Tumgik
adam-t-cox · 3 years
Text
Self Publishing Overview
Alrighty,
Time to talk about self-publishing. What is it? How do I start? And why on earth would I want to do all that work?
In self-publishing you are going to wear all the hats. Every. Single. One. unless you pay someone else to wear one for you ie. a professional cover artist or designer. So, this will be very labour intensive for you and take a lot of your time. If you are working full-time like I was going into this, then be prepared for a lot of late nights or very early mornings to get the work done.
You are responsible for every step through the process and the very first one might seem like a nonstarter for most of you, but I’ll explain why its very important later in this post. Here’s the list of steps:
1. Read and understand the legal agreements for each service of each platform you are planning on publishing on!
2. Commission a professional copyeditor.
3. Commission a professional artist or cover designer, possibly both. And get the process started, this could take a month or more to complete.
4. Create accounts with all of your platforms.
5. Create an account with your countries ISBN regulatory body.
6. Get the ISBN numbers.
7. Format your paperback and save it as a print-ready PDF.
8. Order proof copies of the paperback version of your book.
9. Format your eBook and compile it into a .ePub file.
10. Make sure all of your materials for publishing are ready. (All artwork, covers, and text files)
11. Review and make any necessary changes on each format.
12. Publish your work and celebrate all of your hard work. You’ll deserve a weeklong vacation by the end of it.
13. Apply for your copyright! it’s cheap and easy compared to the alternative legal fight you may have if you don’t!
Now I’ll be going into more detail on each of these (excluding #1) in later posts but for now I’ll give a brief overview of what to expect from each one.
First, reading that damned legalese. This is something you want to do with a large pot of coffee, and a giant bag of peanut M&M’s. I won’t sugar coat it, reading this crap sucks. I hated it, but I’m glad I did read it. This is the binding agreement between you and the platform you will be using. It details the terms of the agreement, the rights and responsibilities of each party involved in the agreement, and any penalties that will be incurred if the agreement is broken. The penalty part is for you, none of these entities are going to be held liable for anything that happens to you or your work. Read these agreements carefully! The three platforms I used have agreements that were easy to read, understand, and had nothing I didn’t expect to see in them. One platform, who I won’t name because their legal department can be a bunch of dicks most of the time* was super sketchy in their agreement. It was about three times the length of the others, and basically gave them a lot of rights they shouldn’t have when it comes to your work.
On the positive note, there was some great stuff in there detailing DRM or Digital Rights Management and how each platform would take steps to ensure your work is protected online. Two of the platforms also have programs in place to ensure your book is accessible to libraries around the world, which is pretty cool and great because who doesn’t love libraries. They’re awesome.
Next a copyeditor. This one is easy. You suck at editing, admit it, and move on. Hire a professional and your work will be 10x better.
Probably at the same time as the copy editor, commission a cover from an artist or designer or both. I’ll go into more detail later, but this is important for obvious reasons as it’s the face of your book. Its going to take a while to make so start the process early on.
Next, while you are waiting, create the accounts with all of your chosen platforms. It may take up to two weeks for your account and banking information for payments and tax forms to be processed and approved. So again, get this done early.
Also find your country’s ISBN regulatory body. US: Bowker. Canada: Library and Archives Canada. Create an account and wait for it to be approved. Again, this can take you to two weeks. When its approved request (Canada) or buy (US) your ISBN numbers. You’ll need one for each format you publish your work in. Hardcover, paperback, and eBook all need their own numbers.
Now onto formatting. This is easily a weeks worth of work for each edition (I’m talking outside of your normal life responsibilities here work, family, sleep etc.). My suggestion is once you get back the copyeditor’s notes start this for your paperback version first.
Once the paperback is formatted you’ll need to submit your PDF’s for the cover design and body of the book and order proof copies so that you can check the look. Artwork brightness or colour profile might need tweaking, or the margins may need adjusting. Depending on which country you are in this can be a hassle. Thanks to Covid and the Canada-US border being shut down it took nearly two weeks to get my copy whereas someone in the US could have theirs in two days.
While you wait for the proof copies you’ll need to format your eBook. This process is complicated, and a total pain in your butt, be prepared for the suck. I’ll have a very detailed post on this later on. Long story short: Use Scrivener it’s the cheapest option to get the job done, they have good articles, and the finished product looks great.
Now let’s say you didn’t snap your laptop in half and throw it over a bridge after all of those frustrations and what is now probably months of work. You’ve got everything organized, and ready to publish. What’s next? What are you forgetting? What do I do now?
PUBLISH IT!
Your work will be up for review on each platform, some will go live before others, but it’s done. Congrats. Apply for your copyrights update your ISBN logbook and call it a day. Take a week off, you deserve it.
Now after all that you might ask: Is this really worth it?
Yes, yes it is.
At the end of the day, I am biased on this subject. I loved and hated the process of getting this thing done, but I was so happy when I was holding a copy of my book in my hands after eight years of work. If you want specific reasons how about these:
1. Full Creative Control:
You are in charge and have full rights to do whatever you want with your work. You get to publish it with every little amazing thing you put into your book, and no one can tell you to change it. Your cover art is your choice, the fonts are your choice. This book will feel completely and wholly yours from cover to cover.
2. Bigger Royalties:
As a self-published author you set your prices for each of your works. You also get a bigger share of the profits. Traditional may give you up to $1 if you are lucky and a damn good author. Self-publishing even with your prices sitting well below sale prices in brick and mortar stores you’ll see a bigger margin then that.
3. Bragging Rights:
Self explanatory really, at this point you are amazing, no one can deny that. If they try, stuff a copy of your book in their mouth.
And again, that’s enough typing for one afternoon.
Hope this enlightens you a bit, more good stuff to follow in later posts,
-Adam
P.S. The next post will be focused on starting the search for a literary agent.
P.P.S. *Hint: it rhymes with schnapple.
3 notes · View notes
adam-t-cox · 3 years
Text
Traditional Publishing Overview
So, you've finished your manuscript, its all polished up and ready for... what exactly? If you're anything like me after the first 24 hours of elation wear off you'll be asking yourself, "What the $&*! do I do now?”
I've been considering starting this blog for a while but didn't want to do it until I’d finished publishing my own work. Now that I have, I’m amazed at just how much work an author still has left once they’ve finished their manuscript. I’ll be sharing whatever knowledge I gained during my journey in a series of posts in the hopes that fellow first-time authors might be able to save some time and effort during this extremely complicated and often demoralizing process.
So first off: Congratulations! Finishing a manuscript is no small feat and should be celebrated. After you’re done celebrating, the first thing you’ll want to consider for the next leg of your journey is what type of publishing method you want to pursue for your book.
Let’s start by talking about traditional publishing. For most authors, this is the path we think of when we picture our books on the shelves of an Indigo, Coles, or Barnes & Noble. But how does this process work and how long does it take?
First let’s outline the process itself:
1.      Query letters to Literary Agents/Agencies
2.      Rejections/Revisions/Offers of Representation/Acceptance
3.      Waiting…
4.      Agent finds a publisher
5.      Further revisions or changes requested by editor at publishing house
6.      Revisions are approved and work begins on formatting and cover design
7.      Book scheduled for release.*
*There may be additional edits or work requested during the formatting and design process before the book’s initial release. But from what I’ve heard its usually minor stuff.
 Now I’ll be going into more detail on the steps that I have experience with in later posts, but I’ll give you the quick version here. Basically, in traditional publishing very, and I mean VERY few publishers will accept unsolicited manuscripts directly from authors. I can count on one hand the amount I’ve found in Canada, and I never found one in the US. All the ones I found in Canada dealt with children’s literature or non-fiction titles, so they were a no go for me. Which means you need a literary agent to pitch your book to publishers for you.
The agent or agency has their reputation to throw around and likely already has a good working relationship built with the publishing houses they’ll be pitching to. So not having one makes it essentially impossible for you to do anything with your manuscript. Now, this may seem unfair, and feel like someone is intentionally setting up barriers to keep you out. That’s because essentially they are, and for a completely understandable reason.
You are an unproven writer; no one knows if you’re the next Stephen King or Terry Pratchett yet. For every great or even good writer out there, there’s hundreds of not-so-great ones, and you’re all competing to have your voices heard. The publishing houses have enough work on their plates without filtering through this noise on a daily basis. Hence the role of the Literary agent. A liaison between the author and the publisher, with the goal of publishing your work in a way that satisfies everyone involved, while also getting the two of you paid.
So first you have to write a query letter to agents. Which is a topic that will require its own post to explain in enough detail. You will probably craft a handful at a time and wait for responses to filter in before sending more out. You will get rejections, and a lot of them, it happens to everyone. Don’t let it discourage you, you wrote an entire manuscript after all, we already know you can work past disappointments and move on.
Now, if you’re lucky enough to get the hallowed ‘offer of representation’, you will probably be thinking, “Amazing! My book will be published in a month.” but just hold on a second. It’s still going to be a while before you get there. There are likely going to be requests for edits from the editor at the publishing house. Which, if you’ve already signed the paperwork, are mandatory and may not be negotiable at all if you want your book to see the light of day. Then there’s the formatting work, cover designing, and figuring out where in their lineup of book releases your title will end up.
All in all, based on my own experiences, and from what I’ve heard from a few others, this process could take anywhere from 1.5 to 4 years to complete.
“Up to 4 years?!” I hear you yell at your phone or computer screen. Yes, it could easily take that long. Finding a literary agent alone could take 1-2 years, especially if you are working full or part-time while pursuing this. Also, you are likely a first-time writer, and the publishing house is taking a gamble that your title will sell. It’s not guaranteed income for them like the sequel to a best seller from a well-known author would be.
So why bother doing it if its going to take so long?
Well, there are LOTS of benefits from publishing your book through a publishing house and using a literary agent. Here are some of the biggest ones that made me try this method first:
1.      If you do well, they do well:
There is a real incentive for the people you will be working alongside to help you better your product, your writing, and give you advice. These are people who have worked in the industry for many years and have extensive knowledge of what works, and what doesn’t. That is incredibly valuable.
2.      Professional Editors:
By now you’ve edited your own work about 1000 times right? Well guess what, there’s still mistakes. Trust me … I know. A good editor at a publishing house can really help polish your manuscript, improving the overall reading experience of your readers. Also, they are great at finding the plot holes you are still blind to.
3.      You don’t have to focus on managing your book:
This is probably the biggest boon that traditional publishing will give you as a writer vs. self publishing. Especially if you already have more books in the series or your next stand-alone ready on the back burner. Once they approve any edits they request, everything else is pretty much hands off for you. Sure, you might get an email or a call about some aspect they want to go over with you (Cover design, formatting, maybe another small edit.) but for the most part you’re done until its time for the release and your shameless promotion of your book to anyone and everyone. This means no late nights formatting each individual release of your book (ePub, PDF, Paperback, Hardcover, KPF, Apple Books, etc.), no hunting for artists or cover designers, and no extensive marketing campaigns to manage after release. Just you and your computer, working on your next big thing. This will save you so much time it’s not even funny.
 There are of course other reasons why traditional publishing may be right for you, but these were the big ones that made me pursue it. Personally, even though it didn’t work out for me with my book, I still think it’s worth a shot for most authors. And for the record I still plan to pursue acquiring a literary agent for my future projects.
But with that I think I’ll call this overview done and like I said, I’ll be going into more detail in later posts, so stay tuned.
Have a good one,
-Adam
P.S. The next post in this series will be about the steps involved in self-publishing and some of its biggest advantages.
5 notes · View notes