The Phantom Menace is a high-tech chariot race from religious epics like Ben-Hur. And certainly the tropes of fantasy storytelling are huge. Luke and Anakin aren’t just skilled young men; they’re heirs to a great legacy (and in one case, a comically absurd genetic superiority) that only justifies their importance and worth. The unfortunate racial caricature aliens in his films also come from those, along with many of the war movies and serials, ranging from the more benign (Chewbacca is essentially based on a classic cliché of a parter or servant from a “noble race” who follows his friend, but he’s likable and not indicative to any one culture) to, well, Watto.
And I think this is one of the bigger reasons why I find most of Lucas’ sequels less good, even in many ways preferring Star Wars to The Empire Strikes Back. As the films went on, this wealth of sources contracted, a sign of his becoming less voracious or engaged a consumer of not just pop culture but art as a whole. It’d pop up in a few ways, like the Ewoks’ defeat of the Empire alluding to the Vietnam War (whose end was still being processed in the culture), but generally those sources stayed unchallenged: Monochrome halls, dogfights, samurai duels, and fancy ships. As much as I’ve little interest in relitigating the prequels, I still maintain that their fundamental problem comes from Lucas not updating those sources, not using mysteries or film noir to craft a story set in the past.
And, of course, then came J.J. Abrams, and while I certainly enjoyed The Force Awakens far more than the prequels, it gets even worse under him, because that’s a Star Wars film where the only reference is just Star Wars itself. If the best parts of the film are about Rey, Finn, and Kylo Ren struggling to live up to the legacy of Star Wars and its iconography - the shot of Rey eating under the giant mass of overbearing Star Wars trash is a favorite - than the worst is when it’s just redoing that iconography, most intensely in yet another X-Wing battle against yet another, dumber Death Star. And that one didn’t even kill off Greg Grunberg. I try to avoid “X fan-fiction” when describing something like this, but it’s reminiscent of modern superhero comics that are only about modern superhero comics, only really interested in the same tropes and icons.
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And that’s also one of the greatest reasons I loved The Last Jedi so much, because it went back to those sources and reimagined them. So we get World War II culture, but instead of dogfighting it’s Casablanca, with two characters descending into a sleazy, corrupt world that’s ostensibly free from these endless space battles. We get this interest in politics, but it goes from focusing solely on the evil First Order to this idea that all these battles are more at the whims of an unseen military-industrial complex than anything else. And it even introduces new ideas of its own, from humor more akin to Mel Brooks than anything Lucas could ever do to a cheeky enjoyment of hinting at high octane violence in an otherwise family movie. Playing at the latter in particular leads to some brilliant visual splendor, with exploring red salt and crimson wall carpeting substituting for geysers of blood, and one major character’s visceral demise feels like something from an Evil Dead movie, equal parts horrific and hilarious.
But more than anything else, it’s the Japanese influence. Rian Johnson is another Japanophile and otaku, but he brings in his own wealth of influence, from other Japanese directors - mostly those who worked in the debatably trashier sections of the “chanbara” samurai genre - to even fatalistic manga and anime. Laura Dern’s awesome purple hair makes it implicit, but that sequence of her ship’s destruction comes so clearly from something like Gundam or Evangelion, a single gorgeous image conveying incredibly destruction. Even his Kurosawa lifts are different; he draws from the man’s color movies (which emphasized an intense, painterly use of color), and a major plot thread is based on Rashomon (that sequence in particular is interesting for also being on the few times we see a scene in Star Wars that’s dependent on character perspective). The film’s best sequence even ends with Rey and Kylo Ren fighting literal space samurai over walls of metaphorical blood.
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There are also a few times where the film seems to bring in some of the prequel influence, with that casino planet or the more heavily choreographed fight scenes, and others when it outwardly deconstructs some of the series’ tropes. It all leads to this film that felt, at least to me, to be the first really “necessary” (such as it is) Star Wars film since the first, something as idiosyncratic as Lucas’ original.
I’m not sure exactly how to conclude this, other than to say when creating art, it’s easy to fall into a trap of just reusing your sources. I do that more often than I’d like, certainly. But bringing in new things can help. I recently started watching Cowboy Bebop again for the first time since college, and thinking about how that show used spaceships as car and plane analogues made me think about another way artists were able to come at the same ideas. And I don’t think knowing that Lucas was cribbing from these (and that his various producers and editors were keeping him under control to make a comprehensible final product) lessens any of the “magic” of them; at least to me it enhances it.
Though I should also note again that this is nowhere near a comprehensive list, and there is definitely a huge wealth of material he and everyone involved in the making of the movie exploited or used that I forgot about or haven’t noticed. But that often is how the process works; you bring in all sorts of ideas.
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vcg73 · 7 years
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Witch!Kurt Chapter 25: Family Night
This is one of those sort of rambling ones that I couldn’t seem to corral. Sorry for the mild cliff-hanger at the end. I didn’t want to get too far into that bit in this chapter. :)
~*~*~*~*~*~
Burt reached the top of the stairs and listened intently for a moment. It had been quite a while since he had heard the shower turn off, but he was reluctant to disturb his son and Adam if they were still talking or … well, he did not want to interrupt them either way.
Hearing no obvious sounds from behind Kurt’s closed door, he decided it was probably safe to knock. He waited a few moments afterward, surprised to receive no response. Had they left? Off the top of his head, he could not remember whether Adam had that transportation power or not. 
Hoping he was not about to walk in on something he shouldn’t, Burt ventured to open the door and peek inside. What he saw made him relax. The young couple was lying on top of Kurt’s freshly made bed, fully dressed and snuggled in each other’s arms as they napped peacefully together.
Poor kids. Between the adrenaline rush of Adam’s adventure, their shared panic attack, Kurt’s magical morning workout, and the mutual stress-relief he was certain they had been enjoying up here earlier, he supposed they must be exhausted.
Burt debated with himself, then decided they probably needed food just as much as they did sleep. Kurt had told him over Christmas that magic sapped a lot of resources, and that he was usually starving after he’d been using it for any length of time.
With years of experience in the best way to wake Kurt without startling him, Burt stepped forward to gently shake his son’s shoulder, whispering, “Kurt? Hey, buddy. It’s time to wake up.”
Bleary blue eyes opened with reluctant slowness. “Dad?”
He reached down to ruffle the thick brush of still-damp brown hair fondly. “Yeah. Sorry to disturb you, but Carole says dinner will be ready in just a few minutes. Do you two want to come down for it, or should I ask her to save you both a plate?”
Kurt grunted and sat up, hitching himself forward a little and swinging his legs over the side of the bed, careful not to disturb Adam. He rubbed at his stomach when it let out an audible gurgle, expressing its own opinion on what he should do. Kurt laughed a bit. “Dinner sounds great. I didn’t mean to fall asleep. Adam zonked out and I figured I’d just keep him company for a minute.” He yawned and made a token effort to fix his hair. “How long have we been up here?”
“A couple of hours,” Burt said, patting his shoulder when his eyes went wide and he opened his mouth to apologize. “It’s fine. Guess you both needed a chance to relax.”
Kurt winced at the slight emphasis on the word, clearly realizing that some of their recent activity must have been audible downstairs. “I thought we were being quiet.”
Burt raised an eyebrow. “You were. Mostly.”
“Mostly?” he said faintly. 
“Oh Kuht, you are a God!” Burt mocked with a half-hearted try at duplicating Adam’s British accent.
Kurt raised both hands to his burning cheeks, but was unable to keep from smiling. “Oh wow, you heard that? Sorry Dad.  Um … are you okay?”
“I’ll live, though I am rethinking those new tiles I put up in that bathroom last summer,” he said wryly. Then his lips twitched into a smirk. “But hell, I actually think I’m kinda proud.”
“You ought to be,” Adam interrupted, opening his eyes and smiling sleepily at them both. He looked quite smug as he sat up, yawning and dipping forward to kiss Kurt’s t-shirt clad shoulder. “And I second the vote for dinner. Starvation is closing in as we speak.”
Burt snorted. “Guess you worked up an appetite, huh?” he said, not bothering to hide his amusement. “Between combat class and wandering all over Lima, that is. We’ve got beef stew, salad, and fresh bread waiting downstairs.”
“Food and a nap. The answers to everything,” Adam said, eyes brightening.
Kurt let go a little huff, his tense posture relaxing as he realized that his dad had decided to let the two of them off the hook. “All hail the wisdom of Lord Tubbington.”
Adam sniffed the savory scent that had followed Burt through the open door. “It smells delicious. Just give me half a mo to freshen up, and I’ll be right down.”
Kurt gave him a kiss and then stood up. “Take your time. I’ll go see if Carole needs help setting the table.” 
Reaching out quickly, Burt stopped him. “Wait. Before you go down, I need to talk to you both for a minute. Do you remember over Christmas when you guys looked at Carole with your witch goggles and said that she could be one of you?”
“We said that she had unmanifested Potential,” Adam corrected. “Meaning that she carries the genetic component to be a witch, but her power never developed.”
Burt nodded eagerly. “Right, but see that’s what I’m saying. Something weird has been going on with her over the last few weeks. She didn’t want me to bother you, knowing how much stuff of your own you’ve both been dealing with, but we agreed to quit trying to protect each other from the truth, and I figured you’d want to know.” Kurt indicated his agreement, his expression serious. “Carole dismisses it all as being tired or imagining things, but I’m not convinced. See, ever since we saw Blaine after New Year’s, she’s been having these symptoms.”
“Whoa, wait a second,” Kurt said, waving a hand to stop his father’s words. “You saw Blaine? Are you both okay? Why didn’t you tell me?”
He harrumphed. “We’re fine, and I’m telling you now. It was the day we got back from New York. Blaine was waiting for us when we landed, all ready to give us a ride home from the airport. It was no secret to anyone that we were visiting you over the holidays, but how he found out when we’d be getting back, I have no idea. For all I know, he grilled the mailman.  Anyhow, Adam’s magical cologne helped us keep our heads when he started pouring on the charm, though it kind of made me feel itchy all over, like a bug was crawling up my skin. I guessed it was his persuasive influence rippling against your force-field, like in those sci-fi shows Carole likes to watch.”
“Very likely,” Adam agreed. He scooted off the bed and moved to lean against the nearest wall, crossing his arms over his chest in a habitual thinking pose. “In fact, I suppose it’s possible that being around so much magic lately, including frequently wearing Burt’s pendant and my perfume, just might have sparked Carole’s dormant power. We know she already had at least a modicum of active magic, just by her ability to sense the memories the girls infused into her necklace. If her magic was entirely inert she’d have received no more than a warm feeling of affection. Not clear, if somewhat oddly blended, memories. Burt, what else has been happening?”
“Well, I’m not sure given that she’s been a little closed-mouth about the whole thing, but I know she got a real bad migraine after we ran into Blaine. And she snapped at him for the first time I can remember. Said he had no business acting all friendly to us after what he did, and she didn’t want him dropping by anymore. He got a real weird look on his face when she said that. That boy isn’t used to hearing the word “no”.”
“Or at least not paying attention to it,” Kurt grumbled. “Sorry, go on.”
“Well, I thought that’d be the last of it, but then Carole started getting these moody moments. Like she’ll get really angry, or suddenly start to cry, or burst out laughing, and then a minute later she’s fine and sort of confused about whatever made her do it.  I’m really getting worried about her. I mean, I guess it could just be something biological. Menopause, or some kind of delayed stress syndrome that our grief therapist missed when we were going to all those sessions after your brother passed, but I don’t want to take any chances if it’s something more in your line.”
Kurt’s eyebrows had furrowed. “Wow. I’m glad you told us. We need to help her. Adam, what do you think?”
“It does sound as if she’s had a late manifestation of her power. I’d rather not turn my Sight on her again without her knowledge. I felt a bit weird about doing that before. I suggest for now we just go downstairs and have a pleasant dinner. We’ve all been pretty worked up today and if she is developing a Talent for empathy, it wouldn’t be a good idea to bombard the poor woman with our collective anxiety.”
“Try to keep the magical shop-talk to a minimum until everyone is nice and relaxed,” Kurt agreed. “I was thinking the same thing. When a good opportunity shows up, we can ask for permission to See her aura again. I don’t think she’ll actually object to the idea of being a witch, but I’d rather not spring it on her out of the blue.”
Burt nodded. “Thanks, son. I really appreciate this. What do you say we go set the table and act like an everyday, average, non magical family for a while?”
“I’ll be down in a few moments,” Adam promised.  “Kurt, would you mind if I borrowed your mobile?”
He reached into his pocket and handed it over. “Sure.” He smiled when his empty stomach suddenly lodged another complaint. Giving it a pat, he warned his fiance. “Just don’t take too long or I won’t leave you any dinner.“
Adam laughed and gave him a quick kiss. “Duly noted.”
~*~*~*~*~
“I ran over to the store earlier and grabbed a bottle of that merlot you and Carole both like, a pack of light beer for me, and a few of those orange sodas I saw back at your place for Adam,” Burt said in the kitchen a few minutes later.
“Thanks, I’m sure he’ll appreciate it.”
“No problem. It’s not like when you, Finn, and Sam all lived here and half the glee club was usually tagging along behind you. It wasn’t easy to keep up when I had an endless parade of teenagers roaming through my refrigerator twelve hours a day.”
Kurt laughed, pulling out four sets of cutlery to go with a set of bowls and plates he took down from the dish cupboard. “I understand your pain. I have a coven of nine people going in and out of my apartment all the time and we’re always hungry. If you want, we can ask Brittany to use her magic and restock the fridge for you before we go home tomorrow.”
Burt chuckled. “Maybe I will. Speaking of large gatherings, how’s the wedding planning going? You guys still set on a Valentine’s wedding?”
As if conjured by the mention of his impending nuptials, Carole was suddenly by Kurt’s side. “Oh, yes. I want to hear the details!”
For a few minutes, Kurt happily told them all about his and Adam’s plans. A ceremony with his coven in the morning, followed by a civil service at the courthouse with just their families and Kurt’s best man (Adam was planning to give his little brother the honor.) in attendance, then on to the large reception hall where the rest of the coven would have everything set up for a grand party.
“We only have the hall for three hours that afternoon, but that’s enough time for everyone to have hors d'oeuvres and wedding cake, and get some songs and dances and toasting in before we take off on our honeymoon.”
“Where have you decided to go?” Carole asked eagerly. “With transportation magic you can go anywhere in the world!”
He nodded. “True, and Elliott already offered a lift.  Unfortunately, we can only afford to do a long weekend since I’ll still be busy with school, but we’re hoping to take a couple of weeks in the summer and see some of Europe. I’ve always dreamed of going there, and that will give us a few months for this business with Blaine to be wrapped up, and for Adam to have hopefully recovered enough that he can show me around. His dad used to have business trips that took him all over, and he would just pack up his kids and Transport them along with him. I felt a little like I might be cheating Adam out of something he’s always wanted to do when I found that out, but he’s really excited to see his old haunts again, to show me his favorite spots and introduce me to some of his old friends.”
Carole sighed rapturously. “That sounds just lovely, and there’s nothing wrong with delaying things until you’re settled. A European honeymoon would be romantic, no matter when you end up taking it.”
Burt gave her a fond squeeze around the waist. “Is that a hint?”
“Hey, that’s right!  Thanks to Dalton, you never did get your own honeymoon,” Kurt remembered. “Maybe you should go this year.  Adam and I are going to ask Henry for transportation when we go, and I’m sure he wouldn’t mind doing the same for you guys. Adam says he’s not restricted by familiarity with the location the way Santana and Elliott both are.”
“We may take you up on that one of these days,” Burt said with a smile. “Or we may do it the old fashioned way. We’ve got a little extra put away now and might be nice to see what a first-class flight is like.”
Carole gave him a kiss on his round cheek, and then clapped her hands. “I’ll get some travel brochures on Monday and we can start making plans! But for right now, let’s get this food on the table before everything gets cold.”
As the three of them moved into the dining area, Burt said, “Oh by the way, kid, I picked you up some winter s’mores for dessert.”
Kurt licked his lips. “Really? That’s awesome!”
“What’s a winter s’more?” Adam asked, walking in to join them. He had combed his hair neatly and straightened out his nap rumpled clothing. Giving Kurt a kiss and handing his phone back, he relieved Carole of the large salad bowl she had just taken out of the refrigerator, helpfully putting a serving on each salad plate as Kurt set the dishes in place.
Carole told him, “They’re one of Kurt’s favorites. Graham crackers, chocolate frosting, and a spray of Reddi-Whip. He introduced Finn and me to them the winter after Burt and I got married, and the first night I think my son polished off an entire box of crackers and a can of frosting all by himself.”
Adam laughed. “Well then, I’m definitely looking forward to being the next convert.”
The family took their places around the table, Burt putting a ladle-full of fragrant beef stew in each of their bowls. The four of them spontaneously clinked their assorted cans and glasses in a cheerful toast before they began to eat.
“Wonderful as always,” Kurt said, after a hearty bite of his stew. “Nobody makes this like you do, Carole.”
“Thank you, sweetie. Adam, would you like some bread?”
He put his spoon down and held out his hand to accept the small plate she was offering. “Please. I agree with Kurt. I feel I could eat the entire pot of stew single handed.”
Burt smiled around a bite. “Help yourself. Just save some room for dessert.”
“Tell me more about these s’mores.  How exactly did you come about discovering your fondness for them?” Adam asked, taking a bit more salad as well and dribbling a light serving of dressing on top. “Were you a scout of some sort?”
Kurt laughed. “No way. This may surprise you, but I actually love camping. Every summer, from the time I was about three, Dad would take me to a place just a little northwest of here called Cody Lake. My mom wasn’t an outdoors person, so she’d take the opportunity of a few child-free days to visit with friends or get some things done, while Dad and I went out and played manly men of the woods together.”
Burt joined in, “I admit with a lot of hind-sight embarrassment that my original motive for those weekends was stupid. I had just got my first inkling that Kurt was gay when he was coming up on his third birthday, so I got it in my head that if I introduced him to stuff like fishing and camping, that I could head his sexuality off at the pass.” He and Kurt exchanged a rueful look. Seeing Adam’s surprised face, Burt shrugged. “Let’s just say I had my head a lot farther up my ass when I was your age. Anyhow, much to my surprise, Kurt took to the great outdoors like a duck to water. He thought sleeping in a tent and cooking around the campfire were terrific fun.”
“There were lots of bird and animals, trail songs, lying out on the sleeping bags looking up at millions of stars overhead,” Kurt said, eyes shining like he could still see those twinkling lights. “We took hikes through woods filled with flowers and streams; went swimming in the lake; and of course there was plenty of fishing, which for some reason I found absolutely hilarious. Whenever a fish would grab one of dad’s worms and start tugging at his line, I would just roll over laughing. Then at night there were ghost stories and s’mores around the campfire.”
Adam looked surprised but absolutely charmed. “You enjoyed ghost stories?  Even though you were barely out of nappies?”
Kurt gave him a teasing smile. “Even as a wee baby camper, I was fearless.”
“He really was,” Burt agreed. “Though to be fair, they were pretty mild stories.  Except for that one about the vampires who lived in the caverns at the south end of the campgrounds. That was a mistake that I lived to regret!”
“I think I was five when he told me that story,” Kurt said, shivering dramatically at the memory. “He got a little carried away with the details and I started crying. I was sure a bunch of blood-thirsty monsters were going to pop up out of the ground and eat us.  He eventually got me calmed down enough to go to sleep but then I woke up from some kind of noise in the middle of the night and wormed my way into Dad’s bag for protection.”
Burt snorted. “Yeah, he went back to sleep and then proceeded to wet the bed. And me! I spent the rest of the night standing guard against vampires. After that, you can bet I stuck with stories about nice friendly baby animals frolicking in the forest.”
Adam managed to make a convincing ‘aww’ face, even though he was laughing too hard to continue eating. “You poor little thing. Serves you right, Burt. I suppose that story is what planted the seed for Kurt’s continued aversion to those nasty blighters.”
“If they aren’t sparkling and angst-ridden, I don’t wanna deal with ‘em,” Kurt said vehemently, making the others laugh.
“Can’t say I was too fond of vampires myself after that night,” Burt said with a wry shake of his head. “Other than that one incident, though, we always had a real good time. I think the only thing about camping that Kurt didn’t like was the dirt and lack of regular bathrooms, but I guess he figured it was a good trade-off.”
Kurt smiled. “Which brings us back to the s’mores. They’re how he calmed me down after the story. Dad had discovered the first time he made them that I would agree to just about anything for graham crackers, chocolate and marshmallows.”  His expression went a little melancholy. “I was eight the last summer we went camping.”
“The winter after, his mom died,” Burt clarified, shooting Kurt an apologetic look. “I should’ve kept it up, but I just didn’t have much heart for stuff like that for a long time. The winter s’mores happened the year he was ten and Kurt got sick. He picked up a really awful cold with a lot of chest congestion, and it turned into bronchitis. He had to stay in bed a while and he was miserable. My sister offered to come out and stay with us so I could work part time, and it helped, but I felt guilty every time I had to leave him alone.”
Kurt reached out and squeezed his hand. “I got scared that maybe I was sicker than I thought because he brought me so many stuffed animals and games that week. Basically, all I had to do was ask for something and Dad was jumping to get it.”
“Then one night, I asked him to tell me if there was anything special he wanted to eat. His appetite wasn’t the greatest at the best of times, but being sick had pretty much killed it off, so when he asked if there was any way we could have s’mores, I would’ve moved heaven and earth to get him some.”
“Unfortunately,” Kurt cut in, “it was the middle of winter and everything was frozen solid. We couldn’t use the barbecue and we didn’t have a fireplace in our house. But we did have a box of graham crackers, and we used to live just down the street from a little market, so Dad got all bundled up and mushed out into the storm. Aunt Mildred thought he was crazy.”
“When I got to the store, they’d been cleaned out of marshmallows by people wanting hot chocolate, but I found a big can of whipped cream in the cold case, and a can of Betty Crocker chocolate frosting on the shelf. I managed to get ‘em home and put everything together the best I could. They weren’t exactly real s’mores, but they seemed to make him happy.”
“I thought they were the best thing ever,” Kurt laughed. “After that, I started requesting them every winter. I didn’t want them any other time, but when the weather got cold I always requested what we started calling winter s’mores. Even when I got really calorie-conscious in high school, I could never resist having at least one.”
“I noticed you’re eating better since you moved to New York,” Burt commented. “Healthy stuff, sure, but also good stuff like cake and ice cream. Figured you might be up for your old favorite.”
He smiled. “I’m glad you thought of it.  Besides, ever since I started using magic it seems like it doesn’t matter how much I stuff my face, I stay thin anyway.”
“Makes me wish you’d inherited the witchy powers from me,” Burt said, ruefully patting the rounded surface of his belly. He had taken up regular exercise since his heart attack , but middle age had still managed to settle comfortably around his waist.
Adam laughed, spooning up the last bite of his dinner and regretfully waving away Carole’s inquiring gesture with the serving bowl. “Well, I for one am looking forward to trying these dessert masterpieces. However, I think you owe your gorgeous figure more to youth and an active lifestyle than to witchcraft, darling,” he said, copying Burt’s gesture and patting his own flat stomach. Adam was still noticeably on the thin side after his ordeal with the Void, but he said, “You’ve met my dad. He’s a very powerful witch, but … well, I should warn you that you’re likely seeing a vision of your future husband there. I always have taken after him in looks.”
Kurt just smiled at him. “I promise to always keep you on a healthy diet and regular exercise routine, if you’ll do the same for me.  To be honest, though, as long as you’re healthy and happy I won’t care if you end up looking like a blond Sumo wrestler. There’ll just be more of you to cuddle with.”
Adam’s eyes were fond and full of love, knowing that while he was only teasing, Kurt really would love him just as much, no matter what sort of physical appearance he had. After all, had he not already proved that? “Ditto, darling. Though if you should feel like modeling the mawashi a bit early, I wouldn’t object.”
“The what?” Burt said with a frown.
“The costume Sumo wresters wear,” Adam told him, eyes twinkling.
He considered that. “The thong diaper?” He grimaced, but then shrugged philosophically. “Wouldn’t be the weirdest thing my kid has ever put on. Trust me.”
“Thanks, Dad,” Kurt said dryly while Adam and Carole both chortled. He stood and said, “Why don’t I just go grab the dessert and some hot chocolate for all of us.”
Adam jumped up. “I’ll help. That’s a bit of a load for one person. We’ll just whisk these dishes out of the way and be back in a flash.”
He and Kurt shooed Carole out when she tried to insist on helping with the dishes, pointing out that she had cooked, so someone else should clean. Burt, more used to his son’s bossy domesticity and amused to see that Adam apparently shared in it, just knocked back the last swallow of his beer and escorted his wife out to the living room.
Kurt moved about the Hummel kitchen with the practice of long familiarity. He had not lived here in quite some time, but Carole had not moved things around too much. He got out the frosting and crackers, instructing Adam just how much to put on each so they would not be too messy after he added a spray of whipped cream to another cracker and sandwiched the two together. While he constructed their dessert, Kurt whipped up a batch of his deliciously rich hot cocoa.
“I really love watching you and your dad together,” Adam said after a moment. “You’re so wonderfully in tune. At first glance, you don’t seem very much alike, but once you start sharing memories with one another I can absolutely see it.”
“You and Henry are close,” Kurt said, borrowing the whipped cream to add a bit to each steaming cup.
Adam nodded. “We are, but it’s different for us. I had Gran to take the place of my mum after she passed. Not that I didn’t miss her, but the hole in my life wasn’t quite as big as it otherwise might have been and Dad didn’t have to try and fill it all alone. Plus I had Beth and Celie and little Donnie to share the loss with, and Dad had all of us. That made it a bit easier for my family to pick up the pieces.  You and Burt didn’t have that. You had only each other, and anyone can see that even with a few years where you had trouble speaking with one another, you still managed to get each other through brilliantly.”
Kurt smiled. “Yeah. I guess we did.” He lowered his voice and asked, “Do you think Carole is relaxed enough to tell her what we talked about upstairs?”
He nodded. “Let’s go find out. I think we should just slide magic back into the conversation gradually and see if your dad picks up the cue.”
They put the finished offering on two trays and each carried one out to the waiting parents.
Burt and Carole had curled up together on one end of the sofa, leaving the soft red loveseat for the younger couple. Adam tried a winter s’more and declared it excellent, liking it even better after following Carole’s example and giving the treat a dunk in his hot cocoa. “You Hummels are clever chaps,” he said, dispatching another.
“Well, you know what they say about necessity being the mother of invention,” Burt said with a smile, nibbling a graham cracker with far less zeal than his son, who was already happily munching his third. “And when it’s your kid and you just want to put a smile on his face, you learn to get creative. You’ll see one day, maybe.”
Kurt and Adam looked at one another, surprise in their eyes.
“Actually, we haven’t really talked about that,” Kurt admitted. “I suppose we should, though, before we get married. Between how much your three younger siblings adore you, and the way you are with both the Apples and the coven, I’ve sort of just assumed you’d want to be a dad one day.”
Adam shifted, inviting Kurt to curl against him as he settled more comfortably in the big leather chair. “I would like to be, but I’m in no great rush. I seem to collect strays everywhere I go, so it’s not vitally important to me that I have someone to share DNA with. I’d be just as pleased to adopt one day, though I rather fancy the thought of a little baby with your beautiful eyes and amazing talents. However, I don’t even know if parenthood is something you’ve wished for.”
Kurt scooted down a bit so that he could rest his head against Adam’s shoulder while his fiance’s arms came around to cuddle him securely. “I don’t know if I have, to be perfectly honest. When I was young, I just assumed I would never have kids because I was gay.” He laughed a little. “But then attitudes and tech both advanced and it became a possibility. I’m still not sure, though. I like kids, but I’m not super comfortable with them. When I was with Blaine, he was always very insistent that someday we would have both a boy and a girl, and that we had to have names picked out for them. It was a fun fantasy and I didn’t mind going along with it, but he pretty much had their hypothetical lives completely mapped out for them years before they were even conceived.”
“Selfish twat,” Adam grumbled. “That’s no way to raise a child. They’re people, not dolls. They also require a good bit of self sacrifice, which I can’t imagine from that one.  As you and Burt so capably proved, it isn’t up to the parents to dictate how their children will be. It’s their job to simply accept those children and take good care of them; to guide them toward being honorable and responsible adults with independent minds and good decision-making abilities.”
“Thanks,” Burt said with a nod, “and I agree with my son. You will make a terrific father one day if you already know all that.  I also think I may have underestimated Henry, because it took me a lot of years to figure all that stuff out. I’m just lucky that Kurt was such a great kid while I was stumbling through raising him.”
Kurt smiled at him. “Thanks, but you were a great dad and I won’t hear any argument about it. Anyway, I do think I’ll want to be a parent at some point. But I’d prefer to put it off for a few years, until our lives are more stable and we’ve had some time to just be us first. Mister and Mister last name to be determined, the epitome of domestic bliss and crazy coven leadership.”
Adam chuckled and kissed his hair. “That sounds entirely reasonable, love. And I vote for keeping our own surnames, perhaps hyphenate at some future point, for ease of identification if we do decide to have children. The Crawford clan has a rather distinguished lineage among witches that I don’t want to abandon, and I know you feel equally proud of the Hummel legacy. Besides, I’m looking forward to seeing Kurt Hummel in lights one day and boasting to anyone who will listen that he’s my husband. We want to be certain your name fits properly on a theater marquis.”
Kurt lifted his head to give Adam a kiss. “Agreed. And thank you. It’s nice to know I’m with someone who doesn’t just assume I’ll take his name.”
With a sigh, Adam held him tighter. “You make me wish I’d had the presence of mind to shoot a good strong itching spell at that nasty blighter when I saw him today.”
“Can you do that?” Kurt asked curiously.
“Mmm. I’ll teach it to you when we get home,” Adam promised, seeming to take distinct pleasure in the thought of unleashing it on their enemy. “Or perhaps the one meant to loosen or tighten the ravel on woven materials. I’m told the spell was created by some clever weaver back in pre-industrial days, but it’s also quite handy for pranking a victim so that his trousers are constantly slipping down, or tearing out at the seat when he bends. With your particular power combination you should be able to handle it with no problem at all.”
Kurt elbowed him, unable to keep from laughing. “Adam, that’s terrible! I never would have pictured you as a practical joker.”
He grinned mischievously. “Oh, there’s a reason Santana picked me for a spying partner. She must have sensed my wicked school-boy past.  My two closest chums and I got up to all sorts of larks. Spent half our lives in the Headmaster’s office. I’d grown out of those impulses by the time I graduated, but I’m suddenly discovering the urge again.  Another prank we might unleash on your ex is a potion that acts as a sort of reverse Viagra. It will temporarily shrivel his willy to the size of a peanut if we can figure out how to make him ingest it.”
Kurt deadpanned, “I don’t know if that’s a good choice. I’m assuming you want a spell that will be noticed.”
For a moment, the room was dead quiet. Then Kurt smirked and the others all burst into whoops of mirth.
Wiping his eyes on the back of his sleeve, Burt chuckled, “I think it’s a real lucky thing for your classmates that you didn’t have magic when you lived here, kid. I’d have been getting called in to your principal’s office every other day.”
“If they ever found out it was me,” he said slyly. Then he shrugged. “Actually, Johnny said that too. The day I accidentally slagged Blaine’s old warbler figurine, he said it was a good thing I couldn’t do things like that during high school. Maybe that’s part of the reason I didn’t manifest until I was away from Ohio. My subconscious may have held me back as much as Rachel and Blaine did.”
“Speaking of Blaine,” Burt said in an all too casual manner. “I was telling the boys about him trying to give us a ride home from the airport.”
Carole seemed to realize immediately that that was not all he had told them. She sat up, giving him an exasperated look. “Oh, Burt, you know I didn’t want to worry Kurt and Adam. It’s nothing!”
“I don’t think it is. Why don’t you tell ‘em, honey. Maybe they can help.”
Kurt got up and sat down next to his step-mother, taking her hand and encouraging her with a nod.
She considered it for a moment, then sighed. “Well, all right.  I’m sure it was just a coincidence, or some side effect of the protection potion Adam made for us, but the moment we spoke with Blaine, I started to develop a terrible headache. The longer we talked, the worse it got. When he started using that old coaxing tone on us, trying to get us to tell him all about our visit with you, I also got a sudden stronger sensation of anxiety and fear. I felt almost as if my body had been taken over by someone else. I suddenly got so angry that I could have happily taken the bouquet of flowers he brought for me and beat him unconscious with it.  I’ve never felt that way before.”
“It was pretty great,” Burt added. “Carole yanked her hand out of Blaine’s and told him that it was none of his business how you were doing and that he wasn’t welcome at our house anymore. I told him that went double for any more drop ins at the garage, and if I ever caught him trying to put his slimy mitts on you again, I’d introduce him to my flame-thrower and find out if his hair is a greasy as it always looks. He scurried out of that place like his ass was already on fire.”
Kurt laughed. “That might not have been the wisest move, but I appreciate it.  You know, Dad, one of these days I need to buy you a real flame-thrower,” he said. “You’ve been threatening people with that imaginary one since I was six.”
“I already got a real one. I got you,” Burt shot back. He snapped his fingers and pretended to shoot magical flames with his hands, making Kurt and Adam both smile.
“He has a point there,” Adam said fondly. “So, Carole, did the headaches and such fade once you were away from Blaine?  I sincerely apologize for the severity of your symptoms, by the way. I hadn’t anticipated my potion having any adverse affect upon you two physically.”
She nodded. Brushing the tips of her fingers through her reddish blonde bangs, she bit her lip. “The headache faded almost immediately when we left the airport, but ever since then …”
“Tell us,” Kurt encouraged her gently.
“I keep getting … I don’t know how to describe it. Flashes, I suppose. Impressions of other people’s thoughts and feelings. It’s the strangest thing!  It doesn’t happen all of the time, or even most of the time, but every now and then, I’ll be walking through the grocery store or dealing with someone at the clinic, and I’m suddenly flooded with happiness, or sadness, or in one rather embarrassing instance, visions of a coworker’s sex life!”
Burt squeezed her knee. “On Monday, I stubbed my toe real hard at work and I was hopping around and swearing, and the phone rings and it’s Carole, all worried and asking me if I’m okay. Weirdest thing I’ve ever seen.”
“I’ve been trying to tell myself that I was just stressed or overtired, but it’s starting to happen more frequently and I don’t know why. Do you think that Blaine could have done something to me?” Carole asked anxiously. “I was considering asking you about it the next time I called, but it seemed so silly.”
“It’s not silly,” Kurt assured her. “Believe me, I know how weird it can be to suddenly have magic pushing in on you from every direction. Carole, I want to do something. Do you remember when Adam and I explained Sight? If you don’t object, I’d like to use mine on you. Is that okay?”
Looking a little apprehensive, she nodded.
Kurt blinked his eyes firmly, activating the power. Sure enough, the murky grayish fog he had perceived around Carole when he had looked at her this way over the holidays had changed, as though the sun had come out and burned away the fog, leaving a ray of sunlight directly overhead. His dad was right. Carole’s long-dormant magic had unexpectedly activated.
“Is it empathy?” he asked, turning to Adam, who also narrowed his eyes and took a look.
He nodded. “Almost certainly. Mixed with more than a trace of telepathy, I would say, given what she described about receiving impressions of specific events. ”
Carole looked back and forth between the two of them, her mouth falling open a little. “Are you telling me that I’ve developed magic? But how is that possible? I thought you said a witch’s powers manifest during puberty.”
“Mostly,” Adam agreed with a reassuring smile. “But it has been known to happen at other times. It’s extremely rare for anyone to manifest in their middle years, but not entirely unheard of either.”
Kurt gave her an apologetic look. “I didn’t want you to feel disappointed after how excited you got about my magic, but Adam and I both noticed last month that you had a strong aura of inactive Potential. That means there was power in your blood that never developed. A lot of people have that, like a dormant gene. Apparently for most people, if it doesn’t activate by the time you’ve hit your twenties it never comes at all. We think Finn had it too, and that he was beginning to manifest. It may have been having a magic damper around him delayed his powers, just like it did mine.”
She swallowed, blinking sudden tears from her eyes. “So you’re really saying that I’m a witch? That I’m developing magic at nearly 50 years old.” They nodded, smiling a little at the half fearful, half excited tone in her voice. She laughed and wiped her eyes, then she suddenly gasped. “Oh! Oh my God.  If I passed my Potential on to Finn, does that mean …? The medical examiner told us he had a sudden, unexplainable cardiac arrest. Was it the shock of discovering that he had some form of power that he couldn’t control? Was I …?”
“It was not your fault,” Adam said firmly, catching on quicker than the others. He moved to sit on the coffee table and capture her nervously fluttering hands in his. “Magic takes on many forms, and comes in a wide assortment of strengths and capabilities. I’ve a cousin whose only active power is making flowers bloom, and another who has been known to audibly shout for her rapscallion offspring at a distance of five kilometers. Neither Talent came on without warning. You may have passed on the gene for magic, or perhaps Finn inherited it from both sides of his family, but if he truly needed help then he would have attracted a mentor of some sort. New witches, even the irregular sort like Blaine and Rachel, invariably attract the attention of a more experienced fellow witch. It might be a friend or relative, a Familiar such as Elliott and Tubbington, a school like NYADA, or perhaps a coven of their own if they’re powerful enough. Your son would have been no different.”
“Thank goodness.” She momentarily closed her eyes as the panic reaction left her. She opened them again and looked at Adam, a slight smile lifting her lips. “I … I can feel how much you mean that. Empathy means to share in someone else’s emotions, doesn’t it? So when Blaine tried to coerce me at the airport I felt it as  … I don’t quite know. Insincerity? Danger? Is that why I reacted so strongly?”
“Maybe,” Kurt said. “You did tell me before that you didn’t like Blaine, that you always felt like there was something fake about him. Maybe your power had already started blossoming a little. Brittany says that my Potential was really noticeable to her long before it became fully active. The coven has told me it’s not unusual to have some false starts.”
She shook her head. “But if all that’s true, shouldn’t I have attracted a mentor? Is it because I’m already close to you boys and your friends?”
“That’s a very good question,” Adam said with a smile. “And fortunately, one that I thought to call in an expert for. I gave Lord Tubbington a ring when Burt spoke to us earlier, via Brittany. I’ve never dealt with a new witch at your stage; having abundant experience with life but none whatsoever in witchcraft, and I needed a spot of advice.  Apparently L.T.  took one look at you when he was here this afternoon and sent out some sort of message. Don’t ask me what, or to whom. Familiars don’t quite operate by the same rules as the rest of us, but from what I gather they have some form of internal communications, which explains how they always seem to know exactly where they need to go, like Elliott sensing Kurt’s burgeoning Potential all the way from Paramus.
Kurt nodded. “Interesting, and thanks for doing that, honey. I wouldn’t have thought of asking Tubbington. I was wondering if we should invite Carole to join our coven, but that wouldn’t be practical. I can’t stay in Lima, and she can’t just pack up her life and move to New York.” He looked seriously at his parents. “I hope you’re ready for another housemate, because I suspect you’re about to get a Familiar of your very own. Someone who can give you the one on one training you’ll need. And trust me, there’s a lot to learn!”
Burt rolled his eyes. “Great. We may need you to give up your room here, son. Because cat or no cat, this new helper is not going to start sleeping in our bed with us.  At least we know none of us is allergic.”
Kurt just smiled at the grouching, knowing it was just a cover for how worried he felt for Carole. He also knew that his dad liked to keep Kurt’s old space free for him “just in case”.
“Well, whoever Tubbington sends our way, I trust that they’ll be a good fit for me. And maybe they can help us figure out how to help poor Sam if he agrees to move back in with us. Then Kurt and Adam can spend less time worrying about us, and more time concentrating on their own lives,” Carole said, taking a deep breath and nodding to herself as she resolved to put the matter out of her mind for now. “Why don’t you boys tell us more about your day’s adventure? That combat magic class sounds very exciting.”
Adam and Kurt exchanged a glance, both recognizing that Carole did not wish to think any more about it for now, and was requesting a distraction from her worries. So they obliged, filling the rest of the evening with detailed accounts of Kurt’s ‘battle’ against the rubber ball blitz, and Adam’s meeting with Coach Sylvester and subsequent walk through town.  Then Adam recreated his job interview with the head of Henderson Productions, followed by Kurt’s lively description of the headaches he had been experiencing with his play and how nervous he was about putting it on for an audience that would include a panel of NYADA instructors that would be judging his play-writing, directing, and acting progress.  
They deliberately kept the story-telling going until everyone was relaxed again and ready to head to bed for the night
 ~*~*~*~*~*~
 The next morning, while the family was enjoying breakfast, the doorbell rang.  
“I wonder why they’re ringing the bell instead of just coming in?” Kurt said, wiping his lips and hurrying to answer the door.
Before opening it, he sent out a magical feeler just as he had been trained to do in New York, in case there happened to be an unwelcome visitor on the other side. It was a worthwhile precaution because while Blaine had no reason to show up here, being unwelcome had never stopped him before.
The signature on the other side was not his ex, and it also did not belong to his coven mates as he had been expecting. In fact, the person on the other side was someone he recognized but had never expected to see here.
All but yanking the door open, Kurt blinked in surprise at finding no one on the other side. Then he heard a sound and looked down. A large brown long-haired cat was sitting calmly on the doormat waiting to be acknowledged. Kurt glowered at it. Even in the form of a cat, he recognized those wicked green eyes. “What are you doing here?”
“Lord Tubbington told me it was time.” With no more explanation than that, the newcomer suddenly took on human form and pushed past the astonished Kurt like he owned the place. He looked around with an air of curiosity mixed with haughty judgment. “Hmm, very ‘Leave it to Beaver’ but I suppose it will have to do. Where is she?”
“You … she … you can’t be Carole’s new Familiar,” Kurt sputtered.
A lazy smirk tilted Sebastian Smythe’s lips and his narrow green eyes gleamed with amusement. “And yet, here I am.”
 THE END
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