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#writing help
lord-fallen · 3 days
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which locations appear the most across all your wips? is it a forest? a specific room?
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deception-united · 3 days
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Hello! Hope this ask finds you well 😄
Do you have a guide on how to incorporate dialogue into a story? I'm quite confused in this aspect, like, do I end every dialogue in a comma? (excluding questions and exclamations)
Also just writing things like, "he said, she cried, they snickered, John retorted, Jane whined" becomes tiring after a little while.
I've seen some authors just write dialogue without specifying who said it and the reader relies on context clues to decipher it.
All the rules on writing dialogue is perplexing and any guidance you have on this is much appreciated 🙏
Thank you!
Hi, thanks for asking and so sorry for the late reply! Seamlessly incorporating dialogue into your story is an essential aspect of storytelling that can really bring your characters to life.
Let's start with punctuation. Generally, you would use a comma to separate the dialogue tag from the spoken words; however, this isn't a strict rule. You can also use periods or other punctuation marks depending on the structure of your sentence. For example:
"Hello," he said. "Hello." He smiled. "But," he insisted, "I never actually saw her." "But—" He paused. "Never mind."
Regarding your concern about repetitive dialogue tags, you're absolutely right. Using "he said," "she cried," etc., repeatedly can become tiresome. It's good to mix it up and use a variety of dialogue tags, or even omit them altogether when it's clear who is speaking.
Using context clues to identify the speaker is a great technique. It adds a layer of engagement for the reader and can make the dialogue feel more natural. Here's an example:
"I can't believe you did that." The anger in her voice was palpable.
In this case, we don't need a dialogue tag because the context clues ("the anger in her voice") indicate who is speaking.
Here are a few more tips to help you navigate writing dialogue:
Use action beats: Instead of using dialogue tags, you can describe the actions of the characters to indicate who is speaking. For example:
John slammed his fist on the table. "I won't stand for this!"
Sarah wiped away a tear. "Please don't leave me."
Vary your dialogue tags: Instead of always using "said," try using different verbs that convey how the character is speaking, such as whispered, shouted, muttered, etc.
Omit dialogue tags when possible: If it's clear who is speaking based on the context—for instance, when two characters are talking back and forth—you can omit dialogue tags altogether.
Show, don't tell: Use dialogue to reveal character traits, emotions, and relationships between characters.
Read dialogue aloud: This can help you identify any awkward phrasing or unnatural-sounding dialogue.
Remember: writing dialogue, like any skill, will undoubtedly improve with practice and research. Don't be afraid to experiment and find what works best for your story. Happy writing!
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mems-sama · 1 day
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Show, Don't Tell: The Art of Bringing Your Writing to Life!
Alright, fellow wordsmiths, let's talk about a common trap many writers fall into: telling instead of showing. 🚫📝
Picture this: You're reading a story, and instead of feeling like you're right there in the moment, you're being told what's happening. It's like watching a movie with the narrator constantly interrupting to explain everything. Not cool, right?
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So, what's the deal with showing vs. telling? It's all about painting a vivid picture with your words. Instead of saying, "She was sad," you'd describe how her eyes welled up with tears, her shoulders slumped, and her voice trembled. That way, the reader feels her sadness, rather than just being told about it.
So, how do we show instead of tell? Easy! Take a moment to observe the world around you. Notice the little details—the way sunlight filters through leaves, the sound of rain tapping against the window, the smell of freshly baked bread. Then, describe those details in your writing to create a rich, immersive experience for your readers. Trust me, they'll thank you for it! 😉📚
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But wait! We're not done yet! Bet you thought we were, except no. Anyhoo, let's continue.
All right, let's break this down! We've got two groups in the mix:
Group 1, aka the yellow team, deals with all the stuff we can see, hear, smell, touch, and taste—basically, anything we can sense with our five senses.
Then we've got Group 2, repping the red and green. This crew is all about the things that are a bit more personal and inside our heads—like our feelings (that's the red zone) and our thoughts (yep, you guessed it, the green zone).
Now, when we're chatting with someone, we're usually hanging out in the yellow zone. We're picking up on all those sensory cues to understand what's going on. But when it comes to figuring out what someone else is thinking or feeling (you know, diving into the red and green), we've got to pay super close attention to their words, actions, and body language.
So, next time you're chatting with someone, keep your senses sharp and tune in to those verbal and nonverbal cues to really understand where they're coming from. It's all about staying connected and being mindful of those around you!
Now that we got that covered, let's give you some examples from actual writing by yours truly:
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Okay, so check it: This sentence straight-up tells you how Salvatore feels, leaving absolutely no room for imagination. And guess what? That's the opposite of what we want to do as writers.
We want to paint a picture with our words, not just spell it out like a dictionary. So, how do we flip the script and show instead of tell, you ask?
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Easy! Instead of saying, "Salvatore felt sad" you describe how he appears. Maybe you describe the drooping of his shoulders, the frown on his face, and even a tear slipping down his cheek.
This way, your reader feels his sadness, instead of just being told about it.
It's all about using those descriptive details to create a vibe, you know? 🌟
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Alright, so now we've got this sentence that's like, "Salvatore is feeling sad because his uncle passed away." It's like a peek into Salvatore's heart, showing us the real deal: grief.
But here's the thing: we want to make sure our writing isn't just stating the obvious. We want our readers to feel what Salvatore's feeling, you know? So, instead of just saying, "He's sad," we want to paint a picture with our words that really hits home.
Imagine describing how Salvatore feels like there's a weight in his chest that is now an unbearable reminder of the loss he's faced with. I could have also gone further to describe how his shoulders slump under the weight of his grief, and how each breath feels like a struggle, but I didn't.
Anyway, this is the kind of stuff that makes the reader experience the emotion, not just read about it.
Here are some more examples:
Telling: She was nervous about the presentation.
Showing: Her hands trembled as she arranged her notes for the presentation. She took deep breaths, trying to calm her racing heart.
and
Telling: He was just so in love with her.
Showing: Every time she entered the room, his face lit up, and he couldn't stop smiling. He found himself thinking about her constantly, and even the mention of her name made his heart skip a beat.
Last one
Telling: The room was messy.
Showing: Clothes were strewn across the floor, papers piled high on the desk, and books lay scattered around the room.
Remember, dive deep and really show the descriptions and emotions observed. Write what your character is feeling in that particular moment by describing both their physical and emotional state. 📝
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But sometimes just describing what's happening isn't enough.
Like, when you want to show how your characters are feeling, but it's not as simple as saying, "They're stressed."
That's where figurative language comes in—think similes, analogies, and metaphors. They help you paint a picture and describe what's going on inside someone's head or heart.
Instead of just telling the reader, "Hey, this character is stressed," you can say something like, "They feel like they're juggling flaming swords while walking a tightrope."
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It's like, bam! Now you've got this vivid image that lets the reader really feel the weight of the stress without you having to spell it out.
Figurative language is like adding a splash of colour to your writing—it makes it pop! It gives the reader room to interpret and feel things in their own way, which is what makes stories so powerful.
So remember: describe what you see, and when you need that extra oomph, then sprinkle in some figurative language.
You might ask why is telling bad writing and something we should stay away from 99% of the time?
First things first, it's all about keeping it real. As real as we can possibly make it feel. You feel me?
When we're out here in the world, we're not just taking things at face value. We're observing, we're inferring, we're picking up on all these vibes to understand what's really going on with people.
That's just how we humans roll, you know? We're not robots—we're all about those thoughts and feelings, right?
And that's how we connect with one another. It's also how we make sense of the world around us, like we said before. When you're trying to understand someone or write about the human experience, remember: it's all about those observations and inferences.
The second and absolute worst thing, is that you're basically taking away the reader's superpower: the ability to use their imagination and envision the story with you. And that's the beauty of writing, you know?
Writing is like setting the stage for a play, and the readers are the actors who bring it to life in their minds. When you describe a scene, you're like the director, giving them the setting, the characters, and the basic plot. But it's up to the readers to imagine the details, the emotions, and the thoughts of the characters.
It's this collaboration between the writer and the reader that makes storytelling so magical.
You're showing them what's going on, painting this vivid picture with your words, and then letting them do all the heavy lifting in their minds—imagining the thoughts and feelings, filling in all those juicy details.
That's where the real magic happens. 🌟
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It's also how you get your readers totally hooked on your writing. But when you take that away with telling then you're doing your reader a grave travesty and this is why the second point is the absolute worst thing.
Another valid question, why do writers tend to fall to the telling instead of the showing?
Here's the thing, getting good at showing instead of telling takes time and lots of lots of lots of practice.
If you're not quite there yet, no worries—it's a skill that develops over years with a ton of practice and feedback too. You know you're telling instead of showing when an experienced writer is like, "Hey, you're still telling here!" This is why it's important to share your work even if it feels super scary and daunting to do.
Another thing is, sometimes we writers get a bit anxious that our readers won't get what we're trying to say, so we just spell it out for them.
It's like, "My writing might not be clear enough, so let me just tell them exactly what I mean." But hey, we've all been there! It's all part of the learning process. And the best way to get better at something is to keep doing it over and over and over again until we get the hang of it and it gets easier.
Build that writing muscle and keep writing. Hope this helped. Thank you for reading and check you on the next one!
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thewatcher727 · 15 hours
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Writing Tip: Identifying Your Unique Style
When it comes to writing styles, understand what works for others might not work for you and vice versa. Now, when it comes to writing, the first thing we want to do is get the basics down. That's crucial. But once you have that, you might be wondering how far you have to go when it comes to your style of writing? Now, we've talked about always striving to do better, but another thing to understand is remember to find a style you are comfortable with.
I write very descriptive, I like to use metaphors and similes a lot. Does that mean you need to as well? Not at all. It's my style of writing, it's what works for me. Don't look at other writers' material and feel like you need to replicate their standards. Find a style you are comfortable with. Find what works for you. This isn't just something to remember in writing but in life itself.
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writing-promptsss · 3 days
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Prompt #37
"I love you so much."
"Did you wreck the car again?"
"Yeah.."
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Write a piece about a jailbreak
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Writing tips for long fics that helped me that no one asked for.
1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.
2.) Stuck with wording the action? Just write the dialog then revisit it later.
3.) Stuck on the whole scene? Skip it and write the next one.
4.) Write on literally any other color than a white background. It just works. (I use black)
5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.
6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.
7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.
8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.
9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.
10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.
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novlr · 9 months
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The symbolism of flowers
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection
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unboundprompts · 2 months
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Pirate Terms and Phrases
-> Pirate Lingo
-> A Pirate's Glossary
Batten Down The Hatches - tie everything down and put stuff away for a coming storm.
Brig - a prison on a ship.
Bring a Spring Upon 'er - turn the ship in a different direction
Broadside - the most vulnerable angle of a ship that runs the length of the boat.
Cutlass - a thick, heavy and rather short sword blade.
Dance with Jack Ketch - to hang; death at the hands of the law (Jack Ketch was a famed English executioner).
Davy Jones's Locker - a mythical place at the bottom of the ocean where drowned sailors are said to go.
Dead Men Tell No Tales - the reason given for leaving no survivors.
Flogging - severe beating of a person.
Gangplank - removable ramp between the pier and ship.
Give No Quarter - show no mercy.
Jack - flag flown at the front of the ship to show nationality.
Jolly Roger - black pirate flag with a white skull and crossbones.
Keelhaul - a punishment where someone is dragged under the ship. They are cut by the planks and barnacles on the bottom of the ship.
Landlubber - an inexperienced or clumsy person who doesn't have any sailing skills.
Letters of Marque - government-issued letters allowing privateers the right to piracy of another ship during wartime.
Man-O-War - a pirate ship that is decked out and prepared for battle.
Maroon - to leave someone stranded on a. deserted island with no supplies, typically a punishment for any crew members who disrespected the captain.
Mutiny - a situation in which the crew chooses a new captain, sometimes by forcibly removing the old one.
No Prey, No Pay - a common pirate law that meant crew members were not paid, but rather received a share of whatever loot was taken.
Old Salt - experienced pirate or sailor.
Pillage - to steal/rob a place using violence.
Powder Monkeys - men that performed the most dangerous work on the ship. They were treated harshly, rarely paid, and were expendable.
Privateer - government-appointed pirates.
Run A Shot Across the Bow - fire a warning shot at another boat's Captain.
Scurvy - a disease caused by Vitamin C Deficiency.
Sea Legs - when a sailor adjusts his balance from riding on a boat for a long time.
Strike Colors - lower a ship's flag to indicate surrender.
Weigh Anchor and Hoist the Mizzen - an order to the crew to pull up the anchor and get the ship sailing.
If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.
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themightyhumanbroom · 3 months
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This is a friendly reminder to give your OC a firm and unmistakable L every now and then.
This is a necessary action to keep your OC healthy for the long term.
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saraswritingtipps · 11 months
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Good Traits Gone Bad
Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:
1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.
2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.
3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.
4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.
5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.
6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.
7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.
8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.
9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.
10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.
These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.
Happy writing!
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artschoolglasses · 11 months
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Seen a couple posts on the dashboard lately about writing with ADHD. So, for the ADHD and neurodivergent folks who like writing but struggle sometimes... check out StimuWrite.
You can set it to make little sounds as you type (or leave them off), and emojis pop up in the corner. You can change the background, dark and light themes, set your word goal, and it gives you a percentage and total word count at the bottom. Though it’s more meant for getting a draft written up, so it doesn’t have spell check or anything like that. You’re meant to just copy and past what you write here into Google Docs or Word or Scrivener or whatever else you use and go from there. Honestly love it when I'm struggling to get words down, though. And apparently there’s an update now for StimuWrite 2?👀
Anyways, give it a try if it looks like it may help. It’s currently name-your-own-price.
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burntoutdaydreamer · 6 months
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Things That May Be Causing Your Writer's Block- and How to Beat Them
I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.
In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:
(note that any case of writer's block is usually a mix of two or more)
Perfectionism (most common)
What it looks like:
You write one sentence and spend the next hour googling "synonyms for ___"
Write. Erase. Write. Rewrite. Erase.
Should I even start writing this scene when I haven't figured out this one specific detail yet?
I hate everything I write
Cringing while writing
My first draft must be perfect, or else I'm a terrible writer
Things that can help:
Give yourself permission to suck
Keep in mind that nothing you write is going to be perfect, especially your first draft
Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later
People write multiple drafts for a reason: write now, edit later
Stop googling synonyms and save that for editing
Write with a pen to reduce temptation to erase
Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail
It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page
Lack of inspiration (easiest to fix)
What it looks like:
Head empty, no ideas
What do I even write about???
I don't have a plot, I just have an image
Want to write but no story to write
Things that can help:
Google writing prompts
If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out
Instead of thinking about the story you would like to write, think about the story you would like to read, and write that
It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing
Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them
If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later
Boredom/Understimulation (lost the flow)
What it looks like:
I know I should be writing but uugggghhhh I just can'tttttt
Writing words feels like pulling teeth
I started writing, but then I got bored/distracted
I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window
Things that can help:
Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.
Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text
Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score
Find a writing buddy or join a writer's group
Give yourself a reward for every writing milestone, even if it's just writing a paragraph
Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer
Intimidation/Procrastination (often related to perfectionism, but not always)
What it looks like:
I was feeling really motivated to write, but then I opened my laptop
I don't even know where to start
I love writing, but I can never seem to get started
I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)
Can't find the time or energy
Unreasonable expectations (I should be able to write 10,000 words a day, right????)
Feeling discouraged and wondering why I'm even trying
Things that can help:
Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started
Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)
Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person
Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement
The Problem's Not You, It's Your Story (or Outline (or Process))
What it looks like:
I have no problems writing other scenes, it's just this scene
I started writing, but now I have no idea where I'm going
I don't think I'm doing this right
What's an outline?
Drowning in documents
This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)
Things That Can Help:
Go back to the drawing board. Really try to get at the root of why a scene or story isn't working
A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go
If you don't have an outline, write one
If you have an outline and it isn't working, rewrite it, or look up different ways to structure it
You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural
Study story structures, starting with the three act structure. Even if you don't use them, you should know them
Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers
Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough
Executive Dysfunction, Usually From ADHD/Autism
What it looks like:
Everything in boredom/understimulation
Everything in intimidation/procrastination
You have been diagnosed with and/or have symptoms of ADHD/Autism
Things that can help:
If you haven't already, seek a diagnosis or professional treatment
Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)
Seek out neurodiverse communities for advice and support
Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch
Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)
And Lastly, Burnout, Depression, or Other Mental Illness
What it looks like:
You have symptoms of burnout or depression
Struggling with all things, not just writing
It's more than a lack of inspiration- the spark is just dead
Things that can help:
Forget writing for now. Focus on healing first.
Seek professional help
If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic
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maccreadysbaby · 7 months
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Some of My Favorite Ways to Describe a Character Who’s Sick
pressing their forehead into something cool or comfortable (this could be an array of things. the table, the floor, someones leather jacket, their water bottle, the countertop)
warm to the touch, or heat radiating from them (could be noticed if someone’s gauging their temperature with their hands, hugging them, or just generally touching them)
leaning into people’s touch, or just spontaneously leaning on them (like pressing into their hand when someone’s checking their temp, or just, like, literally walking up and laying their head on them from fatigue. bonus points if the character is usually feral and the other is scared to engage™︎)
falling asleep all over the place (at the dinner table, on their homework, in the car, in the bathroom — just being so exhausted from doing literally nothing)
being overly emotional (crying over things that don’t usually bother them, like their siblings arguing, or their homework, or literally just nothing)
stumbling/careening/staggering into things (the wall, furniture, other people. there is no coordination in feverish brains. running into chairs, hitting the door, falling over the couch, anything and everything)
slurring their words (could be from fatigue or pain. connecting words that shouldn’t be connected, murdering all of their conversations with the excessive use of ‘mm’ and ‘nn’ in place of words) (this is my favorite thing ever)
being overly touchy (basically like a sick kid — just hold them, please. do that thing where you brush their hair back out of their face, or rub circles on their back, or snuggle them. they won’t care. bonus points if this is also the feral character and they refuse to believe it afterwards)
being extremely resistant to touch (flinching away when they usually don’t so someone can’t feel the fever, not letting themselves be touched because they’re so tired they just know they’ll be putty in their hands if they do)
growing aggressive or being extremely rude (it’s a defense mechanism — they feel vulnerable and are afraid of being manipulated or deceived while they’re ill)
whimpering/whining/groaning (this was in my “characters in pain” post but it’s so good that i’m putting it here too. this shite is gold, especially if it’s just an involuntary reaction to their symptoms)
having nightmares caused by a fever and/or delirium (crying and murmuring in their sleep, or being awake but completely out of it and convinced they’re somewhere else)
making themselves as small as possible (curling up into a ball everywhere they lay, hunching over slightly when standing, wrapping their arms around themselves)
TW for vomiting below cut !!
sleeping in the bathroom floor because they keep getting sick over and over (bonus if someone finds them all weak and pitiful. bonus bonus if they find them there in the morning only to learn they’ve been there all night)
using their hands/other body parts to clamp over their mouth so nothing can come out (like pulling their knees up to their chest and using that, or like, their arm, y’know) (~maccreadysbaby who has emetophobia suddenly gets very awkward about this post~) (~yes i have a phobia of puke and still write this happening to my characters, shut up~) (~it’s about the hurt/comfort okay~)
sympathy pukers (people who aren’t the sick ones but get nauseous/vomit when they see someone else throw up) (~aka me~) (~okay I’m done now~)
dry heaving (it’s gross, but good for making your characters absolutely freaking miserable)
rolling/churning/spinning/cramping/ lurching and all those awesome words that describe what stomachs do when sick (i hate these words with a deep, fiery passion. but they’re good for writing or whatever)
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em-dash-press · 6 months
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I am going to take a deep breath and just remind you:
Writing is messy, even for the best authors. It's supposed to feel a little uncomfortable, exhilarating, freeing, natural, and terrifying.
It's supposed to inspire you and feel like a too-heavy backpack.
Sometimes, you're going to love being a writer and sometimes, you'll feel so disconnected, you'll wonder if you were ever a writer to begin with.
Give yourself room to make mistakes and hate your work and return to it with renewed confidence that yes, you will get 1% better next time.
It's what we're all going through. Let's speed up the growing process a little by accepting the entirety of it.
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blue-eyed-author · 6 months
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Some of my writer’s block cures:
Handwrite. (If you already are, write in a different coloured pen.)
Write outside or at a different location.
Read.
Look up some writing prompts.
Take a break. Do something different. Comeback to it later.
Write something else. (A different WIP, a poem, a quick short story, etc.)
Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)
Do some character or story prompts/questions to get a better idea of who or what you’re writing.
Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.
Set your own goals and deadlines.
Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)
Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.
Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.
Change the weather (in the story of course.)
Feel free to add your own.
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