lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
3K notes
·
View notes
It's hard to talk about the war in Israel.
It's hard because it seems that everyone I know who IS talking about it, is 300% on the side of Palestine and Hamas, and they're sharing articles that make Israel sound like a country of barbarians.
It's hard to talk about because I have a friend who lives in Israel, who's literal job is to study Jewish history and then teach it to others. And she's been updating me (and others on her Tumblr) about her experience during the war. She's been sharing articles and videos and first hand accounts, and it all sounds directly opposite to the propaganda I see everywhere else.
It's hard because it feels like everyone I know doesn't care that it's her job to know the history and the truth. They keep sharing the antisemitic articles and cheering for the downfall of any company that half-mentions support for Israel or doesn't outright support Palestine.
For some reason, people are looking at this war that doesn't effect 90% of them and seeing it in stark black and white. They're raging against a country that has never hurt them, in defense of known terrorists that have never done anything for them.
And it blows my mind that I can't even bring up the idea that I want my friend to be happy and healthy and safe and for her life to go back to some modicum of peace and stability in the country she loves, because too many people will accuse me of supporting genocide and colonization.
Honestly, wtf is happening. It's like watching Donald Trump win the election and wondering how so many people can suddenly be racist, close-minded bigots all over again. How has America (and maybe the world?) been convinced that Israel is nothing at all but an aggressor and Palestine and Hamas are nothing at all but innocent babies in need of defense?
To all the people who claim this IS a black and white issue - honestly fuck you. No war has ever been black and white, and you fucking know it. Your brain's just gone stupid over this war for some reason.
To the civilians in Palestine, you didn't deserve the war brought to your doorstep by the terrorists among you. I wish this war would end yesterday and aid can rush to you and help you heal. You didn't (and don't) deserve to have your friends and family caught in this crossfire.
To the civilians in Israel, you have never deserved the vitriol thrown at you. And you certainly don't deserve to hear the world calling for the eradication of your country and livelihoods, all while erasing the terrible deeds done against you in this war. I wish I could erase antisemitism from the minds of everyone in the world so that you could heal from generations of degradation and mistreatment. You didn't (and don't) deserve to have your friends and family caught in this crossfire.
To anyone calling for the eradication of either nation - fuck you and your bigoted hearts. We're supposed to be spreading love, not hatred. We're supposed to care about each other, not hope missiles wipe imaginary enemies off a map.
What the actual fuck.
549 notes
·
View notes
i think you’re pretty — trent alexander-arnold ₊˚ෆ
🍓 hana’s notes: in ma feels again (shocker) haven’t written anything in a while so please be nice <3
disclaimers: lil drabble, cliffhanger (you have been warned!) reader is a little insecure, but reader can pull girls and guys, childhood bestfriends my beloved trope 🫶 || main masterlist
“Wait, actually? You don’t think people think you’re pretty?”
You don’t even know how the conversation ended up on this topic. Sitting at the balcony catching up with Trent after you moved away. Now, he’s a big shot footballer and you’re working to get your degree.
Fifteen year old you guys would be proud.
You shook your head, it's not a new thought for you, “Nah, but that’s okay though. I think I’m pretty, but I don’t know if I am someone’s hallway crush or people just look at me and think — Wow, pretty.”
This is the type of stuff that you only spill on your diary, but it’s Trent, and he knows more about you than you do yourself.
It’s not something new you have come to terms with, after seeing most of your friends' getting crushes, getting hit on, going on dates and having relationships except you, you have made peace with it.
Trent’s forehead creases, as if the statement offended him more than you, “That’s crazy, tha’” Trent could not believe what you just said. You? Not pretty? Are you insane?
Turning your head to face him, you warmly smiled, “Don’t pretend, T.” and when you look at Trent, taking in his features, now this is pretty. “You’re pretty. People think you’re pretty.”
You didn’t know why you decided to say that. Maybe because the moonlight illuminates his skin and eyes, making him shine a little bit brighter. Butterflies swarm your belly, as your hand sweats.
Trent’s cheeks went warm, he thinks he’s the luckiest person ever to get compliment from you. His heart aches for you, but he decided to focus on the task at hand first.
"That's stupid." he spat out, making your eyebrows shoot up.
You lightly chuckled, "Excuse you? I just gave you a compliment."
"Not that." he sighed, turning his body around so that it would be face to face with yours. You noticed the disturbed look in his eyes, as you straightened your back before meeting his gaze.
"It's not that serious T, I'm fine." you assured him, an awkward laugh bubbling out. This took a serious turn, and you have no idea why.
"Do you remember James? In 8th grade?"
You furrowed your eyebrows, "The one that gave me chocolate? Yeah, what about him?"
He took a deep breath, "He said, and I quote, that when you laugh, he can honestly melt because you look so pretty.”
"We were kids, sometimes kids just say stuff-"
"And I agreed with him, and I said that making you laugh is probably one of the most rewarding things I can do because I love seeing you smile so much. You look so pretty when you laugh like nobody's around."
Your heart stuttered, but before you said anything else he continued, "And remember the girl that you worked with at the cafe down the road? The one with curly hair?"
You nodded your head.
"When I was waiting for you to finish your shift, she noticed how much I was looking at you, and she said that she gets it, and that it's sometimes hard to focus on making the drinks because you would look so pretty smiling while taking people's orders."
You cleared your throat, “That’s- That’s very nice of her.” avoiding the words that makes you question you and Trent’s friendship.
His tongue pokes out to lick his lips, making your eyes focus on it, “Sometimes I look at you and I go blank because of how pretty you are.”
What the fuck? What the fuck, what the fuck, what the fuck.
Your eyes searched for his, but he pointedly avoided it, choosing to stare down on his hands.
After finishing the story, Trent bellowed out a laugh, "You know how many people ask me for your number because they think that you're pretty?" he paused, "But they backed away because they 'know' that you're already someone's because of how I look at you."
Your mouth gaped open and close like a fish, slowly processing everything that he's telling you. "What?"
"They said that I look at you like I was smitten. Like I was in love." you were sure your pulse stopped for a second, hearing the guy that you had a crush on for years saying stuff you hear in songs.
Trent’s mouth was faster than his brain, he really should have stopped talking, but he couldn't. All of his words were all vomiting out of his mouth. He could feel his heart beating out of his chest.
"And then I said that if I was going to fall in love with anyone that I'd want it to be you."
hehe love yall <3
560 notes
·
View notes
I'm not sure if I believe the "Wakaba Isshiki did unethical experiments" theory in the fandom, but I do think this is the biggest proof of it in-game:
Because how the hell would she know that?
The first explanation is that she did experiments by sending people into palaces and then testing what happens to them if the palace collapses. Which is messed up for obvious reasons.
The second explanation is that she did NOT test it, meaning she was just making shit up. Which is funny but also would make her a terrible scientist. This explanation is less believable because everything else about her research is too accurate.
There's also a theory that Wakaba did unethical experiments on Akechi specifically. I'm not sure I believe that, since the evidence for it is pretty shallow (like the featherman game scientist experimenting on grey pigeon). But this scene is once again the biggest argument you could make for that theory. The researcher in the image above refers to palaces by their correct term 'palaces', which they say was based on Wakaba's research. But that's only something you would know with firsthand experience of the metaverse. And the only person they know who could access the metaverse was Akechi (that we know of, but i dont think Shido would rely only on Akechi if there were other options).
So yeah this scene is very sus. It's most likely the writers didn't think too deep about the implications. There's no way they wanted Futaba's mom to be sketchy, right? But even if it's not intentional, the scenes and their implications still exist. So in conclusion those theories make sense, I get it, and I don't blame anyone for headcanoning them and having fun. And tbh anyone involved with cognitive psience was portrayed as some degree of unethical (maruki for example), maybe this is just on-brand
299 notes
·
View notes
"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
2K notes
·
View notes