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#Evan McCulloch
dailydccomics · 1 month
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professional Flash catcher, Mirror Master The Flash 2024 Annual
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wanderingmind867 · 2 months
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Part 4 of me showing how DC's tend to be more sympathetic or at least more fun than their heroes (based on me playing Lego DC Supervillians). Mostly Flash Villians and Suicide Squad characters, this time:
Mirror Master: There's been two mirror masters. Sam Scudder and Evan McCullough. Skimming wikipedia, Sam Scudder seems pretty boring. He's just a simple convict who has mirror powers. But Evan McCullough (the one in the Lego game), oh boy. He was an orphan who was sexually assaulted at 8 years old and figured out who his parents were just to see them both die. That's all kinds of messed up, and it makes him incredibly sympathetic.
Killer Frost: There's been a few Killer Frosts (according to wikipedia), but the one trend I see: they're usually always scientists who get themselves in horrible accidents. I believe the current Killer Frost is Caitlin Snow, and wikipedia says her whole thing is that she's basically a vampire for heat due to a botched arctic experiment. And that's incredibly tragic.
Deadshot: Deadshot seems like he's got a really messed up backstory. A rich but negligent and abusive family, his mother tried to get his brother to kill his father. When he tried to stop them, he ended up killed his brother. That's incredibly dark and sad. Also, I think he has a kid whom he actually cares about. Which is sweet. At least he's possibly trying to be better than what came before him?
Captain Boomerang: Captain Boomerang actually does seem like a not great guy. He hates being ridiculed and grew up in poverty, but (at least in the comics, according to wikipedia) he's also a jerk. But he is fun and very entertaining, so I'll give him that.
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tricksterrune · 7 months
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Flash Rogues Advent Calendar
So, looks like @nogloryart , @thefastestqueeralive , @roguesrevenge are in as well as @tooattached2fictionalcharacters @bramblemouse @jacenpetertodd and @g0ldenglider are in, as well as myself. @underthedeepdark-ink and @t-bombs
So far we have 10 people, meaning almost everyone would have to do 3 pieces each to get the full set
The plan is to an advent calendar community event, meaning from the first of december to the 24th, one piece of fanwork gets posted each day, making it 24 in total.
Please signal boost, hopefully more people would like to join
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kenaigamesgallantly · 2 months
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LEGO DC Super-Villains Is actually Really Good, and you should play it if you can!
Let's get something out of the way, first: I am a fan of Scarecrow, Riddler, Cap. Cold, Reverse Flash, and Mirror Master, specifically Evan McCulloch. That last bit will be important later.
I have played probably an accumulated 4-5 hours of this game, and I hop off of stream stupidly happy every time. I have done 2 separate streams, but already I believe this is game of the year potential for DC fans.
There are plenty of returning voice actors from older projects regarding the same character. Jeffrey Combs returns as Scarecrow once again, as does Wally Wingert as The Riddler, and C. Thomas Howell as Reverse Flash. The design, powers, and characterization of all the characters are so on-point, fun, and great to play as. The graphics are great, the game runs smoothly, it has a solid and fun storyline so far, and it's just so much fun to play.
I audibly gasped when I heard Mirror Master's voice... Because it was Scottish. AKA the most forgotten Mirror Master, Evan McCulloch. As far as I know and can remember, Evan has not been in much, if any, media that isn't the comics, and even then he's a sight for sore eyes. A rarity. A unicorn.
This game is healing my inner child like you wouldn't believe. This game is cute and charming, and as I've mentioned before, it's just plain fun. The roster is vast, and there's free play and free roam. You can make your own villain, give them whatever powers you want right from the get-go, and you earn more along the way. The main character is mentioned in a gender-neutral fashion, using They/Them pronouns, but I may have done something in my character creation to get this, I'm not sure.
There have been so many cute and funny moments, I adore the characterizations of all of my favorites and the other characters around them, and I'm normally a person who gets disappointed with the characterization of these characters. For example, Riddler in Arkham Knight, as well as Scarecrow, and Eobard Thawne in The Flash show, plus the absolute lack of representation for Evan McCulloch's Mirror Master in the first place.
@gorogues @jonathan-cranes-mistress-of-fear you NEED to boost this game!! As a rogues fan, both of Gotham and Central City, this game has been such a boon to the fandom, and frankly it's sleeping on it. I'm hoping you'll join me in sparking a love for this game. This game feels like such a labor of love and a love letter to all the DC villain fans. Even heroes like Batman, Nightwing, and The Flash, still are playable and make an appearance!
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longitudinalwaveme · 9 months
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Best and Worst Comic Appearances of the Rogues
Note: Keep in mind that some of these choices are very subjective and based on personal taste. In particular, it's difficult for me to know if the storylines I list as the "best" for a given character are actually the best, or if they're just the ones that appeal the most to me personally. I feel like the "worst" choices are more objective (or at least more likely to be shared by a majority of the fanbase).
I'm also only judging stories that I've actually read for this list.
Captain Cold
Best Pre-Crisis Appearance: While I like his debut story from Showcase #8 a lot, I think my favorite Pre-Crisis Len story is Flash vol. 1 #150, "Captain Cold's Polar Perils". Ayesha, Len's stalkee-girlfriend du jour, is a fun character, and Len's powers are at peak Silver Age insanity, which is always fun. It's really the perfect encapsulation of what Pre-Crisis Captain Cold is like.
Best Post-Crisis Appearance: Flash vol. 2 #182. This is the famous Rogue Profile issue for Len, and it is legitimately really, really good (even if its treatment of Lisa is frustrating at times). It's a very solid examination of the character and the backstory provides a lot of depth that Len really needed. Basically, if you want to understand modern Captain Cold, this is one of the best issues you can read.
Worst Appearance: Flash: The Fastest Man Alive #10-13. Every character in F: TFMA is poorly written, and Len is no exception. From having a murder retconned into one of the periods where he was supposed to be reformed to letting a teenage speedster take over the Rogues for no good reason, this story just does not understand Cold.
I will also note here that I generally don't like Joshua Williamson's take on Len. I have trouble putting my finger on exactly why, but if I had to take a stab at explaining it, I think I would say that Williamson's Len is too ambitious and too hands-off. Having him take over first Central City's underworld, and then Central City, seems out-of-character for Len, who's usually smart enough to understand that escalating crimes to that level is a great way to attract a horde of superheroes, and having him sit back and organize crimes without going out into the field himself, which Williamson did more than once, likewise seems out-of-character for Cold. Johns' Len wasn't always the best leader in the world, but at least he was always in the field with the other Rogues. Williamson's Len seems a lot more willing to sit back and let other people do the work for him, and he comes across as a worse leader because of it. Effectively, then, I think my problem with Williamson's Len is that his Len seems younger, less experienced, less practical, and less likely to inspire loyalty than any previous version of the character (except the one that was being written around the time of F: TFMA.)
Captain Boomerang Sr.
Best Pre-Crisis Appearance: Flash vol. 1 #310-311, or Batman #322. The first story has Captain Boomerang getting double-crossed by Colonel Computron and sent back in time (on a giant time-traveling boomerang!), whereupon he has to team up with the Flash to fight pirates. It's delightful, and is made even more so by Digger's determination to save his ex-employer, W. W. Wiggins, from the vengeance of Colonel Computron. The second story features Captain Boomerang fighting---and nearly defeating!---Batman, who narrowly escapes death on Digger's "doomerang". Batman really needs to take Flash's villains more seriously....
Best Post-Crisis Appearance: Suicide Squad #44. This gives us Digger's modern backstory, establishes that he's actually W. W. Wiggins' biological son, and generally serves as an interesting character study of a generally unpleasant character. Flash vol. 3 #7 is a very similar retelling of the same basic backstory, this time by Geoff Johns, and would have been tied with Suicide Squad #44 if not for the gratuitous scene of Digger killing his assumed father (for my money, Geoff Johns is a bit too fond of gruesome deaths).
Worst Appearance: I don't read a lot of Suicide Squad, so I'm not familiar with the terrible Digger appearances that may have happened in the various Suicide Squad runs. Because of that, my nomination for the worst Digger story is Identity Crisis #2-5, the story that killed him (and poor Jack Drake and Sue Dibney) for the sake of earning grimdark edgelord points. What makes it even worse is that the story's scenes of him interacting with Owen are actually pretty good, so we got teased with a really interesting plot for him right before he was pointlessly axed.
Heat Wave
Best Pre-Crisis Story: Flash vol. 1 #266-267, or Flash vol. 1 #312. The first story gave us the first version of Heat Wave's backstory (specifically, it established his cryophobia due to having been locked in a meat freezer as a child), presented him as the main villain of a story basically for the first time (all his previous appearances had him teamed up with another villain), and was full of delightful Pre-Crisis pseudo-science, like heat-seeking fire. It also featured a panel of Mick totally freaking out at the sight of ice cubes. The second story was Mick's first reform, and it was a solid, if slightly goofy, tale of Mick proving that his parole officer was framing him for crimes. It also led to him and Barry becoming friends (and temporary roommates) a few issues later!
Best Post-Crisis Story: Flash vol. 2 #218. It's one of the few Post-Crisis issues that uses him as a lead character, and it establishes his now-iconic tragic backstory and pyromania. Even though it's a bit excessively grimdark (did he really need to burn down the circus where he worked as a fire-eater?), it's a solid story nevertheless.
Worst Story: The Flash: The Fastest Man Alive #11-13, or the "Three of a Kind" crossover (Green Arrow #96, Green Lantern #130, and Flash #135). Everyone was terribly written in F: TFMA, and Mick was no exception, as he was portrayed as an idiot and then killed Bart Allen.
In the crossover, Mick teamed up with two random villains that he had no prior connection to, for some reason decided to try to revive Dr. Polaris with them via hijacking a cruise ship, and ended up killing a bunch of people. It really felt like he just got shoved into the story because they needed a Flash villain in it, and they didn't think about which one would actually make sense in the plot. It makes even less sense when you remember that Mick would go back to being reformed directly after this.
Also, the New 52 introduced us to the Hothead McAngryman version of Mick, and it unfortunately took over five years for him to finally get back to normal. Having the character with fire powers be hot-headed and aggressive is probably the most boring choice they could have made, and it hurt Mick's overall character for quite some time.
Mirror Master I (Sam Scudder)
Best Appearance: Flash vol. 1 #126, or Flash vol. 1 #146, or Flash vol. 1 #306, or Batman #388 and Detective Comics v1. #555.
The first two stories are delightful Silver Age nonsense. Flash #126 features Sam traveling to a mirror world where the inhabitants essentially make him their king, but he quickly gets fed up with the fact that he's given whatever he wants means that he has no opportunities for dramatic theft, and he summons the Flash to help him escape from his boring life as king. Flash #146 is the story where the Mirror Master switches his legs with the Flash's legs. It also features Barry and Sam attending the same self-help class without knowing it!
Flash #306 has disco-dancing Sam, and, more importantly, it's one of the very few stories to try to give Sam an interesting motivation: specifically, he's fallen in love with a woman who's trapped in a mirror and is desperately trying to free her. The ending of the story is a sad one for Sam, but it's also surprisingly touching.
Finally, the Batman two-parter features Sam at his overconfident, flashy, hilarious best as he tries to prove that he's a better criminal than Captain Boomerang (incidentally, this is also a great Captain Boomerang story). It features such highlights as Sam freaking out at the sight of Batman, Sam getting freaked out by Gotham muggers, and Sam deciding to rob a bank because it's across the street and he doesn't have any better ideas. The first part of the story also features some of the best facial expressions he's ever made.
Worst Appearance: For a single story, it's either Flash Rebirth #2 or that issue from Joshua Williamson's run where Sam wore his socks and underwear in the hot tub. Weirdly, Flash Rebirth #2 featured Sam only briefly, and in a flashback, but it retconned a murder into his early past in a way that would darken all of his fun Silver and Bronze Age adventures. It's one thing to have the Rogues become more dangerous in the present, and another to retroactively make all of their early, light-hearted stories grim like this. (Geoff Johns was responsible for this retcon, and far too many others like it. I really wish he didn't like grimdark retcons so much.)
The Williamson issue had Sam who was Evan-in-all-but-name-and-accent. At that point, he might as well have not been Sam at all! That being said, this was basically just the culmination of all the problems Sam has had since he was brought back to life in the New 52. I don't know how you make a character as fun and dynamic as Pre-Crisis Sam was boring and confusing, but somehow they managed!
Weather Wizard
Best Pre-Crisis Appearance: Either Detective Comics vol. 1 #353, or Adventure Comics #466.
Watching Mark fight---and actually briefly outsmart!---Batman in Detective Comics #353 is a lot of fun, and this story is full of delightful Silver Age zaniness, including, but not limited to, Mark saving Gotham City from a drought by filling all of its reservoirs just so that he can make a big announcement in the sky about how he did it in thanks for getting to steal three priceless valuables, and in turn use that message to determine what in town is worth stealing.
Adventure Comics #466 is an entirely different brand of delightful insanity, and features the Weather Wizard briefly turning good, stopping a horde of locusts from destroying crops, and saving Blue Valley from a flood because sun spots were messing with his wand, which he somehow managed to telepathically link to his brain. No, really. Sunspots briefly make the Weather Wizard turn good. Reading this is worth it just to see Barry's reaction to friendly happy Weather Wizard.
Best Post-Crisis Appearance: Rogues Revenge #1-3. By far the most in-depth look we've ever gotten at Mark's past, his relationship with his brother Clyde, and his boatload of issues. Despite being one of the more frequently-used Rogues in the Geoff Johns era, it was rare for Mark to get a lot of attention outside of his role as a big threat, and this miniseries was a nice change of pace for him. I just wish it hadn't ended with the pointless death of his baby son, Josh, because seeing Mark develop a relationship with Josh would have been far more interesting (and less grimdark).
Worst Appearance: The Flash: The Fastest Man Alive #11-13. The story where the writers replaced the Rogues' brains with rocks, and hoped we wouldn't notice. We did.
Trickster I (James Jesse)
Best Pre-Crisis Appearance: Flash vol. 1 #142. In which the Trickster steals a little kid's toy detective set, and proceeds to screw around with the entire city, and the Flash, just because he can. It's a great display of the Trickster's inventiveness and creativity, and the story goes out of its way to state that Trickster is more interested in attention and having fun than in getting money.
Best Post-Crisis Appearance: Catwoman vol. 2 #69-71, or New Year's Evil : The Rogues.
The Catwoman story features some of the funniest James moments ever, and it's so much fun watching the two con artists try to outsmart and outplay one another. Catwoman and James have a great dynamic, and it's a shame they've never really teamed up again.
New Year's Evil: The Rogues features James at his most heroic, teaming up with the Pied Piper (and, thanks to some manipulation on his part, some of the other Rogues as well) to save his ex-girlfriend Mindy's son, Billy, from a group of mercenaries who are attempting to overthrow the government of Zhutan. The story also eventually reveals that Billy is James' son, which sadly never went anywhere since for some reason no one wanted to follow up on this awesome plot point.
Worst Appearance: Countdown! Not only does he forget all of his Post-Crisis character development, but he also acts really stupidly for no reason, is a humongous jerk to the Pied Piper (his close friend!) for no reason, and then is pointlessly killed for no reason.
It's also worth noting that his most recent big appearance, the one written by Joshua Williamson, was very frustrating to me. It's not as objectively bad as Countdown, or James' appearances in F: TFMA, but it takes James in an unpleasant, dark direction, and I didn't care for it at all.
Pied Piper
Best Pre-Crisis Appearance: Flash vol. 1 #307. This story is very important for the Pied Piper, because it not only gave him his full backstory but also gave him an actual name after over twenty years of him not having one! It's also just a fun read in general, full of delightful Pre-Crisis "science" and featuring some great character work for both Hartley and his parents, who are so desperate to preserve their family name that they have a reporter who uncovered the secret kidnapped so they can bribe her to keep quiet!
Best Post-Crisis Appearance: Flash vol. 2 #19, or Flash vol. 2 #32.
William Messner-Loebs' run on the Flash is underrated, and his work on Piper is a stand-out example of why more people should read it. Even though Hartley doesn't appear a lot in Flash #19 (his first ever Post-Crisis Flash appearance, by the way), but when he does show up, it pretty much single-handedly establishes what he's going to be like going forward; establishing him as an at least mostly reformed Rogue who cares about protecting the homeless and disadvantaged. It's just really sweet.
Flash vol. 2 #32 features Hartley teaming up with Wally to save his parents and his adorable little sister Geraldine from the henchmen of the Turtle and the Turtle Man. It's adorable seeing Hartley interact with his little sister, and it's also nice to see him finally make peace with his parents, even if they'll never be close. I really wish Geraldine had gotten to show up again, because I want to see more of Hartley's little sister. Also, this story features a line that I've always found hilarious for some inexplicable reason:
Thug (in response to Joan Garrick showing up at the Rathaways' mansion): An old woman? Seize her!
A close runner-up is Flash vol. 2 #190, which is a retelling of the origin story from Flash vol. 1 #307, but with more details and from Hartley's POV (the original tale had his parents telling the story).
Worst Appearance: F: TFMA and Countdown (since one led into the other, I kind of count them as one story). In which Hartley totally forgets that he reformed, is involved in the death of Bart Allen, loses about 100 IQ points, gets chased all around the DCU, gets insulted almost non-stop by the Trickster in spite of the fact that they're supposed to be friends, watches Trickster get shot in front of him, and almost goes crazy and dies.
The fact that he gets to blow up Apocalypse with Queen music is awesome, but not nearly enough to salvage this otherwise terrible storyline.
The Top
Best Pre-Crisis Appearance: Flash vol. 1 #297-303. Roscoe comes back from the dead, possesses Barry's father, spends what appears to be several months living with Barry and pretending to be Henry Allen (while slipping off to visit Lisa on the side), and then attempts to kill Barry Allen and steal his body for his own. It's weird and creepy and unique and perfect for Roscoe, and it features lots of top puns, as all good Roscoe stories should. Also, even though he's generally a huge jerk in this story, his relationship with Lisa is adorable, affectionate, and shockingly healthy.
The most hilarious thing about this story is the fact that at one point in it, Barry thinks to himself that his relationship with his father is the best it's ever been....in response to the interactions he's had with Roscoe posing as his dad. That's right, Barry apparently gets along better with Roscoe-pretending-to-be-his-dad than he does with his actual dad.
Best Post-Crisis Appearance: This is hard. Most of Roscoe's Post-Crisis appearances are pretty bad. The writers of Hawk and Dove didn't do an especially good job with him, Mark Waid's one story with him was a decent Pied Piper story but a terrible Roscoe story, and Geoff Johns seemed to hate the character, so that always affected his Roscoe stories. If I had to pick one, I guess I'd go with @gorogues' suggestion and pick Flash vol. 2 #215-216, since he's really intimidating and cool in those issues. Unfortunately, even those issues are not immune from the curse of bad post-crisis Roscoe stories, as they include the stupid Identity Crisis tie-in retcons that negated a whole bunch of the Rogues' character development.
I seriously don't know what the problem is with the Top's post-crisis stories. All of his Pre-Crisis stories were good, solid fun, and his best story shows that he can be really effective and creepy as a main villain. Why is it so hard for modern writers to write good Top stories? He isn't inherently any weirder or goofier than the Trickster.
Worst Story: Hawk and Dove vol. 3 annual #1, or Flash vol. 2 #120-121. The Hawk and Dove annual features some truly hideous art (I'm sure @gorogues has some scans to prove just how bad it is), and features a badly out-of-character Roscoe, who just seems out-of-place fighting Hawk and Dove.
Flash vol. 2 #120-121 takes the solid idea of Roscoe trying to become president by possessing the body of a senator, and then kind of ruins it by having 99% of the cast treat Roscoe as a total joke (the same Roscoe who once tried to blow up half the world with an atomic grenade!) and by having Roscoe act like an unparalleled jerkwad towards the Pied Piper for no real reason. Before his death, Roscoe generally got along pretty well with the other Rogues, so there was no reason for him to act so nastily here. Worse, I think this depiction went on to influence Geoff Johns' portrayal of Roscoe as the most unfriendly and cruel of the Rogues, which is kind of frustrating as he wasn't always like that.
Golden Glider
Best Pre-Crisis Appearance: Flash vol. 1 #257. Golden Glider is terrifying and awesome, and this story shows you exactly why. Within this issue alone, she discovers Barry's secret identity (making her the first Rogue to pull off this hat trick), almost kills both of Barry's parents and Iris (as revenge for Roscoe's death, which she blames on Barry), puts up a very solid fight against the Flash, doesn't even flinch when the Flash threatens to kill her as a bluff (saying that she has nothing left to live for now that Roscoe is dead), and, although Barry manages to save Iris and his parents, she escapes without being captured. Pre-Crisis Golden Glider is the best, and it's a shame she never gets written like this anymore.
Best Post-Crisis Appearance: Flash vol. 2 #19. Her interactions with Wally in this story are great fun, and I like seeing her be chummy with her older brother and her fellow Rogues at the party they're throwing. Her interactions with Connie Noleski (Wally's one-time girlfriend) are also pretty funny. This issue is also notable for being one of the last stories that doesn't portray Lisa as a total lunatic, as for some reason, her character got shifted into that direction not long after COIE.
Worst Appearance: As I thankfully haven't read Teen Titans vol. 6 #22, I'm nominating Flash vol. 2 Annual 5. It's a great story for Captain Boomerang, Weather Wizard, and Trickster, but it's a pretty bad story for Lisa, as it portrays her as being completely insane and serves as Exhibit A of how Mark Waid didn't know how to write the character. Golden Glider was scary because she was smart, calculating, and surprisingly composed (given how full of rage she was). Making her violently comic-book crazy undercuts how scary she was back in the Bronze Age.
You know, it really says something that Carey Bates, Lisa's creator, is probably still the best writer she's ever had. And he was writing in the late 70s and early 80s!
Mirror Master II (Evan McCulloch)
Best Story: Animal Man #8, 17, and 21, or Flash vol. 2 #133.
Nobody writes Evan McCulloch better than his creator, Grant Morrison, and these issues put that on full display.
The Animal Man stories introduce McCulloch, establish his weird personality, his freaky powerset, and his strict refusal to kill women or children, and are generally a delight to read. McCulloch has a very distinct voice throughout and is the funniest part of all three stories. Basically, everything you need to know about the character was established in these three issues.
Flash #133 is McCulloch's best appearance in an issue of Flash. He maintains his weirdness, his distinctive voice, and his insane powerset, and he takes the Flash and the reader on a trippy, colorful adventure around the world and through the looking glass. He maintains his generally cheerful and friendly attitude towards superheroes, and he is, once again, the funniest character in the story. Grant Morrison's Evan is a delight.
A close runner-up was Flash vol. 2 #212, the story that gave Evan his backstory (grimdark though it is, it somehow kind of works for him) and established what has become arguably his second-most famous characteristic (after his Scottish accent): his addiction to cocaine. It is a very good story, and I like that we get to learn more about Evan's history, but I will say that Geoff Johns' Evan isn't nearly as cheerful and weird as Morrison's, and I think that the story would have been even better with Morrison's cheerful nutty Evan than with Johns' creepy, sullen version.
Worst Appearance: Flash: TFMA. You know the drill by this point. Stupid Rogues. Pointless death of Bart. Bad writing all around.
Trickster II (Axel Walker)
Best Appearance: Flash vol. 2 #183. There are actually surprisingly few issues that focus on Axel as a lead character, but I've always enjoyed his introductory issue. It establishes some backstory for him and effectively tells you who he is (an annoying brat who might be in over his head) and what he can do (use a lot of crazy trick gadgets and work computers better than the older Rogues). I also like the bit towards the end of the issue where Mark is thoroughly unimpressed by Axel and asks if he's supposed to be their mascot. It always gets a giggle out of me.
I also thought the arc in Joshua Williamson's run where Axel briefly got super-strength was a pretty good story for Axel. It's one of the few times he's been played sympathetically and I thought that it worked really well.
Worst Appearance: Helmet of Fate: Detective Chimp. Okay, I haven't actually read this one, but I know enough about it to know that Axel murders 4 teenagers for no real reason, and that's enough for me to list it as his worst appearance.
Also, I can't really think of any Axel issue that I have read where Axel is portrayed really terribly. Writers usually seem to have a decent grasp on his character.
Captain Boomerang Jr.
Best Appearance: The best appearance of his that I've read is in Flash vol. 2 #220-225 (the Rogue War storyline). It's one of the few stories to feature him with the Rogues, and his grief over the death of his father and his relationship with Captain Cold are both very interesting. The story also finally tells us who his mother is (Meloni Thawne) and how she had a kid with Digger (well, sort of. We know time travel shenanigans were involved, at least). That being said, @gorogues says that his appearance in Manhunter v. 3 were really good, and I've heard that the story where he teamed up with Tim Drake was a good one as well.
Worst Appearance: Blackest Night: Flash #3. The story where he was turned into a idiotic child murderer and then was pointlessly killed off!
A close runner up was the Rebirth (I think) issue of Suicide Squad where he suddenly showed up and was inexplicably a snobby criminal mastermind who really hated Digger.
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sdimoo · 1 year
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😚
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nogloryart · 10 months
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I have so many Trickster sketches and arts to upload, but I can't. Yet. Maybe only one... A bit later. And tons of Evan. I can throw one of him at least, huh. I might be slightly obsessed with Rogues, but who can blame me?
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kenais-posts · 4 months
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Saw this on Tik Tok this morning. I cannot, for the life of me, NOT imagine this as Len and Evan. As soon as I watched it the first time it just clicked and now it won't go away. @gorogues
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aka-ecckunass · 8 months
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its just some illusion
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好喜歡兩位鏡子的相同和不同之處。萌😌
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batmann · 2 years
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"By the authority of Mayor Wolfe. Flash, you're under arrest."
Wally West and The Rogues in The Flash #788
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demonbirdsforever · 6 months
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Raven’s odd romances
So… I’m bored and for the first time ever. I decided to do something really weird. I’ve decided to take a DC character. This time around I’m doing Raven cause she’s my favourite, and put her with a male character that she hasn’t (As far as I know) been shipped with. This time around I’m only doing DC male character’s.
Rules:
The need to be males within her sort of age bracket. So basically anyone between Nightwing’s age and Damians. Cause that’s the ages we’ve seen her as. So no Superman or Batman. Absolutely not Constantine. I find that to be extremely creepy.
No female characters because I feel they need there very own version and the male characters will get in the way.
Villains are included. I feel like it would make things more interesting.
If anyone wants to do something similar for amusement with a different character. Be my guest, it you wish to suggest a character for the next one. Let me know.
For those wondering… this was really hard! The shifting age’s thing is really annoying and plus you have to ask yourself. How much age difference do characters need before it gets… weird. I chose 10 years difference. Question? How’d I do?😋
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riddlerhymes · 3 months
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some flash baddie concepts ive had & havent posted yet<3
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forevercloudnine · 2 years
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My expression was actually pretty identical to Lisa’s upon reading the line “You hear Riddler hooked up with Cheetah?”
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kl-writes · 11 months
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You know, it’s not surprising that someone wanted to bring back Evan McCulloch. I did not expect that the reason he’s back is through a pact with some sort of cthulhu entity
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longitudinalwaveme · 30 days
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2024 Flash Annual (and General Musings About Si Spurrier's Flash Run)
I bought the 2024 Flash annual today, and enjoyed....parts of it. Which is actually a reflection of my feelings about the run as a whole. Here are my thoughts about the storyline so far, starting with the stuff I'm not crazy about.
SPOILERS AHEAD!
The Bad
I'm not a huge fan of Wally's kids suddenly having been aged up into teenagers. I liked them as younger kids, and it's frustrating to have them be advanced so rapidly into the more standard teenaged sidekick role.
Linda has been somewhat out of focus in the most recent issues of the story. I appreciate the attempt at tackling postpartum depression, but it feels as though the plot thread has been mostly lost amidst all the craziness.
Barry swearing is weird. He's such a clean-cut guy, and even though he's supposed to be somewhat out-of-character due to all the reality warping shenanigans, it's still odd to have him swearing constantly.
Amanda Waller is back, and she hates superheroes. Again. She's not exactly out-of-character or anything, but she's not really adding all that much to the plot. She's just here because of a tie-in crossover.
The tone of the book is rather dour and depressing. While it's not as relentlessly awful as it probably could be, I have to admit that having the entire Flash family be either depressed or on edge and at each others' throats is a bit depressing.
The Speed Force-related technobabble makes my brain hurt. I know that the Speed Force is always weird and esoteric and doesn't make sense, but this arc has been taking that up to eleven. I neither understand nor particularly care about the Arc Angles or the weird dimensional space-time stuff, and it frustrates me that so much panel time is devoted to that over and above character interactions.
This one is really minor, but I don't care for Evan's new astronaut costume. The original Mirror Master look was better.
Good Stuff
While the dour tone is a bit off-putting, I do at least respect the attempt to portray depression and burnout. For the most part, the symptoms are shown quite realistically, and, at least in Wally's case, it is a continuation of long-running mental health struggles. (Wally also suffered from depression shortly after becoming the Flash, so it does make some sense that his depression might resurface at some point.)
It's good to see Gorilla Grodd again. Before this arc, he hadn't done much for a few years, so it's nice to have him return (even if I'm not sure how he managed to get control over Gorilla City again).
The interactions between Wally and his kids (when they happen) are really solid, at least for the most part. I also like that Irey is still friends with Maxine Baker and that plot point wasn't dropped when the new writer took over.
Abra Kadabra makes total sense as part of the evil scheme, and Spurrier has thus far written him very well. I think it's been a good while since he was a major antagonist in anything, so I appreciate having him back as a Flash villain. I'm also relieved to learn that he was the Piper and not Hartley (mind-controlled or otherwise).
This may be the most interesting and threatening the Folded Man has ever been. Not that that's a particularly high bar to clear, but it's a nice change of pace to have him as a major villain.
Bart Allen and Max Mercury have been written well, and I'm glad that they're a team again.
Hartley has gotten to play an important role in the events of the story and is playing the role of tech support for the Flashes, just like he used to do during Wally's run. I'm very glad to have him around, and I hope that we get to see him in costume before the end of the run (especially given the way that Kadabra's evil scheme has co-opted his theme).
Evan McCulloch is back! I've missed him, and he and his phonetically-written Scottish accent have been one of the highlights of the run for me. He fits in with the book's plot and tone really well, given his weird eldritch powers, and this story has been a good showcase of just how dangerous he can be. I also particularly liked the bit where the Folded Man sarcastically suggested that Evan McCulloch's reward for participating in the plan was a hug; that was a good joke.
Unanswered Questions
Is McCulloch still dealing that Speed Force drug? And how was that connected to the overall evil plot?
Who or what is promising the rewards to the villains? Is it a pre-established villain, or some unknown cosmic horror?
Is Eobard Thawne involved in this scheme? If not, is one of the other Thawnes? I have to assume that at least one of them must be, because otherwise the "Crown of Thawnes" makes little sense.
What exactly has Evan been promised as a reward for his participation in the evil scheme? He's the only one we don't have a definite answer for, and I'm really curious as to what might be motivating him. If I were writing it, I would probably have the reward be a promise to let him go back in time and stop himself from accidentally shooting his father, but I do somewhat doubt that that's what he's actually been promised. Maybe it has something to do with reuniting him with the Rogues?
Are the social problems in Central City going to be addressed outside of Irey's ill-fated attempt to solve them? Is this going to be the next story arc, or an ongoing subplot? If so, I hope Hartley gets involved.
Is Evan still addicted to cocaine? Okay, admittedly this doesn't have much to do with anything, but I am curious.
Regardless of what Evan's been promised, Len needs to find him and whack him upside the head. This scheme is much more dangerous than anything he's been involved with previously, and he seems to have completely gone off the deep end in terms of the behavior he's willing to engage in to get what he wants.
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goupii · 11 months
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so he's back uh
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