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mst3kproject · 3 years

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The Ape

In the vein of movies that should not be confused with eerily similar previous entries, The Ape is distinct from The Ape Man... but not by much. Both feature a slumming horror superstar, glandular secretions, and a stupid gorilla suit. All these things also showed up in early seasons of MST3K, of course, and The Ape Man also has a surprise bonus. Apparently, the guy in the gorilla costume is none other than Crash Corrigan, of Undersea Kingdom!

Long ago, Dr. Adrien lost his daughter to polio, and ever since he's been obsessed with finding a cure. That sounds pretty noble, but unfortunately, Adrien is a mad doctor, so the cure he comes up with requires killing healthy people to drain them of their cerebralspinal fluid! In order not to arouse suspicion, he kills and skins a gorilla that escaped from a circus, and wears its hide when he murders people... you know, as one does. To nobody's surprise but his, he ends up getting shot, but hey, at least he cured beautiful young Frances' paralysis!

This is a weird, dumb movie but one thing I can say in its favour is that everybody seems to have given it a good try. This material was far beneath Boris Karloff but he takes it seriously and actually gets a couple of decent moments, as does Maris Wrixton (who was also in The Face of Marble) as Frances. Nobody else is even close to Karloff's level, being just bland 40's actors who talk too fast, but none of the main cast are phoning it in, either.

Conversely, the worst thing in the movie is its truly horrendous gorilla suit. The puppet face shows the actor's eyes and can curl its lip, which is cool, though the features don't look very gorilla-ish. The rest of the suit, however, is terrible. It's way too shaggy and in order to give it a gorilla-like silhouette, they stuck a big hunchback on it. This might have worked if Corrigan had tried to walk on all fours like gorillas actually do, but instead he waddles along upright like a toddler with a full diaper, which ruins it. The people who made the movie also appear to think gorillas are nocturnal which, for the record, they are not.

Gorillas were kind of a big thing in movies of the 40's and 50's. The species had been scientifically described a century earlier, but hadn't really been studied until the 1920s and most people had never seen one outside of King Kong. Films of the period were not kind to the gorilla. One of the first gorilla movies was 1930's Ingagi, which purported to be a documentary about gorillas kidnapping women as sex slaves. That kind of set the tone, and subsequent movies depicted gorillas as creatures prone to violence and rape. Examples from this blog alone are numerous: The Ape Man (1940), Panther Girl of the Kongo (1955), and Bride of the Gorilla (1951) for starters... Robot Monster (1953) might also count.

The Ape has a slightly more nuanced approach to gorilla behaviour. Yes, its gorilla does maul people to death... but the first victim is its trainer, who has been shown mistreating it. Another circus employee even tries to tell him that he'll catch more flies with honey. When the ape batters its way into Dr. Adrien's house, it does so in order to get at the trainer's coat, which Adrien left draped over a chair when the dying man was brought to him for treatment. We see far more fear of the escaped ape than we do of the animal itself, and it does not commit near as many murders as Adrien does while dressed in its skin!

So that's halfway progressive for the 1940s. We can also look at the treatment of Frances, the wheelchair-user partially paralyzed by polio. She is clearly meant to be an object of the audience's pity, and Adrien is obsessed with making her able to walk again – as he could not do for his own daughter. To some extent the movie infantilizes her, as she is clearly dependent on her mother, unable to have much of a social life, and her boyfriend Danny professes his willingness to 'take care of her'. When she regains movement in her legs at the end of the movie, she and her mother immediately burn her wheelchair. Apparently she's not allowed to build up her stamina slowly... if she walks ten minutes from home and then can't continue, she's just gotta sit there until she recovers or somebody finds her.

On the other hand, Frances' family aren't trying to force Adrien's possible cure on her, but let her choose it for herself. Her mother doesn't mind looking after her, and Danny is happy to accommodate her by, for example, hiring a cart so she can accompany him to the circus. Danny in particular is very suspicious of the fact that the injections Adrien gives to Frances are causing her pain, and takes the doctor to task for it, telling him he would rather have her disabled and happy than walking but in pain. “I'd rather carry her around all my life!” he says. Her loved ones are willing to try for the cure, but it doesn't seem like anyone will be miserable if it fails. Frances herself wistfully admires the acrobats at the circus, but shows no anger or bitterness that she cannot be like them.

Frances is even allowed some initiative, as she hurries down the road in her wheelchair calling to Dr. Adrien and trying to warn him that the gorilla is in the area. This, ironically, is what leads to Adrien getting shot, as it attracts the attention of the posse hunting the animal. But as Adrien lies dying, he gets to see Frances standing for the first time in ten years, so I guess we're meant to think this was all worth it.

But was it? Several people died in order to provide the spinal fluid that helped Frances heal. The movie shows them as terrified of Dr. Adrien and/or the gorilla, but other than that it is oddly uninterested in their fates. None of the deaths are presented as tragedies, with families left in mourning... the only family we hear about for the gorilla trainer is a father who is already dead, and another one of the victims was an asshole who told his wife if she didn't like him cheating on her she could always drown herself(!??). So... are we supposed to think they don't matter? That their deaths are acceptable because they helped Frances – who was not dying or even deteriorating, and was satisfied with her life as it was – to a cure?

It is notable that we do not see what happens when Frances finds out that people had to die for her to be able to walk. She would have to reassess her opinion of Dr. Adrien, whom until now she has thought of as a loving father figure. She would have to figure out what this means for her future and perhaps need reassurance that she is not culpable. Her unconcerned happiness at the end suggests that nobody bothered to tell her, and that she has not yet made the connection herself. This is really quite unfortunate, because it deprives Frances of her only real chance to be a character rather than a plot point – which is ultimately all she is here.

Nobody else is shown dealing with the aftermath, either. The town has long mistrusted Dr. Adrien because of rumours that he was experimenting on his patients, and a recent spate of missing dogs is shown to be his fault. An early scene shows a group of boys bothering the doctor by throwing rocks at his house (which made me wonder if toilet paper hadn't been invented yet. According to Wikipedia, it dates to 1857, so there's your Fun Fact for the day). Seeing their worst fears realized really ought to have some effect on the people. Even if nobody bothers to tell Frances how her miraculous cure was effected, others will surely figure it out and have to weigh up what he achieved versus the crimes he committed to get there.

Yeah, I know: this is a movie about a guy killing people while wearing a dead gorilla. I'm thinking too hard.

Finally, I want to note some interesting possible connections between The Ape and a number of other movies I've seen. Both The Ape and The Ape Man appear to have been inspired by the 1932 movie Murders in the Rue Morgue, which also features a gorilla and injections of bodily fluids in the name of mad science, and did not feature very much resemblance to Edgar Allen Poe's story of the same name. I don't know if these films directly inspired each other, and it's been ages since I saw Rue Morgue... but the combination of plot elements here seems weirdly specific to be something different people came up with independently. I should watch all three again and see if I notice any more similarities between them.

There are also interesting likenesses between The Ape and another Boris Karloff movie, 1945's The Grave Robber. The latter is the story of a doctor who needs fresh corpses as part of his research, which culminates in surgery to allow a paralyzed girl to walk again. The doctor in this film is more a victim than a villain, himself, as he finds that the man he's been paying to rob graves for him is actually murdering the homeless, and he can't expose this criminal without jeopardizing his work and incriminating himself. It's been a long time since I saw this movie, either (as I mentioned a few weeks ago, I've had some shit going on and I haven't had a lot of time for movies, bad or otherwise), so I can't actually say if it's better than The Ape, but it's definitely less silly.

Anyway, the moral of this story is vaccinate your fucking kids or a gorilla will kill you.

#mst3k #reviews #episodes that never were #the ape #40s #guys in gorilla suits #tw: rape #allow me to recommend a better movie #we're running out of plots

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