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#the noble and most ancient house of devereaux
reireichu · 7 months
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If your OC was canon, how would the fandom treat it? - For Sophie
So, I basically had to wait to finish writing Part VI before I could actually answer this question.
Welcome to the giant essay on the Honourable Miss Sophia Catherine Devereaux that absolutely no one wants.
Up until Part V, I would say that fandom's opinion and treatment of Sophia wouldn't be great. Sophie is exactly who she appears to be; beautiful, rich, inaccessible, perfect. She keeps it that way, she likes it that way, she puts on the mask and keeps it on for as long as she can. The little slivers of Sophie, who she is, it starts slipping out all the way through Part I to V. But most of fandom for Part I to V would find her incessantly frustrating, good, and empty and unapproachable--which is, you know, a very deliberate writing choice.
There might be a good amount of Sophie apologists, especially as parts of her get revealed. The hints of her eating disorder, the ambiguous reference to something that happened in her childhood, the slow revelation that she either has been pushed into being exactly like her mother or the opposite of her mother. I think there's a good amount of fandom who would be on the Sophia Devereaux Deserves Better train, because Sophie is very much, deep down, a broken, traumatised girl who has spent her life being repressed and manipulated by every single person around her.
Aegon and Sophie's relationship is probably polarising, because it's a slow burn that isn't very exciting, and the moment they fuck, she pushes him right away. She incites his jealousy by flirting with Rhaenyra. She basically activates Daemon's Creepy Batman mode. Why does she need all this when she has Aegon? This would probably be one of the most frustrating things for fandom, either the people who WANT her with Aegon, or the ones who want 'better' for Aegon. Honestly, it's easy to paint Sophie as a bit of a bisexual bicycle slut, considering that it's hinted that she and Cassandra Baratheon had also been a thing.
Sophie's beauty is something that would also have this great discourse in fandom--is Sophie more than her physical asset, which is her beauty, or is she just this shallow vessel that people project their desires onto? Who the fuck is Sophie fucking Devereaux and why does everyone want to fuck this girl who doesn't give anything away except a witty remark and a dry laugh. She's a projection of ideal feminine beauty, with modern career drive. She's nice and compassionate, she can be a judgement upper class bitch--she's been raised that way, she's a sheltered and manipulated trauma victim--she would inflame a lot of hatred and love. I also think that for some people, she's boring or she's annoying. And then for others, they might identify in her traits about themselves that is a reaction to trauma in their own lives, or a projection of how they react to society--some of this might or might not be writer projection, la la la.........
Fandom's favourite thing for Sophie would basically with a generational comparison to Alicent. Deliberately set up, Alicent and Sophia--two white, wealthy, well bred girls who are being hunted by Targs left and right. Alicent and Rhaenyra in their girlhood versus Sophia and Cassie in theirs. Rhaenyra and Alicent versus Rhaenyra and Sophie. Alicent's distance to Aegon versus Alicent's distance to Sophie. Their physical appearance--although, Alicent has distinctly auburn hair, she and Sophie both have very big big eyes that emote their every thought. It's revealed that Dalton's nickname for Sophia is 'puppy' and her eyes are the reason for that. Those big big eyes, which actually was one thing that Aegon subconsciously draws comparison to his own mother about. The parallels are all there, setting up Sophia to be preyed upon and targetted and ruined by a Targaryen man (or woman), and then...
HELLO THE GHOST OF HAMLET'S FATHER IS HERE TO SUE ME FOR CREATIVE LICENCE.
Enter, Cathy fucking Devereaux.
The ghost of Cathy Devereaux running around like a demented version of Hamlet's dead dad is the best thing about this fic, and I won't hear otherwise because Cathy brings me too much joy as she has singlehandedly devastated every man I put in her fucking path.
The parallels of Sophie and Cathy take over slowly, the shift around Part IV. There's a lot of Cathy in Sophie's memory, even though Sophie stated in Part I that Cathy died when she was ten years old from a sailing accident. It's a throwaway line, drawing this comparison of her and Aegon's relationships with their mothers that then does this face turn, and that's when I think fandom gets really either frustrated as fuck with Sophie or actually want to just put her into therapy. Cathy is this phantom looming over Sophie's shoulder. The beautiful dead girl, the one and only late Catherine Devereaux who Sophie bears a strong resemblance to--I would live for the fucking gif comparison for these two. But to basically be a projection of her mother's memory, I think that's where there's this concern for Sophie. It's taken a toll on her mentally for her whole life--she's described herself as having 'battled nature in my own heart', which is a key thing: is she battling being like Cathy or being the opposite of Cathy? Which is it? How confusing would that be? Who the fuck wants to spend their entire life being compared to the one who came before? I think that's where the fandom view of Sophie slowly slips a bit, they'd honestly either love or hate the amount of influence Cathy has over Sophie even though she's been absent for most of Sophie's life.
Part V, aka the Daemon interlude because how the FUCK did Daemon get his own fucking chapter (I cannot even, I still cannot even--you know what, fandom can either be outraged or happy, I don't fucking know. Daemon's fucking interlude exists bc Hamlet's father deemed it worthy); you start seeing hints of Sophie from a lens that isn't Aegon's or her own. Albeit a Cathy fogged lens, but you still Sophie and Daemon talking, you see how she pushes and pulls a person away with such nonchalance, but you also see that Sophie deliberately plays with fire.
There's going to be one small part of fandom that would gif the fuck out of 'Sophie's staring at someone' to discern whether she's thinking of ruining their whole career. I would again live for these gifs. I will also live for the comparison of them to Alicent and Cathy.
Fandom would also have a blast discussing the Sophie - Alicent - Rhaenyra - Cathy - Laena soft power versus hard power. I wish I could touch more on Laena's divorce, but that's not happening due to the narrative (or for now, because let's face it, I want to see her obliterate Daemon and call him out for being a crappy dad). It adds into the viewpoint of how women either have to push or manipulate and the way they do it. IDK, to me, I would be fascinated over that sort of thing.
Okay, so all of this builds until Part VI where for one gloriously horrid scene that had so much fucking dialogue I wanted to punch every single man in the room (hey Larry!), Sophie's attractiveness, her charm, her appeal, her standoffishness ruins her in the eyes of the viewers and in the eyes of Aegon. A man killed himself over her! She fucked her teacher! She broke up a marriage! She's had an abortion! She's done this to so many people, she's fucking Rhaenyra, she saw you and put you in her crosshairs.
Sophie is a wicked bitch.
She's her mother's daughter.
Beautiful, selfish, wicked.
She's slept around on them, she'll sleep around on you, Aegon. She's the cold perfect bitch you knew she was, and you fell into that trap anyways. Fuck her.
Why is it that Aegon can't have nice things. Did he do this, does he just keep choosing shitty people? He did coke off his brother's fiance's D cups, he drives his lambo into hospitals. Aegon isn't a saint, he's down in hell, but she fucking knew he was damaged and she still decided to toy with him.
And then well.
It makes you wonder, how many people forget the thing that made Rhaenyra worthy of protection, how many people forget that just like her, Sophie was just a girl as well. Alicent was just a girl. They were just young girls in a world where the wolves feast on girls lost in the forest of old country estates.
Fandom, I think, would have no idea what to fucking do about Sophie at this point, because dear readers, no one ever really knew Cathy. She was a beautiful ghost.
Her daughter is exactly the same.
.
.
.
Okay fine, I was being dramatic as fuck.
I think by the end of Part VI, fandom will erupt into two camps where you will either love her or hate her. You can believe what was said at the intervention, or you can question it. How much of it was true? How much of it was real? What part of her 'relationship' with Aegon so far has been real? And then, and be united in the question of "what the fuck happened and what truth are they hiding?" and also united in the camp of "alicent's marriage makes me want to commit violence" and many other things. I'm firmly in the "raise your hand if you've been personally victimised by Cathy Devereaux" camp because I'm writing the whole fucking thing.
Some of the things they said about Sophie at the intervention was true. I won't tell you what was true, you can work it out yourself.
Yes, Sophie has been seeing Rhaenyra since the benefit, one and off.
Aegon, the inflamed little hypocrite, has been fucking Cassandra. I like to think that this is equal opportunity sluttiness for them both.
But, there is something that I think fandom can appreciate about Sophie in a way. I think that Aegon's compassion towards Alicent, how he says to her what Sophie said to him, seeing him lost and broken, the first compassion he's shown to his mother in a long time, I think that some of fandom will appreciate the fact that this was something Sophie has influenced. She's never tried to fix Aegon, but there is an influence there. She's not going to tell him to stop being a trainwreck--she's a bit busy, being haunted by ghosts, being a doctor, telling Jace and Hannah off for being so cute together--but she has gotten through to him without forcing it onto him. It's a rare thing, but it's one of the parts of the story that I've been trying to build towards.
Also, in other breaking news, I now have to write the rest of this fucking melodrama, so excuse me as I go fling myself into the lake with the exiled Russian prince's drowned wife.
Stay tuned for another episode of meta and insight no one asked for, next week featuring the rom-com known as Jace Velaryon and Hannah Kim and how Jace mispronounced bulgogi!
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Do you have a headcanon about the origin story of the blacks? Like where they come from, the first wizard with the surname, where do their wealth comes from etc?
It's funny you ask that, because I’ve had a Pottermore style entry about the founder of the family (created by @izzythehutt) saved in my Ozymandias pages doc for months that I can finally use haha.
Ophiuchus Black I (1038-1085)
Ophiuchus Black was born Ophiuchus Devereaux, bastard son of Odo Theroux and Theodrate Aubert. In his childhood, he was spurned by his father—cast aside as a mistake born of too much liquor—whilst he was doted on by his mother, who whispered notions of his rights as the firstborn son, bastardy notwithstanding.
His father, however, was in time given a trueborn son through his wife, Judith. Ophiuchus grew up in the shadow of the young and handsome trueborn—Arnoul—who looked every inch a son of the Theroux family—blonde hair, blue-eyed—whilst Ophiuchus had inherited the black hair and grey eyes of his mother. It was said that the brothers shared a relatively hostile relationship, never having taken a liking to each other, though things seemed to change upon Arnoul’s ascension.
Shortly after his father’s death, Ophiuchus pledged undying love and loyalty to his trueborn brother—a change many considered suspicious due to whispers of his insistence that he was his father’s true heir—but his brother accepted the pledge, reconciling with his half-brother, going so far as to offer him a generous portion of land for his fealty.
This, however, was short-lived, as the young Arnoul would pass away shortly after assuming his position, being grievously injured during a hunt. Many found his death suspicious—some going so far as to suggest Ophiuchus had orchestrated it so he could inherit—Though, there is not enough proof to back such a claim.
With Arnoul’s death, Ophiuchus—Odo’s last living son—became the de-facto heir of the Theroux lands and fortune, wedding the daughter of his father’s brother to seal his legitimacy.
It was with these newly acquired lands and fortune that he sought out the Duke of Normandy, William, who many knew had aspirations for the throne of England. He offered his services, eager to expand his growing influence by creating connections to the English throne.
William accepted, and he, along with thousands of soldiers, sailed with him to England in 1066 after the death of Edward the Confessor. When they met the English forces at Hastings, Ophiuchus fought fiercely, leaving a trail of bodies in his wake, wizard and muggle alike. Some witnesses even attested to him being the one to strike down Harold Godwinson—the last Saxon king of England—with a well-aimed Entrail-expelling curse, winning the day and all but sealing William’s rule.
Ophiuchus, as a reward, was given a large swath of fertile land in Suffolk and riches beyond his imagining that he used to build Noire House, the ancestral estate of the Black Family.
Electing to stay in England and establish a legacy of his own, Ophiuchus decided against keeping his bastard name or assuming his father’s—instead, taking on the name of Black—taken from ‘Ophiuchus The Black’, a fearsome moniker he had been given by the Saxon soldiers due to his distinguishing black steel armor and the dark magic he was famed for practicing.
He lived the rest of his life serving King William faithfully, striking down rebellions with a brutal, ruthless approach whenever they occurred. He died at the age of 47 due to a bout of Dragon fever, being survived by three sons and four daughters—beginning the Noble and Most Ancient House of Black.
You can tell by reading it that I take a lot of influence from ASOIAF lmao. Bastards and dramatic kinslaying all over the place. Ophiuchus is basically Ramsay Snow combined with Tywin Lannister.
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reireichu · 7 months
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We'll forever have the scars.
VI. The ghost of hamlet's father.
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“How much longer am I here for.”
“An hour.”
He shifts over in the gurney, and Sophie stares.
You don’t want sweet and normal. You’d die if a man tried to protect you with chivalry and honour. You want the dickhead who is stupid enough to yank out itchy IV lines. You would be bored within minutes if you had nice and normal. You’d eat them up and spit out the bones, dab your mouth with a napkin and move onto the next course.
And you stayed.
(When was the last time someone stayed.)
The title honestly just gives it all away.
Every time I wrote the name "Cathy", I just heard @theonngreyjoy screeching "MY WIFEEEEEE" in the background.
Also, justice for Alicent because honestly every time I wrote about her shitty marriage, I wanted to commit violence.
We'll forever have the scars @ AO3.
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reireichu · 7 months
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No lies I am going to one day go fuck it and fully commit to god damn posts exclusively about this gothic horror story romance clusterfuck known as the Devereaux family because there’s no fucking way it’s only two generation of messed up babies. ITS ALL OF THEM.
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