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#I can't believe this scene exists
walnutmistjamie · 10 months
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fave Ted Lasso moments 14/? : Hello Uncle Roy!
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tiddie-taylor · 1 year
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This was the main reason why i used to ship anger and sadness
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gildengirl · 5 months
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Every now and then, I forget that there's a deleted scene from CMH, where Joe literally shoves Cammie and Zach into a safe and is like, "Have fun!"
Joe Solomon really is the biggest Zammie shipper of them all, and he has absolutely no subtly about it. Like, ZERO chill at all.
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RIP to these epic loser moments by the founder of loserism i will always keep you alive in my memory 😔
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simplykorra · 1 year
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avatrice + that one fleeting moment when anything felt possible
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tenisperfection · 2 months
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7x04 being from Buck's perspective broke my brain because of the way we saw Eddie through Buck's eyes. Then I realized that Suspicion, where Eddie was shot, was from Eddie's perspective, and all of Surviviors was from Buck's perspective and I want to jump into the ocean.
#the implications......#we saw eddie's turmoil when carla brought up the follow your heart line#his agony over charlie's abuse#then the shooting and watching his best friend splattered with his blood#that split second where he realized who buck was to him and has been all along#the way he wanted to reach out and touch buck one last time#(do not think about eddie thinking about chris under any circumstances but if you do imagine eddie feeling relieved that buck will be there#and sorrow that he won't be there with chris and won't get to see him grow up and won't get to see buck#and then we have survivors right#we immediately jump to buck's perspective with him getting eddie into the ambulance and eddie asking if buck was hurt *sobs*#and the whole episode is mostly buck's side#but so is the will scene!!!!#because we obviously went nuts over the implications of it#but consider the tone of the scene--there's devotion yes#but most of the tone is that of disbelief#because buck can't believe eddie did this and eddie didn't tell him and eddie is telling him now#and eddie wants buck to carry on for christopher if eddie is gone#and buck absolutely would#but in his mind he can't fathom a world where he has to exist without eddie#and eddie is the one asking him to#hahahahah fuck you don't find it son you make it all over again#buck made this and buck chose this and buck has to live with it#i can't wait for these men to realize/bring to light all the love between them#911 abc#this unraveling on a saturday afternoon is brought to you by insanity
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dickiebirdie37 · 1 year
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Polin Week: Day Two
Favorite Show Moment
Season 1 Episode 4:  "An Affair of Honor"
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evilvvithin · 1 year
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if you can somehow get gifs of königs slutty little waist i will forever be in ur debt
okay i'm sure you know the footage of könig is quite limited but i tried my best. I probably giffed all these before normally but went back and grabbed the juicy waist, cake and thigh zooms, there was more but they were all just too similar to each other. I'm sure you could find some more waist gifs under my posts too <3
— KÖNIG & HIS SLUTTY LITTLE WAIST
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macadam · 7 months
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Throwback to when someone referred to me as the matpat of transformers
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chaosandwolves · 1 year
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I can't tell you how often I've watched the legal guardian scene and it's still so completely insane to me
And this?
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It IS a love confession
Even if you don't read it as romantic it's at least platonic.
Cause what Eddie is saying here is:
You are loved, Buck
If not by anyone else then by me and Chris
And I need you to understand that you are loved and needed
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lupins-hehim-pussy · 6 days
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I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
#and then. and im putting my most controversial opinion in the tags bc im scared lmao. but like... then... you have the fans..... doing......#the same fucking thing.#the amount of times I have seen Wriothesley used as just a side prop for Neuvillette to feel bad about shit. While Wriothesley is just.....#portrayed as having the inner peace and acceptance of a fucking monk. I was shocked when I read some fics I swear#they really said this man has no trauma at all! the stuff in his past? he's over it!#i hate that passivity when writing victims. like ok if One is written like that#sure. but MHY write all their victims like this#I mean look at fucking Lanoire#and Neuvillette sentenced him to prison after he killed his parents who were never confronted by the law. That's canon.#that's more canon than WRLT itself.#why weren't they confronted? did wriothesley try to talk to someone about it? why did he feel like killing them is his only option ?????#at least have there be some sort of conflict and friction there. How does Wriothesley feel about the court and Neuvillette when#this is the literal system that allowed all that shit to happen to him in the first place???#are you Sure he won't be at least a little wary? the fact that some people think he's Grateful to Neuvillette or even idolises him is crazy#because the man literally subjected him to prison. and if you want to portray his prison life as easy breezy and trauma free#you undermine his entire shitty little 'prison reform' narrative#and if you think he'd be completely 100% accepting of the justice system. Then why the fuck would he kill his parents himself#don't you see that the whole 'I'll accept whatever sentence in order to kill my parents' thing in itself is an act of defying the system#and I Hate#this idea. about being some of the most powerful men in the nation. and yet they can't fucking TRY to set up a better system or smth#i can't believe I read a fic where leaving starving street kids croissants is the most they (the characters and the writer) want to do#like. what the fuck. the whole point of that scene is just to make neuvillette feel bad and be like aw......... poor people exist.... OK???#this is literally how MHY would portray him though.... tbf..... This is what ppl would argue as 'in character'#I just think the character they're in is bad.#I will say I'm giving the fic a lot of grief. there's more to the scene than that. and. ultimately.....#fanfic is (saying this through gritted teeth) ........ recreational....................and free........... in the end.................#i dont think this is reflective of the writer. I do think it is reflective of the way the canon material (genshin impact)#presents in the audience who consumes it. most fans only want these guys to fuck anyway. not think about systemic injustices#canon doesn't make it about the systemic injustices either so why should we. the aesthetic of slums and prisons are just there for fun guys#IM JUST CRAZY OK. I SHOULDNT EVEN BE HERE THIS IS NOT FOR ME . I DONT CARE THAT MUCH FOR PEOPLE FUCKING AND I CARE TOO MUCH
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zukkaoru · 1 year
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the thing about megumi is that. he's just a kid. he's been pretending to be an adult since he was five and he's fooled a lot of people. he drinks black coffee, he reads nonfiction books, he doesn't get involved with the others' antics, he pretends he doesn't care. he emulates the adults he's known - detaches himself like his father, places himself in the background like his step-mother, takes on the responsibility of protection like gojo - but he's not an adult. he's fifteen. he's scared, and he's miserable, and he keeps losing everyone he's cared about. tsumiki was cursed, itadori was sentenced to death, gojo was sealed, tsumiki was possessed, and of course everything inside of him shattered. he's been masquerading as someone years older than he is for his entire life, until he snapped in half, because he is a child. and he craves love just as much as anyone else, even if he's been made to believe he should be stronger than that. he's fifteen years old. he should be doing algebra homework and standing in tsumiki's bedroom doorway just to be an annoying little sibling and fighting with gojo over stupid things like curfew times or wanting a pet and instead, he threw himself headfirst into a sorcerer death match and lost everything including himself and he was using all the energy he had left in a last-ditch effort to protect his friends because he loves them and he loves and he loves and he loves and sukuna knew he could take advantage of that because if you look at megumi beneath the surface for even a moment, it's so obvious that he's just a kid who loves too much for his own good. he tries to hide it because he knows it will only hurt in the end, but he's fifteen and he never figured out how to truly erase his ability to care for others and when he's broken down to his bare essentials, when everything is gone but the shattered remains of his soul, what remains is a fifteen year old kid who just wants to be loved
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greenerteacups · 2 months
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
#greenteacup asks#sidebar: I know Minister “of” Magic is an Americanism but mea culpa#Someday I might actually bite it and pay someone to britpick Lionheart but I can't do it now#because I have a ban on editing published fic unless it's finished. Otherwise I'll never get around to writing the actual ending#I have a Process#is it the best process? likely not! but it makes the words go. so here we are.#I also think the fact that JKR is Gen X makes a difference here. careers worked differently in the 80s and 90s than they do now#i.e. we have the gig economy and a lot more mobility and EXPECTATION of mobility in your early life#that means career changes & professional pivots through your 20s and 30s are increasingly normal#and in fact have always been normal — but the image of the 'true' or 'ideal' career has changed#so we look at those careers and go hm. really? none of them changed?#none of them even went to uni? do wizards... just not?#but again. I believe the epilogue was written almost completely without consideration as to what happened between the BOH and then#I really believe that JKR did not know what happened to Harry except a wedding and 3 kids. because that was the whole point#I don't think she even knew what his career was when she wrote that scene#It existed to marry everyone off and do a quick munchkin headcount#because of the understandable temptation as an author to keep your hand on the wheel. but it didn't even matter!#the epilogue changed NOTHING! it was the most useless chapter in the series! I just — GOD#you can absolutely accuse me of being sour grapes about my ships getting nixed. I AM sour grapes. I AM a hater.#AND I have plot/theme/craft reasons for disliking it.#I'm not objective. I just want credit for being a sophisticated hater. my grapes may be sour but they're still artisinal.
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mandrake-arya · 10 months
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Do we as a community agree on the fact that Linus Baker and Aziraphale are basically the same person or it's just me
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fellhellion · 11 months
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tbh i don’t even think miguel’s breakdown rant about miles’ existence as “anomaly” spiderman causing the death of 1610 peter is even about peter, or even quite abt miles. it’s about the idea that somehow 1610 peter could’ve shut down the collider if it weren’t for miles, even though miles’ presence didn’t actually affect peter’s death in any way. it’s about the idea that peter could’ve prevented a reality - that is, anomalies getting slingshotted throughout the multiverse - that miguel feels like he’s buckling under the emotional burden of (”And all this time, I have been the only one holding it all together!”). But even that’s not quite it, it’s about the fact that Miguel has been sitting on the resentment of feeling like he’s utterly alone in this burden, when in reality he’s not. When he created a structure designed to help share that burden between people who should understand it the most. But he won’t - can’t - ask for help bearing the emotional burden because it’s not even quite about the anomalies, it’s about Gabriella. But you deserve to suffer for it, you deserve to hurt. You dwell and grieve her and a mistake you won’t forgive youself for over and over again, all while hiding away and refusing to confide in the people who care about you how badly you’re spiraling, all while a part of you resents them for not knowing, even as they couldn’t know. 
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beetlesanbutterflies · 7 months
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Before I watched NPMD I saw a clip of "The Best of You" and assumed it was like the original Heather's heaven prom ending. (Glad its not because I would be devastated if Pete and Steph died) But feel like an ending like that would fit perfectly with the Hatchet field universe. And everyone who "died" being on stage kind of helps the idea so....
AU where the nerds still make the deal with the lords in black, BUT they never said WHEN they would take care of max. So Max kills Steph, Pete and Grace, then gets dragged down to the Black. Everyone wakes up at a never ending homecoming, thinking that everything is fine and it was all just a horrible dream. All the nerds reunite. Steph's dad is a chaperone. And even Max is there restored to his human self. Everyone is overwhelmed with joy, Max can't even remember why he used to bully these dudes. And they dance the eternal night away, unaware that it's all a prison the LIB made for them.
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