fave Ted Lasso moments 14/? : Hello Uncle Roy!
535 notes
·
View notes
This was the main reason why i used to ship anger and sadness
10 notes
·
View notes
Every now and then, I forget that there's a deleted scene from CMH, where Joe literally shoves Cammie and Zach into a safe and is like, "Have fun!"
Joe Solomon really is the biggest Zammie shipper of them all, and he has absolutely no subtly about it. Like, ZERO chill at all.
6 notes
·
View notes
7x04 being from Buck's perspective broke my brain because of the way we saw Eddie through Buck's eyes. Then I realized that Suspicion, where Eddie was shot, was from Eddie's perspective, and all of Surviviors was from Buck's perspective and I want to jump into the ocean.
181 notes
·
View notes
if you can somehow get gifs of königs slutty little waist i will forever be in ur debt
okay i'm sure you know the footage of könig is quite limited but i tried my best. I probably giffed all these before normally but went back and grabbed the juicy waist, cake and thigh zooms, there was more but they were all just too similar to each other. I'm sure you could find some more waist gifs under my posts too <3
— KÖNIG & HIS SLUTTY LITTLE WAIST
714 notes
·
View notes
Throwback to when someone referred to me as the matpat of transformers
79 notes
·
View notes
I can't tell you how often I've watched the legal guardian scene and it's still so completely insane to me
And this?
It IS a love confession
Even if you don't read it as romantic it's at least platonic.
Cause what Eddie is saying here is:
You are loved, Buck
If not by anyone else then by me and Chris
And I need you to understand that you are loved and needed
231 notes
·
View notes
I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
21 notes
·
View notes
the thing about megumi is that. he's just a kid. he's been pretending to be an adult since he was five and he's fooled a lot of people. he drinks black coffee, he reads nonfiction books, he doesn't get involved with the others' antics, he pretends he doesn't care. he emulates the adults he's known - detaches himself like his father, places himself in the background like his step-mother, takes on the responsibility of protection like gojo - but he's not an adult. he's fifteen. he's scared, and he's miserable, and he keeps losing everyone he's cared about. tsumiki was cursed, itadori was sentenced to death, gojo was sealed, tsumiki was possessed, and of course everything inside of him shattered. he's been masquerading as someone years older than he is for his entire life, until he snapped in half, because he is a child. and he craves love just as much as anyone else, even if he's been made to believe he should be stronger than that. he's fifteen years old. he should be doing algebra homework and standing in tsumiki's bedroom doorway just to be an annoying little sibling and fighting with gojo over stupid things like curfew times or wanting a pet and instead, he threw himself headfirst into a sorcerer death match and lost everything including himself and he was using all the energy he had left in a last-ditch effort to protect his friends because he loves them and he loves and he loves and he loves and sukuna knew he could take advantage of that because if you look at megumi beneath the surface for even a moment, it's so obvious that he's just a kid who loves too much for his own good. he tries to hide it because he knows it will only hurt in the end, but he's fifteen and he never figured out how to truly erase his ability to care for others and when he's broken down to his bare essentials, when everything is gone but the shattered remains of his soul, what remains is a fifteen year old kid who just wants to be loved
233 notes
·
View notes
What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
38 notes
·
View notes
Do we as a community agree on the fact that Linus Baker and Aziraphale are basically the same person or it's just me
147 notes
·
View notes
tbh i don’t even think miguel’s breakdown rant about miles’ existence as “anomaly” spiderman causing the death of 1610 peter is even about peter, or even quite abt miles. it’s about the idea that somehow 1610 peter could’ve shut down the collider if it weren’t for miles, even though miles’ presence didn’t actually affect peter’s death in any way. it’s about the idea that peter could’ve prevented a reality - that is, anomalies getting slingshotted throughout the multiverse - that miguel feels like he’s buckling under the emotional burden of (”And all this time, I have been the only one holding it all together!”). But even that’s not quite it, it’s about the fact that Miguel has been sitting on the resentment of feeling like he’s utterly alone in this burden, when in reality he’s not. When he created a structure designed to help share that burden between people who should understand it the most. But he won’t - can’t - ask for help bearing the emotional burden because it’s not even quite about the anomalies, it’s about Gabriella. But you deserve to suffer for it, you deserve to hurt. You dwell and grieve her and a mistake you won’t forgive youself for over and over again, all while hiding away and refusing to confide in the people who care about you how badly you’re spiraling, all while a part of you resents them for not knowing, even as they couldn’t know.
26 notes
·
View notes
Before I watched NPMD I saw a clip of "The Best of You" and assumed it was like the original Heather's heaven prom ending. (Glad its not because I would be devastated if Pete and Steph died) But feel like an ending like that would fit perfectly with the Hatchet field universe. And everyone who "died" being on stage kind of helps the idea so....
AU where the nerds still make the deal with the lords in black, BUT they never said WHEN they would take care of max. So Max kills Steph, Pete and Grace, then gets dragged down to the Black. Everyone wakes up at a never ending homecoming, thinking that everything is fine and it was all just a horrible dream. All the nerds reunite. Steph's dad is a chaperone. And even Max is there restored to his human self. Everyone is overwhelmed with joy, Max can't even remember why he used to bully these dudes. And they dance the eternal night away, unaware that it's all a prison the LIB made for them.
8 notes
·
View notes