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#It do take nerve
klapollo · 5 months
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Not to pile on but I'm fascinated by the boldness of saying "copying rothko is SOOOOO easy" then failing to capture his brush techniques, his depth, his sense of color, his use of texture, his evocation of mood through palette, so on & so forth
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forestlion · 1 year
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i KNOW i live in the mountains trust me i know...... theres no much going anywhere thats not up more mountains.... but also i get so severely travelsick..... thinking about that 2h car ride girl im already....
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dwyntwo · 23 days
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My headcanon that isn't actually a headcanon because it's freaking dumb (but it made me laugh):
Jesper and Wylan have a guest room for Kaz that he can crash at whenever he wants, but he always refuses to and snaps at them to leave him be and stop mothering him.
They eventually do and one day, after months of Kaz refusing to spend a single night there, they let someone else sleep in it.
They wake up to someone prodding them in the middle of the night. It's Kaz looming over them and matter of factly asking why there's a stranger occupying his room. Jesper takes him by the scruff and kicks him out of the house.
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noodlesarecheese · 3 months
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Full disclosure I'm a couple episodes behind in WWW, so I'm not 100% on every thing that's being discoursed about, but I've seen enough that I just want to remind people/beg people to remember:
You are watching The Nuance Show, DMed by Mr. Philosophical Nuance and played by Notable Lovers of Nuance.
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Hate at first sight - Alhaitham Requested by @isekyaaa
Contains suggestive lines for the sake of a joke
“Tighnari, You know anyone who could translate this?” She brought over the book to him. It was an old book she found while cleaning up her grandpa’s house. A book in a foreign language that her grandpa had forgotten over the years leaving its contents unknown to his family. “It’s supposed to be an heirloom.”
Tighnari looked over the book she had handed to him. A language that was unrecognizable to him but recognizable in that he had seen one of his friends reading a book in what looked to be a similar language. “I know a guy. If you're free tonight you might have a chance to get it translated or at least be pointed in the right direction.”
“Why tonight?"
“Cyno made a new deck again. Your translator should be there.”
“I forgot you have game nights with the General Mahamatra. I shouldn't take up too much of your time. Well as long as this translater of yours is good at their job.”
“He is. Just know he can be a little blunt. Though little may be an understatement. And with Kaveh there, don't be surprised if you see some sort of argument.”
“You're friends must be a lively bunch. Wait Kaveh is the one with blonde hair right? He was the one who was here two weeks ago?” She asked making sure her memory was correct.
“He was. Why?”
“He gave me advice on what rug I should pick. He didn't even see where it would go and gave me perfect advice. I really would like to thank him. My living room actually feels like a separate room even though it's an open floor plan.”
“I'm sure he'll appreciate it.”
-
It was nice to say hello to Cyno even though she didn’t know that super well. Most of her knowledge came from Tighnari mentioning him. But that and the fact she didn’t talk to him much meant that she really didn’t know him. It was entertaining to hear a few of his jokes though. The juxtaposition of the wordplay with how stoic his delivery was may have been the only reason she enjoyed them though.
While Kaveh acted as if he had known her for their entire lives. He was warm and welcoming. But also the moment she thanked him it was like he became a second sun in the room. He was extremely giving, offering to give her home interior design advice any time. It was evident in his face and how he spoke how much he appreciated the thanks even if it was just over what shape of rug to get.
It was enjoyable to be around all three of them. Though as nice as their company was it wasn't the reason she Had followed Tighnari along to his game night With his friends at the tavern. She still had a book in her bag that needed to be translated and there was no translator in sight.
“Tighinari, are you sure your translator is supposed to be here?”
“I’m sure he’ll show.”
“Translator?” Kaveh asked before his smile evaporated away. “You’re here for Al Haitham?”
“That’s a first,” Cyno commented.
“Well, now my translator has a name. But yes.” She pulled the book out of her bag. “My grandpa said it’s a family heirloom but no one in my family can even read it. Tighnari said that he’d be able to translate it for me.”
“At a horrible cost though. You couldn't have just sent her in the direction of the Akademiya?” Kaveh asked, being quite dramatic about the situation.
“I'd rather have someone that Tighnari trusts than some I don't know who. The book is an heirloom after all.”
“It will be fine,” Tighnari reassured, he pointed at the door. “Even then, he’s here.”
Al Haitham made his way over to their table. He sat down at the table already looking annoyed at who knows what.
Tighnari was kinda enough to briefly explain the situation to him along with a basic introduction. Even though Al Haitham had agreed to translate he looked as if Y/N's simple request was asking too much. Maybe a frown was just permanently etched into his face.
Al Haitham held the book looking over the cover. “To count the ways.” He translated the cover before flipping through the pages. His eyes widen skimming through the contents. He looked over at Y/N who looked brimming with excitement to learn what was in the book. “This is just erotica.”
Cyno slowly placed the cards in his hands on the table now fully paying attention to what was unfolding in front of him. Kaveh choked on his wine only for Tighnari to pat his back as he coughed. 
Y/N’s face dropped. “It's a heirloom. It’s been in my family longer than my grandpa has been alive. It can’t be. You must be mistranslating it.” She reasoned.
“Your heirloom is in an old form of a Fontaine language. A language I’ve been reading since I was 17. Do you want me to translate it aloud for you?” His words were an insult and a challenge to her.
“If you know it so well then could you give me a real translation.”
Al Haitham rolled his eyes opening the book back up. “Her eyes widen at the sight of his toned chest. In a frantic haze of want she quickly moved to help remove his belt excited to see the sight of his-”
Y/N snatched the book from his hands. Her face was warm with embarrassment. “It was nice talking with you three but I have to go.” She politely excused herself from others before turning to face Al Haitham. “You could drown in a ditch for all I care.”
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galacticlamps · 12 days
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ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
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spotforme · 8 days
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i have taken to looking at the set dressing and, i'm sorry, four "no smoking" signs all within a meter of eachoter?
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something was so wrong with Rimmer, is so wrong with Rimmer. two would already be a bit much for the purposes they provide but four is just ridiculous
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starry-bi-sky · 3 months
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i made a rough timeline for the clone^2 au, just for my own convenience sake when dating things. some things might be out of order from the episode date, and thats also for my convenience.
September 3rd: Danny, age 14, has the accident in the lab that turns him liminal
September 10th: Danny is discharged from the hospital and given two weeks leave from school
September 24th: his sick leave ends, and Danny returns to school
October 14th: Danny sneaks into his parents' basement and releases the ghosts they have trapped in cages. Official birth of the vigilante, Phantom
November 27th: Danny fights Pariah Dark, and wins
December 24th: the Ghost Writer torments Danny
February 12th: Danny's 15th birthday
March 3rd: its been six months since Danny's accident
March 7th: Danny fights his evil future self
May 8th: Danny meets Ellie [age 15] and they become twins
December 14th: Danny finds out from his parents that he's a clone
February 12th: Danny's 16th birthday
Early-Mid April: Danny meets Damian [age 6] :)
Mid-Late April: Damian runs off for the first time, damages Danny's hands the first time
May: Damian runs off two more times in the span of three weeks, he damages Danny's hands both times.
Early June: Damian runs off one more time, damages Danny's hands again, resulting in permanent nerve damage.
Mid-Late June: Damian finally gives up on the League coming to get him and joins the Fenton Family.
July: Damian finally coaxes Danny into letting him come along with him on patrol: Wraith is born.
#danny fenton is not the ghost king#dpxdc#dpxdc crossover#clone^2#danny fenton is a clone#this only focuses on the earlier parts of the au because those are most important imo. figuring out when danny's accident was. when he#became phantom. when he met damian. etc. is all pretty important stuff and helps me figure out ages beyond '10 year gap'#not super important stuff to much anyone else i think but its nice to have it written down as reference#i usually put danny's accident as happening at the beginning of the school year. tis convenient that way#me: hmmm when do i make danny find out he's a clone. beginning of the school year makes the most sense right???#me:....or.... i could ruin his christmas again :)#thought about increasing the amount of times damian runs off but... thats a LOT of time he's run off and i didnt want to go overboard#same thing with danny's hands. thought about hurting him more frequently but honestly taking a blade to the hand is already damaging enough#on its own. catch a blade with his hands four times would be enough to cause permanent nerve damage and also he would have learned his#lesson if it happened more frequently.#so damian runs off 4 times in the span of essentially 2 months#and four times danny catches his blade. three times he got cut. one time he needed stitches#anyways thats the timeline for now. made totally for convenience sake and no other reason#totally dont look at my google docs there’s nothing there but half forgotten wips and cfau master doc
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liam-summers · 3 months
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There is nothing I find more ANNOYING than seeing people claim that the Angel in Btvs is not the “real” Angel and that he’s only the “real” Angel in Ats. I’ve even seen people say that after watching Ats, they think it’s out of character for Angel to have even dated Buffy and how the “real” Angel would NEVER!!!
Like it’s one thing to say you prefer the character on his own show because he’s more developed and we get to see more facets of him there, but to claim that he’s a completely different character and that his time in Sunnydale is out of character or just something you have to put up with to get to the “real” Angel…is a wild take.
Without Sunnydale, there wouldn’t BE an Angel. His time there was foundational to the person he becomes in LA! The mission statement of Angel the Series was literally born in “Amends”!!!!!!!!!!!!!!! The things and relationships that happen in Sunnydale have lasting effects on him and his arc to the very end!!!!!!!!!!!
And even personality wise, there are hints of the LA Angel in Sunnydale, but of course they’re not going to delve into it in Sunnydale because he’s not the main character!!!!
Also, it’s like some of you guys forget that this is a long running TV show spanning 2 series where characters evolve over time because of the experiences that they go through. IT’S A JOURNEY. Angel doesn’t just become a different character when moves to LA, he’s thrust into different situations that he has to adapt to and he slowly changes, but he’s still the same Angel!!!!
OH and any version of Angel, at any time, would choose to date Buffy over and over again if he could, and you can stay mad about it.
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raayllum · 8 months
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so we both originally hate elves and are the siblings of a monarch of katolis who we lose, and we're devoted to protecting the border and humanity at all costs, even when it comes to sacrificing the personal safety of our young charges, and i'll lie to you and you'll lie right back to me and we both knew king harrow equally well and mourned queen sarai, we both interrogate restrained children who slip up and say "we" when we know they should be alone in their endeavours, when we both respond to loss by being closed off and isolationist and "stoic strong and lonely" only for you to get out earlier than i could even begin conceptualizing for myself, we're both snarky and sharp witted in ways other can find insensitive or callous, "i would've asked you to choose the egg over my own life if you had to" / "but amaya you won't survive [...] she said the rest of us will," we're both taken captive and submitted to the light trial by the sunfire elves, only i kill one sunfire queen and you protect a future one, and we ultimately advocate that "we gain nothing if we throw away the chance to learn and grow" and "no matter where you are on the path, every step forward is a choice" while refusing to prioritize our own personal futures over what we deem is more important in S5 (re: keeping the sun seed safe even if that means risking janai and not killing sir sparklepuff to guarantee your own existence). amaya and viren prequel when
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sysig · 7 months
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Second request: baby todd and Jake fluff perhaps? 💖
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Day 12 - Little hands, my one weakness
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bumblingbabooshka · 6 months
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On s'est déjà tout dit Et j'ai déjà tout vu Je l'ai déjà apprise, la leçon la plus dure J'suis tombé droit dans l'mur, une fois, deux fois
[We've already said everything and I've already seen it all. I've already learned it, the hardest lesson. I fell straight into the wall, once, twice.]
#bea art tag#T'Pring#T'Pring/Spock#Spock#SNW#star trek snw#snw#T'Pring fanart#s he deserves more.....she deserves MORE!!!!!#The nerve of this man to say 'you know me well' WHILE cheating#This show's Spock's trust issues and reluctance to fully commit himself to T'Pring don't read at all as him being torn between two differen#worlds or reluctant to show T'Pring the 'real' him because we never really see T'Pring being .... idk. Disdainful of his humanity?#The most I can remember is her saying 'It hardly seems like a Vulcan lives here.' when she's poking at his interior decorating#T'Pring is out here reading books doing research and telling him she appreciates his Humanity and wants to have dinner with him and spend#time together and Spock's over here like 'I can't bring myself to trust T'Pring. Christine! Angel!' like DUDE....you're ENGAGED#Of your own volition you're engaged!!#The second your fiancee says 'let's take a break from seeing each other to think about our relationship' you start having sex with another#woman?? Immediately??? I don't like this writing ... it just makes Spock seem like a sleaze who's making excuses to be unfaithful#BUT you know what?? That'd be fine if they didn't frame Christine/Spock as like...ok? I don't get that. M'Benga is like wink wink#ohhh you like each other huh~?? HUH indeed. HUH?? Dude - he has a fiancee???#Even putting morality aside wouldn't it just be more fun to have them be in a secret forbidden relationship or whatever?#Spock: -Singing about how he and Christine broke up or whatever- / Uhura: ....[doesn't he have a girlfriend?????]#<- I wish there was more continuity with this. Like - why is everyone on the ship fine with Spock & Christine being together#when they KNOW he has a fiancee? Is no one going to mention it?#Like there's definitely a compelling story here but the writers are never gonna find it...everyone's too busy being in a marvel movie#Spock being like oh I love Christine we really have something WHILE reassuring T'Pring at every turn that he loves her and wants to make#it work between them ooohhhh!!!! -steam comes out my ears- flames flames on...on the side of my face...#Him being upset and feeling betrayed by Christine leaving for a work opportunity....sit DOWN sir. Sit DOWN!!!#If they make T'Pring cheat on him with Stonn or whatever so they can have a contrived#'well we're both at fault who's really to blame for this goodbye forever now have a great life' ending I'm gonna riot
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maliciousalice · 4 months
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Canon-adjacent (implied no respawns, or at least heavily impaired respawns, but otherwise canon-ish setting) platonic husbands philza and missa with philza getting himself into a good deal of bother.
TW: needles, blood, major character injury, implied temporary major character death, panic attacks
The mob was new. Of all the things that could do such harm to Philza... there's a lot of them, if he's insufficiently careful, but this one was new. New, and unpredictable, and now very dead.
Very dead, but having left a giant gash from Philza's ribs on one side, to his opposing hip. It's bleeding - heavily - but nothing a potion can't fix.
Philza puts pressure on the wound with one hand, and searches his bag with the other. He grabs a couple of potions - it's a nasty looking wound, and he's already feeling weak - drinking them or pouring them on it as the bottles dictate.
He gives them a second, then another, and the wound doesn't close.
Before he's even had the chance to think /shit/, or /poison/, or /what the fuck was on that mob's stupid scythe/, he has both hands on the injury. His first hand - the hand with his communicator on - is looking pretty gorey already. He puts pressure, realises it's barely helping, then slips his hands around.
He grabs the edges of his skin, pinches them together, and he thinks /okay, fuck, what do I do now?/
For once, Philza does not have an answer. He's a good distance from spawn, his communicator is soaked in blood to the point he isn't sure it'll work and he's very sure he can't see the screen, and if he moves he'll bleed faster. There's also the niggling knowledge in the back of his mind that his thinking is impaired, that he's poisoned and it's likely to have more effects than just preventing his wound closing, that right now if he acts on anything he comes up with then he'll do something extremely dumb.
There's no winning, not when he's having thoughts like that.
Staying put is a shit plan, it's a completely shit plan, and he's pretty sure all versions of him would agree. No matter how he holds the wound he's still bleeding, blood bubbling out between his fingers. If he stays here, in a random glade, a couple of hundred blocks north of the closest build, he's going to die.
If he gets up, if he tries to walk those few hundred blocks... With where the wound is, every single step is going to shift it. He won't be able to pinch the wound closed as he is now, and with every step any healing that's miraculously happened will be undone. He might even tear the damn thing more. He's a couple of hundred blocks north of the Hide and Seek Arena, and nobody's even going to be there at this time of day; if he tries to walk, he's going to die.
What else? What else? He tries to bash his communicator to life, just in case. He keeps the HOLD switch on when he doesn't need it, usually. With his ring finger he manages to reach said switch, and try to flick it. The blood has gotten into the mechanism, disabling it. And with HOLD on... Even if the other buttons escaped the worst, they'll be disabled to. If he gets out of this, he's begging Tubbo or Aypierre or Pac or /someone/ to redesign the damn things, make them blood proof. He's not going to get out of this, though.
He's going to die, and it's going to fucking suck.
Those are, as far as he can tell, his options. None of them are survivable, but at least if he's walking he's /trying/ to live. It'll kill him faster than waiting for help, sure, but Philza's never been much good at standing still.
He pushes up from the tree, and gets eight steps before his knees buckle beneath him.
His hands fly from the wound to catch himself, then back to it to close it back up.
Philza might not be thinking straight, and he might not be good at sitting still, but he's nothing if not stubborn. He grits his teeth, and pinches the wound closed, and drags himself to his feet.
He makes it ten steps, then fifteen, then a whole thirty before he can only make it four. With every attempt his vision grows a little darker, his heart a little faster, his teeth set a little harder into their grimace.
He still gets back up, and gets back up, and gets back up until -
Until he can't any more.
In a hazy blur Philza tries his comms again - still not working - before letting go with one hand. He bleeds even faster without it, yes, but like this? He's too exposed, too exposed, and he can hear the wolves coming. Wolves who might be fine, but might also be looking for an easy meal.
Even dying his instincts kick in; Philza drags himself into a more defensible position, and clamps his fingers around the wound once more.
His body already sprawled on the floor, it's impossible to fall further when his eyes slip shut. Vaguely, vaguely, he's aware of his fingers falling limp, away from the wound and /ah/ he thinks /well, we had a good run, didn't we universe?/.
The universe doesn't answer, or if it does Philza's too far gone to hear it. Maybe the acceptance should scare him, but as he lays beneath a tree, it feels warm, it feels gentle - it feels like coming home.
There's something on the tip of his tongue, some memory just out of reach, some deep-set knowledge he really must know.
He doesn't chase it, he simply leans into the warmth and tries to let go.
"Phil!"
... Missa?
He might be too weak to hear the universe, but not the terrified scream of his husband.
It drives Philza, that flicker of a scream. He manages to get one arm under himself, push up, and-
And he doesn't even get to see the terrified man sprinting towards him, as his vision stays black and his body collapses back to the floor.
---
Philza doesn't expect to wake, not to silence and certainly not to soft Spanish sung by a hoarse voice. Whatever pillows his head is oddly shaped but warm, though everywhere else is freezing despite the weight of blankets. An arm is draped over him, and fingers brush through his hair.
He's also in a fucktonne of pain.
The singing hitches like a sob and - yeah no, that's not an angel, Philza's somehow fucking alive.
He'll take it, but it fucking sucks.
Memories are difficult, fragmented. He's...
He's supposed to be holding shut the wound in his side and /fuck/!
Limbs like lead, Philza tries to move, tries to pinch his bleeding flesh shut once again. It's hard, it should be impossible, but he's Philza Fucking Minecraft and he refuses to die!
He refuses, but one of those arms shifts, tries to stop him. Someone kisses the top of his head, shifts to hold his hands, whispers "you're alright, you're okay" in a gentle tone.
The singer, the singer whose name sits beneath his tongue and Philza can't quite grasp it, but he knows they are /wonderful/, /amazing/, his entire fucking /world/.
Well, maybe not all of it, but a massive fuck-off chunk of it at least.
And it is alright, he is okay, until something catches against his wound.
White hot agony, trailing up and down his entire spine.
Philza... Philza doesn't tense, doesn't scream, doesn't fight - his instincts are strong and his instincts have saved him before and he's just an injured, mutilated bird in the hands of a predator and for a moment all he knows is fucking pain and PLAY DEAD.
He doesn't tense at the pain, he goes limp. He can't even choose how his breathing catches - stopped in his throat, wings slack, body slack, unmoving and unresponsive as can be.
Someone calls his name, but blind pain and blind terror are winning, as in the certainty that he must survive. His name comes again, more frantic, then as a scream-
A scream.
A familiar scream that isn't his own and-
Oh, /fuck/, humans don't play dead in the same way, do they?
Through the pain and the fear and the hands on him it's hard, it's so hard - harder still when he hears running feet from else where and everything he is screams /predator, predator, predator/ - but he does it.
Philza takes a deep, loud, gasping, purposeful breath, forces his body to lock again, forces himself to stop playing, to breathe.
The wonderful voice above him stops screaming and starts sobbing, fingers tracing his jawline as he sobs over and over again.
The running feet stop, and there's a discussion in quick, panicked Spanish - too quick for any Philza, but especially for an injured one - before other hands are touching him, pressing him, assessing him.
His instincts are desperate but Philza remembers the screams before. The fight is exhausting, harder than it should be, but he forces himself to keep breathing, keep breathing, keep breathing. Just for the voice, just for the wonderful person who owns the voice and he knows means the world to him.
He tries to stay awake, he really does, but there's only so much he can do. He's tired, and breathing is /exhausting/, and the lovely voice belonging to a stupid but brilliant man isn't singing to him any more, and the longer he's here the more he realises he must actually, legitimately, be safe.
Safe, what a funny idea. But a nice one.
Philza gives in to temptation, and lets himself fade.
If he's safe, he can let consciousness be someone else's problem.
---
Philza wakes next to a warm pillow, and frozen blankets, and the distinct smell of honey tea. There's no singing this time, but familiar fingers trace his cheek and Philza feels them and thinks /Missa/.
There's a steady bip bip, and a sting, and his existence is cloudy with painkillers.
All of those sensations - every single one - adds up to /probably/ a good thing.
This time, awake, Philza manages to open his eyes. His vision is blurry, but the light is dim, and he's able to drink in the image of his husband above him sipping on a steaming mug.
Missa's eyes gaze vacantly into the distance. Philza does not chase them down. Instead he reaches up a shaking hand, just about managing to make it high enough to stroke Missa's cheek.
He sees Missa blink, and look down, and whisper "Phil?"
Philza can only gather so much strength, but he smiles his soft smile and mouths back "Missa".
---
A few hours and a nap later, Philza is sat against Missa's chest, and curled in his arms. They're both in an exhausted daze, Philza never having really quite left one, and Missa having been running on fear for too long. It strains the stitches a little, but not so much it bleeds, and Philza will live.
He's had the summary of what happened - Missa found him in the woods, bought him back, called for help healing him even as he cleaned and stitched the wound himself. There's talk of the poison, about it being new, and the struggle to synthesise an antidote before they ran out of blood they could give him.
From the haunted look in everyone's eyes, it was a fucking close run thing.
He'll have to thank Pac and Mike later, for that. He's already asked Fit to pass the message on, along with dropping his communicator off for cleaning, upgrade, and repairs, but, fuck, he knows the sort of toll the two are willing to put themselves through for people, and he knows he owes them.
He hopes Mike stopped Pac poisoning himself this time - Jesus Fucking Christ that man will be the death of Fit one of these days - and given the turn around might even be correct about it.
Silver lining - there's now an antidote for the next time someone runs into one of those fucks, and Aypierre is already working on a way to mass produce it.
And then there's Roier to thank, who might still give Missa side eye at times - and what even happened there - but who knows his way around the hospital /and/ seems to have kept his husband something approximating calm, and then Tubbo let slip they'd had to round up blood donations from everyone compatible to keep him alive and make up for the blood loss and, fuck, at this point he should probably get Chayanne to help him batch cook a /lot/ of shortbread to box up and hand around.
And then there's Missa, his Missa...
He's not sure /why/ Missa sang until his throat could barely function, especially when Philza was too unconscious to appreciate it, but...
But it was also Missa who found him, who saved him.
Philza presses a kiss to his fingers, then presses those fingers against Missa's throat.
"Hm?" Missa asks. "Phil?"
"Thank you," Philza shifts his hand, keeping the backs of his fingers against Missa's throat as he strokes along his chin with his thumb.
"I didn't do much," Missa whispers, his voice still suffering.
"You found me," Philza says. "You saved me."
"The... wolves?" his voice lilts slightly on the word - with Philza's communicator gone and head missing a significant proportion of blood assigned to it, they're stuck in English. "They found you."
"They would have eaten me, not saved me."
"No!" Missa's eyes widen, and arms tighten around him. "No, they are good- good boys!"
"I'm teasing," Philza promises, and maybe he is now but it had been a very genuine fear at the time. "I'm teasing, it's okay, I'm okay..."
He's not, he feels like death, and the painkillers he's been given will wear off soon. But, he's breathing, he's alive, and it doesn't look like that's changing any time soon.
Missa curls around him, hugging him close, protecting him from all sides. It's a position Philza is intimately familiar with, having done it so many times for his children.
"I was scared," Missa's voice breaks. "I was scared - you scared me."
"I'm sorry," and Philza /is/, he never - he's never wanted to be the cause of such worry, such fear. "Missa, I- I'm so sorry."
"You were dead," Missa says, the sobs free and almost drowning his struggling voice. "You were dead, in my arms. I held you dead in my arms."
A mistranslation? Philza wouldn't be here, if he were dead, he knows that much for sure.
"I'm right here," Philza promises, rather than call out his confusion; English is hard, and it's no time for a grammar lesson. "You got my dumb ass out of there, and got help. We're okay, I'm okay."
"Don't leave me," Missa answers. "You're- you're- banned! No leaving me, never leaving me."
Philza doesn't think his words are reaching through the tears; he pools his strength, and reaches up, and holds his husband close. Missa's arms wrap around his chest - not tight, moving as he breathes and clinging to that pace.
"We're okay," Philza whispers - despite the exhaustion, despite the pain, despite the catheter still in his arm just in case the bleeding restarts and he needs another transfusion, despite how controlling his body is like piloting sludge. "We're okay."
And maybe, this time, they will be.
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ciderjacks · 1 year
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why are the takes in this fandom so bad do you people even like what you’re watching actually are you even watching the show Where Are You Getting These Insane Person Takes
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malewifetouya · 7 months
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Had a dream last night that Enji died in the war and his last request was to give doctors his permission to use his body as skin graft donations for Touya
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