Tumgik
#richard barthelmess
gatutor · 2 months
Text
Tumblr media
Betty Compson-Richard Barthelmess "Weary river" 1929, de Frank Lloyd.
10 notes · View notes
emeraldexplorer2 · 1 month
Text
Tumblr media
The Last Flight, the 1931 English-language film. In the shot below are (left to right) David Manners, Helen Chandler (as the girl they befriend), Richard Barthelmess, John Mack Brown and Elliott Nugent.
7 notes · View notes
citizenscreen · 1 year
Text
Tumblr media
Richard Barthelmess training for his role in Alfred Santell’s THE PATENT LEATHER KID (1927).
61 notes · View notes
adrian-paul-botta · 1 year
Photo
Tumblr media Tumblr media
Richard Barthelmess and Lillian Gish - Way Down East
24 notes · View notes
markonpark · 5 months
Text
Tumblr media
Richard Barthelmess. Vintage promotional photo of the Hollywood silent film star. https://markonpark.etsy.com/listing/1600404462
5 notes · View notes
daniellesdarrieux · 2 years
Photo
Tumblr media
Bessie Love & Richard Barthelmess in Soul Fire (1925)
61 notes · View notes
maudeboggins · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
More coverage of the Tailwaggers party, this time in Photoplay!
Bette Davis in a dress by Orry-Kelly with a puppy
Norma Shearer with a Cleopatra haircut
Mary Pickford and Richard Barthelmess
Robert Taylor and Barbara Stanwyck and a very wise looking dog
31 notes · View notes
nathancone · 1 year
Text
Tumblr media
Movie watch: HEROES FOR SALE (1933)
I've been slowly making my way through a William Wellman pre-code set I acquired a few years ago and finally popped on this film about two WWI veterans and the diverging paths they take following the war. For most of the film, we follow Tom Holmes (Richard Barthelmess), who returns home with a bad morphine addiction after being treated for injuries at the front.
He loses his job, but kicks the drug habit, landing in Chicago where things begin to look up as he finds work, love, and a steady upward climb. Unfortunately, tragedy strikes and Tom is pulled away from his son, and back on the streets among the thousands of men out of work in the Great Depression.
Owing to its pre-code production, "Heroes For Sale" deals frankly with drug addiction, police brutality, and corruption. There's a silver lining at the end of the picture, but it's otherwise a bleak look at the state of America in the early 1930s. Recommended.
7 notes · View notes
byneddiedingo · 1 year
Photo
Tumblr media
Lillian Gish and Richard Barthelmess in Broken Blossoms (D.W. Griffith, 1919)
Cast: Lillian Gish, Richard Barthelmess, Donald Crisp, Arthur Howard, Edward Peil Sr., George Berenger, Nathan Selby. Screenplay: D.W. Griffith, based on a story by Thomas Burke. Cinematography: G.W. Bitzer. Film editing: James Smith.
The raw pathos of Broken Blossoms has probably never been equaled on film, thanks to three extraordinary performers. Lillian Gish is a known quantity, of course, but it's startling to see Donald Crisp as one of the most odious villains in film history. Crisp, whose film-acting career spanned more than fifty years, from the earliest silent shorts through his final performance in Spencer's Mountain (Delmer Daves, 1963), is best known today for fatherly and grandfatherly roles in How Green Was My Valley (John Ford, 1941), Lassie Come Home (Fred M. Wilcox, 1943), and National Velvet (Clarence Brown, 1944), but his performance as Battling Burrows is simply terrifying. As the cockney fighter, he displays a macho strut that might have influenced James Cagney. Richard Barthelmess is no less impressive as Cheng Huan, known in the film mostly as The Yellow Man. We have to make allowances for the stereotyping and the "yellowface" performance today, but Barthelmess (and Griffith) deserve some credit for ennobling the character, running counter to the widespread anti-Asian sentiments and fear of miscegenation in the era. Barthelmess, who became a matinee idol, makes The Yellow Man simultaneously creepy and sympathetic. And then there's Gish, who as usual throws herself (almost literally) into the role of the waif, Lucy. It's an astonishing performance that virtually defined film acting for at least the next decade, until sound came in and actors could rely on something other than their faces and bodies to communicate. True, some of her gestures lent themselves to parody, as when Buster Keaton steals Lucy's trick of pushing up the corners of her mouth to force a smile in Go West (1925), but parody is often the sincerest form of flattery.
3 notes · View notes
Text
Tumblr media
Cary Grant, Rita Hayworth and Richard Barthelmess make an awkward triangle in Only Angels Have Wings (1939). John Carpenter recently listed his 10 greatest films for the British film magazine Sight and Sound's decennial list of the 100 greatest films. Only Angels Have Wings was one of four Howard Hawks films on Carpenter's list that included Bringing Up Baby, Rio Bravo and Scarface.
John Carpenter names the 10 greatest films of all time (faroutmagazine.co.uk)
4 notes · View notes
letterboxd-loggd · 13 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Last Flight (1931) William Dieterle
April 15th 2024
1 note · View note
gatutor · 7 months
Text
Tumblr media
Helen Chandler-Richard Barthelmess "Midnight Alibi" 1934, de Alan Crosland.
11 notes · View notes
from1837to1945 · 18 days
Text
Tumblr media
Schallert, E. (1930). "Are The Stars Good Parents?" Picture-Play Magazine, Vol.31~32, p.72
0 notes
citizenscreen · 1 year
Text
Tumblr media
Richard Barthelmess, Jean Harlow, Mervyn LeRoy, and Paul Muni at a dinner at Warner Bros to Honor Naval Officers and Congressmen.
36 notes · View notes
adrian-paul-botta · 1 year
Photo
Tumblr media
Richard Barthelmess and Lillian Gish ''Way Down East''
5 notes · View notes
markonpark · 1 month
Text
Tumblr media
Richard Barthelmess. Vintage promotional photo of the Hollywood silent film star. https://markonpark.etsy.com/listing/1600404462
2 notes · View notes