#joseph w. sarno

[marypickfords]

Sin in the Suburbs (Joseph W. Sarno, 1964)

#sin in the suburbs #joseph w. sarno #caps #sexploitation

[weirdlookindog]

Der Fluch der schwarzen Schwestern (1973)

AKA The Devil's Plaything, Veil of Blood, The Curse of the Black Sisters, Vampire Ecstasy

#der fluch der schwarzen schwestern #the devil's plaything #nadia henkowa #anke syring #ulrike butz #nico wolferstetter #1973 #1970s movies #joseph w. sarno #exploitation #horror

[jackrussle]

Red Roses of Passion, 1966 dir. Joseph W. Sarno

#film #Red Roses of Passion #Joseph W. Sarno

[watching-pictures-move]

Put On Your Raincoats | Deep Inside Annie Sprinkle (Sarno & Sprinkle, 1981)

Joe Sarno is largely a blind spot for me (I’ve only seen his imitation Eurosleaze vampire movie Vampire Ecstasy AKA The Devil’s Plaything), and as this one is co-directed by and stars the great Annie Sprinkle, I felt it was a good enough place to continue my journey. Sprinkle is someone I’ve pretty much always found to have kicked a movie up a notch anytime she’s appeared thanks to her irrepressible vivacity and joy of performance. She really looks like she’s enjoying the things she’s getting up to, and refuses to be demeaned no matter the sleaziness of the material nor the shoddiness of the production. (I suppose at this point I should disclose that my enjoyment of her work has been at least somewhat prurient, and will once again tap the sign that says this is a judgment-free zone.) An essential part of Sprinkle’s charm here is that she seems approachable. The movie opens with her showing us pictures of her growing up, and when she says she’d like to get to know you, the viewer, better, it sounds like she kinda means it.

She brings a warmth that makes this a lot easier to watch like an actual movie. But on that note, this is really just a collection of sex scenes, cycling through a number of scenarios and fetishes that seem to tickle Sprinkle’s fancy: threesomes, breast fetishism, squirting, lesbian orgies, sex in a theatre, the list goes on. While there are certain things I would have liked to have seen included given Sprinkle’s talents in certain areas, I suppose I should judge the movie as it is and not the one I wish it was, and will concede that there was neither a lack of variety nor enthusiasm on display. I don’t know what Sarno auteurists will make of this, but while the movie is not without style, all that really matters is that it’s tailored to Sprinkle’s charisma and lets her presence come through.

As for the sex scenes, the lesbian orgy is probably the weakest one in that it doesn’t centre Sprinkle as much as the others, but I suppose this speaks to a generosity on her part, as she introduces each of the other women individually as her friends. She wants her fellow performers and you, the viewer, to have a good time. Is that so wrong? I also appreciate that while this features Ron Jeremy, it makes him tolerable, mostly by giving him no dialogue and also keeping the camera away from his face. And while the theatre scene is pretty fun, thanks not just to Sprinkle but her goofy co-stars, were I in the actual theatre, I would have preferred she got up to her hijinks in the back of the theatre instead of the front row, as some of us degenerates might still want to watch the movie. And aside from being great at all the fucking and sucking and being super charming, I should also compliment Sprinkle on her choice of outfits. My favourite was the shiny blue pair of pants she wore in the last scene. Yes, I was staring at her ass. But only because it was so shiny.

#film #movie review #put on your raincoats #deep inside #joseph w. sarno #joe sarno #annie sprinkle

[uselessmuseum]

Joseph W. Sarno, Vibrations, 1968

 https://en.wikipedia.org/wiki/Joseph_W._Sarno

#Joseph W. Sarno #moviestills

[bo-oui]

Joseph W. Sarno @marypickfords

#joseph w. sarno

[musicwithoutborders]

Sandy McVane / Michael Colicchio, Vibrations, movie soundtrack, 1968

https://youtu.be/npBbcDboBZ0

#Cinema #Sandy McVane #Michael Colicchio #Joseph W. Sarno

[toxicyuri-aficionado]

Sin in the Suburbs dir. Joseph W. Sarno (1964)

#Sin in the Suburbs #queer cinema #vintage lesbians #60s #black and white cinema

[marypickfords]

Pandora and the Magic Box (Joseph W. Sarno, 1965)

#pandora and the magic box #joseph w. sarno #caps #sexploitation

[weirdlookindog]

Anke Syring and Ulrike Butz in Der Fluch der schwarzen Schwestern (1973).

AKA The Devil's Plaything, Veil of Blood, The Curse of the Black Sisters, Vampire Ecstasy

#der fluch der schwarzen schwestern #the devil's plaything #anke syring #ulrike butz #1973 #1970s movies #joseph w. sarno #exploitation #horror

[jackrussle]

Abigail Leslie Is Back In Town 1975, dir. Joseph W. Sarno

#film #Abigail Leslie Is Back In Town #joseph w. sarno #joseph sarno #1975

[bo-oui]

Joseph W. Sarno @marypickfords

#joseph w. sarno

[crumbargento]

whats that porn flick where a woman says ill suck your cock in my dreams for the rest of your life?

Fäbodjäntan  - Joseph W. Sarno - 1978 - Sweden

[cleoenfaserum]

JOSEPH W. SARNO, THE HISTORICAL FILM FIGURE OF SEXPLOITATION OF THE 60's & 70's

Joseph W. Sarno was an American film director and screenwriter. born on March 15, 1921. He grew up in Amityville on Long Island and died of natural causes on April 26, 2010 at the age of 89 in his native New York City. Sarno married Peggy Steffans, who was younger than he and was a non-sex performing actress and costumer in some of his films, and they had a son.

Sarno emerged from the semi-pornographic sexploitation film genre of the 1950s & 1960s; he had written and directed approximately 75 theatrically released feature films in the sexploitation, softcore and hardcore genres as well as a number of shot-on-video features for the 1980s hardcore video market.

Sarno, was considerad a pioneer in the genre of sexploitation film.

A Life in Dirty Movies is a 2013 Swedish documentary about Sarno and his wife, and their attempt to make one last film.

940-1 LINK https://ok.ru/video/1115493894694

SEXPLOITATION FILM

What is it?

A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s.

Moonlighting Wives (1966).

940-2 LINK: https://ok.ru/video/4932160785094

In USA, exploitation films were generally exhibited in urban grindhouse theatres, which were the precursors to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. In Latin America (most notably in Argentina), exploitation and sexploitation films had meandering and complex relations with both moviegoers and government institutions: they were sometimes censored by democratic (but socially conservative) administrations and/or authoritarian dictatorships (especially during the 1970s and 80s), and at other times they enjoyed an important success at the box office.

Among his best-known films in the genre is Sin in the Suburbs (1964), which is about wife swapping, ...

940-3 LINK: https://ok.ru/video/4506488277662

The term soft-core is often used to designate non-explicit sexploitation films after the general legalisation of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres.

Beginning in 1968, Sarno's work became somewhat more explicit, predicting the emergence of soft-core. His breakthrough feature Inga (1968) ...

940-4 LINK: https://ok.ru/video/2527643372093

... was one of the first X-rated films released in the United States. Other noteworthy soft-core features include All the Sins of Sodom (1968), 

940-5 LINK https://ok.ru/video/4642191968926

Critical reputation

Singled out for praise by critic Andrew Sarris during the 1970s, Sarno's work has been acknowledged in recent years by tributes at the New York Underground Film Festival, the Torino Film Festival in Turin, Italy, the Cinémathèque Française in Paris, and The Andy Warhol Museum.

Sarno has had a tribute at the British Film Institute in London and has given an honorary lecture at Lund University in Sweden.

His career is being researched for a comprehensive biography by film historian Michael J. Bowen.

Virgile Iscan interviewed Joe Sarno and his wife shortly before Sarno's death in 2010. The interviews appear in Iscan's documentary The Divine Joe Sarno.

Filmography

Deep Inside (1968)

940-6 link https://ok.ru/video/6550569880222

Joseph W. Sarno - Wikipedia