me: oh, what a cool new BL drama, wonder how old actors are-
the actors:
me: A cHiLd????? spawned AFTER 2000???? sMOKIN? DRINKIN? WHY ARE YOU DRIVING A VEHICLE- WHERE'S THE BOOSTER SEAT- why do you have a whole gUN
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Crack idea here: LCF modern AU with magic where og!Cale accidentally gains a swordmaster aura after way too many hours of playing beat saber.
Cale: *intensely playing the same game for 74th time this (new) year*
Cale's body: *starts exuding glowing mist*
Cale:
Hans, who just opened the door: Excuse me, young mas— Hhh...
Hans: Madam Violan!!!
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just reread whump au for the nth time now, and it suddenly occurred to me what in god's name would've happened if dipper just straight up kicked the bucket right after saying, "i love you."
i can't imagine bill's reaction would've been a good one. i'm getting chills just trying to picture it, honestly.
in fact, just the image of dipper dying in general, and seeing the aftermath of that from bill's pov, has my whole body breaking out into goosebumps.
awesome.
also, let's just assume that bill hasn't yet figured out the whole reincarnation thing in this scenario aha
(i just really like angst okay? lmao)
Oh man, Bill? Oh Bill. Bill.
He would be very, very upset.
Also this is a good opportunity for the ol' classic:
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Frankenstein annotators vs Dracula annotators FIGHT (this Ask brought to you by the Frankenstein weekly annotator takes)
For real, there do seem to be some blisteringly cold takes going on in academic circles.
I think Frankenstein suffers more with people tending to identify harder with either Creature or Victor, and thus skewing everything the other one does in order to demonize them. They get plenty of material to work with either way, because both are extremely flawed individuals. Both are self-absorbed, make bad choices, cause harm to those around them. Both also are extremely depressed/self-hating, do not want to hurt anyone until they're well caught up in a self-perpetuating cycle of hatred, feel trapped and victimized by the other. I think a lot of the power of the book comes from being able to sympathize with both of them and spot so many moments of "if only-" while still feeling that the way things turned out was somehow inevitable. It's just ingredients of a great tragedy!
With Dracula, it feels more like people are trying to distance themselves from the characters. By reducing them to plot points, archetypes, and the like, these people stop engaging with them as characters. And as such, they try to force in negative nuance where it wasn't intended in the original, or view them only as a stereotypical Frigid Victorian Male (Jonathan) or say "this side character didn't do a lot so maybe they were secretly evil" (Quincey), or just get... super, super into horny symbolism everywhere in a way that actually saps away a lot of what makes the characters themselves. In doing so, they miss the heart of the story, which despite being a horror novel actually has some really uplifting stuff.
I haven't read tons and tons of academic takes on both books, but based on what I have read, I think those are the trends that seem to bring about some of the really weird or hostile takeaways. Getting too attached to a particular character in Frankenstein, and trying too hard not to care about the characters in Dracula. Opposite in a way, but both ending up missing a lot of heart/nuance that I think you can find in the original works.
I feel there also is an element of a kind of feedback loop in both cases. Each book has had a major impact on pop culture, but in ways which tend to diverge significantly from book canon. I do feel that some of the simplifications and reversals start out as either derivative of (Dracula must have a sympathetic backstory) or defiant to (actually, Frankenstein is the real monster) the film/pop culture versions. This as well as responding to so many other established lines of criticism and types of takes that have become almost a "standard" and which are somewhat removed from the actual canon of the page.
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