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adityalightvine · 7 months
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Okay, we all know that dazai is obsessed with chuuya and will literally brag about this to anyone who will listen
My question is
Where yes is something like yes, he's a grown-ass man and literally a genius, of course he's self-aware, he just acts shameless because it's funny
And no is something like no, he might be a genius but he's a dumbass, it's been 7 years and he doesn't even realise how embarrassing he is
As usual reblog for larger sample size etc
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adityalightvine · 7 months
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sometimes it's not even "he would not fucking say that". sometimes it's "he would not fucking say that. nobody would ever fucking say that. nobody talks like that. have you ever spoken to another human being"
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adityalightvine · 7 months
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adityalightvine · 7 months
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Fyodor Will Be Fine
Back to writin' this. Assuming that the anime is following hte manga's path (likely), Fyodor's gonna be fine y'all. Eventually.
I mean, first and most obviously, we still don't know Fyodor's ability. That's kinda important lol and set up as a major mystery.
Fyodor as Jesus
Fyodor's last words are "My God, My God, why have you forsaken me?" aka Jesus' last words (or among his last words). I mean, think about what happens after Jesus dies. It's kinda the whole basis of Christianity.
But there's another layer to the whole Fyodor=Jesus thing. Actually, a couple layers. See, Dostoyevsky was himself very Christian, as much theologian as novelist. So the comparison very much makes sense.
Jesus is the Son of God in Christianity... and Fyodor? He's also the son of God.
God is a Character
This God figure Fyodor references is probably an actual person, and God is probably Tolstoy. I'm sorry but there is 0 chance we are getting Dostoyevsky and a whole host of Russian novelists but not Tolstoy who could have "War and Peace" as his ability. Not to mention... the set up is kinda perfect?
Tolstoy's three novels are War and Peace, Anna Karenina, and... Resurrection. Gee I wonder what his ability might be and how that ties into Fyodor (it's also surely not unheard of for Asagiri to use multiple literary references in an ability).
What is Tolstoy's relationship with Fyodor? Probably a parent-child one. I'd say it's extremely obvious, actually, that parent/child relationships are a main theme of this arc, even if the parental-child relationships are not actual flesh and blood.
Gogol-Fyodor parallel Chuuya-Dazai, Kunikida-Dazai, Tecchou-Jouno, and Atsushi-Akutagawa. All of these pairings also have parental figures (Mori, Fukuzawa, Fukichi, Dazai) except Gogol-Fyodor, who are themselves parental figures to Sigma. I highly doubt Fyogol is the exception, though.
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If there is no god, then I am god
Anyways if Tolstoy is introduced, it would kinda be perfect to have him thematically in this role of family. Because the real life Tolstoy was actually terrible to his family despite his altruistic, idealistic pacifism that directly influenced Gandhi (with whom he corresponded). And also because he wrote one of the most famous opening lines in all of literature which would kinda sorta address all the pseudo-parental relationships in the entire story:
Happy families are all alike; every unhappy family is unhappy in its own way
It fits super perfectly.
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adityalightvine · 7 months
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A lot of my family asks me about my writing all of the time. The thing they all say, no matter who they are, is how do I enjoy writing?
When I think about that question. Only one thing comes to mind:
I have this entire world of stories in my mind, countless possibilities, always existing. I have magical creatures so different my own mind has to do a double take. I have characters who have lived 1000 lives and worlds which never see a sun. Races which are ethereal and those that are far too familiar. Romances which stand the test of time and those which should happen but never can.
I have all of this and more in my head. With all of that there, I cannot possibly imagine not writing. I can’t imagine being stuck alone in these worlds. I can’t even fathom trying to leave them be. It, for me, is as inherent as breathing.
People just don’t get that. Except other writers, and, the best sight in the world is when you watch a writer think. As you see that new, life altering for them, idea take form. There eyes lighting up and just the pure unadulterated joy of the person.
I just felt like writing this because I was thinking about how alone I’ve always felt as a writer. It has taken a lot of time to realize, I am insane, but there is lots of other people who are also insane in the same good way. The weirdness is awesome.
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adityalightvine · 7 months
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Klance is a relationship that is defined by the fact that they both think the world of the other one. Yet, both think of themselves as unworthy. Their negatives are opposites and what seems to happen with them is they fall flawlessly into helping the other. By the sheer fact that they are the moon and the stars; complimenting one another effortlessly.
For Keith, Lance is his moon. He guides him effortlessly and takes center stage to his night sky.
For Lance, Keith is the stars. A well of knowledge that is rather unreachable, yet, for Lance they tell the story of the Earth and Heavens above.
Neither of these thing’s necessarily need something else, but they are the perfect complements to the other. That is why they are soulmates. They are not soulmates because without one another they cannot exist. They are soulmates because once together, they have found, they make each other shine brighter and more memorable than ever before.
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adityalightvine · 7 months
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So, I love to write and today, while on a flight, I wrote a couple lines that even without context are pretty amazing.
Man do I love romance between characters.
After rereading it, I felt like it was the perfect lines for so many ships though. SKK and Klance immediately come to mind though.
“Just how stupid are you willing to be tonight?”
“With you, darling? I’d reckon as stupid as can possibly be.”
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adityalightvine · 8 months
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Such a perfect scene!!!
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Nick's almost I love you's + Charlie's reaction
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adityalightvine · 8 months
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Y'ALL. HEAR ME OUT. SKK AU.
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adityalightvine · 8 months
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!!!!!!!
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adityalightvine · 8 months
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Dazai has first hand experience since he was 15.
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adityalightvine · 8 months
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Every time that chuuya hate page spams my notes I’m like, this must be exactly what it felt like to be a member of the Port Mafia in the first 3-4 months after Dazai and Chuuya joined. You’re minding your business, doing your job. One day you’re given a ‘chuuya is a sore loser’ newsletter. It comes every week. You’re so tired. Everybody gets it though. He’s obsessed with him, he’s in love. They should just kiss instead of making it everyone else’s business.
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adityalightvine · 8 months
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Dazai: can't believe we're actually breaking up.
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Chuuya: we never started dati- *bubble noises*
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adityalightvine · 8 months
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I need to talk about how well Bones did the skk apology/confession scene.
Like, oh my gosh, the lightning. Red and blue contrast? Yes. The focus solely being skk, and no unnecessary still frame of other characters (mourning the Fyolai scene rn)? YES, AMAZING, PERFECT.
They captured Dazai's expression so well. He looked miserable, he looked so deep in thought, like he was saying goodbye to that one, good, beautiful aspect of his life (Chuuyaaaa 😭).
His eyes were closed, he was taking a walk down memory lane, he was thinking back to when they were fifteen, he remembered when they held hands to defeat Rimbaud, when No Longer Human took affect and-
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The cut using Dazai's ability made me need a moment. And then we have the close-up to his face, followed by Dazai finally opening his eyes after about half a minute of flashbacks. Of memories where he and Chuuya connected.
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And then we have his close-eyed smile, so we don't see what he's actually feeling. He's back to his cheerful, devil-may-care persona while leaving his partner, a person others have described he shares a soul with and mimics perfection together (cough, Adam, cough), to drown.
I was offended on Chuuya's behalf, and I felt like tearing out the smiling menace's hair follicle by follicle when ONLY Chuuya's hat came into frame.
It was like I was experiencing chapter 101 all over again when it came out. And that, I think, is when I realized Bones did well on this. Amazing, even.
Because one thing I genuinely feared was the anime-only fans missing out on the emotions the manga brought out. What if the anime leaves out important bits about their relationship?
But this episode made me relive the night Dazai drowned Chuuya and there wasn't a next chapter to settle to fears. It made me feel so much injustice that I couldn't even cry.
I was absolutely scandalized by Dazai's "See you later, alligator!" (in one translation, cause the official uses the same, simple "goodbye!" as in the manga) and that makes me love it even more- because of course that little shit would bid Chuuya farewell like that.
Because of course, it's soukoku, and this is what they do best: secret codes, phrases only they can understand, soulmatism… And I like to think that see you later can either pertain to Chuuya coming back, or Dazai joining him, if you will.
tl;dr is that Bones did what we wanted and served the same emotional damage to the anime-only fans.
Alright so maybe this was all over the place but I think I finally got my thoughts down. I'm still not fine after this episode lol, and I probably never will be considering we might get chapter 109 animated at this rate and pace.
If that happens, I'm gone. Just, disintegrated. Nothing more.
What a year to be alive 😭
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adityalightvine · 8 months
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I’m so sick I’m so ill this is how they feel about their partnership ending after FOUR FUCKING YEARS OF SEPARATION Y’ALL DO YOU SEE THIS IT’S THE SAME FUCKING EXPRESSION THEY’RE SO
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adityalightvine · 8 months
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Because I will never be over this adaptation and how it perfectly used every frame and then elevated them until you actually have a wonderful way of displaying each characters thought process. You see Dazai's expression change, how he moves. Dazai has been silly and disarming all of the arc so far. He dances with Sigma and splits because he wants sugar. He jokes while opening a door, and hosts a happy hour quiz, comparing Sigma to his mentee.
But here. we see him, and see how far he is willing to go. We see him stop smiling. He finds out his partner is his enemy, controlled by vampirism and smirks, even if it's more of a 'damn, Dostoyevsky'. But it's important. Because he has ten minutes to make Sigma willing to die for him. Ten minutes to make Sigma willing to die for the agency. And he has to be powerful enough to make Sigma think. Strong enough to shock him, to make him listen. Now, Sigma watches him control time, and drown Dostoyevsky. He has to show Sigma that survival isn't an offer exclusively from the decay of angels.
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But here, he sees his partner, it's broadcast on a screen. He sees Chuuya follow Dostoyevsky's orders, pound at the wall, scream and struggle, and then slowly drown. And he stops smiling. Because he can't lie, not in front of his partner.
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Something about how the memories load. Something about how Dazai, whose mind works faster than light, takes a moment, because if he thinks about their past, he knows he'll crack and he won't have the resolve for this.Something about needing time to prepare for the heartbreak he's going to inflict on himself. Something about how he's speaking to someone empty, because Dostoyevsky has scooped out Chuuya's soul and turned him into a stranger, and Dazai could never forgive that rat, but this is beyond unforgivable.
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Something about a shadow. Something about Dazai blocking himself from the memories where their heart connect. Something about blocking the light because if he's good, right now, he'll destroy what little soul he has.
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Something about opening his eyes, and forcing himself to watch, because this is why he came for Odasaku, this is why he wants a double suicide, because he believes that nobody wants to die alone.
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Something about listening to Chuuya and how he drowns. Something about a second of silence except for the other half of his soul fighting to live, as Chuuya always had.
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Something about the turtle smile, so clearly fake because Dostoyevsky is there, and if he survives (Dazai has every contingency) there can not be a shred of evidence that Dazai cared for his former partner, and something about how if Chuuya was listening under the echoes of vampirism, he would know that Dazai is lying.
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Something about there being no chance of ambiguity. Something about the darkness over his eyes, and the pain he's tried to wipe away. Something about shadows, and how you need light to cast them.
Something and something and something, and how soukoku have always been something more.
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adityalightvine · 8 months
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After reading that Dead Apple Post and all the posts within it, I had commentary and theories and random points to make....but I couldn't really put in into a cohesive post, so instead just have them as bullet points in the form of questions
So, obvious one first. What in the world is up with Atsushi's ability? The thing is. It's him that's described as a guidepost to the Book rather than his ability and when he looks at that blue cube, he calls it himself. And yet his ability is supposedly the one who can guide people to what they most desire, as well as his ability being described as something that can basically devour other abilities
On that note...it's interesting to me that it's been pointed out how Akutagawa's ability can cut through any physical structure (matter) and even space itself (so Akutagawa has a space-matter ability) while Atsushi can cut through and basically unalive any ability (tiger devouring prey imagery anyone?). And then we have Dazai who is able to nullify abilities for a brief period of time, not obliterate them just cancel them out. Which is very interesting to me when we have this whole imagery of Dazai represented by sunset, the ADA represented by twilight, the PM by the night, the Special Division by the day, and Atsushi by the moon. The moon is within the night and it's what sort of...cancels out the power of the night. Meanwhile, twilight (ADA) is the time between sunset (Dazai) and dusk (apparently, it goes like sunset -> twilight -> dusk), and it just sits interestingly to me that the ADA people are framed as those "in between" two great forces (day and night), and Dazai the nullifier as sunset sits in between Atsushi the ability devourer represented by the moon...and perhaps something represented by the sun. And the question culminating out of all that: was Shibusawa (the chaos of "ability" itself) the sun to Atsushi's moon or have we not seen that yet? Or is Akutagawa, also represented with draconic imagery, supposed to be that sun or is he really the night that "backgrounds" Atsushi's moon, as we seen in their fights?
Thirdly, something to be said about shapeshifting abilities. All I can remember off the top of my head right now is Lovecraft's Great Old Ones, Shibusawa's Draconica's final form, Bram's vampire ability, and Atsushi's Beast Beneath the Moonlight. (And from the theory linked in the dead apple post that talks about a possible Fyodor ability being the ability to copy himself makes him a kind of...form-shifter as well?). That said, in all these four, the carrier of that ability doesn't just use their ability, they become their ability. That sort of distinction clearly sets them apart from other ability users, I think...it makes them something....other (it also brings up Tanizaki as a rather interesting point, not as someone who can shapeshift or cause shapeshifting but as someone who can pretend to do so through illusions). And Dazai has all this angst about him not being human, but the real question is how human are those shapeshifters? Lovecraft clearly isn't human, Bram's vampires definitely aren't, and Shibusawa was an ability that survived its user (we've seen some other abilities do that, but none of them are sentient). I definitely think Atsushi's 100% human, and I think his lack of initial control over his ability is a testament to that....but I do wonder if he has the ability to be a little bit other-than-human like the other shapeshifters seem to be.
Continuing the Atsushi thread...we've already established that his ability can reject wounds/regenerate wounds. And while I do think we have evidence that he's recovered from normal gunshot wounds and such things, there's also the thing about him having orphanage scars and how most of the times he regrows limbs etc. etc. it's because an ability wounded him. Do you think that Atsushi might possibly have the ability to recover faster from non-ability based wounds (and thus get scars out of it) but an actual power to "reject" ability-inflicted pain (so no scars)?
Also, the whole thing about singularities is interesting to me, especially considering Chuuya and his...instability. I wonder if there's a difference between curated and manmade singularities like Chuuya's and Oda/Gide's...or if Chuuya's (and Verlaine's) whole singularity experiment was an attempt to recreate something the scientists had already seen...namely, a singularity that could survive within a person without actually harming them. And could Atsushi be one of those people who contain a natural singularity within himself?
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