#Pauline Morrissey
Note
Who's your influences? Your art reminds me of somebody's art but I can't place it!
Oh man, too many to name.
Some big ones in no particular order: Angus McBride, Tony DiTerlizzi, The Brothers Hildebrandt, Kamome Shirahama, Alvaro Tapia, Ryoko Kui, Jan Popisil, Jesper Ejsing, Daniel Schaffer, Karl Kopinski, Alan Lee, John Howe, Larry MacDougall, Matt Rockefeller, Xanthe Bouma, Omar Rayyan, Troy Howell, Howard Pyle, NC Wyeth, Hayao Miyazaki, Hitoshi Iwaaki, Evyn Fong, Kev Walker, Paul Bonner, Paul Dainton, JRR Tolkien, Wayne Reynolds, Dave Gallagher, Ralph Horsley, Mark Stacey, Sam Bosma, Akihiko Yoshida, Ryoma Ito, Peter De Seve, Evaline Ness, Steve Prescott, James Gurney, Steve Belledin, Eoghan Kerrigan, Gary Chalk, Justin Gerard, Keith Parkinson, Jody Lee, Todd Lockwood, Victor Ambrus, Lauren Pettapiece, Arthur Rackham, Dean Morrissey, Pauline Baynes
Almost certainly a bunch of animators, picture book, comic, and game artists I’m forgetting…
Also my wife Patti Pogodzinski. Our work’s very different but I rely a lot on her taste
1 note
·
View note
Text
The Movie List
Hi all,
As promised, here’s the list. Once a movie has been reviewed, I’ll turn the movie into a link to the review on this list. Any movie we can’t find will be marked with a cross through. There were double ups in the categories, movies being listed twice, so I’ve only let them be in the first category they show up in (Hence why there isn’t 100 movies in the fourth category). The list is below:
1. GENRE
Action-Aventure
The Mark of Zorro (Fred Niblo, 1920)
The Adventures of Robin Hood (Michael Curtiz and William Keighley, 1938)
The Seven Samurai (Akira Kurosawa, 1954)
Top Gun (Tony Scott, 1986)
Lethal Weapon (Richard Donner, 1987)
Thelma and Louise (Ridley Scott, 1991)
Mission: Impossible (Brian De Palma, 1996)
Kill Bill: Volume 1 (Quentin Tarantino, 2003)
Animation
Steamboat Willie (Ub Iwerks, 1928)
Snow White and the Seven Dwarfs (David Hand and William Cottrell, 1937)
Pinocchio (Ben Sharpsteen and Hamilton Luske, 1940)
Yellow Submarine (George Dunning, 1968)
Akira (Katsuhiro Otomo, 1988)
Toy Story (John Lasseter, 1995)
Spirited Away (Hayat Miyazaki, 2001)
Belleville Rendez-vous (Sylvain Chomet, 2003)
Wallace and Gromit: The Curse of the Were-Rabbit (Steve Box and Nick Park, 2005)
Wall-E (Andrew Stanton, 2008)
Up (Pete Docter and Bob Peterson, 2009)
How To Train Your Dragon (Chris Sanders and Dean DeBlois, 2010)
Avante-Garde
L’Inhumaine (Marcel L’Herbier, 1924)
Un Chien Andalou (Luis Bunuel, 1929)
L’Age d’Or (Luis Bunuel, 1930)
Biopic
Young Mr. Lincoln (John Ford, 1939)
Gandhi (Richard Attenborough, 1982)
A Beautiful Mind (Ron Howard, 2001)
The Aviator (Martin Scorsese, 2004)
Ray (Taylor Hackford, 2004)
The Last King of Scotland (Kevin Macdonald, 2006)
Milk (Gus Van Sant, 2008)
Comedy
The General (Clyde Bruckman and Buster Keaton, 1927)
Duck Soup (Leo McCarey, 1933)
His Girl Friday (Howard Hawks, 1940)
The Ladykillers (Alexander Mackendrick, 1955)
The Pink Panther (Blake Edwards, 1963)
Annie Hall (Woody Allen, 1977)
Airplane! (Jim Abrahams, David Zucker, and Jerry Zucker, 1980)
Four Weddings and a Funeral (Mike Newell, 1994)
The Full Monty (Peter Cattaneo, 1997)
Meet the Parents (Jay Roach, 2000)
Bridget Jone’s Diary (Sharon Maguire, 2001)
The Devil Wears Prada (David Frankel, 2006)
Costume Drama
Jezebel (William Wyler, 1938)
Les Enfants du Paradis (Marcel Carne, 1945)
Senso (Luchino Visconti, 1954)
Barry Lyndon (Stanley Kubrick, 1975)
Dangerous Liaisons (Stephen Frears, 1988)
Howards End (James Ivory, 1992)
Sense and Sensibility (Ang Lee, 1995)
Bright Star (Jane Campion, 2009)
Cult
Plan 9 from Outer Space (Edward D. Wood, 1958)
Faster, Pussycat! Kill! Kill! (Russ Meyer, 1965)
Pink Flamingos (John Waters, 1972)
The Wicker Man (Robin Hardy, 1973)
The Rocky Horror Picture Show (Jim Sharman, 1975)
Withnail and I (Bruce Robinson, 1987)
Fight Club (David Finch, 1999)
Disaster
Airport (George Seaton, 1970)
The Poseidon Adventure (Ronald Neame, 1972)
The Towering Inferno (John Guillermin, 1974)
Independence Day (Roland Emmerich, 1996)
Titanic (James Cameron, 1997)
Documentary
Man with a Movie Camera (Dziga Vertov, 1929)
Night and Fog (Alain Resnais, 1955)
Don’t Look Back (D.A. Pennebaker, 1967)
The Sorrow and the Pity (Marcel Ophuls, 1969)
Bowling for Columbine (Michael Moore, 2002)
Capturing the Friedmans (Andrew Jarecki, 2003)
The Story of the Weeping Camel (Byambasuren, Dava and Luigi Falorini, 2003)
March of the Penguins (Luc Jacquet, 2005)
An Inconvenient Truth (Davis Guggenheim, 2006)
Epic
The Birth of a Nation (D.W. Griffith, 1915)
Alexander Nevsky (Sergei M. Eisenstein and Dmitri Vasilyev, 1938)
The Robe (Henry Koster, 1953)
The Ten Commandments (Cecil B. DeMille, 1956)
Ben-Hur (William Wyler, 1959)
Spartacus (Stanley Kubrick, 1960)
Doctor Zhivago (David Lean, 1965)
Gladiator (Ridley Scott, 2000)
Kingdom of Heaven (Ridley Scott, 2005)
Film Noir
Double Indemnity (Billy Wilder, 1944)
Fallen Angel (Otto Preminger, 1945)
The Big Sleep (Howard Hawks, 1946)
Kiss Me Deadly (Robert Aldrich, 1955)
Touch of Evil (Orson Welles, 1958)
Chinatown (Roman Polanski, 1974)
L.A. Confidential (Curtis Hanson, 1997)
Sin City (Frank Miller and Robert Rodriguez, 2005)
Gangster
Little Caesar (Mervyn Leroy, 1931)
Public Enemy (William Wellman, 1931)
Angels with Dirty Faces (Michael Curtiz, 1938)
Bonnie and Clyde (Arthur Penn, 1967)
The Godfather (Francis Ford Coppola, 1972)
GoodFellas (Martin Scorsese, 1990)
Pulp Fiction (Quentin Tarantino, 1994)
Snatch (Guy Ritchie, 2000)
Gangs of New York (Martin Scorsese, 2002)
Road to Perdition (Sam Mendes, 2002)
Horror
Nosferatu (F.W. Murnau, 1922)
The Bride of Frankenstein (James Whale, 1935)
Cat People (Jacques Tourneur, 1942)
The Night of the Living Dead (George A. Romero, 1968)
The Exorcist (William Friedkin, 1973)
Halloween (John Carpenter, 1978)
Ring (Hideo Nakata, 1998)
The Blair Witch Project (Daniel Myrick and Eduardo Sanchez, 1999)
Martial Arts
Fists of Fury (Wei Lo, 1971)
The Chinese Connection (Wei Lo, 1972)
Enter the Dragon (Robert Clouse, 1973)
The Karate Kid (John G. Avildsen, 1984)
Once Upon a Time in China (Tsui Hark, 1991)
Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
Hero (Zhang Yimou, 2002)
Melodrama
Imitation of Life (John M. Stahl, 1934)
Stella Dallas (King Vidor, 1937)
Now, Voyager (Irving Rapper, 1942)
Mildred Pierce (Michael Curtiz, 1945)
Brief Encounter (David Lean, 1945)
The Life of Oharu (Kenji Mizoguchi, 1952)
Musical
Le Million (Rene Clair, 1931)
42nd Street (Lloyd Bacon, 1933)
The Merry Widow (Ernst Lubitsch, 1934)
Top Hat (Mark Sandrich, 1935)
Meet Me in St. Louis (Vincente Minnelli, 1944)
Singin’ in the Rain (Gene Kelly and Stanley Donen, 1952)
Gigi (Vincente Minnelli, 1958)
West Side Story (Robert Wise and Jerome Robbins, 1961)
Cabaret (Bob Fosse, 1972)
Grease (Randal Kleiser, 1978)
Dirty Dancing (Emile Ardolina, 1987)
Moulin Rouge! (Baz Luhrmann, 2001)
Hairspray (Adam Shankman, 2007)
Propaganda
The Triumph of the Will (Leni Riefenstahl, 1935)
The Plow that Broke the Plains (Pare Lorentz, 1936)
Der Fuehrer’s Face (Jack Kinney, 1943)
Science Fiction and Fantasy
Metropolis (Fritz Lang, 1927)
The Wizard of Oz (Victor Fleming, 1939)
The Time Machine (George Pal, 1960)
2001: A Space Odyssey (Stanley Kubrick, 1968)
Solaris (Andrei Tarkovsky, 1972)
Star Wars (George Lucas, 1977)
The Matrix (Larry and Andy Wachowski, 1999)
Avatar (James Cameron, 2009)
Inception (Christopher Nolan, 2010)
Serial
The Perils of Pauline (Louis Gasnier, 1914)
Flash Gordon (Frederick Stephani, 1936)
The Lone Ranger (John English and William Witney, 1938)
Series
Charlie Chan (Various, 1931-49)
Don Camillo (Various, 1951-65)
Zatoichi (Various, 1962-2003)
The Lord of the Rings (Peter Jackson, 2001-03)
Harry Potter (Various, 2001-11)
The Chronicles of Narnia (Various, 2005-)
Teens
Rebel Without a Cause (Nicholas Ray, 1955)
American Graffiti (George Lucas, 1973)
The Breakfast Club (John Hughes, 1985)
Mean Girls (Mark Waters, 2004)
Thriller
The Third Man (Carol Reed, 1949)
Psycho (Alfred Hitchcock, 1960)
The Silence of the Lambs (Jonathan Demme, 1991)
The Constant Gardener (Fernando Meirelles, 2005)
The Girl Who Played with Fire (Daniel Alfredson, 2009)
Underground
Meshes of the Afternoon (Maya Deren, 1943)
Wavelength (Michael Snow, 1967)
Flesh (Paul Morrissey, 1968)
War
J’Accuse (Abel Gance, 1919)
Paths of Glory (Stanley Kubrick, 1957)
Apocalypse Now (Francis Ford Coppola, 1979)
Das Boot (Wolfgang Peterson, 1981)
Full Metal Jacket (Stanley Kubrick, 1987)
Saving Private Ryan (Steven Spielberg, 1998)
No Man’s Land (Danis Tanovic, 2001)
The Hurt Locker (Kathryn Bigelow, 2008)
Western
Stagecoach (John Ford, 1939)
The Man from Laramie (Anthony Mann, 1955)
The Searchers (John Ford, 1956)
The Magnificent Seven (John Sturges, 1960)
The Man who Shot Liberty Valance (John Ford, 1962)
The Wild Bunch (Sam Peckinpah, 1969)
Once Upon a Time in the West (Sergio Leone, 1968)
Unforgiven (Clint Eastwood, 1992)
True Grit (Joel and Ethan Coen, 2010)
2. WORLD FILM
Africa
The Money Order (Ousmane Sembene, Senegal, 1968)
The Night of Counting the Years (Shadi Abdelsalam, Egypt, 1969)
Xala (Ousmane Sembene, Senegal, 1975)
Chronicle of the Burning Years (Mohammed Lakhdar-Hamina, Algeria, 1975)
Alexandria… Why? (Youssef Chahine, Egypt, 1978)
Man of Ashes (Nouri Bouzid, Tunisia, 1986)
Yeelen (Souleymane Cisse, Mali, 1987)
The Silences of the Palace (Moufida Tlatli, Tunisia, 1994)
Waiting for Happiness (Abderrahmane Sissako, Mauritania, 2002)
The Middle East
Divine Intervention (Elia Suleiman, Palestine, 2002)
The Syrian Bride (Eran Riklis, Palestine, 2004)
Thirst (Tawfik Abu Wael, Palestine, 2004)
Paradise Now (Hand Abu-Assad, Palestine, 2005)
Iran
The Cow (Dariush Mehrjui, 1968)
The White Balloon (Jafar Panahi, 1995)
Taste of Cherry (Abbas Kiarostami, 1997)
The Children of Heaven (Majid Majidi, 1997)
Blackboards (Samira Makmalbaf, 2000)
The Day I Became a Woman (Marzieh Meshkini, 2000)
Secret Ballot (Babek Payami, 2001)
Kandahar (Mohsen Makmalbaf, 2001)
Turtles Can Fly (Bahman Ghobadi, 2004)
Eastern Europe
Knife in the Water (Roman Polanski, Poland, 1962)
The Shop on the High Street (Jan Kadar, Czechoslovakia, 1965)
The Round-Up (Miklos Jansco, Hungary, 1965)
Loves of a Blonde (Milos Foreman, Czechoslovakia, 1965)
Daisies (Vera Chytilova, Czechoslovakia, 1966)
Closely Observed Trains (Jiri Menzel, Czechoslovakia, 1966)
Man of Marble (Andrzej Wajda, Poland, 1976)
The Three Colours trilogy (Krzysztof Kieslowski, Poland, 1993-94)
Divided We Fall (Jan Hrebejk, Czech Republic, 2000)
The Turin Horse (Bela Tarr, Hungary, 2011)
The Balkans
A Matter of Dignity (Michael Cacoyannis, Greece, 1957)
I Even Met Happy Gypsies (Aleksandar Petrovic, Yugoslavia, 1967)
The Goat Horn (Metodi Andonov, Bulgaria, 1972)
Yol (Yilmaz Güney and Serif Goren, Turkey, 1982)
Underground (Emir Kusturica, Yugoslavia, 1995)
Eternity and a Day (Theo Angelopoulos, Greece, 1998)
Uzak (Nuri Bilge Ceylan, Turkey, 2002)
The Death of Mr. Lazarescu (Cristi Puiu, Romania, 2005)
4 Months, 3 Weeks, and 2 Days (Cristian Mungiu, Romania, 2007)
Russia
The Battleship Potemkin (Sergei Eisenstein, 1925)
Storm Over Asia (Vsevolod Pudovkin, 1928)
Earth (Alexander Dovzhenko, 1930)
Ivan the Terrible Parts I and II (Sergei Eisenstein, 1944/58)
The Cranes are Flying (Mikhail Kalatozov, 1957)
Ballad of a Soldier (Grigori Chukhrai, 1959)
The Colour of Pomegranates (Sergei Parajanov, 1969)
Come and See (Elem Klimov, 1985)
Russian Ark (Aleksandr Sokurov, 2002)
The Nordic Countries
The Phantom Carriage (Victor Sjostrom, Sweden, 1921)
Day of Wrath (Carl Dreyer, Denmark, 1943)
Persona (Ingmar Bergman, Sweden, 1966)
Babette’s Feast (Gabriel Axel, Denmark, 1987)
Festen (Thomas Vinterberg, Denmark, 1998)
Songs from the Second Floor (Roy Andersson, Sweden, 2000)
O’Horten (Bent Hamer, Norway, 2007)
The Girl with the Dragon Tattoo (Niels Arden Oplev, Sweden/Denmark/Germany/Norway, 2009)
Germany
The Last Laugh (F.W. Murnau, 1924)
Pandora’s Box (G.W. Pabst, 1929)
The Blue Angel (Josef von Sternberg, 1930)
M (Fritz Lang, 1931)
The Bridge (Bernhard Wicki, 1959)
Kings of the Road (Wim Wenders, 1976)
The Marriage of Maria Braun (Rainer Werner Fassbinder, 1978)
The Tin Drum (Volker Schlöndorff, 1979)
Run Lola Run (Tom Tykwer, 1998)
France
Napoleon (Abel Gance, 1927)
L’Atalante (Jean Vigo, 1934)
La Grande Illusion (Jean Renoir, 1937)
Le Jour se Leve (Marcel Carne, 1939)
Diary of a Country Priest (Robert Bresson, 1951)
Hiroshima Mon Amour (Alain Resnais, 1959)
Jules et Jim (Francois Truffaut, 1962)
Weekend (Jean-Luc Godard, 1967)
La Haine (Mathieu Kassovitz, 1995)
The Taste of Other (Agnes Jaoui, 2000)
The Class (Laurent Cantet, 2008)
A Prophet (Jacques Audiard, 2009)
Of Gods and Men (Xavier Beauvois, 2010)
Italy
The Flowers of St. Francis (Roberto Rossellini, 1950)
Umberto D. (Vittorio De Sica, 1952)
La Notte (Michelangelo Antonioni, 1961)
The Leopard (Luchino Visconti, 1963)
The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964)
Amarcord (Federico Fellini, 1973)
1900 (Bernardo Bertolucci, 1976)
Cinema Pardiso (Giuseppe Tornatore, 1988)
Il Postino (Michael Radford, 1994)
The Best of Youth (Marco Tullio Giordana, 2003)
Gomorrah (Matteo Garrone, 2008)
Vincere (Marco Bellocchio, 2009)
United Kingdom
The Lady Vanishes (Alfred Hitchcock, 1938)
Odd Man Out (Carol Reed, 1947)
Black Narcissus (Michael Powell and Emeric Pressburger, 1947)
Whiskey Galore (Alexander Mackendrick, 1949)
The Servant (Joseph Losey, 1963)
If… (Lindsay Anderson, 1968)
Local Hero (Bill Forsyth, 1983)
Brazil (Terry Gilliam, 1985)
Billy Elliot (Stephen Daldry, 2000)
Touching the Void (Kevin Macdonald, 2003)
The King’s Speech (Tom Hooper, 2010)
Spain
Welcome Mr. Marshall! (Luis Garcia Berlanga, 1953)
Death of a Cyclist (Juan Antonio Bardem, 1955)
Viridiana (Luis Bunuel, 1961)
The Spirit of the Beehive (Victor Erice, 1973)
Cria Cuervos (Carlos Saura, 1976)
Tierra (Julio Medem, 1996)
Talk to Her (Pedro Almodovar, 2002)
The Sea Inside (Alejandro Amenabar, 2004)
Portugal
Hard Times (Joao Botelho, 19880
Abraham’s Valley (Manoel de Oliveira, 1993)
God’s comedy (Joao Cesar Monteiro, 1995)
River of Gold (Paulo Rocha, 1998)
O Delfim (Fernando Lopes, 2002)
Canada
My Uncle Antoine (Claude Jutra, 1971)
The True Nature of Bernadette (Gilles Carles, 1972)
The Apprenticeship of Duddy Kravitz (Ted Kotcheff, 1974)
The Decline of the American Empire (Denys Arcand, 1986)
I’ve Heard the Mermaids Singing (Patricia Rozema, 1987)
Dead Ringers (David Cronenberg, 1988)
Jesus of Montreal (Denys Arcand, 1989)
Exotica (Atom Egoyan, 1994)
The Sweet Hereafter (Atom Egoyan, 1997)
The Barbarian Invasions (Denys Arcand, 2003)
Twist (Jacob Tierney, 2003)
Central America
Maria Candelaria (Emilio Fernandez, Mexico, 1944)
La Perla (Emilio Fernandez, Mexico, 1947)
Los Olvidados (Luis Bunuel, Mexico, 1950)
I am Cuba (Mikhail Kalatozov, Soviet Union/Cuba, 1964)
Memories of Underdevelopment (Tomas Gutierrez Area, Cuba, 1968)
Lucia (Humberto Solas, Cuba, 1968)
Like Water for Chocolate (Alfonso Area, Mexico, 1992)
Amores Perros (Alejandro Gonzales Inarritu, Mexico, 2000)
Y Tu Mama También (Alfonso Cuaron, Mexico, 2001)
Pan’s Labyrinth (Guillermo del Toro, Mexico, 2006)
South America
The Hand in the Trap (Leopoldo Torre Nilsson, Argentina, 1961)
Barren Lives (Nelson Pereira dos Santos, Brazil, 1963)
Antonio das Mortes (Glauber Rocha, Brazil, 1969)
The Hour of the Furnaces (Fernando Solanas and Octavio Getino, Argentina, 1970)
The Battle of Chile (Patricio Guzman, Chile, 1975/79)
The Official Story (Luis Puenzo, Argentina, 1985)
Central Station (Walter Salles, Brazil, 1998)
City of God (Fernando Meirelles, Brazil, 2002)
The Secret in Their Eyes (Juan Jose Campanella, Argentina, 2010)
China, Hong Kong, and Taiwan
Two Stage Sisters (Xie Jin, China, 1965)
A Touch of Zen (King Hu, Taiwan, 1969)
The Way of the Dragon (Bruce Lee, Hong Kong, 1972)
Yellow Earth (Chen Kaige, China, 1984)
City of Sadness (Hsiou-Hsein Hou, Taiwan, 1989)
Ju Dou (Zhang Yimou and Yang Fengliang, Japan/China, 1990)
Raise the Red Lantern (Zhang Yimou, China, 1991)
Yi Yi (Edward Yang, Taiwan, 2000)
Still Life (Jia Zhang Ke, China, 2006)
Korea
The Day a Pig Fell into the Well (Hong Sang-Soo, 1996)
Shiri (Kang Je-Gyu, 1999)
Chihwaseon (Im Kwon-Taek, 2002)
The Way Home (Lee Jong-Hyang, 2002)
Oasis (Lee Chang-dong, 2002)
Spring, Summer, Fall, Winter… and Spring (Kim Ki-Duk, 2003)
Secret Sunshine (Lee Chang-Dong, 2007)
Japan
Equinox Flower (Yasujiro Ozu, 1958)
An Actor’s Revenge (Kon Ichikawa, 1963)
Boy (Nagisa Oshima, 1969)
Vengeance is Mine (Shohei Imamura, 1979)
Hana-Bi (Takeshi Kitano, 1997)
After Life (Hirokazu Koreeda, 1998)
Still Walking (Hirokazu Koreeda, 2008)
Catepillar (Koji Wakamatsu, 2010)
India
Devdas (Bimal Roy, 1955)
Rather Panchali (Satyajit Ray, 1955)
Mother India (Mehboob Khan, 1957)
Charulata (Satyajit Ray, 1964)
Bhuvan Shome (Mrinal Sen, 1969)
Sholay (Ramesh Sippy, 1975)
Nayagan (Mani Ratnam, 1987)
Salaam Bombay! (Mira Nair, 1988)
Bandit Queen (Shekhar Kapur, 1994)
Dilwale Dulhaniya Le Jayenge (Aditya Chopra, 1995)
Kannathil Muthamittal (Mani Ratnam, 2002)
Shwaas (Sandeep Sawant, 2004)
Harishchandrachi Factory (Paresh Mokashi, 2009)
People Live (Anusha Rizvi, 2010)
Australia and New Zealand
Picnic at the Hanging Rock (Peter Weir, Australia, 1975)
The Getting of Wisdom (Bruce Beresford, Australia, 1977)
Newsfront (Phillip Noyce, Australia, 1978)
My Brilliant Career (Gillian Armstrong, Australia, 1979)
Mad Max (George Millar, Australia, 1979)
Crocodile Dundee (Peter Faiman, Australia, 1986)
An Angel at My Table (Jane Campion, New Zealand, 1990)
Heavenly Creatures (Peter Jackson, New Zealand, 1994)
Happy Feet (George Millar, Australia, 2006)
Australia (Bax Luhrmann, Australia, 2008)
3. DIRECTORS
Woody Allen
Sleeper (1973)
Love and Death (1976)
Manhattan (1979)
Broadway Danny Rose (1984)
The Purple Rose of Cairo (1985)
Hannah and Her Sisters (1986)
Crimes and Misdemeanors (1989)
Husbands and Wives (1992)
Match Point (2005)
Vicky Cristina Barcelona (2008)
Pedro Almodovar
What Have I Done to Deserve This (1984)
Law of Desire (1987)
Women on the Verge of a Nervous Breakdown (1988)
High Heels (1991)
All About My Mother (1999)
Bad Education (2004)
Volver (2006)
Robert Altman
M*A*S*H* (1970)
McCabe and Mrs. Miller (1971)
Nashville (1975)
The Player (1992)
Short Cuts (1993)
Gosford Park (2001)
A Prairie Home Companion (2006)
Theo Angelopoulos
The Traveling Players (1975)
Landscape in the Mist (1988)
The Weeping Meadow (2004)
Michelangelo Antonioni
L’Avventua (1960)
L’Eclisse (1962)
Il Deserto Rosso (1964)
Blow-Up (1966)
The Passenger (1975)
Ingmar Bergman
Summer Interlude (1951)
Smiles of a Summer Night (1955)
The Seventh Seal (1957)
Wild Strawberries (1957)
The Face (1958)
Cries and Whispers (1972)
Autumn Sonata (1978)
Fanny and Alexander (1982)
Bernardo Bertolucci
Before the Revolution (1964)
The Conformist (1970)
Last Tango in Paris (1972)
The Last Emporero (1987)
The Dreamers (2003)
Luc Besson
The Big Blue (1988)
Nikita (1990)
Leon (1995)
The Fifth Element (1997)
Robert Bresson
Ladies of the Park (1945)
A Man Escaped (1956)
Balthazar (1966)
L’Argent (1983)
Tod Browning
The Unholy Three (1925)
The Blackbird (1926)
The Unknown (1927)
West of Zanzibar (1928)
Dracula (1931)
Freaks (1932)
The Devil-Doll (1936)
Luis Bunuel
An Andalusian Dog (1929)
Age of Gold (1930)
The Young and the Damned (1950)
Nazarin (1958)
The Exterminating Angel (1962)
Diary of a Chambermaid (1964)
Belle de Jour (1967)
Tristana (1970)
The Discreet Charm of the Bourgeoisie (1972)
Frank Capra
Platinum Blonde (1931)
The Bitter Tea of General Yen (1933)
Lady for a Day (1933)
It Happened One Night (1934)
Mr. Deeds Goes to Town (1936)
You Can’t Take It with You (1938)
Mr. Smith Goes to Washington (1939)
It’s a Wonderful Life (1946)
Marcel Carne
Bizarre Bizarre (1937)
Port of Shadows (1938)
The Devil’s Envoys (1942)
John Cassavetes
Shadows (1959)
Faces (1968)
Minnie and Maskowitz (1971)
Gloria (1980)
Claude Chabrol
The Cousins (1959)
The Good Time Girls (1960)
The Unfaithful Wife (1969)
The Hatter’s Ghost (1982)
The Ceremony (1995)
Nightcap (2000)
Charlie Chaplin
The Kid (1921)
A Woman of Paris (1923)
The Gold Rush (1925)
The Circus (1928)
City Lights (1931)
Modern Times (1936)
The Great Dictator (1940)
Rene Clair
The Italian Straw Hat (1928)
Under the Roofs of Paris (1930)
The Million (1931)
Freedom for Us (1931)
The Last Billionaire (1934)
The Ghost Goes West (1935)
It Happened Tomorrow (1944)
Night Beauties (1952)
Summer Manoeuvres (1955)
Henri-Geoges Clouzot
The Raven (1943)
Quay of the Goldsmiths (1947)
The Wages of Fear (1953)
Diabolique (1955)
The Picasso Mystery (1956)
Jean Cocteau
The Blood of a Poet (1930)
Beauty and the Beast (1946)
Orpheus (1950)
The Testament of Orpheus (1960)
Joel and Ethan Coen
Blood Simple (1984)
Raising Arizona (1987)
Barton Fink (1991)
Fargo (1996)
The Big Lebowski (1998)
No Country for Old Men (2007)
A Serious Man (2009)
Francis Ford Coppola
The Conversation
The Outsiders
Tucker: The Man and His Dreams
George Cukor
Dinner at Eight (1933)
Little Women (1933)
Sylvia Scarlett (1935)
David Copperfield (1935)
Camille (1936)
Holiday (1938)
The Women (1939)
The Philadelphia Story (1940)
Adam’s Rib (1949)
A Star is Born (1954)
My Fair Lady (1964)
Michael Curtiz
Kid Galahad (19370
Casablanca (1942)
Cecil B. DeMille
The Cheat (1915)
The Ten Commandments (1923)
Cleopatra (1934)
The Plainsman (1936)
Union Pacific (1939)
Reap with Wild Wind (1942)
Unconquered (1947)
Samson and Delilah (1949)
The Greatest Show on Earth (1952)
Vittorio De Sica
Shoeshine (1946)
Bicycle Thieves (1948)
Miracle in Milan (1951)
Two Women (1960)
The Garden of the Finzi-Continis (1970)
Carl Dreyer
Master of the House (1925)
The Passion of Joan of Arc (1928)
The Vampire (1932)
The Word (1955)
Gertrud (1964)
Clint Eastwood
Play Misty for Me
The Outlaw Josey Wales (1976)
Bird (1988)
Mystic River (2003)
Million Dollar Baby (2004)
Flags of Our Fathers (2006)
Letters From Iwo Jima (2006)
Invictus (2009)
Sergei Eisenstein
Strike (1924)
October (1927)
The General Line (1928)
Rainer Werner Fassbinder
The Merchant of Four Seasons (1971)
The Bitter Tears of Petra von Kant (1972)
Fear Eats the Soul (19740
Effi Briest (1974)
Fox (1975)
Mother Kusters’ Trip to Heaven (1975)
In aYear of 13 Moons (1978)
Lola (1981)
Veronika Voss (1982)
Federico Fellini
I Vitelloni (1953)
La Strada (1954)
La Dolce Vita (1960)
8 1/2 (1963)
Juiletta of the Spirits (1945)
Roma (1972)
Fellini’s Casanova (1976)
Robert J. Flaherty
Nanook of the North (1922)
Moana (1926)
Man of Aran (1934)
Louisianna Story (1948)
John Ford
The Grapes of Wrath (1940)
Fort Apache (1948)
Milos Forman
The Firemen’s Ball (1967)
One Flew Over the Cuckoo’s Nest (1975)
Amadeus (1984)
Man on the Moon (1999)
Abel Gance
The Tenth Symphony (1918)
The Wheel (1923)
The Life and Loves of Beethoven (1936)
Jean-Luc Godard
Breathless (1960)
My Life to Live (1962)
Contempt (1963)
Band of Outsiders (1964)
Alphaville (1965)
Two or Three Things I Know About Her (1967)
New Wave (1990)
In Praise of Love (2001)
Our Music (2004)
D.W. Griffith
Intolerance (1916)
True Heart Susie (1919)
Broken Blossoms (1919)
Way Down East (1920)
Orphans of the Storm (1921)
Howard Hanks
Scarface (1932)
Twentieth Century (1934)
Bringing Up Baby (1938)
Only Angels Have Wings (1939)
To Have and Have Not (1944)
Red River (1948)
Rio Bravo (1959)
Werner Herzog
Signs of Life (1967)
Fata Morgana (1971)
Aguirre, Wrath of God (1972)
Enigma of Kasper Hauser (1974)
Fitzcarraldo (1982)
My Best Friend (1999)
Grizzly Man (2005)
Encounters at the End of the World (2007)
The Bad Lieutenant: Port of Call - New Orleans (2009)
Alfred Hitchcock
The 39 Steps (1935)
Shadow of a Doubt (1943)
Strangers on a Train (1951)
Rear Window (1954)
Vertigo (1958)
North by Northwest (1959)
The Birds (1963)
Marnie (1964)
John Huston
The Maltese Falcon (1941)
The Treasure of the Sierra Madre (1948)
Key Largo (1948)
The Asphalt Jungle (1950)
The African Queen (1951)
Beat the Devil (1953)
The Misfits (1961)
Reflections in a Golden Eye (1967)
Fat City (1972)
The Dead (1987)
Miklos Jancso
My Way Home (1965)
The Red and the White (1968)
The Confrontation (1969)
Agnus Dei (1971)
Red Psalm (1972)
Beloved Electra (1974)
Elia Kazan
A Streetcar Named Desire (1951)
On the Waterfront (1954)
East of Eden (1955)
A Face in the Crowd (1957)
Wild River (1960)
Splendor in the Grass (1961)
Abbas Kiarostami
Where is the Friend’s Home? (1987)
And Life Goes On… (1992)
Through the Olive Trees (1994)
The Wind Will Carry Us (1999)
Ten (2002)
Krzysztof Kieslowski
- Blind Chance (1981)
- A Short Film About Killing (1988)
- A Short Film About Love (1988)
- The Double Life of Veronique (1991)
Stanley Kubrick
Lolita (1962)
Dr. Strangelove (1964)
A Clockwork Orange (1971)
Akira Kurosawa
Rashomon (1950)
To Live (1952)
Throne of Blood (1957)
The Hidden Fortress (1958)
The Bodyguard (1961)
Sanjuro (1962)
Dersu Uzala (1975)
Kagemusha (1980)
Ran (1985)
Fritz Lang
Dr. Mabuse: The Gambler (1922)
Fury (1936)
Hangmen Also Die! (1943)
The Woman in the Window (1944)
Scarlet Street (1945)
Clash by Night (1952)
The Big Heat (1953)
Human Desire (1954)
David Lean
In Which We Serve (1942)
Great Expectations (1946)
Oliver Twist (1948)
Hobson’s Choice (1954)
The Bridge on the River Kwai (1957)
A Passage to India (1984)
Spike Lee
She’s Gotta Have It (1986)
Do the Right Thing (1989)
Jungle Fever (1991)
Malcolm X (1992)
Crooklyn (1994)
Clockers (1995)
Ernst Lubitsch
Trouble in Paradise (1932)
Design for Living (1933)
Desire (1936)
Angel (1937)
Ninotchka (1939)
The Shop Around the Corner (1940)
To Be or Not to Be (1942)
David Lynch
Eraserhead (1977)
The Elephant Man (1980)
Blue Velvet (1986)
Twin Peaks (1992)
The Straight Story (1999)
Mulholland Drive (2001)
Louis Malle
The Lovers (1958)
Murmur of the Heart (1971)
Lacombe Lucien (1974)
Pretty Baby (1978)
Atlantic City (1980)
Au Revoir Les Enfants (1987)
Joseph L. Mankiewicz
The Ghost and Mrs. Muir (1947)
A Letter to Three Wives (1949)
All About Eve (1950)
5 Fingers (1952)
Julius Caesar (1953)
The Barefoot Contessa (1954)
Guys and Dolls (1955)
Suddenly, Last Summer (1959)
Leo McCarey
Ruggles of Red Gap (1935)
Make Way for Tomorrow (1937)
The Awful Truth (1937)
Love Affair (1939)
Going My Way (1944)
The Bells of St. Mary’s (1945)
An Affair to Remember (1957)
Jean-Pierre Melville
The Strange Ones (1950)
Bob the Gambler (1956)
Doulos: The Finger Man (1962)
Magnet of Doom (1963)
Second Breath (1966)
The Samurai (1967)
Army of Shadows (1969)
Vincente Minnelli
The Pirate (1948)
An American in Paris (1951)
The Bad and the Beautiful (1953)
The Band Wagon (1953)
Lust for Life (1956)
Some Came Running (1959)
Kenji Mizoguchi
Osaka Elegy (1936)
Sister of the Gion (1936)
The Story of the Last Chrysanthemums (1939)
Utamaro and his Five Women (1946)
Ugetsu Monogatari (1953)
Sansho the Bailiff (1954)
Street of Shame (1956)
F.W. Murnau
Faust (1926)
Sunrise (1927)
Tabu (1931)
Manoel de Oliveira
Aniki Bobo (1942)
Doomed Love (1979)
Francisca (1981)
The Cannibals (1988)
The Convent (1995)
I’m Going Home (2001)
A Talking Picture (2003)
O Estranho Caso de Angelica (2010)
Max Ophuls
Leiberlei (1933)
Mayerling to Sarajevo (1940)
Letter from an Unknown Woman (1948)
La Ronde (1950)
House of Pleasure (1952)
Madame de… (1953)
Lola Montes (1955)
Nagisa Oshima
The Sun’s Burial (1960)
Death by Hanging (1968)
Diary of Shinjuku Thief (1969)
The Ceremony (1971)
In the Realm of the Sense (1976)
Empire of Passion (1978)
Taboo (1999)
Yasujiro Ozu
Record of a Tenement Gentleman (1947)
Late Spring (1949)
Early Summer (1951)
Tokyo Story (1953)
Early Spring (1956)
Good Morning (1959)
Late Autumn (1960)
The End of Summer (1961)
An Autumn Afternoon (1962)
Georg Wilhelm Pabst
The Love of Jeanne Ney (1927)
Diary of a Lost Girl (1929)
The Threepenny Opera (1931)
Comradeship (1931)
Sergei Parajanov
The Stone Flower (1962)
Shadows of Forgotten Ancestors (1964)
Ashik Kerib (1988)
Pier Paolo Pasolini
Accatone (1961)
Oedipus Rex (1967)
Theorem (1968)
The Decameron (1971)
The Canterbury Tales (1972)
The Arabian Nights (1974)
Salo, or the 120 Days of Sodom (1975)
Sam Peckinpah
Ride the High Country (1962)
Major Dundee (1965)
The Ballad of Cable Hogue (1970)
Pat Garrett and Billy the Kid (1973)
Bring Me the Head of Alfredo Garcia (1974)
Roman Polanski
Repulsion (1965)
Cul-de-Sac (1965)
Rosemary’s Baby (1968)
The Tenant (1976)
The Pianist (2002)
The Ghost Writer (2010)
Michael Powell and Emeric Pressburger
The Life and Death of Colonel Blimp (1943)
A Canterbury Tale (1944)
I Know Where I’m Going (1945)
A Matter of Life and Death (1946)
The Red Shoes (1948)
The Small Back Room (1948)
The Tales of Hoffman (1951)
Otto Preminger
Laura (1944)
Daisy Kenyon (1947)
The Man with the Golden Arm (1955)
Anatomy of a Murder (1959)
Exodus (1960)
Advise and Consent (1962)
Vsevolod Pudovkin
Mother (1926)
The End of St. Petersburg (1927)
Nicholas Ray
They Live By Night (1949)
In a Lonely Place (1950)
Johnny Guitar (1954)
Bigger Than Life (1956)
Wind Across the Everglades (1958)
Satyajit Ray
Pather Panchali (1955)
The Unvanquished (1956)
The Music Room (1959)
The World of Apu (1959)
The Big City (1964)
The Lonely Wife (1964)
Days and Nights in the Forest (1970)
Distant Thunder (1973)
The Middleman (1976)
The Chess Players (1977)
Jean Renoir
Boudu Saved from Drowning (1932)
The Crime of Monsieur Lange (1936)
Grand Illusion (1937)
The Human Beast (1938)
The Rulers of the Game (1939)
The Southerner (1945)
The Golden Coach (1952)
French Can-Can (1954)
Elena and Her Men (1956)
Alain Resnais
Last Year at Marienbad (1961)
Muriel (1963)
The War is Over (1966)
Stavisky (1974)
Providence (1977)
Same Old Song (1997)
Les Herbes Folles (2009)
Jacques Rivette
Paris Belongs to Us (1961)
The Nun (1966)
Mad Love (1969)
Celine and Julie Go Boating (1974)
La Belle Noiseuse (1991)
Jeanne la Pucelle I - Les Batailles (1994)
Va Savior (2001)
The Duchess of Langeais (2007)
Eric Rohmer
My Night at Maud’s (1969)
Claire’s Knee (1970)
The Aviator’s Wife (1981)
Pauline at the Beach (1983)
The Green Ray (1986)
A Tale of Springtime (1990)
A Tale of Winter (1992)
A Summer’s Tale (1996)
An Autumn Tale (1998)
Les Amours d’astres et de Celadon (2007)
Roberto Rossellini
Rome, Open City (1945)
Paisan (1946)
Germany Year Zero (1948)
Stromboli (1950)
The Greatest Love (1952)
Voyage to Italy (1953)
General della Rovere (1959)
The Rise of Louis XIV (1966)
Martin Scorsese
Mean Streets (1973)
Taxi Driver (1976)
New York, New York (1977)
Raging Bull (1980)
After Hours (1985)
The Colour of Money (1986)
The Last Temptation of Christ (1988)
The Age of Innocence (1993)
The Departed (2006)
Shutter Island (2010)
Ousmane Sembene
God of Thunder (1971)
The Camp of Thiaroye (1989)
Moolaade (2004)
Douglas Sirk
Has Anybody Seen My Gal? (1952)
Take Me to Town (1953)
All I Desire (1953)
Magnificent Obsession (1954)
All That Heaven Allows (1955)
Written on the Wind (1956)
The Tarnished Angels (1957)
Imitation of Life (1959)
Steven Spielberg
Jaws (1975)
Close Encounters of the Third Kind (1977)
Raiders of the Lost Ark (1981)
E.T.: The Extra-Terrestrial (1982)
Jurassic Park (1993)
Schindler’s List (1993)
Munich (2005)
Indiana Jones (2008)
Josef von Sternberg
Morocco (1930)
Dishonored (1931)
Shanghai Express (1932)
Blonde Venus (1932)
The Scarlet Express (1934)
The Devil is a Woman (1935)
The Saga of Anatahan (1953)
Erich von Sternheim
Blind Husbands (1919)
Foolish Wives (1922)
Greed (1924)
The Merry Widow (1925)
The Wedding March (1928)
Queen Kelly (1929)
Preston Sturges
The Lady Eve (1941)
Sullivan’s Travels (1941)
The Palm Beach Story (1942)
The Miracle of Morgan’s Creek (1944)
Hail the Conquering Hero (1944)
Andrei Tarkovsky
Ivan’s Childhood (1962)
Andrei Rublev (1966)
The Mirror (1975)
Stalker (1979)
The Sacrifice (1986)
Jacques Tati
Jour de fete (1949)
Mr. Hulot’s Holiday (1953)
Mon Oncle (1958)
Playtime (1967)
Lars von Trier
Epidemic (1987)
Europa (1991)
Breaking the Waves (1996)
The Idiots (1998)
Dancer in the Dark (2000)
Dogville (2003)
Antichrist (2009)
François Truffaut
The 400 Blows (1959)
Shoot the Piano Player (1960)
Fahrenheit 451 (1966)
The Bride Wore Black (1968)
The Wild Child (1970)
Bed & Board (1970)
Day for Night (1973)
The Green Room (1978)
Agnes Varda
Cleo from 5 to 7 (1962)
Happiness (1965)
One Sings, the Other Doesn’t (1977)
Vagabond (1985)
Jacquot da Nantes (1991)
The Gleaners & I (2000)
Les plagues d’Agnes (2008)
King Vidor
The Big Parade (1925)
The Crowd (1928)
Hallelujah! (1929)
The Champ (1931)
Our Daily Bread (1934)
Duel in the Sun (1946)
The Fountainhead (1949)
War and Peace (1956)
Jean Vigo
A Propos de Nice (1930)
Zero for Conduct (1933)
Luchino Visconti
Ossessione (1942)
La Terra Trema (1948)
Rocco and his Brothers (1960)
Death in Venice (1971)
Andrzej Wajda
A Generation (1954)
Canal (1957)
Ashes and Diamonds (1958)
Innocent Sorcerers (1960)
Siberian Lady Macbeth (1961)
Landscape After Battle (1970)
Man of Iron (1981)
Danton (1983)
Katyn (2007)
Tatarak (2009)
Orson Welles
Citizen Kane (1941)
The Magnificent Ambesons (1942)
The Lady from Shanghai (1947)
Macbeth (1948)
Othello (1952)
Confidential Report (1955)
Chimes at Midnight (1965)
William Wellman
Wings (1927)
Wild Boys of the Road (1933)
The Call of the Wind (1935)
Nothing Sacred (1937)
Beau Geste (1939)
Roxie Hart (1942)
The Ox-Bow Incident (1943)
The Story of G.I. Joe (1945)
The High and the Mighty (1954)
Wim Wenders
Alice in the Cities (1973)
The American Friend (1977)
Paris, Texas (1984)
Wings of Desire (1987)
Buena Vista Social Club (1999)
Don’t Come Knocking (2005)
James Whale
Frankenstein (1931)
The Old Dark Horse (1932)
The Invisible Man (1933)
Show Boat (1936)
Billy Wilder
The Major and the Minor
The Lost Weekend (1945)
Sunset Boulevard (1950)
Ace in the Hole (1951)
Stalag 17 (1953)
Some Like It Hot (1959)
The Apartment (1960)
One, Two, Three (1961)
Wong Kar Wai
Ashes of Time (1994)
Chungking Express (1994)
Fallen Angels (1995)
Happy Together (1997)
In the Mood for Love (2000)
2046 (2004)
My Blueberry Nights (2007)
William Wyler
The Little Foxes (1941)
Mrs. Miniver (1942)
The Best Years of Our Lives (1946)
Roman Holiday (1953)
Friendly Persuasion (1956)
The Big Country (1958)
Funny Girl (1968)
4. TOP 100 MOVIES
The Cabinet of Dr. Caligari (Robert Wiene, 1920)
All Quiet on the Western Front (Lewis Milestone, 1930)
King Kong (Merian C. Cooper and Ernest B. Schoedsack, 1933)
A Star is Born (William A. Wellman, 1937)
Olympia (Lena Reifenstahl, 1938)
The Rules of the Game (Jean Renoir, 1939)
Gone with the Wind (Victor Fleming, 1939)
Passport to Pimlico (Henry Cornelius, 1949)
Panther Panchali (Satyajit Ray, 1955)
The Night of the Hunter (Charles Laughton, 1955)
Saturday Night and Sunday Morning (Karel Reisz, 1960)
Lawrence of Arabia (David Lean, 1962)
The Sound of Music (Robert Wise, 1965)
The Battle of Algiers (Gillo Pontecorvo, 1966)
The Chelsea Girls (Andy Warhol and Paul Morrissey, 1966)
Easy Rider (Dennis Hopper, 1969)
The Deer Hunter (Michael Cimino, 1978)
Blade Runner (Ridley Scott, 1982)
Heimat (Edgar Reitz, 1984/1992/2004)
Shoah (Claude Lanzmann, 1985)
A Room with a View (James Ivory, 1985)
Reservoir Dogs (Quentin Tarantino, 1992)
Traffic (Steven Soderbergh, 2000)
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
6 notes
·
View notes
Photo
7 Chores You May Be Doing Wrong (7 photos) from Pauline Morrissey
View original post by clicking >>> https://www.houzz.com/magazine/7-chores-you-may-be-doing-wrong-stsetivw-vs~83993484/
0 notes
Photo
7 Chores You May Be Doing Wrong (7 photos) https://www.houzz.com/magazine/7-chores-you-may-be-doing-wrong-stsetivw-vs~83993484/
Keeping our homes clean is no easy feat. It can be tedious, repetitive and downright bothersome. However, it’s a necessary task for most of us. So, for the sake of getting the most value out of your cleaning time, here are some basic mistakes that even the cleanest person makes — and how to avoid...
Pauline Morrissey
0 notes
Photo
Out of the Blue - BBC One - May 23, 1995 - September 9, 1996
Crime Drama (12 episodes)
Running Time: 60 minutes
Stars:
John Duttine as DI Eric Temple (Series 1–2)
Orla Brady as DS Rebecca "Becky" Bennett (Series 1–2)
John Hannah as DS Frankie Drinkall (Series 1)
David Morrissey as DS Jim Llewyn (Series 2)
Darrell D'Silva as DC Warren Allen (Series 1–2)
Neil Dudgeon as DC Marty Brazil (Series 1–2)
Andy Rashleigh as DC Tony Bromley (Series 1–2)
Lennie James as DC Bruce Hannaford (Series 1–2)
Peter Wight as DC Ron Ludlow (Series 1–2)
Stephen Billington as PC Alex Holder (Series 1)
Pauline Black as Dr Innocent Adesigbin (Series 1)
#Out of the Blue#BBC One#TV#1990's#Crime Drama#John Duttine#Orla Brady#John Hannah#David Morrissey#Darrell D'Silva#Neil Dudgeon#Andy Rashleigh#Lennie James#Peter Wight
1 note
·
View note
Text
Twitter septembre #félicitéangers jan2014 mars2014 mars2018 Grepolis InnoGames valiantstep youtube stepharvey greenoid #simcitybuildit beuzit @Surnamedb
🇨🇦 🚒 🚒 Telethongaming #simmer #rennes2@ESPE_Bretagne #PaulClaudel #PaulNizan (futur petit proust simonin querqueville 4qbarbeydaurevilly Murray Tokyo Nicolasverlet@puyo #monfort #musclor caserne Murray #morrissey #mourmansk 50nuancesgreymoquet #simcitybuildit beuzit @Surnamedb goldmanJones là bas immigrer canadians 🍁 🍁 🐩 🐩 canardpc mars2018 mars2014 @innogames chocapic trunks boulap @ESJLille @ESPE_Bretagne @LEXPRESS @LePoint burgundy/Bordeaux webcolors wiki @ArchivesOntario moquette épinette #fricot #félicitéangers #linguistics moquette gris moyen commandant delaplane douaumont netflix FR3 de toutes les matières proustiennes c'est la ouette courant serent56serrant44 mes2grandperes grall helias campuslife nizan/lepin côté ligne verte STM 🚉 @ArchivesOntario fred pohl autodidacte pamelasargent #rennes2#remimilligan solar2017 #airedalelove80solaris206 côté ligne verte STM 🚉 @stm_Jaune @tordotcom stanbarets wiki Hugo malot nebula ottawaserjantes.tumblr côté guermantes/swan swamp swtor Louisiane ça vous gagne#gagné historical GEOGRAPHICAL GEO85 doucet/dousset/épinette frenchcanadian french quarter gangstar new orleans 🆕 vegas protok6sang66 Stateofdecay oktoberfest2018 phosphore438decemb2017 (lesfillesdecaleb #ray #strangerthings #félicitéangers #fricot @UMaine #linguistics Boucherville 💵 dollard ormeaux #rennes2 #americanpoltergeist2 FLORIDA guermantes/swann nizan/lepin serent56serrant44 le nizan est moins ensoleillé aubépines #Warcraft souvenant.wordpress.com Estafette sombrivage delaage darkageofcamelot dark rivage darkshore anglophone francophone canadians #nachtelf shademane extrême tristesse @wpbeginner souvenant.wordpress.com nizan/lepin PhilipMorris #morrissey (lieutenant adjudant morrisset caserne parental) nizan/lepin (lepin il y avait de la lande PhilipMorris souvenant.wordpress.com rememberers Hugo malot nebula ottawaserjantes.tumblr prefabricated #simcitybuildit beuzit (du beuzit en bois d'aubépine montjourdain ferme futur petit proust parental Detroit become agents de change #rennes2 @ArchivesOntario _aubépine épinette dictionnaire français acadien acadiens rochvoisine @UMaine 1866 minecraft épinette darkshore t-shirt 👕 sith swtor sombrivage BATTLEUS 💲 BATTLEEU 💶 sentinelles souvenant.wordpress.com côté 40000 solaris 206 côté ligne verte STM 🚉 @ArchivesOntario fred pohl autodidacte pamelasargent #rennes2#remimilligan FR3 netflix cedricvigneau décoction teigneux 929DIV 1974 75 bean blossom gahan gore garanton 929DIV grall helias mes2grandperes #morrissey philomena blizzard drougard mes2grandperes grall helias campuslife tripadvisor il y avait de la place parking 🅿 supermarché 🛒 💵 dollard ormeaux#rennes2 Viquel @PetPeopleStores beaucouze
@LePoint @LEXPRESS 🍁 🍁
impact montreal juin juillet août 2019 Laurence Nadeau cedricvigneau [email protected] français tribunal canadiens 14:02 lun29juil iPhone android STEP #laval (@artheon @gaeaguildenoob netflix FR3 83 toulon pôle emploi @ESPE_Bretagne fnac frontenac)
#YOUNETFLIX I TWITTED #pennbadgley left handed
WDMO @rossmarquand lincoln
+Twitter #Warcraft WoWClassic (mon Estafette #fougasse calot/fricot #linguistics mes2grandperes grall helias delaage nachtelf hunter female dorm starmania @stm_Jaune florian moignoux blogspot illanarchasseresse_blogspot)recherches alchimie norfendre northrend anglophone francophone canadians 🍁 🍁 cedricvigneau décoction FR3 netflix ottawaserjantes.tumblr @DeSerres calligraphie calligraphy jurascript
Quel nom vous voulez donner à votre personnage delaage name generator (youtube réservez votre nom) VALIANT+suffixe(strayvaliant #strangerthings montgomery valiantdrunk riwallan Wallace warrantvaliant (volkswagen) @stm_Jaune @Surnamedb
🇨🇦 #forthehorde =1orcish (artillery) 2undead(serent56serrant44 drunkards wiki malestroit anglophone francophone) 3troll 4tauren
🇫🇷🇬🇧 #ForTheAlliance = 1humanish 2nains dwarven 3nachtelf (#blutelf) 4gnomes(versus goblins #Halifax)
@zyrusha (monfort of colorado 🐮minotaure darkageofcamelot delaage alexandra montag netflix FR3 valiantkelly extension draenor mars 2014 mars 2018 innogames)
parental stephenking #2017 #2019 Detroit become
passer sur des musiques noires Thierry Pastor thierrypastor Twitter _hornby 📺
💶 Fort TRIUMPH EU BATTLEEU (Nicolasverlet@puyo #monfort #musclor caserne @ArchivesOntario) 🍁 🍁 🐩 🐩
💲 US 💵 DOLLARD BATTLEUS ormeaux#rennes2 desolation hold SWTOR 👕 T-SHIRT MOJAVE #SIMCITYBUILDIT BEUZIT
WDMO @ROSSMARQUAND LINCOLN (n12 michonne peluche gouverneur morrissey shopthewalkingdead.com)
@OuestFrance (merc31juil2019 0299 N22840) steve journal atoll beaucouze florian moignoux blogspot eastpak iPhone android STEP #laval McCafe 12: 🚍 bus1 belle beille monplaisir #nabilla anjou montreal félicitéangers @stm_Jaune #focus France televisions
parental stephenking #2017#2019 Detroit become #BienEtreSocial CAF caisse allocations family familyseARCH (mon frère enseignant #claudeallegre maxime sczcepanski [email protected] @LePoint @LEXPRESS 🍁 🍁 impact montreal Laurence Nadeau cedricvigneau (caserne se faire travailler 4: masturbation SwiftKey sylviegelineau [email protected] disjoncteur foursq4are@12millot iPhone android STEP #laval Facebook laura bottereau pauline boivin 82000 hornby alison ashworth sarah kendrew caserne parental Detroit become) 08:35 jeu1aou#falloutnewvegas (iPhone android STEP #laval) #rennes2 (V 💄 reptilians #80 telestarmania souvenant.wordpress.com V ✌️ Nicolasverlet@puyo #monfort #musclor caserne @ArchivesOntario updike forceps)
#Morrissey #mourmansk #montfort wisconsin (lieutenant adjudant morrisset caserne parental on joue sarrasin darkageofcamelot delaage t-shirt 👕)_post-it colornote (iPhone android STEP #laval YUL YOUTUBE YUL TEIGNEUX FR3 POSTIT @OpticMutualiste netflix @ArchivesOntario jeanmahe jaquettemonfort mars2018 mars2014 @innogames ottawaserjantes.tumblr anglophones francophones
POSTIT colornote (iPhone android STEP #laval 04:29sam17aou #fallout she majored at Harvard futon/critic wiki walking dead governor #morrissey [email protected]
#BoulevardDuPalais qu'est ce que encourt votre équipe papier en tête mauthausen sylviegelineau laurencelegall archives féminisme angoissées walking dead the FEAR rogergicquel 1979 TF1
🐁mouse simulator #simcitybuildit beuzit @Surnamedb FOEs of the righteous #americanpoltergeist2 #anno1897 _caleb PYCCKNN language delaage #linguistics #laval #Outremont niveau cedricvigneau impact montreal @LePoint @LEXPRESS 🍁 🍁 parental impact montreal Detroit become 15300BET forteresse vide #Warcraft BATTLEUS 💲 BATTLEEU 💶 (courant matières fécales FR3 NETFLIX MORRISSEY 1979 Telethongaming disjoncteur foursq4are@12millot iPhone android STEP #laval Facebook) 02:59(sam3aou #falloutnewvegas) Saint-Pierre-et-Miquelon mahe @Surnamedb @statquebec @stm_Jaune @LePoint @LEXPRESS @letudiant88 Laurence Nadeau cedricvigneau [email protected] français tribunal canadiens anglophone francophone youtube stepharvey valiantstep bonhomme système grall helias mes2grandperes achievements haut fait 4qbarbeydaurevilly youtube stepharvey valiantstep achievements haut fait google play games level47 level17 exophase Google (mr 💵 dollard ormeaux#rennes2 Viquel @PetPeopleStores beaucouze skin gold Jones #Mauthausen #stefanweinert skin gold 30 morceaux 🧀 _outremont c'est outremont bon =juifs russes immigrés #gagnon 1880 #March2018 #april2018 🍁 🍁 mars2014 grepolis Grenoble mars2018 the western star#rennes2 wiki phosphore438decemb2017 innogames juifs russes PYCCKNN language SMS #linguistics Boucherville 💵 dollard ormeaux #rennes2 #laval serent56serrant44 immigrés 1880 #anno1897 caleb @stm_Jaune @Surnamedb #Outremont @ArchivesOntario ghetto [email protected] #BoulevardDuPalais netflix FR3 10 avril 10 octobre (6 mois [email protected] sécurité sociale #BienEtreSocial maxime sczcepanski mon frère parental enseignant @innogames @iufm @ESPE_Bretagne octobre90 rue dacier delaage #Outremont _sécurité /ghetto juifs russes 1880 Sylviegelineau laurencelegall archives féminisme formulaire en tête #Mauthausen [email protected] état français 91446 (les allemands lisent polonais youtube walking dead WDMO fear rogergicquel TF1 1979 grall helias mes2grandperes) anglophone francophone _est-ce que je pourrais mettre en sécurité ghetto juifs russes pogroms pompiers 🚒 🚒 Telethongaming #simmer fort bennings youtube Bouygues Télécom bloqué crédit mutuel #rennes2 #laval #remimilligan avril/août #falloutnewvegas régularisation kafkaïen 1997 #anno1897 caleb une fille étudiante 90_95 82000 hornby sarah kendrew anne supiot place pilori FOE @innogames mars2018 mars2014 grepolis Grenoble sardou lenine staline @TOFEFire @TelegrammeSport @Tele7 iPhone android STEP #laval #rennes2 (3089 10aou fallout 2019 huntermarche Walmart foursq4are@12millot language LANGAGESMS @TelegrammeSport @tordotcom stanbarets drucker drunkards wiki malestroit anglophone francophone drouot disturbed spirit drouk speret ceaucescu pamelasargent cerveau planétaire rosnay #PaulClaudel est-ce que je pourrais mettre sécurité ma série (mouse simulator #mourmansk @OuestFrance nice_matin @OpticMutualiste innogames PYCCKNN) 🍁 🍁 🐩 🐩 #nabilla maxime sczcepanski mon frère c't à ton tour laura cadieux (Laurentcadieux) enseignant #claudeallegre #PaulClaudel sécurité sociale #BienEtreSocial anglophone francophone canadians
04:18 iPhone android STEP #laval Facebook [email protected] (geekette hyjal @zyrusha @salvirathehunter nordrassil BATTLEUS 💶 BATTLEUS 💵 BATTLEEU sentinelles tichondrius dreyfusard nice_matin e.wayne ?? @artheon @gaeaguildenoob fnac frontenac connectés les connectés _se faire travailler caserne parental Detroit become @foursq4are12millot iPhone android STEP #laval Facebook [email protected] mes2grandperes grall helias poumons je me lacere le dos_poumons mes2grandperes grall helias disjoncteur @foursq4are12millot bene gesserit frank herbert scifictionAIR cerveau planétaire korean AIR 🛬 [email protected] Denoël presencefutur solar2017 #airedalelove80 solaris 206 côté ligne verte STM 🚉 @ArchivesOntario @stm_Jaune useless gahan gore garanton 929DIV grall helias mes2grandperes 1974 75 #rennes2 netflix FR3 je me use dos contre mur mon lit wall Walmart pink Floyd Nicolasverlet@puyo #monfort #musclor caserne @ArchivesOntario updike forceps @OpticMutualiste griesche grille neurones scifictionAIR cerveau planétaire rosnay #PaulClaudel iPhone android STEP #laval youtube stepharvey valiantstep (iPhone android STEP #laval Facebook [email protected] stress stupeur tremblements #montparnasse (moyon moyasse que je te fricasse tulard neighbor Sainte-Hélène #simcitybuildit beuzit @Surnamedb @UMaine 1866 #fricot #SteveMcQueen #abyssinian @dacremontgomery major mountyhard parental tapie @LePoint @LEXPRESS #Anno1800 #anno1980 #anno1897 caleb tapie droghard&davina parental Detroit become fort erie fire dept 🚒 🚒 Telethongaming #simmer tremblay @statquebec @stm_Jaune 91446 @LePoint @LEXPRESS #claudeallegre #PaulClaudel #rennes2@reseauESJ l'étudiant88 charre lecendrier montfort lemoine esj@lille phosphore438decemb2017#gagné @LEXPRESS Laurence Nadeau cedricvigneau juin juillet août 2019 Laurence Nadeau cedricvigneau [email protected] français tribunal canadiens anglophone francophone impact montreal _je me useless gahan gore garanton 929DIV grall helias mes2grandperes le dos poumons mes2grandperes _stress physiologique (lesfillesdecaleb les connectés @artheon @gaeaguildenoob 83toulon @poleemploi @ESPE_Bretagne @ESJLille l'étudiant88 iufm rue dacier delaage #Outremont) _je vide mes réserves forces swtor t-shirts T-shirt 👕 DESERT mojave #simcitybuildit beuzit @Surnamedb goldmanJones là bas immigrer canadians 🍁 🍁 CORN @KelloggsUS Somerville Facebook [email protected]
griesche (marsh harrier pottermore)
souvenant.wordpress.com _faire comme like reynolds blog solaris 206 côté ligne verte STM @stm_Jaune @ArchivesOntario ligne verte STM 🚉 @tordotcom @LeTelegramme ericgauthier 929DIV 1974 75 bean blossom gahan gore garanton 929DIV grall helias mes2grandperes solar2017 #airedalelove80solaris _writer warrant 📴 officer forum.wotblitz.eu castlevania belmont _mettre un onglet WoWClassic #cleric #PaulClaudel #félicitéangers sur souvenant.wordpress.com (florian moignoux blogspot illanarchasseresse_blogspot)+parler de KARGOZ youtube _hunter WoWClassic (#forthehorde #ForTheAlliance BOW) voir j'avais pas vu @SimCityBuildIt beuzit mes autres POSTIT iPhone android STEP#laval _#estafette #fricot @UMaine #linguistics
#Morrissey #mourmansk #montfort wisconsin Murray #strangerthings october country netflix FR3 montgomery _jeanmahe & jaquettemonfort épinette #fricot @UMaine 1866 #anno1897 caleb lesfillesdecaleb @ArchivesOntario FR3 netflix ☢ radio-canada 🍁 🍁 serent56serrant44 souvenant.wordpress.com c'tatontourlauracadieux (laurent est-ce que tu peux aider mr métayer grall helias mes2grandperes parental Detroit become cerveau planétaire scifictionAIR korean AIR 🛬 [email protected]
brain tree neopets rosnay #ross #remimilligan #rennes2 #rogergicquel TF1 1979 #PaulClaudel familyseARCH (brain tree #tremblay #simcitybuildit beuzit @Surnamedb #simsfreeplay) 🍁 🍁 🐩 🐩 enquête à travers les âges delaage teigneux FR3 @OpticMutualiste netflix @ArchivesOntario jeanmahe jaquettemonfort
animal crossing pocket camp gerard (parental Detroit become riquewihr Somerville 86)simca bleu ciel web colors Géraldine iPhone android STEP #laval Facebook [email protected]
jonction man jones mars2018 the western star#rennes2 wiki phosphore438decemb2017 valiantstep youtube stepharvey #March2018#april2018 mars2014 grepolis Grenoble InnoGames deutschland t-shirt 👕 nery villiersisleadam gobineau #laval (gnomes versus goblins @gobelins_paris london) 🍁 🍁 🐩 gobineau USSR Redoute USSR=WOLF #blutelf 💲 usa=bull rott mutants déviantart Murray conan racial social youtube stepharvey valiantstep iPhone android STEP #laval Facebook [email protected] (jaune pâle rider anglophone francophone canadians 🍁 🍁 CORN@KelloggsUS kermel renan DUKE [email protected] wisconsin delaage kergaranton 929DIV 1974 75 bean blossom gahan gore garanton 929DIV grall helias tache Mongolique FR3 netflix mucuviscideux tasty mes2grandperes solar2017 #airedalelove80solaris ligne verte STM 🚉 @ArchivesOntario solaris 206 côté ligne verte STM @stm_Jaune johansson agnetafaltskog (carlyle full monty anglophone francophone canadians morrissey Murray Nicolasverlet@puyo #monfort #musclor caserne #strangerthings dragon's lair android STEP #laval iPhone youtube conan goldorak Jones 91446 japonais t-shirt 👕 sith swtor cheveux châtains ottawaserjantes.tumblr
ottawaserjantes.tumblr
n'est pas paysan de Paris qui veut à montfortlamaury @LePoint @LEXPRESS fev1988 Nicolasverlet@puyo #monfort #musclor caserne @ArchivesOntario updike forceps Paris london chocapic (gnomes versus goblins @gobelins_paris)
mamytwink Metz #rennes2 #laval WoWClassic #cleric 13aou2019 réservez name generator personnage delaage (2018bfa #forthehorde #ForTheAlliance helias grall helias mes2grandperes mars2018 the western star#rennes2 wiki phosphore438decemb2017 mars 2014 Grenoble Grenade grepolis @innogames @Wowhead #Warcraft t-shirt 👕 #SWTOR #cathar #morrissey #monfort sarrasin darkageofcamelot delaage
#estafette#wow classic#walmartcanada#anglophone canadians#francophone canadians#felicite angers#félicitéangers#iphone8#android#laval
0 notes
Text
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
In the summer of 1972, Jonathan Rosenbaum was a writer and film critic living in Paris who had begun researching an article on Orson Welles’s original Hollywood project, an adaptation of Joseph Conrad’s novella, Heart of Darkness.
Learning that Welles was also in Paris during the off and on shotgun production production of “The Other Side of the Wind” and the editing of his essay film “F For Fake,” Rosenbaum sent him a letter with detailed queries about his screenplay. He dispatched the letter on a Saturday night.
On Monday morning, Welles’s assistant called and asked Rosenbaum to join Welles later that day for lunch. Upon meeting Rosenbaum expressed surprise that Welles would ask him to lunch.
“I don’t have time to answer your letter,” Welles responded.
The resulting article, “The Voice and the Eye: A Commentary on the Heart of Darkness Script,” first appeared in the magazine’s November/December issue that year. Forty-six years later, Rosenbaum worked as a consultant on the completion of Welles’s “The Other Side of the Wind.”
The Welles interview is also the taking off point for Rosenbaum’s new two-volume book collection, Cinematic Encounters. The first volume, subtitled “Interviews and Dialogues,” is newly out from the University of Illinois Press. In addition to Welles, the book culls interviews Rosenbaum conducted with such essential figures as Jean-Luc Godard, Jacques Rivette, Alain Resnais, Jacques Tati, Samuel Fuller, Raúl Ruiz and Béla Tarr. The interviews took place in various far flung locations, including Paris, London and New York.
The second volume, “Portraits and Polemics,” set to come out this June, makes for a natural juxtaposition, overlapping with essays and critical evaluations of many of the same directors like Rivette, Resnais, Tarr and Jarmusch. Orson Welles, who has loomed so prominently over Rosenbaum’s life and work, is the natural structuring figure. As the first volume is arranged chronologically and the second part alphabetically, Welles opens and closes the two works.
Though he retired in 2008 after 21 years as the chief critic of the Chicago Reader, Rosenbaum remains a prolific writer, lecturer, teacher and traveler. His work is archived at www.jonathanrosenbaum.net.
A leading authority on Orson Welles, Rosenbaum is also about to start a 14-week lecture series on the director at the Gene Siskel Film Center, in conjunction with the School of the Art Institute of Chicago. His opening lecture, accompanying a 35mm screening of “Citizen Kane,” is scheduled for January 29.
In a recent interview, Rosenbaum talked about the genesis of the two volume work and the constantly evolving nature of film criticism in the digital age.
The first volume is dedicated to the French writer and teacher Nicole Brenez. She actually suggested the idea of the book?
She originally said to me, why don’t you do a book of your interviews? I was already thinking of putting together a book of recent pieces. When I started thinking about it, I thought it would be interesting to combine these ideas into one big book. When I proposed that to University of Illinois Press, the editor said, “Why don’t we do them as two books?”
So are these the interviews that mean the most to you? How did you decide to arrange them for the book?
It was basically the interviews that I had in print form. I noticed there was a lot of difference between them in terms of how they were formulated and structured. I thought in a certain way, it became a kind of investigation into the various forms that interviews can take. What I’m trying to explore in both volumes is how much film criticism is a social activity involving other people. Sometimes it involves polemics and sometimes it involves dialogues. It’s against the idea that the critic is someone who has or should have the first and last word. That’s why I bring up the Hitchcock and Truffaut book in asking to what extent it is or isn’t criticism. Even though it had a great critical impact, I think there’s a lot of cloudiness in people’s mind about this topic that I’m trying to address.
How would you describe or define your interview style?
It‘s often confrontational when it isn’t simply looking for information or clarification. I should add that when I was a kid, I was relatively asocial. But at the same time I went to movies a lot. Movies are an easy way of being very social because you are with all these other people, but you are also alone. Film criticism is still social now, but in a different way because of the Internet. There was a book party in Chicago recently, and I knew very few people there. The reason for that is I’m fairly reclusive in Chicago but I’m very social on the Internet and when I travel. It’s a kind of a paradox, the fact that close to a thousand people read me on my website every day and I interact with them. At the same time, I don’t go out very much or hang out with other people in Chicago. I do that more when I travel.
Are you of the belief that interviews, when done properly, are a form of criticism by other means?
Not exactly, but it’s a way of exploring and testing some of the ideas of criticism. One of the things I talk about in the introduction to the second volume is that I am very much influenced by the French idea that cinema is literature by other means. Also, music and theater. It basically includes an involvement with all the other arts.
Do you have personal favorites of these interviews, or in the act of revisiting these pieces, what stands out about them?
I’m especially happy about the rapport I developed with some filmmakers: Sam Fuller, Godard, Jim Jarmusch, Jackie Raynal, Raúl Ruiz, Jacques Tati, Béla Tarr, and Peter Thompson, among others. In the case of Paul Morrissey, there is really only one of his films that I like a lot, and I certainly don’t agree with his politics, but it was interesting to hear his rants. I wanted some diversity in the book. This also applies to John Carpenter [a production story about the making of “The Thing”], because I’d never been on a junket before, even though it was kind of a fake interview, a phone interview that I had to pretend was taking place in British Columbia.
You first started writing critically in the late 1960s and early 1970s, the time of New Journalism. Were you influenced by those writers? You’ve talked about Susan Sontag, but what about Michael Herr, Norman Mailer, or Joan Didion?
Mailer did influence me, especially “The Executioner’s Song,” which I was reading when I was working on Midnight Movies with Jim Hoberman. When I was writing about “The Rocky Horror Picture Show” and David Lynch, that kind of pretending to be subjective when you write about someone else but you’re really being objective about your research, that was influenced by Mailer. Herr didn’t influence me at all, but “Dispatches” certainly impressed me.
I’ve always argued that I believe in subjectivity as a critic, but I believe you have to objectify your subjectivity. In other words, state where you’re coming from and not disguise your subjectivity as another form of objectivity.
I’ve never been a fan of Tom Wolfe and I dislike his smarmy showboating. I like Joan Didion as a political thinker, but I’m not sure how I feel about her as an autobiographical writer. I wouldn’t say that she’s been an influence. I learned something about style from Pauline Kael’s writing, but I reject her taste and her preoccupation with power. Sontag has always impressed me in a cultural way and also as the last of the New York intellectuals, plus the only one who was always very sophisticated about film. She was also sort of a friend.
The fact that many of these interviews occurred when you were an exile, or expatriate, in Paris or London, is that coincidental or meaningful?
It’s mainly circumstantial. But it’s true that by living in Paris I had more easily access to people than I had in New York. Everybody I wanted to interview I was able to. I tried to interview Godard in Paris, but he was recovering from his motorcycle accident, so I met him briefly then but we couldn’t do an interview. We did two interviews later, once in New York and the other in Toronto, and both are in the book.
“Noroît"
The Geraldine Chaplin interview is probably the most radical stylistically, with how you play with the form of the interview.
I also thought it was a way of challenging some of my own preconceptions. For instance, as interested as [Jacques] Rivette was in Geraldine Chaplin as an actress, I found out and realized that she had little interest in Rivette. She did not really enjoy working for him and had little interest in seeing his films. Maybe she saw some of the films later, but she was not interested in seeing “Noroît.” On the other hand, she was full of enthusiasm about Robert Altman because she had so much fun on “Nashville.”
Obviously in any interview you are challenging critical preconceptions with the experiences of filmmaking, which are sometimes quite different. But sometimes they can be close. I was very pleased to discover my grasp of what Tati was doing was very close to his grasp of what he was doing. That also happened to a lesser extent with Rivette.
Given your time in Paris overlapped, I was curious if you ever interviewed Nicholas Ray?
We were casual friends in both Paris and New York. I even wrote a piece called “Looking for Nicholas Ray” which includes some interview material, and I debated with myself about possibly including that in the book. It originally ran in American Film. After his death, I spent a lot of time with his widow, Susan.
Are there any interviews you regret did not make it into the collection?
There was one interview I could have included, but it’s more recent, one I had with Abel Ferrara. That was in Zagreb just a couple of years ago. But even though I’ve seen a fair number of his films, I’m not an expert like Nicole Brenez or Brad Stevens. I liked Abel personally, but I didn’t feel like what he had to say in our interview was particularly revealing or interesting. And I have no regrets at all about excluding a disastrous commissioned interview I did with Marco Ferrari in Paris.
You have written about your life and background quite a bit. Your life is quite different than most critics. How did that shape that development of your voice as a critic?
That’s hard to say, but it’s relevant that I wrote a lot of fiction when I was young, both novels and short stories. That obviously played a role, because I was thinking about form a lot, and I still think about that all the time, as well as voice. As for my frequent recourse to autobiography, that came from writing Moving Places: A Life at the Movies—my first book, and my own version of a nonfiction novel—and I later found it both natural and useful to use that in my criticism.
You have been very outspoken, perhaps even iconoclastic about this idea that the quality of the readership is more than important than quantity.
I have very concrete evidence supporting that. I got the best quote of my life from Jean-Luc Godard because I wrote for a magazine that has never had a circulation of more than 2,000 people, and he never would have read me if I hadn’t written for Trafic—a French quarterly without illustrations (apart from one small one on the cover) that was founded in 1991 by the critic Serge Daney shortly before his death. [At a press conference at the Toronto Film Festival in 1996, Godard said: “I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He’s one of the best; we don’t have writers like him in France today. He’s like Andre Bazin.”]
When I wrote [critically] about Ingmar Bergman in The New York Times, I got a lot of abuse from people, and that’s largely because it was in The New York Times. If I had written the same article for the Chicago Reader, it would not have happened the same way. I actually think when you write for a niche market, what one writes can actually have an effect sometimes. It depends. I don’t want to be dogmatic about it. But in terms of my overall experience, I find the writing I do for smaller but more intense groups is more satisfying.
Given the importance of Orson Welles in your professional life, I guess it’s fitting that he opens and closes the two books.
That’s one of the kind of games I like to play, as inspired by [the late Chicago filmmaker] Peter Thompson and his whole idea of diptychs. For me it was very enjoyable working on the two books together that way, because I found that they were in dialogue with each other, the two books. And pieces in each book are in dialogue with each other.
That time you met in Paris, in 1972, that’s the only time you ever met.
The only time, just that one hour for lunch.
Was he aware of your writing about him?
There was hardly any early work for him to be aware of. That was the amazing part—at that point I had published almost nothing, maybe two or three pieces in Film Comment. I had published a fairly lengthy attack on “Raising Kane” [Pauline Kael’s controversial two-part New Yorker essay about the authorship of “Citizen Kane”] in Film Comment. It was a piece that began with the misguided assertion that [John] Houseman was correct about Welles writing almost none of “Citizen Kane.” I don’t know if he read it or not when he met me, but most likely not. He never alluded to it, although I did find out later that a copy of it was in his papers. He more likely read it afterwards.
"The Other Side of the Wind"
The second volume ends with your essay on "The Other Side of the Wind." You worked as a consultant on the film, just as you had on the re-edit of "Touch of Evil" in 1998. What were those experiences like?
It was different in a lot of ways. One thing similar was working with huge corporate entities, which I don’t like to do very much. You’re getting people who don’t know much about film, and they’re afraid of alienating their boss and therefore can be obstreperous. I was less successful in getting certain ideas across on “Wind.” It’s not that we didn’t communicate but they decided to go against some things I was urging. I succeeded in almost everything with “Touch of Evil.” “Wind” was much trickier, because that was edited by a committee in which only Filip Rymsza had a background that was not mainly Hollywood.
I thought that doing the sound editing to match Hollywood standards was a big mistake. At the same time I understand it. In a way I am more irked by the Morgan Neville documentary [“They’ll Love Me When I’m Dead”] because it’s led so many people to think the dialogue wasn’t scripted, even though the script was published several years ago.
You are also about to start a 14-week lecture series at the Gene Siskel Film Center in Chicago about Orson Welles.
We are going to show the films, and then have a break and then I will give a lecture and lead a discussion about each one. Prior to “The Other Side of the Wind,” Welles and Stanley Kubrick made the same number of released features, which I find very interesting because Kubrick is seen as a great success and Welles, at least in the U.S., is seen as a failure. Both ended their careers in exile. So now Welles has one more than Kubrick, fourteen and there is a possibility of still others.
As these books demonstrate, you are writing as much as ever. Do you miss having that weekly platform in the Reader?
I think some other people miss my doing it, but I don’t think I do, except for the loss of steady income. I miss that. I had to see so many films I didn’t like and didn’t want to see, and I don’t have to do that anymore. For me that’s a big difference. I do try to keep up, though, in a more limited way.
from All Content http://bit.ly/2RVkE8j
0 notes
Text
Drumroll Please….
Introducing the 2018 Pink Honor Roll and Top Fundraising Teams!
As 2018 comes to a close, we are thrilled to announce the top fundraisers for this year’s Race for the Cure. Every dollar donated, call made, email sent, and social message posted solidified their place at the top - now it’s time to celebrate!
Pink Honor Roll
The top 125 individual fundraisers, aka the Pink Honor Roll, raised over $435,000!
Pauline Tautu
Shari Goldsmith
Rachel Naggar
Gerri Willis
Amy Swirsky
Carly Klareich
Bridget Glazarov
Lisa Halper
Randy Shapiro
Jennifer Schanes
Paige Casey
Donna Murphy
Merna Spitzer
Judy Roth
Fatima Sanandaji
Susan Morrissey
Amanda Crain
Regina Fitzpatrick
Eric Brinker
Lisa Nachtigall
Judy Scherzer
Eugene Jones
Ronni Weiner
Gaetane Michaud
Margie Kessler
Amanda Ross
Lisa Sepulveda
JT Franco
Alexandra Smith
Spencer Jesner
Amrit Ray
Lydia Owen
Elizabeth Fredemburg
Carol Batson
Robin Baer
Maureen Ryan
Bhumika Shah
Jenifer Stern
Judi Mclaughlin
Cynthia Cohen
Denise Albert
Deanne Lesnik
Susan Mack
Katie Gilkeson
Gene Fein
Jason Raxenberg
BethAnn Moskowitz
Nina Rich
Debra Copeland
Nancy Pettersen
Jana Zinn
Aurora Swithenbank
Justine Knight
Barbara Green
Valeria Sombra
Joanna Sica-Spinelli
Alissa McGinley
Kelly Mathieson
Joanna Ng
Simone Joseph
Eileen Hoffman
Ilana Goetz
Karen Hamade
Maryanne Bifulco
Sean Gavin
Jenna Pfarr
Patricia Bialoskurski
Ed Flanders
Theresa Lana
Soraya Scroggins
Kelley LePore
Peyton Kramp
Leila Arjune
Harley Dinetz
Rachel Hisler
Patricia Brawer
Mary Ann D'Elia
Devin Dial
Tara Freeman
Laurie Lebedin
Kimberle Lau
Kayla Miller
Jared Godsell
Patricia Garde
Kara Lentz
Dana Miele
Maneet Ahuja
Scott Goldsmith
John Young
Gwen Weinstock
Arianne Perry
Marco Palacio
Lauren Cramer
Franca DiPaola
Lia Barber
Diane Auerbach
Hugh Spiegelman
Marjorie Forestal
Cyndi Scalzo
Rusalina Fayer
Christina Abossedgh
Dana Diaz
Noelle Voska
David Leslie
Ellyn Troisi
Megan Tennyson
Eileen Hart
Linda Tantawi
Cristina Murphy
Melissa Lotti
Serena Machi
Lauren Stone
Ava Farshidi
Jacqueline Ramos
Joyce Gomez
Joan Schonherz
Lauren Flick
Ellen Luntz
Ryan Ornstein
Marie Mcbrien
Catherine Juntereal
Natalija Badia
Susanna Flores
Stephanie Dvorin
Divya Mathur
Top Friends & Family Teams
The top 10 Friends & Family teams raised over $215,000!
The WTFC
Franco Fighters
Team Sheila
Team Dr. Bridget
Titans in Tiaras
Straight Outta Chemo
Team Lisa
Jack Attack
Shapiro's Heroes/Ilene's Chemosabes
#joeystrong
Top Company Teams
The top 10 company teams raised over $750,000!
Barclays
JPMorgan Chase
Bank of America
Team PepsiCo
Team Gerri (for Fox News Channel & Fox Business Network)
Power 15 Ambassadors
HelmsBriscoe
OTG Management
CRE Finance Council
Pfizer
Thank you to these individuals, families, and companies for taking ACTION to support Komen Greater NYC and the entire Komen community. Without you, none of our work would be possible.
Together, we ARE creating more survivors!
#knyc#pink honor roll#pinkhonorroll#phr#fundraising#race for the cure#raceforthecure#rftc#teamfundraising#susan g komen#komen nyc
0 notes
Text
The rise of the grown-up gap year: Meet the couples escaping the rat race – Domain News
When you’ve just finished high school or university, it’s almost a rite of passage to flit off into the sunset for the trip of a lifetime.
But what about when you’re a little older and taking the conventional route of climbing the career ladder, paying off a mortgage or raising kids?
We asked three couples why they believe a grown-up gap year is just the ticket.
Happily spending the house deposit
Stu and Ali Heppell had considered their adventure for a long time.
Melbourne’s Stu and Ali Heppell, both 28, had long dreamt of taking an extended adventure before they jetted off in March.
Stu had been working as a cameraman for The Project, while Ali was a speech pathologist. Both were ready for a change.
“It was nerve-racking to quit, but we knew it was the right thing to do,” says Stu. “I think both our careers sort of lent themselves to being OK with a bit of a hiatus.”
So far they’ve travelled through India, trekked in Nepal and visited a multitude of countries, including Jordan, Israel, Dubai and Scotland, documenting the trip through their photo blog. Currently they’re on a Workaway assignment in Belgium for two weeks, helping to build a straw bale house in exchange for food and accommodation.
The couple have travelled through India, Nepal, Jordan, Israel, Dubai and Scotland.
Stu happily concedes they’re spending what could have been a house deposit. “Our [rental] house actually went up for sale before we left. My first thought was, ‘Can we do both?’ Then I did the maths and it was definitely no,” he laughs.
Of course, they miss home and their families – especially their little nieces and nephews. “But we’ve had such amazing experiences and we’re so very lucky to be able to do this now,” says Ali.
Escaping the rat race in Bali
The Collins family in Bali.
Simone Collins had always wanted to experience living overseas, but “never in a million years” had she considered Bali.
In fact Hawaii was a frontrunner, until they decided it would be too expensive and her husband Trent suggested Bali as an alternative.
“We wanted to live life and enjoy life, not come back in debt – and still have a great school for the kids,” says Simone.
Trent visited solo first to investigate schooling options, and the couple eventually applied from Sydney to a school in Seminyak with an Australian curriculum.
In January 2016, the young family moved to Umalas, between Seminyak and Canggu, intending to stay 12 months.
A major advantage to moving was that Simone, who’d been working 12-hour days, could now afford to quit her council job.
Liam and Demi go to a school in Seminyak with an Australian curriculum.
“[In Sydney] there was no balance whatsoever – it was just churn and burn,” she says. “My kids (Liam, now 10, and Demi, 8) were getting really upset with me because they never saw me.”
Her husband, who runs a one-man market research company, now operates from Bali.
They rented out their house in Sydney but were thrown into a panic when the tenants broke their lease after six months and the agents couldn’t find a short-term replacement.
However, they quickly decided to stay another year and lease their home for 18 months.
In Bali, they’re renting a house with a swimming pool, with the luxury of a cleaner and a driver. “The children are probably going to be scarred when we go back [to Sydney],” laughs Simone.
She says they’ve all learnt to become more open-minded and patient.
“We were rushing through our lives trying to tick the boxes. I’ve always admired people who go on a gap year and just do their own thing and not rush through life.”
Swapping an apartment for a motorhome
Pauline and Kieran Morrissey with their motorhome.
Pauline and Kieran Morrissey had no qualms about shelving plans to buy – and swapping their one-bedroom apartment for a motorhome.
They’d been debating whether to keep saving for a house or take a big trip. That was until an identical one-bedroom apartment on their floor sold for $895,000.
“From then on, we had already began packing our suitcases in our minds,” says Pauline. She swapped her full-time producing role at Domain for a part-time contractor role, while Kieran, a contract manager, took unpaid leave for nine months.
They also wanted to travel extensively before starting a family. For Pauline, anxiety had also become a battle, with a change sorely needed.
The couple in California.
The couple started their adventure with a two-month sublease on an apartment in New York. From there they flew to Mexico, then California, where they bought a motorhome for $5000 and spent two weeks renovating it.
Over the next five months they’ll cover most of the US by road before selling their new home and finishing up with another month in New York.
They’ve grown used to not setting an alarm and enjoying the surprises of the open road.
Pauline says she’s also become far less anxious. “These days I’m quickly learning the value and importance of downtime and I’m learning the art of switching off.”
Quarterly house price report
Source: https://highpowerclean.com.au/the-rise-of-the-grown-up-gap-year-meet-the-couples-escaping-the-rat-race-domain-news/
from High Power Cleaning Melbourne https://highpowercleanau.wordpress.com/2017/08/01/the-rise-of-the-grown-up-gap-year-meet-the-couples-escaping-the-rat-race-domain-news/
0 notes
Text
The rise of the grown-up gap year: Meet the couples escaping the rat race – Domain News
When you’ve just finished high school or university, it’s almost a rite of passage to flit off into the sunset for the trip of a lifetime.
But what about when you’re a little older and taking the conventional route of climbing the career ladder, paying off a mortgage or raising kids?
We asked three couples why they believe a grown-up gap year is just the ticket.
Happily spending the house deposit
Stu and Ali Heppell had considered their adventure for a long time.
Melbourne’s Stu and Ali Heppell, both 28, had long dreamt of taking an extended adventure before they jetted off in March.
Stu had been working as a cameraman for The Project, while Ali was a speech pathologist. Both were ready for a change.
“It was nerve-racking to quit, but we knew it was the right thing to do,” says Stu. “I think both our careers sort of lent themselves to being OK with a bit of a hiatus.”
So far they’ve travelled through India, trekked in Nepal and visited a multitude of countries, including Jordan, Israel, Dubai and Scotland, documenting the trip through their photo blog. Currently they’re on a Workaway assignment in Belgium for two weeks, helping to build a straw bale house in exchange for food and accommodation.
The couple have travelled through India, Nepal, Jordan, Israel, Dubai and Scotland.
Stu happily concedes they’re spending what could have been a house deposit. “Our [rental] house actually went up for sale before we left. My first thought was, ‘Can we do both?’ Then I did the maths and it was definitely no,” he laughs.
Of course, they miss home and their families – especially their little nieces and nephews. “But we’ve had such amazing experiences and we’re so very lucky to be able to do this now,” says Ali.
Escaping the rat race in Bali
The Collins family in Bali.
Simone Collins had always wanted to experience living overseas, but “never in a million years” had she considered Bali.
In fact Hawaii was a frontrunner, until they decided it would be too expensive and her husband Trent suggested Bali as an alternative.
“We wanted to live life and enjoy life, not come back in debt – and still have a great school for the kids,” says Simone.
Trent visited solo first to investigate schooling options, and the couple eventually applied from Sydney to a school in Seminyak with an Australian curriculum.
In January 2016, the young family moved to Umalas, between Seminyak and Canggu, intending to stay 12 months.
A major advantage to moving was that Simone, who’d been working 12-hour days, could now afford to quit her council job.
Liam and Demi go to a school in Seminyak with an Australian curriculum.
“[In Sydney] there was no balance whatsoever – it was just churn and burn,” she says. “My kids (Liam, now 10, and Demi, 8) were getting really upset with me because they never saw me.”
Her husband, who runs a one-man market research company, now operates from Bali.
They rented out their house in Sydney but were thrown into a panic when the tenants broke their lease after six months and the agents couldn’t find a short-term replacement.
However, they quickly decided to stay another year and lease their home for 18 months.
In Bali, they’re renting a house with a swimming pool, with the luxury of a cleaner and a driver. “The children are probably going to be scarred when we go back [to Sydney],” laughs Simone.
She says they’ve all learnt to become more open-minded and patient.
“We were rushing through our lives trying to tick the boxes. I’ve always admired people who go on a gap year and just do their own thing and not rush through life.”
Swapping an apartment for a motorhome
Pauline and Kieran Morrissey with their motorhome.
Pauline and Kieran Morrissey had no qualms about shelving plans to buy – and swapping their one-bedroom apartment for a motorhome.
They’d been debating whether to keep saving for a house or take a big trip. That was until an identical one-bedroom apartment on their floor sold for $895,000.
“From then on, we had already began packing our suitcases in our minds,” says Pauline. She swapped her full-time producing role at Domain for a part-time contractor role, while Kieran, a contract manager, took unpaid leave for nine months.
They also wanted to travel extensively before starting a family. For Pauline, anxiety had also become a battle, with a change sorely needed.
The couple in California.
The couple started their adventure with a two-month sublease on an apartment in New York. From there they flew to Mexico, then California, where they bought a motorhome for $5000 and spent two weeks renovating it.
Over the next five months they’ll cover most of the US by road before selling their new home and finishing up with another month in New York.
They’ve grown used to not setting an alarm and enjoying the surprises of the open road.
Pauline says she’s also become far less anxious. “These days I’m quickly learning the value and importance of downtime and I’m learning the art of switching off.”
Quarterly house price report
from End Of Lease Cleaning Melbourne From $199 | Bond back & Vacate Cleaning Melbourne https://highpowerclean.com.au/the-rise-of-the-grown-up-gap-year-meet-the-couples-escaping-the-rat-race-domain-news/
from High Power Cleaning Melbourne https://highpowercleanau.tumblr.com/post/163684595996
0 notes
Text
The rise of the grown-up gap year: Meet the couples escaping the rat race – Domain News
When you’ve just finished high school or university, it’s almost a rite of passage to flit off into the sunset for the trip of a lifetime.
But what about when you’re a little older and taking the conventional route of climbing the career ladder, paying off a mortgage or raising kids?
We asked three couples why they believe a grown-up gap year is just the ticket.
Happily spending the house deposit
Stu and Ali Heppell had considered their adventure for a long time.
Melbourne’s Stu and Ali Heppell, both 28, had long dreamt of taking an extended adventure before they jetted off in March.
Stu had been working as a cameraman for The Project, while Ali was a speech pathologist. Both were ready for a change.
“It was nerve-racking to quit, but we knew it was the right thing to do,” says Stu. “I think both our careers sort of lent themselves to being OK with a bit of a hiatus.”
So far they’ve travelled through India, trekked in Nepal and visited a multitude of countries, including Jordan, Israel, Dubai and Scotland, documenting the trip through their photo blog. Currently they’re on a Workaway assignment in Belgium for two weeks, helping to build a straw bale house in exchange for food and accommodation.
The couple have travelled through India, Nepal, Jordan, Israel, Dubai and Scotland.
Stu happily concedes they’re spending what could have been a house deposit. “Our [rental] house actually went up for sale before we left. My first thought was, ‘Can we do both?’ Then I did the maths and it was definitely no,” he laughs.
Of course, they miss home and their families – especially their little nieces and nephews. “But we’ve had such amazing experiences and we’re so very lucky to be able to do this now,” says Ali.
Escaping the rat race in Bali
The Collins family in Bali.
Simone Collins had always wanted to experience living overseas, but “never in a million years” had she considered Bali.
In fact Hawaii was a frontrunner, until they decided it would be too expensive and her husband Trent suggested Bali as an alternative.
“We wanted to live life and enjoy life, not come back in debt – and still have a great school for the kids,” says Simone.
Trent visited solo first to investigate schooling options, and the couple eventually applied from Sydney to a school in Seminyak with an Australian curriculum.
In January 2016, the young family moved to Umalas, between Seminyak and Canggu, intending to stay 12 months.
A major advantage to moving was that Simone, who’d been working 12-hour days, could now afford to quit her council job.
Liam and Demi go to a school in Seminyak with an Australian curriculum.
“[In Sydney] there was no balance whatsoever – it was just churn and burn,” she says. “My kids (Liam, now 10, and Demi, 8) were getting really upset with me because they never saw me.”
Her husband, who runs a one-man market research company, now operates from Bali.
They rented out their house in Sydney but were thrown into a panic when the tenants broke their lease after six months and the agents couldn’t find a short-term replacement.
However, they quickly decided to stay another year and lease their home for 18 months.
In Bali, they’re renting a house with a swimming pool, with the luxury of a cleaner and a driver. “The children are probably going to be scarred when we go back [to Sydney],” laughs Simone.
She says they’ve all learnt to become more open-minded and patient.
“We were rushing through our lives trying to tick the boxes. I’ve always admired people who go on a gap year and just do their own thing and not rush through life.”
Swapping an apartment for a motorhome
Pauline and Kieran Morrissey with their motorhome.
Pauline and Kieran Morrissey had no qualms about shelving plans to buy – and swapping their one-bedroom apartment for a motorhome.
They’d been debating whether to keep saving for a house or take a big trip. That was until an identical one-bedroom apartment on their floor sold for $895,000.
“From then on, we had already began packing our suitcases in our minds,” says Pauline. She swapped her full-time producing role at Domain for a part-time contractor role, while Kieran, a contract manager, took unpaid leave for nine months.
They also wanted to travel extensively before starting a family. For Pauline, anxiety had also become a battle, with a change sorely needed.
The couple in California.
The couple started their adventure with a two-month sublease on an apartment in New York. From there they flew to Mexico, then California, where they bought a motorhome for $5000 and spent two weeks renovating it.
Over the next five months they’ll cover most of the US by road before selling their new home and finishing up with another month in New York.
They’ve grown used to not setting an alarm and enjoying the surprises of the open road.
Pauline says she’s also become far less anxious. “These days I’m quickly learning the value and importance of downtime and I’m learning the art of switching off.”
Quarterly house price report
from End Of Lease Cleaning Melbourne From $199 | Bond back & Vacate Cleaning Melbourne https://highpowerclean.com.au/the-rise-of-the-grown-up-gap-year-meet-the-couples-escaping-the-rat-race-domain-news/
0 notes
Photo
El espacio especial del Día de la Música en #iTunes se completa con una selección de grandes apps para crear música y disfrutarla, como Music Maker Jam o Medly para crear y grabar música, Yousician para aprender con la ayuda de un profesor de música virtual, o el mezclador DJ de música edjing Pro. Además de una cuidada propuesta de libros sobre música y biografías de grandes artistas contemporáneos, como Memorias de #NeilYoung del propio Neil Young, ¡Alucina! Mi vida con Frank #Zappa de Pauline Butcher, #Comando de #JohnnyRamone, Música infiel y tinta invisible de #ElvisCostello, o la Autobiografía de #Morrissey. #díadelamúsica
0 notes
Photo
Morrissey wasn't wrong when he said, "We hate it when our friends become successful." . I don't think there's a creative person alive who hasn't felt that pang when one of their friends lands some big show, or some grant, or some great publishing deal. . Jealousy double hurts because a) you want something you don't have, and b) you feel guilty for envying a friend who finally got something THEY wanted. . If this experience sounds familiar, you need to read this short piece (up now on The Millions) written by one of my (super talented) clients Mary Pauline Lowry about how we used witchcraft to cast out her green eyed monster. . And it's all true! . Link in bio. Or check out The Millions Website. . #BestJobEver #JealousyBeGone #MagicWorks #literarywitchcraft #TheMillions @marypaulinelowry (at Los Angeles, California)
0 notes
Photo
7 Chores You May Be Doing Wrong (7 photos) from Pauline Morrissey
View original post by clicking >>> https://www.houzz.com/ideabooks/83993484/list/7-chores-you-may-be-doing-wrong/
0 notes
Photo
7 Chores You May Be Doing Wrong (7 photos) https://www.houzz.com/ideabooks/83993484/list/7-chores-you-may-be-doing-wrong/
Keeping our homes clean is no easy feat. It can be tedious, repetitive and downright bothersome. However, it’s a necessary task for most of us. So, for the sake of getting the most value out of your cleaning time, here are some basic mistakes that even the cleanest person makes — and how to avoid...
Pauline Morrissey
0 notes
Last Seen Blogs
ivylakes
now @ y-ennefers
just-an-another-blog1
Sad Girls Club
imnotanerdlikeyou
I'm Not A Nerd
shiningwonderland
Utapri Game Translations