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thefinalcinderella · 6 years

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Tsurune Book 1 Chapter 1-Yata no Mori (Part 2)

Not going to lie but this chapter nearly drove me crazy with the kyudo terminology. Luckily, there’s a lot of information in English about kyudo online (and surprisingly a lot in French as well) so I just want to give a huge hand to the people who share their kyudo knowledge online in easy to understand ways, you’re the real MVP.

I highly recommend opening the chapter in two tabs and scroll down to the translation notes at the bottom if you can since a lot of words won’t make sense if you don’t know what they mean. I’m still searching for a convenient, non-intrusive way to write the notes so if anyone has any ideas, let me know.

Also I think I’m going to go on a break after this (yeah even though I promised to post this a lot sooner) cuz I’m still a little burned out from DIVE!!. I just hope the anime doesn’t air before I actually finish this book lol

Translation Notes

1. The Raiki Shagi and Shahoukun are two important ancient texts in modern kyudo. They are written in the front of the Kyudo Kyohon and provide a lot of the philosophy behind Kyudo.

2. Yoshimi Junsei is a famous archer of the Tokugawa Period (1603-1868) who wrote the Shahoukun.

3. Yazuka measurement (not to be confused with yakuza) is the distance from the center of the body to the tip of the middle finger of the left hand when standing upright. This measurement is used to determine proper bow size.

4. Kataboushi yugake is a type of archery glove that has a hard thumb cap (I think???) There are three-fingered, four-fingered and five-fingered types.

5. Kake gae no nai ( 掛け替えのない) is a Japanese saying that means “irreplaceable”.

6. “Makuuchi” is a term for shooting an arrow into the curtain.

7. Gyousha is the movements comprising the act of aiming the bow and shooting the arrow.

8. Oyaki is Japanese stuffed dumplings.

9. Yips is a disease that causes the loss of fine motor skills in athletes. It manifests as twitches and jitters and occurs a lot in sports like golf and darts.

Full list of translations here

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What was that?

Who was that?

He thought back to that breathtakingly beautiful shooting, and Fuu’s deep black eyes.

He tried searching online, but couldn’t find any search terms to enter. The kyudojo of Yata no Mori didn’t have a website, only having its name entered in a list of all the kyudojo in the prefecture. And because of the Personal Information Protection Act, the identity of the person who owned it could not be disclosed either. In that case, he should have asked the man for his name. But, what would he do if he did asked for it?

Minato was heading for the school’s entrance to go home after school. It was bright outside the open windows, and he could hear the sounds of people going to club activities. When he narrowed his gaze on the still distant sunset, the wind died down.

Then, his shoulder was grabbed from behind again. I guess I don’t need to check to see who it is anymore.

“…Ryouhei.”

“ ‘Sup Minato. What are you so dopey about?”

“Do you know how big you’ve gotten? You’re heavy.”

“Sorry, it’s just a habit.”

While apologizing, his hand remained on his shoulder. The other hand was waving at the people passing by.

Since elementary school, Ryouhei liked to join shoulders with other people. Minato disliked being clingy with people, but when he saw Ryouhei’s smile, he couldn’t turn him down, so he left it as it was. Even during the several times when Minato and Seiya fought, Ryouhei would squeeze between them and join shoulders, saying with teary eyes, “I get sad when you guys fight,” and then it became impossible to get angry. Minato had a bad feeling as he felt the similar emotions from those times.

“Isn’t it too early to go home? Let’s go to the kyudo club’s information session together.” Ryouhei said.

Minato replied without a moment’s delay, “No. I’m not going.”

“Alright, then at least listen to some of the information. Tomi-sensei has back pain so he can’t do the practical skills, so it looks like Seiya will be demonstrating them.”

“Ryouhei, did Seiya bribe you to do this?”

“It’s not like that. But, he told me to tell you this: ‘If you don’t come today, then I’ll never let you see Bear again.’ Did they finally start to keep a bear over there? Sweet.”

No, that’s really not something to be impressed about, Minato quipped in his mind.

“For me, Seiya’s the sage, and you’re the hero. You have a heroic saga too, don’t you? Hey, do you remember what happened on our kindergarten trip?”

“Trip? Oh, the one where the hornet landed on my arm, and I kept walking without shaking it off? But, that’s not a big deal. Even though the hornet kept approaching me, the teacher warned me repeatedly not to kill it with my hands.”

“That’s not it! It’s the one where you barehandedly caught the crayfish that I couldn’t touch. When I saw that, I was like, ‘This guy is cool!’”

Minato was completely drained, and placed his hand on his knee.

“Ryouhei, we aren’t in kindergarten or elementary school anymore.”

“How’s that different from being in high school?”

Ryouhei’s innocent gaze pierced Minato.

Minato was an only child, but he was got the illusion that the naughty younger brother, who had always followed behind him, had suddenly matured.

“Actually, when I was in the second-year of middle school, I accidentally saw you drawing your bow. When I saw that arrow firmly hitting the target, I was so excited. I thought that I want to draw like that too. I want to do kyudo together with you and the others—. You said that you were busy with chores at home, so I gave up the other day, but I guess if Seiya and I cooperate we’ll manage somehow? It took a lot of trouble to meet you like this. Just try to listen to the information first. And then can you make your conclusion?”

“Ryouhei, I’m…”

“I want to do kyudo with you…is that no good?”

Ryouhei’s ears seemed like they were drooping down dejectedly. Minato was never good at handling his juniors.

“…All right. But I’m only listening.”

Ryouhei’s face lit up. He couldn’t understand why Seiya involved him into this, but he couldn’t refuse that face. Minato hung his head in shame at his weak-minded self.

At that time, Seiya headed to the kyudojo with Tomi-sensei before everyone else.

Kazemai High School’s kyudojo was located inconspicuously in a corner of the schoolyard. For kinteki (close-range) tournaments, the range was twenty-eight meters, with room for six people to draw at the same time. Though it wasn’t being used, it was well maintained, thanks to Tomi-sensei’s hard efforts bringing in senior citizen personnel during spring break. Seiya only resumed breathing when his hand traced the nameplate that read “Kazemai High School Kyudo Club.”

They bowed once as they entered the kyudojo, and then went ahead and bowed twice in front of the kamiza. Being barefoot is strictly forbidden in the kyudojo, for the same reason entering someone else’s house barefoot is impolite.

To prepare the kyudojo, first apply water to the azuchi (target bank), and then place the targets with their centers twenty-seven centimeters above the azuchi. The targets used were kasumi-mato (mist targets), which were targets with a diameter of thirty-six centimeters where black concentric circles were drawn.

Next was preparing the kyudo equipment. The arrows were placed in the yatate-bako (arrow stand), and the bowstrings were stringed onto the bows. The height of the ha—the distance between the bow’s grip and the stringーwas about fifteen centimeters. There were dedicated tools for measuring that height, but Seiya measured it using his right thumb and said, “This is fine.” Then he went on to rub “ma-gusune” on the string. He did this by applying kusune, which was a boiled mixture of pine resin and oil, onto a small waraji woven from hemp strings, and then using it to neaten the loosened string by fusing it with friction. The saying “to be ready and waiting for (te-gusune o hiku, 手ぐすね引く)” definitely came from kyudo, but the use of kusune was different.

After he got that far, he changed clothes. Shooting a bow right after stringing it was a cause of bow damage, so it was necessary to make it adapt ahead of time.

Seeing Seiya turning towards the makiwara (straw practice targets), Tomi-sensei spoke.

“Oh, Takehaya-kun, where are your glasses?”

“I use glasses because I have dry eye, but I only use contacts when I’m drawing a bow. Before, the bowstring would get caught on my glasses and send them flying.”

“The lenses cracking would be pretty shocking. But, when people who normally wear glasses take them off, do you think it’s okay to be so defenseless?”

“I am seeing perfectly now. I am completely prepared for the attack, far from being defenseless.”

“I say, that’s frightening.”

“Tomi-sensei, thank you for inviting me to the kyudo club. I’ll definitely make your mission a success..”

“I’m counting on you. Fu-ho-ho!” Tomi-sensei laughed.

To Seiya, Tomi-sensei was a happy miscalculation. Before the entrance exams, he had already investigated that the Kazemai High School Kyudo Club was on the verge of disbandment. Minato probably knew that as well. So, he planned to revive the kyudo club with his own hands.

A favourable wind was blowing.

In order to stand at that place once more—.

Seiya encouraged himself, as an unseen power pressed against his back.

On this day, an information session titled “Introduction to Kyudo” was scheduled, and people began to trickle in. Probably twenty or thirty people of mixed genders. For the boys, their goals weren’t just being introduced to club activities.

“Don’t you think kyudo girls are hot?”

“Yep.”

However, with the entrance of one attention-attracting boy, the boys’ ambitions were abruptly destroyed.

“Sorry I’m late. Thank you for preparing everything.”

When greeted with cries of “Nanao-kuuun!” from the girls, he made peace　signs with his hands and waved at them. They then exchanged incomprehensible greetings of “Merha~” “Merha~.”

It was a boy with bright, somewhat unruly hair, and who seemed like his whole body was shining beams of light. He was swinging a quiver in his hand, which was more a “pearls before frogs” accessory than “pearls before swine.”

Seiya set his bow down, and waved Nanao over.

“You’re Kisaragi Nanao-kun, right? My name’s Takehaya Seiya, and I’ll be with you today, nice to meet you. The frog on that quiver is pretty funny.”

“Oh, this is nice, right? Right now my room’s full of frogs. Oh, you can just call me Nanao.”

“All right, please call me Seiya as well. By the way, what was that ‘Merha’ you said just a while ago?”

“It’s short for ‘Merhaba.’ It’s Turkish for hi.”

While wondering why Turkish, Seiya let it pass. This was probably the reason why he was popular with girls. It wasn’t a type you saw much among boys who did kyudo.

When he picked up his bow and quiver, another person who didn’t seem to belong in a kyudojo appeared.

It was a boy with healthy, suntanned skin. Because of his sharp eyes, he was more a wild person rather than a refreshing sports boy, and a somewhat hard-to-approach aura floated around him. Even the girls who surrounded Nanao quickly backed away to surround him from a distance.

“Nanao, don’t block the entrance. Let me in right now.”

“Ehh, Kacchan, you’re so impatient~”

“Stop calling me Kacchan.”

“But aren’t you Kacchan, Kacchan? I can’t call you anything else at this point.”

“This sucks, having to be in the same high school as you, and then in the same club.”

“Aren’t you joining the soccer club? Didn't the guys in the soccer club ask you ‘What position did you play in middle school?’ on the first day?”

“I’m not joining the soccer club, I’m set on the bow. I’m different from the guys who started kyudo just to wear a hakama, like you.”

“I look pretty cool in a hakama. Of course, it’s not for show. Today, I have to show the girls my charming figure. That’s why, Kacchan, you should work hard too.”

“The only one I don’t want to be told that by is you.”

Noticing Seiya being taken aback, Nanao formally introduced him.

“This here’s Onogi Kaito. My cousin.”

“Onogi-kun, I’m Takehaya. Nice to meet you.”

“…I’ve seen you at a match before. What’s your middle school?”

“Really? It’s a private school, so it’s not around here, and I don’t think you’d recognize the name even if I told you. But putting that aside, I want to start soon, so the two of you should go change your clothes first. I’ll keep your bow strung.”

Kaito looked like he wanted to say something, but he entrusted his equipment to Seiya and headed for the waiting room (hikae shitsu).

The first round of Introduction to Kyudo has begun.

Seeing Minato and Ryouhei among the gathered people, Seiya murmured, “Ryouhei, good job.” under his breath.

Tomi-sensei cleared his throat.

“Everyone, relax your feet. This is a good gathering. It seems that I’m popular. I’m blushing.”

A laughter that said “That corny introduction is enough, so please quickly get on with it” rang out.

“Well then, first, some requests. Kyudo is a martial art. You need to respond with spirit. And then, this is essential, but if you nock an arrow to the bow, you absolutely cannot point it at other people, even as a joke. Even if you did not intend to release it, it can lead to a serious accident. Also, absolutely do not take the arrow off the bow to 'dry fire' it, as there’s the danger of snapping the bowstring. You must always obey these rules.”

And then, they chanted in unison the “Raiki Shagi” and the “Shahoukun” (1) that were printed on the right hand side of the kyudojo (TN: this is called wakishoumen or position where one is facing the kamiza and the targets are to the left). The former began with “The shooting, with the round of moving forward or backward can never be without courtesy and propriety. After having acquired the right inner intention and correctness in the outward appearance, the bow and arrow can be handled resolutely,” an inscription mainly preaching the ideals of kyudo. The latter began with “The way is not with the bow, but with the bone, which is of the greatest importance in shooting,” written by Yoshimi Junsei (2), and was mainly the dying instructions of his technique.

Tomi-sensei asked one of the students in the front row, “Do you understand the meaning?”

“No, not at all.”

“I was also completely clueless about what was written in the beginning. But as I kept practicing, I thought that 'Oh, this is what that was talking about.' You can look forward to that as well.”

“Yes, sir.”

“And, this is also a breath control technique. As reading out loud is a way to continuously exhale, this action will enhance your parasympathetic nerves and relieve tension. A good presence of mind is essential for drawing a bow. Isn’t it hitting two birds with one stone to learn the essence of kyudo and do breath control?”

“I seeee.”

The voices were overlapping each other.

It was Ryouhei’s and Nanao’s. Nanao had at some point sat down next to Ryouhei, and they were giggling as they looked at each other. Minato and Kaito, who were on both sides of the two, had sour looks on their faces.

Tomi-sensei held up the kyudo equipment.

“There are three main equipment necessary for kyudo. The bow and arrow, and the ‘yugake’ (archer’s glove). It is a glove made of deer skin used for protecting the hands. Most students use the three-fingered yugake. Now, let’s see the actual shooting technique. Tournaments are done with three or five people. Today we’ll have three people.”

Seiya, Kaito and Nanao got up. At that moment, a visitor came and informed them that sorry for the interruption, but Nanao was being summoned over the school PA system.

“Really? Did I do something? Sorry, Tomi-sensei, but I have to leave for a while. If you like, please replace me with someone else.”

Tomi-sensei looked around when the girls said things like, “Eh—, if Nanao-kun isn’t going to draw a bow then should we just go home?”

“Well, there was another person with experience here. What’s more, he’s a good-looking guy. Narumiya-kun, you can choose to change into a hakama or not, just try drawing the bow for a little bit.”

After a pause, Minato exclaimed, “What!?”

“I can’t. I haven’t held a bow for more than half a year already.”

“I just want you to show everyone how it’s done. The equipment is borrowed, so everyone naturally understands that you won’t be able to strike well. Everyone wants to see him shoot, right?”

Because they all applauded at once, Minato was cornered into a hard-to-refuse situation.

While waiting for Minato to get ready, the others were touching the kyudo equipment. Tomi-sensei and the others moved to the wall.

Kaito took an arrow and approached Minato.

“Since it’s troublesome to have the bowstring caught on your buttons, change into a gym uniform and put on a chest protector (muneate). What was the draw strength of the bow you used? Hold out your left arm so I can do the yazuka measurement.” (3)

“Hey, hey wait a minute. I never said that I was going to draw it. Right, I heard that Ryouhei also drew a bow in class when he was in middle school.”

“Even if he did it in class, it was still dangerous. Plus, Tomi-sensei said that it’s natural that you won’t be able to hit anything, and nobody cares about your skill.”

“It’s not that, it’s not that at all…”

“This is getting annoying. Just do the one or two things you’re asked to do. Aren’t you ashamed to be not much of an archer?”

Minato became speechless at the word “archer.”

Kaito took that as acknowledgement, and used Minato’s throat as a starting point to verify the length of the arrow. If it was too short, there was the danger of accidental discharge when the arrow was pulled towards the inside part of the bow.

Seiya stood next to Minato.

“Let’s trying shooting at the makiwara first. If that seems impossible, you can decline. Though the club has some as equipment, what will you do for the yugake?”

“…I’m fine.”

“All right. It’s a waste of time to go back to the classroom to get your gym clothes, so I will lend mine to you.”

Minato changed into the t-shirt and jersey, and took out the dragonfly-patterned pouch from his bag. Inside was a well-used yugake. The other day, when Seiya had said that he was carrying around a treasure, he was referring to this.

There are people who think that when shooting a bow, the end of the arrow was pinched and pulled back, but in fact, the thumb was used to hook the bowstring and pull it. Minato used a three-fingered kataboushi yugake (4), and the groove at the base of the thumb where the bowstring is hung from was called the tsurumakura. Since the position and form differed slightly depending on the yugake, it was difficult to use something unfamiliar. “Kake gae no nai” (5) was an expression that came from kyudo, with the “kake” meaning yugake.

Minato put on his shitagake (under glove) and yugake, applied giriko (glove powder) to his middle finger to prevent slipping, making a squeaking sound.

As he stood in front of the makiwara, his heart was striking the alarm bells. Although he never failed to do muscle training and rubber bow practice, this was actually the first time in a while that he had held a bow. The anxiety of not knowing whether his movements were correct or not grew stronger. However, his body moved by itself, and before he knew it he had already nocked his arrow.

He performed gyousha (7). He carefully drew the bow back to its limit. When he drew the bow back to its fullest position, “kai,” Minato counted.

One, two, three, four, five—.

The arrow left Minato’s hand, and hit the center of the makiwara.

When he set down his bow, Tomi-sensei called out to Minato.

“Ooh, you have a beautiful form. If that’s the case then you’re fine.”

Minato tightly pressed his lips together, and took out the arrow embedded into the makiwara. When he exhaled on his shoulder, Seiya, who was watching attentively from a little distance away, also sighed heavily in the same way.

Once they finished preparations, Seiya, Minato, and Kaito lined up at the entrance in that order. It was the beginning of nyuujou (entering the dojo).

They bowed, then moved forward with their feet scraping the floor. They turned towards their respective targets, and then briefly sat down and gave a shallow bow. Their lined-up position at this moment was called honza. When they stood up, they got into the position for shooting and then sat down again. This position was referred to as shai, the position where one shot from their sitting position was called “zasha,” and the position where one was always standing was called “rissha.”

As the three of them nocked their arrows together, Tomi-sensei began to explain.

“As you can see, aren’t they nocking two arrows? Those two arrows are called ‘hitote,’ shot in the order of haya (first arrow), and then otoya (second arrow). First up is Takehaya-kun. The first person to shoot is called the ‘oomae.’”

When he was called, Seiya stood up with his nocked bow. He spread his feet, set the bow on his left knee, and removed his right hand from around his waist. With that as his cue, Minato, who was second, also stood up, and followed Seiya’s movements.

Seiya took the bowstring with his right hand, gripped the bow with his left, and faced the target again. He raised both arms in front of his body, slowly bringing the arrowhead to the center of the target. The exact moment when the bow was taut was the highlight of kyudo. The cross shape formed by the person and the bow conferred a pleasant tension to the viewer, and of course the person themselves.

One, two, three, four, five—.

It hit the center. An ooh sound went up.

With Seiya’s tsurune as a signal, Minato got his bow into the uchiokoshi position. Everyone thought that Minato’s arrowhead would slowly approach the center of the target as well.

However, the arrow left Minato’s hands early, not aimed at the center of the target at all, and it landed a great distance before the target. “Before the target” meant the right-hand side, and “behind” it meant the left. Since the arrow was released at a speed as though he was startled out of his wits, the kyudojo became noisy in an instant. Some people were looking at each other with expressions that said, “What was that?”

Tomi-sensei spoke playfully, “Were you nervous so many beautiful ladies here? Whether you hit or miss, having a poker face is one of the basics. It is courtesy with regards to others to not show emotions. Unlike archery, you can gain a point just by hitting the target anywhere. You only either hit or miss. Well then, the person who goes last is called the ‘ochi.’”

Kaito should have used Minato’s tsurune as a cue to get his bow into the uchiokoshi position, but he had to be told to do it. He drew the bow to its limit, and waited for the moment of hanare, but the arrow missed the target.

In the second round, the arrow that Seiya released went behind the target. Having finished shooting the arrows he had in his hand, he began the process of taijo (exiting the dojo), but Minato didn’t move. The raging palpitations of his heart, and pulsations at the back of his neck were deafening. He cautiously got his bow into uchikoshi, and seemed to be drawing it close to the target on the lawn, but he couldn’t breathe.

I can’t let go, I absolutely cannot let go—.

Minato repeated that many times in his heart. He pulled the arrow to half of its length, and then tried to draw it even wider from there, but the arrow flew out again while he was doing that, and it went high above the target, hitting the curtain that was covering the azuchi.

In the end, Kaito managed to hit the target, and it ended with a total of six shots, with two targets of 1:0:1.

“It’s more difficult than it looks to hit the target in kyudo. That’s why, it is such a pleasure when you do hit it. As I’m thinking of everyone learning together, people who are interested are sure to gather here tomorrow as well.”

After they were dismissed by Tomi-sensei’s words, Kaito waited for Minato to finish changing clothes before approaching him.

“Oi, Narumiya. What was with those earlier shots… Even though the ‘makuuchi’ (6) can’t be helped, why did you do it so early? Since you shot it so early, I couldn’t even get into yugamae in time.”

“Hey, didn’t I say that I couldn’t do it from the beginning? I didn’t mean to release it so soon.”

“Hah? What a lame excuse. You shot normally at the makiwara. But as soon as you stood in front of the target, you did those messy shots. Aren’t you ashamed as an archer?”

“…Oh, I am. I’m already not an archer anymore… Move, I’m going home now.”

Minato shook off Kaito, and walked quickly towards the exit.

“Minato, are you coming tomorrow? …Since I’ll be waiting for you.”

“You don’t have to, since I already stopped doing kyudo!”

Standing next to Seiya as they watched Minato run off, Tomi-sensei whispered to him.

“Takehaya-kun, is it possible that…”

“…He has hayake.”

Minato mounted his bike and sped off without looking anywhere but ahead.

It began to rain. Gripping the wet, slippery handlebars tightly, he pushed his bike on and ascended the steep hill road. His tail lamp left a trail of red afterimages on the gleaming asphalt, and the sound of car tires repelling the water overtook it. When he saw the torii, he stopped his bike and entered Yata no Mori.

At the Yata no Mori Kyudojo, the man was standing on the other side of the bamboo fence of the outdoor stands. As if so that the man would not find him, he crouched down on the spot to watch him. Maybe because of the humidity being high due to the rain, the clear tsurune from before couldn’t be heard, but the shots he sent out from his relaxed limbs were still beautiful. Deviation-free movements that were somewhat liberated. And yet, there was also a somewhat solemn feeling.

It was as though he was performing a prayer.

What would I wish for on a night where the moon and stars couldn’t be seen?

Suddenly, he met eyes with the man. Was it natural to spot him because the other side was on a higher ground?

The man made a scissors gesture with his yugake-covered right hand, and casually beckoned him over. Minato didn’t refuse him, simply staring vacantly at that gesture without using his brain. Then, the man placed his bow at his feet, and then went to the edge of the shajo and crouched down. “Come, boy,” he beckoned him with both hands.

It’s like he’s—.

“I am not a dog or a cat.”

“Well then, come here quickly. A soaking wet boy in the dark looks like a ghost from here, so it’s really scary.”

“I don’t want to make the shajo dirty.”

“It’s fine, it can just be mopped up later. You’re going to mop it up, right?”

He laughed, just like that night. Minato went up to the shajo, still dripping wet. The man picked up his bow lying on the ground and left that spot, then returned with a wrapped packet in his hand.

“Take off your clothes and dry them out, since I’m lending you this beginners’ training uniform. The men’s changing room is right in front of the reception desk. Also, you don’t need to be so formal with me.”

After he changed his clothes and returned, the man was sitting in a corner of the shajo. The spots where Minato dripped on were also completely wiped clean. “There you are,” he said, handing him a can of coffee that had a flame design on it this time.

Minato cupped the can with both hands.

“…It’s hot.”

“It gets cold at night. Oh, I have something good. Do you want to eat it too?”

When he wondered what was going to appear, it turned out to be oyaki (8). With red bean paste. Minato tossed the sweet oyaki into his mouth, downing it with the canned coffee.

After finishing his drink, the man began to adjust his bowstring’s nakajikake (nocking area). The groove of the arrow’s nock was slightly bigger than the bowstring’s thickness. In order to make it easier to nock the arrow, glue was applied to the bowstring and then it was wrapped in hemp, before it was adjusted to a reasonable thickness.

Minato looked up at the night sky and muttered, “Is it impossible for Fuu to come since it’s raining today?”

“Yeah, I’m going to call him on the next sunny day. Your shoulder is the perfect perch for him after all.”

“I’m not an ornament. By the way, how long do you do this for?”

“It was supposed to be until around nine P.M., but I only seem to be using it in the daytime recently. When I use it, I take the key out of the mailbox, then place the fee on the reception desk. 50 yen for an hour. Apparently couples sneak in here at night, since there’s no one here.”

“And this is supposed to be a sacred dojo…”

“You don’t seem to have much experience in that area. Shall I teach you the basics?”

“You perverted old man.”

The man grinned, as he used two small wooden block-like objects, called douhou, to tighten the nakajikake firmly. Thinking that he was restarting his practice, he instead said something unexpected.

“I get the feeling that you’re experienced with kyudo. Do you wanna try shooting a bow for a bit?”

“Um, no thanks.”

“Don’t be shy. Didn’t you come here because you want to shoot a bow?”

“I said, no thanks!”

Minato came to his senses at his own raised voice.

“…Sorry, I’m going home now.”

“Before you go, it’s okay for you to let out whatever you want here. Telephone lines don’t even pass through this kyudojo, so it’s a place isolated from the modern world in a sense. I’m someone who doesn’t exist in your reality. What you say now will never be told to anyone other than me.”

The man waited for Minato’s reply.

A long time passed, and Minato squeezed out the words, as if he was gasping them out.

“How are you able to do such beautiful shots? …I got ‘hayake’ in my last middle school tournament, and after that…I’ve gotten scared of shooting a bow.”

Hayake was a condition where one shoots an arrow even though one hasn’t decided on it. Without arriving at kai, the arrow was shot in the midst at drawing the bow apart. It was said to be a serious affliction in kyudo, much like the yips disease in golf. (9)

“After I lost in the tournament, I resumed practicing. Even though I could endure standing in front of the makiwara, I couldn’t last even one second in front of the targets. My own body wasn’t listening to what I was telling it at all. The more I think that I must not shoot it, the more the arrow slips from my hands. Before long, even drawing the bow became scary. Staying like that, I caused trouble for everyone.”

When he first joined the club, he had a senpai who could hit very well. Someone who could have served as the team captain. However, when that person got hayake, the club had dropped out right before the prefectural tournament. It was a mystery at the time. Why did he let go so quickly? What made him let go even though he didn’t want it to? He must be a weak-spirited person.

Now that he himself was in that position, he finally understood. Even though he was scolded by his sensei with “Why are you releasing it?” even though he was criticized by his teammates with “You’re shooting it too early,” he couldn’t do anything on his own. It was exactly like a disease. Before he knew it, nobody said anything. He knew that they had given up on him.

“And so, I quit just like that. Today, I held a bow for the first time in half a year. I was hoping that it might have been healed, but I was still no good… This is so uncool, right? This is what a talentless hack is like.”

“I see, that must have been so painful for you.”

Minato raised his head in surprise.

What did he say just now?

Painful? Was I in pain?

He reflexively guarded his eyes. It was the best he could do to withstand the things that were welling up.

The fear from the appearance of the hayake was similar to drowning in a muddy stream, but not everyone could sympathize with it.

“…Could I ask for your name? I’m Minato, Narumiya Minato.”

“Takigawa Masaki. Since I’m mostly called ‘Masa-san’, I’ll call you Minato as well.”

“Masa-san, I don’t know what to do… I don’t want to do kyudo anymore. I don’t want to reconfirm my unsightly self. So when my dad told me to take the entrance exams for a public high school because our finances were tough, I thought I was saved. With that, I didn’t have to continue on with the private school I was attending, so that was a justification for quitting kyudo. But even so, I couldn’t stop running and doing muscle training. It feels like the bow is trying to call me back…”

—The tsurune is calling me.

The number of promises that he had failed to fulfill had become his fetters. Will you abandon everything and run away? The heroics of Minato that Ryouhei talked about were in the past, and nowadays he was the same as a warrior scurrying back home after losing a battle.

“But you still want to draw a bow. Am I right?”

“…Yeah. But how can I recover from hayake…?”

“You’re looking at someone who overcame hayake right now.”

Masa-san grinned.

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#tsurune #tsurune translation

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