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#Which can just be more questions and Tim answering them and is like
brucewaynehater101 · 2 days
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I'm not done torturing Timothy
Kid dies of overwork in the middle of his work hours as CEO of Wayne Enterprises
All the bats are busy everywhere else and while they are the first to know Tim was confirmed dead, said death was too public and it rapidly spreads all over Gotham, the internet and maybe spheres outside of them that the teen CEO is dead before he even turned 18
Questions at W.E. but the Waynes especially are being asked, and people want answers.
All anybody—to Gotham as a whole, to Young Justice, to the Justice League, and anyone else—can do now is live with the fallout of Tim's and Red Robin's death, and go from their
Inspired by those fics and AUs where Tim sacrifices his time, sleep, energy, sanity, happiness mental health & physical health, and general well-being for the Bats
Is fandom or canon ever really done with torturing Tim?
And great AU! Let's beef it up.
I couldn't find a definitive answer for how long it takes before someone dies due to overworking. The consensus is that 54 or more hours a week is considered over-working. One article said they studied what health conditions people received over a ten-year study.
So, let's start Tim off early.
In this AU, he skipped grades. So, even though he was intelligent enough to do so, this had a few effects.
The effects include poor socialization (and chances to be a kid/de-stress with peers), increased workload (more homework/more mental energy required in comparison to those his age), and he needed to study harder than his classmates to ensure he was keeping up.
His workload increased when he became Robin.
He was worried about Bruce, and his Robin activities/responsibilities took a lot of time. School is already usually around 35 hours, not including homework. In this AU, his parents also enrolled him in honors classes with the expectation that he maintains decent grades. Add on that his Robin needed to ensure Batman wasn't violent every night Batman went out? He was patrolling at least 5 nights a week.
The subsequent losses and grief were overwhelming and stressful
Not much needs to be said about this other than just another aspect added onto Tim's shoulders
Bruce dies
That's another loss, there's all of the stress with the Battle of the Cowl/losing Robin, he works without breaks or supports to find Bruce, and he assumes some control of WE. His missing spleen also lowers his immune system (which was already jeopardized by his stress and the permanent consequences of the Clench).
Tim continues to work as CEO in this AU while managing the Bats, Waynes, various hero society issues, and patrol ad Red Robin.
No wonder he collapses. I think the even more increase in work combined with his strenuous relationships with everyone (YJ is still trying to navigate Kon and Bart coming back to life with Tim and Cassie's fight) causes Tim to pile more and more onto his shoulders until he dies.
So, with all of these added together, Tim can die pretty quickly after obtaining the CEO position. I like to think that a combination of being sick, having an infection, lack of sleep, and stress took him out.
I hope Bruce burns to death in this one for not noticing, putting more pressure on Tim's shoulders, and being an ass :)
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babblingbookends · 15 hours
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Will trade Percy pics for protective big brother Dick with Tim (vs Ra’s, maybe?)
Sorry this took me a couple days to answer! No Ra's, because I sat down to write this and decided I was too tired for anything complicated. Not my finest work, but I hope you like it nonetheless!
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“Stay back!” Dick snapped, electricity arcing across his escrimas.
In front of him, a mob of restless drunks, egged on by goons. Behind him, Tim, curled up on the floor, whimpering in pain.
“You alright back there, Robin?” Dick asked, projecting as much confidence and bravado into his voice as he could.
“I’ll live,” came Tim’s voice, shaky and pained but with that cocky confidence that came with being Batman’s partner. It was enough for Dick; he turned his focus to the crowd.
“Here’s how things are going to go. You’re either going to turn around and leave, or I’m going to make you leave. And,” he sparked the escrimas again, “it’s going to hurt.”
There was a moment of uncertainty; he could feel the energy of the crowd building to a tipping point. The only question was which way it would tip. He held his breath, waiting.
He thought maybe they would leave, right up until someone in the back yelled, “There’s more of us than there are of him!” and like that, the peace was broken, and the crowd stumbled forward.
From there, it was on. Whirling, kicking, and dodging, he did his best to keep a half-circle of space between the crowd and Tim.
Three minutes in and he panted out, “Robin, please tell me B is on his way?”
There was a moan that might have been agreement, or might have been wishful thinking. He ducked a wild swing, cracked a man in the back of the head, tripped another goon into two more, sending all three sprawling. “That’s fine, I’m sure I can handle these guys. I don’t have a broken rib from getting hit by a car or anything.”
Tim grunted out something that sounded like “doing great,” and Dick kept getting glimpses of him in his periphery pushing himself into a more upright position from his spot against the wall. Another three minutes and he had maybe half the crowd knocked down; another three and half of that half looked like they were determined enough to get back up.
“N’wng,” he heard behind him. “Duck.”
Dick didn’t hesitate. He hit the ground, twisting and rolling backwards to end, crouched, in front of Tim. Over his head, a flash of light that made him instinctively squeeze his eyelids shut.
Bang! The flare sent several people stumbling, and Dick lunged forward, taking advantage of the momentary distraction to fight his way through some of the larger and more sober goons, the ones shouting and raising enough of a ruckus to get everyone else riled. With them out of the way and a majority of the mob knocked down or out, it was short work for the rest of them. Some just ran, which was fine with Dick.
He crouched by Tim’s side. “Hey champ, how’s it going?”
“Fantastic,” Tim slurred. “Th’s a… a vacation.”
“Okay, bud, let’s get you out of here,” Dick said. Carefully, he pulled Tim into his arms and gathered him up, hoisting him off the ground.
“Th’ bike’s gonna suck”, Tim mumbled against Dick’s chest.
Dick had to agree. His bruised and broken ribs also agreed. Not that they got a say.
He stumbled out into the alleyway behind the building. “Okay, Tim, just gotta make it to where I parked-” A quiet, familiar purr interrupted him, and he grinned. “Nevermind. Looks like we’ll be riding in style.”
At the end of the alleyway, the Batmobile, matte black and more welcome than aloe on a sunburn, rolled to a stop.
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voiider · 4 months
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fake psychic Tim but its just. its just psych. Jason dies and batman goes off the deep end so Tim (instead of becoming robin) starts going ham on the 'tips to the police' bc if the police can deal with the smaller crimes then Tim doesn't have to worry about batman killing a petty thief.
Except he's running himself into the ground and he starts getting sloppy bc he's giving the local police info, and bludhaven info (bc dick) AND probably giving Nightwing info when he can and someone catches him or he leaves a paper trail and then Officer Dick Grayson apprehends him and takes him in for questioning and Tim is like "you can't talk to me without my parents or a lawyer present, I'm a minor. And my parents are in Guatemala, so you better call my lawyer."
and Dick is like "kid you're not in trouble i just need to know who's giving you this information." Because there is NO WAY this kid isn't working with someone. Someone who is using a child to drop off information, which while noble to help the police, is putting this child in danger and tim is like, pretty offended actually. That it's being implied that he COULDN'T do this himself.
So he's like "im not working for anyone."
and Dick is like "you have to be getting the info from somewhere. I just wanna help."
and Tim is like AUGH ADULTS "I just- i figured it out on my own" and its CLEAR that Dick doesn't believe him which is, first off, super insulting, never meet your heroes, and second he shouldn't be talking anyway or admit that he goes out at night or Dick will do something stupid like try to make him stop. So he's like (rolling eyes) "I'm psychic. Are you happy? Can I have my phone call now?"
#batman#tim drake#Cue Dick ALMOST not buying it but he's like 'okay kid'#if you're psychic prove it.#And Tim is like oh he thought i was serious??? Uh#“you're favorite animal is a bat.“ And Dick looks at him confused but then sorta pales a little and is like ”... what.”#and tim is like “and you really like nighttime... walks.”#And Dick like turns off the recording and is like “kid what are you saying to me”#and Tim is like “I know you're Nightwing. The ... spirits told me.”#and honestly it's more believable that a 12 year old kid is psychic than that he figured out who Nightwing was on his own#ted talks#anyways lots of fun hijinks can ensue. Tim is technically a security rick and even though dick REALLY doesn't wanna talk to bruce#he should tell him about this... psychic child#Which can just be more questions and Tim answering them and is like#if i wasn't psychic how would i know this.#and Bruce.... doesn't know. So they have no choice but to believe him#psych tim au#also including: bruce being like “.... can you tell my son (jason) i love him?”#tim would actually be pretty good on the field with moments notice observations#he's been trained his whole life to read people at parties and know what they want from him and what they mean#regular people are MUCH easier to read than the elite who say everything backhanded and all have like poised masks of perfection#raye was telling me their psychic tim au and i was like 'ok but what if just psych'#catch us out here both writing separate fake psychic tim aus
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raspberryzingaaa · 10 months
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Thinking about going to World Most Boring Bible Study Ever. Idk yall. Idk. Idek.
#the number of times i have faked a call yo leave early. the number of times ive played solitaire on my phone. i got to the potty to kill tim#like! just answer questions its not that hard!!!!!!#you dont even need to be right just throw some spaghetti at the wall and see what sticks!#also group leaders stop reading questions from a script from your phone#ALSO PLEASE CAN WE STOP GOING THROUGH THE SAME VERSES WE GO THROUVH ON SUNDAYS#this is why we have a split in our life group/church crowdm just sayin#i just. i just miss doing bible studys with people who were way smarter than me#being a church kid in a college church is just 👁👄👁#i shpuldnt be dreading going to bible study!!!!!!#so its probably a me problem right?!#and also the group leaders have had to tell me to stfu more than once (politely. which was really annoying. dont pussyfoot around!!)#also our only bible study is also our ~only space for new comers~ so i get in trouble if i get too meaty in my excitements and theology#EHICH SHOJLDNT BE MY FAULT!!!!!!!#and YEAH it IS my fault that its my only spot where im spiritually feeding. but also there is a secret eomens group people mention that..#i guess im just excluded from? but also i know most of the women dont like me bc I have interminable Doesnt Shut Up Disease l#like i understand fhat yes it is a little my fault rhat me talking about deep theology makes them feel inadequate but also THAT SHOULDNT BE#guh. i also forgot my meds today so im a little bit more mulish and hard hearted#and i KNOW its a teachable moment amd God is usimg this to temper me or something else but im feelimg grumblr#and ill probably delete this later.#and i have to got to work ok bye
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“The what?”
Danny and Duke had been having a pretty okay day. Duke got a ridiculous packet to complete from his professor, and Danny tripped down the stairs in the library, causing a ruckus that got everyone’s attention.
So yea, everything was going well until they decided to push their luck and go to a new coffee shop a bit further away. It wasn’t the coffee shop itself, but the goons that came out of nowhere to kidnap Tim Drake-Wayne who was getting an order to go, which turned into a gang fight in the middle of the street.
Danny and Duke, along with Tim, ended up sheltered behind a car and missed the opportunity to bunker down inside the shop.
“Well, this isn’t what I planned today,” Tim comments.
“Same,” Danny agrees.
“Maybe we can wait it out?” Duke suggests.
The other two give a look that says that it was not going to happen.
“Rock, Paper, Scissors for peeking,” Danny says, already holding out his fist.
“Bet.”
They look at Duke.
Peer Pressure works and he groans with clear discomfort at the situation.
Duke loses. A bullet whizzes past his head.
“Nope! Nope. Not doing that again.”
Tim rolls his eyes at the dramatics, but with Danny still there he bit his tongue.
“What’d you see?”
Duke looks at Tim like he’s crazy.
“Lots of people with guns,” he answers hysterically.
“Need a hand?”
Red Hood had swung down from the nearest rooftop, hand gun in both hands. He pops off three shots before having to duck behind the car with them.
“Hood, what are you doing here? This isn’t Crime Alley,” Tim asks like they bumped into each other at the supermarket.
Hood shrugs, “Close enough.”
“Oh sweet, can I borrow that?” Danny randomly asks.
Before anyone can question what he was talking about he was already reaching out to take the handgun off of Hood’s thigh.
“Whoa-“
Danny turns to look over the car’s hood and pulls the trigger. Nothing happens.
The others pull him back quickly. He winces at the hard fall to his tailbone.
“Holy crap! Danny!”
“Dude, are you trying to get yourself killed?”
“What is wrong with you?”
“Hey!” Danny interrupts their freak out. “It’s not my fault his gun is broke.”
“The safety is still on, idiot,” Hood tilts his head.
“The what?” Danny asks in genuine confusion.
The three brothers all pause and look at him.
“The safety? On the gun? So there isn’t a misfire?” Tim explains. He was stuck between shocked and judgmental.
“This is why people who don’t know how to shoot shouldn’t touch guns,” Hood says in frustration while reaching to take it away.
Danny pulls it back out of reach.
“I know how to shoot, thanks. My parent’s weapons just don’t have safety things. I’m not used to it,” he grumbles.
“What do you-“
But Danny was already finding the safety and flicking it off before trying again. This time he hits two goons, one in the shoulder and another in the leg.
The batboys glance at each other.
“So,” Hood tries to be casual, “what do your parents do?”
“They’re scientists,” Danny answers, mainly focused on shooting another person dressed in a mask, “but they make their own weapons.”
“Are they by any chance mad scientists? Or borderline rogues?” Duke asks as half a joke.
“Of course not,” Danny answers. Then he pauses to actually think about it. “I don’t think so.”
“Cool. That’s fine.”
**
After that Danny had a few more ‘meet and greet’s with the local vigilantes and saw some lingering shadows around their apartment. They had the weirdest questions about his family.
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ew-selfish-art · 8 months
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DPxDC Au: Normally when Danny vandalizes ancient cave walls and historic places on his 'favor' missions for Clockwork, he gets sent back to erase them. But no, apparently this time, when Danny added his actual phone number into some painting, he's not allowed to go back and fix it. Ugh.
...
Tim has had the painting of Bruce professionally reviewed a few times since the old Bat was retrieved from the time stream. He's not entirely sure how the painting still exists, he's not even sure that it matters any more... But one day Tim catches something new in the painting.
It was small, and it could've just been the light at first but... Is that a phone number in the background?? It looks like black marker on the black curtains and it makes him feel feral. The family is kinder this time about how they think he's gone crazy- but each one of them admit that they can't remember a phone number ever being present.
The lab reports that the number was added over the paint- and that it's an ink based marking akin to a sharpie but like, hundreds of years old. So... It's been added recently but not at all recently enough for Tim to have an explanation.
Tim doesn't want to hear any more of his family members opinions on the matter and he certainly isn't going to just, stop investigating or something stupid like that. So, he takes the painting to the tower, gathers his team (Cassie, Kon and Bart), and they call the number in the middle of the night after a lot of planning/back-and-forth/catastrophizing.
It doesn't answer until the final ring, and the static that comes through the phone is bone chilling. A deep, monstrous groan which echoed with agony fills the room.
"I have a math test in like, three hours, who the fuck are you and why the fuck are you calling in the middle of the night?" The voice now complains, still sounding vaguely inhuman despite it's very human word choices.
"Your number is in a historical painting, we had a few questions but uh, you can call us back later?" Tim cringes as he says it but he hadn't planned on having to reply to someone trying to go back to bed. Or someone who was apparently also a teenager. (He had so, so many contingency plans for like, every kind of villain, alien or demon. lame.)
"...Ugh. might as well." The voice calls out, agreeing with a sigh that echos so deeply the team can feel it in their bones.
"Cool. Good luck on your test?" Tim offers.
"Mph." And the line hangs up.
...
Danny is at lunch with Sam and Tucker when he remembers the late night call. He'd spent the morning bitching about never getting a full night of sleep and it finally occurred to him what had happened. Of course his friends think it's hilarious that CW wouldn't let him erase his number. Of course they do.
They stop laughing when Danny calls the number back.
"Hello, this is Red Robin of Gotham. I have Superboy, Wonder girl and Impulse present with me. How did your math test go?"
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mechanisedbrainrot · 7 months
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MECHANISMS REF IMAGE MASTERPOST
Okay, so I put together refs for each of the mechs as best I can. I tried to avoid anything in a show lighting, but sometimes it can't be helped. Notes will be underneath each section
Whole cast
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Ivy is the only character leaning on the wall in the second image, but is roughly as tall as Ashes
Jonny D'Ville
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Jonny in earlier shows like TTBT wears a black shirt underneath instead of the white. He occasionally has red or black painted nails and his goggles are either black or bronze. He has a black 7 of diamonds. He often holds a mic - which is a Shure Super 55
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Drumbot Brian
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He usually has just the flower in his hat, but sometimes it's replaced with RAM or his drumsticks. His goggle has a very small crack at the base. The rings seem to be a bit of a motherboard and screws? The visible heart is something I can only find in one picture, but it's cool
Gunpowder Tim
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Sometimes wears jeans instead of dark brown trousers. His eye scars are more geometric than Jonny's, and he has dark eye shadow around the eyes where Jonny uses just eyeliner
Raphaella la Cognizi
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The top is three layers: a white/cream shirt, a brown puffy shirt and a a top layer which has a halter neck. Occasionally one or both of the undershirts won't be worn (see HNOC liveshow). Tights can be blue or black. Light up wings from DTTM
The leggings/tights are sometimes black and sometimes deep blue
Ivy Alexandria
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A few different outfits, in liveshows they're also wearing some outfits not shown here - but always black and red with a waistcoat of some kind.
Nastya Rasputina
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The necklace is a little cat :3
Marius von Raum
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Kneepads in DTTM. The cards are a jack and ace of hearts. Necktie either has a white or gold pattern on it, but they don't always wear it. The green jacket has a tailcoat
The Toy Soldier
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Hair varies a lot. Sometimes it's worn down, in a ponytail or hidden under the hat. Sometimes nails are painted red or black
Ashes O'Reilly
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In live shows they often wear this eyeliner which has thick bars that go behind the ears - but I couldn't find any clear pictures of this. Though their outfits changes, always mostly black with some red in the hair
Dr Carmilla post can be found here
I hope this was in some way helpful to anyone who wants to draw the mechanisms. If you have questions feel free to ask me in the ask box and I will do my best to answer them and provide some photos <3 have a great day
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spidernuggets · 2 months
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Reader being Jason's girlfriend, who doesn't know about their double life, casually blurting out that she was never a fan of Batman and Robin or that she prefers Superman and the whole family is offended. 😭
love your writing, btw<3
-🪩
Jason Todd x Fem!Reader
"No, no, you're right, babe. Superman tops Batman for sure."
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"Ah, Ms. Y/n, pleasure to see you," Alfred opens the door to see you patiently waiting with a smile.
"Hey, Alfie! Is Jay home? He asked me to hang out with him today."
"He's in the living room with the rest of the family. Come in, come in," he steos to the side, giving you to room to enter.
"Oh, yeah!" You exclaimed, reaching into your bag. "I did that cookie recipe you gave me! They're not as good as yours, but they're sure better than the cookies I've made before. D'you mind taste testing for me?" You ask, handing over a tupperware full of cookies.
"I thank you for the charming remark, Ms. Y/n. I'm sure your cookies are as excellent." He says, taking a bite from a cookie.
"Nah, now you're just being too modest, Alfie," you laugh as he does too.
"Well, this is a marvellous improvement, Ms. Y/n," Alfred says, happily taking another one. "Come on now, let's go join the others."
The two of you walk towards the living room and see everyone there.
"Y/n!!" Stephanie shouts, running over to you, embracing you in a tight hug. "Ugh, it felt like forever since I've seen you! How are you 'nd Jason? Is he being an asshole like always?" She snickers.
You laugh, and before you can reply, Jason is already pushing Stephanie out of the way.
"Don't answer that, N/n. Steph, go away," he grumbles, soon putting on a smile once he stands right in front of you. "Hey, mama," he muttered, pulling you in by the waist, placing a kiss on your forhead.
You giggled at the contact. "Hey, Jay," you kissed his chin. "Hi, Bruce!" You look over Jason's shoulder, wavung to Bruce, who was sat on the armchair, looking through the newspaper.
"Y/n, always a pleasure," he says before going back to reading.
Jason takes your hand and guides you to the couch, making you sit on his lap. "Sorry I couldn't go out for our date today, sugar. Someone wouldn't let me leave," he emphasised, glaring at Bruce.
"It's scarce that everyone is here at once, Master Jason. It's a good opportunity for bonding." Alfred says behind him.
You kiss his cheek, which makes his heart race. "It's okay, Jay. It's nice hangin' out with you and your family."
"Yeah, kick his ass!" Steph shouts at the TV.
Last night's news was playing, showing footage of Batman and Robin, and their alliances, taking out some of Gotham's frequent villains and criminals.
"Do you guys always watch the news?" You asked, curious that they aren't watching something more entertaining.
You didn't notice it, but the whole family seemed to hesitate by your question.
"The news is a suitable way of keeping us informed of Gotham's latest activities. Just in case there are needs of safety plans for us," Damian says, sitting on the chair beside you, petting Titus.
"Plus, it's good to see Batman and Robin in action. Just in case there's anything they need to improve on." Bruce mutters that last statement, sending a sharo glare towards Damian, who, last night, didn't follow direct orders and backfired a section of the mission.
Damian ignored this statement and kept focusing on Titus.
You rested your head on Jason's shoulder. "Mm. I was never really a fan of Batman and Robin."
The whole room freezes, leaving the news to continue playing, and all heads turn towards you. The sudden attention had you tensed up.
"What?" You quietly ask.
"Batman and Robin are always keeping the streets clear of crime. How can you not like them?" Damian asks with a scowl on his face.
"I don't don't like them. They just don't pique my interest." You shrugged.
"Well what about their alliances," Tim asked. "Red Robin? Spoiler? Orphan? Red Hood?"
The questioning about Red Hood had Jason's full attention on you now.
"I dunno, I guess I prefer Red Hood. He's pretty cool," your unsure opinion had Jason mentally punching the air in victory.
"But.. to be honest, I kinda like Superman over all the superheroes," you smiled.
It was the calm before the storm. You didn't think a little opinion could've caused such a ruckus.
Even Bruce looked away from the newspaper annoyed.
"Why Superman? He's only so great because he has superpowers. Batman has no superpowers and can still put so many behind bars!" Bruce exclaimed.
Subtle. Jason thought.
"I'm sorry! I didn't know that you guys like these superheroes so much!" You said, almost scared that you somehow offended the family.
Jason then kisses your temple. "No, no, you're right, babe. Superman tops Batman for sure," Jason says, narrowing his eyes and sending a snarky grin towards Bruce, which, in response, he rolls his eyes and backs away from the conversation, going back to his newspaper.
"Did I say something wrong?" You quietly ask Jason as the other begin yelling at each other about which Batman ally is better.
Jason smiles, caressing your soft face with his rougher, calloused thumb. "Nah, don't worry, sweet thing. They're just mega Batman fans."
"What about you? Who's your fave?" You ask.
"Red Hood, hands down." He immediately replies.
You nod, thinking for a moment. "Okay. I wanna see more of Red Hood then. He'll be my favourite too." You say.
Jason thinks his heart just exploded. He shifts his right arms under your legs, his other supporting your back as he lifts you up, followed by a yelp coming from you.
"Get ready, babe. You're about to absolutely love Red Hood," he says, carrying you to his room, ready to go on a 5 hour lecture about Red Hood and why he's Gotham's greatest hero.
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help-itrappedmyself · 3 months
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Summoning Game Show Part 5
Masterpost
I just spent an unnecessarily long time making A Quiz so I would have questions and answers ready to go, only to not put any of them in. And spend a ridiculously long time doing math because I had to redo it like three times. Numbers are not my strong suit. In any case I now have a fully functional Jeopardy game and the next part.
~~~~~
It’s a close race. They were equal on the mountain track and neither really got sidetracked by Skulker on such a straightforward route. They made it to Zone Two almost even, but Jason almost immediately falls behind as Skulker hits him with a paintball. Being shot at shocked him more than anything, but realizing it was paint, he stopped trying to avoid it and just kept going, letting his armor deal with most of it. Skulker got bored and quickly went after Johnny instead, who got irritated and started a shouting match with Skulker as he drove. The different terrains meant they had to keep slowing down and speeding up, and Skulker got bored with the paintballs and started throwing water balloons instead. This was more annoying for the drivers because the water made the sand and mud trickier to drive on. Both Johnny and Jason both got their bikes temporarily stuck in mud and had to drag them back out while Skulker cackled above them. 
Zone three allowed Jason to catch back up to Johnny. This was what he was used to and he was able to go faster with more confidence. Johnny and Jason separated after Skulker shot a net at them both. And they found each other again on a straightaway leading to the finish line. It was close at the end, but Jason managed to pull out ahead. 
They shook hands at the finish line, walking back into the main room together. They separated when Johnny left to go back to the stands, followed closely by Skulker. 
“Wonderful race, very intense, great driving all around.” Danny says, very entertained. “Well earned win, Jason. I’ll remind you this is what you have currently.”
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“What letter would you like to guess?”
“I’ll take I.”
“Another vowel, very good.” Danny waves his hand again. “There are two I’s!
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“The next challenge is trivia, which will be played by Red Robin as he is the only one who has yet to participate in a challenge.”
A new podium appears on stage as Danny’s podium rotates so the two are facing each other. Red Robin walks up to the new podium.
“ The theme is SPACE!” Danny is so excited he is practically bouncing. A jeopardy-looking game board appears on the screen. “ You have 6 categories, all space themed, they are:  Earth, Other Planets, Space Numbers, Stars, Other Space Entities, and Spacecrafts! There are 9,000 possible points, you need to get at least 7,500 in order to win! The game can stop as soon as we’ve reached that number.”
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Red, being Red, decides to do all the hardest questions first. He starts at the bottom left corner, gets the first question right. Tim thinks since he got the hardest one he could probably finish out the Earth category pretty easily, so he goes down the list and gets them all correct. 
With 1,500 points he decides to start the next category with the hardest question as well. This is his first wrong answer. He starts going up the list, and gets the 400 incorrect for this category as well. Danny is disappointed. The rest of the boys are infinitely relieved that Tim is the one doing the trivia part. They probably would have lost already. 
Tim does get the rest of the ‘Other Planets’ category correct and moves on with 2,100 points and 6,000 points left on the board. He decides to start ‘Space Numbers’ with the 100 point question and keeps going, acing the whole category. He now has 3,600 points. With 4,500 points left on the board he needs 3,900 more points. This means he can only lose 600 more points. He aces the ‘Stars” category, then moves on to ‘Other Space Entities’. He misses the last question, leaving him with 6,100 points and 1,500 left on the board. Tim can only afford to miss the 100 point question, so he decides to start at 500 and get it over with.
He continues until he reaches the 200 point question. If Tim answers this one he will win, and he does so correctly the screen changes to shoots of confetti.
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il-miele-che-scrive · 3 months
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Could you do something with Lewis, maybe reader and Lewis have been dating for a while but she’s famous too so they kept things really private, but they got married over the winter break and now the other drivers are finding out
Hello 🫶 lately I've been doing more smaus so I decided to make this one a smau also, hoping you'll like it 🩷
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yourusername I still haven't gotten used to seeing myself on those huge ads
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georgerussell63 A supermodel and an actress not being used to seeing herself in ads? 🤨
↳yourusername When was the last time you were walking down the street and saw a picture of you casually hanging on a building? 🤨 Let me tell you it always takes you by surprise, George
carmenmmundt How are you so beautiful? 😭
↳yourusername I love you Carmen 😭
oscarpiastri Good job, Y/n👏
danielricciardo What an abundance of beauty you are
landonorris an amazing day to have eyes
charles_leclerc Can't take my eyes off you
zhouguanyu24 You haven't posted in months and that's what you decided to post?🙄
↳username1 AND SHE ATE
carlossainz55 See you in Vegas soon 👋
tchalamet You busy lately? We haven't been in a movie together for a while
↳username2 Co-star rizz lmao
username3 It's so weird to me how Y/n is the most gorgeous woman I've ever seen and she's SINGLE
↳username4 It's her choice
username3 And she made it while having f1 drivers and timothee casually flirting with her in the comment section
username4 Doesn't seem that much like flirting to me 🤷‍♀️ she's friends with Carmen and George so she's gonna have the drivers in her comments. And Tim is like her bestie
username3 Are you blind 😭 okay maybe Oscar's comment is friendly, but the rest is definitely flirting!!
username4 Whatever feeds your delusions I guess. I don't think she's single, she might just be keeping her relationship super private. Exactly because of fans like you
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yourusername Nothing beats a date in Las Vegas
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username1 A DATE. IN VEGAS.
username2 Okay guys, which driver do we think took her on the date?
↳username3 I'm saying Lando, it's a very Lando thing to do
username4 imo he was too busy healing from this terrible crash he had lmao
username5 Plus Lando is too young for her, I'd say Danny Ric
username4 yooo y/n and danny would be a great couple, I hope you're right
username6 Do you guys remember what Carlos commented under her previous post?? "See you in Vegas" or smth
↳username4 yeah but it could be just because she was invited to the paddock
username6 Like usually. But did you ever see any driver say anything like see you there and there before other races?
carmenmmundt YOU WENT ON A DATE?
↳georgerussell63 @/yourusername reply immediately and say who took you
yourusername Mom, dad, I'm terribly sorry I didn't tell you 😭
carmenmmundt This doesn't answer our questions...
↳username1 Help even they didn't know lol
username7 It could be anybody, guys. Y/n has most of the drivers in her likes
↳username2 Then maybe it's someone who isn't in the likes? 🤭
username7 Well, then we have Alonso, Bottas, Hamilton and a few others, it doesn't make it easier
username3 She'll say who it is when they're both ready but I wish it would happen as soon as possible
username9 LMAO none of the guys from the previous post commented now
↳username5 She just subtly told them too f off cuz she's taken 😭
username8 I can't wait until the winter break, I know something is gonna happen...
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yourusername He made me get my first tattoo lol
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username1 WHAT?? IS?? HAPPENING??
↳username2 idk looks like miss girl moved, got a tattoo and then decided to travel around 😐
carmenmmundt When are we going to talk about who is "he"?
↳yourusername When the timing is right ✨
georgerussell63 Whoever he is, he's a bad influence on you 🙄
↳yourusername Mom can you tell dad to quit my comment section @/carmenmmundt
username3 Y/n moved to Monaco 😭
↳username4 And how do you know that?
username3 Haven't you heard she was seen there?
username4 And? Celebs love Monaco
username3 Exactly. So she moved there. Possibly with her secret boyfriend
username5 Okay so what we know about Y/n's secret man is they live together in Monaco, he could be an F1 driver and he must have tattoos (because why would he make her get one otherwise?)
↳username6 IT'S DANNY RIC I'M TELLING Y'ALL
username7 Well there's also Hamilton who has quite a lot of tattoos
username8 And Alonso and Stroll, she didn't say how many tattoos her bf has, could be as well one or two
username5 Don't forget some drivers might have them hidden and never spoke about them
username9 To be fair she didn't say if he has any in general lol
danielricciardo What about a party in the new apartment?
↳username6 Yeah, keep telling me it's not him
↳yourusername Most likely when I'm back from my lil vacation
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lewishamilton Winter break
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username1 EXCUSE ME
username2 SIR LEWIS HAMILTON, EXPLAIN THE LAST PHOTO
username3 Don't panic, guys, it is me in the 4th pic
username4 I know he's an almost 40 years old man but I'm still shocked
username5 ngl that woman's hand looks familiar...
username6 Not even a tag on the last pic? 😕
username7 Silly season starting early this year 😭
↳username4 Yeah, firstly he dropped the bomb about moving to Ferrari and now THIS
username7 Man said lemme dominate this winter break 🤠
landonorris congrats i guess?
carlossainz55 Unexpected but happy for you!
georgerussell63 I'm calling Toto, you're lucky he doesn't have social media
username8 I can't believe he kept it a secret from all the drivers lol
↳username7 And for so long too!! I mean, you don't marry someone you started dating a month ago, it could've been going on for YEARS
charles_leclerc When will we meet this mysterious lady?
↳lewishamilton I'm sure you all know her well
↳username7 Leclerc better stay away 🤺
username9 You guys don't ever know how sure I am that it's Y/n
↳username10 I won't believe it until they confirm it
username9 Yeah because it's a total coincidence Y/n recently moved to Monaco, got a tattoo because "her bf made her" and also went on a trip
yourusername Shik shak shok
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username1 I KNEW IT I KNEW IT
username2 The couple I never knew I needed
username3 Two fashion icons
username4 Honestly is anyone surprised? Like, okay, unexpected, but I'm not surprised Lewis is dating one of the most famous models/actresses in the world
↳username5 I am surprised tbh 😭 I think a lot of people expected DR3, not LH44
username6 rip to all the drivers who used to hit on Y/n in her comment section 💀
username7 So Y/n is dating LH44 and is best friends with the girlfriend of GR63?
↳username8 She copied her lol
username7 Except Carmen's bf hasn't ever won the world champion title lmao
↳username9 That's a real friendship. Going for drivers from the same team
username10 I need to know how did they mange to keep it a secret for so long 😭
↳username11 Yeah cuz I can't believe even Toto himself had no idea
username12 Something about them being married makes so much sense, I love them
username13 Imagine when we start seeing them doing ads together omg
↳username14 ads? 💀 now that they're out and married I expect lots of content together on both their accounts AND on Drive to survive and just anywhere
username11 tbh who cares about the races, they can just display Y/n on the screen for 2h and I'd watch
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y/nhamilton btw we used to date but now we're just married (and thanks @/zhouguanyu24 for keeping our secret)
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carmenmmundt I was just as shocked as the fans
landonorris somehow I'm not surprised Zhou knew
↳username1 And he knew about both THIS and Lewis moving to Ferrari!! And kept quiet both times!
↳charles_leclerc I wonder what else Zhou knows that we don't
username2 Zhou Guanyu is officially the most trustworthy guy on the grid
↳username3 And I thought it'd be Oscar...
username4 Does it mean more iconic Y/n outfits on the paddock? 😍
↳y/nhamilton And matching outfits! 🤭
username2 Oh they're gonna kill it!!
username5 I need a friend like Zhou
zhouguanyu24 You're welcome 😌
↳y/nhamilton 🫶
↳lewishamilton 💜
username6 I never thought about Lewis and Zhou being friends, but...?
username7 in moments like this I go look at the old posts where other drivers would flirt with Y/n lmao
username8 This winter break belongs to Lewis
oscarpiastri Lewis' last name suits you
↳landonorris it would've been funny to see Lew change his last name to hers tho lol
carlossainz55 How long have you been together?
↳y/nhamilton Something like 5 years now
carlossainz55 And none of us knew all this time 😳
y/nhamilton Zhou knew... I've just said that
username9 All the other drivers immediately regretting everything they said under other Y/n's posts hahahah
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rodolfoparras · 4 months
Note
ah your professor price drabble done killed me i'm so insane about him.
i love professor student dynamics but they almost always have sub/bottom reader if you can even find male reader which is just... yeah. BUT YOUR WRITING OH MY GODS. it's edible i'm literally gnawing on professor price who finally found a student to challenge him and immediately wants to fuck. so valid. i too am attracted to people who are willing to have academic banter with me, price, you're so real.
also imagine fucking him over his desk after hours and joking about it being for extra credit he would be so annoyed dnajndakd
-🪔
Genuinely nothing brings me more joy than taking stereotypical tropes and roles and swapping them around because why not I want body guard/ royalty trope where price is the royalty and falls for the body guard I want professor price who’s head over heels for a student I want secretary loser price falling for ceo reader
Pt 1 of professor!Price x student!reader
Cw: age gap, reader is in his 20s!!!, professor student relationship, power dynamics, price is a bit of a creep, 18+
Okay but hear me out… jealous professor!Price
Price doesn’t like you. He couldn’t- shouldn’t. He’s a professor and you’re his student. If anything, these little fantasies were just that, fantasies, a way of getting through a boring work day.
Was it wrong? Sure. But it’s not like he plans on acting on them so might as well indulge in them.
Fuck he sounds like a perverted old man but he can’t find it in himself to care as he unbuttons his pants, takes his weeping cock in his hand, while thinking of your interactions from the day, can’t help but wear a plug to work, stretching the tight ring of muscles, preparing himself as if you’d fuck him after the lecture, can’t help but live off of these fantasies til he gets home for the day, and fucks himself with one of his dildos while imaging it’s your cock instead.
Fantasies.
That’s what it is.
Nothing more nothing less.
However he finds himself less sure about his feelings when he’s one day standing at the front of the lecture hall, arms crossed and brow raised, staring at the random student sitting a bit too close to you.
“Professor Price I have a question…”
The sound of another student’s voice snaps him out of his trance, heat creeping up his face and and vehemently avoiding your questioning gaze while proceeding to answer the student’s question.
Later on when the lecture ends he notices you and the same student from earlier walking out together. Price proceeds to packs up his stuff, all while continuously thinking about who that student was.
He hasn’t seen this kid hanging out with you before. The fact that the two of you were friends seemed so bizarre since- No. He shouldn’t dwell on it. He had no business questioning who you were and weren’t friends with. Besides he couldn’t be jealous now right? He didn’t like you that way. He didn’t like you at all.
That random student’s name turned out to be Tim and in a short amount of time you’d become very close friends with him to the point where you and him would be whispering about in class. Price would purposely interrupt your discussion with a question thinking you wouldn’t be able to answer him but you’d always be prepared, sounding and looking as confident as ever while answering his question and - fuck he couldn’t help the blood rushing to his dick as you confidently answered him. You were so clever, so confident and he couldn’t help but like that about you.
Like.
There it was, the word again and he swallows it down like his pride as he continues on with his lecture, allowing you and Tim to return to your discussion.
But he mulls over the word again when he sits all alone in the lecture hall eating his lunch because you and Tim were “going to grab something together”.
As much as Price hated to admit it, he did miss your presence at lunch. Sure you’d chatter his ear off and leave traces of your lunch all over the desk but Price enjoyed the company.
He enjoyed the fact that someone took interest in his lecture- in him after so many years.
He enjoyed having discussions with you even though you’d question everything he said.
And he enjoyed your company at lunch no matter what else he may say.
Weeks passed without the two of you interacting much.
It was better off this way, Price thinks to himself.
Fantasies, that all it was anyway, repeats it so much to himself so that the next time he sees you sitting in one of the extra chairs, legs propped on his desk and eating away at some poor excuse of lunch you made, he thinks that’s a fantasy as well.
He doesn’t ask about Tim and you don’t say anything so Price proceeds to work through the stack of assignments that had been piling up on his desk while silently allowing himself to enjoy this moment.
But soon enough reality hits him in the face or maybe it was when you randomly mentioned Tim that the damn burst inside of him and the words came flowing out of him.
“You should ask the lad out”
“Huh?” You say, seemingly confused by his choice of words since you’d been complaining about morning lectures just seconds before this.
“Tommy?” He tries again, pushing away from his desk, arms now folded over his chest.
You look at him in confusion before it clicks “Tim”
He nods his head, feeling slight annoyance at hearing the name but tries to not let it show on his face. “You should ask him out”.
“Why do you say that?”
“You seem to like him” Price shrugs, seemingly much less confident as he busies himself with cleaning off the stray crumbs you left on his desk.
“Yeah?” Price doesn’t even notice the smile tugging at the corners of your lips.
“Come on kid I’m old but I’m that not old. It’s obvious that you like him.” He says before dumping the pile of crumbs into the trash can.
“Never said you were,” you say completely ignore the latter statement as you smile at him.
For a second Price freezes in place, heat creeping up his face before he clears his throat and looks away. “Either way you should ask him out,”
“I don’t like him” you say with a shrug, still smiling at the older man.
Price scoffs at that.
“You do an awful job at lying, flirting too,”
“Why do you say so?” You say with a small smile on your face neither denying or confirming his suspicions which leaves him feeling tensed
“Well to start off, you’re spending your free time with some old man when you could be with Tom-Tim right now,”
“What if I want to do that though?”
He only scoffs in response, “you don’t want that,”
“I do, though,” you say, sounding firm as ever and for one second it sounds like you’re talking about something else, something he’s been trying to deny for the past months and the implication leaves him speechless and frozen in place, trying to process what you’d just said.
“Professor Price?”
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Text
Halloween prompts no. 24.5
Danny needed a place to live.
The Wayne manor had more rooms than anyone could know what to do with.
Had Danny been sneaking in to the Wayne manor uncaught for a three months now? Yep. Had he had a little fifteenth birthday party for himself with a cupcake and a candle in his new room? Yep. Was he proud of his appearent stealth? Yep.
Did he expect the butler to walk in on him in the middle of phasing his backpack back out of the wall?
Nope. Absolutely not.
The butler eased out of his look of shock like a veteran of wild shenanigans and bullcrappery, "May I inquire the reason for your visit?"
Danny, who was a panicking just blurted out, "I live here now!"
They just kinda stared at eachother before the butler laughed a little. "Alright then. Dinner will be served in two hours. Don't be late."
And with that he was gone. Danny groaned about his big mouth and decided to commit. Dinner was awkward and the butler, Alfred, made him introduce himself and he did so with a little wave.
Damian attempted to murder him with throwing knives which Danny caught and proclaimed were his now. The family all watched on as Danny wound Damian up and kept taking more weapons from him. Little bat looked like he was on the verge of either flying over the table at the teen or just having a stroke.
Steph and Tim were switching between asking questions and being menaces to society.
Jason was making quips at other people and being oddly friendly.
Duke was staring at danny with a look of horror for half the diner before awkwardly deciding to be friendly and hope whatever this thing was didn't bite
He and Dick were already workshopping puns together at the table in front of everybody. A fact no one but them enjoyed.
Bruce was asking vague questions to try to figure out what this kids deal was and how exactly he got past all the security.
Cass had successfully taught him a bit of ASL and they seemed to get along well enough. Especially once stealth was brought up. Turns out Danny likes to sneak around and he had almost been caught multiple times in the three months he'd been living here. All the family went silent.
"Did you say three months?!"
The whole family (sans Damian) works together both to get Danny to stay so they can get answers to questions and try to peace together wth is happening.
At first they thing Danny is going to freeload off of him only to discover he only came home right before the curfew Bruce set for him and heads out first thing in the morning. He usually only used the manor to sleep and shower.
It was Steph who found him first. He was handing out flyers as part of one of his many side jobs. Turns out he spent most of his time working.
He somehow managed to get Jason to help him buy a fridge. Danny paid for it entirely by himself, he just needed Jason to sign a piece of paper since he was a legal adult and Danny very much wasn't. Jason asked why the kid wanted such a huge fridge and he wasn't prepared for him to say he "wanted to stay out of the way as much as possible"
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lemotmo · 4 days
Text
Time for some Buddie fandom positivity!
Okay Buddie fam, the last couple of weeks have really been tough for the fandom, but we're still here thriving. After all the toxicity and discourse, I think it's time to focus on the good things, all things Buddie.
I am, at this point, 100% certain that Buddie is in the works. There are a million different reasons why I am so convinced.
Here's the beginning of a list:
The pre-season Ryan and Oliver interviews where they were completely unhinged and talked so freely about Buddie.
Buck was made canonically bisexual in one single episode.
Buck's current love interest has almost no screen time, which really doubles down on the whole 'they needed a way to out Buck as bi, so they quickly brought in Tommy to fullfill that goal.'
There were talks to make Eddie queer (with Tommy).
Eddie keeps being intertwined in Buck's new romance. He is there all the time and very consistently. Even when he isn't there in body, he is there in the dialogue. To the point where the audience has picked up on it.
Maddie knows! Her 'If there is something you need to tell Eddie' convo was so interesting.
The way Buck is consistently shown as a second father to Christophere, in body and in dialogue. First he talks with Chris about Shannon and then he is also involved in his new romance with Tommy.
Both Oliver and Ryan keep getting questions about Buddie in interviews. They love answering these questions and their grins are alway so wide. It's obvious they talked about it with Tim as well at some point, because their answers are clearly rehearsed. They have been told how to navigate these questions, in order to gently introduce the idea of Buddie to the general audience. I mean, the whole 'We're open to it! Whatever happens happens!' basically screams that they are going there.
The many articles about Buddie. The interest is crazy at this point. I love it!
Buck's new romance is almost never talked about, except in the whole narrative when they talk about bisexual Buck. For the rest it's all Buddie.
The questions to these interviews are pre-approved by ABC and show runners. So the fact that they get asked all the time and they are allowed these very open answers? Very interesting!
There has been no PR around Buck's romance with Tommy. No joined interview with Oliver and Lou, no photoshoots... nothing, nada, crickets. Just Oliver repeating he would like Buck to stay friends with Tommy after they break up. I mean...
...
I'm sure there are soooo many more things that indicate that the show is finally going the Buddie-route. I just can't remember all of them. :)
So I invite all of you Buddie peeps to reblog this post to fill in any other things you want to add to the list. Feel free to add it in the main body of the reblog or even leave things in the tags. If you don't want to reblog, just leave it in the comments of this post.
Let's create and spread some Buddie positivity here. I think we can all use some of that right now.
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prismatic-bell · 1 year
Text
Okay so I never actually want to see Disney or Tim Burton touch this with a thirty-foot pole because they’d fucking ruin it, but. May I present to you The Nightmare Before Christmas 2 that lives in my head rent-free:
Jack Strikes Back.
It’s another ordinary year in Halloweentown when there’s a knock at Jack’s door. He opens it and there’s an extremely burly dude in a loincloth, a fairy, and a walking pot of burning oil.
They want to talk to Jack.
He has experience, they’ve heard, with a certain big red lobster man yelling about how holidays are supposed to give each other their space and not railroad over each other, and our motley band of new protagonists could use his expertise on the matter. Because it seems old Sandy Claws might be just a leeeeeeeettle bit of a hypocrite.
These three representatives have a favor to ask of Jack: help get Claus back where he fucking belongs and out of Chanukkah.
Featuring:
���a running gag where the Chanukkians go to utterly ridiculous, Rube Goldberg-like lengths to keep the pot of oil lit. It never goes out, but good lord at what cost.
—this gag finally pays off right at the very end when everybody thinks Santa’s extinguished the oil. After a moment’s horrified silence the flame appears again and everybody from Halloweentown loses their shit cheering, because it’s been thirty years and they’re STILL a little confused but they got the spirit.
—the mayor is absolutely delighted by the presence of gelt. Candy? Your holiday includes CANDY? How excellent! Forward-thinking, even! Kindred spirits!
—everybody is confused by the fairy, including the fairy. She tells people she wasn’t originally from Chanukkahtown, she was from an ad campaign. She thinks. She’s not really sure. Characters from Chanukkahtown who speak Hebrew don’t seem to notice she’s there.
—of course there’s a group of arguing rabbis. OF COURSE there is. And yes, it is of course implied that two of them are Shammai and Hillel, because they’re arguing about which way you’re supposed to light the chanukkiyah.
—Santa tries to blame Jack because after all, Jack wanted more Christmas! Santa’s just being nice! Jack is having none of this.
—Lock, Stock, and Barrel are basically in love with Judah Maccabee (the big burly dude, of course) because he enjoys catapults.
—Jack does actually try to learn about Chanukkah. The problem is, every question he asks, he gets multiple, wildly various, all correct answers. The only time everybody agrees is when he says “and when is this Chanukkah?” and Judah goes THE TWENTY-FIFTH DAY OF KISLEV and Jack goes ���which is…when, exactly?” And everybody just stops and stares at each other before they all go “uh….we can check. Yeah. We’ll check.”
—the fairy is horrified to find out the reason she doesn’t remember where she’s from is because the answer is “Christmastown.” She was basically a Smurfette. When Santa tries to recall her she’s like “D: nope sorry I’m defecting I’d rather have no past and make people happy even if I AM an ad campaign”
—the rabbis thank Jack at the end by giving him “a traditional Chanukkah token.” It’s a pair of socks.
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gotham-daydreams · 8 months
Note
what would have happened if reader actually snapped at one of the batfam before they leave, causing the batfam to investigate their room and notice the readers life way before they leave?
Honestly if that did happen I don't think the reader would even get the chance to reach their friend's place.
Once the reader snaps, you know a whole dump of shit the Batfam has done to them in the past is just going to come pouring out. So depending on the person, the initial reaction would be different, if only slightly?
Bruce would go to Alfred before going to your room, the events being similar to how he ends up going to the reader's room in "Not Here", but instead, Bruce asks if he has actually done the things that the reader mentioned. With Alfred responding in his usual sassy, but to the point manner.
Dick would be frozen in place before trying to reach out and talk to the reader- only for them to harshly shove him with strength he didn't even know they had, and that keeps him in place for a while as they storm off. He decides that he'll check their room and ask Alfred — and which ever he comes across first, is what he ends up doing, before moving on to the other thing. Though either way, he ends up in the reader's room eventually.
Jason would be speechless at first, then annoyed a little bit. He's barely around, why should he get all this shit because the rest of the family have been unintentional assholes to the reader?... Then, he thinks about it... since he's clearly shown up enough to still help with fucking up the reader- especially to the point of them blowing up. So, he'd look in their room to investigate first, before asking Alfred any questions.
Tim just wouldn't know what to do. He'd stand there stupidly, mostly confused and shocked himself as he does try to reach out for the reader, but it's already too late. They reached the front door and left. Just like that. However, he doesn't waste much time and immediately starts his investigation. He might call Alfred while he's searching the reader's room, or even when he's on the way there, so that way he can multi-task and find out more about the reader quicker.
Cass is hurt, and does unintentionally let the reader go as they leave, but takes a minute before doing anything. She's in disbelief, but the pain done to the reader is so clear that she feels stupid how she didn't see it before. Even in their anger she could see the anguish and betrayal all over their body, and it pains her as much as the reader's words did. It takes her a minute to process anything, but afterward she searches for Bruce, Tim, and Alfred so that she can possibly get some answers. It's only after does she go to the reader's room.
Damian would be more confused than anything. (And let's be honest, out of everyone- he'd get the least of it. Mostly because he's so young and yeah, anger is unrational at times, I feel like in comparison to everyone else, who are worse offenders because they're older and have been influencing Damian's behavior towards the reader (albeit unintentionally), he just wouldn't get as much anger or anything directed towards him. Whereas with everyone else? Eh- I can't exactly say that's the case.) However, he would at least make an effort to ask Bruce, Dick, and or Alfred about the reader and how his and everyone else's behavior has effected them. Along with if they've noticed certain things about them and such. Only going to the reader's room with one of the three already accompanying him.
As for Babs and Steph...
Barbara would try to get the reader to calm down so that they could further talk- only to get ignored. She'd immediately try to talk to Bruce or Alfred, maybe even Dick or anyone she comes across before heading into the reader's room. Just considering it, before deciding that someone should do it, if someone else hasn't already.
Stephanie would also need a minute, before looking for people and making calls to the rest of the Batfam. Hurt and freaked out for how badly the Batfam as treated the reader, and what the reader might do now.
On the off chance that the reader blows up on Alfred, he just takes it before finally deciding that something should really be done. So if the reader blowing up at someone else doesn't light the fire immediately, he will do it for them.
Regardless of how it starts or who the reader ends up blowing up at- things hit the fan pretty fast.
Again, the reader doesn't even manage to make it to their friend's place before getting confronted, and basically cornered.
The moment the family finds out about all they can from the reader's room, it plays out similarly to "Not Here" except if you skip the part where they search the Manor, and instead go straight to Gotham. They find the reader easily since they're out in the open (and promptly ignore how they almost missed the reader, but the person who suffered the brief wrath of the reader was able to recognize them, so they had to do a double take to confirm). However things don't go great, maybe even arguably worse in comparison to Part 3 seeing as the reader hasn't had time to really cool down, and is already sick of the Batfam.
It just goes as terribly as you'd expect, and hey, maybe if a few of the wrong buttons are pushed, certain things happen instead of others. But if they're left alone, maybe the reader will get a bit of breathing space before it's inevitable invaded again.
Either way they'd be pushy, clingy, and would not leave the reader alone for a second- maybe even having them discuss parts of their life, along with certain events that have happened to them, so it can feel like the Batfam and the them are 'bonding'. (Even if the reader is very uncomfortable, in reality, and just ready to leave- but the Batfam is basically nailing them in place by staying close and invading their personal space.)
The Batfam becomes a part of the reader's everyday life as they don't want to miss a single day ever again. Not one. Even if the reader doesn't 'live' in the mansion anymore, but they'll move back in eventually, surely. The Batfam will take care of it either way.
With everything and anything the reader does, they'll find a way how to be there one way or another. But if they get too impatient? I'm sure you can imagine what happens from there.
Tldr: Things still go horribly, but just much faster than normal! :]
I hope this answered your question! If you'd like for me to clarify on anything or go into more detail on a specific thing I mentioned, feel free to send an ask! If anyone else has another question or anything or the sort, feel free to do the same!
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fluentmoviequoter · 1 month
Text
Speed Limit 2525
Requested Here!
Pairing: Tim Bradford x fem!reader
Summary: When Tim Bradford goes head-to-head with a bomber, he finds himself on a bus carrying a bomb and you.
Warnings: spoilers for Speed (1994) (I think this qualifies as an AU/rewrite), angst, bombings, nightmares, death and fear of dying, teasing, fluff, a little make out scene at the end? basically every warning that applies to the movie and The Rookie. I also made up a story about "Reaper"
Word Count: 11.7k+ words
A/N: This isn't completely proofread, but I'll be back soon to check it. I hope you enjoy!🤍
Masterlist Directory | Tim Bradford Masterlist | Request Info/Fandom List
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Shoot him.
Tim doesn’t feel the trigger depress, only the hot desert air beating against his face. Though the trigger doesn’t move, a bullet rips through the barrel and into Tim’s only surviving squad member. He yells to warn his teammate, but no sound comes out. The wind is loud in the desert, yet the sound of Tim’s friend falling against the sand seems to echo for miles.
“Bradford,” the injured soldier coughs. “Wrong target, Reaper.”
Tim’s chest is tight with guilt and anxiety when he wakes. The sheets are wrapped tightly around his legs, and his shallow breaths distract him from freeing himself. Before he has time to orient himself, Tim’s phone rings and snaps him out of his post-nightmare, adrenaline-fueled state as he reaches across the empty pillow to answer it.
“Bradford,” he says.
“Get to the station as soon as you can,” Sergeant Grey demands. “Your Metro captain has me calling everybody in. We’re sending patrol units out, too. It’s gonna be a long day, Tim.”
Tim forgets about the nightmare and the memory within as he rushes to get ready. Tim’s tunnel vision focuses on work, and everything else fades away. Middle-of-the-night calls aren’t unusual, especially for a Metro Sergeant like himself, but this many officers getting a wake-up call is. Whatever is happening is big, and it doesn’t sound to Tim like it will be over any time soon. He makes it to the station in record time, and his commander is directing the other Metro officers when he enters.
“We don’t have time,” she says suddenly. “I’m running this force from here. Sergeant Grey will fill you in on the way. Get to the target location and stick together. Bradford, you’re with Temple!”
Tim nods as Harry Temple walks to his side. Harry was one of Angela Lopez’s first patrol partners, but he decided Metro was a better fit when the time to move forward in his career came along. Like Tim, he was in the Army before becoming a police officer, and he and Tim have some shared experiences. Neither of them is overly eager to bond over them, however.
“Do you know what’s going on?” Tim asks Harry as he turns on the lights and sirens in the shop.
“All I heard was ‘elevator,’” Harry answers. “I’m assuming they’re more to this than that.”
“Listen up,” Sergeant Grey says over the radio. “This is your official brief. When we roll up to the scene, we go straight in. No time for questions after we exit these cars. Fifteen people are trapped on an express elevator. The owner of the building is also inside. A bomb took out the cables, and our bomber is demanding three million dollars, or he blows the emergency brake, too. Cell phone service is spotty in the building, so we can’t rely on that to track anyone or anything.”
“Cell phone service is nonexistent in the elevator. A defensive move against trade secrets,” someone adds.
“What’s our clock, Sergeant?” Harry radios.
“He gave one hour when he called, which leaves us with twenty-eight minutes.”
“The only thing that’ll stop the elevator is the basement, right?” Tim adds.
“The city plans to avoid that. They’re working to release the money.”
Tim stops the shop beside the curb at the front of the building. He leaves the lights on as he and Harry remove their weapons from the back and meet the rest of their tactical team in the lobby.
“We can’t just unload them,” an officer says.
“The bomber wired the elevator doors and the hatch to trigger the bomb. So, he’s crazy, but he ain’t stupid,” Wade explains as he enters.
“Harry volunteers to examine the device,” Tim interjects. “He was on the bomb squad in the Army.”
Harry turns to glare at Tim as he says, “Right. And since Bradford also has Army experience, he’d like to provide a second opinion.”
“Fine,” Wade says. “You two check it out. Hey! Where’s the nearest access panel?”
“32nd floor,” a nearby employee answers on his way out. “It’s in the hall by the storage closet.”
“Report only. We’re in a holding pattern until we get word from your Commander back at the station. Confirm building evac and keep your radios active.”
“What about the other elevators?” Harry asks the employee.
“In an emergency, all passenger cars go to the nearest floor and shut down,” he says.
Tim frowns and moves his gun to his side. “Looks like we’re walking up the stairs.”
Harry nods before sprinting up the stairs behind Tim. Tim outpaces him but waits at the access panel for Harry to arrive with his small tool kit. He begins removing the nuts from the metal cover while Tim watches the hallway. Harry gives Tim a signal and Tim lifts the metal sheet. Light filters into the elevator shaft as Tim crawls through the opening and moves to the top of the elevator, where the bomb rests.
“Ladies and gentlemen, this is the L.A.P.D.,” Tim announces loudly. “There has been an elevator malfunction. Just relax and we’ll have you out of there as soon as possible.”
Harry looks up from the bomb and raises his hands in question.
“I didn’t lie,” Tim defends.
“I don’t recognize this work, Tim. Whoever our bomber is… he’s a pro and the work is solid,” Harry says.
“Bradford, Temple, hold position,” Wade radios. “We’re waiting to hear back from the bomber.”
Tim looks at his watch and muffles a curse. Their time is nearly out, and Tim continues to look at his watch rather than think about the lives in the metal death trap below his feet.
Harry sees the look in Tim’s eyes and decides to distract him. “Terrorist in a crowded room, five pounds of dynamite. He’s got a deadman’s stick. What do you do?”
“How close am I?” Tim asks, looking away from the elevator.
“Twenty feet.”
“Taser. He can’t let go with enough volts surging through him.”
“Alright, hot shot. Fifty feet?”
“Nice try.”
“Airport, then. Gunman with one hostage, using her for cover. He’s almost on a plane, you’re a hundred feet away.”
“Why is the hostage always a woman in these scenarios? Watch too many romcoms in the academy?”
“What do you do?” Harry repeats.
Tim kneels to examine the bomb once more and remembers his nightmare. Shoot him. He shakes his head before answering, “Shoot the hostage. Take her out of the equation, he can’t get to the plane, and I have a clear shot.”
“You are out of your mind, Bradford.”
“This is wrong,” Tim says suddenly. “He’s gonna blow it. How much do you think this elevator weighs?”
“Why? You wanna try to bench it?”
Tim doesn’t acknowledge the teasing as he adds, “We can do something about the hostages.”
“No shoot them, right?”
“Roof,” Tim reads as he points to a roof access sign. There’s a heavy-duty winch secured to the corner of the roof, and Tim runs to it as he says, “We don’t shoot them. Just take them out of the equation.”
Tim pulls the cable from the winch toward the elevator housing on the roof. He drops it in and watches it fall several feet before it catches.
“It’ll hold,” Tim tells Harry. “It’ll hold,” he repeats, quieter.
“Six minutes,” Harry alerts.
Tim throws his legs over the edge of the housing and lowers carefully onto the elevator cable. He hooks the winch hook to his tactical vest before moving down in the elevator shaft. Wade and the Metro team argue with the city council about releasing the money in the lobby, and no one has a clue that the shooter is listening to their radio frequencies. Without cell phones, they’re completely reliant on their radios to stay in touch with one another. Tim ignores his radio as he flips so he’s headfirst as he nears the trapped elevator.
“One more pop quiz,” Harry begins. “Psycho Sergeant Tim Bradford rigs an elevator to drop thirty stories. What do you do?”
Tim rolls his eyes before gesturing for Harry to hold the winch cable steady. A small pile of C4 waits beside his feet, but Tim ignores it as he secures the cable hook to the frame of the elevator.
“Why did I take this job?” Tim murmurs.
“Hey, a few more decades and you get a tiny pension and a free watch,” Harry answers.
“Hit the switch, Temple.”
Harry runs to the winch, hoping that the cables used to wash windows are strong enough to catch a free-falling elevator. He flips the switch, and the winch begins pulling in the cable. As the extra cable Tim pulled into the shaft begins unspooling, he moves up to the open access panel.
In the basement, a man missing a thumb presses a button on his handheld device. Instantaneously, a red light illuminates on the bomb. Tim sees it and throws himself through the access panel just before the bomb goes off. The passengers begin screaming, but the winch catches the falling elevator before it reaches the bottom of the shaft.
“What is happening, Bradford?” Wade asks, his concern evident over the radio.
“He’s early!” Harry yells as he returns from the roof.
“We have to get them out of the elevator. They can’t be lower than 28,” Tim exclaims.
When he and Harry meet the rest of their team on the 28th floor, they see that the elevator is stranded between floors. Only the floor is accessible from their current position, but there is no time to run up and down the stairs and look for the perfect access point. The elevator passengers lower to the floor and Tim and Harry pull people out one at a time. Tim pulls the last woman to safety seconds before the winch fails and the elevator plummets to the bottom of the shaft. After the sound of impact, Tim and Harry lean back against a wall and pant from the effort they exerted.
“Is your watch slow?” Tim asks.
“Nah. He jumped the gun,” Harry says with a shake of his head. “We had three minutes.”
“He blew more than the elevator. He blew his three million dollars. Why would he do that?”
“Maybe he decided it wasn’t worth it.”
Tim sits up as he declares, “He’s here.”
“He could have blown that thing from anywhere, Tim.”
“He knew we were doing something, that’s why he acted early. That means he’s close.”
“He’s not gonna corner himself in the building. The building we evacuated.” Harry leans his head back against the wall and thinks for a moment before he adds, “He’d want to be here, yes, but stay mobile… The elevators.”
“All of the passenger cars stopped, and we checked them.”
“Did we check the freight elevators?”
Tim’s eyes widen in realization as he and Harry push themselves to stand and run to the freight elevator doors. Once Tim pries the door open, he slides down the cable and lands on top of a car. Harry reluctantly follows and freezes when a noise echoes inside. Tim doesn’t notice Harry behind him as he prepares to enter the elevator. Before he can, a shotgun is fired between them, and Harry falls into the elevator. The man inside knocks him out with the butt of the shotgun, and Tim waits until the elevator moves up to drop in through the roof panel. As he lands, he looks up and sees a shotgun barrel in his face.
“I don’t suppose anybody would pay me three million dollars just for you,” the nine-fingered bomber muses.
He pulls the trigger, but the gun is empty. Tim removes his Glock from his side and demands the bomber lower the shotgun. He does so but opens his coat to reveal dynamite strapped to his chest and a deadman switch detonator in his hand.
“Hotshot,” the man begins. Tim’s jaw clenches as he realizes the man listened to their conversations over the radio, but he can’t say anything before the bomber says, “Terrorist holding a police hostage. He’s got enough dynamite to blow the building in half. What do you do?”
“Fifty cops are waiting for us in the basement,” Tim states.
“Standard flanking, I’m aware.” He presses a button on a device wired into the elevator controls. “So, maybe we’ll get off early.”
The elevator stops at a parking level, and Tim watches as the bomber pulls Harry toward the door. His eyes open slowly, and Tim keeps his eyes on Harry rather than the man pulling him.
“Well, end of the line, Bradford. This day has been a real disappointment, I don’t mind saying.”
“Why? Because you couldn’t kill everyone?” Tim asks.
“There will come a time, hotshot, when you will wish you’d never met me.”
“I’m already there.”
“Look! I have your partner, I’m in charge! I drop this stick and they clean us up with a sponge!”
“Go ahead!” Harry yells. “Drop the stick!” “Shut up!” Tim demands.
Harry looks at Tim and mouths, “Shoot the hostage.”
Shoot him. Wrong target, Reaper. Tim takes a deep breath and shifts his arms to shoot Harry in the leg. He collapses onto the floor, and the bomber steps back in shock before running into the garage. Tim steps over Harry to shoot behind the feeling suspect. As the man reaches the door, he looks over his shoulder to smile at Tim before he disappears. Tim can’t check on Harry as the garage explodes and the force pushes him back against the wall. As Tim collides with the concrete behind him, everything goes dark. And everything changes.
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After Harry’s unplanned and involuntary retirement party, Tim nearly oversleeps. His alarm pulls him from a dreamless sleep, and he winces at the sound before turning it off. Before he showers, he decides to go for a quick run to clear his head. Once he’s dressed and ready for the day, he drives to his favorite café. It’s one of the only places in Los Angeles where you can get a decent cup of coffee and breakfast without being surrounded by millennials working on their screenplays. Tim nods at another regular, Vince, as he enters.
“Hey, Tim. You look awful,” Bob, the owner of the café, says.
“Thanks, Bob,” Tim grumbles.
“Pretty boy party too hard?” Vince asks Tim.
“I- I don’t remember that well.”
“Wake up alone?”
“Always do.”
“Must be nice,” Bob interjects. “The last time I partied like that I worked up married.”
Tim shakes his head as he accepts his order and walks out behind Vince. He sets his coffee on top of his truck as he retrieves his keys from his pocket. Vince’s bus starts behind Tim and pulls away from the curb. Tim turns to wave at Vince before unlocking his door.
After it crosses the first intersection, the bus explodes. Tim stumbles as he looks toward the source of the noise. He runs to the bus as it rolls to a stop and fights against the flames to help Vince, but it’s too late. As Tim lays his hands on his knees in shock, he notices an abandoned cell phone lying on the sidewalk behind him. It rings continuously, and Tim doesn’t hesitate before he answers the phone.
“What do you think, Bradford?” the bomber from last month asks. “You think if you and Harry find all the driver’s teeth they’ll give you another medal?”
“Where are you?” Tim demands.
“Twenty-second delay. I’m in the air duct when the garage blows. Did you think I wouldn’t come prepared? I spent two years on the elevator job. Two years. I invested myself in it. You couldn’t understand the commitment I have. A child, Tim, you’re a child. You ruin a man’s life’s work and then think you can walk away. You’ve got blinders on, but I got your attention now. Didn’t I, Tim?”
“Why didn’t you just come after me?”
“This is about money – 3.7 million. Not you and your ego. None of it had to happen, Tim, and I hope you realize that. How long do you think the driver’s wife and kids will wait before they get worried tonight?”
“When I find you, I will kill you,” Tim threatens.
“There’s a bomb on a bus, hotshot. Once the bus hits fifty miles an hour, the bomb is armed. If the bus drops below fifty, it blows up. What do you do?”
Tim doesn’t answer but looks around for any sign of the suspect.
“What do you do?” he repeats.
“I’d want to know what bus it was,” Tim answers. He’s accepted the challenge and knows that it has to end with a death: either his or the bomber’s.
“You think I’m going to tell you that, Tim?”
“Yes.”
“Very good.” The man sounds happy, and Tim presses a hand against a nearby wall to control his anger. “Now there are rules, Tim; we have to do this right. No one gets off the bus. One passenger leaves, I will detonate it. Now, if I don’t get my money by 11 a.m., there’s also a timer.”
Tim looks at his watch: 8:05 a.m. “I can’t pull that money in time-“
“Focus, Tim! Your concern is the bus. Don’t call, the radios are jammed. Number 2525, running downtown from Venice. At the corner of Lincoln and Pico…”
Tim drops the cell phone and runs to his car to follow the bus. The lives on that bus are in his hands, and he doesn’t plan to shoot any hostages today.
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“Please stop! Sam!” you yell as you chase your bus.
You don’t want to ride the bus, but since your most recent speeding ticket, it is your only mode of transportation. In the few weeks since your license was suspended, you’ve gotten to know the driver, Sam, and some of the regular passengers. You hope that camaraderie is enough to convince Sam to stop for you. The brakes on the bus squeal as it stops, and the door opens.
“This look like a stop to you?” Sam asks.
“You are an amazing man, Sam,” you say as you walk onto the bus. “The men in books and songs have nothing on you.”
You swipe your bus card and take a seat before saying hello to Ortiz, a regular passenger. Comfortable in your seat, and glad that none of the passengers are in a talkative mood this early on a weekday, you relax and hope to get your car back soon.
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Tim drives his truck in and out of traffic, onto the shoulder, and into the emergency lane as he tries to catch up with bus 2525. Other drivers honk their horns, flip him off, and yell insults through open windows, but Tim doesn’t notice or care. If he can stop the driver before it reaches 50, then the bomb will never activate. The only danger would be the man with the detonator.
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You look up as Sam slows for a traffic jam.
“Can’t you just drive over them?” you ask with a smile.
“Is it always like this?” a man asks from the back of the bus. “It’s my first time here, and it took me three hours just to get out of the airport.”
“Yep,” you answer. “It’s usually worse.”
“That’s why I never drive,” the woman behind you interjects. “I’d never have a car in this city.”
“I have a car. I miss my car,” you lament.
“In the shop?” the tourist asks.
“Something like that. Sam, seriously, the bus is huge, just run them over,” you say again.
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When Tim sees the bus has stopped because of a stalled car ahead, he sighs before he pulls onto the shoulder. He exits his truck and runs toward the bus, but the accident clears faster than he expected, and begins moving before he reaches the door. Hitting his fist against the side, Tim yells for the driver to stop.
“Can’t blame him for wanting to get on the bus,” you mutter as you watch him slap an open palm against the door.
“Get off the doors, man! Wait for the next one,” Sam yells before he speeds up.
Tim removes his badge from his pocket a moment too late. He continues chasing the bus, and you look down at your phone as the other passengers watch the unknown man run down the freeway.
Nearly half a mile from his truck and with no other option, Tim stops and waits at the edge of the road. He sees a speeding sports car approaching, and he moves into the middle of its lane and raises his badge.
“Stop!” Tim yells over the traffic.
The young man driving the car slams on his brakes to avoid hitting Tim. Several cars behind him blow their horns, and he raises to yell over the convertible’s windshield.
“What the-“
“L.A.P.D.,” Tim interrupts. “Get out of the car.”
“This is my car! It ain’t stolen and you have no right!” the driver argues.
Tim pulls his gun from its holster and says, “It’s stolen now. Move over.”
The man nods quickly before he jumps over the console and settles into the passenger seat. Tim sits behind the wheel and swerves into another lane as he ignores the owner’s pleas not to scratch the car. Tim drives the expensive, sporty convertible exactly as he had driven his truck, and the man in the passenger seat covers his eyes in fear for his car more than his life. As Tim steers the car beside the bus, he lays on the horn. Sam looks over and immediately recognizes him, and his eyes widen to prove it.
“I’m a cop!” Tim yells.
Sam lowers the window and raises his voice to ask, “What?”
“L-A-P-D!” Tim spells slowly. “There’s a bomb on your bus.”
“There’s a what?” Tim’s passenger exclaims.
“I can’t hear you,” Sam says.
“There’s a bomb on the bus!” Tim repeats.
Sam shakes his head, and Tim looks at the convertible’s speedometer. He’s over 50, so the bus must be, too.
“Drive!” Tim yells as he gestures for the bus to keep moving. “FIFTY! STAY ABOVE FIFTY!”
Sam nods rapidly and trembles a bit as he holds the speed steady. The commotion draws your attention, and you turn in your seat to watch the man who desperately needs a ride or is crazy.
“Call the Mid-Wilshire division station,” Tim says as he hands his phone to the man beside him. “Ask for Detective Angela Lopez.”
“Okay, okay.” The man speaks into the phone briefly before passing it back to Tim.
“Angela,” Tim says.
“Why are you calling me on your day off?” she asks. “Harry’s here, if you’re looking for him.”
“He’s alive.”
“Who?”
“The bomber! He’s back.”
“Harry!” Angela calls.
“Tim, did he hit the bus in Venice?” Harry asks as he approaches Angela’s desk.
“Temple,” Wade interrupts. “We just got a ransom demand from your dead terrorist. Says he rigged a city bus. Where’s Tim?”
“Where do you think?” Harry replies.
Tim ends the call and navigates around the back of the bus to drive alongside the door. Traffic is increasing with the morning rush, and he doesn’t want to risk getting stuck in another slowdown. He honks to get Sam’s attention, and gestures for him to open the door.
“Drive straight,” Tim directs him. “Stay in this lane.”
Sam agrees before Tim speeds up to get ahead of the bus. He opens the driver-side door and hits the brakes, so the bus rips the door off the car. Tim presses the accelerator again to catch up with the bus as he is yelled at by the owner of the car.
“Take the wheel!” Tim says.
Tim waits until the car’s owner moves back into the driver’s seat to jump into the open bus door and pull himself up the stairs.
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When the bus rips the door off a convertible, you finally look up. The man driving the car beside the bus is attractive, but you’re a little concerned for his mental well-being. Sam seems willing to help him, and you don’t understand why. When he jumps from the car and onto the bus, you stand and grip the bar above your head. He locks eyes with you before holding up a police badge.
“Everyone, I’m Sergeant Tim Bradford, L.A.P.D. We’ve got a slight… situation on the bus,” he explains.
“Are you crazy?” you ask.
“Ma'am, if you’ll please sit down, we can deal with this in an orderly-“
“But what are you-“
“Ma’am.”
His tone and the look in his eyes convinces you, so you sit down as Tim walks toward the back of the bus and looks at the other passengers. You watch him move and wonder if he’s truly a cop or just insane.
“Just stay in your seats and remain quiet,” Tim says. “Then we’ll be able to defuse the, uh, the problem.”
A passenger you’ve spoken to before, Jay, leaps from his seat and points a gun at Tim.
“Jay!” you yell worriedly.
“Get away from me!” Jay demands.
Tim pulls his gun and matches Jay’s stance. Two women at the back of the bus scream, and you look between Tim and Jay from your seat.
“I don’t know you, I’m not here for you. Let’s not do this,” Tim says calmly.
“Stop the bus, Sam,” Jay calls.
“He can’t. Look, I’m going to put my gun away.” Tim holsters it slowly and raises his hands to show they’re empty. “I don’t care about what you did. It’s over. I’m not a cop right now. See? We’re just two guys on the bus.”
Tim tosses his badge to the floor beside your feet, and you look at it before raising your eyes to Jay again. You understand why he calmed down so quickly; Tim Bradford has a soothing voice, and his presence is assertive but caring. More importantly, you can relax now, because his badge looks real. Jay’s hands begin to lower, but your fellow passenger Ortiz jumps onto his back before Jay puts it away.
Tim rushes forward as Ortiz tries to pull the gun from Jay. A shot goes off, and everyone ducks before a second shot fires.
“Sam!” someone screams.
You turn toward the front of the bus before moving to help Sam. Tim disarms Jay with minimal effort while another woman joins your side.
“Move him,” you say.
“He’s bleeding,” the woman argues.
“We have to stop the bus!”
At your words, Tim spins quickly to face you.
“No!” he yells. “Stay above fifty.”
“Sam is wounded,” you begin.
“You slow down, and this bus will explode!”
Tim holds your eyes and nods slowly. He’s not kidding, you realize. Turning quickly, you look at the speedometer, which falls to 51. While Sam is still in the seat, you push your foot onto the gas pedal and watch the line rise above fifty.
Tim handcuffs Jay to one of the poles before he explains, “There is a bomb on this bus. If we slow down, it will blow. If anyone tries to get off, it will blow.”
The women on the bus surround Sam and help him get comfortable as they try to slow the bleeding. As they pull Sam from the driver’s seat, you slide into position and steer into another lane to keep the speed over 50.
“We’re only gonna make it through this if everyone stays calm, sits down, and listens to me,” Tim adds.
You don’t hear everything he says, with your complete focus on the road ahead and the speedometer on the dash. Your knuckles are white because of your grip on the wheel, and you don’t hear Tim approach behind you. He lays a hand on the headrest behind you and leans down.
“This is great. A bomb on wheels,” you muse sarcastically.
“Can you handle this bus, ma’am?” Tim asks.
“Yeah, yeah. It’s just like driving a big Toyota, right?”
“Can you handle it?”
“I’m fine. What’s the plan? Is there a plan?”
Tim nods and stands to his full height. He watches you take a deep breath before turning to the rest of the passengers.
“Everyone, I need your cell phones,” Tim announces.
“No way, man!” the tourist yells.
“There is a terrorist out there with a bomb, and I don’t need any of you live streaming or interfering with the radio signal he could be using to detonate a bomb. So, I will only say this one more time. Phones - and anything else with a cellular connection – now.”
The passengers nod and offer all of their cellular devices. Tim accepts an empty bag from a woman beside Sam and places everyone’s belongings inside. He returns to your side and removes his phone from his pocket.
“Do you have anyone you need to call?” Tim asks softly.
“No. I- I don’t want to think like that,” you answer.
“We don’t have to. Everything’s going to be okay. Just keep doing what you’re doing.”
You nod and Tim lays a kind hand on your shoulder to add, “But I need your phone.”
“Oh, yeah. It’s- uh- it’s in my back pocket. Right side.”
Tim’s hand brushes your lower back as he pulls the phone from your pocket. He apologizes, though you can’t imagine why. You’ve only known Tim Bradford for a few minutes, but his words mean something, and you can only hope he keeps the promises he’s making.
“You’re a cop, right?” you ask.
“That’s right. Metro Sergeant,” Tim says. “But you can call me Tim if that’s what you’re asking.”
“Uh, no. Thanks, and you can stop calling me ‘ma’am’ while we’re at it. I just- I should probably tell you that I’m taking the bus because my driver’s license was suspended.”
“What for?”
“Speeding.”
Tim shakes his head and hides his smile before calling the station again. He leans forward, but keeps his hand beside you, to look at the news chopper circling above the bus.
“Lopez, it’s me. I took phones from all the passengers. Where do we start?” Tim asks.
“Alright. Harry and Wade are with me,” Angela replies.
“Check the speedometer, Bradford,” Harry says. “Has it been messed with? Any wires or anything that don’t belong?”
“Sorry,” Tim whispers as he leans in front of you to check the dash area. “No, it’s clean.”
“Then it’s gotta be under the bus. Probably rigged to one of the axles.”
“I can’t get under the bus to check right now. The whole you stop, you die thing. Remember?”
Tim doesn’t sound like he’s kidding; in fact, he sounds grumpier than when he first boarded, but his comment makes you laugh. He pats the back of your seat before turning.
“Sergeant Bradford,” Sam calls weakly. Tim kneels beside him to listen, and Sam stutters, “There’s a- an access panel… in the fl-floor.”
“Hold on, Angela,” Tim says into the phone.
He unscrews the panel and pulls it aside. The asphalt moves quickly under the bus, and Tim looks around before handing his phone to a passenger. You look up in the mirror above you to watch Tim briefly before returning your attention to the road.
“What’s your name?” he asks.
“Stephen. I’m a tourist,” Stephen introduces.
“Welcome to the City of Angels. Hold my phone, please. Tell my partner what I see.”
Stephen nods and raises the phone to his ear as Tim moves so he can see under the bus. He takes a deep breath; Tim knows a bit about bombs from his time in the Army, but it’s Harry’s expertise.
“Okay, there’s a bundle here,” Tim yells over the wind. “Pretty big.”
“There’s a pretty big bundle,” Stephen relays.
“Brass fittings. I think I can reach the circuit wire.”
“He can reach the circuit wire- No, don’t do that, Sergeant Bradford. It can be a decoy, he says. What else?”
“Hold on,” Tim murmurs before moving further underneath the bus. He sees the extent of the bomb and pulls himself back up to take the phone. “Angela, Harry, there’s enough C4 on this bus to take out everyone on the highway. There’s a wristwatch: gold band, cheap.”
You look back at Tim quickly before inhaling sharply. “Sergeant,” you call.
“What do you think, Harry?” Tim asks.
“Bradford!” you yell into the bus speaker.
Tim moves to your side and places a hand on the dash to lean forward. His face is right beside yours, and you wish you were nervous because of him and not the bomb underneath you.
“Everybody’s stopping,” you point out. “What do I do?”
“Get on the shoulder.”
“This is an exit!”
Tim flinches as you sideswipe several cars.
“Tim!”
“Off. Get off!” Tim yells.
You nearly miss the ramp and pull the wheel to the right to merge onto another road. Honking the horn and yelling for people to get out of the way, you take a deep breath. At least you’re off the freeway. Tim tells you to keep driving as he answers his phone again.
“Where?” he asks. “Got it.”
“Do I stay here?” you inquire.
“Yes. Just straight on this, they’re trying to clear the roads for us.”
“I’m never getting my license back, am I?” you grumble.
“The police commissioner will buy you a car if you ask,” Tim says quietly. “You’re doing well, okay? Don’t worry about anything else.”
You nod and return both hands to the wheel. Tim removes the flannel shirt he’s been wearing, leaving him in a white t-shirt, and drapes it over the back of your seat. Your eyes catch on his biceps before you chide yourself for getting distracted.
One of the phones in the bag rings, and Tim yells, “Who didn’t turn their phone off?”
No one is willing to admit their fault or doesn’t want to risk dealing with Tim’s wrath and ending up like Jay where he sits on the floor. Tim digs through the bag and pulls the ringing phone out. The number is one he recognizes, but he hesitates before answering.
“Taking their phones was smart,” the bomber says as the line connects. “2525… nice passengers, aren’t they? See, that’s the beauty of being in this day and age. I know everything about everyone on that bus. So, if you or your little girlfriend, or even the tourist from Kalamazoo try to double-cross me…”
“The bus explodes,” Tim interjects. “I’m aware.”
“What’s with the attitude, Tim? You’re seeing one of the prettiest places in the world, riding a bus for free… Oh, no, I know. Can’t shoot a hostage that makes that cold heart beat again, huh?”
“What do you want?”
“You know what I want! 3.7 million dollars. I get the money, and then we can both get what we want.”
“You don’t know what I want.”
“I know what you don’t want. Tell your girlfriend to keep her eyes on the road.”
The call ends and Tim raises the cell phone in his hands. “He knows who is on this bus.”
“How?” Ortiz asks.
“Your bus passes, your phones, both, maybe. Look, one of the conditions of our survival is that no one gets off the bus. If he knows who you are, then we are even more obligated to keep that promise.”
“You didn’t even try to get us off the bus!” Jay accuses.
“Because he would have blown it. I understand what you are feeling, but I need you to trust me, trust the L.A.P.D., and work with me on this.”
“Tim is this your team?” you ask over your shoulder.
A police car pulls into the lane in front of you as several more flank the sides of the bus. The road clears around them, but more news choppers are joining the airspace above you.
Tim nods and looks at you. “Are you okay?”
“Yes. What happens now, though?”
“My teammates are working on it. We’ve got gas and open road, so keep driving.”
“Is it- can I be okay and really nervous at the same time?”
“I’d be more concerned if you weren’t nervous.”
“You don’t look nervous.”
“My friend Angela says I never look anything; thinks I can’t show emotion because I can’t feel them.”
“Is it true?”
Tim looks at you and lowers to squat beside you. “No, it’s not.”
“How’s Sam?”
“The driver? He’s gonna be alright. Thanks to you.”
Someone calls for Tim, and he squeezes your shoulder reassuringly as he stands. You glance at him in the mirror as he returns to the access panel. A police helicopter drops to fly above you, and you wonder what the news stations and police officers know or think about the situation. The bus begins losing speed as you steer around a curve, and when you try to speed up again, you realize something is wrong.
Back at the station, Harry and Angela work with Wade and a bomb expert to search for a way to disarm the bomb and for their suspect. Harry has a description of the bomber, but there’s only so much they can learn about the bomb without seeing it.
“Sergeant Bradford!” you cry as you press the gas again.
“What?” Tim asks with wide eyes. You were calling him Tim, and your sudden change of formality and tone concern him.
“The gas pedal’s stuck.”
“What else can go wrong?” Tim asks under his breath. “Move your foot.”
You pull your foot from the pedal and steer as Tim presses his leg against yours to slam his foot down against the pedal. It doesn’t move, and the speedometer dips closer to fifty. Tim moves his hands to cover yours on the steering wheel and moves his leg between yours to try a new angle. You’re close to him, but the fear of dying keeps you from enjoying it in any way. He pushes the pedal again and his shoulders drop.
“There,” he announces as he steps back.
You take the wheel back and press the accelerator down again. The bus gains speed and you catch up to the police car before you.
“Lopez, talk to me,” Tim greets as he answers his phone again.
“You’ve got a hard left coming up,” Angela says. “Really hard.”
“Hard left up ahead,” Tim tells you.
“We’ll tip!” you argue.
“Who is that? Your driver?” Angela inquires.
“We’re not going to tip,” Tim says.
“Yes, we are!”
The curve in the road comes into view, and Tim suddenly agrees, “We’re going to tip.”
He leaves your side to move everyone onto the right side of the bus. The weight distribution keeps the bus from tipping, but as Tim helps you pull the wheel as hard as possible to make the turn, you forget why you were concerned. His presence is the only thing keeping you calm, and you wish he could just sit beside you the whole time.
“Angela, get those news crews off our tail!” he yells over the cheers of the passengers.
You look in the mirror beside you. The news crews must have arrived recently because you didn’t notice them before.
“On it. Harry’s working with the bomb squad. Keep it fifty,” Angela responds.
“Don’t try to make that a thing, Lopez,” Tim says before he ends the call.
“Hey, who’s doing this?” you ask Tim.
“The bomber? He’s just a guy who’s angry with me for foiling his last bombing attempt,” Tim explains.
“So, he’s trying again? Using you to get whatever it is he wants?”
“More or less.”
“What if you stop him again?”
“We do this again tomorrow. Until one of us dies trying.”
“That won’t work.”
“What do you mean?”
“I mean, I’m not available to drive tomorrow.”
Tim nods but doesn’t reply before a flatbed truck merges into the lane beside the door. His Metro captain and two officers are on the back, and the driver blows the horn to get his attention. Tim opens the door and moves out of the door to talk to them. You can’t hear much but suspect that they want to get the hostages off the bus, which Tim already said was impossible. Your sudden and unbending trust in him should probably concern you, but you will do anything and everything he tells you, even if that means staying on a bus with a bomb on it.
“He called the station looking for you,” an officer announces.
“Why? He has my cell,” Tim says.
“Maybe it died.”
“Just give him my number again! And keep looking; find this guy so we can move these people.”
Tim steps onto the main platform again and closes the door.
“Are they going to help us?” the woman holding Sam’s head up asks.
“Sure, they will. They’re the police,” someone jokes.
Another phone rings in the bag, and Tim pulls your phone out this time. He hadn’t thought to turn yours off because he was concerned about you and wanted to make sure you could drive like the bus needed to be driven.
“Hello?” he answers.
“Tim, you know I trust you. But it looks to me like you’re trying to move passengers off the bus,” the bomber says.
“I need one as an act of faith,” Tim argues. “The driver has been shot.”
“You shot another hostage?”
“He’s dying! If you want your money, show a little charity.”
The line is quiet for a moment before the bomber says, “Fine. You can try to get the driver off. I have more people to kill. Tell your girlfriend behind the wheel not to slow down or he won’t get a chance to bleed out.”
“We’re getting the driver off,” Tim announces after returning your phone to the bag. “Just him for now.”
Ortiz moves out of the seat to help Tim move Sam to the door and onto the truck.
“Get as close as you can,” Tim says. “A little closer.”
The side of the bus hits the truck and swerves, and you rush to apologize.
“It’s okay.” Tim says your name, and you know that he means what he says. “Perfect! Hold it steady!”
You sigh as Tim walks past you again after getting Sam to safety, but then you see a woman walking toward the door. The officers on the truck reach out to help her, unaware of what will happen if she steps off the bus.
“No!” you yell.
“I have to,” she responds.
“No! Don’t get off! Stop!”
An explosion echoes through the bus as the steps fall out and go underneath the bus. The female passenger disappears after she falls with the debris, and you look away quickly as Tim falls forward trying to catch her.
“You’ve got to get those choppers out of here!” Tim yells to his captain. “He’s watching!”
The bus is silent as Tim stands up and waits beside you. With your eyes on the road, he doesn’t see the tear that leaks out. When the passengers start arguing behind you, your grip on the wheel tightens.
“Hey!” Tim calls as he turns to face them. They silence, and he moves his attention to you. “How are you doing?”
Tim steps forward, sees the tears covering your face, and squats with an arm behind you. “What can I do?”
His voice is softer than when he yelled at the men behind you, and you can’t lie to him.
“I thought that was the bomb. When I heard it… I thought everything was over. But then I saw her fall under the bus, and-“
“You’re glad you’re still alive,” Tim finishes.
“I’m so sorry. Does that make me a terrible person?”
“No. It doesn’t mean you don’t care. We’re still alive, and we’re all allowed to be thankful for that. The guy who put us here? He’s a terrible person. Don’t think that you’re a bad person. You’re not.”
“Tim,” you say before pointing to his Captain, who is waving for his attention.
“There’s a gap in the freeway. It’s big. We have to get these people off, Tim,” he says.
“You know I can’t, Captain.”
“Tim?” you ask as he walks past you. “What’d he say?”
“There’s a gap in the road,” Tim tells everyone.
“How big is a gap?” Ortiz asks.
“50 feet, a couple of miles ahead,” Tim says.
“Tim?” you repeat. “What if I shift down and just keep the engine revving?”
“He thought of that… Floor it.”
“What?”
“There’s an interchange, maybe there’s an incline. Just floor it.”
“Okay.”
“Everyone keep your heads down.”
The police car leading you falls off the side, but you continue driving toward the unfinished overpass. The needle on the speedometer nears 70, and Tim waits beside you. As you approach the end, Tim yells for everyone to hold on. He puts his arms around you and pulls your head down with his. You feel weightless for a moment, grounded only by his arms around you before the bus collides with the other side of the interchange. Looking up over Tim’s arm, you see more road ahead and press the gas again, so you don’t slow down.
Your forehead begins to burn and hurt, and you press your palm against your temple as the people behind you cheer. Tim checks on everyone before returning to your side, and he immediately realizes that you’re in pain. He moves your hand and presses the bottom of his shirt to your head. It’s stained with blood when he pulls his hand away, and you grimace at the idea of a wound on your head.
“Get off here!” Tim calls suddenly.
“Yes! Get off!”
You obey and soon enter the Los Angeles International Airport. Tim gives you directions to an emergency runway and explains that you can simply drive here. Without traffic or road closures, the only concern is staying above fifty.
Being in restricted air space is also a bonus, and you notice that the news helicopters are hovering at a distance. Tim seemed concerned about the presence of news cameras, so maybe the location will also keep the bomber from knowing exactly what is happening.
“Yeah?” Tim asks as he answers his phone.
“The airport. Well done. You had some close calls, but you did well, Tim,” the bomber says.
“What do you want?”
“My money. Help me get it before it’s too late, will you? The negotiators think I’m doing this for fun?”
“Are you not?”
“Oh, now you think you know me too?”
“I know you want money you didn’t earn. More than you deserve.”
“I did earn it! I got a medal, too, you know.”
“Let me off. If you want my help, I need to explain that you’re not bluffing. Just me.”
“Alright. But you have to come back. I can see everything; remember that.”
Tim ends the call and slides his phone back in his pocket.
“There’s a plan now?” you ask.
“Maybe. He’s letting me off,” Tim says.
“Hey, don’t forget about us,” you call as he steps off the bus and onto an SUV. “He’ll be back,” you promise the others.
While you circle the airport runways, Tim works with the other officers he told you about to find a way to disarm the bomb. Ortiz walks to your side and looks out at the airport.
“Ortiz?” you ask.
“He’s not coming back, I’m telling you,” he says.
“He didn’t have to get on in the first place. Hey, get behind the yellow line.”
Ortiz looks down and takes on short step back. “You let the cop up here.”
“What is that?” Stephen asks as he joins Ortiz.
“I have no idea,” you answer as you look at Tim standing on the back of a truck covered in machinery. It pulls over in front of you, and Tim lowers onto a cart attached to a winch, and you mutter, “I was right. He is insane.”
“How’d they get that so fast?” Stephen asks under his breath.
You focus more on driving in a straight line as Tim disappears under the front of the bus. He looks up at you just before he disappears, and you nod once. Knowing that he’s under the bus makes you more nervous to drive than you have been at any other point today. Driving in a straight line at the airport is more stressful because Tim is underneath a moving vehicle and touching a bomb. You know he has friends and colleagues who are helping him, but you feel more than a need to survive when you look at Sergeant Tim Bradford.
The winch on the truck releases suddenly, and the cable unfurls.
“Check and see if he came out the back!” you demand. “Can you see him?”
“He’s not back here!” Ortiz calls.
“Look under the bus! Back by the tires!”
“I don’t see him.”
The winch cable snaps and the back tire bounces over something. You press a hand over your mouth in shock, and Ortiz runs to the back access panel.
“Please tell me he’s alright!” you yell. “Do you see him?”
“I see him!” Ortiz responds. “He’s alright!”
You look back and forth between the empty runway and the back of the bus. Ortiz and Stephen pull Tim up onto the bus, and you can’t decide whether to be angry or relieved with him. Tim thanks Ortiz before walking to your side.
“How are you?” he asks.
“You scared me!” you accuse. You slap his vest to express your displeasure before hissing in pain. “What’s that smell?”
“Gas. We have a new leak.” “You caused a leak?”
“It was that or get run over. You can see the difficulty I had choosing.”
“Don’t try to be funny right now. I thought I killed you.”
“I’ll ask my captain to get a fuel truck.”
“Will it work?”
“I don’t know.”
“You’re not exactly comforting, you know that?”
“You just hit me and now you want comfort?”
You sigh and look at him again before saying, “Thank you, Tim.”
“Just doing my job… ma’am.”
Tim stays beside you while Harry and a S.W.A.T. team infiltrate the house listed on the bomber’s records. He was surprised by how quickly they found his identification, but now that they have the element of surprise, he hopes that this game is almost over.
 When he gets another call, you can only see the anger in his eyes as he listens to the person on the other end. The bomber tells Tim that Harry and the S.W.A.T. team walked right into his trap. You watch him and can only wonder what is making him so mad. His life is in danger, but something is capable of pushing him even further, it seems.
“I’m going to rip your spine out. If you know as much as you think you do, you know I can,” Tim threatens lowly.
“Oh, I do, Reaper. That’s why you should do what you’re told. You and I both know you can’t do it without Harry and his ability to follow a cheap watch, anyway. Get me my money and it’s over. Otherwise, you, lumberjack-ie, and the others are dead. Got that?”
“Yeah,” Tim says after a moment. “Howie.”
The bomber hesitates at the mention of his real name but doesn’t let it stop him. Tim listens to Howard Payne’s demands before ending the call. Tim turns around and kicks where the stairs used to be before pulling against the handrail in his anger. You try to get his attention over his yelling, but it falls on deaf ears.
“Tim! Please!” you try again. “I can’t do this without you. Please.”
Tim slows his movements before gripping the rail beside you. His jaw is clenched as he looks at you, but your pleas soften his eyes.
“Please stay with me,” you whisper.
“We’re going to die,” he says.
“No. You got us this far, right?”
Tim leans against the dash beside you and looks at you. His shirt is still behind you. Lumberjack-ie. Your little girlfriend.
“Lumberjacks wear flannel, right?” Tim asks.
“Uh, yeah. As far as I know,” you answer. “Why?”
“He can see you.”
“What?”
“Keep looking straight ahead.”
You turn your face to the windshield and watch the runway as Tim examines the top of the bus. He sees the camera at the top of the windshield and shakes his head.
“He said, ‘your girlfriend behind the wheel’ and ‘lumberjack-ie’. I didn’t even realize. There’s a camera in your face. He can see the whole bus.”
“He can see me, but can he hear me?” you ask.
“Doesn’t seem like it.”
“Bus cameras can’t be very high-tech, Tim. Can’t your people get it on a loop or something?”
“You’re brilliant,” Tim murmurs before pushing himself off the dash and to his feet. “Guys, there’s a camera over my left shoulder. I need everyone to sit still. No big movements, no talking, just look concerned and sit still.”
He calls his captain and asks for someone to approach the news trucks at the fence to end the live broadcasts and use their equipment to make a video loop. His captain agrees and texts Tim with an update that the reporters are cooperating.
“Remember, stay relatively still. Just look scared,” Tim reminds everyone.
“That won’t be hard,” Ortiz grumbles.
Tim leans beside you while the video is being recorded. You drive in silence for a minute before noticing the blinking red light on the dash.
“Tim,” you whisper. “Look.”
“Cap, roll the tape. We need fuel,” Tim says into his phone.
“We only have a minute recorded. That won’t convince him, we need more footage” Wade argues.
“No time. Get these people off before this bus runs out of gas.”
“Fuel tanker is running behind. Driver said big rigs need radio signals, and they’re still jammed. Crazy not stupid, right?”
“Right.”
“Now what?” you ask Tim. “Are you tired of that question yet?”
“I’d like an answer to it,” he replies. “Get alongside this bus, okay?”
You nod and drive steadily alongside an LAX passenger bus. Tim’s team lays a wooden board between the bus doors and helps people cross to safety. You listen to Tim encourage the passengers across and are glad he was the cop who got on the bus today. The rear tire blows out suddenly, and you pull the steering wheel back to the middle and yell for Tim to come help.
Tim falls on his way back to the front of the bus, but when he reaches you, he moves his arms across you to pull the wheel.
“Use this to hold down the gas pedal,” he says.
You take the device from his hand and lower it into place. Tim steps back to tie the steering wheel to the floor of the bus, and you steer to keep the bus straight while he works. The moment it’s secure, he pulls you to your feet and tells you to get on the metal access panel.
“I can’t do this,” you argue.
Tim raises his hands to either side of your neck and brushes his thumbs along your skin as he promises, “Yes, you can. I’m right here with you.”
You swallow nervously and nod before sitting on your escape route, a thin piece of metal that Tim moved with no problem. Tim moves to lay over you, and he wraps an arm around your waist as you hide your face against his shoulder.
“I got you,” he promises once more.
The bus turns and the access panel cover falls out of the bottom. You clutch Tim tightly as the metal door slides across the runway and into a nearby patch of dirt. He sits up and watches the bus slow as it nears a plane but doesn’t let go of you. Just before the bomb detonates, Tim pulls you down again and lays over you to protect you from any debris. Sirens echo in the distance, and you wrap your arms around Tim’s back.
“Are you alright?” he asks again.
“No,” you answer, your first honest answer of the day. “Oh, I hate the airport.”
Tim moves to your side but keeps an arm around your shoulder as he looks into your eyes.
“You can’t get mushy on me. You can’t show emotion, remember?” you tease.
“I think I might be able to after all.”
“Relationships that start like this never last. It’s just the high-stress, adrenaline pumping, all that.”
“Oh, yeah? Well, maybe we can change that.”
“Uh, I think your friends are here.”
Tim looks up but doesn’t move as Angela and Wade exit a police car and run toward him.
“I was worried about you,” Angela says. “And here you are.”
“I’m sorry about Harry,” Tim offers. “I wish we could have changed it.”
“You good?” Wade asks. “’Cause I might be a nice guy and let you take the rest of the day off.”
“And stop worrying about what we could have done differently. You saved a lot of lives today, Timothy,” Angela adds.
“A day off sounds like a good deal,” you murmur.
Tim shakes his head before introducing you to Detective Angela Lopez and Sergeant Wade Grey. When he finally stands and sees the scrapes and gashes littering your skin, he forces you to let a paramedic treat you. Tim follows you to the ambulance but hangs back to talk to Angela. He’s lost a partner before, too, and knows what it’s like.
“I’m sorry for bringing everyone into this. Howard could have just come for me,” Tim concludes.
“I appreciate everything,” Angela responds. “But, you’re going to the hospital, too. Is that Chen?”
Tim turns quickly and sees Lucy running toward the police cruiser parked behind the ambulance.
“Sergeant Grey!” she yells. “We’ve got Payne on the line, and he wants to know when he’s getting his money. Whoa, Tim, are you alright?”
“He doesn’t know,” Tim says. “He doesn’t know the bus exploded.”
“Tell him thirty minutes,” Wade alerts all the nearby officers.
“Stay in the ambulance,” Tim tells you.
“But I-“
“Ma’am, stay in the ambulance.”
You nod and climb into the ambulance after refusing help from the paramedics. They continue bandaging a cut on your leg as Tim climbs in.
“I need to make a quick stop on the way to the hospital,” he tells the driver.
“Where?” she asks.
“The drop spot. Pershing Square.”
The driver reluctantly agrees, and you watch Tim as she drives. He demands you stay in the ambulance until he returns, and you agree but don’t mean it. You’ve been beside Tim for most of the morning, and you neither remember how to be away from him nor do you want to. You stand on the sidewalk beside the ambulance and watch people move around you. It’s another normal day for them, but your life will never be the same after today.
“Miss, you can’t stand here, you need to move back,” an older officer says as he grabs your shoulders.
“Oh, I’m waiting for Tim-“
“Tim Bradford, yes. He asked that I move you out of harm’s way.”
“But he told me to stay here.”
His hold on your shoulders tightens as he says, “And I’m telling you to move.”
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“Payne is late,” Angela complains.
“He’s not late,” Tim says. “He’s never late.”
“Two hundred cops are watching that sculpture, plus a tracker in the bag. He hasn’t been here,” Wade explains.
“Turn on the tracker,” Tim requests.
“What for?”
“Just do it!”
Wade presses a button on the laptop before him, and the blinking light of the tracker travels across the screen.
“He’s got the money,” Angela says.
Tim runs out of their hiding spot and to the drop spot. He pushes the art installation over and kicks it when he sees the opening in the sidewalk beneath it. As he drops into the defunct subway system, he sees someone walking farther into the tunnel and pulls his gun.
“L.A.P.D. Freeze!” he yells.
The person stops, and he aims at their head before saying, “Pop quiz. Someone has a clear shot at your head. What do you do?... Turn around.”
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“If you don’t do it, I’ll kill Tim Bradford,” Howard Payne threatens as he secures a vest covered in dynamite around your chest. “What are you going to do?”
“Wait- wait for him to come in and walk away. Then I listen to you,” you answer shakily.
“Perfect. Maybe you two can have your happily ever after all. You say one word that I don’t like and you’re both dead.”
Howard disappears down the subway, and you bite your bottom lip to refrain from crying or screaming for help. Tim may shoot you, no questions asked, but at least he will be safe. When you hear something crash above you and sunlight infiltrates the dark staircase before you, you take a deep breath and begin walking away.
Tim’s voice doesn’t carry the same comforting words or soothing lilt as in the bus, but you still recognize it and want to hear it as he yells at you.
“Turn around!” he demands.
You turn slowly and can see the moment Tim realizes he’s pointing his gun at you.
“I’m sorry,” you whisper.
The apology echoes off the concrete walls as Tim lowers his weapon. You don’t see or hear him, but you can feel the change when Howard appears behind you.
“Be prepared!” Howard says as he walks up the stairs behind you and raises the detonator, a deadman’s switch. “What are you gonna do, Tim? I don’t think you can shoot this hostage.”
“Let her go,” Tim demands as he points his gun at Howard.
“I don’t think I’m going to do that. Move the money,” he tells you.
You transfer the money from the L.A.P.D. bags and into Howard’s duffel bag as Tim yells at him to let you go.
“You don’t need her!” Tim adds.
“I will let go,” Howard threatens as he moves the detonator switch. “You don’t get it, Tim. Do you know what a bomb that doesn’t explode is? It’s the cheap, gold watch they gave me after I lost a finger and a life to my country.”
“You’re crazy.”
You push yourself against the wall as you listen to their exchange, but you keep your eyes on Tim rather than the bomb just below your chin. Howard demands you take his money and enter another part of the tunnel system and you know that you’re going to obey because he’ll kill Tim if you don’t. You tear your eyes from Tim and walk exactly where Howard leads you.
As you enter a crowded stop, Howard fires several shots into the concrete ceiling as you drop your head and cover your ears. The subway passengers waiting for the next train flee in terror as you try to get away from Howard. Tim can’t be far behind, but when you’re pushed into a subway car, you’re tempted to think that no help is coming. Howard handcuffs your hands around a pole before the subway lurches into motion.
At the back of the subway, Tim struggles to pry a set of doors open before he falls into the car. He moves strategically through the empty rows of seats with his mind on you and ending this game with Howard Payne once and for all.
The subway conductor reaches for his radio, and Howard forces the deadman switch into your hands and tells you to hold it. He turns his back on you and kills the conductor as you struggle to move away.
“Look, you won. You beat Tim, you beat everybody, you can just throw me off the train. I don’t care,” you plead.
“You see this stick? When you explode, the police will come there. But that’s not where I’ll be, so I get more time. I promise it won’t hurt,” Howard replies as he pulls the detonator away from you.
A series of dull thuds echoes, and Howard looks up quickly. He smiles, and it makes your stomach flip.
“Hey, Tim. Is that you?” he asks. “He’s so persistent. Wouldn’t be able to interest you in a bribe, would I, hotshot?”
Howard kneels and opens the duffel bag full of cash. You watch as a dye pack explodes in his face and paints his money purple. In his anger, he fires bullets into the roof, and you drop to the floor as Tim rolls out of the line of fire. Howard runs through a door, and you can only listen as he climbs onto the roof and begins struggling against Tim.
Howard has the deadman stick in his hand and can kill you by moving a centimeter to the left or right, but you’re more worried about Tim with every noise against the roof. You stay low on the pole you’re cuffed to, twisting your wrists and manipulating your fingers as you try to slip free. The struggle above you silences suddenly, and you watch the door nervously.
“Tim!” you call when he rushes in. “Tim. Where’s Payne?”
“Uh, he lost his head. Turn around,” Tim says.
You circle the pole, and Tim rips a wire free before loosening the straps of the vest.
“Let’s take this off,” he says before pulling the vest away from your chest.
“Tim, can you hear me?” someone asks through the driver’s radio. “This is Wade. Listen, the track isn’t finished.”
“What else can go wrong?” you murmur.
“Wade, I copy,” Tim radios.
“Do you copy? Try the emergency brake.”
“I copy!” Tim tries again before throwing the radio down.
He steps to the right and hits the emergency brake. After the train doesn’t even slow, he begins hitting other buttons, but nothing happens.
“None of this works!” he exclaims as he hits the control board.
He turns away from the useless machinery and returns to you. When he notices the handcuffs holding you in place, he slows.
“You can uncuff me and we can get off,” you say with an exaggerated nod.
“I don’t have a key,” Tim replies.
“You don’t have…”
You trail off and look at the handcuffs. If only you could slip your hands through them, you think. Tim begins pulling and kicking the pole as you try again to pull your hands through the metal cuffs. He pauses and lays a hand against your arm to look at how tight the cuffs are.
“Help me pull,” you grunt as you lean your weight back against the restraints.
“No, no,” Tim says quickly as he pulls you forward. “You’re just hurting yourself.”
You stand still and see a bead of blood running down your fingers. As you stare at it, Tim walks to a map on the wall. He remembers the nightmare again; a series of bad memories that end with him, “the Reaper,” standing alone in the desert before being rescued and awarded a medal. As he searches for a way to save you, Tim decides that he will never shoot the hostage again, and he won’t leave you behind, even if that means dying with you.
“Tim, please just go,” you beg.
“There’s a curve ahead. I can make it jump the track.”
“Tim! Sergeant Bradford!” Tim turns to you, and you repeat, “Get off this train. You can still jump. Tim, please. Please.”
Tim ignores you as he returns to the controls and increases the train’s speed. You slide your hands down the pole as you sit on the floor, and Tim walks silently to your side. He leans in beside you, and you raise your arms to wrap around his neck as you lean your head against his. He moves his arms around the pole to circle you and holds you tight as the train picks up speed.
“I’m sorry,” you whisper just before the lights go out.
The train car hits something and spins, but Tim tightens his arms around you. With every bump and move of the subway, you become more convinced that you’ll never get out of this position. Light enters the windows as you crash through something, and the car flips onto its side as it lands on asphalt. The impact loosens the pole, and you fall onto Tim, whose grip on you doesn’t waver for a second. As the car slides to a stop, you squeeze Tim and take a deep breath.
“You didn’t leave me,” you say before forcing yourself to open your eyes.
Tim cradles the back of your head before moving his hands to your back. You lean up gently and look into his eyes again.
“I told you to leave me!”
“I didn’t have anywhere to be just then. Rest of the day off and all,” Tim responds before pulling you down against him.
He kisses you, and you’re surprised that it is more than adrenaline. The kiss is more than a relief to be alive, and you want to feel Tim Bradford at your side every day for the rest of your life (which would have ended today if not for him). You move your hands to Tim’s short hair as you return his kiss. It’s relief, joy, love, and passion in a single touch. When Tim begins breathing heavily against you, you move up.
“I’ve heard relationships that start during intense situations like this never work,” Tim says.
“Oh,” you sigh. “Then I guess we’ll be the first.”
“Whatever you say, ma’am.”
Glass rains down on you as you kiss Tim again, and though your day went nothing like you thought it would, it’s now the best day of your life. Tim helps you stand as his team approaches the scene, and you stop him before you exit the car.
“You know if this was a movie, they’d make another one where the same thing happens again, right?” you say softly.
“We’re never taking public transportation again,” Tim states.
“Yeah. Hey, where is the truck you were driving this morning?”
Tim hesitates and tightens his arm around your waist before turning away to yell, “Chen! I need you to do something for me.”
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