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loverfighter · 5 years

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well. i think i’ve finally pinpointed the Thing abt chapter 2 that really digs under my skin / makes me uncomfortable to look at too closely (not the character execution of half the losers which is major and probably reason numero uno why chapter 2 does not live up to the book nor first movie and i Will go on abt later but i’m waiting to finish my reread to do so) and it’s essentially that eddie and richie are almost.... forced apart for a lot of it. in chapter 1 we have so many moments, countless looks and gestures and dialogue to point at and say look! there! that’s why they’re in love! where the impact these characters have on each other holds weight and they’re so deeply intertwined to the degree of siamese twins, one never without the other, never farther than a thought or heartbeat away (physically touching in one way or another anytime they can, a beacon through the walks of hell). it’s clear, on both ends, that whatever love they hold for each other is profound and heavy and embedded six feet deep into each other’s souls, transversing across memory, distance, time. even in the background of a scene in which the main focus is ten feet away, highlighted in red and grasping at your attention, you can spot eddieandrichie⏤together, inseparable, linked.

with chapter 2, this dynamic is hinted upon, and given to us through flashes, but never through scenes alone (prior to neibolt) or actual context. in fact, the scenes we Do have in which their magnetic pull towards each other is allowed narrative (hammock, eddie taking off the shower cap, eddie looking away smiling after richie’s “what the fuck does that mean”, going into the photo booth separated from the rest + eddie pulling richie in, eduardo! andale, them expressing constant agreement w each other through gestures, all of the jade of the orient stuff, etc) was courtesy of the actors and not the script or (likely) direction. bill even said that He was the one who had to push the clarity of richie’s sexuality, to clearly express that he’s gay (“““movie canon”””), while andy and the rest thought vague would be the best route to go in fear of audience reaction. and even then! it’s not as forward as it should’ve or could’ve been (considering they pulled eddie’s canon death scene w the love confession + more emotional moments between them in that setting + the supposed kiss), and oh! not to mention stripping eddie of his own homosexuality and giving richie the bowers storyline, which was the scene that cemented his sexuality in the movie, making it clear that the crew knew the dynamic and context of the interactions between eddie and bowers.

the point remains that all of the “official” reddie scenes are... kinda out of nowhere? we are given spare information, but lacking any context, leaving the general audience with no way to complete the puzzle with a dozen missing pieces. during the flashback, we see richie carving r+e on the kissing bridge, set after the events of the arcade, and obviously the e stands for eddie, but that’s it! nothing before or during that flashback gives the average watcher any information besides that, and the ones of us who are invested have little satisfaction from that moment alone, when we’ve been building it up and expecting an actual storyline, rather than 5 secs in a minute long flashback clip (that is to say, the r+e is one of my fav reddie scenes, but maybe they shouldn’t have teased it in the trailers if that was all it was gonna be?).

richie is the one to calm eddie down, snatch away his inhaler bc it’s meaningless physically and damaging psychologically, and tell him “you’re braver than you think.” but why is it that richie is able to get through to him when no one else can or bothers to, why richie, why does he understand what eddie needs to hear, why does eddie listen and take it to heart, especially when richie is the one emphasized to have a crush on eddie and not vice versa? they’re important to each other (on a deeper level than they individually are with the rest of the losers), it’s clear based on that scene, but that’s what it’s left at, with no scenes or dialogue previous to that moment propping it up, other than the r+e, which doesn’t account for eddie’s reaction. and then, they’re together when they face the doors, parallel to benverly who are shouting their love at each other. again, this is telling us something, which is less surprising based off of the inhaler scene 5 mins prior, but then it swiftly plummets to eddie essentially sacrificing himself / saving richie. again: why?

to me, it’s obvious. to y’all, it’s obvious. we all know well enough, right. but susan in the seat next to me doesn’t, nor do her two friends, or even my friends (getting new ones) or the majority of people who came out of that theatre. they walked out of there and didn’t understand the relationship as requited bc they weren’t given the context and love and soul of reddie. and i think what upsets me most about that is that i can’t just brush it off as them not understanding the nuance or depth of a stupid clown film (if it was the stupid clown book, sure, or even the first stupid clown film but) bc it was done on purpose. they were afraid of negative responses to the lgbt storyline (and god forbid there’d be two of them in their precious big studio film), and so they strangled the heart out of reddie. and because reddie became canon (or richie’s crush became canon), they had to tone down the “gayness” of their relationship, because now the audience would have a new perception of what they were to one another, and no longer have the cushion to brush it off as a “brotherly relationship” (sorry finn). take bill and mike for example! objectively, they were probably “gayer” than reddie, because they were allowed to touch, to show affection, to say i love you. but of course they can’t be gay, bc bill has a wife and they don’t see mike as enough of a person to give him anything good.

it’s like. what they (production) Have given us is flashes of moments that they are barely responsible for and bury ur gays (fantastic rep), wherein the sexuality of the character that actually dies is kept vague so that the record breaking number of people that went to see their film (who frankly don’t even care) won’t think the film is too gay. like. LMFAO it’s so dumb and frustrating bc on one hand we’re valid for clocking reddie but on the other we’re Too Wild for thinking that it’s a requited love story. like yes, i’m grateful that richie’s sexuality (re his attraction to men; i think he’s bi, movie canon leans toward gay but whatever) is canon, that the wretched grief he felt at losing the love of his life was Shown if only to paint how deep the emotion he felt went, that r+e is forever carved into history. but that’s hand in hand w me being upset over eddie’s character and sexuality being sidelined, at the graphic depiction of gay men being murdered with no full circle moment as it Should Have Been, at having to defend reddie as canon bc some cowards in the editing room couldn’t handle the negative reviews of a few bigots at the expense of their invested and loyal and passionate audience who care abt this story and the characters within it.

idk. anyway. this is the result of me going crazy so don’t pay it much mind but. imagine how fucking tired i am

#this is my ansel moment

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elizabethrobertajones · 7 years

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I'm behind on meta so please feel free to ignore this if it's been already talked about, but I thought it was interesting how - as weird or sort of unusual that fight scene was with dean and the demon, or at least i don't recall anything like it - by making it look sexual and obviously violent, it kinda parallelled Mary's struggle with that asshole hunter. What weirds me out is that it puts Sam & Lucifer in the same role of saviour which is never good, but maybe they just wanted to connect them

like that bc they both want a connection w/ Jack, maybe even see themselves in Jack, who knows lucifer;s side, since they were unable to provide dialogue 4 him besides repeating how Mary is weak bc she gets tired & is all humany and they need to get out and he might need her. ANYWAY, shitty writing aside, do u think it was a parallel and if so what are they trying to say? Was it to show that maybe Sam’s intentions aren’t the purest either, not in an evil way but like bc he’s so intent on gettingMary back that he might be blind - for different reasons than Dean - to Jack as a person? He’s trying so hard & almost doesn’t even entertain the thought that Jack might be corrupted by his power at some point, or by Hell which we see almost happens bc of lack of info. Sam seems to hold on to as much hope as he can, while Dean is at the opposite end of the spectrum (hmm I wonder who could balance it out?). But what do you think of Sam having been weirdly aligned w/ Hell like, he even unwittinglygave the info to Amodeous about how powerful Jack is, while Dean, without even trying, seems to be Jack’s role model for Good (& I love how Jack has a Dean decoder built in) and he even throws him a Bible to read (which, if presented without commentary can be risky, he’s better off reading the Supernatural books, but still, it’s the Holy Book).

Hi! What an ask :D Also I am ALSO so behind on meta so I’m just going to answer this like it’s all new to us, sorry everyone who has already been over this, me and anon are going through this together ;)

To go through chronologically because I’m super tired so I need to break this down…

Yeah, awesome weird fight scene. I loved it - Tink said something about them having a new fight coordinator? There’s been 2 incredible fights back to back for Dean so far and I’m loving it. This one was great I think with the director as well - I feel like he of all of them takes liberties with BL scripts and puts in extra nuance and missing implications that their writing didn’t pick up… He’s 99% responsible for the crypt scenes for example, and in 11x21 included ALL the nuance that made the longing retcon magic happen between Amara, Cas and Dean, just by visual implications. He also super digs the prison imagery and bunker porn and generally using the locations really well… I don’t know much about all the different directors but I’ve learned that seeing his name means it’s time to get excited and nerdy about what I’m going to SEE :D

So yeah, good combo. It made a great parallel with Mary’s fight which I liked first of all just for the Mary and Dean paralleling, especially as she needs connections back to the main storyline just for asserting she still exists, because as you say it was pretty bad writing especially around Mary in that episode, where she just dragged herself around after Lucifer and needed saving. Putting Dean in a parallel situation somewhat defuses it in overall handling of the nonsense, even if I don’t like that it was written this way in the first place. I have still not had time to explore my dash much but I hope people have been making posts about the parallels to female fight scenes, especially Black Widow in the marvel movies… In my notes I just commented he was straddling people to death and left it at that (even though that obviously wasn’t what he was doing - it was a shorthand for the fight style :P) but really it also mirrored 10x15 and Dean in that weirdly charged scenario with whatisface, where he got straddled and had the worm coming out Cole’s throat while leaning over him etc and it put Dean in a very submissive role to all that. In the same way, having Dean fight back by getting his legs around the guy and ending the fight literally *cowering* on a bed with the demon standing over him with the phallic knife, was a fascinating staging of power dynamics where he actually looked more vulnerable than Mary did.

I think Lucifer nice guy’d it - he said he needed Mary and when she wouldn’t go along with him, immediately started whining more and hurt Mary just to make her complacent and remind her that he was still in charge and more powerful than her. Sam of course has no such dynamic with Dean, but I think overall he’s going to be more assertive this season and carrying on - according to the PR - with having more of a leadership role in the dynamic. He’s definitely making the better choices right now while Dean urgently needs a personal day or six. So I think first and foremost it’s a compare and contrast rather than a direct parallel. There’s a great gifset I reblogged somewhere or other about Lucifer in 12x23 saying hurr blurr I can’t raise my son from a prison cell, and then Sam in the cell with Jack just captioned “HOLD MY BEER”, and Sam currently is the only positive father figure - and actually the ONLY father figure *on the board* for Jack, since the pool is Cas - dead, Lucifer - in the AU, Dean - not interested right now… Meaning Jack is pretty much Sam’s sole responsibility and the Lucifer vs Sam stuff may be being played as an oppositional thing. So Lucifer being a dick to Mary after saving her but doing it conditionally and in an attempt to make her go along with him (and that he only wants her to trade for Jack anyway) vs Sam just saving Dean because they love and trust each other already forevers and there being no terms and conditions except for not wanting his brother dead for well duh reasons is… nice.

But yeah it does also put Sam in a weird place where he’s being paralleled to Lucifer in any way and he has that long history with him. And I think by and large this is supposed to be positive for Sam and all but I agree with you that Sam can and maybe will fuck it up, and being oblivious to the dangers is the main way. In the “Donatello” conversation he doesn’t notice that Donatello switched from “Jack’s nature wins” to “let’s try moulding him” which was Asmodeus’s idea (and Sam’s) - but because Asmodeus was AGREEING with Sam and Sam was assuming he meant for the better, then he didn’t notice that Donatello was suddenly agreeing with him.

I think it’s pretty inevitable Jack’s going to have some sort of wobble - we’ve seen Lucifer is a tiny bit in his head even if he already picked Cas as his father and it’s clear he has a good heart, Asmodeus showed how easily some trickery and the path of good intentions can open a portal to hell (aww season 4 Sam) and that is something Sam himself has to deal with and his his hugest character thing overall - his arc led to that, and then on the other side of it has been about repenting for it and feeling awful that this was what he was basically raised to do >.> He should hopefully be a good influence on Jack to guide him away from repeating his mistakes but only if he can see the problem in the first place.

(Also yeah I love Sam and I’m excited and positive for his relationship with Jack but like you I think we do need to think about the problems, Sam’s lack of experience, this being a complicated time for him to take charge of a thing when historically almost every time he has been in a position of responsibility or strength he’s fucked it up when handling things himself, or else gone down some really dark paths… I think he CAN help Jack and ultimately WILL but that doesn’t mean it might not be rough along the way and I think people need to be prepared for that if they’re getting invested in it… Maybe even more so than the people who want Dean to be good with Jack and are getting upset about how hard it is because in a way that is a much more obvious problem and we were warned about it from the start, while Sam and Jack seems like such a good and pure thing it might be easy to let your guard down that the show can easily insert trouble and darkness into it…)

I wonder if there will be some tension to come between Sam and Dean about Jack kinda latching onto Dean though? Because I’ve wondered before that he is the moral centre of the show and Jack was mimicking him because he’s sort of needing Dean’s approval too, not just in a survival way but because Dean is so SURE of what is right, so being like Dean is default being right. (I think Sam has said something similar in 3x07 about always following Dean around trying to be like him when he was young? In that “i know when you’re scared” argument) And of course Dean being so sure of what is right and Jack not meeting that standard by default has been a massive part of why Jack levelled up in Winchester self-doubt and self-hatred in just a few days. Took less than a week to ruin him and Dean’s standards are probably a large part of it >.> So yeah, I hope Sam understands all the nuance of why Jack might have been mimicking/idolising Dean when Sam is the one trying to be the positive role model to Jack, just because he knows the force of Dean’s personality. I hope he doesn’t take it as a bad reflection on himself, ESPECIALLY if/when Jack fucks up as I feel will inevitably happen.

I think it does sort of reflect Sam and Dean’s long-standing alignments though… I just remember the season 6 poster where Sam has the snake and Dean has a literal freakin’ halo because subtlety? What is that? :P

#Asks #13x02 #nougat winchester #sam analysis #dean analysis

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firebirdsdaughter · 5 years

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Every odd number for the writers questions

Wow. Apparently, ask answers do not like number lists… It screwed up the formatting!

But worry not, I fixed it. I’ve left the answers on the even numbers bc I am a little particular about patterns.

do you know how you want the story to end when you start, or are you just stumbling through the figurative wilderness hoping to find a road?

Both. Sometimes I start w/ the ending, then have to figure out how to get there. Other times, it’s like running head first through a massive snowstorm. XD

on a scale of 1-10 how much to enjoy incorporating romance into the average story?

Also varies. There are times when romance feels natural, even to me, even though I’ve never been a huge romance fan. So it goes from 1 to maybe 5. Very rarely, might hit the higher numbers, even.

what is the plot bunny you’ve been carrying for the longest? optional bonus question: do you ever wonder why you haven’t written it yet and experience deep existential dread?

Oh, wow. I’m afraid the great chaoscape of my brain is so messy even I can’t locate everything. I’m not sure if there’s anything I’ve been caring around that I’ve never even written a single word of? Or at least tried to start? The earliest thing I can think of is a retelling of Robin Hood from Prince John’s point of view?

tell us about one of your characters who’s an absolute joy to write

I love writing sassy characters, though I may not always hit the mark. Additionally, really delightfully evil bastards are fun to write too.

what’s a series or franchise you secretly or not so secretly think you’d be, like, a REALLY good writers for if they’d stop being cowards and hire you already?

TOOOOEEEEEIII! XD But more seriously, or rather realistically, there are any number of TV shows in the US where I’d be more than happy to step up.

if you currently write fanfiction or have ever written fanfiction, please tell us about the plot of the first fic you ever wrote

Bold of you to assume I remember. XD If we want to go by ‘first fanfiction I published online’… It was a Circle of Magic story about a weird magical disease called the ‘Mage Eater’ spreading and eventually reaching the Temple, w/ both Crane and Niko coming down with it. OCs galore (I lie--there were only two).

are you a podcast person? if yes, any recommendations for podcasts talking about writing/being creative in general?

I am not a podcast person, I’m afraid. I must defer this question to my sister and her true crime podcasts. Except not, because she’s not here.

in an ideal world where you’re already super successful and published, would you want to see a tv or movie adaptation of your work? why or why not?

OH GOD YES. Well, I mean. It’s kind of a double edged sword. I have certain works that I feel like I’d be down for letting there be adaptions… Provided I could be involved. Mainly bc there are certain aspects of some of my writing that I would want to be kept authentic, and maybe not subjected to… Certain things that can happen in the large entertainment industry.

at what point in the process do you come up with titles, and how easy or hard is that for you?

It depends. Sometimes I have a really easy time--others I have to give them working titles and go from there. And no matter what, those titles sometimes change. I wonder if any published authors sometimes become dissatisfied w/ their titles even long after the work is published?

what’s something neat you’ve learned while doing research for something you were writing? also, how much do you worry about doing research in general?

Given that right now I am very tired and also drinking alcoholic seltzer (not joking!), I’m afraid I can’t remember anything in particular. ^^; If it counts, there’s actually something I learned while reading about history that inspired a work--the fate of Dr. Rodrigo Lopez, a Portuguese Jewish convert who served as Queen Elizabeth’s physician until he was accused (probably framed) of attempting to poison her, and executed. The Queen, however, maintained his innocence until alleged conspirators ‘confessed’ (naturally under torture, welcome to Tudor England). Even then, she took ages to sign his execution order, and then allowed his family to keep his estates et al. despite the fact that he was convicted of high treason, and those should have been forfeit to the crown (please note--this is an extremely condensed and paraphrased version by memory, and should not be cited for anything ever). As for how much work I put into research… It varies. With fanfiction, I’m not so invested. I’m already playing havoc with canon, so I mainly just try to research the basics and work from there. In other things, I’m more particulate--in my attempts at novels and short stories, I put in more work. Managed to justify using my Elizabethan era novel as a project for joining a class that spent a week in England for research. … Did that make sense?

BIG ask: what do you think is the most important component of a good story?

Oh, gosh. That is a big question. Frankly, I don’t know. What I look for varies in work to work, and I think different types of stories have different kinds of needs. It’s not an ‘exact science,’ so to speak, and I think the answer would be different for different people. I think the main thing I look for is whether or not I can care about any of the characters--or just, anything at all. If I can’t care, I likely won’t stick around.

okay, now that we had that nice one: what’s your WORST writing habit? dig deep, own up to your crimes.

I’ve been known to get… Unnecessarily weird and complex, for all I’ll whine about it in other media, I’ve been guilty of going just as over the top and nonsensical myself. Mostly in my middle to high school days, but I’ve caught myself veering into it again and again.

hey - what are you working on right now?

Define ‘now.’ XD What I’ve been working on the past couple nights is a Zero-One fic, actually. It’s a scene between Yua and a (post imagined reform arc) Isamu. Otherwise--there’s three books, half a dozen fanfictions, and a few short stories.

#Anonymous #Asks #I'm sorry I am very tired right now

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yuzuria · 6 years

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whatever points u havent done yet, if it's fandom then gntm

heeey nice, thank u bio-chan :*

under the cut because this is gonna be long, i know you want only gntm but i took the liberty to add my dr opinions bc i won’t prob have this opportunity to voice them out prompted (not rly) in the future

a - ships that you currently like a lot. (they don’t have to be otps because not everyone has otps.) friendships, pairings, threesomes, etc. are allowed.

the otp atm is obviously komahina, it’s incomparable for me, i’ve been in rare otp fandoms for years so it’s like being enveloped by a fresh sea breeze when i got into it, it’s the most popular ship in dr, has the most fan content where the good ones outweighs the bad ones, and their relationship was fulfilling, it’s also the closest otp of mine that has reached canon.

other ones i love a lot right now are:

dr ships: hinata/servant (it’s komahina but i’m so invested in this dynamic in particular and there’s almost no content for it), kamukura/komaeda, kaede/miu, tenko/mikan, kirigiri/sayaka, touko/komaru, sonia/akane, lowkey shinguuji/amami and pekoyama/koizumi

dr friendships i’m invested and want to see more: komaeda/sonia, komaeda/kirigiri, komaeda/any girls tbh let him have platonic relationships with girls, familial komaeda/monaka, amami/kaede, hinata/natsumi, tsumiki/asahina, sakura/asahina, dr1 girls

gintama ships: tae/sacchan, kagura/nobume, takasugi/zura, kyuubei/tsukuyo (guess which ones are your influence)

hnk ships: diamond/bortz, ghost quartz/lapis lazuli, rutile/padparadscha, cairgorm/phos, cinnabar/phos

c - a ship you have never liked and probably never will.

dr: all het ships minus celesgami but i also grew out of it eventually, they’re all mediocre at best and i dislike the popular hetero ones-- namely, naegiri, hinanami, kamunami, kuzupeko, sondam, souda/sonia, akanidai, saimatsu, kaimaki.. also i never saw the appeal of chishimondo and the pairs involving the three. mahiyoko is forced in my opinion and their “moment” which gained them an alternate title “soapies” was distasteful. soudam is simply boring while i dislike hinadam out of spite. nobody asked but my most hated ships are komaegi, komamiki, hinaegi, kamuegi, and komahinaegi (stay those out of my sight)

gintama: shinsengumi centric ships, joui centric ships minus sakagin and takazura (i entertained the idea of the former but never beyond platonic), gintoki/every girls minus tae, sakamutsu, hijimitsu, tsukisachi, mutsumata, bantaka, takahiji, konzura, the gross pedophilic ones, okikagu, kamusoyo, sabunobu, ginshin, etc

d - a pairing you wish you liked but just can’t.

i don’t really have pairings i “wish” i liked because i know what i love and what i don’t tho the hnk one is an exception, i think i have the need to say that,, but i guess i feel envious with the content victuuri is getting i wished i i liked it so i have a lot of merch to buy whenever i go to cons but nah... im happy with my own otp

e - have you added anything cracky/hilarious to your fandom? if so, what?

i don’t even know if they’re considered hilarious, probably annoying which are a lot in my twitter, this one is my fav wholesome headcanon though

this one is my first dr post which somehow has the most notes i have ever gotten

i don’t think i have one in gntm

f - what’s the longest you’ve ever been in a fandom?

i’m not active in atla but it’s basically my first fandom and i still love and enjoy the fandom content so yeeep

g - have you ever had an otp? if so, do you remember your first one? who was in it?

embarrassing but toph/aang

h - what is your favorite source text for fandom stuff (e.g., tv shows, movies, books, anime, western animation, etc.)?

anime but most of the time it’s just a way for me to get into a fandom and i usually like the source material (manga, games, etc) more

m - name a character that you’d like to have for a friend.

anego

n - name three things you wish you saw more or in your main fandom (or a fandom of choice).

gintama: tae fighting and an arc of her own, gags with nobume or takasugi, in general less of that blue pubes and more about girls without their respective dudes’ influences which suck because the girls are amazing yet the arcs they’re centered in still revolves around dudes i am so tired

dr: more focus on asahina :/, kirizono and kaemiu content pleaaase, and komaeda making friends other than his boyfriend???

o - choose a song at random. which ship or character does it remind you of?

I got Lucky Stars by Lana Del Rey, yeeep, komahina

p - invent a random au for any fandom (we always need more ideas).

i’ve always wanted spies/mafia au with best gintam girls, guns and aesthetic black or white clothing or military clothing whatev keeps me going

q - a fandom you’ve abandoned and why.

sports anime fandom, i used to be in multiple sports anime fandom but after getting into gintama i dropped all of them and lost interest,, give me sports anime girls you coward... other than basketball or volleyball idk moe catastrophe or the most “feminist” game of the century that is keijo

r - which friendship/platonic relationship is your favorite in fandom?

sasaki/nobume, kagura/tae, and gint*ki/tama in gintama

komaeda/monaka in dr

s - show us an example of your personal headcanon (prompts optional but encouraged)

my default headcanon is all my fav girls are lesbians

after sasaki’s death, rather than going with the shinsengumi or military in general i want nobume to stay with the yorozuya

nobume becomes a transfer student in 3Z and wears a black sailor uniform with long skirts, sports a nailed bat, and an honor student. sasaki adopted her from young age and is the most doting father ever during the festivals and always cheering for her, “yes that’s my elite daughter, nobume-san” i teared up. kagura, on the other hand, had a growth spurt in the middle of their third year so she looks like her yorozuya movie design with her glasses up and taller than nobume.

i have a hc how komaeda/hinata/kamukura would look like as girls too

komaeda: has a long messy hair, wears the same clothing as the regular one (pants and not those sexy short shorts with thigh highs and garter belt, regular komaeda would wear that though ;) ), petite and still 180 cm

hinata: same hair, around 165 cm, regular bust size and has strong arms that can carry her tall gf, pretty packed, wears skirts with suspenders

kamukura: same features as hinata but her long hair is tied in a low ponytail, then same clothing

t - do you have any hard and fast headcanons that you will die defending?

kagura never had interests with boys and when she grows up that’s where she realizes she’s a big lesbian and in love with nobutasu ;;

komaeda feels EXTREME distaste towards memes and puns, he doesn’t like them at all, he leans in a poetic side when he speaks, make him a pretentious john green character than a meme fuck (remember when he said if the sunflower is the symbol of hope then he’s the ground where the roots cling on?? and also one of his few hated gifts is a ring with a bad pun??)

w - a trope which you are virtually certain to hate in any fandom.

girls who only serve as a plot device especially a manpain, bonus point if she’s pining on the said dude but ends up being sacrificed for the dude

MC dude whose dick wants to be sucked by almost everyone, it’s tiring and gross

pedophilic themes

moe slash fantasy slash harem slash romantic comedy slash ecchi

pretentious characters with god complex

y - what are your secondhand fandoms (i.e., fandoms you aren’t in personally but are tangentially familiar with because your friends/people on your dash are in them)?

v*ltron unfortunately

saiyuuki a bit bc of you and emilia

fire emblem/persona (i played some games but never finished it so i mostly don’t feel too attached with them)

some other video games

kpop

#thx for always having my back luv you #jen ask #piduai

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