#Robert Goodnough

[nobrashfestivity]

Robert Goodnough, Sheridan Square, 1959

Oil on canvas, Hollis Taggart, New York.

#Robert Goodnough #Sheridan Square #1959 #Oil on canvas #New York. #abstract expressionism

[terminusantequem]

Robert Goodnough (American, 1917-2010), FIGURE WITH ANIMALS, c.1950. Oil on linen, 96.5 x 118.1 cm

#robert goodnough

[oldsardens]

Robert Goodnough - Untitled (Abstraction)

#Robert Goodnough

[pwlanier]

Robert Goodnough (American, 1917-2010)

Abstract Landscape

Signed and dated 62 bottom right, signed and dated again and titled verso, oil on canvas.

Freeman’s

[thatsfine]

Robert Goodnough inspired drawing

#watercolor #marker #make

[davidpaulross]

https://catalogue.swanngalleries.com/Lots/auction-lot/ROBERT-GOODNOUGH-Group-of-7-paintings-and-drawings?saleno=2447&lotNo=27&refNo=732674

[psikonauti]

Robert Goodnough (American, 1917–2010)

Figure with Animals, ca. 1950

Oil on linen

#Robert Goodnough #upl #va #art #painting #animals in art

[abstractlovin]

Robert Goodnough

#Robert Goodnough #art

[jinsei-pika-pika]

Robert Goodnough, Struggle, 1967

#Robert Goodnough #Art #Contemporary art #MoMA

[lilithsplace]

Abstract X. 1981 - Robert Goodnough (1917–2010) oil on canvas  |  source:

#robert goodnough #american #abstract expressionist

[dead-molchun]

Robert Arthur Goodnough (1917-2010) Grey, Pink with Colors, 1992 (142 x 183 cm.)

[nobrashfestivity]

Robert Goodnough, Large Rectangles Large, 1964–65. Oil and acrylic on canvas, 78 x 78 in. (198.1 x 198.1 cm). Grey Art Gallery, New York University Art Collection. Anonymous gift, 1969.76. © Robert Goodnough

#nobrashfestivity #Robert Goodnough #abstract art

[theoriesanddocuments]

Jackson Pollock (American 1912-1956). Sea Change 1947. Artist and commercial oil paint, with gravel, on canvas; 57 7/8 x 44 1/8 inches. Seattle Art Museum, gift of Signora Peggy Guggenheim.

Frank Stella (American b. 1936). Avicenna 1960. Alkyd paint on canvas, 74 1/2 x 72 inches. Menil Collection, Houston.

Pollock incorporated industrial enamel paints into his drip paintings, in part for their heaviness and viscosity; that type of paint makes better drips. Robert Goodnough mentioned the paint in "Pollock Paints a Picture," a piece in the May, 1951 issue of ArtNews:

Occasionally aluminum paint was added, tending to hold the other colors on the same plane as the canvas. (Pollock uses metallic paint much in the same sense that earlier painters applied gold leaf, to add a feeling of mystery and adornment to the work and to keep it from being thought of as occupying the accepted world of things. He finds that aluminum often accomplishes this more successfully than greys, which he first used.) (Source.)

That comment about holding the colors on the same plane as the canvas is similar to Frank Stella's stated purpose for using metallic paint in many of his insistently flat pinstripe paintings. He said metallics "had a quality of repelling the eye in the sense that you couldn't penetrate it very well." (Source.)

#Mentored Studies W22 08 Unfinished Paintings Metallic Materials and Space Again

[ungrandvide]

Robert Goodnough

#art #painting #abstact #ensemble #blue #bleu #goodnough

[pwlanier]

Robert Goodnough

Untitled

paper collage on board

14 x 9 inches

Sotheby’s

[moma-prints]

Chief I, Robert Goodnough, 1961, MoMA: Drawings and Prints

Gift of the Celeste and Armand Bartos Foundation Size: composition (irreg.): 16 15/16 x 12 13/16" (43.1 x 32.6cm); sheet: 30 1/4 x 22 5/8" (76.8 x 57.4cm) Medium: Lithograph

http://www.moma.org/collection/works/70239

#museumofmodernart #robertgoodnough #museumarchive