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#Mature Protagonist
doodle-empress66 · 1 year
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Basically these 2 are the embodiment of giving a reality check.
Reminder: most people dont notice but they are not the villains of the movie. Just an antagonistic force against the protagonist that push him forward yet eventually both earning mutual respect.
This 2 are the real villains.
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iris-nonsense · 1 year
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Yuuji continue to demonstrate that he's an incredibly mature person and a great friend
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diableasura · 3 months
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It's neat seeing hinatas complete disregard for his own body being set up as early as season 1, I must admit when he collapsed during their last match at nationals it took me by surprise but yeah on rewatch you realize he really had never cared about his health at all as long as he was allowed to play
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lab-gr0wn-lambs · 1 year
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You ever make up a bunch of people in your dream and wake up like aw. They don’t exist. Come back :(
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mickeym4ndy · 2 months
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soooo many of the characters in shameless (particularly the female characters) are villainized and judged for their actions as teenagers as if they should’ve had the emotional maturity and decision making capabilities of grown adults when they were literal kids
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kyouka-supremacy · 1 year
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ok so I've been thinking about about akutagawa (as always) and... do you think he has an education? I don't think he ever went to school, I mean I do think he can read and write but I don't think he knows much more...
He definitely doesn't. And he still talks like that and it's absolutely hilarious.
Official material gives us a pretty exhaustive understanding of Akutagawa's life and we can tell with fair certainty he never had a proper education. He grew up in the slums until he was recluted in the pm by Dazai, and I highly doubt Dazai ever imprinted any kind of academic education on him (like I have reason to believe Kouyou may have done with Chuuya); on the contrary, I feel like Dazai always pushed to make out of Akutagawa this mindless fighting machine, always acting irrationally and on instinct and especially prone to take orders and not think with his head. After all, it's much harder for people that lack formal education to think critically and are thus also much easier to manipulate, so you can see why Dazai did that, how he never leaves anything to chance. I do think Akutagawa's lack of education is reflected in his impulsive, irrational behavior. Additionally, be it for circumstantial factors, be it because of his natural temperament, it's really hard to believe Akutagawa would ever be patient enough to sit to a schooldesk or even just... ever study anything on a textbook (it's the autism). I get why the image of brooding, mysterious guy often leads people to think that, but the concept of bookworm Akutagawa sounds extremely unbelievable to me, I struggle to believe he ever concluded a book his whole life as we know it.
Which leaves the question open on why Akutagawa talks like that™. My personal guess on that is that someone threw a big dictionary at him when he was very young and Rashomon absorbed it just like that
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lacomandante · 4 months
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okokokok i raise you teresa reading sense & sensibility honestly!!! elinor pushing through grief and loss and hardship with no ability to take up a sword and change her circumstances, and the drama of marianne being taken advantage of for having the courage to love freely…. i think she’d wanna gut mr willoughby tbh!!
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Teresa reading any of the JA novels tbh!! But YES S&S is a fantastic one! I think as an older sister too (at least, that's my headcanon- Vivar mentions her sister, Maria, and in the books it's Ramon, so I say Teresa is the eldest child/sister, and I say she has both siblings!) she can really relate to Elinor- she has to take care of her family first, to put her own emotions and heartbreak aside, especially in times of great change and tragedy. She has to be the strong one. Teresa would definitely see herself in Elinor, and though I don't talk about her a lot because there's nothing about Maria in canon and she's basically a blank slate, I think Maria being like Marianne is a great dichotomy between the two.
I always thought of Maria being the baby of the family, so she gets away with a little more than Teresa did- she's also the youngest daughter, and while Teresa probably has a little more pressure to marry well, Maria more than likely doesn't. Maria can be a romantic, to chase after who she wants, though I like to think she's a little more airheaded than Marianne, less bold, but just as excitable. That one scene in the 1995 P&P with Lizzie and Maria Lucas makes me think of their relationship- Teresa guiding and teasing the overly worried Maria. "Mariah, this is your trunk and these are your gowns. You may arrange them in any way you wish- Lady Catherine will never know!" Also that scene where Mariah tells Lizzie to hurry downstairs and does a little spin- that seems like a thing Maria would do! Excitable and fun and so young.
And YES she would want to gut Willoughby for being such a rake and a terrible person!! Especially for knocking up a 15 year old and leaving her to fend for herself!! For the heartache he put Marriane through as well. Teresa understands the economics very well and knows that love sometimes isn't enough to make a relationship work- money is just as important. But it doesn't stop her from breathing a sigh of relief when Marianne dodges a bullet when he leaves her. Sam and I like to think Sharpe gets P&P for her and they read it together, and when they go to Yorkshire and meet a George Wickham they look at each other like 😳😳😳 mr willoughby and wickham found dead more news at 11
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fellhellion · 10 months
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Semi planning to make a YouTube essay about this but the trend within a lot of popular modern media to have characters just. State aloud in therapy clinical terms what’s wrong with them without consideration to qualities like their age and even what the implications are of this character so openly stating these issues to others? It’s so often such damn lazy writing, especially when the tone of this delivery just makes the goal of this exchange be a joke.
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kashilascorner · 1 year
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Still thinking about Rebecca... Mr de Winter is like someone tried to recreate Rochester except he is worse
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sweet-salome · 1 year
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Happy Old Year is my favorite movie now. Just, the layers and layers of history existing inside of your childhood home. The horror of discovering you’re selfish just like your father. Rebirth, Buddhism, Minimalism. Chutimon Chuengcharoensukying’s performances, with just her eyes.
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fictionalnormalcy · 1 year
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A/N: After over a year of not uploading, FINALLY. 
Ch. 35: Unanswered Texts
The Boy with a Strange Name 
WC: 116,149 Rating: Mature Fandoms: Fusion of the How to Train Your Dragon books and animated franchise Summary:  Hiccup Horrendous Haddock III has lived nearly seventeen years of life. In the span of those years, he’s moved twelve times. Five of those years his mother was alive. Then a tragic accident left Hiccup in the sole care of his father, Stoick Haddock. Berk was where he had been born. That much he knew.  Over every, single, move his father put him through, it wasn’t until he reached sixteen years old that Berk was the city in which the father finally decided to plant roots. At least, that was what he claimed. After years of being victimized at each school he attended, Hiccup was determined to keep a low profile at Berk High. His past is intent on preying upon him, deciding that Berk was perfect place to come back into the light. However, like all good things that came to him, there was always something to drag him back down into the pit of despair. A dormant secret, tied into his family history, was ultimately brought into the light when Hiccup settles on Berk. A secret tied with guilt and tears, and it all goes downhill from there. He discovered what his father truly did those long stretch of years, and finds he has a gift that had been nonexistent for centuries.
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swordlegion · 9 months
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fuck it. azure with top scars
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nenekobasu · 7 months
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noa says individual ability is important but to be precise what he says is 「相手の統率された組織力を破壊するのは 球際の"個"の力だ」 "what will destroy the organizational strength/command of the opponent is the 'individual''s strength/ability to fight over the ball"
for someone like isagi who modeled his own movements after kaiser's off the ball movement and who is consistently unable to steal or keep the ball in a 1v1, this game was from the start unsuitable for him. it was unsuitable for kaiser too until he re-evaluated his life choices
it's funny that noa's just like "be good at stealing and keeping the ball (and if you can only get the ball from a friend who feeds you a pass you suck and you'll fail)" he said this to everyone in class and isagi just Forgot. this is also probably why noa folded when snuffy came on the field, noa knows he can't beat snuffy in a 1v1 so he knows he won't be able to destroy snuffy-led ubers' true strength (noa was also like "be patient, we can stall so don't rush things" and isagi immediately rushed ahead in the opposite direction— well, now i feel bad for noa)
raichi too was noted by noa to be number 1 when it comes to stuff like 「1対1でのボール奪取成功率」"the success rate of taking back the ball in a 1v1"— raichi was chosen because of his skill at taking back the ball in a straight duel. i think this puts ch.224 raichi v. snuffy in a new light as isagi emphasized for raichi "the most important thing is not to steal the ball, but to cut off snuffy's vision" i won't try to argue raichi should have tried to genuinely beat snuffy but i will argue that it says something (and this is followed up with isagi's response to raichi in ch.230) that raichi's big moment so far was most decidedly Not about highlighting raichi's main reason for having been chosen by noa. isagi too while he gave raichi the task of dueling does not see "stealing the ball through duels" as a relevant fight; even as isagi made raichi shine, i feel right now isagi cannot draw out raichi's full potential because he just doesn't recognize the importance or strength of raichi's real ability. when raichi's real moment comes i think isagi may be surprised by what he sees
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br1ghtestlight · 8 months
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rainbow ABSOLUTELY thinks she is the protagonist of their story like she is the Main Character she is the most important aspect of their story its like a fun fantasy adventure for her where he learns about herself and grows as a person and everybody else is just a secondary character which she is so objectively wrong about lmao like she isnt NOT one of the protagonists but not in the way that she's thinking. she can't do anything wrong or be flawed in any real way bcuz she is the Protagonist the world revolves around her..... anyway she's crazy love her <3
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stylishanachronism · 8 months
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*grump grump*
It’s a novel about discovering you’re queer in your twenties what the fuck are y’all talking about.
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schnees-and-schnugs · 2 years
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Damn I thought I had gotten over it but now I'm just thinking abt... The scene where Weiss confronts Whitley in the hall in v4. She feels powerless and alone and like nobody is on her side. She doesn't understand why Whitley is turning his back on her and she's hurt.
I would have loved a v8 scene in that exact same place in the manor, paralleling to the previous. The same framing, the same way they were faced towards each other. Except now Weiss isnt powerless and alone, she has a team on her side. But most importantly, she isn't clueless about Whitley, she has an insight into behind his emotional walls like she didn't have before. And because of that the positions are flipped- because this time Whitley is vulnerable and has had it all swiped from under him, and she's so sure that she wants this to be different this time. She's not the self centered heiress that she used to be, who left him alone. What Whitley seems to think she still is, and it hurts her. But if he won't take her hand that she has outstretched, won't meet her half-way, what is there left that she can do?
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