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if you underestimate her,  you’ll end up in a world of pain. i’m sure you know what they used to call elizabeth in the underworld, right?

blood-stained ellie

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Tazmuth

Chapter 1 : Away

part 3

#my art #illustration #art #drawing #my ocs #tazmuth #webcomic

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Tazmuth

Chapter 1 : Away

Part 2

#my art #illustration #art #drawing #my ocs #tazmuth #webcomic

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Tazmuth

Chapter 1 :Away

Part 1

#my art #illustration #art #drawing #my ocs #tazmuth #webcomic

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Tazmuth

Epilogue page 5

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Epilogue page 4

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Epilogue page 3

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Epilogue page 2

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Epilogue page 1

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Anatomical Structure Breakdowns by njjaemi

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Some people asked me to do a tutorial on drawing rocks, and since I found myself drawing rocks a lot these days, I thought I would share some things that I do.

Note: I am not a professional artist nor have I received much professional instruction. I am self-learned and thus prone to error. If you see anything wrong with the above contents, feel free to point it out, and generally, take this whole thing with a grain of salt. You don’t have to draw rocks this way.

And since this is my first time making a tutorial, feedback on readability/helpfulness would also be welcome, so that I can have a better idea of what to do in case I make another one.

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My opinion about Burne Hogarth’s ‘Dynamic figure drawing’

Some sketches and notes.

If you are artist that wants to learn anatomy or beginner artist and you are confused which resources to use to learn human figure you might find post helpful. 

This is my take on the book and I want to share some thoughts after reading the book and practicing the topics. There are good things and thing I didn’t like and wouldn’t recommend. Just to give you answer to the question if I liked the book. Yes I liked it. But I want to give you honest opinion on good and not so good things so you as a student or always learning artist can decide if you want to use this book to learn. Let’s start with things I liked. It’s a book that covers unique topic: drawing figure in deep space and drawing without reference. I also liked that it doesn’t represent academic approach. Author rather helps people who had academic background and still have problems with drawing figure that isn’t standing straight like soldier. This book can help you fight stiffness in poses and helps generate ideas for dynamic poses. It teaches you how to draw figure in deep space, meaning : helps you create illusion of depth. Approach to drawing human body is also interesting. Hogarth recommend starting from torso and then adds secondary forms : limbs. This books helps you understand body curves so you don’t need to know anatomy. Actually this is something I like and at the same time I am not sure about. It’s good to know anatomy first before you get into this book. I would say that perfect audience for this book is student who has academic background but can only draw people standing straight like soldiers. Hogarth’s books will help you to invent interesting forms and positions. Although you can’t take his anatomy literally. He has very characteristic style, that isn’t realistic but is believable. “Dynamic figure drawing” many covers male body and there’s very little about female body. It’s because female body just doesn’t look good. It’s like female’s version of male bodies. Doesn’t look very organic and remind me of ancient greek statues. Just to give you example : breasts looks like they are balls attached to the chest. Definitely look for some other source about female body. Overall you can find some great tips and topics that are not covered in other books. This book is for already experienced artists who wish to learn techniques that will expand their academic knowledge. For anatomy look at Bridgman and Loomis 😃 I tried to keep this review as short as I could. Let me know how do you like these kind of reviews and if you would like to see more post like this one in the future.

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Anatomical Structure Breakdowns by njjaemi

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I am so serious when I say if you want to learn about light, you NEED to at least look at modeseven’s tutorials. even if you’re not pursuing a painterly style, this is all essential theory that can be easily adapted to different coloring styles. notice how none of these ever say ‘light with these colors and shade with these colors’? notice how this is teaching how light works on a mechanical level, and reminding the audience to adjust the actual colors they choose by context? THAT is good advice.

(if you’re thinking ‘wow I want to study more of this persons art!’ I encourage you to do so, but proceed with the knowledge that modeseven draws pretty much exclusively weird as hell kink art. sometimes wisdom comes from horny places)

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A couple of perspective notes I talked about during my webinar. I always have more notes on Patreon.

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A couple of perspective notes I talked about during my webinar. I always have more notes on Patreon.