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#The Last Stop in Yuma County
sagindie · 17 hours
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"It was a truly, truly independent film. It was just myself and two other producers... and we went out there and did it."
-Francis Galluppi, writer/director/producer of The Last Stop in Yuma County
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icedteaandoldlace · 1 month
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May have lost my mind just a little bit over the clip from The Last Stop in Yuma County's trailer where Connor Paolo shows up in a sheriff's uniform, because I have a character in my novel who's a cop and whose appearance I modeled after him, and for a second there it was like I was seeing him come to life.
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moviesandmania · 1 month
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THE LAST STOP IN YUMA COUNTY Great crime thriller out on May 10th
The Last Stop in Yuma County is a 2023 crime thriller about a travelling salesman who is thrust into a dire hostage situation. Written, directed, and edited by Francis Galluppi. It was produced by Matt O’Neill, Atif Malik and Francis Galluppi. Executive produced by James Claeys, Kyle Stroud, Jim Cummings, Brian Dahlin and Joe Heath. The movie stars Jim Cummings (Thunder Road), Jocelin Donahue…
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cultfaction · 1 month
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The Last Stop in Yuma County arrives this May
The Last Stop in Yuma County is directed by Francis Galluppi and stars Jim Cummings, Jocelin Donahue, Richard Brake, Faizon Love, Barbara Crampton, and Alexandra Essoe. While stranded at a rural Arizona rest stop, a traveling salesman is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained…
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geekvibesnation · 7 months
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oneofusnet · 7 months
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Infestation: Fantastic Fest 2023 - The Last Stop in Yuma County INFESTATION: FANTASTIC FEST 2023 – THE LAST STOP IN YUMA COUNTY Somewhere in between Sergio Leone and Sam Peckinpah seems to lie the director’s ambition for this new film The Last Stop in Yuma County. Featuring a veritable who’s who of actors who you’ve seen in many films but go, ‘yeah, who IS that?’ At least. unless you’re a Fantastic Fest regular, in which case you probably know most of them immediately, like Jim Cummings, Alex Essoe, Faizon Love, Richard Brake, Barbara Crampton, Jocelin Donahue, Gene Jones, and more. The story is of a bunch of weary travelers at the… Read More »Infestation: Fantastic Fest 2023 – The Last Stop in Yuma County read more on One of Us
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amazingmrcinema007 · 11 days
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Big surprise to hear that not one but TWO new Evil Dead movies are in development at the moment! I'm liking this approach so far of Sam Raimi hand picking new filmmakers to give their own spin on the Evil Dead IP.
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thenefilim · 8 months
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Fantastic Fest Review - The Last Stop in Yuma County (2023)
Whether you want to call it a modern western, a neo-noir, or just a plain old thriller, Galluppi’s debut film, The Last Stop in Yuma County, is also one of the year’s best films.
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briyourmotherdown · 1 year
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cool water ★ part I
James Hetfield x fem!reader
★ everyone is running from something ★
Words: 6.7k
Warnings: i know nothing about arizona and it shows. VERY incorrect timeline. mentions of rehab and alcoholism. james is a moody prick. 18+ in the future but part I is PG minus some swearing.
A/N: so i'm asking you all, please, PLEASE be kind to me because this is the first fic i've written in well over a year and the first metallica one I've ever posted. this is so unbelievably self indulgent it's insane. title named after a marty robbins song because that's where this whole idea stemmed from. i tried not to use y/n because i know some people hate that jhskjfhkjhfthftdhftkj. also i really really hope the fact that rehab is in here isn't a trigger or upsetting to anyone!!! it just makes sense for the plot. it's also very inspired by the some kind of monster documentary. this will probably be a shorter fit made up of a few parts but it may take a while since i'm literally about to graduate uni and i'm drawing in assignments. anyways i hope you enjoy <3
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parts: (1), (2)
  A few states over, a little over a thousand miles and a few days long trek away, lies a life– packed crudely into a beat up Subaru with too many miles on the metre to go about adding another thousand. The air conditioning unit cracked out one state back, leaving only the rolled down windows to offer any sort of reprieve against the Western American summer heat. The unknown lies in the interstate ahead, yellow lines and road signs guiding you closer to your next destination. Only the front windows are open, the rear windows obstructed by precariously stacked belongings in unsealed cardboard boxes and garbage bags balanced against the glass. To roll them down would mean losing a good chunk of your clothing. 
   A map is sprawled out open on the passenger seat, red lines and circles marking the last stretch of your journey into Yuma County, Arizona. Golden light pours over countless acres of sprawling farmland ahead of you, the setting sun glaring into your eyes beneath your sin visor as you drive with one hand on the wheel and the other propping your head up against the open window. Your yellow Subaru is the only vehicle for miles, alone on the barren road as the sky fades into an inky blue. It’s eerie, being this alone. Eerie as you turn down yet another country lane, rolling the windows up. Eerie as you make sure the doors are locked and the gas tank full. Eerie for a girl who’d only left the city twenty-four hours prior, where such silence and solitude was such a rarity that you never stopped to consider what it felt like to actually be completely alone. 
   The night is still when you reach a stop sign, the hiss of crickets and cicadas audible even from inside the car. There’s no breeze that rustles the trees, nor a cloud to taint the clarity of the starry night sky. You feel as though you should be quiet and hold your breath, goosebumps raising on your skin. They only begin to subside when your headlights illuminate a sign reading Palo Verde Ranch. 
   Tires kick up dust as you roll down the tree-lined passage, inching closer and closer to where you will spend the next summer, checking the map one more time and breathing a sigh of relief when the trees part way to an opening. The ranch and lodgings look the same as the pictures in the brochure you were given, apart from being shrouded in a heavy darkness from the night. The porch lights are on, along with a few lamp posts circled by moths and mosquitoes. Pulling into an empty space next to a pick-up, you kill the engine and rest your head back against the headrest. The roar of the crickets seem even louder as you sit silently in the driver’s seat. 
   With a few final taps on your steering wheel with your fingers, you heave yourself from sitting position and stretch your aching legs, lifting your arms above your head before grabbing your suitcase from the backseat and forgoing the rest until tomorrow. It’s far too dark to go about it now. Boots crunch on gravelly dirt as you make your way to the lodging house, reading the brochure once more to check where the key is kept. It lays underneath a small terracotta pot, placed upside down and completely indiscrete. It makes you smile to yourself when you lift it up to examine it against the porch light– a small, metal cactus keychain hanging from it. You smack a mosquito from your arm as you unlock the door. 
   With a creak, the door opens up into the lodging house, though to you it seems more like a bungalow that had been converted into some sort of bed and breakfast. There’s a small kitchen to your left, under-cabinet lights casting an amber glow over the linoleum countertop and laminate floors. You take note of the humming refrigerator before turning to your right to examine a quaint sitting area, equipped with a floral printed sofa straight from the 1970s and a chestnut bookshelf housing a sparse assortment of books and magazines. It reminds you slightly of a waiting room– pretending to be lived in as to put you at ease. 
   Straight ahead lies the hallway, two doors on the left-hand side and three on the right, one of which has been left ajar. Upon further inspection, with slow, easy steps, you come to realise that it’s the bathroom, nose scrunching up slightly at the prospect of having to share one bathroom with multiple other people. On every door is a hand painted number, accented by flowers painted on in pastel colours. Very Bohemian, you note, eyeing the beaded curtain that hangs in the windowsill of the window at the end of the hall. Dim light spills from underneath doors three and four, but the other two remain dark. 
   Your room number is two. 
   Opening the door, you flick the light switch on before closing it behind you, a small puff of air escaping from between your lips as you take in the room. It’s cozy– genuinely, unlike the sitting room from before. It nearly reminds you of the room you’d grown up in, or, at least spent the earliest years of your childhood in. A golden oak bed sits against the wall in one corner of the room next to the window, fitted in cream and pale green floral patterned sheets. There’s a dresser-vanity and a wardrobe of the same golden oak, and a small nightstand next to the bed. On it beneath the small tiffany lamp lies an unopened note and a small plush teddy bear. 
   Tears fog your eyes as you sit on the edge of the bed and drop your suitcase at your feet. It feels so familiar– like a distant memory of a time in your life where things weren’t so turned upside down. A time when you weren’t running from something. Clutching the teddy bear against your chest, you open the note– a sweet, handwritten one from the owner of the land, welcoming you to your home for the summer. It tells you of breakfast in the main house at 10am, that there are fresh towels in the wardrobe, and that the vanity drawers tend to be a bit fiddly. 
   With a watery sigh, you blink up at the ceiling to clear your cloudy vision, flopping backwards onto the bed.
   James knew that he needed a distraction. 
   He knew better than to be around all the same people and places from how he was before. Breathing the same California air he knew and once loved now feels too thick in his lungs, like some sort of poisonous gas. 
   He knew better than to be around reminders. 
   Due to his therapist’s orders, James was to go somewhere different for a little while. In his words, to “relax, be at one with nature”. He had spread a pile of pamphlets across his desk, closing his eyes and laying his pointer finger down on the first one it came in contact with. Arizona didn’t seem to appeal to James’ bandmates as much as it did to his therapist. They had a hard enough time communicating as is, too many alcohol-fueled yelling matches only worsened by the unmade upcoming album that loomed over their shoulders. James wasn’t sure how he could make the album to begin with, not while he was walking this tightrope. If he was constantly teetering on the edge, how could he be a productive member of the band? 
   Part of him didn’t want to go. Running away from it all felt cowardly, as though he’s weak for not being able to handle what once was so normal. A few drinks at the bar with friends turned into something else, something monumental. Gigs, rehearsals, afterparties, bar to bar to bar to bar. People who once gave him comfort now only serve as reminders of how he has ended up. 
  His PA booked his flight and had his truck sent to meet him at the airport. His intentions were clear– he would spend a few months working on the ranch away from anything that might tempt him, and then he would return home in autumn and attempt to clean up the mess he had left behind. The mess in question haunted him on his flight, tension aching behind his eyes as he rubbed at them. Divorce papers. A band that might hate him, left hanging and waiting for him to get his shit together so that they can release another album. Loose ends, after loose ends. Mouth set in a straight line, he realises he’s clenching his fists, blunt nails pressing into his palms. 
   Settling in was fairly easy. There was only one suitcase to unpack, clothes folded neatly into the dresser and notebook placed haphazardly on the nightstand– blank paged and unopened. For a few days it was only him in the lodging house, resting and rising in silence, eating a bowl of cereal by the kitchen window before heading out to work on the ranch with Wayne, the owner’s husband. Wayne is a shorter man, or at least much shorter than James, with salt and pepper hair he keeps hidden beneath a straw hat, and a laugh that often turns into a smoker’s cough if your joke is good enough. Wayne is friendly and a hard-worker, unafraid to put James to work too. 
   A few days later, a couple more lodgers began filtering in, two men who based on their accents, come from the south. They didn't spare James a second glance, and James gratefully did the same in return. There was no need for making friends.
   When you arrived it shook up his routine. He now had to wait for his morning showers, entering only after you had spent far longer than he would’ve liked, only to be met with fogged up mirrors and the scent of vanilla and jasmine. He could hear music playing gently through the thin walls, some shit from the 70s that he wasn’t into, and he’d have to put up with the way you’d softly hum along. Truthfully, he avoided bumping into you at all costs. There was no concern of seeing you at breakfast or dinner– he skipped them in favour of some cheap crappy microwave meal– and he worked more on the ranch with Wayne while you settled into tending the vegetable garden. 
   Avoiding you seemed like a waste of time, however, because you didn’t notice him anyway. You always seemed too lost in your own head, focussed entirely on pulling weeds to notice him walking back and forth by you, carrying bags of feed. He didn’t offer a greeting, or even his name, but then again neither did you, and he was more than happy to keep his distance. 
   Your name only came up one day as James was sitting with Wayne. They’d both spent hours of the morning tending to the stables in the intense heat, James doing most of the heavy-lifting, and took refuge under the shade of a large tree. After collecting a few random chopped logs and sticks, James took out his pocketknife and began carving. Wayne spoke of plans to make his wife a wooden sculpture of a cactus for their front porch, with James silently shucking away at the wood to bring it to a sharp point. 
   In the distance you’re harvesting crops from the vegetable garden, wearing denim cutoffs and a t-shirt with the sleeves torn off. From here James thinks he can spot the image of Garfield printed on the front. He stares for longer than he should, eyes trailing down the expanse of your bare legs, and admittedly, over your behind when you turn and lean down to grab a shovel. 
   Wayne breaks through the intensity of his gaze by saying a name, the glass shattering when James averts his eyes and returns to sharpening the wooden shiv with care. His finger slips against the grain and he winces, plucking the splinter from his thumb, “That girl. She’s here from Seattle.” 
   He remains silent, lip twitching with a hint of annoyance at the older man’s intrusion. Yet he lets your name settle in his mouth, silently testing the way it feels on his tongue. Aware that he was caught, he keeps his eyes trained intensely on his craft to avoid Wayne’s gaze. 
   “Pretty, ain’t she?” Wayne muses, stripping bark from an ash log and looking at you in the distance as you pick weeds from the cauliflower beds, “We don’t usually get people like her out here,” he turns to James, simpering, “Don’t usually get rockstars ‘neither.” 
  He turns away to continue stripping the log and James uses the moment to steal another look at you. The sun beats down on your back and you wipe sweat from your brow with your bare forearm, pushing a few loose hairs back that had fallen from your ponytail. There’s a half empty sack of compost on the ground by your feet that stains the tips of your gloved hands. You look tired, standing back from the garden bed to study your handiwork before tilting your head all the way back to soak up the sun, hands on your hips. When you turn and glance in James’ direction, squinting your eyes through the heat mirage, he averts his gaze, once again all too aware of Wayne and the way the man lifts his hand to wave dramatically at you. 
   He doesn’t look up to see if you wave back. 
   He sees you again that late afternoon, in the same way he always sees you— in small vignettes, in short scenes that make him think momentarily that you might just be a figment of his imagination. He sees you walking past him with a crate full of lettuce, too focused on not dropping any from the heaped pile to pay him any notice. He sees you when he walks by the wire fence, where you’re being walked through the steps of feeding the chickens in the coop. He sees you now, entering the same house he’s staying in, the same one he’s walking to, only a few paces behind. 
   But still, you seem to pay him no mind, as if he’s a ghost. He thinks he might be one if it weren’t for the acknowledgment of Wayne and his wife, Marie. The other workers don’t much like him, interpreting his silence as him being a stuck up rockstar. He wonders if it’s for any reason that you don’t notice him. Does he skulk around too quietly? Sure, he’s not been the most conversational since he’s been here, but he’s sure you would’ve at least noticed him.
   It really bugs him. 
   For a man whose profession is to be seen and to be heard, he typically really likes fading into the shadows in his everyday life. There had been too many days of butting heads with Lars, too many arguments with his ex, too many paparazzi, too many expectations of him. He was only one man, and he knew he was too fucked up to be a role model for anyones kids. Before he entered rehab, he enjoyed the anonymity of a small town bar and the way no one knew who he was there. If they did, they didn’t care, clinking pints with him over the bar as if he was just another one of them. And even though Wayne and Marie do talk to him and put him to work, they still treat him like all the others staying on the farm for the season. And he does enjoy the fact that Wayne and Marie seem to pay him no mind, as well as the other workers. 
   But when he really thinks about it, he doesn’t like slipping into the shadows as much as he thought he did. Perhaps it’s his ego talking, but he at least likes being acknowledged. 
  It was as if you didn’t even know he was there. 
  It bugs him as he opens the door behind you after you’d let it close, watching you saunter down the hall and into the room only a door away from his own, not offering a glance as you shut it behind you. It bugs him as he makes his way into his own room, sitting at the edge of the bed and rubbing his hands over his tired face. It bugs him even more when he hears your door open and close again, squeaking on its hinges, followed by the click of the bathroom door and the rush of the shower turning on. 
   You claimed the shower before he could, as you always seem to do. Only today he had worked hard, back sore and legs aching with strain. Annoyance twitches at his lip but he tries to brush it off, taking deep breaths, groaning lowly as he lays back onto the bed. The day's work sits heavily in his bones and he shifts uncomfortably. He feels grimy, a layer of sweat having dried on his skin, sticking the Arizona desert sand to the hairs on his arms. He grimaces and tries to brush some off.
   Minutes pass while he waits for you to finish in the bathroom, then more, and after thirty minutes he’s grown more and more impatient with you, rising from the bed and storming into the hallway. He doesn’t take any time to notice that the shower has stopped running, the blood rushing too loudly through his ears, and as he’s about to aggressively rap his knuckles against the door, it swings open. You jump back with a start when you see him, his fist raised and face twisted in irritation. 
   Momentarily, he’s stunned, face contorting into an expression that matches your own as his eyes trail over your form– wet hair against your shoulders and fresh skin dewey with what he assumes is lotion. You’re gripping your towel tightly in one hand, the other clutching a toiletry bag. 
   As he lowers his hand, he realises that this is the first time you’re noticing his existence. Wide eyes glimmer up at him shyly, lips parted from the shock of opening the door to a man standing angrily directly on the other side. 
   With that realisation comes another—actually, two realisations that took him possibly too long to register– the fact that you’re almost naked, and he’s blocking your way out of the bathroom. Embarrassment nips viciously at the back of his neck, tinting the tips of his ears pink as he takes a step back. 
  James has never been good with embarrassment. His ego always gets in the way or gets him into trouble. Sure, it has won him many arguments, much to the chagrin of his opponents, but it has also gained him the title of an egotistical asshole to many people. Whenever James becomes embarrassed, the outcome is always the same– confrontational, cruel, unnecessary words he doesn’t really intend to say bubble up in his throat before he has any chance to stop them. 
   “Knowing that there’s only one bathroom, you should be more aware of how fucking long you take.” 
   He snaps his mouth shut the second the words are out, lips pressing together in a firm line. You raise your eyebrows at him, taken aback at the gruff rudeness of his tone. 
   You want to say something. Some witty comeback or even something to match his hostility, but your tongue struggles to find any words. Words have never come easily to you in the first place, always choosing to be quiet unless you’re around people you know, but they especially don’t come when you’re half naked and an angry, 6’1” man is towering over you. 
   All you can muster is a small, “I’m sorry.” as you push past him and retreat to your room. 
  James is paralysed in his spot, the increasingly familiar scent of vanilla and jasmine wafting over him from the bathroom as you walk away, listening to the door slam behind you. He’s not sure how long he stays standing in place, fists clenched at his sides with frustration directed at both you and himself. With a defeated sigh, he locks himself into the bathroom, turning on the shower. Once he’s stepped in he wastes no time in pressing his forehead against the cool tile, cursing himself for not being able to hold his tongue. 
   James really wants to spend the evening the same way he’d been doing, skipping dinner and smoking a cigar out on the front steps, but Marie had taken notice and when she bumped into him earlier in the day, had all but forced him into promising to come to dinner tonight. It didn’t sound appealing at all. It felt like fucking summer camp, having to sit around a big table with everyone staying at the ranch and talk about your day and the work everyones’ been doing. He’d quite honestly rather starve. 
   It didn’t help that he assumed you would be there. 
   He had made up his mind that he disliked you. The annoyance of  the way you’d practically ignored him for a week seems to only have increased with the duration of your shower. It was like you had no consideration for anyone else and didn’t look past the tip of your nose. He didn’t want to eat at the same table as you for that reason, is what he told himself. Not because he saw you in your towel and was so unnecessarily rude to you, no– James doesn’t do embarrassed. 
   He’s taken a nap directly after his shower, waking up even groggier and in an even worse mood, throwing on clean clothes and making his way down to the main house where Marie would be making dinner. The front door is already open when he gets there, and he takes an already exasperated breath before entering, 
   The smell that meets him is already mouthwatering, as much as he hates to admit it, and for a moment it makes him question why he’d skipped out on dinner for the past week. Wayne greets him as he walks in, already sitting around a large wooden table with a few men he recognises from around the ranch. Wayne has a cigar attached to his mouth, bobbing as he talks. 
   “James!” He exclaims, raising his hands in the air to greet him warmly, “Come on in, you should meet my guys.” 
   James nods curtly, having already met them in passing and discovered they didn’t much like him. But he puts up with it for Wayne’s sake, standing over the table but not sitting down, nodding in acknowledgment as he introduces everybody. They seem nice enough, greeting him with smiles, apart from two men at the end of the table who don’t so much as return James’ nod. They’re Dylan and Wes, the other two lodgers in the house. They offer him forced smiles, but James can see that the second Wayne turns his head to speak to someone else, they narrow their eyes in his direction. For a moment he wonders if you’d met them– if they treated you in the same way or if you hadn’t even noticed them in the same way you did him. 
   With that thought, Marie comes bounding in, wielding a wooden spoon in one hand, “James!” she grins, “I’m so pleased you came,” 
   She diverts her attention to Wayne, smacking him on the shoulder with the wooden spoon and scolding him in Spanish. The cigar between the man’s lips threatens to fall, but miraculously remains sturdy as he says something back, a sheepish expression on his face. 
   Marie rolls her eyes and turns back to James, “You, help me in the kitchen because my bum of a husband apparently has better things to do.” 
   Any other time James may have cringed at the idea– he’s not the best chef– but now, as he turns to glance at Dylan and Wes who stare at him with a look of contempt, he takes the out and follows Marie into the kitchen. 
   The moment he enters, his eyes land on you where you stand chopping vegetables at the butcher’s block island. You’re not looking at him yet, too focussed on dicing a tomato, and he takes a second to look at you. Your hair has dried, thrown back into a ponytail while you’re cooking, and you wear a white cotton sundress with thin straps that contrast against your skin. It’s different to how he’s seen you dressed, in denim cut-offs and cowboy boots, and for a moment he’s halted in the doorway to watch you. 
   “Could you shuck this corn?” Marie asks James, and your eyes finally snap up to look at him, trailing over his attire before you quickly go back to chopping. 
   He clears his throat with a small sure, taking his place across from you at the butcher’s block. You don’t dare to look up at him again, hoping that he doesn’t see the blush that tints the tops of your cheeks. 
   “You’re both very quiet, you know that?” Marie laughs, stirring a pot both metaphorically and literally, “Come on! Talk to each other.” 
   A short silence follows, painful and uncomfortable and it makes your skin crawl, clearing your throat and daring to glance at James. You break the silence by offering your name, extending some sort of peace offering.
   He doesn’t seem to extend the olive branch in return. uttering a gruff, “James,” as he shucks another ear of corn. 
   You nod, You’d hoped that he’d say more to make you feel less nervous, hands shaking slightly as you hold the knife. You knew his name already– Marie had told you a few days ago when she caught you staring at him while he repaired the broken gate near the stables– shirtless.  He had been sweating, lugging planks of wood from the shed on the other side of the lot, tattoos and bare skin glowing. Marie had snorted at your pink cheeks and made a smart comment about how he could fix your gate– whatever that meant. You’d been stealing glances at him since, averting your gaze quickly whenever he would begin to turn his head.
  You soon became aware of his dislike for you, and other than the earlier shower incident, you can’t think of why. You tried to stay out of his way as much as possible, which wasn't hard considering he hadn’t showed up to dinners so far, and always kept to himself except for when he was working with Wayne.
   It really bugs you. 
   You sigh when he doesn’t say anything else, glancing at Marie who’s back is to you as she leans over a large pot of stew, hoping that the heat of your gaze might burn just enough for her to turn around and save you. No dice. 
   “I–” You begin, “The gate looks really good.” 
   Instant regret rushes over you as a look of confusion paints his features, brows furrowed. You rush to explain, “The- the one by the stables, I saw you fixing it. It looks really good. I haven’t had to scale the fence to get through since.” 
   You embellish your compliment with a breathy laugh, audibly nervous, cursing yourself at your ability to make things so much worse. He didn’t return the laugh, and in fact, it seems that somehow your compliment had soured his expression even further. 
   “Thanks.” He deadpans, averting his gaze from yours and back to the corn. 
   You sigh, chopping another tomato. 
   Meanwhile James is internally kicking his own ass, unsure of why he can’t be fucking normal, intending to say one thing and actually saying another. He watches you from his place across the counter, the concerned furrow of your brow, pinched in the middle, to your nimble fingers diligently doing what Marie had instructed you to do. He feels a flash of guilt in the pit of his stomach. Maybe he misunderstood you. After all, you had noticed him– the gate was proof of that. Maybe he wasn’t as invisible to you as he thought he was. But that still leaves one question unanswered– if you noticed him, why did you intentionally ignore him? It’s silly and it’s childish, but it’s enough for him to continue on with his negative opinion of you.
   Time goes by wordlessly between you both, Marie instead taking the time to explain everything she was doing in detail, sure to send both of you home at the end of the night with the recipe for Birria engraved in your brains. Time passes this way until the table has been set and the food is ready, Marie ushering you both out of the kitchen and to the dining table. 
  The only three empty seats are lumped together, one of which is at Wayne’s side. It would be rude to sit where you know his wife would be sitting, so you take the next one with a small frown, waiting for James to take the one next to you. You’re aware that he’s not happy with the arrangement, and for a moment you wonder if he would take Marie’s chair, but he doesn’t and instead fills the vacant spot on your other side.  The table is tightly packed, and due to James’ frame, he has to keep his shoulders pinched together slightly to avoid rubbing them against yours. It’s nearly insulting, watching the amount of effort the man puts into not touching you, rolling your eyes to yourself as you eat the food Marie (and you and James, but mostly Marie) had prepared. 
   “So…,” 
   The mention of your name has your head snapping up, paused with your fork halfway raised to your mouth to look around at who had said your name. Your eyes fall on Dylan, who’s sat at the table directly across from you. You’d only met him once before and hadn’t really been able to form much of an opinion on him. He’s around your age, maybe a bit younger around twenty-three, with shaggy brown hair he let fall over his blue eyes and a smile that had a tinge of something you couldn’t quite put your finger on. He had helped you reach a pair of garden shears from the top shelf of the shed, and all you’d talked about within that span of two minutes was your names and where you were from. 
   “Hm?” You hum in acknowledgment.
   “You mentioned you’d stayed in Europe for a while, what was that like?” 
   You recognise the invitation of small talk, and you’d be thankful for it if it were just the two of you, but as everyone’s eyes settle on you for your response, you feel a little put on the spot. 
   “Uh, yeah, it was really cool,” you swallow, “Beautiful architecture.” 
   It’s a lame comment, and you're aware of it, but you're not sure of what else to say at the moment. Dylan nods slowly, eying you up and down in a way that makes you squirm nervously. 
   Wayne comes to your rescue, “James, have you been to Europe? I imagine y’have.” 
   The man beside you freezes, and he’s close enough that you can feel the tension, shifting in his chair. His bicep rubs against yours for the first time and you inhale quietly.
  “Yeah,” he sniffs, “Been a few times.” 
  “You been there on tour, I imagine?” 
  This piques your interest, eyes flitting to look at James profile. His jaw is clenched as he nods, “That’s correct.” 
   “On tour?” You ask. 
  He turns to you, and the intensity of his eyes this close up almost makes you regret asking. He nods, “My band tours here and there.” 
   “Ha! Understatement,” Wes snorts from across the table, southern accent strong through his laugh, “Mr. Big Shot over here has toured a whole lot more than just ‘here n’ there.”  
   He holds his fingers up in air quotes to emphasise his words, and you’re left confused. Mr. Big Shot? You thought James looked slightly familiar, but couldn’t place from where, so you’d just brushed it off as nothing. You turn to look at him again, studying his face and racking your brain to think of where you might have seen him before. It would make sense for him to be in a famous band, but which one? And why would someone in said famous band be out here in the middle of nowhere? 
   “What band?” You ask, ignoring Wes. 
   James looks uncomfortable, “Uh, Metallica.” 
   It’s as if bells go off in your head, piecing it all together and finally realising where you've seen him before. It wasn’t just one place you’d seen his face, but many. He’d been everywhere, on MTV, on the front covers of magazines on the newsstands back home, on billboards– dare you say Wes wasn’t too far off by calling him a Big Shot. 
   “Oh,” is all that comes out despite the revelation– despite the fact that you’re now painfully  aware of how famous he is. Your pre-existing nerves have only worsened with this newfound information, struggling to get a bite of your food down, wincing. 
   James, however, takes your lack of response and pained expression the wrong way and gets on the defensive, scoffing into his glass of water before slamming it down. The entire table goes quiet, and he doesn’t miss the way you flinch at his action, momentarily pausing to meet your gaze. Your eyes are wide as they lock with his, confusion written all over your face.
   He pushes his chair back from the table and stands up, “If you’ll excuse me.” 
   You watch his back as he retreats through the front door, letting it slam behind him. You flinch again and turn to look at Marie, who’s sitting next to her husband with a distraught look on her face. Sighing, you stand up and place your napkin on the table.
   “Dinner was absolutely wonderful, Marie, please excuse me.” 
   Marie flashes you a sympathetic glance as you walk to the door, and despite their chittering you don’t care to look at the expressions worn by Dylan and Wes. Instead, you make your way out of the house and down the front steps. The evening has finally matured into darkness, the pathway to the lodge lit only by lamp posts and strings of fairy lights that Marie had just put up earlier today. You’re not sure where to look for James, or even if you should be looking in the first place. If you truly are the cause of his bad mood, surely you’d be the last person able to talk some sense into him; but curiosity eats away at you, the need to fix whatever you’ve done gnawing at your stomach.
   It doesn't take too long to find him, sitting on the front steps of the lodge, mostly shrouded in shadows except for the orange cast of the fairy lights. 
   “Hey,” you offer carefully, slowing your pace as you near him. 
   You debate whether or not to sit next to him on the stairs, thinking it might piss him off if you do, but awkwardly rocking on your heels feels even worse. You take a seat next to him with a light huff, making sure to keep your arms from brushing against his like at the dinner table. He’s smoking a cigar, the burning tobacco lighting up his face ever so slightly on each inhale. Though he doesn’t verbally acknowledge your greeting, he doesn't leave either. As if he’s waiting for you to say something worth his while. 
   “I’m sorry, you know,” you offer softly, “I’m not quite sure what I did to upset you, but whatever it was, I’m sorry.” 
   He remains quiet, the sounds of the crickets and cicadas deafening. You exhale a sigh of defeat, tilting your head up to glance at the vast array of stars in the clear sky, counting the brightest stars until you lose your place. 
   James isn’t quite sure what to say. The longer he’s left to sit with his thoughts, the more he doesn’t understand what you’ve done to bug him so much. There’s been an explanation for every misunderstanding so far, leaving no reasons for his disdain, yet for some reason he just feels immensely frustrated by you. It’s something he feels under his skin, fizzing in his blood uncomfortably. He’s starting to wonder if it’s even got anything to do with you to begin with, or if this entire trip out to the desert has backfired and he’s got too much time and space to think about his life. Stress eats away at him, bubbling up slowly. 
   “I’m sorry about hogging the shower,” you ramble, “I didn’t realise you were waiting for it and I just got kinda…kinda lost in thought, I’ll hurry up next time.” 
   Nothing. It’s radio silence on his end, the air so thick that you feel it clouding your lungs along with the smoke from his cigar. You can’t stop your mouth from running, ”And it’s really cool that you’re in Metallica, I um, I don’t really know much about you guys but-”
   “You can stop,” he interrupts, the stress bubbling over, your face flaring with heat you’re glad he can’t see in the lighting. ”I don’t really care, honestly.” 
   He looks at you for the first time in the last five minutes, emotions flat and guarded, and for the first time since you’d met him, you feel your own anger rise up in your stomach instead of nerves– frustration, annoyance, fatigued with his attitude. 
   “Look,” you stand up, “I don’t know what I did to deserve this, but I’d appreciate it if you'd stop being a total dick.” 
   He puts out his cigar, standing up to tower over you, not letting you have the upperhand of being taller than him. He opens his mouth to speak but you don’t let him. 
   “All day, you’ve been awful to me, and we just met. I don’t get it, what’s your problem?” 
   He scoffs, “I have a whole fuckin’ list of problems, sweetheart, don’t feel special.” 
   You stare, dumbfounded, arms crossed over your chest, “Yeah? And what about it?” you challenge, eyes narrowed, “Why do you think I’m here, huh? We’ve all got our shit, we’ve all got things we’re running away from, what makes you think you can treat me like shit for no reason? Because if this is how it’s going to be all summer then I’m already real fucking tired of it.” 
   Cicadas are the only thing you receieve in return, the chirping filling the empty space between you and James. There’s nothing. There’s no apology to speak of, not even any retaliation. His face is void of emotion, hands dug into his pockets as he stands and stares. 
   His stare is intense and unmoving, but there’s something hidden behind it. It’s almost a sort of hollowness, as if this is something he’s been through a billion times before. It almost makes you falter, trying your hardest to search his eyes for any clues as to what he may be thinking. But his eyes are still those of a stranger’s, and you can’t place exactly what it is that he’s thinking. Shaking your head, you finally back down, taking a step back. 
   “I came here to apologise, and I did. I have nothing else to say,” you turn to the lodge and step towards the stairs, “But Marie didn’t deserve that shit you pulled tonight. I think she at least deserves an apology.” 
   The words hang between you in the night, heavy and oppressive. There’s a moment where your fingertips hesitate over the doorknob, casting one last look in James’ direction in hopes that he would say something. But he’s remained stoic, gaze set hard towards where you’re standing, hands shoved into his pockets. Shaking your head again, you step inside, leaving him in the dark. 
   Only when you’re gone does he rub his hands over his face and swear under his breath. With a sigh that holds the weight of the world, he takes begrudging steps back towards Marie and Wayne’s house. 
A/N: god pls bear with how slow and badly written this felt. anyways i hope you enjoyed jsdhgkjshdkjhgsdjg
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lulu2992 · 2 years
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A review of the “Far Cry Timeline”
I realized that there was a page dedicated to the series’ timeline on the Far Cry Wiki, so I decided to review it because… I just couldn’t help myself.
GREEN: Correct information and date.
BLUE: Probably correct but needs to be confirmed.
PINK: Correct information but wrong date (see this post).
ORANGE: Pure fan speculation (date and/or information).
RED: Incorrect information and/or date.
PURPLE: Far Cry and Far Cry 2 lore. I haven’t played these games yet so I can’t tell if the information is accurate.
(The timeline reviewed in this post was last updated on the Wiki in June 2022)
c.10,000 BCE
Three tribes, the Wenja, Udam, and Izila settle in the region of present-day Central Europe known as Oros, sparking conflict for resources and territory. The events of Far Cry Primal occur, culminating in the Udam, the last Neanderthals, going extinct soon after.
500 BCE
The Chal Jama Monastery is built in Kyrat.
15th century
In the 15th century, the Chinese navigator and explorer Zheng He passed by the Rook Islands during a voyage to map the oceans. It was an ideal location for one of Zheng He's most trusted soldiers, Lin Cong. After Zheng He left the isles, Lin Cong stole one of Zheng He's colossal treasure ships named "the Chaoyang" (containing massive amounts of gold and treasure that were collected during Zheng He's many ocean voyages).
Lin Cong and his Chinese invaders ruled over Rook Islands where the natives suffered under their tyrannical reign.
Rook Islands were free from them when the Rakyat rebelled and a vengeful Zheng He returned to stop Lin Cong treachery. Lin Cong died and his faction was destroyed.
The Silver Dragon was buried with Lin Cong body in his entrapped and dragon-infested tomb.
1759
The Shanath Arena is built in Southern Kyrat.
1819
Lieutenant Robert F. Barclay of the British Army set sail to Kyrat.
1820s
The British colonize Kyrat.
1836
The lake at Mastodon Geothermal Park was discovered.
1865
Fall's End was founded in the Montana territory.
Early 1940s
During the start of World War II, a Japanese Brigadier General named Takeo Masaki had his men land on the isles to start up a small air force/army base.
1941
Clutch Nixon is born in Montana's Hope County in the United States of America.
1947
Alec Earnhardt was born in Oxford, England.
George Krieger was born in Austria.
1952
Adelaide Drubman was born in the United States of America.
1953
Richard "Dutch" Roosevelt was born in the United States of America.
1954
Antón Castillo born in Yara.
1955
The Vietnam War begins in Vietnam.
The Jackal is born in United States of America.
1957
Virgil Minkler is born in the United States of America.
Darpan is born in Kyrat.
1960
Mohan Ghale is born in Kyrat.
1963
Earl Whitehorse is born in the United States of America.
1965
Willis Huntley is born in Long Island, New York.
The Howard Cabin is built and established in Hope County, Montana.
1966
Pagan Min is born in Hong Kong, China.
1967
Hoyt Volker is born in Johannesburg, South Africa.
Revolution of 1967 takes place in Yara, resulting in a blockade that effectively froze the nation in time for the next 47 years.
Death of Gabriel Castillo
1968
Ishwari Ghale is born in Kyrat.
Paul "De Pleur" Harmon is born in the United States of America.
1969
Bambi "Buck" Hughes is born in Australia.
1970
Yuma Lau is born in Hong Kong.
1971
Jacob Seed is born in the United States of America.
1972
Hurk Drubman, Jr. is born in the United States of America.
1973
Noore Najjar is born in Kyrat.
Jerome Jeffries is born in the United States of America.
1974
Joseph Seed is born in the United States of America.
1975
Dennis Rogers is born in Liberia.
The Sacred Skies Youth Camp in Holland Valley is established.
The Vietnam War ends in Vietnam.
1976
Cameron Burke is born in the United States of America.
1978
Sabal is born in Kyrat.
1980
Sharky Boshaw is born on October 2, in the United States of America.
1981
First Kyrati Civil War intensified between the Royalists, who supported the rule of the king, and the Nationalists, who wanted to overthrow the monarchy.
Mohan Ghale and Ishwari Ghale are married in April or May at a small ceremony with just their parents.
1983
Grace Armstrong is born in the United States of America.
1984
Grant Brody is born in the United States of America.
Citra Talugmai is born in the Rook Islands.
1985
Vaas Montenegro is born in the Rook Islands.
The royal family of Kyrat is murdered when Nationalists stormed the Royal Palace during First Kyrati Civil War.
1986
Daisy Lee is born in Maine, United States of America.
John Seed is born in the United States of America.
1987
Jason Brody is born in Los Angeles, California.
Vincent Salas is born in the United States of America.
Eli Palmer is born in the United States of America.
Barry is born in San Diego, California.
Mohan Ghale meets Pagan Min
Pagan Min found the last Kyrat royal heir for Mohan
Pagan Min and Yuma Lau sided with the Royalists at first but later that year betrayed them when his Mercenaries and the Royalists seized the Royal Palace and Pagan killed the royal heir, and took his place as King of Kyrat. He then turned his mercenaries on Mohan’s men before they could know they were in danger killing many. Leaving Mohan to escape with just a handful of survivors.
First Kyrati Civil War ended in Kyrat with Nationalists defeated, Royalists purged, last royal heir assassinated and Pagan Min became the new self proclaimed king.
Golden Path is founded
Second Kyrati Civil War begins.
1988
Keith Ramsay is born in the United States of America.
Ajay Ghale is born in Kyrat.
Lakshmana Min is born and later that year killed in Kyrat.
Liza Snow is born in Los Angeles, California.
1989
Doug is born in United States of America.
Oliver Carswell is born in United States of America.
Amita is born in Kyrat.
Nick Rye is born in the United States of America.
1990
Callum is born in Scotland.
Joey Hudson is born in the United States of America.
Mohan Ghale was killed by Ishwari Ghale who fled to United States of America with Ajay Ghale.
1991
Riley Brody is born in Los Angeles California.
Jess Black is born in the United States of America.
1992
Deputy Pratt is born in the United States of America.
1993
Mary May Fairgrave is born in the United States of America.
1994
Faith Seed is born in the United States of America.
1996
Dani Rojas is born in Yara.
2000
Bhadra is born in Kyrat.
2007
Alternate universe, movie, or non-canon events
The world is suffering the aftermath of a nuclear war between the United States and Russia. Sergeant Rex "Power" Colt is an American cybernetic super-soldier. He and another American cyber-soldier named Lieutenant T.T. "Spider" Brown travel to an unnamed island to investigate Colonel Ike Sloan, an elite agent who has gone rogue. The events of Far Cry 3: Blood Dragon occur.
2008
Between September 17 and October 30, a series of 17 tapes were recorded between The Jackal and Reuben Oluwagembi on the subject of the Jackal's motives.
Sometime in the latter half of 2008, the events of Far Cry 2 take place.
Antón Castillo was diagnosed with acute leukemia.
Diego Castillo was born in Yara.
Late 2010’s
Alternate universe, movie, or non-canon events
Guy Marvel tells people about his ideas for zombie movies. The events of Dead Living Zombies takes place.
2012
Four people, Leonard, Mikhail, Callum, and Tisha get scammed out of their money by Vaas' pirates while working to redeem themselves on a cruise ship. They soon turned against the pirates.
Six months later, a group of young adults parachute onto the Rook Islands by mistake and many get captured. Jason Brody helps the locals lead a revolution against Vaas' Pirates, free his friends, and deal with a slave trader named Hoyt Volker. The events of Far Cry 3 (including all DLC missions) take place.
2014
Ajay Ghale goes to Kyrat to spread his mother’s ashes and while visiting either stayed with Pagan Min or ends up helping the locals lead a rebellion against him. In the latter case, the country doesn’t improve much after the government is overthrown. The events of Far Cry 4 (including The Syringe Mission, Escape from Durgesh Prison and Hurk's Redemption) take place.
Yuma Lau sends an Expedition made of Royal Guard forces, lead by Colonel Sandesh to a Kyrat Valley looking for a relic that could cause immortality, but don't return to Kyrat.
Darpan dies in all cases.
Antón Castillo is elected as El Presidente of Yara, promising to "Rebuild Paradise."
Alternate universe, movie, or non-canon events
Ajay’s helicopter crashes in the Himalayas, he later gets involved with a cult group known as the Disciples (the Royal Guard forces Yuma sent to the Valley) and a unique relic.
2018
Alternate universe or non-canon events:
Carmina Rye is born the same day or few days before the Collapse.
A group of police officers attempt to arrest Project at Eden's Gate leader Joseph Seed, they either spared him and left early, or actually arrested him and got overwhelmed by his cult. In the latter case, after most are captured, The Junior Deputy helps the locals lead The Resistance against the doomsday cult and take back Hope County. The events of Far Cry 5 take place.
After the 'Resist' ending of Far Cry 5, the world suffers a nuclear war, known to some as the Collapse (however, with the release of Far Cry 6 which apparently takes places in a contemporary setting, the Collapse might prove to be an alternative timeline, no longer followed by the next game.)
In two other endings where they do not arrest Joseph at the beginning or at the end, it's unclear what exactly happened.
In Guy Marvel's epic sci-fi film, Nick Rye and Hurk get sent to Mars to deal with the threat of an invasion. The events of Lost On Mars take place.
2021
Dani Rojas has a conversation with their friends Lita Torres and Alejo Ruiz on the rooftops of Esperanza. A blackout takes place as Fuerzas Nacionales de Defensa soldiers pour into the city block. Alejo insults Antón Castillo and throws a can at a soldier, resulting in said soldier murdering him. Dani and Lita escape to a boat heading out of the country. A young boy attempts to board but is denied until Dani vouches for him. Before the ship can sail off, Antón catches it in an attempt to retrieve his son, Diego; the young boy attempting to flee. Antón then orders his soldiers to execute everybody else on the ship. Dani just barely survives, and wakes up to Lita dying on the beach. She gives Dani her phone and asks them to seek out the revolutionary group she was affiliated with, Libertad. Dani obliges to honor their fallen friends. The events of Far Cry 6 take place during October.
2022
Alternate universe, movie, or non-canon events:
Three months after Dani Rojas sails away from Yara, they rest on a Miami beach and listen to the radio. The death of Clara Garcia at the hands of Antón Castillo's special forces has snuffed out the revolution in Yara.
2035
Alternate universe, movie, or non-canon events:
In the 'Resist' ending of Far Cry 5, the world suffered a nuclear war known as the Collapse. 17 years after the nuclear war the Highwaymen terrorize the citizens of Prosperity. The locals and the remnants of Project at Eden’s Gate, New Eden, fight back against the Highwaymen’s leaders, Mickey and Lou. The events of Far Cry New Dawn take place.
2058
The whereabouts of The Jackal are to be declassified.
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fearsmagazine · 1 month
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THE LAST STOP IN YUMA COUNTY | Poster, Images & Trailer
While awaiting the next fuel truck at a middle-of-nowhere Arizona rest stop, a traveling young knife salesman is thrust into a high-stakes hostage situation by the arrival of two similarly stranded bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained, ill-begotten fortune.
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(L-R) Michael Abbott Jr. as Charlie and Barbara Crampton as Virginia in the western/crime/thriller, THE LAST STOP IN YUMA COUNTY, a Well Go USA release. Photo courtesy of Well Go USA.
Directed & written by Francis Galluppi the film features and all-star cast that includes Jim Cummings, Jocelin Donahue, Sierra McCormick, Nicholas Logan, Michael Abbott Jr., Connor Paolo, Alexandra Essoe, Robin Bartlett, Jon Proudstar, Sam Huntington, Ryan Masson, and Barbara Crampton, with Gene Jones, Faizon Love and Richard Brake.
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(L-R) Sierra McCormick as Sybil and Ryan Masson as Miles in the western/crime/thriller, THE LAST STOP IN YUMA COUNTY, a Well Go USA release. Photo courtesy of Well Go USA.
Well Go USA will release THE LAST STOP IN YUMA COUNTY in theaters and on digital May 10th, 2024
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berkreviews · 1 day
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Berkreviews THE LAST STOP IN YUMA COUNTY
Some of the most compelling stories center around people who find themselves thrust into intense situations. Here, the audience finds themselves thrust into Jimmy Stewart’s role in Rear Window, forced into a small apartment, helpless as we watch in terror the danger the others are in, unable to impact the series of events unfolding. We grip the edge of our seats and laugh uncomfortably, twitching…
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themovieblogonline · 3 days
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New Evil Dead is Coming to Terrorize Theaters
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Get ready Deadite disciples! The iconic horror franchise known for its buckets of blood and boomstick-wielding hero Ash Williams isn't resting in peace just yet. Fresh off the success of "Evil Dead Rise," another "Evil Dead" movie is lumbering its way towards the big screen. This news, courtesy of Gizmodo, confirms that a brand new "Evil Dead" film is in the works. We don't have any plot details yet, but that just fuels the fire of anticipation. Francis Galluppi, whose debut feature "The Last Stop in Yuma County" garnered positive reviews, will write and direct the film for Ghost House Pictures, the production company run by "Evil Dead" veterans Sam Raimi and Robert Tapert. Sam Raimi himself seems excited about Galluppi's vision, praising his ability to build suspense and unleash shocking violence. This bodes well for fans who crave the signature blend of scares and dark humor that the "Evil Dead" franchise is known for. While details are scarce, the news of a new "Evil Dead" movie is enough to get any horror fan hyped. Here's what we can expect: - A Fresh Story: This new film won't be a retread of past adventures. It'll be an original story crafted by Galluppi, offering a chance to explore new corners of the "Evil Dead" universe. - Raimi's Seal of Approval: With Sam Raimi involved, you can expect the film to stay true to the spirit of the franchise. - A New Director's Vision: While Bruce Campbell won't be wielding the boomstick this time, Galluppi's fresh perspective might bring a unique twist to the classic formula. - A Look Back at the Evil Dead Legacy For those new to the franchise, the "Evil Dead" series follows a group of college students who unleash demonic forces by reading from a mysterious book called the Necronomicon. Chaos ensues as the students are possessed by these "Deadites," turning them into bloodthirsty monsters. The original 1981 film, directed by a young Sam Raimi, became a cult classic known for its low-budget special effects, extreme violence, and surprising humor. It spawned sequels, a remake, a TV series, and a massive fanbase. Whether you're a longtime Deadite devotee or a curious newcomer, this new "Evil Dead" movie promises to deliver thrills, chills, and plenty of dismemberment. Keep your eyes peeled for more updates, and in the meantime, brush up on your "shop smart. shop S-Mart" knowledge. You might just need it. Read the full article
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3acesnews · 6 days
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The Last Stop in Yuma County Review
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raybizzle · 10 days
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Another 'Evil Dead' In The Works
Sam Raimi’s Ghost House Pictures have put a second new Evil Dead film into development. Francis Galluppi has been picked to write and direct a new film in the franchise that will be based on an original idea he brought to Raimi. His debut film, the crime thriller The Last Stop in Yuma County, comes out next month. Francis Galluppi is a storyteller who knows when to keep us waiting in simmering…
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