I need to collaborate w/ a woman who has a great singing voice (I'm fairly good but not good enough) & is more attractive. she can be the face of my music . ugly dudes can get famous if they have enough talent but average looking women with no nepo connections? lol. unlikely. I mean looks aren't required to be a writer obv, which is my dream & what I am working on (I've got novels + a screenplay in the works, I'm casting a wide net) but for music? can't think of a famous female artist who isn't good looking. and while it would be fun to be recognized when I leave the house I do ultimately know that it's probably not in the cards for me so whatever. more than anything I just want people to see my vision, they don't have to see ME. I don't mind only being behind the camera. I can just do what I'm best at & leave the rest to someone better suited for it.
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Okay just so we’re fucking clear. (Btw thanks for @prinrestcess for the clarification)
Kaeya and Diluc are brothers (adopted) in Chinese too don’t argue about it and DON’T try to twist a narrative because uninformed people especially kids will believe it.
Either just say you don’t view adopted siblings as real siblings or say you openly support inc3st. Either way you’re getting blocked because no one wants to be around you. Just be a bitch but don’t lie about it.
Additional little side not that’s not really important: I don’t ship Shenyu anymore. Tbh I had no context when I played the event and just thought they were cute. As far as I know they’re not technically siblings or ever referred to as siblings BUT they both are sort of taken care of by Cloud Retainer. I think Gaming calls her auntie too at one point so yeah I don’t ship ANY of them, but I won’t like hate you for it as long as they’re never referred to as siblings. Same with Itto and Shinobu like they seem to have a more familial relationship than anything else but that’s just my opinion.
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i know that in media you're constrained with things like budget, time slots and stuff, but sometimes i'm just like. my god. the insane shortcuts people take to write "smart / intelligent" characters, especially in plot-heavy stories, always pisses me off. they write them like they're sherlock holmes (bbc version, derogatory) but they fail to realise that even sherlock holmes (arthur conan doyle) was written with a lot of thought, suffered his own subconscious prejudices and had to learn from mistakes.
i guess what i'm trying to get at is—"smart" people don't magically get good at things overnight, the only difference between them and others is how much they're willing to go through to hone their mental acuity. which means when they try something new, they're going to make obvious mistakes, not understand how things work beyond the surface level, and make mistakes in judgements (like when you don't understand something well enough, your analogies and metaphors aren't 100% accurate or concise).
but it feels like there's a assumption hanging over our heads that, as readers, we don't WANT to see the smart one go through the entire nitty gritty of the learning process. we just want to see them do cool things, piece the puzzle together with a flourish, and clap our hands at the end. and in some parts, yes! that is what i want to see! but i am also interested in how they pieced it together. the joy of mysteries is, to me, that everyone is exposed to the same pieces of information, and we're given the chance to try to piece it ourselves. but then the smart character comes along and interprets those pieces of information in a not-obvious way to us, and it's cool!! years of living with a mind that is primed to turn things over in their head, to make sense of things, reveals to us how differently we experience the same reality, and it's wonderful. i'm able to learn from someone who sees life differently than me, and interpret information differently than me!
but right now i'm often left out feeling flat and confused in the mystery-type plots i've seen. the smart person will have been exposed to information we didn't even get the chance to see and interpret, and then they piece things together and everyone in the story claps their hands at the artificial pedestal that's been propped up under that character's feet. explanations of in-setting magic that can be retconned in and out at any point in time, so there's no logical consistency for us to nitpick or understand, so there's no basis to stand on that the story should be taken seriously. plot twists that make no sense as a gotcha. so many things!!
like. this particular example just my beef with g*nshin, so ignore it if you don't agree or smth. but the use of red herrings in the stories piss me off. the red herrings are either too obvious or nonexistent. they always use some random guy acting suspiciously and have the other characters react to it, as if we can't understand it on our own? but like. these red herrings, in the real world, aren't even red herrings. sometimes people just "act suspiciously" just by virtue of being human, not because they're complicit in some bigger overarching plot. sometimes people just stutter because of their anxious disposition, not to hide a guilty conscience. sometimes people are just defensive and irritable because they're a defensive and irritable person, it doesn't mean they're the ""bad guy"" who you need to crack down on and interrogate even further, especially if there's literally nothing that indicates this character is guilty other than their outward appearances.
but like. the smart characters/protagonist almost never get proven wrong. the stutterer was guilty all along and they're just a bad liar. the defensive guy is selfish and obnoxious, they're defensive because they're hiding something, not because it's a natural reaction on having one's sense of privacy and personal space violated.
the game sure loves trying to do nuance with "not everyone is 100% good or bad, we're all Flawed" but they can't put their money where their mouth is. everyone who is not guilty acts in completely transparent and "good" ways. everyone who is guilty acts in completely opaque and "suspicious" / "bad" ways. end of story. how the hell am i supposed to think anyone in this game is smart when they don't even have to use their brain to sift through, critique, weigh and interpret information? what use is there to do so? just use your eyes and ears. the stutterer is nervous for hiding a secret. the anxious is guilty. the angry is scornful.
there's also another rant here about how g*nshin fucking sucks at writing unique and flawed characters, because they like to make everyone the Specialest Guy In The World, but that's for another day.
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"horror is about hope" "horror is about post 9/11 nationalism"(???) no no and no horror is about "what if there was a Big Scary Guy and he was gonna Getcha" (and also, i might add, as many fake blood spatters as possible)
horror is when jamie lee curtis is there and ONLY when jamie lee curtis is there
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