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hamletthedane · 6 hours
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hamletthedane · 8 hours
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tiramisu am i right
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hamletthedane · 10 hours
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✨🔥 achilles ✌️ 27 😜 best of the greeks ⚔️💪 doomed 😳🥵 by the narrative 🥴🤤💛
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hamletthedane · 17 hours
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I hate dating apps I need to meet the love of my life more organically*
*in hand-to-hand combat before the great walls of the City of Troy
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hamletthedane · 23 hours
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So the banner ad didn’t scale down for the mobile browser and it took me multiple minutes to realize that this stock photo of people in business suits was not, in fact, an illustration of what oathbreaker paladins in service to an evil power are supposed to look like
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hamletthedane · 24 hours
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-A Passing Storm-
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hamletthedane · 1 day
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Breaking News Alert: our gracious prince has found the beautiful young woman who came thrice to his ball—once in a dress shimmering like starlight, once in a dress luminous as the moon, and once in a dress as golden and radiant as the sun on a summer day—only to discover that she was a scullery maid working in his own kitchen! needless to say she has been executed
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hamletthedane · 1 day
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leela being badass
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hamletthedane · 1 day
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Now, as we have Les Misérables musical covering the plot, why don’t we have another one, covering all the digressions?
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hamletthedane · 1 day
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One more joke hate: You may claim to be a woman but biologically you are a featherless biped and thus a man.
Finally a good argument for why I'm actually a man
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hamletthedane · 1 day
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Haddon Hall, Derbyshire, England
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hamletthedane · 2 days
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Over The Waves by Setsuko Matsushima
art quilt
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hamletthedane · 2 days
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odin is like “when thor was born the sun shone bright upon his beautiful face. i found loki on the sidewalk outside a taco bell”
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hamletthedane · 2 days
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Christopher Logue, from “War Music”
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hamletthedane · 4 days
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hamletthedane · 4 days
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call-out post
@Lattimore, it’s not okay to translate ‘οὐλόμενος’ (destructive, ruinous; used of wrath, madness, drugs, the hungry stomach) as ‘sluttish’ just because it’s applied to a woman
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hamletthedane · 4 days
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I know I already said this in the tags, but it really is striking that Shakespeare takes these two teenaged protagonists and makes their stories so intensely and explicitly about being victims of their parents’ greed and desire AND being victims of the narrative of tragedy itself (and thus victims of Shakespeare’s own negligence of them, as their creator)…and he names them after his OWN TWO TWIN CHILDREN. With one of them - Hamnet - having died only a few months before he started writing Hamlet???
And the absolute ANGUISH that each of the plays have for its characters is so insane: Hamlet and Juliet are both dead from nearly the first words of the play, and yet the narratives explicitly, almost bizarrely remind us over and over that we ourselves are killing them. Our consumption is their doom - just as Shakespeare’s continued creation of them dooms them. And by the time they die, the very stage itself seems to weep for the injustice of their too-young deaths because we were right there. We could have done something. Why didn’t we pay more attention? Why didn’t we help save them? Let’s try it again and maybe this time we’ll get it right…
Shakespeare: I will create two teenage characters who are explicitly proto-postmodern examinations of the nature of character and fate within fictional narrative. I am their creator and - like their parents within the narrative - I exercise complete control over their fates, no matter how much they struggle against it. They are born like Athena from my mind and doomed to die by my pen, by my complicity in the narrative negligence of them, by my own actions and wishes-
Actor: cool, what's their names?
Shakespeare, father of twins named Judith and Hamnet: uhh…. Juliet and Hamlet.
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