#words were just really hard to word fdjkfld

[crookedorel]

zinnia : how has the loss of fallen comrades and/or loved ones affected your muse ? has it taught them anything or given them any new perspectives ? >:)

Okay let's talk about loss, actually. Loss is such an important theme in Shadows of Valentia, and in the character arcs of its entire cast. If I were feeling ambitious I'd argue that loss and the way that it's handled is The Theme, which shaped the forming of the nations, to kicking off the plot, and the negative space of each of the cast's loss is so visible and apparent in every action they take, like an embrace of those they don't want to or can't forget. 

But that's an essay for another time. 

Berkut being one of the major antagonists, and foil to the two protagonists, his losses affect the plot just as heavily. There is of course the obvious, and we'll discuss those in a minute, but I actually want to discuss a loss that doesn't get brought up in-game but has such clear and disastrous ramifications for Valentia as a whole. 

Because you see, when Berkut was a boy, his father died. 

(Cut for length. You know how it goes. SOV spoilers as well)

Now, I know what you're thinking. "Oh, boo hoo, this is Dead Father the Series, and you don't see anyone else letting themselves get possessed by a war god and sacrificing their loved ones' souls for greater power." And you're right! But bear with me, because there's more to it than that. 

To start putting this into context, I'm going to pull from Valentia Accordion (the Berkut entry in which was translated by our very own Ree, here's your crown regent 👑). We learn from Berkut's section that before his father's passing, Berkut was a timid boy, to the point that even riding horseback made him cry - and after his father's passing, his mother raised him quite strictly, to harden him up so that none could tease him for growing up without a father. 

As with most things Valentia, this is such a dense sentence, so let's unpack it a bit.  

Obviously that's a fucked up thing to expect, that your child will be harassed for having lost a parent, but kids are cruel, and from this sentence we learn that Rigel values patrilineal lines, and to an extreme extent. Since they're the imperial family with very few heirs, it seems incredibly unlikely that Berkut's father married below his station (bordering on impossible – this is no Meghan Markle situation) - and since Berkut obviously ended up the crown prince, the heir to the empire barring any usurpers, his mother clearly retained influence within the imperial court during her time there, as noble and mother to the future Emperor. 

And yet, a single mother, even widowed, still casts a shameful shadow in Rigel. We do not learn how Berkut's father died, but I'm of the opinion it was illness, for a couple of reasons: first, we have historical precedent. Generally in monarchical families that have multiple sons, the first (the heir) learns military affairs and politics, the better to ascend the throne or position when the time comes – the second (the spare) would then learn ecclesiastical affairs and gain a position in the religious affairs of the state, the better to support his brother further down the line. 

Secondly, his death is implied to be something to be ashamed of, something that children would tease Berkut for. Though misogyny runs strong in many cultures, it doesn't seem enough that his mother would be concerned that his father dying on its own would be enough that Berkut would need to toughen up. Given that Rigel has such a strong martial culture, and the hard turn that Berkut's mother imposed upon him after her husband's death, it would follow that for men, there is one acceptable death: battle. 

As we know, I don't put a lot of stock into Heroes' characterization, but occasionally they give us nice little nuggets, such as this one, from A Splendid Soiree level 40: 

Unlike his older brother the emperor, my father was a kind, gentle man. He passed ere I was 10 years old. My mother smiled often when I was small.  

If nothing else, it seemed, Berkut's mother was determined to ensure that, for better or worse, Berkut did not end up like his father. 

And he didn't. Kind and gentle are not words that I would associate with Berkut, except specifically when he's interacting with Rinea – but even with that influence, we see that he is definitely a young man shaped by his upbringing, and by the culture around him. He's eager to fight, even to the point of what I would consider emotional immaturity – he's unable to see human lives for what they are, and when he first meets Alm he refers to the battle as practice, as sport, as exercise, like it's just a game that he's playing. 

I think it's this disconnect that he has, this inability or the inexperience to actively practice empathy (decidedly not a value in Rigel), that makes him so susceptible to outside influences: be that Rigelian people or culture as a whole, or Rudolf's or his mother's, Duma's or Nuibaba's, or even Fernand's. 

Yes, Fernand's. Despite the fact that Fernand is a political prisoner, it is undeniable that he has more worldly experience (in and out of wartime) than Berkut by the simple fact of his age. We don't have an official age for him, but we can get a good guestimate based on Clive and Mathilda's ages – 27 and 28, respectively. A full decade, at the very least, older than Berkut.  

Now, this is not to say, of course, that Fernand knowingly exerted any influence over Berkut, or manipulated him – but it is to say that teenagers of Berkut's general disposition are eager to show off, and will adjust the behaviors they display in order to impress the people around them, especially those who are older or more experienced. And with Fernand himself leaning so idealistic, wanting to see something specific, it seems clear to me that natural showman Berkut was eager to mold himself into that, and to show it off at any opportunity. 

Which, by the way, is something that Berkut is shown doing throughout the game, in each of his appearances – mirroring the expectations presented to him, molding himself to fit into whatever those opposite him have decided he should be, and being so proud that he gets a good grade in being manipulated. 

Now, I know it seems like we're getting off topic, and that I'm trying to avoid the elephant in the room, but I promise I'm not – this is all incredibly important context for what comes next, which of course that he, under the influence of Duma's possession, sacrifices Rinea. 

 By this point, he has lost to Alm multiple times – with an audience, no less – he has called upon the magic pushed on him by breaking the mirror Nuibaba gave him, and he has learned that this stranger who has been defeating him all over the country is actually the one who is supposed to be the emperor's heir. Not only has Alm beaten him in battle in front of someone Berkut wanted to impress, but he has, seemingly without any of the effort Berkut has been putting in over the last several years to gain Rudolf's favor, jumped the line of succession, and is coming to take not just Rigel, but Berkut's father figure. 

The second father he has lost. 

Watching the scene wherein Duma fully possesses Berkut, or even just reading the script, you can feel that the ground ready to open under his feet, and his grip over his own mental autonomy is tenuous at best. He is paranoid, he lashes out, and most importantly, he's confused. The scene begins by explicitly telling us that he does not know how he arrived at Duma Temple, and he is immediately beset by Duma's presence, the voice of a god offering the power that Berkut has felt slipping from his fingers. 

Whether he explicitly accepted Duma, or whether Duma forced his way in, we do not know. What we do know, however, is that the change in his personality is immediate and obvious. Both Rinea and Fernand clock that whoever is speaking, it isn't the Berkut they know – by this point, though, it's too late, and he attacks and heavily injures both of them, with Fernand making it far enough to warn Alm, and with Rinea being sacrificed to Duma. 

However much of Berkut remained during his battle of Alm, it's clear from his battle quote that all of these losses, one right after another, lined up in a perfect queue of dominoes, and gripped him until his death: 

You… You took…everything from me. You will SUFFER for what you’ve done! 

Then, after his defeat: 

Alm: Why, Berkut? To have finally found family after all this time… Why did it come to this?!  Berkut: Heh… I have no family…nor do I want for one. 

To put a bow on the series of tragedies that shaped Berkut into a man he didn't want to be, the family and companionship that he so desperately needed had arrived, had knocked the sense back into him just in time for him to die. 

But not before one final chastisement, from the one person who had never asked him to be anything except himself: 

Rinea: Dear, proud Berkut… Even without crown or throne or castle… You were ever my emperor. A just, right, and noble man…  Berkut: Rinea…  Rinea: You were born to lead… This just wasn’t your empire. So come with me now. Let us find our empire together. If you’ll still take me for your empress?  Berkut: You’re right… You were always right. The moment I turned to a power beyond myself, the man you loved was dead. Rinea, forgive me… If you’ll have me, I’d be honored to…set out with you… 

For better or worse, from his mother's influence, Berkut had not ended up like his father in his death – but, in the matter of the woman he loved, perhaps he wasn't so different. 

#out of character #ask memes #botanical ask meme #meta #i've been sitting on this since i received the ask #like i knew how i wanted it to be structured #words were just really hard to word fdjkfld #anyway mirae :baseball: