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#actor/director
robbybirdy · 1 year
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Road to Fame Chapter 28: Adam has been promoted to the position of Best Boy
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peacheskoo · 8 days
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No capes/actors AU came to me via a dream and I have since been obsessing over it,,
I have so many ideas over it but my fav is currently that the Jasons are brothers because of the quick switch between seasons/robins and how they couldn’t use the same actor for older Jason so they just asked his older brother to be Red Hood Jason, Little Jason is way younger because they were trying to emphasize how small street kid Jason was
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palipunk · 4 months
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I think my issue with the “draw blorbo holding a watermelon or Palestinian flag” trend thing is that fandom has been an extremely hostile place for Palestinians for years - obviously I think fandom is secondary to everything for me right now, but it’s weird to see these spaces that have repeatedly pushed Palestinians out suddenly take on a “pro Palestine” veneer. Spreading awareness is great but I always have to sit and wonder how genuine it actually is
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marisatomay · 2 years
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i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else
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thewaltcrew · 7 months
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Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]
They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]
My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…
Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...
In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...
The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]
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girl-bateman · 1 year
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I guess that this is as good of a time as any to remind people that WRITERS MAKE THE STORY!!!! I cannot count how many times I see posts praising tv directors for things that are simply not their doing. That iconic line of dialogue? Yeah a screenwriter wrote that. The characters you love? Screenwriter. The places, the plot lines, the developments? Writers.
A show CANNOT happen without a script because a script is necessary for EVERYONE to do their job right. It dictates what set to look for/create, the filming schedule, the casting calls, the costumes and so on. It's not just words on a paper, its the backbone for all of production and it deserves to get recognised as the integral part of tv and film as it is.
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apas-95 · 9 months
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the view that sexual predation is based on 'brain development' rather than life experience and social power is, like the common view that incest is bad because of 'inbreeding' rather than the control granted by the family structure, one where the issues of social power imbalance are replaced by an unhelpful bioessentialism - one that both makes permissions for these abuses (whether it's in the cases of non-blood relatives, or of an 18 year old being exploited by a 50 year old), and targets non-abusive relationships (if the reason for incest's immorality is that it might produce a disabled child, how does that logic continue towards people with inherited illnesses?). working within this essentialist logic, it's impossible to rectify these issues - neither extending the supposed 'undeveloped brain' to greater ages, nor simply deciding that there exists no real power a middle-aged man has over a new graduate, can fix the errors generated.
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halfagone · 1 year
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A best-seller 'rags to riches to prison shackles' autobiography written by a woman in her late sixties, who was finally exonerated for the murder of her late, wealthy husband after 20 years in Blackgate prison, is getting a limited-series adaption. One of the most anticipated scenes is a exchange from early on in the book, in which the author describes a private, emotional conversation she shared with a young Bruce Wayne, where she recounts details about the passing of her son.
Countless fans try to theorize who will be casted as a younger Bruce Wayne. Some think it should be Damian Wayne, but many point out that he's too young for the role. Others think it should be Tim Drake, who would be at the right age to play it. However, as CEO, he doesn't exactly have an open schedule, and they haven't heard him disappearing for filming all those months ago. Other people think Bruce Wayne himself should play the role, using deep-fake technology to make him appear younger.
In the end, their questions go unanswered until the first trailer airs online for the limited series. It previews the very first glimpse of a young Bruce Wayne, played by previously unknown 'Danny Fenton', and the internet-
Loses its fucking mind.
(Bruce might just be getting a new son from this after all.)
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myfandomprompts · 4 months
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“I think method acting gets a bad rap nowadays, but if you consider it [in relation to] people’s time, it’s certainly not a bad thing.” - EWAN MITCHELL, for The Face
[The A24 Project]
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summerlinenss · 5 months
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here’s the thing.
if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.
and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.
ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.
it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.
it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.
besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.
on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.
this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.
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canmking · 5 months
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S p i k e L e e
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ofswordsandpens · 6 months
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this very well may be premature, and I would love to be proven wrong by the upcoming episodes, but my most honest opinion? This adaptation is shaking out to be perfectly fine. It's good. I wouldn't call it great. Its actors of a lifetime being wasted on an extremely sanitized, watered down version of the Lightning Thief. They've cut out too much of the absurdity and silliness, as well as anything that's too scary or foreboding or violent. It's mostly faithful to the source material, and has some standout moments, but as of now, it's been a largely low-energy and low-stakes portrayal of a story that is high-energy and high stakes
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pollsnatural · 3 months
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reformedmoth · 9 months
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RYMA SEDAI & BASAN | The Wheel of Time 2x6
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lascitasdelashoras · 2 months
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Martin Scorcese - Taxi Driver, Robert De Niro
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389 · 9 months
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Bill Murray & Sofia Coppola Venice, 2003
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