#khamma

[jeanetjeannepatin]

Mercredi 18 mai 2022 à 19H, nouvelle émission de la Petite Boutique Fantasque, exceptionnelle à plus d’un titre : - tout d’abord le choix du sujet : la commande par une danseuse appelée Maud Allan d’un ballet à Claude Debussy au tout début du XXème siècle dont le titre est Khamma - ensuite sur la forme : à partir d’un canevas proposé par Guillaume nous aurons des interventions de divers participants à cette histoire et illustré musicalement. Nous aurons aussi l’argument du ballet lu sur le ballet lui-même pour approcher un peu du dessein des deux protagonistes - c’est un projet radiophonique ambitieux : faire partager la vie de Maud Allan, danseuse peu connue et sa collaboration avec Debussy pour un ballet jamais (ou très peu) joué et depuis oublié - et enfin il aura fallu plus d’un an pour passer du projet parisien à la diffusion toulousaine

Cette série de trois émissions dont vous allez écouter la première ont été amoureusement imaginées, finement écrites et parfaitement interprétées par Guillaume. C’est lui qui a choisi très précisément les extraits musicaux adéquats et l’endroit de leurs insertions dans le cours de sa démonstration.

Cette émission a été réalisée et montée au studio de RadioRadioToulouse et diffusée en hertzien, Toulouse : 106.8 Mhz ou en streaming https://www.radioradiotoulouse.net/ et pour tout le reste du temps sur les podcasts de mixcloud.

Extrait des morceaux suivants : - 1er mouvement de la sonate K282 en mi bémol majeur de Wolfgang Amadeus Mozart par Maria Joao Pires au piano - prélude en mi majeur BWV 878 du 2ème livre du Clavier bien tempéré par Piotr Anderszewski - Rêverie de Schumann, tiré des scènes d’enfants par Jean Efflam Bavouzet - valse-caprice d’Anton Rubinstein dans une réduction pour piano d’Arthur Rubinstein - Chant du printemps, tiré des Romances sans paroles de Mendelssohn par Balazs Szokolay - valse en la mineur de Chopin par Dmitri Alexeev - la danse d’Anitra tiré de Peer Gynt de Griegpar l’orchestre symphonique de Berge, dirigé par Edward Gardner - prélude en do dièse majeur de Rachmaninov par Alexandre Tharaud - la Tragédie de Salomé opus 50 de Florent Schmitt, le prélude et la danse de l’effroi par le BBC national orchestra of Wales dirigé par Thierry Fischer - la Danse sacrée, la première des 2 danses pour harpe et orchestre à cordes par Gulnara Mashurova à la harpe et l’orchestre symphonique de Singapour dirigé par Lan Sui

Pour ceux qui auraient piscine indienne, ou toute autre obligation, il y a une possibilité de rattrapage avec les podcasts de la PBF : https://www.mixcloud.com/RadioRadioToulouse/les-premiers-pas-de-la-danse-moderne-pbf-202213/

Allons-y gaiement et sans mollir !

Photographie de studio de Maud Allan

#émission radiophonique #petite boutique fantasque #maud allan #khamma #claude debussy

[audiophil]

드뷔시: 발레음악 ‘유희’, ‘캄마’, ‘장난감 상자’ 연주: 싱가포르 심포니 오케스트라, 란 슈이(지휘) 앞서 발매한 드뷔시 관현악 음반(BISSACD1837)으로 극찬을 받은 란 슈이가 이번에는 드뷔시의 발레음악에 도전하고 있다. 디아길레프의 의뢰로 1912년 작곡되어 그 다음 해 파리, 샤토레 극장에서 초연된 그의 마지막 발레 음악이자 관현악곡으로 한 소년과 두 소녀가 테니스를 하다가 잃어버린 공을 찾는 동안 사랑이 싹튼다는 이야기로 당시 발표된 스트라빈스키 ‘봄의 제전’으로 그 빛을 잃어버리고 1950년대 피에르 불레즈에 의해 20세기 최고의 음악으로 사람들에게 인정받기까지 기다려야만 했다. 캄마(쉼표)는 전설의 이집트 무희를 뜻하며 원래 피아노곡으로 작곡되었으나 드뷔시가 샤를 쾨슐랭에게 관현악 편곡을 부탁하였다. 피아노 연탄용 장난감 상자 역시 드뷔시의 제자 앙드레 카플레에 의한 관현악 버전이다. 싱가포르를 대표하는 국립 관현악단 싱가포르 심포니 오케스트라는 중국인 지휘자 란 슈이를 음악 감독으로 맞이하여 세계적으로 급부상한 단체로 성장하였다. 라흐마니노프의 교향곡을 비롯하여 드뷔시 관현악 작품에 특히 높은 평가를 받고 있다.

#claude debussy #Khamma

[isoleminori]

Pantelleria, Carnevale a Khamma, Klaus-Peter Fischer, 1976 "A Pantelleria il carnevale ha una lunga tradizione pagana contadina. Inizia l’8 dicembre, finisce durante il periodo delle Ceneri e si svolge all’interno dei Circoli. I Circoli hanno una loro bandiera, uno statuto, un codice d'onore tramandato dagli antenati che, dalla seconda metà dell’800, li costruirono come luogo per il dopolavoro agricolo. Durante il Carnevale questi luoghi si trasformano in piccole e affollate balere dove è possibile ballare il liscio fino all’alba e dove si può celare la propria identità sotto la maschera. Più che mascheramento è un camuffamento sotto cui ci si nasconde con lenzuola, guanti da cucina, parrucche colorate e quant’altro possa servire a confondere o nascondere. Alcuni nascondono addirittura la propria voce declinandola in falsetto. A mezzanotte il maestro d’orchestra annuncia a tutte le maschere presenti che, se vogliono rimanere nel Circolo, devono privarsi del travestimento. Chi non ha intenzione di svelare la propria identità è quindi costretto, ad uscire dalla sala da ballo. Da due secoli, questa tradizione pagana non è mai cambiata e, come si può comprendere, questi balli, specialmente nel passato e per le donne, costituivano l’unica opportunità di evasione e di nuove conoscenze." Spiegazione tratta dal libro Isole d'inverno di @federicadigiovanni_photo #pantelleria #pantelleriaisland #KlausPeterFischer #carnevale #khamma #isoleminori #isoleitaliane #mare #isole #island #sea #isola #mediterraneo #photography #blackandwhite #bn #vintagephoto #vintagephotography #oldphoto #foundphoto #lostmemories #antiquephoto #oldphotos #oldphotograph #isoleminorifoto (presso Isola di Pantelleria) https://www.instagram.com/p/CouIdLdM43o/?igshid=NGJjMDIxMWI=

#pantelleria #pantelleriaisland #klauspeterfischer #carnevale #khamma #isoleminori #isoleitaliane #mare #isole #island #sea #isola #mediterraneo #photography #blackandwhite #bn #vintagephoto #vintagephotography #oldphoto #foundphoto #lostmemories #antiquephoto #oldphotos #oldphotograph #isoleminorifoto

[arablit]

Hanan Jasim-Khammas: On Writing the Body in Iraqi Literature After 2003

By Olivia Snaije Iraqi academic Hanan Jasim-Khammas was just 19 n 2004, when the Abu Ghraib prisoner abuse came to light. Later, as a student of comparative literature, she became fascinated by body and gender studies, which led her back to 2004, to examining the terrible and powerful representation of bodies in the Abu Ghraib scandal. “I couldn’t articulate how I felt about Abu Ghraib, how those…

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#embodiment #Hanan Jasim-Khammas #Iraqi literature #Olivia Snaije

[bloobluebloo]

People are so obsessed with labelling something as "completely bad" or "completely good" it's annoying as fuck like, you have the entire world's knowledge at your fingertips and yet you can't be bothered to research why someone would provide a crypto wallet address without accusing them of being part of KhAMMAs, as if the person asking for financial aid is not in a region of the world where even humanitarian aid trucks cannot get through

#admiral’s log

[shituationist]

register on yourmorals(.)org and take their quiz. i want to know what your results are

I'm not doing all that, but I'll tell you what my morals are. My morals are the Noble Eight-Fold Path, which is the path of liberation from suffering and from the cycle of death and rebirth. My moral credo is to bring forth good khamma, and to consciously avoid bad khamma. To live by the dhamma set forth and exemplified by the Buddha. Those are my morals.

[shadowseductress]

Ghani Khamma

[aaparoitihas]

World's truest love story

Khamma khamma ghani .... Radhe Radhe .......Namste dosto...... Hello and Hiii

I'm telling you about the best love story in world ...

this love story is Radha and Krishna ,, krishna is incomplete without radha and Radha is incomplete without krishna that's why their love story is know as Radhakrishn

Tum Prem Ho - Reprise | Lyrical Video | Radha Krishn | MOhit Lalwani | Surya Raj Kamal

खोजें

जानकारी

खरीदारी

अनम्यूट करने के लिए टैप करें

अगर प्लेबैक जल्द ही शुरू नहीं होता, तो अपना डिवाइस रीस्टार्ट करें.

पूरी स्क्रीन उपलब्ध नहीं है. ज़्यादा जानें

•

0:01 / 5:02•पूरा वीडियो देखेंलाइव

2:14

अगला

लाइव

आने वाली लाइव स्ट्रीम या इवेंटअभी नहीं

अभी चलाएं

कैमरा स्विच करें

शेयर करें

प्‍लेलि‍स्‍ट शामिल करें

साझाकरण जानकारी हासिल करते समय कोई गड़बड़ी हुई. कृप��ा बाद में पुनः प्रयास करें.

बाद में देखें

शेयर करें

लिंक कॉपी करें

0:00

0:01 / 5:02•पूरा वीडियो देखेंलाइव••

#aesthetic #radhakrishna #rajasthan #rajasthani #radharani #indian aesthetic #indian culture

[priiisdope]

Omg from Rajasthan as well! :)

Khamma ghani 🙏

[hissterical-nyaan]

Ram ram sa 🙏

Kai karo ho?

Khamma ghani sa 💕

Abhi abhi uthi hoon, bas yehi kar rahi hoon 😛 don't expect more marwari from me

#i can understand it but don't know how to speak myself

[khammaghanirestaurant]

How to Plan a Memorable Theme Party at a Restaurant in Udaipur

Planning a theme party can turn an ordinary gathering into an extraordinary celebration filled with fun and excitement. If you're looking for the perfect venue to host a memorable theme party in Udaipur, look no further than Khamma Ghani Restaurant. Situated near the picturesque Rang Sagar Lake, Khamma Ghani Restaurant offers stunning lake views and a romantic ambiance that sets the stage for an unforgettable party experience. In this guide, we'll explore how to plan and execute a theme party at Khamma Ghani Restaurant - Best Lake View Rooftop Restaurant In Udaipur that will leave your guests amazed.

Choosing the Perfect Theme

The first step in planning a theme party is choosing the perfect theme that suits the occasion and your guests' preferences. Whether it's a retro disco night or a Bollywood extravaganza, select a theme that will resonate with your guests and create a vibrant atmosphere at Khamma Ghani Restaurant.

Invitations and Guest List

Once you've chosen the theme, send out invitations that reflect the party's theme and include all the necessary details such as date, time, venue (Khamma Ghani Restaurant), dress code if applicable, and RSVP information. Create a guest list that includes friends, family, and colleagues who will enjoy the theme and contribute to the party's energy.

Decor and Ambiance

Transform Khamma Ghani Restaurant into a party paradise by decorating according to your chosen theme. Use colorful balloons, banners, and themed props to enhance the ambiance and create a festive atmosphere. Coordinate the decor with the restaurant's scenic views of Rang Sagar Lake, beautiful sunset hues, and starlit sky, adding a touch of natural beauty to your theme party.

Menu and Drinks

Work with Khamma Ghani Restaurant's culinary team to create a menu that complements your theme and satisfies your guests' taste buds. From themed cocktails and mocktails to delicious appetizers, main courses, and desserts, ensure that the food and drinks reflect the party's vibe and add to the overall experience.

Entertainment and Activities

Keep your guests entertained throughout the party with a lineup of engaging activities and entertainment. Depending on your theme, consider hiring a DJ or live band to play music that fits the theme and gets everyone on the dance floor. Plan interactive games, photo booths with props, and other activities that encourage participation and create memorable moments.

Party Favors and Souvenirs

Send your guests home with party favors or souvenirs that tie back to the theme and serve as mementos of the fantastic time they had at Khamma Ghani Restaurant. Personalized gifts, themed keepsakes, or small tokens of appreciation will leave a lasting impression and remind guests of the fun they had at your theme party.

Safety and Logistics

Ensure that all safety measures are in place, including designated drivers or transportation options for guests who may need it after the party. Coordinate with Khamma Ghani Restaurant's staff to handle logistics such as seating arrangements, audiovisual equipment, and any special requests to ensure a seamless and enjoyable party experience for everyone.

Hosting a theme party at Khamma Ghani Restaurant in Udaipur is an opportunity to create cherished memories and celebrate in style against the backdrop of Rang Sagar Lake's stunning views. Follow these tips and guidelines to plan a theme party that exceeds expectations and leaves a lasting impression on your guests.

Khamma Ghani Restaurant

No 53, Near Hotel Natural Lake View, Rang Sagar, Ambamata Udaipur, (Rajasthan) India 313001 Phone :[phone] E-mail :[email protected]

#Best Lake View Rooftop Restaurant In Udaipur #familyrestaurant #ThemePartyRestaurantinUdaipur

[jeanetjeannepatin]

Mercredi 25 mai 2022 à 19H, deuxième émission de la Petite Boutique Fantasque sur la commande que passa la danseuse Maud Allan à Claude Debussy d'un ballet nommé Khamma. Dans cet épisode sera narré par Guillaume le début de leur collaboration qui ne fut pas un long fleuve tranquille. Cette émission a été enregistrée pour un part à Paris, réalisée et montée au studio de RadioRadioToulouse et diffusée en hertzien, Toulouse : 106.8 Mhz ou en streaming https://www.radioradiotoulouse.net/ et pour tout le reste du temps sur les podcasts de mixcloud.

Extrait des morceaux suivants : - Khamma de Claude Debussy par l'orchestre symphonique de Singapour dirigé par Lan Shui - La flûte de Pan, extrait des chansons de Bilitis de Claude Debussy, par Sophie Karthaüser et Eugène Asti - Général Lavine excentric de Claude Debussy par Jean-Efflam Bavouzet - La cour des lys, tiré du martyre de Saint-Sébastien de Cause Debussy par le Philharmonia orchestra dirigé par Pablo Héros-Casado

Pour ceux qui auraient piscine indienne, ou toute autre obligation, il y a une possibilité de rattrapage avec les podcasts de la PBF : https://www.mixcloud.com/RadioRadioToulouse/solliciter-claude-debussy-pbf-202214/

Allons-y gaiement et sans mollir !

Photographie de studio de Maud Allan

#maud allan #claude debussy #la petite boutique fantasque #émission radiophonique

[tanvastya]

Ghani Khamma #ghanikhamma #ghani #khamma #tanvastya #amazon #kurtis #des...

#youtube

[isoleminori]

Pantelleria, Federica Di Giovanni, 2012-2016

"A Pantelleria il carnevale ha una lunga tradizione pagana contadina. Inizia l’8 dicembre, finisce durante il periodo delle Ceneri e si svolge all’interno dei Circoli.

I Circoli hanno una loro bandiera, uno statuto, un codice d'onore tramandato dagli antenati che, dalla seconda metà dell’800, li costruirono come luogo per il dopolavoro agricolo.

Durante il Carnevale questi luoghi si trasformano in piccole e affollate balere dove è possibile ballare il liscio fino all’alba e dove si può celare la propria identità sotto la maschera.

Più che mascheramento è un camuffamento sotto cui ci si nasconde con lenzuola, guanti da cucina, parrucche colorate e quant’altro possa servire a confondere o nascondere. Alcuni nascondono addirittura la propria voce declinandola in falsetto.

A mezzanotte il maestro d’orchestra annuncia a tutte le maschere presenti che, se vogliono rimanere nel Circolo, devono privarsi del travestimento. Chi non ha intenzione di svelare la propria identità è quindi costretto, ad uscire dalla sala da ballo.

Da due secoli, questa tradizione pagana non è mai cambiata e, come si può comprendere, questi balli, specialmente nel passato e per le donne, costituivano l’unica opportunità di evasione e di nuove conoscenze."

Foto e scritto tratti dal libro Isole d'Inverno di @federicadigiovanni_photo

#pantelleria #pantelleriaisland #isoledinverno #federicadigiovanni #carnevale #khamma #isoleminori #isola #carnival #sea #mare #isole #island #marenostrum #mediterraneo #mediterranean #crowdbooks #isolamento #isolation #isoleitaliane #isoleminorifoto

#Instagram

[bloobluebloo]

The idea is not that they don't think that people in the world don't understand Arabic. The point is that by the time that people point out that the translation is wrong it will have already made the rounds and, in many cases, solidified a certain image people have in their minds when it comes to Palestinians. In other words, it will have done the damage it needed to do. Case in point, the days of the week debacle that was Khammas planning schedule or whatever the fuck they said it was.

#admiral’s log

[kusumsays]

खम्मा घणी ;

घणी खम्मा

Rajasthan - a land that shows the culture it owns with pride, colors and a cherished tradition towards its Mehman. https://www.tumblr.com/blog/kusum-says-khamma-ghani Udaipur (Day 1) What is not said already about this city which I can write? The city which proudly exhibits Maharana Pratap or the city with a magnificent history or the city with lakes, isn't it? I would say a city that welcomed me with mountains and took me to lakes where the lakes were surrounded by walls of the palace and the lakes with monuments in the mid of the serenity and with everything around, I went back in history all the way long. It felt different from all the other days. Watching the sun setting by lake side and the night lights reflecting themselves in the waters was mesmerizing in its own ways. My day ended well with a beautiful evening. Tired of last night at airport and full day in the city, I slept right away as Chittorgarh was on the list for the coming day. Chittorgarh (Day 2) My buddy woke me up at 6 a.m. in the morning and I cherished myself in yellow bandhani. With all the Rajasthani songs in the car and the chats with our driver bhaiya, we reached Chittorgarh fort. While getting closer to the fort, it looked humongous and beautiful. It looked royal. When I finally got in and started listening to the stories of the kingdom of Mewar rightly told by our guide, I realized the world has always been a harsh place to live in and yet beautiful enough to forget its harshness. The temple of St. Meera Bai - Devoted to Lord Krishna, she was a queen, a poetess and most importantly, a devotee. Her stories mesmerized me while walking inside the temple she used to pray to the Lord - queen who left the kingdom and mysteriously disappeared somewhere in the Lord's world. Sleeping Monkeys - Right outside the temple where St. Meerabai used to pray to Lord Krishna, I spotted a group of monkeys and, surprisingly, all of them were asleep in the sunny day. The magnificent fort walls of VII century A.D. - there are no words to describe it, it was my favorite part of the entire trip and simply sitting on the top watching them is all one needs to experience the beautiful feels of Chittor. Johar - the ritual performed by thousands of ladies and queens of centuries - listening to these stories, the dark historical side I felt and, something inside of me wept a bit when the cruel war was perceived. Padmini palace - in the mid of the pond blooming with lotuses, the queen Padmini stayed once whose mere reflection won the heart of the Mughal Emperor which let to the war and took lives of many including her own. Beauty, indeed, took lived. She is gone and her story has lived on. Vijay Stambh - this beautiful victory monument was once accessible to be climbed till the top but nowadays, one is not allowed to climb up. I, sadly, missed the city view from here :( but never the less it was fascinating to look at the beautiful architecture. Sitaphal Sarees - This area boasts of the custard apple plantations and the fabric made out of custard apple seeds. Surprisingly, it was a delightful experience interacting with the local artisans and their works. One of the lady workers who hailed from Kota called me 'Mantri Bai' and gave her blessings to me and such small moments were priceless, indeed. After all of it, I pleasantly had dal bati churma with gatte ki sabji at the foot of the fort and while getting inside the car to leave from there, I smiled at the fort and waved a bye. Watching the sunset from the car and listening to the Rajwadi songs, I captured the memories in my heart. From the stories told by our driver bhaiya, I captured the stories in the lives of people living there and I realized that more or less, we all are on the same page and choosing love over practicality is the only way one can live and make it till the end.

Fateh Sagar (Day 2) On reaching back to Udaipur from Chittorgarh, I halted at Fateh Sagar lake to grab a cup of coffee and checked a local shop to collect more memories for family. The moon accompanied me all the way.

Jodhpur's Mehrangarh (Day 3) On reaching Jodhpur early in the morning, I embarked on the trail embracing the tradition of Indian attire. Soothing musical entrance at Jawant Thada and Mehrangarh fort welcomes everyone as they truly say 'Padharo Mhare Des'. Men in colorful turbans and women in Rajputi poshak beautifully depicted their culture, traditions and simplicity. On seeing the musical instruments and listening to the folklores, winds of Jodhpur played along as I watched the city blues from the temple of Goddess Chamunda at the top.

Jaisalmer's Sand Dunes (Day 4) The smiles dazzled in the sand dunes of Jaisalmer with the moon, the cultural program and the adventures in the dessert especially when my camel started running for a while and the desert safari. I celebrated my time by grooving with the artists on the tunes of 'Ghoomar' knowing it is the last day of my trip. I returned back with smiles on my face while waving the desert a bye. Truly unforgettable times! Much more to see, Cheers to the upcoming Rasjasthan exploartion!