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#and i really don't understand why people ship it in the first place
s0ckh3adstudios · 2 months
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EVERYWHERE I GO I CAN'T AVOID MARTLET SHIPS. /NEG
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bumblingbabooshka · 11 days
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Janeway in 'Nothing Human' vs Tuvok in 'Resolutions' There's something here I know there is I can almost wrap my teeth around it.
#I can't watch Nothing Human bc the puppet really disconcerts me#but I cannot believe Janeway really came into B'Elanna's room after all that and the FIRST thing she says...her OPENER is#'Wow it smells awful in here~!'#DUDE....................TIME AND PLACE#HEHEHHE#C'MON MAN#B'Elanna: Is [putting it behind us] an order? / Janeway [normal!]: Yes.#'And what emotion is that?' C'MON MAN!!!!!!#Janeway & Tuvok#Kathryn Janeway#Tuvok#I can see why she and Tuvok are friends#'I understand you're upset but fall in line'#You can be upset but not if effects your work#<- Something which would be fine on a regular ship but is very difficult on Voyager#I think Janeway's certain coldness or ruthlessness which can be aimed at either friend or foe is an interesting#aspect of her personality#Ex: She and B'Elanna COULD have feasibly had a more touching scene together to close out the episode but they don't#I don't know if I'm explaining myself well right now I'm a bit ill and more than a bit tired#Something about uhh maybe....people under their command vehemently and emotionally disagreeing with them/their decisions??#you can disagree with me but not if you don't follow me anyway#Voyager a ship full of contradictions#they have to all work together and they are all closer emotionally than any other starship due to their situation#but they are also still 'at work' and are expected to follow orders. It's like a 'casual' hierarchy but it's still a hierarchy#and you can't fall too far out of line bc you're someone dear to me#but you're also a valued cog in the machine#and even though you ARE valued you ARE still a cog in the machine#but you're also my dear friend. and all of these things are true at once.#all of that of course but also Janeway & Tuvok are displaying a very particular kind of shared leadership style in these moments#Janeway is obviously on the whole MUUUCH more charismatic and understanding than Tuvok but still - when push comes to shove...
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ambrosiagourmet · 2 months
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I've been thinking about Laios' succubus lately. Mulling it over a bit.
Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.
When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.
So let's dive into those three things, and what I think they say about the succubus scene's purpose.
Laios is never fully frozen by the succubus
So. If you compare Marcille and Chilchuck's reactions...
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to Laios':
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There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.
Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."
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And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!
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Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.
2. Volume 9 is all about drive and desire
I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.
For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:
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And ends with a question of what desire brought Laios to the dungeon:
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It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.
In addition to Laios, we see it with Marcille...
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Izutsumi
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Kabru
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and Mithrun
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Hell, we even get it for the demon!
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It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.
The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.
With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.
The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?
Something to consider as we look at the next point...
3. the rest of the chapter is a seduction, too
This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.
Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.
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(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)
But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.
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Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.
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So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.
As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.
But the details of what actually happens tell different story: one in which the Lion is wrong.
First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.
Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.
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And it's this realization that he cites later as part of his reason for refusing the Lion's offer.
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He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.
Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.
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I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.
Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.
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The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".
He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.
Whatever the case, he's wrong about Laios, and the story shows us this over and over again.
After all, look at how the succubus interaction plays out:
A monster uses Marcille to appeal to Laios...
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He realizes that something about the situation is wrong, and rejects her.
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It changes strategies, and makes new offer: to turn him into a monster.
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It also assures him that his friends are, or will be, taken care of.
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He accepts. Or rather, allows the monster to have its way with him.
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But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.
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We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.
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The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.
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The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.
Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.
And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.
This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.
And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.
It's about how they are wrong.
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I (26, NB) dropped a long-term friend (23, not disclosing gender, I'll call them X) for being a proshipper, and now they're trying to get in the way of my other friendships.
A little more than a month ago, an old friend from when I was an itty bitty teen on the internet (we met when they were 12 and I was 15 or so) messaged me on twitter asking if we could share discord since they're more active on that platform, and they missed hanging out. Ok, no prob!! I missed talking to X and life was going kinda icky for me at the time. We exchanged discords and started talking more frequently, before we would talk through twitter dms maybe one day every few months, and we went from almost no contact to talking every single day. It was like being a teenager again; we still shared similar interests and we really fast clicked over old and new fandoms we were in. We talked about college and how they're starting to get the hang of their new job but needed support, talked about our family lives, etc., and in general I felt really comfortable and happy to be chatting again with someone I've known for so long. We were inseparable for weeks.
However... of course, as adults, and having known each other for YEARS, we started talking about fandom ships and fics we enjoyed. We didn't have the same taste in pairings, but that was okay. Until it wasn't anymore.
I shared my NSFW twitter with them, and they followed me. A few minutes later X told me, "I see you have "proship DNI in your bio, I just want to let you know that I am a pro-ship and enjoy some things in fandom that you might think is gross. I hope that's okay."
I was kind of weirded out, and told them that as long as they didn't like anything that would be criminal in real life, that's fine. They told me they *did* enjoy things in fiction that they "wouldn't condone in reality" and even though they "don't talk about it publicly" they still wanted me to know. For some reason. ?? Even though they KNOW that I have an irl history of abuse as a kid, they still told me this.
I was so fucking uncomfortable and really, really sad, and honestly I felt betrayed? I stepped away from my account for like, an hour before messaging them back and saying I didn't want to continue talking to them anymore. That I didn't know they were that kind of person and I'm not comfortable being their friend. I didn't read their response to me because I soft-blocked them.
While I was getting over that and trying to move on, a few days later I was talking to another mutual friend of ours when they asked if I was still friends with X. I got chills remembering how I broke off with them, and said no, we weren't talking anymore. That they were the kind of person that made me really uneasy and uncomfortable to be around. The mutual friend, I'll call R, said that X was "feeling kind of down about losing a friend recently" and talked about it in a discord server they share. X didn't mention my name but R wondered if it was me who dropped them since I was really touchy about boundaries online. I freaked out a little thinking about them talking about me, and asked what else they said, and R told me "not much, just that they felt sad but it was your choice in the end because you two were different" and I don't know why but it left a bad taste in my mouth. Were they trying to make people seem like I was the bad guy or something?? Idk.
I told R the reason why I stopped talking to X, and that X is a proshipper who likes things like inc*st and rape, and R wasn't as supportive as I thought he would be, saying that he understood how I felt but if X was being honest and open about their interests, it probably meant they trusted me and didn't want to "lie" to me. I don't understand how that's even relevant if X is a fucking proshipper. I don't want their trust in the first place if that's who they really are, and I felt betrayed that someone I knew for so long was hiding that for me until we were bonding again. R basically dropped it there and said "idk then" and I told him I was going to shut off my notifs for a bit. I really don't want to talk with him again right now especially since he didn't seem THAT bothered by X being a proshipper who's into really criminal shit.
Since then, friends of mine who are also friends with R (because he's a friend of X still, for some reason), haven't been replying to me as much anymore and I'm super sensitive to noticing these things, at first I told myself it was nothing, but there's an obvious decrease in our interactions. I can't help but think that X actually said bad stuff about me, and R didn't want me to know, or maybe X convinced R that I was a terrible person or something. I still haven't read X's reply to me because I genuinely do not want to interact with them ever again, but for the past few days I've been so angry and hurt by my other friend's actions that I can't help but want to blame them, since this all started when I left them.
AITA for dropping a friend because their interests made me SEVERELY uncomfortable? I don't know what to do.
What are these acronyms?
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tocomplainfriend · 4 months
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HAZBIN AND SA (+HB)
TW: SA and RAPE
THIS ITSELF DOESN'T TALK ABOUT THE SCENE! But the surrounding context.
So I really hate everything about how this has being treated. I am a SA victim and wanna talk about some stuff. If you didn't know, in episode 4 (I think) there is an exploration of Angel Dust SA, before going to do that lets see some stuff first:
She made a "cumming" joke about the song Poison (that accompanies the SA scenes)
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This person over here worked on HH/HB (draws r-pe/non-con)
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BLURRED AND CUTTED IMAGES: (Some are more or less explicit)
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You know, that whole thing of shipping, and drawing porn of the canonical sexual abuser with the victim?
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They also left this comment, under a comic where Val threatens brutal r-pe on Angel.
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This person also worked in/directed the scenes of Angel dust Sexual abuse in the episode. The person that ships a r-pe ship and does all this shit is the one to work in this scene?????
ALSO????
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Like??????? What happen here?
Also...
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(The pinkie pfp person is 15 here too)
Why does Angel sexually harrases Husk non-stop (which is acknowledged by Vaggie)? Why is Moxxie SA by the succubus played for laughs? Same with Chaz or Blitz harassing him sexually or touching him without consent? Why did Stolas do so many unwanted advances towards Blitz, and that's literally the endgame couple of the show? (All of this are jokes, or by the Husk x Angel shit "ship moments"
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WHY THIS TOO?
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And yes you are "correct", something like Hypersexuality Trauma-should not being shamed. You are not a bad person, for dealing with this. BUT HEY, that doesn't mean you get to sexually harass people like Angel does to Husk or anyone.
Also, the problem is not having an SA victim's story. The problem is how it is treated and all the context that surrounds it. All of this above is that context! Why is so much SA jokes in Helluva? Why is that funny? You want to tell a story of SA, and anyone calling out the problems with it is deleting victims feelings and stories... YOU AND YOUR STUPID FUCKING JOKES DO THAT ALREADY. WHEN SA IS A JOKE FOR YOU, YOU ARE DIMINISHING SA AND R-PE.
There are also a lot of random fans saying that "Viv is an SA victim too"- #1 Where the fuck did she say that, cause you randomly saying that she said it doesn't mean shit. #2 DOESN'T DELETE THE WAY SA HAS BEING TREATED! THIS IS NOT EVEN CLOSE TO MAKING A JOKE AS AN SA VICTIM ABOUT YOURSELF- SHE/AND OTHER IN THE TEAM ARE WRITING CHARACTERS GETTING SEXUALLY ASSAULTED AS THE JOKE. -OR NOT UNDERSTAND LEGIT POWER DYNAMICS AND THE GROSS THING THAT STOLAS DOES TO BLITZ. OR THE LITERAL "SHIP COMPILATION" THAT IS PURELY ANGEL SEXUALLY HARASSING HUSK.
"Is important to represent SA survivors stories- specially men who-" BROTHER ALL YOUR OTHER MALE CHARACTERS SEXUALLY HARRASS/ASSAULT OTHERS AS A JOKEEEE. "They are in hell" BITCH A HUMAN, A REAL PERSON WORKING ON THE SHOW WROTE hahaha Moxxie gets violated by the succubus so funny lol. IT'S NOT "LOONA IS A BAD PERSON FROM HELL THAT'S WHY SHE MADE FAT JOKES AT MOXXIE" NO IT'S WRITTEN AS IF THE SA WAS FUNNY IN ITSELF!
This is also not a scenario where there was a realization of the problems in HB with all those jokes and the harassment, so it was trying to be fixed with a serious story in hazbin. NO, THAT'S NOT IT!!!!
If there was an apology of how the sexual assault was treated in previous works! "We'll make up for it!" (the fact of that was a thing in the first place, it's still bad). That would be a little different. BUT NO, IT'S NOT! IT'S HYPOCRITICAL AND GARBAGE BULLSHIT.
I think purely by the context already given here that I think the representation it's bad. I don't feel like it comes from a good place, due to the hypocritical shit, the comments, and the artist who directed it.
We could go really back and forth with the direct scenes of the episode. BUT THIS IS ABOUT THE CONTEXT SURROUND IT rather than the scenes themselves. (Which is partly connected to the fact that it's incomplete)
Here is the scene "Tuca and Bertie". Is Bertie telling her friend of her assault. It's amazingly respectful and well written. It's not graphic, and tells the story really well.
youtube
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boldlygoingtohell · 5 months
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In a weird way, as a Jew, I can kinda take Normal Antisemitism™️.
I mean, I understand where right-wing racists are coming from when it comes to their antisemitism. At the end of the day, theirs just comes from fear, replacement theory, etc… It’s easily identifiable. 2+2=4. Yea its shitty, but I see how they got from A to B and it’s a straight line.
But left-wing antisemitism?? Like, how does that happen? I thought the left was about supporting minority groups, encouraging them to speak and be heard. But all I’m seeing from leftists these days (I myself being super fucking liberal, left, etc…) is just waves and waves of antisemitism. And yes it has to do with Israel, but these people are incapable of criticizing the Israeli government without going “all Jews are responsible!” in the process. It's infuriating.
Are all the the world’s Jews, millions of which live OUTSIDE of Israel, now responsible for Israel’s actions? I'M a stupid American! I’ve never even BEEN to Israel, much less know the intricate details of a geo-political conflict whose complexities go willfully unlearned by armchair activists in favor of yelling in all caps for 140 characters.
But what really gets me, and I mean REALLY get me about the whole situation, is the hypocrisy.
Remember how awful it was when we saw waves of Islamophobic hate crimes after 9/11, American Muslims with no ties to al-Qaeda being targeted for the faith those terrorists claimed to represent?
Or do you remember standing against the wave of anti-Asian hate crimes that was spurned on by COVID falsehoods? The “China virus” as Trump so eloquently put it? You remember being pissed about that, not blaming Asian Americans but standing with them against hate?
And hell, I’ve heard there has been a rash of Islamophobic attacks again because of the Israeli-Gaza conflict. That’s fucking awful, and I will stand against that bull shit because it does not belong here, end of story.
But now there are also antisemitic attacks, hate crimes, being perpetrated around the world. And who are the perpetrators now? The left that stood against everything else. There's no widespread ally-ship for Jews like me. There's no sweeping social media campaign, no catchy hashtag, no ice bucket challenge.
Why am I allowed to be condemned for what a country on the other side of the world is doing, when I have nothing to do with it? Why can I have the finger pointed at me when I don’t want the fighting in the first place? Why must Jews be allowed to be the target of this ire when it's already been decided that other ethnicities/religions don't deserve it either?
Now, I am PROUD to be Jewish; it is my culture, in my heritage, in my literal blood. It is in my genetics, my bones, my spoken language, it is in the holidays I celebrate, the philosophies I live by.
But it is also in the generational trauma of my mother insisting I have a passport as a young child, not because we were traveling, but in case we had to flee. It is in her inherent distrust of the government; a card-carrying Democrat all her life, she would always remind me, "if you don't think the government can't turn on you, you're kidding yourself." It is her constant reminders that as a Jew, our assimilation is conditional, our acceptance is political. I felt these, but never as strongly as she did. Not until now.
I am third generation American, and yet I feel like an outsider in the only country I have ever known. People who I thought understood, who were my friends, who marched with me against the injustices of the world, are now calling after Jews to answer for Israel's actions.
I say I don't want the violence to persist and I'm told that I'm, "one of the good ones". I'm told hurt Israelis don't deserve sympathy because, "all Jews are rich anyway, right? Who cares." I tell them my fears about the rising antisemitism and wearing my star of david necklace out. I'm told, "it doesn't matter, you're white anyway."
For the first time in my life, the racists aren't just some crazy KKK members. They're not just Nazis marching around with beer bellies and ill fitting helmets. It's not just some screeching street preacher who claims I'm going to hell after he caught the glint off my star of david necklace. If needs be, I can kick and punch my way out of those. They're just idiots. Isolated, concentrated incidents. It'd be a good story to tell at a bar the next day though a gap-toothed smile and a sling on my shoulder.
But now, both sides are coming after me and my people. Now, it's not just idiots who have all of their views backwards; it's people I thought I could trust to have my back, to go down swinging with me against those Nazis. Right. Left. It's everywhere. There's no escape.
It's coming from all sides. It's coming from social media platforms, from dinners with friends, from posters on street lamps.
I live in one of the safest, most Jewish neighborhoods in America, and for the first time in my life I am truly scared.
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Mc that wants a secret relationship
This is from an ask/request from @notemejellyfish (tagging so they'll see it sooner). I went in another direction than their headcanons on the same topic, but that's not to say that theirs aren't good. They're a great writer, check them out.
Satan
He understands it
Kicks everyone that tryes to make your relationship public
He would still like if he could brag to Mammon about his relationship with you. Just Mammon, he swears.
Would take away the phone of anyone that ships you with anyone
He preferes smaller scale dates anyways, so just cuddling with you while you both talk about random subjects works just fine for him
He cares deeply about you so he'll always keep your prefrences in mind
Mammon
Why though?
That's his only thought
Don't get him wrong, your his master, he'll do anything you tell him to without complaints
But he wants to know if something is bothering you about being seen with him in public
He can't have his master feeling self-concious, now can he
After you explain that it's due to all the shipping he can't help but laugh
Really? That's easy to fix
Tartaros is the main internet provider in Hell, so he'll ask you if you want all the shipping forums to get removed
He'll try to keep the relationship a secret no matter your answer to the previous question
He's never been in one before and he always wants to try out something new. The feeling of adrenaline at potentially getting caught makes him shudder and he's grateful you gave it to him
Leviathan
Omg finally
The shipping was getting on his nerves, probably more than it did to you
He's so glad you finally made a smart decision, the second in your whole life (the first was dating him)
Since the monarchies in whb are absolute, he bans the use of any tag that includes your name from Hades
Sends a petition to do the same in the other countries and I think only Avisos would sign it (not only is it illegal to steal people's love there, but Bael had enough war threats sent his way from Hades)
He was planing on having a secret, low-scale relationship with you in the first place, so he's the happiest about this change
Beelzebub
He takes this as an invitation
Oh, you want the relationship to be secret?
He can make that fun
He'll make out with you in changing rooms, grope you at the back of the club, pin you to a wall in a small alley and sniff you
He likes the danger of potentially getting caught
Also, just because your relationship isn't public doesn't mean that he won't glare down anyone that gets too close to you
Just because you don't want the internet to know about it doesn't mean that he'll be less passionate and protective of you
Whenever you're out on dates he'll use his power to discuise the two of you, that way, he can be as open with his affection as he likes
He's one of the few that minds the secrecy of your relationship, but he mostly sees it as a new challange
Lucifer
Ok
He'll curse all cameras to shatter when taking a photo or recording of you
It's simple and affective
Gives Gamigin some lectures on how to lie and there's that
Everyone in Paradise Lost might know that you're dating Lucifer, but they're not allowed to say anything about it
And, since no devil would go to Paradise Lost willingly, there's no chance of the secret getting out
He's probably the safest to have a secret relationship with
Nobody in the other countries likes him enough to call for chit-chat, so even if you were in a regular relationship people would still be surprised when they heard you two were dating
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singingcicadas · 2 months
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More thoughts on Cyclonus.
Nova's evaluation of him in this panel is brutally accurate. That last sentence. Ouch.
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On the surface level Cyclonus appears to be portrayed as this stiff proud warrior with an austere, diehard take on his own internal code of honour and patriotism, but the more I think about it his actual character is pretty much the opposite? He doesn't have any hardfast values or stances of his own aside from shallow romanticism for the preachings of others.
His whole life is comprised of hanging onto other people. First it's Nova and his group, despite Nova and Jhiaxius looking down on him and insulting him to his face and being very forthright about the actual purpose of their mission, which Cyclonus apparently had different ideals about. Theoretically. But he didn't say anything after Nova corrected him.
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Then it's Galvatron, after Galvatron backstabbed Nova. Even when Galvatron became increasingly unhinged and violent toward him and also started insulting him to his face, he still continued to follow Galvatron around because Galvatron's powerful, hope he stays on our side.
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Then after he broke off from Galvatron post-Chaos Theory he joined the Lost Light, an Autobot ship, despite not liking Autobots, because it had something that he wanted: the chance to start again.
His defense for murdering all those people in Kimia is literally "he made me do it." That's all he can come up with. He even knows it's a bad excuse.
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And he always corrects people when they assume he's a Decepticon. Here he directly says that he doesn't want to be a Decepticon. Why not, if he clearly admires their ideology?
One possible reason is maybe he doesn't like their ideology that much. Enough to romanticize it from a safe distance but not enough to commit to it himself (since doing that would force him to do actual introspection about his own role in what made the Decepticon ideology so appealing in the first place). Second reason's simpler: Decepticons have to wear inhibitor chips. No thanks. They're the losing side.
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Once on board the Lost Light he followed Rodimus' command fine despite Rodimus accusing him of murdering Red Alert without any proof. Then after he developed a relationship with Tailgate, he put Tailgate up on a pedestal and made Tailgate the center of his universe.
But then there's also this 🔽 after he thought Tailgate dumped him:
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I don't even know what he's trying to do there😂
His lack of true conviction is evident in the little things too: he thinks it's unethical for Rodimus to perform mnemosurgery on Tailgate while he's unconscious and unable to give consent but drops the subject after Rodimus distracted him with fireworks. He thinks that mutiliating an enemy's corpse is appalling but doesn't say anything when Rodimus said they were going to use Skip's corpse as a shuttle to get off Necroworld. It's Nautica who raised ethical objections, not him. He's supposed to be really religious but when the guiding hand did their big reveal at the end of Lost Light, he got nearly zero lines because of compressed screentime except to argue with Epistemus over sending Tailgate into danger.
I guess what I'm trying to say is that Cyclonus is essentially a go-with-the-flow sort of person. Nothing he holds is uncompromisable. Not his ideals, not his values, not his pride, not his faith. To an extent, not even his love for Tailgate, at least not completely, because he left when Tailgate told him to leave even when he suspected that Tailgate was lying about not loving him without making more of an effort to understand why. It all depends on the person he's hanging on to at the moment. And his choice of which leader to follow is ultimately based on self-serving reasons. This pattern is first broken when he turns on Galvatron, then fully subverted after he learns to love Tailgate as a sign of character growth.
He's not an intrinsically cruel or callous person. The way he learns to love Tailgate, befriend Whirl, and being kind and supportive to everyone when Rodimus left him in charge on the Necroworld are all attestments of his better nature. Water takes the shape of the container in which it's kept; surround him with people like Galvatron and Nova and he'll be their murder machine. Put him in the company of people who's mostly decent like the Lost Light crew and he'll grow into a compassionate person and a reliable friend.
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bookshelfdreams · 11 months
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So the German dub is out and I would like to offer up to all of you how it deals with the problem of formal/informal form of address because it's really interesting
(Preface: all of this applies how we as modern people use these forms of address. In the actual 18th century, addressing any adult informally was very uncommon, even between close friends. But we're doing a DJenkins approach here)
(@rocketrouquine wrote about how it is handled in the French dub here; also very interesting!)
The thing to understand about formal vs informal you is that it's about politeness, yes - but that's just a very basic understanding. Yes, you are supposed to be formal with people you don't know, but what they don't teach you in highschool foreign language class are all the things choice of address can communicate. Namely, what distance there is between people. About the closeness of a relationship, what level you're interacting on, about signaling how far you will let a person into your life.
The crew of the Revenge all call each other Du (informal) - except for Stede, who everyone calls Sie (formal). Du is for friends and Stede is not their friend, he is the boss. There is a camaraderie and solidarity among the crew that Stede can't partake in. Sie, in this case, is like a barrier that you put up to keep someone from becoming too friendly with you and reminding them what kind of relationship this is (namely, a purely professional one).
This is underlined by the crew obviously and openly thinking Stede is an idiot - and by Stede calling everyone Du. Is it because he sees himself as a social superior who can address people informally but insists on formal address for himself? That's one way to read it! But more interesting and more accurate, in my opinion, is to read this as an attempt by Stede to make himself part of their ingroup. It's especially obvious when Stede invites Olu and Jim to sit with him on the couch in ep1; he's using Du while Olu very poignantly keeps insisting on Sie. It underlines how visibly uncomfortable Olu is sitting there trying to explain to Stede that people choose a life of crime out of necessity, while making Stede seem even more oblivious and out of place.
Interestingly, Stede uses Sie himself to put some professional distance between himself and someone else. Namely, with the tribe elder from ep2, who he addresses formally. Is this a sign of respect? Sure, he has a tendency to go for Sie by default. But it reminds me more of how one would be per Sie with a doctor or therapist; as a reminder that this is a strictly professional relationship. It's easier to be open and vulnerable with someone who you know isn't emotionally invested in your wellbeing, isn't it?
Stede comes from a background where one is expected to address everyone with Sie unless granted permission otherwise. This is a sign of respect, the same way lower class people on this show tend to use Du as sign of solidarity; on Nigel's ship, all the officers call each other Sie. So when Nigel uses Du with Stede, it adds a layer of disrespect, despite it being perfectly acceptable, since they have known each other as children. This is even more evident with Chauncey, who we see interact more with other pirates; when he wants something from someone (Izzy, Spanish Jackie) he calls them Sie, no problem, while Nigel's crew doesn't even make an attempt at showing some respect at the ep1 tea party.
And then there's Izzy. Izzy and Stede call each other every insult under the sun and also address each other formally the whole time, which is the funniest possible choice. Like. I'm not sure why "Sie Arschloch!" is 1000x more bitchy than "Du Arschloch!" but it just is. It's taking this whole game of distance and closeness to a whole new level; I despise you so much I would never entertain the notion of being friendly enough with you to use your first name. Sie Wichser. It's made even funnier by the fact that for Stede, Sie is much more intuitive than for Izzy. It seems like Izzy has to make a lot more of an effort to keep the Sie up, but he's not gonna be the one to break this particular stalemate first, goddammit.
Finally (because that's the really interesting bit, isn't it) Ed. Initially, in ep3, Stede calls Ed Sie, which, of course he would think to do that while he's laying there half dead and bleeding, I love him. Ed echoes this back, because he's determined to "do this right", make a good first impression, and I thought this would be it, they'd be per Sie until the kiss, like it often goes in media translated from English. Fine, I guess.
But then.
When Ed wakes Stede up, he immediately goes for Du. No warm up, no getting to know each other first at all. And it's great! First of all, because Ed of course is the type of person to just call everyone Du, but also because of what happens next: Stede calls him Du back. This is the first time this particular hand has been extended to him, and oh, is he excited to take it.
(Other people call Stede Du first, Spanish Jackie, the chief, but it's not like this; not an invitation)
Stede isn't meeting Blackbeard, he's meeting some guy named Ed. Someone he instantly makes friends with; someone who has already seen him at his worst and so, who he can be himself with. Someone he doesn't need to put up pretenses or worry about proper behaviour with. This scene would have lost so much had they decided to keep up the Sie.
Remember that camaraderie I talked about earlier? Solidarity among the crew that Stede tries but can't manage to share in? Here it is! Here is the guy who will play dress up with him, who will delight in his interests, who will be his friend.
Yes, sometimes an unprompted Du can be disrespectful. But sometimes it is like this: Hey. I see you. Want to be friends?
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king-dumbasz · 1 month
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Hi🫶🏻🫶🏻 could u do a mammon oneshot that takes place after fizz quits.(pretending the twins don’t exist) Like the reader is like the new face of his brand. Ppl start shipping the reader and him online, so he goes along with it for clout and money. But they both eventually end up catching feelings. ( ik it’s rlly specific but I keep thinking about it) also I like ur writing 💜
The internet is a magical place💚
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I immediately liked the request and had an idea in mind. It's not something too difficult so my mind was happy Lmao
TW:why do I even put it in if there's never anything to worry about except for swear words, but c'mon, it's Helluva Boss
Mammon x GN! Reader
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The news were full of what happened at the last clown pageant. Everything was about Fizzarolli and his relationship with Asmodeus and how Mammon was ridiculed...
Mammon was FURIOUS
He needed a new face, a new someone to put everywhere and make money. He did everything until he finally found it... He found you.
You were perfect! You were funny, good looking and great for the audience! The perfect clown to replace Fizzarolli!
Mammon immediately made plushies, cereal, service bots (you choose what kind of service), hell, even a body pillow of ya!
Phone cases... Halloween costumes for kids... Lamps... Everything!
You became a star!
But like every star, you were a victim of the internet effect of the rule too
For some unknown reason, people shipped you and Mammon
No one knew why, but when you opened your phone, on Envybrl (Tumblr), on Sintter (Twitter or X), there were fanart of you and Mammon
All kind of Fanart! (I know I don't do NSFW, but when I say any kind, I mean any kind)
Mammon saw it too, a lot of it too
"What is that? Wh- why are we hugging in this one?"
He says, pointing at his phone, looking at a fanart of him and you cuddling
"i don't know, sir... The internet scares me"
"Ye..."
Mammon didn't understand why. When Fizzarolli was there no one made these things, but with you it was different
The more Mammon watched, the more he realized how beautiful you looked, and how he liked these fanarts
Mammon started to like every post and imagine these things were true...
Every day, you find a new gift at your door from an unknown person, even if it wasn't that unknown because the wrapping was green black and yellow
One day though, Mammon decides to Rizz you up, because obviously he won't do it normally
"Sir, you wanted me here?"
You said after being called in his office, only to find Mammon in his special valentine outfit (It's just the old one but pink and with hearts)
"Hey, Are you a Wi-Fi signal? Because I’m feeling a strong connection"
That was horrible, adorable, but horrible
"Sir... What?"
"oh, shit uh... Well, I'm out of lines"
"What is happening?"
"Well, I never thought that would've happened, since you're a lower class and shit- but, I found myself liking these fan arts mentally unstable people post of us.."
"Oh!"
You were stunned. Mammon. THE Mammon... Likes you?"
"Well... If I'm gonna be honest... I also found myself liking some of those posts..."
Mammon didn't realise at first and looks at you confused (Idiot)
"I like you too"
Just after you tell him he realises. Mammon smiles widely and hugs you with his four arms, so tightly you couldn't breath
"oh, you're a bloody legend, Y/N!"
"Eh... The internet is really a magical place..."
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isagrimorie · 5 months
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Sometimes there really are interesting things on Reddit, found this one particular passage on r/DaystromInstitute talking about Starfleet and the Cardassian war, in particular, Miles O'Brien and Kathryn Janeway's experiences in a ground war:
Ground combat was much different. O'Brian's reactions to the Cardassians in 'The Wounded' are clear that ground combat wasn't as clean for the Federation as it was in space. Same with Captain Maxwell. Even Captain Janeway was in ground combat in the Federation/Cardassian war (I think it was the episode 'Prey' where Janeway told Seven of a time during the war when she was only Lt. Janeway). O'Brian carrying anger against the Cardassians for making him into a killer. Maxwell so used to destroying Cardassian ships that a year after the treaty is signed he's still in the habit of blowing up Cardassian ships. Janeway, it's entirely possible that until the war ended she spent her entire Starfleet career in combat, earning battlefield promotions, flying up the chain of command to Commander and with the impossible situation that Voyager was in after her promotion to Captain and first command being Voyager, she found herself trying to balance Starfleet ideologies with her own history of being willing to use violence, or in her case, too willing in a few episodes.
This is an interesting thought, I remember being surprised knowing Janeway actually was in actual ground combat. As we learned from DS9, and Strange New Worlds, ground combat is a lot different from ship-to-ship battle.
Ships can also be dangerous but Starfleet shines with ship battles. Ground combats are harder, and bloodier, and leave long-lasting marks on the soldiers who find themselves in them.
I wonder if Janeway distinguishing herself in the Cardassian war is the reason why Voyager got the assignment to go after the Maquis. But also, Janeway might have wanted to distance herself from the war more and focus on science.
But the Delta Quadrant kept pushing her into that place again.
Like, now I wish Janeway interacted with O'Brien at least, two Cardassian war vets.
ETA:
Another good r/DaystromInstitute post on Janeway:
Janeway is intentionally written as a character who intellectually believes in the ideals of the Federation, but whose actions are not always in line with her stated beliefs. I think this is very human and understandable. Very few real humans are as moral as Picard. This is why Quark's quote:
"Let me tell you something about Hew-mons, Nephew. They're a wonderful, friendly people, as long as their bellies are full and their holosuites are working. But take away their creature comforts, deprive them of food, sleep, sonic showers, put their lives in jeopardy over an extended period of time and those same friendly, intelligent, wonderful people... will become as nasty and as violent as the most bloodthirsty Klingon. You don't believe me? Look at those faces. Look in their eyes."
rings so true. Janeway is trying hard to not be the type of human Quark describes, but she is failing. She still tries, though, which I think is important.
All this just makes me love Janeway more, also Starfleet is terrible with mental health.
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olderthannetfic · 11 days
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I always see people who have never been antis, talking about/questioning how some antis even ARE antis when you look at their taste in media - ie the ever famous joke of "Hannigram is #problematique" "but it's a show where he eats people" or whatever.
I thought I'd weigh in as someone who could, hypothetically, be called an ex-anti (which, thankfully, nothing ever really came out of it - it was just very 2014 keyboardwarrior-esque behavior of me being a chronically online young adult who would share posts in a group chat making fun of certain shippers, or reblog posts about how 50shades is The Most Problematic Media Ever to exist -- basically I was an anti with anti-lines of thoughts, but i never, like, a ran a Shipping Discourse Blog or whatever)
For me, personally, it was a few different things. I can now see how it's incredibly hypocritical that teenaged me shipped Light/L, while still thinking that Dramione was Bad And Abusive. It ultimately boiled down to a) being pretentious, and b) just not understanding media or what proshippers REALLY believed, with a side of c) not realizing that nuance exists. like i was pretty late to join tumblr, I think I immigrated here during PEAK "yourfaveisproblematic" era which definitely did have an impact on my opinions and my tastes.
to elaborate, a.) being pretentious. i mean this one just kinda goes without saying. "I engage in media in a way more intellectual way than you do, don't you know that? You're a filthy and disgusting person who writes Snape/Hermione because you're an actually disgusting pedophile IRL who would probably date your own student that you're abusing if you could. Meanwhile, I'm a very smart, good, and pure person. When I read Uncle Vernon/Harry, I'm doing it in a G-d honoring whump way that clearly condemns abuse, incest, and rape. Unlike YOU who only writes harmful stuff as a way to get people off :/"
(as an aside, i think this line of thinking will ALWAYS be present in fandom and popculture in some way, sadly. ie the recent trend of people hating on booktok bc the books are 'trashy' and how these porn addicts should read real classic literature instead.)
as for b.), not understanding media - i cannot emphasize enough that i was GENUINELY stupid and disconnected enough to think that proshippers REALLY WERE pro-All Of The Degenerate Dead Doves That They Wrote.
why did i feel this way? why did i understand that Lolita clearly isnt pro-pedophilia, but for some reason i thought that someone shipping weecest was? well, first of all, i think that fanfiction is (generally) seen as Less Serious than classic literature, and fandom is a fun place, so i guess i somehow thought that every fanfic/fanartist who wrote Problematic Things, especially Problematic Things that they portrayed as Sexy, really DID enjoy the thought of that Actually Happening To Real People.
and i think THIS is the bulk of why antis ARE antis. i'm not calling them all stupid - i do think BEING an anti is stupid, but at the same time, there are people who are truly smart and good-intended people who just have some really off color opinions about, like, homestuck ships or whatever. Lawlight is okay because notebooks that kill people don't exist so it's IMPOSSIBLE for the Harmful Aspects of Light/L to be romanticized! but schoolyard prejudiced bullies DO exist and are a REAL problem so Drarry is BAD (*truly completely unaware of the fact that there's 'realistic' aspects of the Light/L dynamic and 'unrealistic' aspects of Drarry - such as, for example, Hogwarts arguably being even MORE of a fantasy setting than DN is.*) I know that media literacy is the hot buzzword of the year to throw around in 2024, but, like, i really did not have media literacy.
as for c.), not realizing nuance exists - ok "nuance" might not be the best word here, but i dont know how else to describe it. like, each time ive typed the word "problematic" out in this ask, i've done so in a very tongue in cheek/ironic/retroactive way, but, like, those posts about how Everything Is Problematic, Including Your Fave ARE true. and i didn't like the fact that my favorite media or favorite person might've Made A Mistake! i need to Talk About Its Issues Because I'm So Betrayed That My Dear Sweet Comfort Media Would Do This To Me. I Need To Prove I Clearly Condemn It.
like, i legit morally could not justify reblogging a twilight post without adding in the tags '#this is my guilty pleasure it sucks that the books were so racist though' or whatever. Most people were lucky enough to avoid that line of thinking, but there was an actual group of people who felt a genuine need to virtue signal all the time, partly bc, hey, they WERE passionate about talking abt #issues in media, but also bc of a subconscious fear of If You Reblog A Singular Piece Of Hetalia Fanart, You're Literally A Nazi And Will Get A Callout Post Written About You.
and during all of this i was at the tail end of my high school experience (yes i know im younger than most of your audience, ha). i was going through A Lot emotionally, going through a lot of life changes, and lived in a very . . . interesting household/place where i couldn't do ACTUAL good in the world that i was passionate about. so to make up for the fact that i was genuinely in no place to do legit activism, clearly i had to save the gay community by arguing about johnlock queerbaiting or whatever.
^ and honestly i do think that is the position of most antis. theyre isolated and cant seem to do Enough in the Real Scary World so they have to resort to talking about how bad of a person someone is for "shipping abuse", bc theyre not in a situation where they could, for example, ACTUALLY fight the good fight to end abuse or raise awareness for it.
There was way more to it and way more that I could say, if I wanted to, but this post is long enough as it is and probably doesn't make much sense.
I feel bad for antis, honestly, or at least the ones who are antis in the way I used to be.
--
Oh yes, passionate young fools who think they can at least fix the internet if not their lives make up most of the cannon fodder. Some of the ringleaders are just mini dictators and wannabe cult leaders, but most anti-leaning types are just traumatized or clueless, even a lot of the ones who do serious damage and don't just mock shit in private with their friends.
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doughliciousfrosting · 10 months
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Your tmnt au meeting Monkey kid and the gang?
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I think you're talking about my 2012 TMNT designs? Which I understand, theyre really far from canon HELPP but they're not really an au 😭 or they were never really meant to be. Anyways I have a lot of thoughts and I could explain why I picked each character and paired them up with each other and if I can I'll definitely draw the rest of them!!
I'll explain right now why I paired Mei with Donnie and Tang with April
First and foremost though,
⚠️ NONE OF THESE ARE SHIPS ⚠️
With that out of the way I'll start with why I paired Mei and Donnie. I like to think that Mei is a super good builder and tbh, this is actually pretty canon. We see her rebuild her bike in S1 Ep 3 and in S1 Ep1 she's also the one who builds their secret fortress which is INCREDIBLY made. With this information in mind it can be quick to assume Mei is a pretty good mechanic! In S3 of 2012 TMNT we know that Casey and Donnie spend a lot of time in the small barn out back working on stuff both seperately and at times together! While I do think Casey can understand some of the tech jargon Donnie talks about (as long as it relates to car parts) I don't think Casey can really understand the technical stuff. I think Casey's knowledge probably comes from self taught experience, as a result he can identify each part and what they do but not the technical terms for them and professional blueprints for things and stuff. Which is why I think Donnie would be absolutely ecstatic to have someone able to read his work!! And like I said earlier Mei is really good with tech as we see a lot in the earlier seasons before they delved hard into mystic magic and stuff. I would have paired Mei with Casey but I have other ideas grrr!!! If people are interested I'll explain more.
Moving on to why I paired Tang with April! I kinda rewrote April a lot HELP I think her writing had a lot of problems so I just changed stuff lol. I like to think that the reason April tried so hard to prove herself and stuff was because she doesn't want to be useless. I feel like she gets sorta babies a lot (mainly by her father) and it makes her want to overachieve to prove a point, prove that she's grown and that she's perfectly capable of handling herself. The problem though is the years of fighting experience she lacks. In a normal situation April can 100% take care of herself but in ones where she faces opponents with a lifetime's experience in combat versus her measily 1 and a half years the difference is huge. And on top of this April has to figure out her psychic powers, which in S4 literally blew up in her face. I just think she struggles with feeling inadequate, when she does something she wants to be the best and it's hard for her to feel like she has a place in the team when everyone else seems not to struggle the way she does in battle. She just tends to forget the difference in fighting experience even though they're all the same age. Anyways, being unsure of ur worth on the team and struggling with your powers seems like it would be right up Tang's alley!! Tang in S3 Ep8 has a huge tipping point where we see he struggles with self doubt and feeling like he isn't needed. Then later when he discovers he has powers he struggles to control them and get them to do what he wants. I think Tang reassuring April is just a really nice gesture!! Especially since Tang and April are like the most human out of the rest of the group (excluding Casey but he struggles in a different way). I think in a group full of spectacular talents, it's easy to feel ordinary which is a thought I think plagues Tang and April's minds while their characters develop. I tried to keep this short so I hope it makes sense ahhh if you're still reading you're totally awesome and cool!!!
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wingzie · 3 months
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The Life of a Jikooker, Online and Offline
Sometime last year I revealed my real first name on Twitter. Though I am known more prominently as “Wingzie”, a name given to me by a good friend of mine, I wanted to add a bit more of a human touch to my account. It was a reminder that, even if I spend a rather large amount of time making posts, I also have a life away from the screen. There's been a few occasions when my army life and personal life have become interlinked.
I am lucky enough to have made wonderful friends since becoming Army. Thus, I will always say that your fandom experience and enjoyment will depend on who you interact with and what you engage with. It's because of these friends that I have been to South Korea or gone to Olle in London for BTS’ tenth anniversary. I've explored new local places or exchanged gifts. It's also because of these friends that I felt safe enough to talk about Jikook in my first ever group chat in 2019. I feel a certain love and connection between us, online and offline, that I don't think many others will understand. 
However, there is a certain loneliness in being a jikooker. I have been unfairly judged or dismissed just for talking about them. Either individually or as a unit. It calls into question why this is. I personally do not see myself as a shipper. The definition of a shipper is that you WANT them to be together and that is not the case with me or many other jikookers at all. The definition of shipping has changed so much that we are seen as bad people just for talking about them, when we are just talking about their moments together.
In the last few months or so I have experienced more of an Army life outside of Twitter. I have been to various offline events and spoken to so many and I couldn’t help but notice two things: 1) Jikookers have a terrible reputation
2) People are scared to talk about them as a unit compared to others. The first part can be somewhat understandable and it’s why I never bother fighting. It brings negative attention to them, when we should be boosting them instead. All they see are people just attacking each other and it is sadly true that a small number of Jikookers are Tae antis. I have left a few group chats because of that or because of ex-jikookers hating on Jimin or Jungkook. However, there are also a huge number of us that DON'T behave this way and it depends on what you focus on.
At a previous event I bumped into a local Tae bias. She clearly knew who I was and was under the impression that I hated Tae. I soon proved her wrong but I guess this is where some of the problems lie: There are a lot of focus on stereotypes, without giving us the chance to prove otherwise. I have also been to events where Army have cited misinformation and they needed to be corrected. I am aware that not everyone has my memory, but they were so callous about their comments that I was shocked. There was a huge disconnect between reality and what they were thinking and it is so important to check sources. Especially when BTS' history and ours is so rich and can be easily accessible in this social media age. 
Being scared to talk about Jikook is something that will always confuse me. I joined a BTS Discord and left shortly afterwards when I realized that they had a channel for every until apart from Jikook. I also went to an event shortly after the “You can handle it” Weverse Live and the group I was with mentioned every single part of that Live, apart from when Jimin was in the comments. They also said some things about Jungkook that made me feel really uncomfortable and they ignored what I was trying to say. They saw him as a puppet, for their own desires, rather than his own person. And I think that is also something I have seen on the increase lately. It should be allowed and in fact encouraged to talk about them as a unit without being shamed for mentioning them together. Ignoring them doesn't help either.
I am Jimin and Jungkook biased, but the definition of having a bias itself has also changed. You cannot say you have a bias now without automatically saying “but I love all of them”, when that should go without saying. I have seen this change since Mots:7 and it emphasises how much the fandom definitions have changed and how it has also shaped our communities. I have been to other events where I am sadly seen as an anti, once they find out my Twitter ID. My account includes all members, I just happen to post about Jikook and their moments most of all and there is nothing wrong with that. Ultimately, I wrote this without any clear message or goal in sight. I just wanted to express what I have experienced and my feelings about it. I will always cherish the memories I have with those that are closest to me and our beautiful conversations about BTS or Jikook. I just wish others did the same and understood what this community is actually about, online and offiline. My account will always be a safe place for all the members and I refuse to be villainized for talking about Jikook at the same time.  Much Love Wingzie/Becca
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end-otw-racism · 11 months
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End OTW Racism Link Round-Up: Week 1!
We are now in week two of our action demanding that OTW live up to its commitments to address racist harassment & abuse, which ends May 31st! There was a lot of great discussion during the first week, so we wanted to post a round-up of some of the longer-form discussion/analysis that people have been sharing (we're going with posts on Tumblr, Dreamwidth, and other sites, as well as Twitter threads that are longer than three tweets). These are posts that we think would be helpful to consider as fandom engages in the necessary conversations about these issues.
If we've missed something you've written, we'll be doing another round-up of week two, so it's not too late! You can either submit it on tumblr, tweet at us, or email us at endotwracism [at] gmail [dot] com. We do reserve the right to only share posts that are in line with the intent of the campaign and that we believe are adding to the conversation.
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beatrice-otter: Why AO3 needs to be accountable for reducing fandom racism in its internal culture and the archive [link]
pretty-weird-ideas: End OTW Racism and the “Fed” Accusations [link]
aretethegreattelleroftales: You don’t understand what EndOTWRacism is asking for here, and because you clearly do not understand it, you should have known better than to speak on it. [link]
vex-verlain: In response to the reactions I’ve seen to #EndOTWRacism [link]
unrealromance: I don’t really understand how people don’t know the difference between ‘whoops I’ve fallen into a racist trope’ and 'I am literally writing hate speech that is unveiled, mask off’. [link]
pretty-weird-ideas: Codification of a Living Document as a solution to Harassment on OTW [link]
indifferentvincent: RE: End OTW Racism Derailment [link]
elumish: In light of some of the backlash to the End OTW Racism protest, and particularly the concern that an anti-harassment policy would lead to abuse of reporting mechanisms or censorship of unpopular authors/ships… [link]
seepunkrun: How to Find and Attend OTW Board Meetings [link]
indifferentvincent: The people who use the excuse of saying ao3 is an ‘archive’ and so 'must preserve’ the most vile, intentionally racist fics just sound like the most privileged motherfuckers on the planet to me. [link]
spacebeyonce & pretty-weird-ideas: wow this is such a normal and rational thing to say about having a diversity consultant to help ao3 fix their bullshit. [link]
indifferentvincent: I have to assume this is in regards to my promotion of the end-otw-racism call to action, because I don’t know what else it could be referencing. [link]
princeescaluswords: Writing Doesn’t Happen in a Void [link]
mousieta: There is a place, a magic place, a giant, ever growing park filled with sandboxes of every color and shape imaginable. [link]
Twitter
spacebeyonceart: alright so I want to talk about this post I made two years ago now that the #EndOTWRacism ball is finally rolling. [link]
generalfrings: This shit makes me so goddamn angry, yall. [link]
eruthosish: One of the calls of #EndOTWRacism is to improve the AO3's Terms of Service and how the AO3 deals with fanworks that are part of an offsite harassment campaign, so I wanted to share a story about the only time I have ever reported offsite harassment and had Abuse agree with me. [link]
buttonthemdown: They've proven they can move quickly *when they want to*, but the fact the OTW hasn't made an official statement acknowledging their lack of action and pledging to do better sends a signal they don't care about their POC fans. [link] 
Clonehub7567 Seeing the reactionary dismissals of #EndOTWRacism from white fans who pretend to care about racism is reminding me of the backlash i/we got for #UnwhitewashTBB. [link]
hydrochaeris3: ppl who are worried that not participating in the call to action will get them labeled racist..... first of all once again yall are showing that you care more about what others might label you than putting forth tangible effort into caring for a community [link]
m_sketchyart: If you think that #EndOTWRacism is censoring your escapism, here’s a thought to chew on: why is being anti-racist a threat to your escapism? Is true escapism not also leaving racism, antiBlackness, fatphobia, abeism, misogyny, etc out of your escapism? /rh  [link]
lunedraws: Have you wanted to walk the walk and not just talk the talk, re: racism, in one or more of your fandom spaces? This is a concise and timely line of actions we can take. [link]
aliasmarionette: One thing I see a lot in #EndOTWRacism comments which are in favour of the status quo is assumptions about who we mean by fandom, and about the user base of the Archive. [link]
SapphicScholar: New profile photo while participating in the important fan-led campaign to demand that OTW make good on the promises it has already made to address issues it has already acknowledged as problems in the archive—that is, instances of extreme racist harassment and abuse [link]
Fansplaining: Since the endotwracism campaign has begun, we wanted to highlight the timeline they've put together about the OTW's communications re: hiring a diversity consultant since their initial statement of commitment in the summer of 2020. [link]
gwenpendrcgon: ive seen so much backlash over #EndOTWRacism which shouldnt surprise me (also majority of this comes from tumblr is also to be expected) but most if not all backlash received by this event is done is such bad faith and complete wilful ignorance [link]
fiercynonym: so op of the #EndOTWRacism post on reddit dm-ed me and the situation is even more fucked up than i originally knew???  [link]
kitschlet: seeing a lot of people confused about what the OTW can do to address racism [link]
generalfrings: poor AO3 maintaining a 'absurdly heavy site'. all that text! [link]
RukminiPande: Fan scholars should be paying attn to #EndOTWracism. [link]
Saathi1013: The thing to notice about all the assertions that people know who's behind EOTWR is like... Okay, there are a few things, actually [link]
buttonthemdown: If you think that victims of racism need to "develop a thicker skin" you're a fucking racist [link]
mousieta: if i could have people understand one thing abt #endotwracism right now is that This issue matters not because racism makes you feel bad, or uncomfy, or squicky but because racism is actively harming Real Living Breathing Fans right now. [link]
fiercynonym: okay so…you know how OTW has been saying, when asked at meetings, that they have a budget surplus of about USD $1 million? well…manogirl & i did some digging, and it might actually be more than TWO AND A HALF MILLION USD. [link]
runpunkrun: Speaking of OTW Board meetings, if you're interested in attending, here's what you need to know [link] 
Dreamwidth
satsuma: A Chronic Habit of Avoiding Responsibility? #EndOTWRacism [link]
bcgphoenix: I have a lot of feelings about OTW and End OTW Racism as a book conservator/general preservation person, most of which verge into tl;dr territory. [link]
killabeez: Looking at past archive policies [link]
nyctanthes: End OTW Racism (Fannish Fifty #47) [link]
chestnut_pod: Be more democratic, be more autocratic, OTW [link]
Other sites
Lady’s Weblog: End Racism in the OTW [link]
The Rec Center: #384 Final Thoughts [link]
Stitch’s Media Mix: I’m Supporting #EndOTWRacism [link]
409 notes · View notes
homunculus-argument · 7 months
Text
One book draft that I am yet to circle back to was somewhere between being a YA novel and a book meant for older kids - essentially a fairytale for teenagers. Nothing particularly supernatural happens, but the worldbuilding is so vague and Based On Romantic Vibes that one couldn't really call it fantasy. The exact time or place of the land is never clarified, only that it's set in a port town in some era around the time of sail ships. Characters, for the most part, don't have first names, but are referred to by their roles or defining features - such as the Butcher, the Poet, the Tavernkeeper, and so on.
There's a scene where the protagonist and his best friend are sitting at the house of the Portmaster, who - just the night before - had to break apart a fist fight between two grown men. Or not really a fist fight, as much as a simple one-sided beat down - the Butcher, who is known as a gentle man (who had chosen his profession because Someone Has To Do It, and he would rather oversee that the work is done with the least amount of pain than have the animals killed by someone who doesn't care) had seen the Poet stumbling drunk out of the town's tavern, had gone into a terrible rage and started beating the shit out of the drunk Poet.
The Portmaster remarks that while he doesn't accept what the Butcher did, he understands that it was out of love. Everyone in the town knows everyone, and everyone knows the Poet had been drinking himself to death for the past fifteen years after a passing sailor broke his heart, and he had been sober for some time now. Seeing him drunk again threw the Butcher into rage out of fear and love. When kind, intelligent people do mad and cruel things, it's often out of fear and love. Stupid, but understandable.
The protagonist, who is 15, doesn't understand how and why the Portmaster can have sympathy for a man whose arrest he was personally involved in, when overseeing that people follow the law is literally his job. The portmaster explains that aye, he sees that people do things as the law dictates, but in his work he has learned that there's a difference between people who follow the law, and the people who are good people. Sometimes people who only want to do the right thing don't pay attention to laws, and some of the worst people that he has ever met have never broken a law in their lives. They know exactly what is the cruelest thing they are legally permitted to do, and would do worse if the law allowed.
The protagonist, being fifteen, doesn't really pay attention to the lives of the adults around him, and the story arcs of the side characters - such as the romance between the Butcher and the Poet - pass him by largely unnoticed. The Portmaster is a quiet, understated man, and the narration never goes into his backstory, no more than mentioning that he came into this land as a foreigner from somewhere far away, and that he came here alone. No-one ever asks why a good man like him seems to have no family at all, not to think of asking what happened to his family.
The only thing he will willingly say on the subject is that he is very familiar with just how cruel some people can be, when legally permitted to do so.
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