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#spn + the three wisemen
shallowseeker · 11 months
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Was it you that pointed out that Dean gets showered with hate for allowing Jack to make himself into a bomb, when in season 11 his entire family was willing to let him do the same? I've been thinking about this a lot...
Sorry, not me. But I do talk about this and other Jack stuff in some of my ramblings about #SPN parenting, and I believe @jackgirlbluntrotation and I batted the tragedy of the Jack-and-Dean soul bomb parallel back-and-forth a few times, so you could look there as well.
But to get what what I think you're getting at, I think yes: Dean, is judged more harshly for this. I have some vague ideas why below. And I can't answer without being longwinded about all of it, and because I am NOT feeling very cohesive this week, behind the cut it goes...
Not meta, just random thoughts... I tried to edit it into something that made points. But I couldn't. Sorry. I'll try to revisit it later. This is like...three separate unrelated topics.
Sam & Cas + violence + getting onboard with Dean's sacrifice:
Sam and Cas do not object to Dean becoming a live bomb in season 11 to serve God's Big Kill-Amara-Cause. I haven't seen this held against Cas or Sam, and certainly not as a moral transgression. (This is not a hit piece against Sam or Cas. It's just a note that they're a little differently tied up with the idea of war-as-sacrifice.)
Furthermore, when talking about child sacrifice, I don't typically see a lot of Emma or Oskar or even Jane the Nephilim crop up in conversation, and when it does, people sometimes get annoyed about it ("I just don't care about them that much.") I do occasionally see Cas re:Jessie the Antichrist and May Sunder. Occasionally I see Sam:Emma. But hardly ever Oskar or Jane. But Dean is the caretaker. He's not supposed to cross this line of killing complete innocents. Also, as "parent," he has an obligation to Jack that adds another layer.
My point is...and I'm not certain about this...but I suspect that if Dean had overseen any of these above murders, it would be a much more daily appearance on the dash, especially Jane and Oskar, who were completely innocent.
Of note, re:Oskar.. Sam and Cas are The Two Men post-Lucifer that Rowena identifies as Love Matches. (She reserves her ire and hatred re:Oskar for scapegoat child, Crowley.) To Rowena, maybe even to the audience(?), the violence of Sam and Cas is expected, maybe even sexy? Maybe even the mark of a strong protector. Who knows? All I know is that we politely look the other way. And so does Rowena...
And I'm not trying to keep score in a murder show. Just...yeah. Something about this is tied up with Dean's role as heart/hearth/caretaker, I think. Maybe. Also parental roles. But that's always going to be conjecture. Let's look at more interesting stuff, which is how family sacrifice gets passed around:
Dean + sacrificial bomb
Dean -> The bomb sacrifice is framed as Dean's choice, even though it is just as coerced as what we see in season 15 with Jack. To make Dean's bomb even uglier, the reason Dean is the bomb in the first place is part-strategy, part-gross. "The enemy is sexually attracted to you, ergo, you can get closer to her." Dean is, once again, rendered as sexual (?) bait.
Cas -> Cas is the one who came up with the idea of the soul bomb, but he immediately shows regret and offers to die with Dean. Which releases the tension of how awful it is that he doesn't object... After this, Cas is forevermore anguished at the thought of sacrificing Dean and in season 14, he completely Objects to Dean's Suicide as Solution, even when solider mode!Jack suggests it. Of note, it may also be that in season 11, Cas put up a strong front about sacrificing for the God partially because Chuck was present(?)
Sam -> We are sympathetic to the idea of Sam being "okay" with sacrificing Dean because, at the start of season 12, we-the-audience are shown Sam's guilt over it, and that eases the narrative tension of how horrific it is.
Maybe the guilt over everything wrought in season 10 is what makes Sam and Cas more willing to not object to the bomb in season 11... But overall, for the audience, Sam and Cas's emotions about it make us more likely to look upon the situation favorably. Plus, neither of them is Dean's "parent." We'd be much harsher if John came up with the bomb idea, or Mary for that matter.
To reiterate, no one is responsible, exactly. I'm really just bringing it up as a point of contrast. Each character's relationship to war swings like a pendulum and is greatly affected by their psychological-wounds-of-the-moment. They all tend to swing the extremes, from Apple Pie Escapism to Holy Cause to Black-and-White Rules, etc. (And no one, save Metatron, has the proper mindset in season 11 with regards to war. And he gets killed for his trouble, too...)
Dean + Ma'lak box + "Jack iSn'T fAmiLy"
Notably, in season 14, Sam and Cas flipflop on the idea of sacrificing family. They strongly object to Dean climbing into the Ma'lak box--a stark and welcome contrast to season 11's soul bomb.
Of note, sacrifice MUST BE a complicated topic for Dean here... When you look at the two sacrifices, in Dean's mind, they were collectively rewarded for his hero's sacrifice/soul bomb (the return of Mary) but punished for his "selfish" non-sacrifice/Ma'lak box (the loss of Jack's "personhood" + Mary's death). So yeah, sacrifice is complicated topic. It never emotionally feels like the right thing, but in media and religion and hero stories, it's the heroic thing.
Finally, Jack's bomb is also complicated by the "Jack isn't family" of it all. Dean has more trouble sacrificing and walking away from "family," whereas Sam n' Cas, were always more pragmatic commanders by nature, and have seemed, at least from a distance, way more comfortable sacrificing their (military) family members (See: Balthazar, Rowena, etc). Thus, Dean sunders Jack from family role in order to make the loss more tolerable. It's awful! But very real.
Honestly, I think it gets at the heart of the matter that they're all soldiers struggling with soldier relationships to Cause, especially Dean. The longer Dean fights, the more he becomes like season 4 Cas or AU Earth Michael in terms of feeling insecure in his wayfinding.
The grayer morality gets, the more he can feel the tension of his own wrongdoing and the less "real" everything all feels (derealization/depersonalization). The soul bomb parallel plays into what they're ALL struggling with in season 15--purpose. Purpose/meaning is The Answer to AU Michael (and Chuck's) nihilism/nothing matters theme. But they don't even know what's real anymore.
The war and the horror and the heartbreak has dissolved all the meaning.
That plays into what each of them is struggling with in the terminal seasons. Their shadow selves and their best selves.
Sam - "Martyrdom Versus Heroism" -> You and you alone can do it / Save the world / I won't break your independence even when your safety is at stake / Saving the world at the expense of your own life is brave and noble and heroic -> (Sam's tentative answer to that problem: "I still think it's wrong, though.") He seems to realize, somewhere in there, that restricting power can be protective; that disinhibition of all boundaries doesn't look so great from the other side of parenting. He has an "aha!" moment where he understands Dean's relationship to him re:the complex nature of protection. Yet, Sam's eureka moments don't quite hit. It needs more time to resolve, possibly in the form of parenting his son, Dean, IMHO.
Cas - "Destiny Versus Genuine Hope for the Future" -> Serve the right cause and even heinous actions take on noble meaning / Live up to the big destiny / Be the God I couldn't be / If you're alive, then your life has to Mean Something Big and Awesome / Wield the totalitarian power the right way, in My Image and in Your Mother's Image and in My Chosen Family's Image, and bring the universe to its feet -> (Cas's tentative answer to the problem: "We don't love you because you're part of some grand design. We love you for being you." Cas squeezes in a late "aha!" moment only after the revelation of Jack's incoming second death. Cas rediscovers his faith, but it takes him awhile to have faith in the Small Things, not just the Big Things. Having faith in the future is healthy. Having faith in predestination is not. Like Sam, Cas is not quite given enough room to resolve, but his gets the closest of the main three.
Dean - "The Law of Purgatory Absolutes Versus the Complicated Gray of the Real World / Nothing matters I don't matter" -> Kill the right enemy and the law becomes just / "My life's work is a hoax" / I've been burying my anger all my life and it's finally spilled out like angry Leviathan chompin' at the bit for blood / So, get revenge / Take out the threat / Serve the ugly cause at the cost of our own lives so others can be happy / We are already ruined heroes / We don't matter / Save our loved ones (Dean's tentative answer: "The ultimate killer is not who I am." ) Like the other two, Dean never quite resolves. It would need another good one or two seasons to do so. The Winchesters actually helps with the above! He specifically talked about it in 1x12: The Tears of Clown. However, in SPN Prime he at least doesn't seem to be languishing in a complete loss of hope, which is one positive way to spin the finale. Nor is he switching to a complete pacifism at the expense of the lives of the two Crowther boys they wind up saving. He's not running away/escaping. He's really trying.
And finally... Through all this, there is also the parallel of giving up ("sacrificing") your son to War or to God's Cause, so that you can finally retire, which is the entire Ugly Thing with War as a Concept. Non-fighters (typically symbolic mothers & daughters) + aging fathers are sold the lie that they must give up sons to the Cause in order to preserve and enjoy Freedom (which is WHY Jack's AU Earth nightmares are directly juxtaposed with Dean's dreams of Hawaiian shirts and beaches in 13x23).
Always peace OR freedom, never peace AND freedom.
More than any other character, Jack is symbolic son. He is treated as Heir to his fathers' burdens and responsibilities. And the burden is too heavy.💔
One last set of parallels, then, with Jack AS each main character's Symbolic Fate:
Jack as doomed child (Sam; Boy-king/gold)
Like Sam at various points, Jack becomes the cursed child, kneeling to accept his execution for the crime of "murdering" his own mother.
It's the Sacred Executioner's suicide, too, because this is truly, as Cain said, "The murder that Dean would (literally) not survive." Like with Sam, Dean balks at the order from the father-God and throws the gun away. Tragically, Dean is excommunicated and tossed into a literal headstone, a motif for his eventual Death in the story. Jack dies. Dean "dies."
Sam wounds God in the shoulder and suffers a left shoulder / heart connection with God. For a time, this "infects" Chuck with hope.
Jack as tool of war / blunt instrument / bomb (Dean; Death/myrrh)
When Jack takes the rib-bomb, he becomes Dean from season 11. He feels "unworthy," so he "might as well be the hero / blow himself up to ensure the happiness of others."
The would-be victims and civilians even thank him for it. As Dean told Death, "I don't matter." Heroes matter only so much as their sacrifices are worth.
Also, in comparison to Sam, Jack is fundamentally WAR SON. Whereas Dean was love-offering-object-sacrifice chosen by Amara's hunger, Jack is simply "Simba." He is heir to the burden of Heavenly hero by birthright, outranking Sam and Dean in terms of hierarchy.
Furthermore, Jack is not Earth-son; he's a Heaven-son (the "son" to Sam's earth-son "daughter" role here...I hesitate to use gendered language, but it's about the hierarchy an the expectations of War as a Concept. Jack outranks Sam in terms of hierarchal expectations).
It's also why it's a rib that is blowing up Jack. The rib also calls to mind "Mother," or the simpler, non-gendered poetic: "Earth," as Jack is literally being sacrificed by Earth.
Like with Dean's soul-bomb, Jack survives the lighting of the fuse. Dean survives by getting defused, and Jack survives by detonating in The Empty.
Paralleling the Equalizer confrontation, Death tries to take Jack anyway, the way God took him even when he survived his initial Moriah trial. This time, it's Dean who takes action. He wounds Death with her own scythe, in the shoulder, just as Sam injured God's shoulder.
Jack "escapes" bomb death and Death!Billie, and Dean sets into motion the death of Death!Billie. (Sam's enemy is Chuck!prime and Dean's enemy is Death.)
Jack as God (Cas; God-king/frankincense)
Finally, when he takes God's power, Jack accomplishes what Castiel could not.
This is the final destiny that Jack seems unable to escape--"eating" up all the power and becoming more God than God.
Despite Cas's change of heart in the final episodes, it is ultimately Castiel's burden of Being God and the expectation of Heavenly destiny that Jack inherits when he ascends.
Since during the Equalizer confrontation, Sam wounded God, and with the rib-bomb confrontation, Dean fatally wounded Death, the narrative parallel for Cas here would be to fatally wound or seriously injure powered up!Chuck-mara. But instead, he sacrifices himself for love. (I saw a meta about SPN being a battle royale between Chuck and Cas...this lends some WEIGHT to that!)
In the final confrontation, Cas is absent (dead!KIA in this case), as Cas tends to be. (It's one of his absent!father motifs.) So Jack, as Heavenly son in terms of rank, has to stand-in for Cas, and the price is TOO HIGH. :(
It's a terrible fate. Even when Jack wins, he loses. He becomes nothing and everything.
Sorry. sorry. That was a lot. I was stuck at medical facility, so.
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shallowseeker · 9 months
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Sam, Dean, and Cas are like the three wisemen for Jack
Except they’re not wise at all; they’re just dumbasses.
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And instead of gifts, they give him their unique, individual neuroses. Or like, funhouse versions of the wiseman's presents:
SAM
The gift of Gold, KING / virtue, a symbol of kingship on earth
To quote Sam in season 15, “Jack, you’re the only one who can.”
Jack is also a special child
They fall prey to Jack as the good king fallacy
Sam (and Rowena and Crowley) are all associated with Hellish kingship
Sam in particular is associated to Arthurian boy-kingship
Sam does not take the mantle on for himself, "There will ne no new king of Hell!" but shifts this burden onto Jack
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DEAN
The gift of Myrrh, MORTAL / suffering, a symbol of death, funerals, caskets/coffins, and mourning
Dean’s declares himself Jack's holy executioner if Jack goes darkside
He serves as Jack's "second" in his season 15 suicide mission
Everything about the Ma’lak box (coffin)
Dean considers entrusting your death to someone else to be a very loving act: he chose Cas as his executioner in season 10; he put Cas in the Ma'lak box in the Chuck's AU of season 15
Dean rebels against the concept and he kills death twice for his "children"
Dean has been long-groomed to kill Sam, Emma, etc
He also passes this mentality on to Jack, who crows he'll kill Dean in order to stop Michael because Dean wouldn't want it any other way
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CAS
The gift of Frankincense, GOD / prayer, a symbol of deity and worship
In the beginning, Cas fixates on Jack’s destiny and "story"
Cas seems okay with Jack yielding the Godly powers that Godstiel could not
Cas was a "failed God," but he continually fights the traditional enemies of Yahweh: primordial Chaos as Eve, the Leviathan, and the Chaos/Void Entity in The Empty
Cas doesn’t trust himself not to be evil because he’s very self-aware about his angelic, warlike nature (In Good Intentions script, Cas laments his "angelic instincts")
He believes Jack’s goodness will protect him. (Same mistake Chuck made with Lucifer and Amara in the burden of the Mark, really)
It is the Godly burden that Jack ultimately upholds
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