In 1956, Pat Boone had a #1 hit single and rivalled Elvis in popularity. He was also living in New York and attending Columbia University's School of General Studies, where he majored in English and Speech and graduated magna cum laude in 1958. Here he studies on the steps outside Low Library (which is not actually a library but an administration building) on May 8, 1956. The cover of one of his books is from Salters, a big, dusty bookstore that specialized in Columbia course books and used books and closed in 1985.
The sound of a decade does not change the minute the ball drops on New Year's Eve. With the benefit of hindsight, it's easier to form these cultural shifts into a narrative, even when said shifts aren't always obvious. 1955 offers us the music we've grown accustomed to over the course of this decade: traditional pop, vocal quartets, jazz standards. However, this year also gives me an opportunity to highlight some different genres that will come to shape the decade in the years to come.
The post-war 1950s saw a boom in popularity when it came to music from South and Central America. We saw this before with the inclusion of other Spanish language songs reaching the Top 30, but artists like Pérez Prado and later Ritchie Valens helped to popularize Latin music in the States. Pérez Prado is, of course, known for popularizing mambo, a Cuban genre of dance music, by incorporating big band influence. The Prado song featured on this poll is not mambo, but rather one of its descendants, cha-cha.
In 1955 year-end chart, we're seeing the first traces of a genre of music that will help define the decade's sound: rock and roll. With the inclusion of Bill Haley's Rock Around the Clock, we're seeing the first rock and roll song to top the Billboard charts. Obviously, rock and roll has existed long before Bill Haley and Pat Boone reached the top 10. Unfortunately, like many other historically Black genres, white faces typically sold better with mainstream audiences. Is this the last we'll see of record executives using white performers to market Black music to white audiences?
I just heard this at my Dad's memory care facility. I had no idea Pat Boone put out an album of heavy metal cover tunes. I could have happily lived my entire life without EVER hearing his cover of Ozzy Osborne's Crazy Train...🤢
Cocteau Twins’ Elizabeth Frazier and Robin Guthrie performing their gorgeous version of Tim Buckley’s “Song to the Siren”. Recorded for the musical collective This Mortal Coil’s 1984 album, It’ll End in Tears, this Buckley/Larry Beckett-penned song would enjoy a resurgence, reaching as high as #3 on the UK Independent Singles Chart.
Where Buckley’s version first appeared on his album Starsailor in 1970, the song was actually first recorded the previous year by Pat Boone.