As a Babyboo I now have to ask, what is the weirdest pronounciation you've heard of the boys names?
I heard some call Bojan 'Banjo' yesterday😭 Isn't that a kind of instrument? 💀
Anyways now I gotta know what other cursed alternate versions of them exist
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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Just thinking about how heartbroken Reyna must have truly been when Jason came back to Camp Jupiter and barely remembered her.
Because she met Percy, she does know that even when Juno takes your memories away, if you truly truly love and care and need another person you will be able to remember her, even if not entirely perfectly, but the memory will be there with you the whole way. Like the memory of Annabeth was with Percy.
And then Reyna sees Jason arrive with Piper, and it's okay really, it doesn't even hurt that much, she's Praetor, she has got a job to do, she cannot be getting distracted with silly little sentimental things like that.
And, okay, sure, Reyna can say, maybe Jason and her weren't that close in that sense, it's okay, but they were still good friends, co-leaders of a grand city, he still mattered a lot to her.
And same thing right, Percy did remember Nico, not that vividly or anything, but he did immediately know Nico and him knew each other from somewhere before, because The Ambassador was important to him, in a different way but still, important to Percy.
And then, Jason tells her that he didn't remember her at all, no name, no blurry face, no dreams, no voice, no vague sense that he was missing somebody from somewhere.
That he only started sorta remembering her days after he had already finished his quest, for his new patron goddess, and his new friends, at his new camp, in his new life, with his new girlfriend.
But it's fine, really, Reyna is mature, she doesn't let little things bring her down. She's roman, truly roman, daughter of a fully only Roman Goddess. She's Praetor, she's strong, she will welcome these strange Greek people into her city and throw a feast in their honour, she won't even be salty or rude about it. Really, Reyna is fine, it doesn't even hurt.
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i used to talk about this a lot on twitter a few years ago but recently i’ve been thinking again about how little agency victor kain has both within the narrative and as an individual. specifically i think a lot about how his life after nina’s death is one in which he as a person plays very little role, and the fact that his duty as her husband (and as a kain) means that after she’s gone the nature of his family’s beliefs about the preservation of the soul keep him trapped by design in a grief that is necessarily all-consuming. if he wants to keep nina’s soul alive he can never progress beyond even the first stage of grief: every moment has to be dedicated to her and her memory; he has to be constantly reminded of her and the fact that she is dead. for him to move on would be for him to essentially kill her, so he can never even attempt to recover from her loss. his life has to revolve around the space where she was. in that way i see him as kind of a living shrine, a memorial whilst he’s alive and a vessel when he’s dead. his path is called the mistress! his entire life is explicitly devoted to someone who will take his body and return to life when he sacrifices himself for her! he’s working towards a utopia like the rest of his family, but who is it for? he lost his son in the pursuit of this thing which he will never get to see, and which seemingly never had a place for him at all. the kains’ utopia doesn’t even extend to their own.
all of this pains me particularly acutely because of how clear it is that victor does have interests and desires of his own, despite his implications that he is nothing more than a mouthpiece for his family. if you believe andrey, he doesn’t even want to be here: he wants to go back to the capital to finish his degree. i often see people talk about the kains as if they are one undifferentiated entity, but a lot of the quests ‘the kains’ give you are from victor, and i would argue that in most of those he is acting as an individual rather than necessarily a kain. he wants daniil to free the wrongfully imprisoned people; he acts against his family’s interests in rewarding clara for telling him about rubin. his letter to daniil on day 9 causes me agony for many reasons but in this context specifically because it doesn’t seem like he wants to die. georgiy appears pretty unfazed about being possessed by simon (although it’s georgiy so who knows) but victor, who has two children and has been one of the town’s rulers for presumably several decades, is telling a man he met just over a week ago that he is the only one to whom he can pass on anything meaningful. you could argue that he is just manipulating daniil here to persuade him to take up the kains’ cause, but i am of the opinion that he is being genuine in this case. he doesn’t want to die. he wants his family back again, but the only way they can be reunited is with his death. he wants to finish his degree. i am putting my head through walls
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Y'know, when they cut that guys head off in the show I really thought he would be ending up as a robobrain or something. I thought the McGuffin was him; his brain. That he had knowledge from his time working with the Enclave that he wanted to turn over to help regular wastelanders. I thought the thing he injected in himself was to help keep his brain alive if the rest of his body got destroyed by something in the wastes.
Instead he was just... a purse. A purse to carry a pre-war bit of technology/McGuffin that could have been gotten from anywhere else, because there's no real info on how he/the Enclave actually got that... They just... had it. And no info on why he would defect and want to hand it to Moldaver, or how he even knows her in the first place... (Sure, she was pre-war and Vault-tec bought out the technology... that doesn't actually explain anything and just raises more questions.)
Anyway... this is just leading into how the entire plot of this show and everything around Moldaver (IE, the entire show again) does not make one lick of sense. It all just... happens without cause. People just know each other. People just have shit. No explanations or backgrounds. No why or how. Just. Things happen.
Man, is my disappointment in this show immeasurable.
Not even touching on the guy's name. Don't need to. You all know.
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Re:Kinder Fun fact time!! Did you know? 😊
Yuuichi's theme song (the one that often accompanies his entrances with "Vamos Cantar!"), 新しい夏のナナ, is not in any latin language such as Spanish or Portuguese, despite its lyrics sounding as such. It's actually in Hanamogera, which to put it simply is nonsense speech based on japanese syllables. So the song's lyrics are essentially gibberish meant to imitate the sound of latin music! 😊
It is listed as such in the source site for the song, oo39.com, where the song can be found as "YS068" in the hanamogera category.
Additional fun fact! The song can also be found in Spotify as Vien Nana by Oo39.com themselves alongside a few other select songs from the site. So you can properly enjoy the song on the platform without having to import it from your local files.
Those are the fun Re:Kinder related fun facts for today... Use them to entertain your friends at parties ! ☺️
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