#Bob Daisley | Explore Tumblr Posts and Blogs

k-i-l-l-e-r-b-e-e-6-9 · 1 year

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Mr. Crowley, won't you ride my white horse Mr. Crowley, it's symbolic of course Approaching a time that is classic I heed that maiden's call Approaching a time that is drastic Standing with their backs to the wall

𝔒𝔷𝔷𝔶 𝔒𝔰𝔟𝔬𝔲𝔯𝔫𝔢 - "𝔐𝔯. ℭ𝔯𝔬𝔴𝔩𝔢𝔶" (𝔏𝔦𝔳𝔢 ‘Ցյ) ♰

#Ozzy Osbourne #Mr. Crowley #Live ‘81 #80's #80s #ozzy #randy rhoads #Bob Daisley #Tommy Aldridge #concert #live #Genre: Heavy Metal #Themes: War Fantasy Madness Society Love #UK #my gif #my gifs #gifs #my edit

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myvinylplaylist · 2 months

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Ozzy Osbourne: Mr Crowley 12” UK Single (1980)

Blizzard Of Ozz UK tour.

The labels list this as 33⅓ RPM but it actually plays as 45 RPM.

Jet Records

#my vinyl playlist #ozzy osbourne #bob daisley #randy rhoads #black sabbath #jet records #hard rock #classic rock #heavy metal #80’s rock #record cover #album cover #album art #vinyl records

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heidismagblog · 9 months

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metalsongoftheday · 6 months

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Friday, November 10: Ozzy Osbourne, "Believer"

R.I.P. Randy Rhoads (1956-1982), Lee Kerslake (1947-2020)

Over 40 years after his untimely passing, people still hypothesize about what Randy Rhoads would have accomplished had he not stepped onboard that miniplane. A lot of that has to do with him dying so young, but there was also the fact that in the space of less than two years (not counting his time and albums with Quiet Riot) Rhoads emerged as a singular talent that was somehow both fully formed yet also still blossoming. That fascinating dichotomy was especially apparent on Diary of a Madman: his riffs and solos were uniformly astounding, but he still sounded like he was on the cusp of something bigger. “Believer” was one of those tunes that simultaneously adhered to and toyed with form- Rhoads’ primary riff and the overall pacing was a logical extension of Ozzy Osbourne’s past with Black Sabbath, but there was something distinct about the way he let that riff drag, and the spidery guitar lines in the verses told another story altogether. There was a lot going on musically in the interplay between Rhoads, Bob Daisley and Lee Kerslake, so much so that even though Ozzy was placed very high in the mix (intrusively so in spots) and was the obvious focal point, in a lot of ways he was really just a passenger along for the ride. And hanging over all of this was the vibe (even back then) that Rhoads was outgrowing the confines of the Blizzard of Ozz, which added to the general uneasy feeling “Believer” was intended to provoke.

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blackros78 · 7 months

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#ozzy osbourne #rock in rio #1980s #heavy metal #classic rock #jake e. lee #bob daisley #tommy aldridge #don airey #live performance #video #1985 #rio de janeiro #brazil #Youtube

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themetalmassacrevault · 1 month

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#bob daisley

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longliverockback · 6 months

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Ozzy Osbourne Bark at the Moon 1983 CBS Associated ————————————————— Tracks: 1. Bark at the Moon 2. You’re Not Different 3. Now You See It (Now You Don’t) 4. Rock ‘n’ Roll Rebel 5. Center of Eternity 6. So Tired 7. Slow Down 8. Waiting for Darkness —————————————————

Don Airey

Tommy Aldridge

Bob Daisley

Jake E. Lee

Ozzy Osbourne

* Long Live Rock Archive

#OzzyOsbourne #Ozzy Osbourne #Don Airey #Tommy Aldridge #Bob Daisley #Lee Kerslake #Jake E Lee #Bark at the Moon #Ralph Schuckett #Metal #1983 #US Album

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mymindlostmefan · 2 years

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Ozzy Osbourne 1980 Blizzard Of Ozz

released 18.09.1980

#ozzy osbourne #randy rhoads #bob daisley #Lee Kerslake

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itsmarjudgeloveclassicrock59 · 7 months

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OVER THE MOUNTAIN - Diary Of A Madman

I wrote the lyrics to ‘Over the Mountain' just before Ozzy had to record the vocal. The basic theme is about astral travel, and the line 'Kissing silver-inlaid clouds' was inspired by

'Scuse me while I kiss the sky in Hendix's 'Purple Haze’. I gave my clouds a silver lining to

keep the message positive.

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Information provided by

Bob Daisley

#blizzard of ozz #bob daisley #classic rock

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ritchieblackless · 2 years

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Backstage photo, 1977-78.

#HE IS JUST TOO COOL FOR SCHOOL #Cozy is handsome. he has style. he is cool. he is cute. he is funny. he is acid. he is good looking. he is kind-hearted. he is humble.#he is generous. he is everything ❤️#cozy powell #rainbow band #ronnie james dio #bob daisley

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helloforgottenlibrary · 2 years

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Rainbow performing in 1978 https://t.co/R2NkQIwREi

#rainbow #ritchie blackmore #rock #music #bob daisley

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myvinylplaylist · 8 months

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Ozzy Osbourne: Mama, I'm Coming Home CD Single (1991)

Promotional CD

Epic Records

#my vinyl playlist #ozzy osbourne #zakk wylde #randy castillo #bob daisley #john sinclair #michael inez #lemmy kilmister #epic records #hard rock #classic rock #heavy metal #90’s rock #promotional cd #compact disc #album cover #album art

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swordsandtequila · 1 year

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Blizzard of Ozz was a band, not just a record.

1979-1982 (until Randy Rhoads's death)

1979/1981 line up: Randy Rhoads (guitars), Bob Daisley (Bass), Lee Kerslake (Drums) and Ozzy Osbourne (vocals). (During recording of Blizzard of Ozz, recording of Diary of a Madman and Blizzard of Ozz tour)

1981/82: Randy Rhoads (guitars), Rudy Sarzo (bass), Tommy Aldridge (Drums) and Ozzy Osbourne (vocals). (During Diary of a Madman tour)

Keyboards credited to Don Airey

#80s metal #hard rock #heavy metal #80s rock #metal #rock #ozzy osbourne #blizzard of ozz #diary of a madman #randy rhoads #bob daisley #lee kerslake #rudy sarzo #tommy aldridge #don airey

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metalsongoftheday · 1 year

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Friday, November 4: Ozzy Osbourne, “Zombie Stomp”

R.I.P. Randy Castillo (1950-2002)

Ozzy Osbourne got serious about his craft on No More Tears, aiming to put the antics aside for a minute and focusing on making a professional album that played like a cohesive statement. And with Duane Baron and John Purdell behind the boards, as well as Michael Wagener mixing, even deep cuts like “Zombie Stomp” roared with vigor and focus. Consistent with the rest of No More Tears, the track homed in on the power and chemistry of Ozzy’s band, with Zakk Wylde churning out one of his last straightforwardly traditional heavy metal riffs and Randy Castillo locking in with him on drums (Bob Daisley was also present as both bassist and lyricist, though he wasn’t credited for either). And even though the words were nothing remarkable, especially when compared to the streetwise poetry of the tracks Lemmy Kilmister wordsmithed, the Ozzman sounded engaged and committed, and in fact he would never sound this motivated and passionate as a singer ever again. Even with the lengthy and somewhat aimless intro, “Zombie Stomp” was a fun charging banger that worked as big-budget early ‘90s metal from an icon that hadn’t been taken seriously as a recording artist in several years. And if we’re being honest, this would’ve easily ranked among the best tracks on any subsequent Ozzy record.