me: i finished the latest trailblaze mission in hsr so i can look at what other people are posting now! oh boy i hope it's discussions and theories about the story. i can't wait to see what everyone thought about firefly (what was going on with you sweetie...) and A Child's Dream - that segment in particular really left a profound impact on me. like who is mikhail? the voice we hear throughout is obviously misha's - did he have a twin? does mikhail have something to do with clockie? and from what we heard and saw, misha or... mikhail. encountered the embodiment of Death that lurks beneath the dreamscape. what's... the full story there...? i can't wait to see other people's perspectives it'll help me piece a more coherent theory together-
other hsr fans: *thirstposting about aventurine and/or dr. ratio, trying to cancel sparkle even though the entire point of her character is that yes she's a horrible person because it's high time we see how DANGEROUS and CRUEL the masked fools can be - no more reducing them to the silly wacky hijinks sampo pulled on jarilo; you should be scared of these guys; the game's story never wanted you to make sparkle your next skrunkly blorbo babygirl lol, heated discussions about whether dr. ratio displayed the same racism towards aventurine that sparkle did and if that makes aventurine/ratio a bad thing to ship (??????????), more thirstposts about aventurine, 500 billion generic yaois of aventurine and ratio that don't even maintain either of their characters*
me:
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thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.
the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)
there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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do you have an analysis on Alhaitham and Kaveh having no family in sumeru, (haithams grandma, kavehs mother going to fontaine) so they only had eachother? So their falling out must have hit harder-
Hiya! Thank you so much for the ask!! <333
I have some analyses on Alhaitham and Kaveh being each other's home and family! There's quite a few so I'll be brief with the synopses here as I don't want to bombard you hahaha <3 I have discussed the idea of Alhaitham being the ideal companion/family for Kaveh in an analysis of Kaveh's 2023 birthday letter; the motif of 'home' and what it means for Kaveh and how Alhaitham factors into it; as well as in the relationship between Kaveh's mother and father and how this parallels with Alhaitham and Kaveh's relationship.
In terms of Alhaitham and Kaveh's argument, I've discussed Sumeru's concept of the academic family and how Alhaitham and Kaveh's argument served as the dissolution of their found family, as well as an analysis of their argument, specifically from Alhaitham's omitted perspective. I have also speculated life for the two post-fallout, mostly from Alhaitham's perspective as Kaveh (as usual) is more open in his character stories.
You've highlighted a really key aspect of their relationship which haunts me - they met each other after the respective loss of their own families. Kaveh just said goodbye to his mother as Alhaitham enrolled in the Akademiya, just after his own grandmother passed. This passage described in Kaveh's character story 5 describes this, and then him meeting Alhaitham within the same passage.
Kaveh is described to have 'wishful thinking' regarding his and Alhaitham's friendship, in that, where he initially believed that their views aligned, despite the reality they have differing approaches to life, this isn't inherently a negative thing, as it can lead to new philosophies. Kaveh didn't want to believe that their differences were impossible to surmount, and instead that they complimented each other. Perhaps Alhaitham thought so too? They both agreed to work on a joint thesis together, with this conveying the implications of forming an academic family in Sumeru, with Kaveh trusting Alhaitham in picking a topic that highlighted both of their strengths - which ended up being a project revolving around language and architecture; two subjects which Kaveh now believes to exist on opposite sides of the mirror. Initially, this was to demonstrate the good that could come from balancing these seemingly opposing fields.
Although, it would inevitably come to be that problems arose between them when the differences in their philosophies became a point of contention. The two's previous harmony became misaligned when the assertion that their respective viewpoint was 'correct' over the other. When Kaveh tears up the thesis, he effectively ends the relationship he and Alhaitham built together, as well as the prospect of their found family. Alhaitham, in turn, removed his name from the thesis due to Kaveh's ending of their friendship.
After this, Kaveh graduated and threw himself into work, chasing his ideals, effectively distracting himself - both from the loss of Alhaitham, therefore his loneliness, and from the potential truth that Alhaitham revealed to him about his guilt being the cause of his incessant altruism. Contrarily, Alhaitham's life after this point is devoid of detail, only that he became the Scribe and moved out of his grandmother's house into the property that the Akademiya gifted him and Kaveh for the progress of their abandoned project.
Kaveh describes meeting Alhaitham as one of the most pivotal moments in his life in his hangout, and in A Parade of Providence, he describes their meeting as when his life began to go downhill - indicating, rather, to the consequences of their inevitable falling out. Alhaitham considers Kaveh as one of his priorities in maintaining the way of life he seeks to maintain, and although he is more reticent than Kaveh, in that his inner thoughts are concealed from the player, an instance that stands out to me that their argument personally affected Alhaitham comes from A Parade of Providence. This is when Alhaitham comments on the contradiction of Kaveh's motives, in that he expresses he has bad luck but insists on drawing lots, despite the fact that Faruzan offers to split the points between them. After commenting on this, Kaveh displays genuine frustration with him - to which Alhaitham backs down and switches tact. This is especially prevalent within the EN dub, where Alhaitham stutters before changing topics.
To me this underlines that Alhaitham was just as affected at by their argument as Kaveh was. Especially since this exchange can mirror the very exchange that caused the rift between them - in that Alhaitham points out Kaveh's self-destructive habits and it is perceived as a malicious critique. Alhaitham backs down when seeing that Kaveh is genuinely hurt because he doesn't want to repeat the past - he doesn't want to hurt Kaveh and lose him once more.
This is also encapsulated in the fact that Alhaitham sees Kaveh as his mirror, in that they both have a lack of familial connections. When Alhaitham believes that the presence of another genius can 'perfect' his vision, this isn't just a reference to Kaveh's differing perspectives, this also offers Kaveh as a familial figure to Alhaitham - in that, Alhaitham views Kaveh as his family. Similarly, Kaveh seems to hold an idea that he and Alhaitham are bound by fate, or 'the universe', meaning that he identifies Alhaitham as being essential to him in someway, however, as of now, he struggles with this being a benefit, rather than a negative.
I hope this answers your ask!!? You've unzipped me and all the haikaveh found family brainrot is pouring out <3333
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Today on "Another JeanMarco Soulmate AU absolutely no one asked for" I present to you -
Soulmate AU in which you stop seeing colors when your soulmate dies, the only exception being your soulmate. Now cue to Jean who just found Marco's, his best friend's, body. And you know, there's the shock of finding out Marco's dead. The pain and confusion and guilt. But there's also the revelation, because despite everything he can still see Marco like nothing took place at all- yes, half of his face is missing and his body is straight up lifeless, but Jean can still make out the color of his eye ; see that light shade of brown perfectly, remember all the times he has found himself looking at them while listening to Marco talk. He can still make out the colors of his uniform, see the same shade of black his hair has always had, practically see. Despite being dead, Marco was the only piece of color left in his life.
And there's denial for a moment because there's no way Marco was his soulmate. But that goes away fast, getting replaced by guilt. By the fact that he hasn't been there to save him, that Marco has to die all alone without anyone being there for him.
And that was worse than the simple fact that he could no longer see colors ; because Marco was there when Jean needed him, but he failed to do the same. And not only he lost his best friend that day, but his other half too.
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