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#and also they're given a better plot

tearlessrain · 3 months

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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

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tsukimefuku · 1 month

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the event (1) ❖ nanami kento

this part → part 2 (soon) | mdni! | the nile is a river in egypt 👍

summary: after struggling for so long with the feelings you had for nanami, your colleague and closest friend, you finally decide to put an end to your misery and confess to him. little did you know there was no misery left for you to wallow in that night — none at all. alternatively: nanami was a gentleman, but holy hell, given the context, there weren't many ways he could misunderstand the phrase "I want you".

tags: jujutsu kaisen, sorcerer!f!reader, colleagues in the field, 18+, alcohol, explicit! smut (oral f!receiving, piv, squirting), 1/3 plot 2/3 filth ratio, it’s romance guys, nanami x reader, reader is emotionally stunted, they're clearly in love, angst, fluff, hurt and comfort, basically a book chapter, no beta my inner demons proofread this.

wc: 8k

notes, etc.: if i have to rewrite this one more time i will commit a felony. inspo → just like you do (carly simon) and sonnet (the verve). saved by smooth operator (sade). the bit "love is something brave people do" is inspired by fleabag's last episode. appetizers for this fic are the shorties “would you let me die?” and “where does your mind drift”.

❖ collection of stories: "jujutsu partners au" → masterlist

this is big but very worth it, i promise.

Today, you were determined to finally utter those three words and put an end to your own personal brand of misery.

Ever since you and Nanami kind of discussed if getting involved would be a bad idea — he said it would, but you had your doubts — you just couldn't stop thinking about it. He knew you had feelings for him. Maybe. He mentioned that he believed you thought about him.

But the thing was… nothing was actually said. It was all implied. Implied into oblivion.

You two had been working together for a good while now, and you didn't fail to notice that, in the most recent encounters you've had, be it on missions or just having a drink at your favorite bar, your heart would involuntarily throb whenever you gazed at him for too long.

Not only that, but you were finally able to admit to yourself that your gratitude towards the sorcerer, who saved your life years ago, had become love. You were, without a shred of a doubt, in love with him, and the fact that he clearly stated that getting involved would be ill-advised — his words, not yours — was a special type of torture.

So be it — you were confessing your feelings for him today, at least to have a definitive answer. It would be better to get shot down than keep doing this little tip-toe dance around the unsaid. You just couldn't do this anymore.

Thing was… You were terrible with feelings. And words. And putting feelings into words. And also just feeling your feelings, in general.

So you decided to invite him to a bar — like you always did —, and chat the night away — again, like you always did — to try easing yourself into this conversation in a comfortable, known setting. Your drinks were downed until the middle of the night like you were filling up a Jeep tank, trying to fuel yourself with liquor-bought courage.

Eventually you slowed down, because certainly throwing up would be less than ideal. Better to be sober and chicken out than drunk and vomiting.

You were so in your own head, though, that you failed to realize Nanami was accompanying you in the "getting completely hammered" department until about a few hours prior, partially regaining his sobriety, with a lot of things swirling around in his own mind.

Mostly, he still thought about the non-conversation you both had about thinking of each other. More specifically, the fact that you inquired, right at the end, if it would really be such a bad idea.

Would it?

Could he dare to dream of a life beyond killing curses and hoping not to die every time he stepped his foot into a mission?

He wasn't sure about it anymore, and could feel his usual negative stance about getting romantically involved with someone while still being a jujutsu sorcerer wavering — an absolute first for him. He was hardly someone to be swayed on his stances in life.

But this time, just maybe, you were able to do that without even realizing.

He caught himself gazing at you more frequently than usual, and wondering what would be the texture of your flower-scented hair tangled in between his fingers.

Today, your hair smelled like jasmine flowers.

Unlike you, however, Nanami was unsure if he'd touch upon the subject that night, specifically, in case he ever decided to do so. He’d prefer to talk about it in an appropriate setting — dinner at a restaurant, maybe? No, you weren't someone who'd like that. Perhaps at a picnic, she does enjoy nature...

He tried shaking those thoughts away along with his feelings, but it didn’t work.

The conversation was very pleasant, and you two were reminiscing about his mission at your hometown where you both met years ago.

”Do you remember when I tried cooking breakfast? Oh, that was a good one,” you jested, chuckling.

Nanami nodded, resting the edge of his whiskey cup on his bottom lip.

“I’d say that was a terrible one. You nearly set your entire kitchen on fire trying to fry eggs,” he noted, letting a smile take over his lips.

You laughed in response.

”Yeah, you’re probably right. But at least you rescued me and made one of the best tamagoyaki I’ve ever eaten.”

He put his glass down on the counter, looking at you with those adoring, beautiful, brown honeyed eyes.

"One of?"

You chuckled, trying not to stare too much.

Good God, he's looking gorgeous tonight.

“Oh, come on. According to you, I can barely taste my food the way I eat, mixing everything up in my plate,” you joked, “I don’t have the same particular taste buds of yours.”

Nanami sighed, rolling his eyes at your teasing, taking a sip of his whiskey.

The ice had melted a little, and he felt the watery coat on the drink with displeasure, grimacing a little.

Somehow, Nanami failed to see the irony in that.

You noticed, and laughed a little before continuing.

"The other amazing tamagoyaki I had was when you rescued me from starving during my first week here. But I don't think I'd really regret burning Jujutsu High down, even if it was an accident."

Nanami shook his head lightly, the smile still on his face betraying his half-hearted chide.

Then, after the banter evaporated in the air, that moment finally came.

The absolute silence.

Arguably the perfect opportunity to say these types of things… So you began.

"Nanami, I…" words gagged. "I wanted to tell you something."

His body visibly tensed up a little, but he probably didn't realize it.

He knew, of course.

Nanami noticed all the recent instances you'd stare at him, and ever since pulling you in for a not-so innocent hug when you were both stranded on the road after a mission together, he felt dangerously close to crossing this boundary.

Nanami's words were easily controlled, always so neatly put together with mathematical precision to express his thoughts. However, ever since he crossed the line of physical contact beyond pure platonic affection, it had been difficult keeping his hands to himself.

Right now, he wanted to cup your face with his palms and brush his thumbs against your cheeks.

Perhaps even press his lips against you- stop that, you’re not a teenager anymore.

This comfort zone of avoiding the discussion about the feelings you both had for each other was becoming increasingly uncomfortable.

"What?"

You gulped, and took a few more sips of beer.

"I…"

Your voice got stuck in your throat.

Your syllable had stretched long enough for this to have become a little awkward.

"I wanted to thank you," you blurted out, more for your benefit than his.

Nanami was equal parts relieved, disappointed, and surprised.

Did he actually want you to tell him you had feelings for him?

"Thanks for welcoming me to Jujutsu High, for shepherding me all this time, and for being a reliable, good friend. I was ready to face hell here, but it was… much better than I had anticipated. So, thank you, Nanami."

He looked at you, and both held each other's gaze for a moment. His hazel brown eyes were always something that lured you in, and you surely enjoyed how he'd always remove his green shades to talk to you.

Seeing them felt strangely — and endearingly — intimate.

"You're welcome," he offered in a kind note.

"Last call!" the bartender stated loudly, as you and Nanami looked at each other, feeling somewhat disappointed that the night was about to be over.

Stepping outside after paying, you both realized it was raining — something neither had noticed from inside the bar.

With half a mind to do something, definitely inebriated, and still with a declaration stuck in your throat, you absentmindedly made a question to Nanami.

"Can I wait the rain out at your place?"

He did live close by, in any case.

For a second, you realized you were probably butting in his rest hours, and felt a little embarrassed.

"Yes," he replied immediately, also absentmindedly, before you could retreat your request.

***

It was actually the first time you ever visited his apartment, and it was interesting to see his place. To no one's surprise, Nanami's pristine apartment, with his collections of books and CD's — he still had an actual stereo CD player — felt as every bit put together as Nanami himself did.

His kitchen drawers alone were surely more organized than your income tax return.

You sat on the counter and had your drenched hair haphazardly covered with a blue towel as Nanami fixed something to eat for the both of you.

The smell of cooked rice and eggs filled the air, hugging your senses, as you watched, still halfway drunk, how he skillfully walked back and forth, being somewhat inebriated himself, making way more than instant noodles, your first choice after proposing you both ate something to ease the alcohol out.

You stared at his back while he cooked, trying to push the thought of telling him how you felt to the back of your mind, at least for a while, just so you could enjoy the following moments without the sensation of impending doom.

As he finished plating the food, you were nothing short of impressed — the man mustered up the skill to cook omurice while inebriated, a feat you couldn't do sober even in one of your best days.

"This is incredible, you're such a badass," you remarked as Nanami gave you a plate with a pair of chopsticks.

"It's a simple recipe," he replied, getting his own and taking a bite out of it as he leaned against the sink counter, facing you.

"Oh, it surely is,” you remarked, ironically.

You were getting ready to eat as Nanami interrupted you.

"Don't desecrate it," he chided, referencing the way you'd usually stir up your food on your plate until it became an unidentifiable goo before eating, "try to taste your food at least this once."

You chuckled a little, acquiescing.

"Okay. This is too beautiful to get vandalized, anyway."

Nanami huffed, the faintest ghost of a smile on his lips, before he took another bite.

"I am so going to regret this entire thing tomorrow," you stated, taking the first piece out of your plate, “I drank like a sailor.”

It was absolutely delicious, of course. It was Nanami's food, after all.

He swallowed before proceeding.

"Me too, most likely. I hadn't drunk this heavily since… ever."

"Hah, me neither."

You both resumed eating peacefully, partaking in a comfortable and cozy silence for the next few minutes. During that time, he looked at you without you noticing, and realized just how much he wanted this small sliver of peace — sharing a good meal with you in his kitchen after a remarkably pleasant night — to keep going for eternity.

You were looking so adorable with his blue towel over your drenched hair.

As you were finished, he took both plates and put them inside the sink, going back to his original position. Nanami had already removed his tie, his weapon holster and opened the top of his blue buttoned shirt by this point, both of his sleeves rolled up for him to cook.

It was becoming increasingly hard not to stare.

"Thank you, Nanami," you said, smiling at him.

"It's no trouble," he answered, softly smiling back at you.

His smile was much sweeter than usual, and it sent your heart throbbing against your chest.

The urge came again, to finally tell him.

However, when you actually spoke, something entirely unexpected came out of your mouth.

"Why did you come back to Jujutsu High after years of working a regular job?"

Nanami was surprised, to say the least, and pondered for a while before resuming his answer.

He had left the jujutsu world shortly after the mission where he met you and ‘failed you’ — that last part solely according to him — so, needless to say, this was a sensitive topic.

"Well, I had known the jujutsu world, and after entering the corporate one, I realized both were idiotic. So-"

"No, not that speech," you interjected, "I want to know exactly what happened for you to come back. I mean, when we ran into each other years ago, you seemed pretty resolute in trying your retired-by-40 and moving to Malaysia plan, and from what I gathered, not long after that, you just came back, out of nowhere."

Nanami was silent, because he remembered vividly what had transpired, and that you had something to do with it.

"Well," he began, "a few days after we had that conversation, I went into a bakery to buy breakfast. It was always the same person at the cash register, and she had a small fly head curse on her shoulders for a while. It began affecting her sleep, given her complaints. I had avoided doing something about it, but our conversation kept ringing in my head."

Nanami averted his gaze, as if remembering the moment in its details before proceeding.

"After I exorcised it, her shoulder pain subsided, and she thanked me. That was it."

You remembered well how you chided him, telling Nanami to go back into sorcery because the world of jujutsu needed people who truly cared, such as himself. You just didn’t think it would have such a direct connection to the reasons he came back.

"So... you realized the importance of the job we do?" you inquired, with a half-smile pulled on your cheek.

He sighed. "Something like that."

"Oh, Mr. Nanami 'I'm just doing my job' Kento... you have finally understood that meaning is something relevant to you, it seems," you remarked, light-spirited.

He smiled, looking the other way, somewhat appreciating the fact that he had just been read like a book by you.

"But... don't say I had something to do with you coming back," you stated, "I might feel responsible if something happens to you."

Even as a joke, this snapped at your heart a little. The mere thought of losing him felt terrifying.

Nanami sighed, smile vanishing, looking back at you.

"You always see things from a perspective of assigning responsibility and guilt... It is a perspective that usually warrants unnecessary suffering."

You scoffed, still wearing your mid-smirk on your face.

"Oh, and looking at everything from a protective perspective is any different? I mean, both boil down to us thinking we're responsible for other people's fates."

He was slightly taken aback, before smiling discreetly and crossing his arms in front of his chest.

"I guess you're right."

Nanami looked at you, and seemed to be staring at your cheek. Under the dim light from the stove hood, you could make out the contours of his face — his sharp jaw, his chiseled cheekbones, and his now exposed forearms with taut, sculpted muscles, right under the rolled up sleeves of his blue shirt.

If pupil dilation could be felt, you would have definitely felt it at that moment.

The urge came up again, but by this point, you were already feeling defeated enough at your pathetic inability of confessing your feelings, so you just let your mouth roll with whatever came out of it.

"I really admire you, Nanami."

You surprised even yourself.

His eyes then met yours.

"Do you?"

Pondering on your words, you nodded, thinking a little about it.

"You're such a calm, collected and responsible person. You seem to always know exactly what you're doing, meanwhile I'm usually just guessing around. No wonder Ino and Yuuji look up to you."

Even under the soft lighting, you could swear you saw Nanami's face blush a little.

"Thank you," he stated, bowing his head slightly towards your direction.

You smiled at him and sighed right after.

"Most times, I don't think I'm someone people would call admirable or actually look up to."

This was something you hadn't anticipated you'd say. You had never told that to anyone.

But, well, this was him. This was Nanami.

"Why do you say that?" he inquired in earnest.

"Because... Because I'm often hanging by a thread, just trying to survive. I'm not doing great things. I'm barely existing, sometimes."

He mulled his thoughts over for a second before answering you.

"You have a good capacity for adapting, taking whatever life hands you and doing the best you can with it," he noted, "and you keep going even if you feel like you're guessing. Even when you don't know where you're going. That takes bravery, and I find it to be admirable."

Now you were the one surprised, and you could feel your entire face burning the moment he finished uttering those words. You were never one to take compliments easily, but this was a whole other level.

You stood there, mouth slightly agape, faltering without any words.

His eyes had returned to your cheek, and in a swift movement, you heard him say excuse me as he stepped into your direction, rubbing his thumb on it to take off some food you hadn't realized that was still stuck on your face.

Nanami barely registered that the thoughts looping around his mind the entire night about touching you had finally taken the best of him.

Before he could remove his hand, though, you held it in place, lifting your eyes to meet him.

His palm felt warm against your skin, his digits rough, and perfect. Just like he was.

Nanami's expression was unreadable as he gazed back at you, and you began hearing your heartbeats against your ears, muffling the sound of the tapping rain on the window.

Words failed him too, and he was guided by his body once again.

Nanami lowered his face and softly pressed his lips over yours, still tasting like whiskey and Demi-glace, which sent waves — that you couldn't quite discern if were hot or cold, perhaps both — all throughout your body.

It was a quick kiss, though, because shortly after, Nanami backed out, still with his eyes closed, and had something resembling a frown on his face.

"I apologize, that was inappropriate," he mumbled, beginning to pull his hand out from your cheek. You, however, held it in place, and that got him to open his eyes and look at you.

He seemed taken by trepidation under his usual collected demeanor, and his lower lip had the slightest twitch to it as his eyes flickered quickly between your mouth and your eyes.

For a moment, you felt like you were looking into the eyes of the Nanami you once knew — the bangs, the uniform, the seventeen-year-old version of him.

Little did you know that your corresponding younger version was looking right back at him with the same bated breath, just like the teens-becoming-adults in the most traumatic ways you two once were.

"Stop apologizing and kiss me," you pleaded, edging your face closer to his, pulling his towel off your head.

You could feel his breath exhaling against your skin, as Nanami approached his body to yours, putting himself in between your knees, and cupped your face in his hands. His body was incredibly warm, just like his hand, and his woody, musky scent sent your senses spiraling when he finally descended his lips to yours, determined on taking his time — after all, this was a kiss ten years in the making.

His mouth felt velvety and supple, and you both melted into each other while exploring the way his head tilted against yours, how your nails would eventually find their way up the nape of his neck, how your breath would hitch every time he pressed his mouth against yours more intently. Your lips slid wetly over each other with a newfound ease none of you expected.

You were both dipping your toes in the ocean and testing the temperature before committing to dive into deeper waters, taking all the time into familiarizing with the feeling of each other's bodies.

Nanami's hands descended to your waist, leaving a trail of heat on the way, and you let out a soft moan into his mouth when he pressed them against you. He groaned lowly, a sound reverberating from the depths of his chest, as he parted his lips from yours and put some distance in between your faces with his eyes closed.

You didn't understand, but before you could ask anything, he began speaking.

"I don't mean to assume," he stated, letting his forehead rest on yours.

"Hm... What do you mean?"

"I... What I mean is we can stop, in case you don’t... We're both still somewhat under the influence. You are," Nanami replied, opening his eyes to look into yours. The faltering restraint dwelling in them was palpable.

In the back of your mind, you wondered if there was any way of loving him more than you already did. Even now, he was so mindful and careful with you.

"I want this," you replied, resolute, "I want you. I've wanted it all for a very long time. It's not a drunken decision, I mean it."

His gaze softened in a way you had never seen before, one of his hands ascending to brush his thumb over your cheek. Nanami snuggled his nose against yours and sighed, seemingly fluttering.

"Are you sure?"

"Yes. I'm sure. I want you," you repeated, incisively.

He let out a huff of air against your mouth, and you could smell his breath, mingled with the scent emanating from him and his clothes. Intoxicating wasn't a strong enough word — you were completely enthralled, entranced and overwhelmed by him. Every sound got muted, but the sound of his breathing. Every smell disappeared, but his. And there was no other temperature in the room other than the warmth of his body.

You had entered tunnel vision mode, and at the end of it, he was your light.

Closing the remaining inches that separated the both of you, he brushed his lips against yours, whispering, "then have me. Have all of me."

Still cupping the side of your face, Nanami tilted it, finally fitting your lips against his again, like lovely little puzzle pieces getting more and more accustomed to each other by the second. He felt around your contours, pressing the tip of his tongue softly over the seam of your mouth, and you warmly welcomed him in, his true taste lingering just under the drinks and sauces being enough to knock the air out of your lungs.

He was salty, fresh, and a breeze of cool air by the seashore.

There were a few times you wondered what he'd be like, but your fantasies were quick to pale in comparison to the reality of him.

Nanami’s broken restraint was completely done for, and just this once, he wanted to let it come tumbling down like a house of cards, as he parted to gaze at your disheveled hair, your flustered face, your slightly puffy lips.

His chest swelled full and content at that sight.

He met you once again, and the ruffling from the fall was sounding better than he could have ever hoped for, insistent heart beat pushing against his ears, encompassing your breathless kissing like a sonnet.

Nanami's hands, however, didn't dare explore beyond your waist, and all this intense make out session was starting to make your panties feel uncomfortable against your pooling arousal. You were starting to feel antsy, and your body was nearly twitching at the aching desire. You needed some kind of relief, or you'd go insane.

Nanami was a gentleman, but holy hell, given the context, there weren't many ways he could misunderstand the phrase I want you.

You put your hands over his and slip them down to cup your ass, parting from his lips for a moment.

"Stop keeping your hands to yourself. Touch me," you pleaded, with some type of simmering desperation to your voice that you hadn't yet heard — never, actually.

He looked at you, and seemed equally desperate in an unfathomable way. He pulled you in, kneading his fingers fiercely against your skin while moaning into your mouth, and pressed your bodies hard enough for you to feel him pulsating through multiple layers of fabric.

Oh, my.

You knew he was strong, but this was something else.

Instinctively, you wrapped your legs around his hips, and drew the tips of your fingernails down his back, while grinding over his growing erection with your clothed core. Nanami let out a muffled groan on your skin and began kissing your neck intently with messy, open-mouthed kisses.

He put his hands under your thighs and whispered in your ear, "hold on to me."

That caught your attention from your hazy brain.

"I... My hair is still wet. My clothes are a little damp, too. I'm kind of a mess right now," you told him, chuckling sheepishly.

This man's apartment was the most immaculate place you had ever been in your life, and the last thing you wanted to do was to dirty it around with dripping water from the rain. In his bed, of all places.

Nanami immediately pulled himself back and held your face, locking eyes with you.

"You are beautiful right now," he remarked, not giving you enough time for an answer, as he pressed another kiss on your lips — this time, more urgent, a little sloppy, but just as passionate, if not more. You gasped into his mouth, letting your body take control.

In an instant, your arms were draped over his shoulders, your legs tightened firmly around his body, and his strong hands held the back of your thighs, as Nanami lifted you from that counter like you weighed nothing.

You squeaked in surprise, and he uttered a soft, deep chuckle before planting a quick peck on your lips.

After walking you both into his room, he calmly descended towards the mattress, laying you down delicately and climbing his way on top of you.

When he approached his face to yours, you smiled at him, and he smiled back, sharing a tender moment of silent closeness.

This was probably your favorite shared quietude yet.

“I should get out of these wet clothes,” you stated, giggling softly, before tugging your shirt over your head.

He huffed a soft smiling hum in return, as his palms found their way towards the sides of your hips. Their warmth clashed a stark contrast against your still dampened, cold skin, and his touch was electric, making you involuntarily sigh.

"Help me take these pants off," you cooed, relaxing your legs around his body.

Nanami didn’t need to be told twice, and swiftly slid his hands down to unzip you and pull your damp pants off while you unclasped your bra.

After he was done, his eyes lingered over the drenched patch on your underwear, a realization that definitely riled him up, as his breath got caught midway out his nostrils for a second.

Nanami’s fingers swirled around your bra straps, but before he removed it, you began unbuttoning his shirt, finishing off unclenching his belt and unzipping his pants.

"It would be unfair for me to be the only one exposed here," you remarked, light spirited, while smiling tenderly at him.

He smiled back very much the same way, and pulled his shirt off, downing his pants, letting it all become a wrinkled puddle on the floor. Nanami caged you in between his arms, and pressed a quick kiss on your lips, asking, "do you ever stop?"

"Why don't you try to find out?" you slyly replied.

Nanami wasn't usually one to appreciate being teased. This was especially true when it came to Gojo annoying the hell out of him, and he could — and would — also get annoyed at your snarky teasing from time to time.

But it felt different with you. He wasn't nearly as irritated as he would've been with anybody else.

Perhaps because you teased him with love.

Your hands pulled your bra off and tossed it aside, and for some seconds, he was speechless, contouring his eyes all over your body. With butterflies on his chest, he finally cupped your face in his hands again before kissing you once more, and you couldn’t help but notice he really liked holding you like that when he kissed you — and you'd let him, every time he wanted to.

It was lovely to be held so preciously under such an adoring touch.

Letting go of your lips, Nanami began planting kisses under your jaw, descending towards your neck, and nesting his face in between your breasts, inhaling your scent with his face laid over your skin. With your encouraging hand tangling in his hair, he began kissing and licking his way around, kneading on your breasts with his palms. Your hips instantly bucked up against him, at the same time you let out a needy moan.

He noticed it, very pleased, and gave you the tiny mercy of removing your panties.

Still with his mouth plastered on your skin, Nanami descended one hand towards your folds, and groaned the second his fingers touched over your wetness, cock twitching inside his underwear.

You were drenched.

He sounded so satisfied, you couldn’t help but blush a little in between your moans and mewls, wanting to brat out just a little.

“Hah-- I did say- a-ah… that I wanted you,” you half jested, trying to fend off your fleeting embarrassment, “w-what did you… hah-- expect?”

He stopped briefly, and lifted his face to look at you, sighing with his classic I could be eye rolling at you right now expression.

You smiled mischievously, fully aware he noticed the teasing.

Nanami brushed his fingers above your clit softly, not breaking eye contact, and you thrust your hips up again, mewling mindlessly. Huffing, you tried saying something, but he pressed his fingers a little more intently, having your words turn into incoherent moaning tumbling down past your lips.

At that moment, you just knew…

You stood defeated.

“Finally, you relentless little devil,” he mumbled, kissing his way down your body, as you huffed a few chuckles in between your pleasured sounds.

If he was so hellbent on shutting down your antics like that, you’d probably try to keep them going all night long. Perhaps you could even break his composure completely.

The idea was enticing.

However, he was the one about to break you apart completely, as you realized when his wet, hot tongue got seared-flat against your clit, and stroked on your glistened folds with the ravenous dedication of a starving man.

Nanami was delighted to have finally shut down your quick-wit tease mouth completely, especially like this.

In the back of his mind, he realized he’d gladly do it every time you got on his nerves.

Being a pretty tactile person, with heightened senses overall, Nanami was sure that tasting you would feel amazing, but this was otherworldly.

Completely enthralled, he began dipping his tongue inside you to drink you in, having your walls clenching immediately around it.

The sounds you made — your moaning and begging, as your thighs rubbed against his cheeks and fingers tugged on his hair — would be etched in his brain for eternity, he was sure of it.

The moment his hands pressed harder on your thighs, pulling them against his shoulders, and you let out a mixture of a squeal and a moan, something inside him snapped, sending his mouth into a feral quest against your cunt.

Groaning and panting into you, he lapped relentlessly on your folds, nuzzling your clit so intently it nearly sent you crawling over the walls. Your vision was white, starry, black, and then white again, and you wondered for a minute if this was all pleasure or if the light of the room was actually flickering.

Mouth agape, your moans bounced off the walls, and your back arched desperately, while your entire body tightened with the tell-tale signs of an intense orgasm. Your toes were curling, your ears were ringing, and your face contorted in desperate need for release.

“D-don’t stop- don’t… Hah-- I-m… I-I… Hah---!“

Upon hearing your pleas, Nanami latched his lips on your clit and sucked on it so powerfully you didn’t get tipped over the edge, but was effectively thrown from it with no parachute or lifeline.

Your entire body tensed and jolted. You came with a desperate cry, tightening your grip on his hair with bruising force. He let out a loud moan, trying to hold himself together as you fell apart on his mouth, and started to lick you softly to wean you off your high.

For a few seconds, your entire body stopped answering any voluntary movement signals from your brain, and you could’ve sworn you forgot your name.

You were sent to heaven and returned unscathed.

Coming back to Earth, your grip on him loosened, and Nanami brought his mouth up to one of your thighs, pressing gentle kisses over it.

When your vision wasn’t all abstract colors anymore, you looked down to see Nanami with hooded eyes, resting his chin over your mound, gazing at you like you were the most beautiful creature in existence.

Given what had just transpired, you found it to be incredibly absurd that this — him gazing at you — was what had you blushing violently.

But here you were, hiding your face under the back of your hand, as you chuckled sheepishly solely from the way he looked at you.

This beautiful, adoring man.

The urge to tell him how much you loved him came back, but even like this, so unclad and vulnerable, it was incredibly hard.

Nanami was barely blinking, wondering how he had allowed — or better, forced — himself to live without this, without you, for so long.

“I’m starting to feel embarrassed,” you said, equal parts joking and genuine, as you finally managed to meet his glance again.

He blinked a few times, being pulled from his thoughts, whispering a half-hearted apology as he crawled his way back to you.

His hair was a mess, his lips were rosy and puffy, and his eyes…

His eyes.

Trying to keep yourself from becoming a fluttering chaos all over again, you shook your head lightly as you resumed speaking.

“There’s nothing to apologize for,” you cooed, sliding your fingers down his face, pressing your lips to his. Nanami pushed his tongue inside your mouth, and you moaned in response, tasting your essence mixed in with his own flavor.

God, you could kiss him and taste this for hours on end.

His mouth and tongue flowed and veered softly, with no rush other than to imprint your flavor in him. Nanami clearly was a kisser — a very good one —, and was delighted to keep exploring you like that for as long as you’d let him.

Suddenly, you had a little wicked idea creeping up on you, as you made some effort to finally part your lips from his and uttered, “you know what, I’m sorry.”

Nanami was puzzled.

“What do you m-“

With your strength back, you locked your legs on the sides of Nanami’s waist and rolled his body over, landing on top of him.

His breath was caught for a moment before he smiled at you. Smiling back, you straddled yourself back, diving your fingers on the edges of his boxers to slide them down.

Nanami helped you by raising his body, and the moment you removed the piece of clothing, his cock sprang out, bearing a flushed, bulbous, red tip that mutely slapped against his belly. It was bigger than you anticipated, thicker too, and you wondered if you could fit it all in your mouth.

Probably not.

You also didn’t fail to notice the very evident damp patch on his underwear from his pre-cum alone.

He must be desperate right now, you thought to yourself, enticingly amused.

However, the moment you were about to wrap your fingers around him and descend, Nanami held your hand and sat up. He seemed slightly… Embarrassed?

“Hm… what is it?” you asked, pressing against his hand.

He cleared his throat.

“I’m… very wound up. Could we…” Nanami mumbled, words dying on their way out.

Truth was, ever since the moment you were grinding your clothed cunt against him, his mind was boiling to the thought of burying himself inside you to the hilt.

There was no sugar-coating it.

“Oh…” you let out, “so… you want me too?” you asked, a hint of amusement to your voice.

You weren’t the only one needy tonight.

He sighed from the depths of his soul.

“Stop teasing.”

His voice came out raspy, more of a plea than an actual chide.

The man was crumbling down, and it was delightful to watch The Nanami Kento, always so unflappable, falling apart like this.

You chuckled and planted a quick kiss on his lips.

“I’m sorry,” you offered in earnest.

He exhaled gently, gaze towards you softening as he did.

You blushed a little before proceeding.

“Where is the…”

“First drawer.”

Everything happened quickly. You snatched the condom from his nightstand and opened it. Nanami took it from your hands and slid it down his length. A soft sigh escaped his lips as the rubber snapped at the end.

Softly crawling your way towards him, you put both hands on his shoulders to straddle on his lap. Nanami locked his gaze on you, not breaking eye contact even for a second, right up until you both finally kissed again.

His hands began making their way down your back, and then…

You felt it.

The tip of Nanami’s fingers pressed against the scar you had right over your spine, and you gasped in pain as it hit the bundle of tangled nerves bumping over your skin. You instantly backed your face away with an aching grimace.

Nanami had witnessed how you got that scar in the fateful mission in which you two met years ago.

The sound of the blade piercing through your skin and flesh still lingered on in his nightmares.

His hand retreated so quickly you barely felt it leaving your body.

Following the aftershock, you opened your eyes to see him with his own eyes sealed shut, and Nanami appeared to be crawling his way back into his mind. His expression, usually so calm and collected, was replaced by a pained frown of his brows.

“I apologize, I… I’m…” he muttered, and you realized this wasn’t an apology for what just happened.

He still blamed himself for what had taken place then.

It broke your heart to shambles to see him like that, knowing full well nothing that transpired that night was his fault.

You cupped his jaw in your palms, and pressed your forehead to his.

"Hey, stop it. Stop apologizing, you haven't failed me. You never failed me."

Nanami's eyes were still very much sealed, and he seemed to be pulling even further away from you as the memories swirled around in his mind.

"Please, look at me," you pleaded, nuzzling against his face.

After a sigh, he answered, "I… I can't."

And he truly couldn't, still feeling the shame eating away at his chest like a parasite.

You scrambled your mind after something that might help, and finally realized the only thing you could say to pull him back.

Shit.

You were still terrified, and your entire body tensed up.

This is it. Now. I have to tell him now.

According to Nanami, you were brave.

And love, apparently, is something brave people do.

Still cupping his jaw, you sighed before letting the words come out of your mouth.

"Nanami Kento, I love you."

Your voice didn’t falter or stutter. Your declaration smoothly left your lips as naturally as breathing — the same way loving him came to you.

His breath caught halfway out, and he finally opened his eyes, soft and bare, gazing into yours.

"I love you, I have loved you for so long, I…" you repeated, sighing greatly, "I love you."

Nanami opened his mouth, but for a second, nothing — not even a huff of air — would pass. Knotting away in his throat, the words also struggled to form.

Should he? Could he? How deep in trouble would this launch the both of you?

Surpassing his worries, eventually, the words finally came out.

"I love you too."

The guilt and trauma had taken a backseat in his mind, at least for now.

When you heard Nanami’s words — heard him say that he loved you too —, your heart immediately began fluttering, and you could've sworn there was a ringing sound around the both of you.

There wasn't, though, just as much as the honeyed dewy warm rain that prickled over your entire skin was a manifestation of your love ridden excited imagination.

Smiling, you pulled him in for a kiss, and he intently pressed his lips against yours, no exploration left to be done — your tongues, by this point of the night, had met and familiarized themselves with every inch of each other's mouths, breaths, and moans.

Mindlessly, his hands plastered themselves back into your body, and brushed up from your hips, to your waist, over your back all the way to your shoulder blades.

Nanami brought you even closer, and kept kneading his hands against you, almost as if he was trying to touch your entirety all at once.

His fingertips ghosted softly around your scar accidentally again, and your breath hitched for a second. You pulled your mouth from his, just long enough to say, "lay me down."

Nanami understood it, and acquiesced. Swiftly, he supported you from your shoulders and hips, laying you down like a porcelain treasure, and caged you in with one hand to each side of your head.

You both took a few moments to admire each other.

Nanami was a tall and broad man, but from underneath, he seemed even more mountainous. His angular face, his wide shoulders and muscular arms, everything about him was just grand.

In a second, though, interrupting your gazing, his hand pulled a pillow from the top of the bed, and he gently lifted your head to put it underneath.

That was it.

In the end, you knew that his kindness, just as grand as he was, was what stole your heart.

Nanami slowly descended over you, and supported himself with his forearm to the side of your head, using his free hand to part the slightly sweaty hair on your forehead and press a fleeting, soft kiss in between your brows. Your heart skipped a beat, and his mouth came down pecking at your face in the most delicate fashion, until it rested on one of your cheeks.

You guided your hand down and positioned his tip towards your entrance, noticing Nanami shuddering with the sensation of your fingers clasping around him. His hand got down to the side of your hip, and Nanami let out a soft huff as he began to slowly push his length inside. He could feel himself gliding along your slick folds, and scrunched his eyes shut as the tip got past the resistance of your ring, eyelashes brushing over your skin with a feathery lingerance.

To say he was savoring this down to the last infinitesimal tactile sensation would be a gross understatement.

You dragged the tips of your fingers down the muscles of his abdomen, seeing how he deliciously flexed himself inside you, as you savored this in your own way too.

Sinking inch by inch, you could feel all the muscle stretches while his girth accommodated inside your walls, widening and filling you as he slipped in further. Your mouth opened in a muted moan, and with a hazy mind, you turned your face towards his, having the tip of his nose brushing over until your noses bumped against each other.

You captured his lips haphazardly, and Nanami stroked his tongue over your mouth, groaning the moment he bottomed out inside you.

You felt him almost kissing your cervix with the tip of his cock, and your mind was sent spiraling with the shivers that shot up from your lower abdomen to your entire body. It got you fluttering around his shaft, and Nanami's grip on your hip suddenly tightened, as a strained groan fell from his lips.

It took you a second to realize exactly what was going on.

"I-I… need… a second,” he mustered up to say in a cracked, coarse voice. His length was throbbing strongly inside you, and his expression looked almost pained. You noticed his fist beside your head was strongly clenched around the bedsheet.

Nanami wasn't lying when he said he was very wound up.

You planted a small, loving peck over his cheek and drew your hands to the back of his head, gently brushing your thumbs against his hair until you felt Nanami’s body relaxing, and his pulse inside you evening out to something calmer. He eventually let go of the bedsheet and drew his hand closer, tangling his fingers in your hair.

In an easy, gradual pace, Nanami began dragging his length out from you, and did so completely, pushing back inside the same way, robbing you of a gasp the moment he bottomed out again. His hips began in a steady, calm rhythm, and from your mouth, came out what he could only say were the best sounds he had ever heard.

“Fuck-- y-you feel… so good…” you purred for him, sending pleasured shivers all over his body. You were both completely covered in sweat right now, and your bodies slapped against each other, sounds only covered by your begging whimpers.

However, as good as it was, you needed more. Greedily, you felt the increasing need of being completely taken apart, and this slow love making was not doing it for you.

“Harder…” you pleaded, and Nanami picked up the pace as soon as he heard you, thrusts becoming more intense. It was better, no doubt about it, but you still wanted more.

Your hungry desire had become something indescribable, and all you could do was mumble softly in between mewls, pleading him to go even harder.

Nanami was also feeling himself grow more and more intent on satisfying your pleas, and realized this might not be the best position to do so.

He stopped for a second, and you muttered in complaint.

However, your disquiet was short-lived, as he propped himself up, manhandling your hips to accompany him and pulled one of your legs straight, letting your ankle rest on his shoulder, supporting your leg with his arm's length and hand cupping your ass. Your other leg kept hooked around him, and this shift sent his cock even deeper.

“Harder?” Nanami asked, almost as a dare, with his disheveled hair falling over his forehead, a few golden strands tangling with sweat. There was something remotely playful in his eyes, and it sent your heart pounding inside your chest to see him in a way you had never seen before.

Oh, how you coveted to freeze this moment in time.

In answer to his question, you nodded, half-lidded eyes and an anticipation smile, only to be surprised with a thumb making its way to your bottom lip, softly asking its way in.

You obliged, and put your lips around it, sucking on his thumb, basking in the view of this boulder of a man completely shuddering to the sight and sensation of that.

Nanami pulled his hand back, resting his digit over your clit.

“Hold on to something, darling” he warned, having a cheeky smile pulling on his face.

In sweet anticipation, you pressed your hands against the wall on which the bed rested, and locked eyes with Nanami, just to see him admiring you for a moment before he made a complete mess out of you.

In a sharp motion, he thrust his cock into you so intensely his tip bumped fully against your cervix, trembling the bed on its foundations. Your head launched on the pillow, your mouth falling open to let out the loudest moan — if that sound even be called a moan — you had ever uttered in your entire life.

Not sparing you a moment to recover, he retreated and plunged again and again inside your cunt, sending wet plap sounds bouncing over the walls. Nanami began rutting into you, kissing you deeper and deeper with every thrust, and you were nearly yelling from the pleasurable pain with which he had you finally crumbling down.

“Fuck,” he let out, “is this-- hah- hard enough--?” Nanami asked half in jest, knowing full well he didn’t need an answer. The way your back began arching so deliciously as you yelled and mumbled incoherently was enough of a response.

Every time he’d thrust, your body would tense up, and your walls would suck him in. It was sending his mind into a wild spiral.

Nanami was mesmerized by your face, and had the faintest feeling that he might cum from it alone. You looked and sounded like you were having the most delicious, toe-curling, gut-wrenching, blissful-stupor inducing sex of your life.

And well, up until at that moment, you actually were.

Dear God, he could die right now, and he’d die the happiest man alive.

You were having shock waves of stupor-filled pleasure shooting through your body, and Nanami began circling his thumb over your throbbing, sensitive clit. Oh boy, did he have you seeing the entire Milky Way in a split second behind your eyelids. Your mind distantly registered the noise of dragging wood and your fingers starting to struggle reaching support behind your head.

Is the bed pushing away from the wall? Are we literally rocking the bed? Holy shit.

A heat you rarely felt began to burn like incandescent molten lava in your belly, and you looked at him wide eyed, holding out onto some kind of desperation.

Nanami barely registered that you were looking at him like that when he felt the warm spurts, getting his entire crotch completely greased. You squirted so intensely that for a second you felt like you actually fell unconscious, before coming back to the second wave — the continuum of earth-shattering, convulsing orgasms that always followed it.

He wasn’t ready to have you squirt all over his cock so fervently, letting out the most heavenly, luscious, indecent and pornographic sounds he had ever heard.

He could never be prepared for that.

The sheer scent alone sent shivers throughout his entire body. Your scent was completely smeared over him, slowly dripping down his thighs.

With your walls tightening around his cock, his own peak took him by surprise, as much as he had tried to hold it away. The most animalistic and ferocious groan came out of his mouth as thick strands of white cum filled up the condom. Nanami's entire body jerked, making it incredibly difficult to keep pumping himself into you without risking pulling out too much by mistake, so he just let the convulsing waves finish washing down his body before collapsing on the bed by your side.

You both took a moment to breathe, then two, then three, still panting like you had just run a marathon.

Hell, you were probably panting even harder than that.

"I'm… I’m s-sorry about… the mess," you apologized, huffing and puffing, face blushing as you rolled your eyes back, still recovering from the aftershock.

Nanami instantly turned your face to his, mouth agape and gaze locked onto your lips, as he, without uttering a word, thrust his tongue inside your mouth in an open-mouthed, wet, sloppy kiss. All while still panting heavily.

Pulling back, you smiled, asking, “nothing to apologize for?”

He huffed, smiling back at you, “nothing.”

You both felt like you'd have the best night of sleep of your lives.

Nanami would not, however, as the thoughts he shoved away to the back of his mind earlier that night were about to take him into unwanted nightmares.

End notes:

I can’t reread this again. I just can’t. Hope I got all the typos out, lol. Old version of this fic is here. When I read it a few weeks ago, I came to the conclusion that I didn’t quite like it, so I decided to give it a go on rewriting it. Three rewrites later, here it is, hope you guys enjoyed it.

Tag list (for this fic + current AU tags):

@jadedjane @senseifupa @nikos-a-clown @fairy-corno @ldrcvlt

@magical-girl-b @montyrokz @hexrts-anatomy @g-kleran @otomesass

@redlikerozez @yammy-yammy-yama

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fanonical · 2 months

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look people who've been around here for a while know exactly how i feel about the early doctor who serial edge of destruction but i rewatched it recently and i have feelings

so edge of destruction is the third ever serial of doctor who, right? it's an unearthly child, the daleks, then edge of destruction. and it's also kind of a bottle episode. edge of destruction is a two-parter, and is set entirely on the tardis featuring only the main cast

the plot is weird. everyone wakes up in the tardis with confusion and memory loss, not knowing what's going on. the tardis isn't safe, and strange things are happening. the ship seems to be malfunctioning, but there's nothing notably wrong with it. everyone's freaking out and accusing each other of sabotaging the tardis or hurting each other

now, as i said, this is early doctor who. companions barbara and ian had been kidnapped by the doctor and susan so they don't tell anyone that time travel is real, and at this point they don't trust the doctor and the doctor doesn't trust them. the doctor immediately starts accusing barbara and ian of sabotaging the ship to force him to take them home, which they angrily refute. they've spent the last two stories saving the doctor and susan from whatever's trying to kill them

barbara has a speech here which is brilliant and i can quote verbatim. 'do you realise, you stupid old man, that you'd have died in the cave of skulls if ian hadn't made fire for you? and what about what we went through against the daleks? not just for us, but for you and susan too. and all because you tricked us into going down to the city. accuse us? you ought to go down on your hands and knees and thank us! but gratitude's the last thing you'll ever have, or any sort of common sense either'

and the doctor spends the whole two episodes either accusing ian and barbara of being evil or being wholly unhelpful. (he straight up drugs everyone with a sedative at one point!) yeah, turns out the tardis is trying to tell them what's wrong via cryptic clues, and barbara's putting the pieces together. and the doctor still doesn't listen to her! she's so close to figuring it out and saving them all - they're all gonna die in about ten minutes and the doctor's basically given up, but barbara's trying to solve the problem

and in the end, they have the eureka moment and get out of trouble, but barbara's still understandably pissed. that is, until the doctor takes the time to apologise to her and tell her that yeah, she was right and he's sorry he didn't listen to her and he's going to do better to respect her opinions in future. they go into the next serial as friends, a first for the series to that point

so why do i love this weird little two-parter so much? because it is the moral centre of modern doctor who. this is the start of the characterisation of the doctor that we know and love. before this, the doctor is ruthless! he tries to kill a guy with a rock! he sabotages the tardis to satisfy his curiosity and lands everyone in danger from the daleks! he drugs them just because he doesn't trust them! he thinks he's smarter, better, and more important than the people he travels with

but then barbara stands up to him. she tells him that, no, she and ian are important too. and no, they're worth listening to. and yes, they can help and are worth something. and that's important, because barbara and ian are way more compassionate than the doctor is at this point. they want to help people they come across even if it means putting their own lives in danger.

sound familiar? yeah, the doctor's whole thing of helping everyone they come across and compassion towards everyone starts here. this is one of the most enduring things about the doctor and it would never have happened without barbara telling the doctor he's full of shit

and it's all because he listened to an ordinary woman

#Doctor Who #Classic Who #Ian Chesterton #Barbara Wright #First Doctor #Susan Foreman

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bone-and-butterflies · 11 months

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How to hide plot twists from both your readers and your characters in a way that is not frustrating or annoying.

So I was watching a book review for a book that I liked but both loved and hated some of the plot twists. Of course this got me thinking about plot twists and why they work for both readers and the characters that are falling for these plot twists.

Readers

The key is to control the information that your readers have. Your readers aren't going to consider an option unless (1) that twist is really common for your genre and that reader has read that genre a lot and will therefore be expecting it or (2) you have very obviously given them the specific information nessesary to unintentionally figure out the twist before the characters.

Why does this information stand out, you may be wondering. It is because there is nothing else going on to distract away from a piece of information that can seem meaningless with the right context.

Most of the time, if you're not writing a very specific plot line with a very specific genre, your reader isn't going to immediately know where the plot is going so they may not be looking out for the information relevant to a later plot twist, so as long as you justify an informational choice that explains a later plot twist in a way that covers a variety of basis, they're probably not going to pick up on the one piece you left out, aka what is going to make this twist fun.

This piece of information should be something small and unassuming. It can be magical, but if you're writing fantasy that magic has to be hidden really really well. I find that a plot twist works the best when the piece of information that is missing is something you wouldn't really think about, like the reason a prince was able to infiltrate a prison and hide his identity was because he had his cousin standing in for him and we don't know that this cousin existed and knew the limits of that world's magic (this is actually a plot twist that fooled me btw despite how obvious at sounds now).

A good plot twist that fools the reader relies on twisting the information that the reader has and therefore twisting how they think the story will go.

Midway sidenote: not every plot twist needs to exist to fool both the reader and the character, sometimes it is really fun to watch a character fail because of something inherent to that character.

Characters

Remember how I said sometimes it's really fun to watch a character fail. That only works sometimes.

It is more annoying to figure out a plot twist that is really obvious and then have the character miss it because the author said so.

So how does a writer pull this off?

Be intentional. Have an idea in mind of when you want the reader to figure it out and ask your beta readers when they figured out your plot twists to control that as much as you can.

Your character does not know which genre they're in, so you have to both get inside the character's head and take the reader along with you so they understand why this character is making these poor choices and missing the most obvious villain in the room.

Why would a character miss a plot twist?

They are distracted or delusional. Characters have goals and they may ignore their better judgments to achieve these goals based on their personality. Put more emphasis on your character's motives to hide information that may make plot twists more obvious. Also, your characters may use information about their world to explain their motives and this information may also be vital to understanding a later plot twist

The average person does not go around thinking everybody around them is out to get them especially if those people seem incapable of that through the pov character's ego or the other character's demeanor. If your character has known somebody for a really long time or knows a piece of information that is vital to the worldview they're probably not going to immediately discard it. Fun fact: in the real world, when people have their views disputed, even with very good evidence, it can make them more likely to hold on to that old belief.

Expectation of harm. Different characters have different experiences with shape how bad they think things can get. For example, if a character has never experienced something, they may not know what can lead to that thing. (FYI older characters are more likely to know more things so be careful with this one.)

The Twist

For a twist to work, it must make sense with both real world and in world knowledge as well as common sense, so keep this in mind as you plan.

Conclusion

This isn't comprehensive because good plot twists require a lot of information to make them work and that's makes them very specific. While I would love to explain why different plot twists work, part of them working is them fooling you and hindsight bias is kind of a thing.

Keep writing. If a plot twist just isn't working either scrap it or let it sit until you have the information to build reasons why it should work.

#writing #novel #writing advice #writing tips #writers on tumblr #writerscommunity #writing resources

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sheisjoeschateau · 4 months

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"Oh, so we DO love Steve..." | PART I

Steve Harrington x Bauman!fem!reader enemies to lovers, heavy angst, hurt/comfort, upside down mayhem, S2-S4, post S4 universe hot-take, end-of-the-world / dystopian setting, ugly fights turned smut (...but with hella plot). 18+

WHEN THE UNEXPECTED NIECE OF MURRAY BAUMAN GETS THROWN IN THE MIX, THE GANG HAS NO IDEA JUST WHAT THEY'RE IN FOR. SCRATCH THAT - STEVE DOESN'T KNOW. YOU GET ALONG WITH EVERYONE WELL. YOU BANTER WITH THE ADULTS, WHO APPRECIATE YOUR HELP. THE KIDS LOVE AND WORSHIP YOU. YOU'RE HELPFUL ALL AROUND. BUT AS FAR AS STEVE IS CONCERNED, YOU'RE JUST NUISANCE. AFTER ALL, YOU'RE THE REASON HE LOST THE LOVE OF HIS LIFE AND MISSED OUT ON A LIFE THAT "COULD'VE BEEN." IF YOU HAD JUST KEPT YOUR SORRY ASS OUT OF THE PICTURE... IF YOU HAD NEVER GONE WITH NANCY AND JONATHAN AFTER THEY LEFT YOUR WHACK-JOB UNCLE, MURRAY BAUMAN'S, BUNKER? HE WOULD BE HAPPY. SO F*CKING HAPPY. BUT HERE YOU WERE. YOU WERE BASICALLY THE COOLER (...AND SURE, MUCH MORE ATTRACTIVE) FEMALE VERSION OF MURRAY BAUMAN. YOU WERE SARCASTIC, QUICK-WITTED, TOO SMART FOR YOUR OWN GOOD, AND APPARENTLY BUILT FOR THE WAR. SURE, YOU WEREN'T AS BRASH AS YOUR UNCLE. BUT IN STEVE'S EYES, YOU WERE SOMEHOW FAR MORE OBNOXIOUS. HE DOWNRIGHT HATED YOU. HE WILL FOREVER HATE YOU... BUT WILL HE?

DISCLAIMER: I DO NOT GIVE PERMISSION FOR MY WORK TO BE COPIED AND/OR REPOSTED ON HERE OR ANY OTHER PLATFORM, OR PUT INTO ANY AI PROGRAMS. THIS IS AN 18+ BLOG, MDNI.

An original fanfiction series, written by Misha St. James.

⁺₊⋆ ☾⋆⁺₊⋆ SERIES MASTERLIST ⋆⁺₊⋆ ☾⋆⁺₊⋆

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I did not proof-read this after Tumblr gave me hell trying to share. So pls excuse possible typos. hehe

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Let's just get to the point, shall we?

Once upon a time, a young boy named Will Byers went missing. Later, he was found in an alternate dimension by the world's #1 mom and a cynical cop turned hero. A girl with a shaved head had telekinetic superpowers, befriend's Will's four loyal friends along the way and helping them track down their missing party member. Then, whatever the hell was on the other side - whatever was in this...upside down...took back Eleven. She'd been missing ever since that dreadful winter.

Fast forward to now: you're sitting in your uncle's bunker, looking at his wild display of efforts. Papers, files, whiteboards covered in multiple words, arrows, sketches - all in different colored markers. Murray Bauman was on a mission, and he would be damned if that grumpy, cynical smart-ass known as Jim Hopper honestly thought that he could dismantle his efforts. Nice try, chum. Game on. Thankfully, you'd gone to school with Barbara Holland. That's whose parents had assigned the task of searching for her to your uncle. Murray was asking you tons of questions, and you were glad to help. It meant spending time with the only family member you cared for, despite his wackiness. You guys got each other. Bantered well. Got shit done. Honestly, it was also a great way of drinking safely and not with a bunch of rowdy teenagers at some stupid party. You got along just fine with everyone at school. But damn, they could all be annoying. ...especially Steve fucking Harrington, who was now the topic of conversation. You know, given that his house is where Barbara was last seen. "It just isn't making sense," your uncle huffed, raking his hands through his oily dark hair. You sipped on the glass of vodka that your uncle had poured you, hissing at the strong taste. Leaning across the coffee table, seated on his couch, you tried to connect the dots with him. "I'm telling you, someone in that group of teens knows what's up. Or at least has an idea." Your uncle swigged at his vodka, defeated but ruthlessly trying to piece together his clusterfuck of scattered evidence across his wall. "Well then, guess we better grill 'em."

And that's how you come into the picture. When Nancy and Jonathan came to seek out Murray. And when they arrive, they're surprised to see you. They recognize you from school. Jonathan took several classes with you. In fact, the two of you got along well at Hawkins High. No, you weren't close. But you both were cool. Nancy, on the other hand, didn't know anything about you. Just that you took political science with Barbara, and got straight A's across the board. You could've been class valedictorian. But you were not looking for any sort of title that demanded pressure or attention. At least not in high school. Career wise? Sure. Not here, though. Not Hawkins. "Your timeline is wrong," Nancy is saying, making you and Bauman freeze. Nancy is telling you that the girl with the buzzed hair is not Russian. She is, in fact, from Hawkins lab. And her name is...Eleven? So they do know something. And something turns out to be everything.

Jonathan sits you both down to relay everything to you both. And woof, does it give you guys a headache. Strangely, though... it makes a whole lot more sense than some mundane explanation of sorts. Obviously though, that puts you all in a tough spot where you'll all need to put your heads together. So the two classmates of yours stay, sharing in chilled Smirnoff and having to endure the hilarity that ensues between you and your uncle. You and Murray both banter well with the two of them. Jonathan finds you to be hilarious. Nancy finds you intimidating. Very intimidating. You’re quick witted, darkly humored and independent. But there is a reserved, mysterious sort of feminine energy to you, despite your more masculine strengths and bluntness. Over glasses of stiff vodka, you all come to the conclusion on how to go about exposing the truth about Barbara Holland's disappearance: water it down.

At the end of the night, you're all winding down -- you and your uncle having convinced the two lovebirds to stay. But when you're telling them they can take your uncle's guest room while you take the couch, Jonathan's asking if he can take the couch. You blink. Huh? ...surely Nancy is not still with --

"Okay, I'm confused," your uncle's saying. "What's going on here? Lovers quarrel?"

You cock an eyebrow, leaning back into the loveseat.

But Jonathan and Nancy are then talking over each other with weird, flustered excuses...saying they're just friends.

You and your uncle bust out laughing. And then you're shrinking back in your seat, knowing what's coming: one of your Uncle Murray's lovebird witchdoctor speeches that he barrels into anytime that two delusional people have convinced themselves that they aren't in love. Or at the very least, not into each other.

Uncle Murray is breaking them down, one at a time. He's reading Jonathan like an angsty teen novel, seeing right through him and his brooding, mysterious energy. Trust issues, thanks to daddy issues. Yikes, that makes you sip some more drink.

And then he's onto Nancy, saying that she's harder to read. But he manages anyway. It's the Bauman way.

He's telling her that she's likely like everyone else, "afraid of what would happen if you accepted yourself for you who you really are." He looks at you. "Am I in the right ballpark?"

You nod, swallowing the last drop of vodka in your cup. "That...and afraid of that might happen if she didn't retreat back to the safety of someone familiar."

Nancy looks bewildered. But more than that, she looks caught.

"Name?" your uncle is prodding, snapping his fingers. "Name."

You and Jonathan both say it. "Steve."

Uncle Murray's face is priceless. He feigns adoration, putting on a baby voice as he repeats the name. "Dawh. Steve. We like Steve."

"Yes," Nancy laughs nervously. Eek, you think.

"But we don't love Steve..." Your uncle's words floor Nancy.

And when Nancy's saying something about still being with Steve, insisting that she loves him, you roll your eyes. Even scoffing, getting her attention. Maybe if the vodka weren't in your system, you wouldn't be so bold. But Jonathan's mopey look just gives you more confidence.

"Boom, ladies and gents," you say with a grin. "Second lie of the evening." "The hell was the first one?" Jonathan asks, blinking. "You guys being just friends." You and your uncle say something along the same lines, simultaneously. You both laugh together, clinking glasses. The two not lovebirds just squirm awkwardly in their seats. Finally, you sigh. "Look. You guys don't wanna give up the ghost? Be my guest. I'll happily keep my bed." You stand up, ready to turn in. But not until casting them one last work, pointing a finger. "But if I were you two? I'd cut the bullshit and just share the damn bed." Murray snorts, rising to stand as well. He stretches. "Welllllp. I'm turning in for the night." You begin mounting the stairs, hollering: "Better act fast, kiddos. At least before this poison in my system knocks me out cold. Don't worry, Nancy, I don't snore. So if you do choose me, you're safe." "But that's so lame," Murray adds to that wryly, heading off to his room. You both tell each other goodnight, leaving the two angsty teens to decide their fate. All you know is that Nancy ends up walking out and not coming back, at one point in the night. Yeah, thought so. Breakfast the next morning is even more hilarious. You and your uncle ask every single question that drips with innuendo that you ever possibly could. And it's worth every fucking minute.

Murray's gonna need to keep that couch cleaned. To your surprise, Murray sends you off with Nancy and Jonathan, but given that you want to go and see it all for yourself you don't mind. You’re basically his little spy. Most uncles send off their nieces and nephews with some good advice, maybe a packed lunchbox or snacks, and a warm hug.

Yours, however, sends you off with a full bottle of vodka, a thick wad of cash and some fun sarcastic banter. But he headlocks you in for a hug, and you cackle. He really is a nutcase, and man you can't help but love him. He is so not the parental type. Yet somehow, he's practically raised you. And in your opinion, you're pretty well-prepared for the world. More than most, in Murray's opinion. So off you go with Nancy Wheeler and Jonathan Buyers, and they both honestly enjoy your company. It helps them get past their umm...well...awkward new reality. That new reality that comes post-sex, after a long ass time of playing the tip-toe game. The sexual tension between them is hysterical to you. But you keep your thoughts to yourself for now. The vodka did most of the talking for you last night.

When you both arrive at wherever the hell your destination is, it's dark outside. And if you're being honest, it's pretty creepy. You're somewhere near the woods, and as you all walk closer you're beginning to see lights approaching you...along with a handful of shadowed figures.

Fuck, you literally just got here.

But then, after a tense several moments... Nancy and Jonathan call out to them. You jump, startled at the fact that they do it so confidently. But the name that they call out suddenly makes it all make sense. "STEVE?" "NANCY...?" And that's how you became a crucial part of the most royal pain in the ass, King Steve's, life.

#steve harrington angst #steve harrington #steve harrington x you #steve harrington x reader #steve harrington fanfic #steve harrington imagine #steve harrington stranger things #steve harrington smut

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ms-cartoon · 5 months

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Normally, when I see posts like this, I ignore it cuz it's nothing serious to argue over, but I just feel like giving some fair points about it.

I can agree that not every single episode has to revolve around Charlie. There are still some characters we are curious about and want to dive into, but here's the thing;

The problem is we're already 4 eps in and most of them hardly contain Charlie and the plot of the whole show, not to mention they're fast-paced with the show cramming in new characters and the plot containing them as much as possible without even taking the time. Our 4th episode in and we already have Adam, Lute, Vox, Valentino, Velvette, Camilla (her daughters included), Zestial, the other overlords, etc. All these characters and we're not even in episode 5 yet!! I'm surprised Cherri Bomb hasn't even shown up! She was in the pilot and had a whole speaking role and everything while the three Vees and the Overlords didn't.

EP 1: Charlie takes her father's place in having a meeting with the Angels meanwhile Vaggie tries to make a commercial about the hotel with the assistance of the staff. Okay, we were off to an alright start. Though I wish the ep didn't go back and forth with Charlie and Vaggie. I feel like 1 half of the ep should've been about one person while the other half focused on another.

EP 2: The three Vs are introduced. We see that Vox and Alastor hate each other and he, along with Val and Vel, figure out a way to keep Charlie from ever striking a deal with Alastor. Why they are trying to do this? I dunno, it's never explained really. They get Sir Pentious to spy on Charlie and Alastor by seeming to Charlie that he's interested in rehabilitation. Meanwhile, Angel's feeling all upset about it and we're given a hint at him and what his relationship is like with Valentino. (Charlie was present, but overall, this episode was not about her).

EP 3: Alastor arrives at a meeting with the other overlords (Camilla n them). It's a meeting about . . . Idk, it was a meeting. Velvette comes in and reveals she's found the head of one of the exorcists which is a shock to Camilla (because she secretly was the one that killed the exorcist). Meanwhile, Vaggie tries to help Charlie figure out how the staff can have trust and bond with each other. (This episode kinda involves Charlie, but we're mainly focused on Vaggie and how she feels she doesn't do much for her. Crazy thing is someone apart from Viv or Adam wrote this and much better than either of them could write a page.)

EP 4: We immediately jump into the Angel Dust arc where we focus on him and his situation dealing with Valentino. Meanwhile, he continuously argues with Husk but then they make up and become friends in the end. (Charlie's only there for the first half of the episode while just barely being there for the second. Aside from that, this episode wasn't about her at all.)

Y'all see what I mean?

Also, Viv said that Hazbin Hotel was a female-focused show where it is centered around Charlie and even Vaggie, so of course we're gonna expect more of them instead of the rest of the characters.

#hazbin hotel critique #vivziepop critical #vivziepop #hazbin hotel criticism #hazbin hotel critical #hazbin critique #hazbin criticism #hazbin critical #hazbin charlie #charlie morningstar

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riddlerosehearts · 5 months

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thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

#disney #the emperor's new groove #help i wrote a whole essay about this movie #and i didn't even mention how much i love the way kuzco's home life is contrasted with pacha's #ugh. they have one of the most interesting and unique dynamics ever in a disney movie. i love them #love how kuzco gets away from yzma's toxic influence by way of accidentally being adopted #by the guy whose village he almost destroyed for a theme park #they're ENEMIES to FOUND FAMILY.... sobs #kuzco #pacha #yzma #kronk

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little-pondhead · 1 year

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Thinking about if Dani ever gets added to the Villain Everlasting Trio au, like how would she fit in? Obviously the JL would have to figure out she's a clone and try and figure out why she exists ("maybe fenton is just that narcissistic?" flash asks, meanwhile batman is already texts agent a to get ready another room in addition to the three already prepared). Maybe she acts like the innocent kid in danger until heroes get close? batfamily trying to pspspsps her away from fenton? The trio collectively calling her their daughter?

I love this au so much, even if I still don't fully forgive you for making Tucker hot.

The way I SPRINTED to my computer.

Disclaimer: This particular AU has nothing to do with Fun Sized and Feral by @nutcase8691 or my Dani Fenton redesign from a while ago. This isn’t really important, but I thought the plot of this au might be straying the tiniest bit too close to the Feral AU (which I love btw) and I just didn’t want to cause confusion.

TLDR: Dani had to mature too quickly in their home world, so when she arrived in the DC universe, she finally got to slow down and be a kid. :)

Okay okay. Give me a moment. Since everyone is acting like the opposite of their usual self when they're playing villains, your question was, how would she fit in? To backtrack to this earlier post, I said that each of the trio's specific gimmicks somehow ties into their everyday lives. They looked at their immediate friends, family and acquaintances, picked out the traits they saw as 'villainous,' and then applied that to themselves.

Danny became a mad scientist because even though his parents love him through and through, they still hurt him the most. The threat of capture and dissection from the GIW didn't help, either. He wears a suit similar to his parents, pushes his hair up so he can see better, and his white lab coat looks a little like the GIW's suits. The suit is also red, which is the opposite of green, distancing himself further from his hero life as Phantom and connecting him more to his civilian self, where red is present on his shirt. He refuses to use his powers, as well.

Sam looks like an angel, which seems odd given her completely goth look and slightly pessimistic attitude. And if she uses her plant powers (shut up, she totally has them) as part of Team Phantom, then that rules out using them as a villain. They want to completely separate these alter-egos from each other. Well, one of the most significant sources of strife in Sam's personal life is her parents. In the show, they're seen constantly fighting with Sam, trying to mold her into their perfect daughter, when Sam is very obviously happy with how she is right now. So as a silent fuck you to her parents, Sam gets a hold of a Realm artifact, the halo, which gives her a pair of ghostly wings and the ability of flight. Now, she's the one in the air, and Sam is still doing what she does best, even as an angel. She tries to show the world that not all angels are perfect, and in fact, they can be downright monstrous. (This is where her more aggressive and destructive attitude comes in.)

As far as I'm aware, Tucker doesn't have any trauma related to his parents. (The lucky bastard.) He is the tech-nerd stereotype, however. And since he's from a cartoon from 2004, that means he gets bullied. A lot. The show focuses mainly on Danny, but you cannot tell me Tucker wasn't bullied like that, either. For the sake of the au, let's say Danny was taking all the beatings for Tucker. Maybe he was in canon; I can't remember. But not only is Tucker being physically bullied but so is his best friend. (Eventually lover!) And imagine his feelings when Team Phantom shows up to a ghost fight, and Tucker is absolutely useless the entire time. He just can't help at all. Danny and Sam are on the front lines, redirecting hits and doing damage control, and here he is, waiting for the Wi-Fi to catch up on his PDA. It eats him up. He wants to be helpful in more ways than one, and that's what the DC universe gives him. He takes another Realm artifact; this time, it's actually his by birthright, and the artifact drastically increases his physical power, just like he's always wanted. He learns Egyptian magic and dresses in a way that gives homage to his time in Egypt-which was traumatizing by itself, but hey, he has sweet beetle magic now.

Basically, Fenton, Manson, and Foley are all the results of the trio's frustrations and fears. They become the things they stress about the most to help cope with their everyday lives. The DC universe is their outlet.

So where does Dani fit in?

Well, Dani is a clone, as we know. Her creation and introduction to the world were rather sudden if you compare her to a typical baby. And that's what she is; a baby. Unless you jumped the timeline far into the future, Dani is barely a year old in canon (I think.) And after her team-up with Danny to defeat Vlad, she makes the decision to leave Amity and travels the world. She has to navigate an entire world independently, even if Danny wants to help her. So now, plop her in the DC verse. What's the opposite of an independent clone who's had to fend for herself from a very young age and has had almost no real familial bonds?

A kid. A scared, touched-starved child who's had no one to look after her for who knows how long. (Vlad doesn't count here.) Dani gets to the DC verse and cries because she and Danny can finally bond like she always wanted to. She doesn't have to put up a strong front because the trio is there to protect her. Dani is extremely young, and now she can finally be a kid. It's not mental age regression; instead, Dani no longer has to hold herself back from doing childish things or crying. Both are things that could be a danger when you're living on the streets. She spends almost all her time here now.

The Everlasting Trio had already missed her before, but they had just fully adopted her in this new world. Dani is their baby. Their little girl. She didn't ask to be born-she shouldn't have to suffer because it was unsafe at home. Well, they can make a new one, just for her, here in this universe. And look! There’s more clones for her to bond with! The GZ is more accessible than ever, and their commute between universes really isn’t that bad. They like it here! And the heroes and villains will never take her away, no matter how hard they try. Sure, Dani can have playdates with some of them, but she will wail and scream if anyone so much as suggests she stay the night without her parent's permission.

Oh, and she never stops being a little shit. If anyone doubts that Fenton and Dani are related, they are simply ushered online to see that one viral clip of Dani latching on to King Shark with her teeth and not letting go in the middle of a shopping plaza. The camera pans to the left a moment later, and the audience spots Fenton doing the exact same thing to John Constantine.

The first time the Justice League meets Dani, it's right after she got lost during a spacewalk with Danny and Sam. She enters the first place she sees, the Watchtower, and breaks down in front of Wonder Woman about how she can't find her parents and doesn't know how to get home. The heroes are baffled and try to comfort her until Danny comes barging in five minutes later, panicking over his baby girl missing. They reunite, the heroes are reeling, and Superman mentions he didn't think Fenton was old enough to have a kid.

Fenton looks up from his bear hug and goes: "Huh? Oh, no. I'm only seventeen. (work with me here) Dani is technically my clone, but we adopted her properly as soon as possible."

And now the League has two issues. Their most annoying enemy is only seventeen. And he has a clone.

What the f u c k.

Extra analysis: Dani's outfit is cleaner and a little fancier than what she wore in the show. She ties her hair up like Tucker and pins her bangs back like Sam. She already looks identical to Danny but likes to wear his sweaters, especially in cold weather. The oversized clothes remind her of her time with Danny in Amity Park, and helps hide her physique better, so it's hard to tell how old she is. She wears leggings to show that she no longer has to fight for her life every day on the streets. Now that the trio adopted her, she can relax and let someone else take the hits for a while. (We all know how fast leggings and tights can be ruined when doing literally anything.) Fright Knight gifts her a cursed doll that helps protect her in stressful situations and functions like an SOS beacon. JLD hates the bear. (She named it Strawbeary.)

She acts on her impulses more often, which the trio sees as a good thing. Even if that impulsive desire gets her in trouble, it gives everyone a chance to learn and grow as a family. Dani also refrains from going ghost at first, following her dad's wishes. Right now, she's just giving herself a break from her previous nomadic lifestyle. After a bit, she and Danny will bond over their halfa status, and she'll grow into her own unique core and powerset. The heroes dread the day the littlest Fenton decides to join her parents in their shenanigans.

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verysium · 8 months

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ACT 1, SCENE 4: blue lock headcanons

shidou would view traditionally ugly creatures as strangely cute. it's not a disgusting cockroach, it's a silly little bug with eyelashes as long as his. no, he's not going to let go of that scraggly one-eyed cat that likely has rabies. it looks too sweet to be abandoned on the streets. his dream childhood pet was definitely a piranha.

aiku wears band t-shirts without knowing the actual music group. no, he does not listen to sex and the pistols, he just thought the design looked very cool. would also wear lana del rey merchandise just to impress the ladies. the only song he realistically knows is west coast, and even then he's only heard it at a random sushi restaurant.

reo would have stereotypical rich people problems. he can't decide if he should bring his chauffeur and valet or actually drive the car himself for your upcoming date. also spends at least one hour seriously pondering over which gucci silk pattern tie looks better on him. trick question, they're both the exact same shade.

shidou steals your covergirl perfect point eyeliner because he thinks it looks way better on him. also a big fan of body glitter and super vulgar eyeshadow palette names. his favorite hue so far is that one hot pink fuchsia that literally burns your eyes with its brightness. nothing is too neon with this man.

ness is the epitome of the sunshine-turned-unhinged-maniacal-killer trope. he would be the bestest boy, but if someone even lays a single hand on you, he’s already plotting their murder. eerily good at hiding bodies but would never divulge his secrets in fear of scaring you off.

shidou would walk unashamedly to the women’s clothing section of the general department store. would never be embarrassed by the bra sizes. you have a double D? he’s already trying three of the cup sizes on just to see if he can get you a comfortable one. if you’re part of the itty bitty titty committee, he wouldn’t judge either. this man loves femininity in all its full glory.

aryu exclusively uses dior beauty. he would rather die than use a generic drugstore makeup brand. sometimes you wonder if he's secretly a dermatologist because this man knows the exact shade, tint, and quality of product for every possible skin tone and type. also very passionate about the controversies behind animal testing and parabens. would be exceedingly picky when it comes to anything he smears on his face (think jeffree star but without the problematic issues.)

sae has his phone screen set to default wallpaper. he only has the translator app downloaded, and that's about it. his personal trainer takes care of all the rest of his stats. after he started dating you though, he kept pictures of you in his private photo albums.

noa cannot tell a white lie to save his life. if he doesn't know something, he will not know something. he doesn't see the point in hiding that. sometimes has trouble reading the room, so you need to remind him that brutal honesty and pure rationality aren't always the way to go. he does become more conscientious after that.

bachira used to draw crayon portraits of all the imaginary monsters he saw at night. scared the shit out of his parents because they thought he was hallucinating (he actually was.) nowadays, he's a lot tamer because you force him to take his meds.

isagi is, in fact, the number one mind reader and manipulator throughout the entire series. this man is clairvoyant, psychic, and telepathic all packaged into one. sometimes his right ear twitches, and he just knows someone is talking about him behind his back. unfortunately, all of this occurs in his head, so no one on the outside world actually knows about his sixth sense.

rin was absolutely bombarded with valentine's chocolates last year, but when he sorted through the entire pile and realized you hadn't given him one, he returned them all to their respective senders. will refuse any form of sweets unless it came directly from you. you need to be there physically to hand him the box.

kaiser writes, thinks, and speaks entirely in german even if no one else can understand him. he secretly can speak english but chooses not to because he absolutely hates anglicization. refuses to compromise his own language and culture just to fit in with the rest of the world. it's degrading. if he had it his way, german would be the new lingua franca. definitely thinks translation is for dummies. what do you mean you're not already bilingual? you better run, not walk, to that little green owl app. does use his foreign accent to make you feel flustered though. has a voice kink but in a non-traditional sort of way. you have to be the one turned on by his voice. only then will he start feeling it.

yukimiya loves it when you lose your shit. one time a jerk cut you off in traffic, and you started aggressively cursing. he fell in love with you right there on the spot. it was something about the fire in your eyes and the way you refused to take any attitude from the other party. that self-assertiveness you exhibit is so empowering.

aiku takes you out to karaoke bars just to hear you sing. you look so pretty under the purple disco lights, belting your little heart out to the rock lyrics. sometimes he has to take a minute to just appreciate how lucky he is to have you.

nagi didn't know that you have to actively check and update your email inbox. he had no clue school even started until one day the principal called his parents over his thirteen student absences. he thinks it's a headache to even get out of bed and put his fingers on his laptop keyboard. since when was the distance between his arrow cursor and the search bar that wide? it looks too long for him to reach. maybe he should just do this tomorrow.

reo does not know what saving money is. the first time you asked him for a promo code, he looked at you as if you had just spouted a strange language. when you showed him your little wallet full of cut-out coupons, he literally had to hold them up to the light and closely inspect them. it was definitely a moment of enlightenment.

sae likes anklets, especially the super thin gold chain ones. something about the way it brushes against his bare leg when you sleep beside him drives him out of his mind. he's also a sucker for subtle jewelry as evidenced by his necklace and wrist bands.

otoya practically lives for instant gratification. he would be guilty of love bombing. loses interest quickly, but sometimes wishes he could actually commit for once. football is important to him because it is one of the only activities he has consistently practiced for over a decade.

karasu is down bad for anyone who can actually outsmart him. you got a higher mark than him on the recent exam? damn, his heart just beat a little faster. spaces out in a love-filled haze whenever you ramble on about your nerdy little subject interests. he is a sapiophile through and through. intelligence just does it for him.

loki is the type of person who absolutely demolishes your self-esteem, and yet you still cannot bring yourself to hate him. when people say god has his favorites, they mean this man right here. he would be an innately talented genius while simultaneously being the most humble human being in existence. at this point, it's not his problem. it's a you problem. try harder next time.

chris is very similar to a neurosurgery resident. he has the largest self-entitled ego in existence. not a single day goes by when he doesn't remind you that he is, in fact, one of the highest ranking football players in the world. you can't say anything about it though because he has rightfully earned his arrogance. i mean, what are you going to use against him? his grueling hours of blood, sweat, and tears? this man works harder than the devil himself. in fact, he is the devil.

rin is the type to get emotionally attached to the most ordinary objects ever. he collects batteries and keeps a separate drawer as a graveyard for them once they die. the triple A ones get a special funeral since they're so hard to find. he just can't bring himself to let go of objects that no longer serve a purpose (just like his relationship with sae, sorry not sorry.)

hiori cannot go to bed unless it is absolutely dark. the curtains have to be closed. the door has to be locked. everything has to be drowned in pitch black. the reason he does this is because he still has flashbacks from that tiny strip of light underneath his bedroom door. his parents would argue all night when they thought he had gone to sleep. it still haunts him to this very day.

nagi wishes he could be a cat. sleeping all day and sunbathing on the rooftop seem like great ways to spend his life. unfortunately for him, he is not a cat. when he dies though, he wants to be reincarnated as one. either that, or a rock.

rin snores like a whole power drill at night. sae secretly hates his brother for that but can’t bring himself to wake him. whenever the itoshi family goes on vacation, ear plugs are not an option but a necessity.

chigiri knows ventriloquism. he used to play with his sister's dolls and make up character voices for each of them. definitely uses it as a party trick or as a way to make you laugh when you've had a bad day.

sae always keeps his feelings to himself. sometimes he finds it easier to rant to you than others, but then he almost always ends up retracting back into himself after realizing just how much he's revealed. he hates being emotionally slutty.

ness is the big scary dog in his relationship with kaiser, not the other way around. everyone thinks kaiser is the intimidating one, but ness wears a leash for a reason. one of them is the chihuahua, and the other one is a rottweiler. you can already guess who is who.

reo was having a mental breakdown in his limousine one time, but he ran out of his usual luxury aloe vera lotion tissues. instead of buying more, he took out his cheque-book and ripped out the pages to dry his tears. money is just paper to him. it can be recycled (no, it can't.)

loki is the type to show you a sweet and heartwarming smile before pulling out the most atrocious uno card combination in existence. i'm talking reverse, wild card, skip, draw 2. you sat there for twenty-five minutes trying desperately to draw a green. by the time you were done, he only had one card left. (screw you, loki.)

niko draws his own manga whenever he doesn't like how the official plot ends. if the canon ever diverges from the way he imagined it in his own head, he will draft his own fan fiction instead. one time, he rewrote an entire shonen jump series just to bring his favorite character back to life (*cough cough* said character wears a blindfold.)

karasu is definitely the "um, actually..." type of student. he will always have a rebuttal on hand. the truth is never black-and-white with this man, and he will argue both sides if it furthers his own agenda. he reads the encyclopedia front and back every night just so he can pull out a random arbitrary fact to win an argument some time in the near future.

shidou had a bad habit of chewing pens as a child until one day it finally exploded in his mouth. from then on, he vowed only to chew glittery gel pens. that way when it exploded in his mouth, his tongue would be stained a bright, shimmery purple. if you ever got him a scented gel pen pack, his life would finally be complete.

rin cannot differentiate between colors. if you asked him to find the difference between bubblegum pink and cotton candy pink, he would not know. to him, seven colors is already a lot to memorize. when he was a child, he only drew pictures with a single color because it was less of a hassle that way.

otoya used to think lime green was the most aesthetically pleasing color in existence. almost considered dying his hair that shade until karasu told him that girls don't actually like guys who look like neon highlighters. still wishes he did it though. he wants to glow in the dark.

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dailyadventureprompts · 2 months

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DM Tip: Creating a Campaign Skeleton

Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).

One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.

Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.

It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.

I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.

The Reason: Who are we and what are we doing?

Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.

The Pilot/Crashtest Adventure: What's first?

I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic. By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.

The Central Gameplay Pillar: How does this all work?

It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.

The Hub: Where are we?

I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting

The Main Event: What's going to happen?

Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.

The Setting: What's over there?

While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.

Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to

The Change: What the fuck?

A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning

artsource

#dm tip #dm advice #writing #dm tips #writing advice #campaign skeleton

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brucewaynehater101 · 12 days

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I have a spooky Tim au that I think you would like.

Tim is not human and has never been. He knows this. His "parents" know this. The rouges know this. However, none of the Bats but one know this. When around the Bats, Tim looks like a Normal Human. His skin is pale but does look like flesh and his eyes are weirdly pale but they still look like eyes. His hair has a weird texture but its prob just his shampoo, so surely the slightly off texture in how his skin feels is just his lotion, right? His teeth are a bit sharp but still human teeth and his movements a bit odd, but what Bat doesn't move strangely?

However when they aren't around, it is a totally different story. His skin changes to look like porcelain and his eyes are so very clearly made of painted glass. His hair is made of string and twine died black and when its fist or foot lands a blow it feels like being hit by a sand bag and not flesh and bone. His teeth are made of shards of broken glass and his movements are far to Jerry yet smooth, like a puppet on strings that glides through the air in a horrible mimicry of walking. This Thing that wears the Robin Suit is Not a human, as long as it isn't around Batman or Nightwing. When either are there, The Rouges can see the shift. The way it suddenly looks so *human*. But once Batman leaves it shifts back into being a *thing*.

Tim is only a Thing when he is either scaring the rouges or Truly Comfortable. Young Justice knows that Tim is not a human and he doesn't hide it from them. There is never any fight about his civilian identity because he freely tells them, "I am a Thing made from Glass and Sand and Fabric and Magic. He is not a Person nor has he ever Been A Person. He is not some poor sap who was transformed into a Thing, he is a Thing that was created and then given life with Magic.

As for how Jack and Janet acquired a Thing like Tim, well. They're archeologists. They dug up an old tomb, found a coffin that was chained closed and bolted to the ground and like every White Person In A Horror Movie, they opened it without a second thought. Inside they found an ancient, cursed doll. It came to life when Janet cut herself trying to clean off one of its broken glass eyes to get a better look and the blood fell on it. The pair then decided this was a lot easier than child birth and kept the cursed doll, naming it Tim.

My gods. I love the ending of this cause it gives off the same vibes as "humans will adopt anything" tropes in space travel fiction.

I have one caveat with the Bats not knowing. I hc that Cass knows. Tim's body language is too strange for her not to notice something.

Everything else? Beautiful. It would be hilarious if people keep trying to tell the Bats. Here's a possible scene:

Goon: *points finger at Tim* "That thing beside you isn't human!"

Tim: *fakes having his shoulders drop as he turns slightly away in dejection*

Dick: *absolute fury as he beats up the goon*

Tim: *decides not to get revenge after seeing what Nightwing does to the person*

Rogue: "I'm telling ya, whatever he is got string hair, porcelain skin, and doll like movements to him."

Batman: *hums, takes them out, proceeds to Batcave*

Tim: "What's up, B?"

Bruce: "[] said that you look different when we're not around you."

Tim: *tilts his head* "I mean, I like playing up the rumors that the Bats are cryptids, demons from hell, spirits, or whatever when I can. I add effects to my costume to increase the spook factor."

Bruce: *nods and turns away to end the conversation for now*

Tim: *makes plots to ruin that rogue's life for a bit as revenge and a message*

I'm curious how wounds and scars look on Tim's porcelain skin. How does he heal? Does he even have a spleen?

I'm also down for two avenues:

Jason doesn't know like the rest of the Bats. After they start to become close to each other, Jason retaliates against folk who try to demean Tim. He tries to hide the comments from Tim until he learns that the teen finds it funny and ramps up the rumors on purpose. Then he switches to pulling pranks on people with Tim to create more wild theories and gossip.

Jason finds out at TT, and Tim ensures no one actually believes Jason. Perhaps he even starts the notion that Jason was affected by the Pit. It drives Jason bonkers that no one is trusting him or accepting his words for what they are.

#dc comics #tim drake #dc universe #thank you for the ask!!!!#dc au #dick grayson #bruce wayne #jason todd

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bloodlust-1 · 6 months

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I think your writing it beautiful! I think you'd write Gale's inter struggle excellently. Him wrestling with feelings for Tav before confessing or pursuing them properly. Because guilt and the orb and they're supposed to be focusing on the mission and the tadpole and the timing is awful. I think the softness you've given him would lend really well to that.

Thank you anon <3 and Yes! Ofc. Gale battling to keep his feelings subtle, but its unapologetically obvious to everyone around him expect himself.

⊱Is this love⊰

Gale x fem Tav — fluff, angst

Summary: Gale tried to be subtle, he totally wasn’t looking at Tav. But when she catches him, it triggered an array of emotions he battled within himself.

Notes: this was a request, so I hope you like this anon<3 (also merry Christmas Eve!)

Short and sweet

Gale had his nose buried in a book, but was he really reading? Nope! In truth, the book in his hands was nothing more than a shield, a way for him to keep a watchful eye on Tav as she chatted with Shadowheart at her tent. He was so focused on Tav that he could've missed a world-changing plot twist on the page in front of him.

Sweaty palms clutched the oversized book tightly. Gale kept his gaze down, desperately trying to be subtle about the fact that he was staring at her. Their time in the weave together echoed in his mind and he felt an intense heat rising up within him.

How could she think of them kissing? Gale never even dreamed of it. Now, she was barely giving him the time of day, as if she hadn't just brought up the thought of them sharing a romantic moment. He felt so confused, embarrassed, and flustered.

Gale didn't exactly hate the idea of her lips. Actually, he noticed just how plump they were and what it would be like to kiss them.

He cussed himself under his breath. This was no time for love. Feeling guilty, it only resurfaced old heartbreak with Mystra. How he craved to be better than the man he used to be.

Gale nervously bit down on his lower lip, slowly peeling away the skin as his mind raced. Did he say something wrong? Did he scare her away with his burdens? Or the orb that cursed him? He reasoned that she was someone he could trust, but he couldn't ignore the fact that Tav was incredibly attractive. She was exactly his type.

STEALTH CHECK: FAILED.

As Gale lowered his book to peek another look, his soft brown eyes were met with another pair. He jumped back with a small gasp and clutched his book like it was the last thing on earth. His face instantly burned red from embarrassment.

"Hey Gale," Tav said, trying to sound casual. She placed a hand on her hip and raised her eyebrow with a knowing smirk. "I saw you back there. Are you okay?"

Tav paused, studying Gale's reaction. She thought he was a nerdy-nice guy, but his lingering gaze towards Shadowheart made her heart sink a bit. Taking a deep breath, she continued.

"Listen, if you like Shadowheart, I'm willing to make a deal with you. Let's just forget about what happened the other night." She flashed him a reassuring smile, hoping to salvage any bond between them.

Gale exhaled a heavy sigh of relief, feeling as if he had just survived a heart attack. His body relaxed a little as Tav spoke, causing his eyes to widen in contradiction. "I assure you," he blurted out in a teacher-like tone,

"I was not looking at Shadowheart." Gale's mouth moved faster than his brain could keep up with, and he quickly realized he had just let the cat out of the bag. As his words hung in the air, a wave of embarrassment washed over him. He had unintentionally confessed something he had been trying to keep secret.

"Oh-" Tav's eyes widened as the realization hit her, letting out a small gasp, "Oh!" Before she cracked a nervous, flustered smile, her cheeks flushing a soft shade of red. "I uhm...wow." she chuckled, crossing her arms and rubbing the side of her arm in shyness, "What a relief.”

Fuck, fuck, fuck! What was he doing?

Gale nervously ran his fingers along the spine of the book, trying to keep his hands busy. He cleared his throat before speaking, his voice soft and apologetic. "I'm sorry. I tend to get carried away with my words. Please forgive me for my blabbering mouth."

Tav smiled at him, her eyes sparkling with something Gale couldn't quite put his finger on. Her cheeks had a rosy hue to them that made his heart skip a beat. Was it possible that she felt the same way he did?

His knees grew weak as he heard her say, "It's quite okay, I don't mind at all." He could hardly believe it - was it really okay with her? Could she feel the same way he did?

A wave of guilt crashed over Gale as he thought of his past heartbreak. It was an unfamiliar territory with Tav, but also strangely invigorating. His heart raced and he felt a renewed sense of importance - something he had been missing for far too long. Gale couldn't deny that he was enjoying the feeling of being wanted and desired. Something Mystra had been revoking from him for so long.

Gale smiled shyly and looked down at the ground, unable to meet Tav's gaze. She brought the heavens to the earth realm in a way he never thought possible - her presence made his old, rusty heart start to move again and he couldn't deny the pleasure it brought. But at the same time, it scared him to open up his heart after so long, and he wasn't sure if he was ready for it. Or how to even fix himself to be better for her.

Tav's infectious giggle and lighthearted teasing echoed in the air as she remarked, "You're welcome to stare all you want, but I would much rather have your company than distant looks." She winked and intertwined her hands together, clasping them in front of her body before flashing a soft, knowing grin.

Tav slowly backed away, her gaze never straying from Gale's puppy eyes. With a final, lingering look, Tav disappeared to her tent, her graceful sway still lingering in the air.

Gale couldn't help but be drawn to her beauty, mesmerized by the gentle sway of her hips and the peacefulness of her aura. He let out a soft breath of admiration as he mouthed the word 'wow'.

His thoughts trailed off as he wondered to himself: Have I already fallen for her? He swallowed hard, suddenly feeling a flutter of nerves in his stomach. Even with this tadpole, Tav made it so hard to concentrate on the mission.

Yes, he was already in love and it consumed all his guilty feelings into something happier. His heart was light for Tav. How he wished to properly pursue Tav without this dammed tadpole.

Any thoughts? Comment 👇🏼 I love to engage!

#bg3 tav #baldurs gate 3 #bg3 #bg3 fanfiction #bg3 fic #bg3 fluff #tav x gale #gale bg3 #gale fic #gale fanfic #gale of waterdeep #bg3 gale #gale romance #gale x reader #gale dekarios #gale x tav #gale x oc #request

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absolutebl · 20 days

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This Week in BL - All's Quiet on the BL Front

Organized, in each category, with ones I'm enjoying most at the top.

May 2024 Wk 3

Ongoing Series - Thai

Wandee Godday (Sat YT) ep 3 of 12 - I love how were getting a solid depiction of two queers just genuinely enjoying sex with each other. That’s actually rare in BL. In this case, it manages to also be weirdly adorable and cute.

Dee is such a tease. I guess Y likes a brat?

LOOK at those bedroom eyes!

Linguistics corner: when these two are being serious, sweet, or flirty with each other they use rao/nai which is kind of old fashioned and charming and not common in BL. They move pretty seamlessly into gu/mueng and back depending on the style of convo, tho. It's FUN to hear them talk.

Let the fake relationship commence!

My Stand-In (Thai Fri iQIYI) ep 4 of 12 eps - I HAVE THOUGHTS. I'm really enjoying the sinister backbone of this show. I hope they have the courage of their convictions in that regard and lean into a kind of sexy evil revenge narrative. It was a pleasure to watch the break up and I do not want a redemption arc for Ming or a romance for us. Fuck 'em, let’s just ride a revenge train, okay Joe baby?

That’s said, I totally sniffled at the ending scene where Ming (for two years!) has been paying penance cooking for two and waiting alone. Excellent pathos. Now, I understand how they're gonna make this a full 12 eps. And I’m excited about it. Carry on!

We Are (Weds iQIYI) ep 7 of 16 - I wasn't a fan of Winny & Satang in My School President but I'm loving them in this. The thing with Q, Toey, and Chain had me hooting with laughter. I think I’m finally just easing into the relaxed absurdity of this show. The key is not to expect anything from it. Just them being tiny gay idiots.

Two Worlds (iQIYI) ep 10 fin - Someday I’d like to really enjoy a MaxNat show, but today was not that day. (I feel like ever since Between Us I’ve been generally disenchanted with established OG pairs and what they’re bringing to the table. Perhaps that’s a discussion for another day. Cherry Magic excepted, of course.)

OK, so this final episode, they sure tried to fit a lot in. But that made the pacing better for me. So I kinda liked this weird cliff notes resolution to the story.

In conclusion:

MaxNat do a credible job with a messy script about parallel worlds, gangsters, and strange diseases cured by forest fruits. It sounds confusing because it is. The chemistry is excellent the side pair is entirely forgotten about, and one could drive a Tardis through the plot holes. Still, I found it modestly enjoyable if not at all rewatchable. 7/10

Only Boo! (Sun YouTube) ep 6 of 12 - I do love how bold and brash Moo is. He’s truly a great character, such an utter outgoing sunshine puppy focused on his pursuit of his older boy. I'm charmed by his utter harmlessness. They gave us a sweet coming out scene, and an awesome supportive mom. Frankly GMMTV has a good track record with moms. (With a few noted exceptions, of course.)

That said, I do keep forgetting this is a GMMTV offering. It just doesn't FEEL GMMTV. Just me?

OMG Vampire (Thai Sun ????) ep 1 of 10 - Starts tomorrow, will report on sitch next week. LeeFrank are back - not unlike the undead. But how do we feel about it? Unsure given their track record.

Ongoing Series - Not Thai

At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 5 of 10 - I like it. I like our sulky 2nd lead. He’s pouty, adorable, brash, and adding some much-needed tension to this narrative. The blurring lines between show within a show is a lot of fun. Probably the best I've seen done in BL so far.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 6 of 10 - I like that we got backstory, but we also sort of already knew it. So this ep felt a bit like filler. They are wonderful when they’re on screen together but when they aren't it's a bit dull. I hope we just get them together for the next 4 eps. But this is Japan, so I doubt it.

Blossom Campus (Korea Thurs Gaga & iQIYI) ep 1 of 6 - The image resolution on this show (via Iqiyi ) is terrible. Meanwhile, awkward crush. Jock nerd pairing. Dorky. Maybe a bit too much awkward/dorky for me? I'm not sold on this one.

Meanwhile the ordering then not eating or drinking of food continues. Very upsetting.

Boys Be Brave (Korea Viki) eps 5-8fin - This show was just never sure what it wanted to be. Slacker sunshine KiSub moves in with nerd JinWoo, mostly because he knows JinWoo likes him but won't confess and that's never happened to him before. It reminded me of some earlier KBLs like Behind Cut, yes is had bones but not much flesh, so it only just hung together and progressed through not very much plot in a jerking rattling fashion like an animated skeleton. All the story and chemistry was with the side couple and none of the screen time. That just annoyed me. What did this BL want to BE? Who tf knows. I, for one, don’t care, and resolve to think no more on it. 6/10

Blue Boys (Korea Sat YouTube) - This ended at 4 eps on a cliffhanger. Since this is a very small studio I don’t have a lot of faith in there being a part two. But they have bundled both this BL, and the GL, bingable chunks on YT. So if you want to binge it, it’s there. Just be aware that it ends on a cliffhanger.

My thoughts?

Promising reunion romances full of class and coming out struggles but I grade with what we got, not on expectations, and you know I HATE a cliffhanger. So yeah, it HAD promise but as of now it gets a 4/10 - fatally flawed. I reserve the right to change my mind if they amend for damages.

It's airing but...

You Made My Day (Thai YT) ep 1 of 5 - mini series staring the I Will Knock You couple Tar & Bom, started but I couldn't find it. I also didn't try very hard.

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

A Balloon's Landing (Taiwan movie) trailer - A frustrated Hong Kong writer, Tian Yu, meets a Taipei street gangster, Xiang (Fandy Fan from HIStory2: Crossing the Line), and the two of them embark on a journey to find the Bay of Vanishing Whales. Along the way, they discover unexpected twists and turns and close bonds, which brings out the message that "there is always someone like you in this world who is waiting for you. This released to cinemas in Taiwan, no word on international release.