#R. H. Quaytman

[jokeanddaggerdept]

#R. H. Quaytman #flip lenticular print mounted to sintra #Edition of 10 #Archimedean Point #2014 #32 3/8 x 20 in (82.2 x 51cm)

[rearte2]

by R. H. Quaytman, 2016

#R. H. Quaytman

[mentaltimetraveller]

R. H. QUAYTMAN

Wiertz’s Revolt, Chapter 0, van 10 september 2021 tot 9 januari 2022 in WIELS, Van Volxemlaan 354, Brussel.

#R. H. QUAYTMAN

[slack-wise]

R. H. Quaytman

#R. H. Quaytman #R H Quaytman #artists

[favoriteartist]

R. H. Quaytman (1961)

Born in Boston, lives and works in the USA.

Ever since the artist began working on her series of “chapters” in 2001, she has complicated — and enhanced — the state of postmodern painting by investing her projects with endless layers of meanings. Often displayed on shelves or in storage racks, each suite of paintings act as a chapter in an ongoing book meant to challenge assumptions about the medium. “I actively try to make paintings for passive, distracted, foreign, and even disinterested audiences,” she has explained.

An Evening, Chapter 32, 2017

Point de Gaze, Chapter 23, 2011

Ark, Chapter 10, 2007

"T", Chapter 24, 2012

Sources: 1 2 3 4

#r-h-quaytman

[ffactory]

R. H. Quaytman, A Sketch of the Whole Complicated Subject of Universal History from Tom Tit Tot (2014)

[webionaire]

New York-based artist R. H. Quaytman and art historian Rhea Anastas recount the three-year run of Orchard, a Lower East Side gallery operated by a collective of artists, writers, and film and video makers in their presentation titled, May I Help You? A Short History of Orchard, 2005–2008 and a Spreadsheet. Quaytman and Anastas offer two perspectives on what happened when a strategic alliance of 12 artists was attempted, and when this diversity of artistic intentions, models, and values was made the basis of an exhibition, panel, and screening program. The project is discussed as one response to a complex period in art and culture in post-9/11 New York. In one of a series of articles on Orchard for the journal Grey Room, Branden W. Joseph wrote, “During that three-year period, the exhibitions, events, openings, screenings, discussions, and performances staged at the venue gradually became the locus and embodiment of a certain strain of critical artistic discourse. ...” While Quaytman and Anastas have successful, individual careers within their respective fields, this evenings presentation focuses on that “strain of critical artistic discourse” and the shared experience of Orchard.

// sound

[casualist-tendency]

R. H. Quaytman (American, b. 1961), Chapter Eight, 2006, 81.9 x 50.8 cm

#R. H. Quaytman #2006 #American

[contemporaryartdaily]

“Who Are We Are Who” at Braunsfelder

#Amy Sillman #Braunsfelder #Bruno Serralongue #Cinga Samson #Cologne #Erna Rosenstein #Exhibitions #Fabian Schöneich #Group Show #Igshaan Adams #Institution #Jessica Vaughn #Loretta Fahrenholz #R. H. Quaytman #Rochelle Goldberg #Sandra Mujinga

[marcellomercado]

Distracting Distance, Chapter 16, 2010

Screenprint and gesso on wood

62.5 × 101.3 cm

#R. H. QUAYTMAN

[urienclasedepintura]

R.H. QUAYTMAN

1961-presente

Distracting Distance, Chapter 16, 2010

Screenprint and gesso on wood

62.5 × 101.3 cm

Preis, Chapter 28, 2015

Silkscreen ink, gesso on wood

62.87 × 101.6 × 1.91 cm

Mother, 1992

Oil on wood, triptych

22.9 × 22.9 × 1.9 cm

Morning, 4.545%, Chapter 30, 2016

Oil, gouache, varnish, silkscreenink, and gesso onwood

94.1 × 152.4 cm

#r. h. quaytman #quaytman #q #pintura #oleo #abstracto #america #bard college #national college of art and design Dublin #skowhegan school of painting and sculpture #Whitney biennial #paisaje

[jordi-gali]

R. H. Quaytman

PaintingOil, silkscreen ink, lacquer on wood82.2 x 82.2 (cm)32.4 x 32.4 (inch)

#r. h. quaytman

[garadinervi]

Susan Howe, Tom Tit Tot, with prints by R. H. Quaytman, Library Council of The Museum of Modern Art, New York, NY, 2014

#graphic design #typography #art #poetry #visual poetry #book #cover #book cover #susan howe #r. h. quaytman #library council of the museum of modern art #moma #the museum of modern art #2010s

[mentaltimetraveller]

R. H. Quaytman, Preis, Chapter 28, 2015. Silkscreen ink, gesso on wood, 62,87 × 101,6 × 1,91 cm.

#R. H. Quaytman

[topcat77]

R. H. QUAYTMAN

Passing Through the Opposite of What It Approaches (Drawing Over Painting) 

Varnish, watercolor, egg tempera and gesso on wood panel

#r. h. quaytman

[thatsbutterbaby]

R. H. Quaytman (b. 1961) Constructivismes, Chapter 13 (series), 2008.

#R. H. Quaytman #Constructivismes Chapter 13