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mackmp3 · 1 year

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13 Most Beautiful: Songs for Andy Warhol's Screen Tests - Dean and Britta 2010

One of my close friends and bandmates lent me her cd of this album (yes we swap cd, we are music nerds) and I was immediately entranced by it. It has the feel of the Velvet Underground in a way that seems to be equal parts homage and worship without being a direct carbon copy, in some parts sounding very 90s in a way I can;t quite put my finger on - it definitely does not sound like 2010 I'll tell you that.

Andy Warhol's Screen Tests were another one of his wacky little film ideas, which boiled down to 'put person in front of camera, push record on camera'. Pretty much everyone in the Factory, and most visitors, everyone from Edie Sedgwick through Mama Cass through Gerard Malanga through Bob Dylan through Salvador Dalí, was... subjected to one of these. All are shot in black and white, and they generally last for three minutes, though are played slowed down.

Dean and Britta were approached to make music accompanying 13 of the screen tests for a movie (which regrettably at time of writing I have not seen, will watch soon and update this when I have) and accompanying soundtrack. Each song is specific to a person, and the second disc (of the cd at least) is seven alternate versions/remixes, which I actually like better in some cases, although I did just read an article (from popmatters) saying that indeed some of the mixes, specifically Sonic Boom's, work better as standalone music that the versions that do go with the movie. They certainly do have a hypnotic quality to them. That there are 13 songs is significant - Warhol had two exhibitions called '13 Most Beautiful Men / Women'.

The songs are -

Silver Factory Theme (Billy Name)

I'll Keep It With Mine (Nico)

Not A Young Man Anymore (Lou Reed)

I Found It Not So (Mary Woronov)

It Don't Rain In Beverly Hills (Edie Sedgwick)

Incandescent Innocent (Freddy Herko)

International Velvet Redux (Susan Bottomley)

Teenage Lightning and Lonely Highways (Paul America)

Herringbone Tweed (Dennis Hopper)

Richard Rheem Theme (Richard Rheem)

Knives From Bavaria (Jane Holzer)

Eyes In My Smoke (Ingrid Superstar)

Ann Buchanan Theme (Ann Buchanan)

And you will not believe how much googling I just did to figure all that out.

Silver Factory of course refers to the period where the Factory was wallpapered in tinfoil. I'll Keep It With Mine is a non-album Dylan song covered by Nico. Not A Young Man Anymore is a Velvet Underground rare song convered so convincingly by Dean Wareham that I thought for a moment it *was* the VU on the recording - classic mid-sixties garage rock sound giving the indie treatment. It Don't Rain In Beverly Hills / no matter what they say / the pain never washes away is probably the most Edie Sedgwick song out there, beating even Patti Smith's Poppies, which was written for her. Teenage Lightning and Lonely Highways could fit nearly any teen road trip movie, and has definite fictional 1950s vibes, perfectly fitting a guy nicknamed Paul America. Knives From Bavaria is delightfully nonsensical and I have no idea what it has to do with Jane Holzer or her teeth brushing but it's a cool little song anyways.n

This album has a deep sense of sadness to it, despite the generally upbeat vibes. Maybe it's cause we know that so many of the superstars died young, or had a lot of bad stuff happen to them, struggled with addiction, or just that they are a footnote in history. Maybe it's because they stare at you, or avert their eyes, from the depths of time and the screen tests. Because, for a lot of us on here reading this, some of the people who this music was written for died before our parents were born. Some of the songs are genuinely tragic, and like the superstars themselves, the facade of glitter and beauty lies thin over emotion. The Factory and the people in it were some of the defining points of the sixties, and yet listening to this music, watching the screen tests, can at times fell like being let in on a secret about their lives.

I really love this album, and though I don't know it particularly well, it has a profound impact on me and I will be listening to some of the songs on this for a very long time.

#13 most beautiful #dean and britta #andy warhol #screen test #experimental film #nico #lou reed #edie sedgwick #album #velvet underground #music recommendation #cds

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dustedmagazine · 2 years

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harm: Listed

harm’s one and only album was recorded in Pittsburgh at a college radio station where Andy Beckerman and Kyle Bittinger had shows. (Beckerman later wrote for Dusted, back at the old site, if his name seems familiar.) They finished it, left for separate graduate schools and the rest of their lives. Beckerman writes for television and hosts the Beginnings podcast now. Buttinger teaches in the pediatrics department at the University of Pennsylvania. I Am Suddenly Aware didn’t fit, long term, with anybody’s plans. But the album, newly reissued, plays like a lost Elephant Six gem. In her review, Jennifer Kelly noted that I Am Suddenly Aware, “has a casual, yearning charm to it, with its aching little melodies threading through dense thickets of euphoric keyboard sound and percussive bouts of guitar strumming.

Do you like complicated concepts for the Listed feature? Then we have a treat for you! We thought we’d list two bands that inspired harm as a whole, and then each write about 1) music that inspired us in the late 1990s and 2) music that inspires us now. If there’s one thing we at harm HQ seem to love, it’s complexity for its own sake!

Two Bands

hollAnd — Your Orgasm

your orgasm by holnd

The 1990s were a real renaissance for a lot of twee-ish music that wrapped a perplexing nostalgia for high school-era emotions in kitschy Casio sounds. Trevor Kampmann, probably more than any other musician at the time though, taught us you could make complex *and* killer keyboard-based pop songs that featured adult emotions.

Dump — A Plea for Tenderness

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Besides having Electr-O-Pura and I Can Hear the Heart Beating As One coursing through our blood at the time, it was specifically James McNew’s solo recordings that pushed us in a very specific, very gentle direction. Who knows what would have happened if we hadn’t heard this album? Nu-metal casiopop?

Late 1990s

American Analog Set — The Golden Band

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Kyle: A near-perfect record and my favorite from the Set. They start out with the classic American Analog Set sound and then dig further into it as the album progresses. The music is full of rich Farfisa organ that mirrored the tones we were trying to pull from our own keyboards at the time. The Golden Band is 100% an autumn record.

Galaxie 500 — On Fire

On Fire by Galaxie 500

Cindy: I was (and still am) so enchanted by this band and this album in particular. So much atmosphere. It’s the perfect soundtrack to play any season, from snowy mornings to summer sunsets. You can get lost in Naomi Yang’s bass lines, while Dean Wareham’s vocals lull you through soft and storied melodies. Plus the occasional sax moment — why not?

Beulah — When Your Heartstrings Break

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Andy: Despite harm being mainly focused on using Casio keyboards in creative ways, Elephant 6 loomed large in our late 1990s lives, teaching us that you didn’t need to be an acid-soaked Angeleno to use orchestration. You could be an acid-soaked Athenian! Or a weird, quasi-straight-edge kid from The Keystone State! While I remember the day sophomore year Brett Buzzini cracked open his brand-new CD of In the Aeroplane Over the Sea, it was really Beulah that cracked it wide open for me. Miles Kurosky and crew’s pop purity really dug into my cells, but unlike other things that can dig into your cells, like say, the novel coronavirus, they did not scare me into hiding in my apartment for a couple of years. No! They showed me you could overload your songs with melodies and horns and still have something that sounded holistic and controlled.

Boards of Canada — Music Has the Right to Children

Music Has The Right To Children by Boards of Canada

John: In the mid to late-1990s, I was listening to a lot of IDM and other types of electronic music as well as the usual indie pop/rock that was around at that time. The album which influenced me most is a hazy mix of hip hop beats, lo-fi tape-scorched synthesizers and samples of old educational films. I got really into drum programming using outdated technology because of this album, which you can hear on the harm track “The Sailing Coast,” where I layered several classic Casio sounds using the Casio RZ-1 sampler/drum machine.

The 21st Century

DJ Metatron — Loops of Infinity

mandarín · DJ Metatron ‎– Loops Of Infinity (A Rave Loveletter)

Kyle: Starting in 2012, I took a deep dive into house and techno, genres which have accounted for most of my new music listening over the last decade. This album exemplifies some aspects of electronic music that I find amusing: ridiculous DJ aliases, oddly marketed vinyl-only releases and nostalgia for a rave culture in which I never participated. But the album also exemplifies how tracks work together in house and techno to create something more than the sum of its parts. The songs touch on a variety of styles but maintain a consistent mood, and they lock together to draw you into the dreamworld of DJ Metatron. Honorable mention to the Strum and Thrum comp of American jangle from 2020.

Various Artists — The Guest Original Motion Picture Soundtrack

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Cindy: Hear me out. This movie is an unexpectedly fun action thriller/horror flick, but the soundtrack is what made it. Full of various synthwave songs from both now and the 1980s, it has a throwback theme with a seriously dark aura. It’s like a mixtape I wish I’d been cool enough to make myself. Last year, there was an April Fools’ Day bit about a sequel coming out that they reinforced with an equally impressive (and real) soundtrack on Spotify.

Crying — Get Olde/Second Wind

Get Olde Second Wind by Crying

Andy: As a childless adult in the entertainment industry, I have a LOT of free time to check out new music, and there is SO much good stuff out there, from Rosie Tucker to Pictoria Vark to Linqua Franqa to Daniel Wyche, but I thought for Listed, I’d pick something that is more in line with harm. Crying might be defunct now, which is a bummer because this album (which is two of their EPs smushed together) does for chiptunes what I think we were trying to do for Casios, that is, transcend the kitschy nature of the medium. I love chiptunes and video game music, but Crying did something new with it, writing extremely catchy and complex songs full of actual emotions.

Tony Rolando — Breakin’ Is A Memory

Breakin' Is A Memory by Tony Rolando

John: Music that evokes nostalgia has always resonated with me for some reason. Using these toy keyboards from my childhood to craft complex pop songs was a big part of making music with harm. On this record by modular synth designer/musician Tony Rolando, there’s a healthy dose of nostalgic analog synth gear as well as modern designs from his company Make Noise. He seems to have one foot firmly planted in the past, as well as a keen eye on the future.

#dusted magazine #listed #harm #hollAnd #dump #american analog set #galaxie 500 #beulah #boards of canada #dj metatron #the guest original motion picture soundtrack #crying #tony rolando

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sandpebblesband · 1 month

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An invigorating trip through Sand Pebbles album art extravaganza!

#9: Dean & Britta / Sand Pebbles* – Dean Wareham Australian Tour Sand Pebbles Split 7" 45 released by A Thousand Records, 2011

Dean & Britta – I'll Keep It With Mine (Sonic Boom Remix) / Sand Pebbles – Occupied Europe (Take Me Across The Water)

A rare split single that celebrated Dean Wareham and Britta Phillips appearing in Australia with their 13 Most Beautiful: Songs for Andy Warhol’s Screen Tests (with us supporting).

D&B’s side was a unique mix from Sonic Boom (Spacemen 3/Spectrum) of Bob Dylan’s ‘I’ll Keep it With Mine’.

Sand Pebbles side housed the single version of ‘Occupied Europe [Take Me Across the Water].

The artwork was put together by Dan Milne with Britta in hat and a blue version of the Dark Magic artwork.

#sand pebbles #sand pebbles band #sand pebbles australian band #christopher hollow #dark magic #ben michael x #dean wareham #britta phillips #sonic boom #pete kember #remix #bob dylan #i'll keep it with mine #occupied europe

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doomandgloomfromthetomb · 4 years

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Joan Shelley - Live At The Bomhard

Hey hey, this is going to be a Bandcamp Monday mega-post! I’ve been liking that some artists are using the platform to release live stuff (especially when live shows are not happening currently). Here are a few recent things I’ve enjoyed.

When I heard a few recordings of Joan Shelley’s full band late last year, I joked that I was going to need a double live LP of the group. Well, here it is (minus the physical product, of course). This fantastic hour of music captures Joan with the Best Hands Band: Nathan Salsburg, Jake Xerxes Fussell, Nathan Bowles, Anna Krippenstapel -- plus guest appearances from Bonnie Prince Billy and Julia Purcell. Together, they all re-imagine Joan’s songs in splendid and sensitive fashion. The Sinatra cover is the icing on the cake ...

Tom Carter - Long Time On The Road

Tom Carter’s Long Time Underground is one of the more mindblowing electric guitar records of the past decade or so -- and Long Time On The Road gives us a whole bunch more of that particular vibe. More than four hours worth! It’s a lot to dig through, but Carter is almost always astonishing, finding radical new textures and layers and sounds. Time stops, expands, speeds up and slows down.

Chris Forsyth with Garcia Peoples - Peoples Motel Band

A killer selection of live Forsyth, with Ryan Jewell and Garcia Peoples in tow. This collective find an expressway straight to yr skull, whether they’re drifting through “The Past Ain’t Passed” or jamming ecstatically on an often-unbelievable 20-minute “Dreaming In The Non-Dream.” I had been looking forward to seeing Forsyth live (for the first time!) at the end of March. We all know how that turned out, but Peoples Motel Band is easing my disappointment plenty.

Luna - Tell Me Do You Miss Me

A belated soundtrack to the documentary of the same name, Tell Me Do You Miss Me cherrypicks some highlights from Luna’s last tour in 2004 and 2005 (before reuniting a few years back). Totally glorious stuff, including lots of classic Wareham/Eden guitar situations. Eden’s solo on “Bewitched” in particular is exquisite. And the extended “Black Postcards” is an essential Luna jam ...

Sonic Youth - Live at Cabaret Metro, Chicago, IL 2002

Sonic Youth recently put up a bunch of live tapes on Bandcamp! These were (almost) all previously available on Nugs.net, but now we don’t have to say Nugs.net anymore. Everything is absolutely golden, but if you need a place to start, why not with this O’Rourke/Murray Street-era gig? As good as Murray Street is, I think you’ll find that live versions of tunes like “Rain On Tin” and “Disconnection Notice” leave their studio counterparts in the dust.

Garcia Peoples - 10-10-2019 Nublu, NYC

Last but not least, here’s Garcia Peoples without Forsyth, but with sax-man (and dad) Bob Malach, extending the already very extended “One Step Behind” into a cosmic 50-minute journey. It’s a trip and a half, to say the least. GP bassist Andy Cush sez: “The music on this tape is at its most alive when you can hear us abandoning the plan and surrendering to the unknown.” Right on ...

#bandcamp monday #joan shelley #tom carter #chris forsyth #luna #garcia peoples #sonic youth

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daggerzine · 4 years

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Other Music documentary (2019- directed by Puloma Basu and Rob Hatch-Miller) review by Dina Hornreich

“It is harder to put together than to take apart.” A plain and not-so simple comment coming from the former Other Music Record Store co-owners, Josh Madell and Chris Vanderloo, who are prominently featured in the film, as these words underscore a scene in which their crew is dismantling their once hallowed CD sales racks in preparation for the store’s reluctant closure. OM used to herald as a beacon of hope in NYC’s bustling offbeat East Village neighborhood, a cultural hub known as St. Marks Place – not far from New York University. (If you asked any New Yorker for directions, they would enthusiastically tell you to simply “get off at the stop for Astor Place Station from the #6 or #4 [subway] train: you will see the gigantic cube immediately after exiting the station...can’t miss it!”)

The OM store opened its doors in 1996, and officially closed in 2016. Twenty years is a very good run for any kind of establishment such as this one, especially in the Big Apple – a fact that was not taken lightly by the two makers of this film who each were an employee and a regular customer at the establishment themselves! And like the store itself: the film is an endeavor for music nerds by music nerds. (And, obviously, this Dagger Zine review is no different.)

For creatively inclined weirdos like us, OM was a place of refuge. It was a major meta-musical mecca that happened to take the form of a retail outlet which is a very bold endeavor to consider: an unusual existence as a cultural outlet that strove to challenge our knowledge, expand our awareness, and promote the discovery of completely unknown (even uncomfortable) expressions. This mentality was not conducive whatsoever to the slick sales-driven experience one might come to expect upon shopping for any traditional kind of consumable commodities. And we certainly did not receive that kind of treatment while shopping there anyway!

OM’s purpose was contrary to basic principles of economics because it was run by artistic types who believed in a much higher purpose behind what they were selling: it was a community focused approach. In doing so, they completely confounded the basic notion that we were purchasing mere commercial products to be unloaded for profit (like toothpaste). The store’s very existence was a subversive act of culture jamming in and of itself. This information in conjunction with a solid awareness of the cut-throat and risky nature involved with doing any kind of enterprising endeavors in NYC is extremely pertinent. (I was once told that any restaurant in NYC would be far more successful if it were in another location simply because the competition alone would be considerably less stiff.)

Instead, they were offering something very unusual to their customers by incorporating some kind of pseudo-quasi-intellectual discourse using extraordinarily inventively stylistic fusions and/or varied often inconceivable sonic experiments to create such astute, pithy, and massively passionate descriptions that would be entirely ineffective as a sales strategy to the less tolerant/picky shoppers at the overpowering Tower Records across the street. The store had a unique energy that was entirely its own manifestation. Bin categories had mysterious names such as: in, then, decadanse, etc. that baffled even the artists whose own work was often filed underneath them, as evidenced by the hesitant testimony provided by indie rock luminary Dean Wareham (of the bands Galaxie 500 and Luna). In fact, these idiosyncratically descriptive insider taxonomies were typically used as a rite of passage upon orienting new store employees to OM’s unique aesthetic.

The delectably raw live in-store performance footage of more acquired tastes, but definitely well-loved by those “in the know,” included bands who simply could not have thrived in the same ways at more conventional outlets: The Apples in Stereo, Neutral Milk Hotel, The Rapture, etc. The most delightfully peculiar act might have been delivered by a performer named Gary Wilson whose legendary appearance began with him surreptitiously entering the store while beneath a blanket and then (from behind the scenes, presumably) covering himself in talcum powder prior to seizing the stage with unabashedly alarming flamboyance – with only the playful tunes that would we expect to appropriately match that indelible image so gloriously!

And that was precisely the point: they were unequivocally rebelling against more conventional music consumption habits by offering an entirely different kind of taste-making experience that was kind of less palatable overall – and, in doing so, they even helped launch the careers of some important figures: Vampire Weekend, Animal Collective, and Interpol. The description of the “consignment” process for emerging artists who managed to attain a place on their sanctified shelves seemed extraordinarily modest considering the scope and nature of the impact it offered. There was a lot of social currency behind the OM brand.

The inclusion of a parody skit starring Aziz Anzari and Andy Blitz (available here as well https://youtu.be/YN1mKiQbi4g), followed by the various customer testimonials (including actor and musician Jason Schwartzman), indicated that they may have exuded more than a hint of an unflatteringly, even off-putting, air of NYC hipster pretentiousness akin to that portrayed in the Nick Hornby book, Stephen Frears movie, and/or the new Hulu series (involving both Hornby and Frears): High Fidelity. However, there were clearly very good reasons for them to do this: They represented an extreme mishmash of strange characters who collectively embodied all the historically marginalized shapes, sizes, colors among other attributes that would not have been celebrated (or considered marketable) elsewhere. If they weren’t a little snooty, they probably would have been mocked entirely – as evidenced by an astute and pithy comment by a long-time store employee describing Animal Collective as appearing like a “sinister Fraggle Rock on acid.”

These artists never aspired to becoming real “rock stars” anyway – on the contrary, they embodied the antithesis of that concept. (A point made abundantly clear as they bookended the film with footage of ordinary musicians simply marching through the streets of NYC.) Literally, OM offered shelter to those of us who are able to truly appreciate the anthemic idea behind the phrase: “songs in the key of Z.” It was a place for gathering the outsiders among outsiders, in other words.

It is impossible to ignore various impressive personalities who made appearances throughout the film, in both large and small roles. This includes but is not limited to major NYC scene contributors such as Lizzy Goodman, author of the equally compelling and similarly themed book: Meet Me in the Bathroom: Rebirth and Rock’n Roll in New York City 2001-2011. Footage in the film included key figures in influential bands including: TV on the Radio, Le Tigre, The National, Vampire Weekend, Yeah Yeah Yeahs (all of whom are also featured in Goodman’s book). You can also see glimpses of varied lesser known, yet supremely compelling figures of that era, including writers Kandia Krazy Horse and Geeta Dayal, and former store employees such as Lisa Garrett and Gerald Hammill.

These conversations take place until we eventually witness the demise of Tower across the street (and its many ilk of like-minded big box stores) which clearly signaled the ever-looming end for Vanderloo and Madell’s opus-like enterprise. A point that musician Stephin Merritt, best known for so many stellar masterpieces with his longest-running outfit, The Magnetic Fields, emphasizes upon casually observing the degrading presence of a fitness studio franchise that has since taken up residence in the spot that used to house Tower’s second floor. (I failed to try and restrain myself from recalling a new sense of irony from the lyrical lines that Merritt himself had written and recorded around 1991: “Why do we still live here.. In this repulsive town? All our friends are in New York.”)

There is also a bit of an underlying insinuation only apparent from random customer shots throughout the store regarding a possible impact from the Rough Trade Records shop that had recently opened in Brooklyn around the time of OM’s closing. This is exceedingly apparent to this biased writer herself who personally ventured out to that Williamsburg location last year for an in-store performance with NYU Punk Professor, Vivien Goldman, who had just published her own book Revenge of the She Punks. An event whose audience clearly included some members of the OM community featured in this film as I recall the store had heavily lauded her Resolutionary compilation album release prior to its official closing.

As the film successfully affirms the significance behind record store culture (especially in a global hub like NYC) which has long been hailed as a sacred gathering space for various misfits and weirdos who might find significantly less understanding and/or productive social outlets in other circumstances; its unavoidable bittersweet conclusion dramatically asserts how disappointing it is for us to witness the complete loss in their consistently tenuous financial viability as we are well into the digital information age – if not for the simple fact that paying for music (or any kind of intellectual property) is more commonly perceived as an anachronistic practice which is a clear and painful affront to all the prescient creative geniuses who are struggling to make an honest living off their work.

The film highlights the many multifaceted aspects that we fondly and endearingly associate with the appreciation of music that lies at the heart of the irrational fervor behind record collecting culture: the smell of the vinyl itself, the enormous visual impact around the artists’ choices for cover art, the substantial weight it possesses when we remove it from the sleeve, the delicacy necessary to handle vinyl so as to minimize any potential damage, its often very limited quantities as it is not cost-efficient to produce (the obscurity is intrinsically part of the exhilaration surrounding this “hunt”) among other substantial inconveniences that more or less confirm this as an unproductive – if not entirely illogical – endeavor overall!

Of course, it has always been very apparent to us that we were engaged in some insanely addictive bizarre kinds of quests that kept leading us to this absurd little locale in the first place – desperately trying to pacify some nebulous and insatiable deep cravings that we couldn’t always articulate… yet it always kept us coming back for more! As Mac McCaughan from the bands Superchunk and Portastic, as well as co-owner of Merge Records, astutely concludes: “They knew what you wanted before you knew.” (Of course, they did!)

The overarching and staunch message of this film is most apparent during the final closing scenes when we are eavesdropping on a conversation that the former co-owner, Josh Madell, is having with his young daughter about simply streaming the Hamilton Soundtrack on Spotify because the vinyl copy would have cost her $90 in the store. Perhaps even more ironic, of course, might be suggested by the very relevant context in which we find ourselves today: the annual Record Store Day celebratory event with which the film’s re-release was planned to coincide obviously could not happen. As a result, I was reluctantly watching it, albeit self-consciously, on my 13” laptop screen in my home office during the self-quarantine of COVID-19. Half the proceeds for the “tickets” were to be used to support one of my favorite local record shops here in Denver, CO, Twist and Shout, who may or may not be able to reopen as this pandemic situation evolves.

There are bigger questions to contemplate as the tide of change has only just begun in ways that only a tragedy, such as a worldwide pandemic, can facilitate for even the most obstinate luddites who have no choice but to incorporate regular use of digital formats in their daily habits – and we totally have, of course! This documentary remains as unequivocal evidence of the viability behind OM as it stood as an historic cultural hub that transcended the fundamental premise behind a commercial retail outlet. (Even though retail was once considered the only aspect of the industry where substantial money could be made. In fact, a measure of an artists’ success was often the number of albums they actually sold.) As its impact clearly exceeds its impressive years as a store-front operated business, it may also indicate a shortcoming in mainstream outlets who tend to ignore, silence, dismiss, and otherwise relegate the disempowered voices in our community – which, of course, are the major reasons that forced us to seek out these alternate forums in the first place.

The role of arts and culture for society is in fact to provide the very same opportunities that OM offered to us, which is (to reiterate that point from above) to provide an opportunity for discourse that challenges our knowledge, expands our awareness, and promotes the discovery of the completely unknown (even uncomfortable) expressions. These conversations give our lives meaning and force us to continually improve ourselves on many levels. While such commentaries could be considered an acquired taste or even an entirely esoteric endeavor, the crucial sensibilities they offer hold enormous potential for a world that honestly seems to need to hear from us… now more than ever!

If only we could find a better way to invite the integration of our perspectives into the bigger conversations? So that we can participate in the innovations for the changed world that will be waiting for us – and to ensure that it will be a more inclusive place for all of us. Which is perhaps what we ultimately (and so desperately) need, want, and deserve. The alternatives seem frighteningly Orwellian… at the risk of seeming a bit histrionic.

http://www.factorytwentyfive.com/other-music/?fbclid=IwAR3wtvtOKKC46YmfwjB6zv0wp5GMh4YBHFuWk0aLOti5m2NSs8PFChjrK4M

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milliondollarbaby87 · 4 years

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MOTION PICTURES

Outstanding Performance by a Cast in a Motion Picture Parasite

HYAE JIN CHANG / Chung Sook YEO JEONG CHO / Yeon Kyo WOO SHIK CHOI / Ki Woo HYEON JUN JUNG / Da Song ZISO JUNG / Da Hye JUNG EUN LEE / Moon Gwang SUN KYUN LEE / Dong Ik MYUNG HOON PARK / Geun Se SO DAM PARK / Ki Jung KANG HO SONG / Ki Taek

Outstanding Performance by a Male Actor in a Leading Role Joaquin Phoenix, Joker

Outstanding Performance by a Female Actor in a Leading Role Renee Zellweger, Judy

Outstanding Performance by a Male Actor in a Supporting Role Brad Pitt, Once Upon a Time in Hollywood

Outstanding Performance by a Female Actor in a Supporting Role Laura Dern, Marriage Story

TELEVISION Outstanding Performance by an Ensemble in a Drama Series The Crown

MARION BAILEY / Queen Elizabeth the Queen Mother HELENA BONHAM CARTER / Princess Margaret OLIVIA COLMAN / Queen Elizabeth II CHARLES DANCE / Lord Mountbatten BEN DANIELS / Lord Snowdon ERIN DOHERTY / Princess Anne CHARLES EDWARDS / Martin Charteris TOBIAS MENZIES / Prince Philip, Duke of Edinburgh JOSH O’CONNOR / Prince Charles SAM PHILLIPS / Equerry DAVID RINTOUL / Michael Adeane JASON WATKINS / Harold Wilson

Outstanding Performance by an Ensemble in a Comedy Series The Marvelous Mrs. Maisel

CAROLINE AARON / Shirley Maisel ALEX BORSTEIN / Susie Myerson RACHEL BROSNAHAN / Midge Maisel MARIN HINKLE / Rose Weissman STEPHANIE HSU / Mei JOEL JOHNSTONE / Archie Cleary JANE LYNCH / Sophie Lennon LEROY McCLAIN / Shy Baldwin KEVIN POLLAK / Moishe Maisel TONY SHALHOUB / Abe Weissman MATILDA SZYDAGIS / Zelda BRIAN TARANTINA / Jackie MICHAEL ZEGEN / Joel Maisel

Outstanding Performance by a Male Actor in a Drama Series Peter Dinklage, Game of Thrones

Outstanding Performance by a Female Actor in a Drama Series Jennifer Aniston, The Morning Show

Outstanding Performance by a Male Actor in a Comedy Series Tony Shalhoub, The Marvelous Mrs. Maisel

Outstanding Performance by a Female Actor in a Comedy Series Phoebe Waller-Bridge, Fleabag

Outstanding Performance by a Male Actor in a Television Movie or Limited Series Sam Rockwell, Fosse/Verdon

Outstanding Performance by a Female Actor in a Television Movie or Limited Series Michelle Williams, Fosse/Verdon

STUNT ENSEMBLES Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

AVENGERS: ENDGAME Marija Juliette Abney Janeshia Adams-Ginyard George “Gee” Alexander Derek Alfonso Nate Andrade Christopher Antonucci Randy Archer Brandon Arnold Steven S. Atkinson Ben Aycrigg Jennifer Badger Christopher Balualua Danya Bateman Loyd Bateman Kelly Bellini Joanna Bennett Carrie Bernans Felix Betancourt Gianni Biasetti, Jr. Mike Bishop Tamiko Brownlee Troy Butler Jwaundace Candece Marc Canonizado Janene Carleton Elisabeth Carpenter Sean Christopher Carter Kevin Cassidy Hymnson Chan Courtney Chen Anis Cheurfa Fernando Chien Alvin Chon Tye Claybrook, Jr. Marcelle Coletti David Conk John A. Cooper Brandon Cornell Thomas Joseph Culler Jahnel Curfman Gui Da Silva-Greene Chris Daniels Keith Davis Martin De Boer Robbert de Groot Isabella Shai DeBroux Holland Diaz Josh Diogo Jackson Dobies Justin Dobies Cory Dunson Jessica Durham Justin Eaton Jared Eddo Katie Eischen Kiante Elam Jazzy Ellis David Elson Jason Elwood Hanna Tony Falcon Guy Fernandez Mark Fisher Alessandro Folchitto Colin Follenweider Glenn Foster Simeon Freeman Shauna Galligan Monique Ganderton Johnny Gao Jomahl Gildersleve Denisha Gillespie Daniel Graham Ryan Green Carlos Guity Califf Guzman Dante Ha Akihiro Haga Garrett Hammond Lydia Hand Daniel Hargrave Kandis Hargrave Sam Hargrave Regis Andrew Harrington III Thayr Harris Zedric Harris Jimmy Hart Alex Hashioka Zachary Henry Danny Hernandez Mark Hicks Maria Hippolyte Bobby Holland Hanton JT Holt Crystal Hooks Niahlah Hope Damita Howard Justin Howell Jacob Hugghins Lindsay Anne Hugghins Michael Hugghins Tony Hugghins Scott Hunter James Hutchison III Pan Iam CC Ice Sarah Irwin Mami Ito Duke Jackson Michael Jamorski Kirk Jenkins Preshas Jenkins Floyd Anthony Johns Jr. Richard M. King Ralf Koch Khalil La’Marr Matt LaBorde Danny Le Boyer Matt Leonard William Leong Bethany Levy James Lew Marcus Lewis Jefferson Lewis III Eric Linden Scott Loeser Rachel Luttrell-Bateman Adam Lytle Tara Macken Dave Macomber Julia Maggio Ruben Maldonado Richard Marrero Rob Mars Andy Martin Aaron Matthews Tim R. McAdams Taylor McDonald Kyle McLean Crystal Michelle Mark Miscione Heidi Moneymaker Renae Moneymaker Chris Moore Tristen Tyler Morts William Billy Morts Marie Mouroum Spencer Mulligan Travor Murray Jachin JJ Myers Anthony Nanakornpanom John Nania Nikolay Nedyalkov Carl Nespoli Paul O’Connor Marque Ohmes Olufemi Olagoke Noon Orsatti Rowbie Orsatti Jane Oshita Leesa Pate Natasha Paul Gary Peebles Nathaniel Perry Josh Petro Lloyd Pitts George Quinones Taraja Ramsess Greg Rementer Antjuan Rhames Meredith Richardson Bayland Rippenkroeger Ryan Robertson Christopher Cody Robinson Donny Rogers Carrington Christopher Eric Romrell Michelle Rose Corrina Roshea Marvin Ross Elena Sanchez Maya Santandrea Matthew Scheib Erik Schultz Jordan Scott Joshua Russel Seifert Brandon Shaw Bruce Shepperson Joseph Singletary III Tim Sitarz Dominique Smith Dena Sodano Robert D. Souris Jackson Spidell Daniel Stevens Jenel Stevens Diandra Stoddard Milliner Granger Summerset Phedra Syndelle Mark Tearle Hamid-Reza Thompson Tyler J. Tiffany Aaron Toney Amy Lynn Tuttle Tony Vo Todd Warren Kevin Waterman Amber Whelan Aaron Wiggins Joseph Williams Matthew M. Williams Thom Williams Zola Williams Mike Wilson Tyler Witte Michael Yahn James Young Marcus Gene Young Woon Young Park Casey Zeller Keil Zeperni

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series GAME OF THRONES Boian Anev Mark Archer Kristina Baskett Ferenc Berecz Richard Bradshaw Michael Byrch Andrew Burford Yusuf Chaudhri Nick Chooping Jonathan Cohen David Collom Christopher Cox Jacob Cox Matt Crook Matt Da Silva Levan Doran Dom Dumaresq Daniel Euston Bradley Farmer Pete Ford Vladimir Furdik David Grant Lawrence Hansen Richard Hansen Nicklas Hansson Rob Hayns Lyndon Hellewell Jessica Hooker Gergely Horpacsi Paul Howell Rowley Irlam Erol Ismail Troy Kechington Paul Lowe John Macdonald Leigh Maddern Kai Martin Kim Mcgarrity Carly Michaels Nikita Mitchell Chris Newton David Newton Jason Oettle Bela Orsanyi Ivan Orsanyi Radoslav Parvanov Oleg Podobin Josh Ravenscroft Andrej Riabokon Zach Roberts Doug Robson Stanislav Satko Paul Shapcott Mark Slaughter Sam Stefan Jonny Stockwell Ryan Stuart Gyula Toth Marek Toth Andy Wareham Calvin Warrington Heasman Richard Wheeldon Belle Williams Will Willoughby Leo Woodruff Ben Wright Lewis Young

WINS BY STUDIO Disney – 1 Neon – 1 Netflix – 1 Roadside Attractions/LD Entertainment – 1 Sony Pictures – 1 Warner Bros – 1

WINS BY NETWORK Amazon – 3 FX – 2 HBO – 2 Netflix – 1 Apple – 1

SAG Awards 2020 – Winners MOTION PICTURES Outstanding Performance by a Cast in a Motion Picture Parasite HYAE JIN CHANG / Chung Sook…

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slyke25 · 12 years

Text

2009-2011

Below are the shows I covered from ‘09-12.

(v) = Video included in review

(p&s) = photos were taken with a point & shoot camera (early concerts)

2011 Favorite Concert Photos (Review)

12.12.2011 White Dress (TT the Bear’s Place)

12.12.2011 Gary Clark Jr. (TT the Bear’s Place) (v)

12.8.2011 Ryan Adams (Orpheum Theater) p&s (v)

12.1.2011 Jocie Adams (Cafe 939) p&s

12.1.2011 The Barr Brothers (Cafe 939) (v)

11.20.2011 Active Child (House of Blues)

11.20.2011 M83 (House of Blues)

11.19.2011 Chris Robinson Brotherhood (Somerville Theatre) p&s (v)

11.17.2011 The Tosspints (Paradise Rock Club)

11.17.2011 Dropkick Murphys (Paradise Rock Club) (v)

11.14.2011 Earthquake Party (Lansdowne Pub)

11.14.2011 Surfer Blood (Lansdowne Pub)

11.6.2011 H.W. (O’Brien’s Pub)

11.6.2011 Adeem (O’Briens Pub)

11.6.2011 Astronautalis (O’Brien’s Pub) (v)

11.5.2011 Nikki Lane (Paradise Rock Club)

11.5.2011 Noah and the Whale (Paradise Rock Club) (v)

11.1.2011 Tall Heights (Johhny D’s)

11.1.2011 Darlingside (Johnny D’s)

10.25.2011 Double Ghost (Brighton Music Hall)

10.25.2011 Fanfarlo (Brighton Music Hall) (v)

10.24.2011 Thief Thief (Charlie’s Kitchen)

10.24.2011 Celestial Shore (Charlie’s Kitchen)

10.24.2011 Fat History Month (Charlie’s Kitchen)

10.21.2011 Joe Pug (Somerville Theatre) (v)

10.21.2011 The Low Anthem (Somerville Theatre) (v)

10.7.2011 Old Jack (TT the Bear’s Place)

10.7.2011 Matrimony (TT the Bear’s Place)

10.7.2011 Langhorne Slim (TT the Bear’s Place) (v)

9.30.2011 Grace Woodruffe (House of Blues)

9.24.2011 2011 Life is Good Festival Canton MA (Barefoot Truth, Dwight and Nicole, The Dirty Dozen Brass Band, Tristan Prettyman, Martin Sexton, The Hold Steady, Michael Franti and Spearhead, Ingrid Michaelson, The Avett Brothers

9.20.2011 Nick Lowe (Wang Theatre)

9.20.2011 Wilco (Wang Theatre)

9.19.2011 Polica (Paradise Rock Club)

9.19.2011 Clap Your Hands Say Yeah (Paradise Rock Club)

9.10.2011 Jeff Mangum (Jordan Hall) p&s (a)

9.9.2011 Yo La Tengo (BOA Pavilion)

9.9.2011 The National (BOA Pavilion) (v)

8.14.2011 Neko Case (BOA Pavilion)

8.14.2011 My Morning Jacket (BOA Pavilion)

8.11.2011 Winter Gloves (Brighton Music Hall)

8.11.2011 The Naked and Famous (Brighton Music Hall) (v)

7.30.2011 2011 Newport Folk Festival Day #1 (The Wailin’ Jennys, Sallie Ford and the Sound Outside, The Felice Brothers, Typhoon, River City Extension, Freelance Whales, Gogol Bordello, Delta Spirit, Tegan & Sara, Gillian Welch, The Decemberists

7.31.2011 2011 Newport Folk Festival Day #2 (Brown Bird, David Wax Museum, Carolina Chocolate Drops, Trampled By Turtles, Justin Townes Earle, Middle Brother, Elvis Costello, M. Ward (v)

7.28.2011 The Submarines (Paradise Rock Club)

7.28.2011 The Eels (Paradise Rock Club)

7.27.2011 The Flaming Lips (BOA Pavilion) (v)

7.19.2011 Flow Child (Great Scott)

7.19.2011 Moonface (Great Scott) (v)

7.18.2011 Lower Dens (TT the Bear’s Place)

7.18.2011 Cass McCombs (TT The Bear’s Place) (v)

6.1.2011 The Secret Sisters (BOA Pavilion)

6.1.2011 Brandi Carlilie (BOA Pavilion)

6.1.2011 Ray Lamontagne (BOA Pavilion)

5.21.2011 Earthfest 2011 Boston, MA (Atomic Tom, Sponge, OK Go, Ed Kowalczyk)

5.17.2011 The Cave Singers (Orpheum Theatre)

5.17.2011 Fleet Foxes (Orpheum Theatre)

5.11.2011 Voxhaul Brodcast (House of Blues)

5.11.2011 Airborne Toxic Event (House of Blues)

5.10.2011 O’Brother (House of Blues)

5.10.2011 Cage the Elephant (House of Blues)

5.10.2011 Manchester Orchestra (House of Blues)

5.5.2011 Two Man Gentleman Band (Brighton Music Hall)

5.5.2011 The Infamous Stringdusters (Brighton Music Hall)

4.19.2011 Iron & Wine (House of Blues)

4.14.2011 Lady Lamb the Beekeeper (Brighton Music Hall)

4.14.2011 Sharon Van Etten (Brighton Music Hall)

4.13.2011 Pretty and Nice (Great Scott)

4.13.2011 Handsome Furs (Great Scott) (v)

4.12.2011 Jaggery (Middle East Upstairs)

4.12.2011 Callers (Middle East Upstairs)

4.12.2011 Wye Oak (Middle East Upstairs) (v)

4.6.2011 Township (Brighton Music Hall)

4.6.2011 Hacienda (Brighton Music Hall)

4.6.2011 The Greenhornes (Brighton Music Hall)

4.4.2011 Holy Ghost (House of Blues)

4.4.2011 Cut Copy (House of Blues)

3.24.2011 Faces on Film (Villa Victoria Center for the Arts) p&s

3.24.2011 Richard Ashcroft (Villa Victoria Center for the Arts) p&s (v)

3.10.2011 Mynabirds (House of Blues)

3.10.2011 Bright Eyes (House of Blues)

3.4.2011 The Low Anthem (Old South Church)

3.3.2011 Dawes (Paradise Rock Club) (v)

3.3.2011 Deer Tick (Paradise Rock Club) (v)

3.3.3011 Middle Brother (Paradise Rock Club) (v)

2.21.2011 David Gray (Wang Theatre) p&s (v)

2.11.2011 Scott Hutchinson (House of Blues)

2.11.2011 Josh Ritter (House of Blues)

1.18.2011 Static Jacks (Great Scott)

1.18.2011 Young the Giant (Great Scott)

1.16.2011 Camper Van Beethoven (Middle East Downstairs) (v)

1.16.2011 Cracker (Middle East Downstairs) (v)

1.13.2011 Mean Creek (Brighton Music Hall)

12.10.2010 Marissa Nadler (Tremont Temple) p&s

12.10.2010 Andrew Bird (Tremont Temple) p&s (v)

12.2.2010 The Luyas (Paradise Rock Club)

12.2.2010 The Antlers (Paradise Rock Club) (v)

12.1.2010 Justin Jones (Paradise Rock Club)

12.1.2010 Badly Drawn Boy (Paradise Rock Club)

11.22.2010 Kuroma (Paradise Rock Club)

11.22.2010 Stardeath and White Dwarfs (Paradise Rock Club)

11.22.2010 Tame Impala (Paradise Rock Club) (v)

11.11.2010 Sufjan Stevens (Orpheum Theatre) p&s (v)

11.2.2012 Black Mountain (Paradise Rock Club)

11.2.2010 Black Angels (Paradise Rock Club)

11.1.2010 The Shining Twins (Great Scott)

11.1.2010 Evan Dando and Juliana Hatfield (Great Scott)

11.1.2010 Juliana Hatfield (Great Scott)

10.29.2010 The Phantom Band (Paradise Rock Club)

10.29.2010 Plants and Animals (Paradise Rock Club)

10.29.2010 Frightened Rabbit (Paradise Rock Club) (v)

10.28.2010 Adam Haworth Stephens (Brighton Music Hall)

10.28.2010 The Felice Brothers (Brighton Music Hall)

10.15.2010 Dean Wareham (Wang Theatre) p&s

10.15.2010 Belle and Sebastian (Wang Theatre) p&s (v)

10.7.2010 The Walkmen (Royale)

10.7.2010 A.A. Bondy (Royale)

10.4.2010 Pete Yorn (Pearl Street)

10.3.2010 Roger Waters (TD Garden) p&s (v)

10.3.2010 Neon Indian (Power Plant)

10.2.2010 S. Carey (Somerville Theatre)

10.2.2010 The Tallest Man on Earth (Somerville Theatre) (v)

9.28.2010 Sleigh Bells (Orpheum Theatre)

9.28.2010 LCD Soundsystem (Orpheum Theatre)

9.26.2010 Mean Creek (Middle East Downstairs)

9.26.2010 Dead Confederate (Middle East Downstairs)

9.25.2010 Ed Harcourt (Paradise Rock Club)

9.25.2010 James (Paradise Rock Club)

9.22.2010 Boxer Rebellion (Middle East Upstairs)

9.22.2010 Amusement Parks on Fire (Middle East Upstairs)

9.22.2010 We Are Augustines (Middle East Upstairs)

8.18.2010 David Gray (BOA Paviion) p&s (v)

8.18.2010 Ray Lamontagne (BOA Pavilion) p&s (v)

8.2.2010 Arcade Fire (BOA Pavilion) p&s (v)

8.2.2010 Young Galaxy (BOA Pavilion) p&s

7.31.2010 Newport Folk Festival (Low Anthem, Blitzen Trapper, Brandie Carlilie, O’Death, Horse Feathers, Andrew Bird, Dawes (p&s) (v)

7.25.2010 Edward Sharpe and the Magnetic Zeros (Pearl Street) p&s (v)

7.16.2010 Chris Warren (Middle East Downstairs) p&s

7.16.2010 Ha Ha Tonka (Middle East Downstairs) p&s

7.16.2010 Langhorne Slim (Middle East Downstairs) p&s (v)

7.11.2010 The Mools (Port City Music Hall) p&s

7.11.2010 Wolf Parade (Port City Music Hall) p&s (v)

6.26.2010 Passion Pit (Royale) p&s (v)

6.23.2010 These United States (Middle East Downstairs) p&s (v)

6.20.2010 James Taylor (TD Garden) p&s (v)

6.20.2010 Carole King (TD Garden) p&s (v)

5.30.2010 Drew O’Doherty (TT The Bear’s) p&s

5.30.2010 Land of Talk (TT The Bear’s) p&s (v)

5.30.2010 Besnard Lakes (TT The Bear’s) p&s

5.21.2010 The Punch Brothers (Orpheum Theatre) p&s

5.21.2010 Josh Ritter (Orpheum Theatre) p&s (v)

5.17.2010 Pearl Jam (TD Garden) p&s (v)

5.12.2010 Pete Roe (First Church in Cambridge) p&s

5.12.2010 Smoke Fairies (First Church in Cambridge) p&s

5.12.2010 Laura Marling (First Church in Cambridge) p&s (v)

5.8.2010 Suckers (Great Scott) p&s

5.8.2010 Local Natives (Great Scott) p&s (v)

4.30.2010 Horse Feathers (Cafe 939) p&s (v)

4.29.2010 Bad Veins (Paradise Rock Club) p&s

4.29.2010 Maps and Atlases (Paradise Rock Club) p&s

4.29.2010 Frightened Rabbit (Paradise Rock Club) p&s (v)

4.17.2010 David Allen Coe (The Coach House, CA) p&s

4.4.2010 Wilco (Lupos, RI) p&s (a)

3.28.2010 Bachlorette (Paradise Rock Club) p&s

3.28.2010 Beach House (Paradise Rock Club) p&s (v)

3.4.2010 Joe Pug (Great Scott) p&s (v)

3.4.2010 Justin Townes Earle (Great Scott) p&s (v)

2.20.2010 Jason Boesel (Great Scott) p&s

2.20.2010 Corey Chisel & the Wandering Sons (Great Scott) p&s

2.20.2010 Dawes (Great Scott) p&s

2.3.2010 Arletta (Great Scott) p&s

2.3.2010 The Candles (Great Scott) p&s

2.3.2010 Evan Dando (Great Scott) p&s (v)

1.19.2010 Dawn Landes (Club Passim) p&s (v)

1.8.2010 Tanlines (Paradise Rock Club) p&s

1.8.2010 Julian Casablancas (Paradise Rock Club) p&s

2009 Favorite Concert Photos (p&s) Part I

2009 Favorite Concert Photos (p&s) Part II

12.3.2009 Josh Ritter (Calvin Theatre) p&s (a)

12.3.2009 Low Anthem (Calvin Theatre) p&s (a)

12.1.2009 The Big Pink (Paradise Rock Club) p&s (v)

11.30.2009 Dave Godowski (Paradise Rock Club) p&s

11.30.2009 Bowerbirds (Paradise Rock Club) p&s (v)

11.30.2009 Elvis Perkins in Dearland (Paradise Rock Club) p&s (v)

11.4.2009 Dave Gutter (Wang Theatre) p&s

11.4.2009 Ray Lamontagne (Wang Theatre) p&s (v)

11.3.2009 Monsters of Folk (Orpheum Theatre) p&s (audio)

11.1.2009 Fran Healy and Andy Dunlop (Somerville Armory) p&s (v)

10.18.2009 Echo and the Bunnymen (Great Scott) p&s (v)

10.17.2009 Dawes (TT the Bear’s Place) p&s

10.17.2009 Langhorne Slim (TT the Bear’s Place) p&s (v)

10.17.2009 Boy Crisis (South Boston) p&s

10.17.2009 The Antlers (South Boston) p&s

10.3.2009 Sufjan Stevens (Port City Music Hall, ME) p&s (v)

9.22.2009 Little Joy (Orpheum Theatre) p&s

9.22.2009 Regina Spektor (Orpheum Theatre) p&s (v)

9.8.2009 Mike Fiore (Great Scott) p&s

9.8.2009 Willy Mason (Great Scott) p&s

9.8.2009 A.A. Bondy (Great Scott) p&s (v)

8.31.2009 Stardeath and White Dwarfs (BOA Pavilion) p&s

8.31.2009 Explosions in the Sky (BOA Pavilion) p&s

8.31.2009 Flaming Lips (BOA Pavilion) p&s (v)

8.22.2009 The Horrors (Bowery Ballroom, NYC) p&s

8.22.2009 Nine Inch Nails (Bowery Ballroom, NYC) p&s

8.5.2009 MGMT (Fenway Park) p&s

8.5.2009 Paul McCartney (Fenway Park) p&s (v)

8.3.2009 Drew O’Doherty (TT the Bear’s Place) p&s

8.3.2009 Jessica Hoop (TT the Bear’s Place) p&s

8.3.2009 Langhorne Slim (TT the Bear’s Place) p&s (v)

2009 Newport Folk Festival Day #1 (Langhorne Slim, The Avett Brothers, Gillian Welch, Fleet Foxes, The Decemberists (a) (v) (p&s)

7.30.2009 Kristen Diable (Showcase Live) p&s

7.30.2009 Gin Blossoms (Showcase Live) p&s (v)

7.26.2009 Zee Avi (House of Blues) p&s

7.26.2009 Pete Yorn (House of Blues) p&s (v)

7.6.2009 Cinnamon Band (Great Scott) p&s

7.6.2009 DRI (Great Scott) p&s

7.6.2009 Handsome Furs (Great Scott) p&s (v)

6.14.2009 Tallest Man on Earth (Middle East Downstairs) p&s (v)

6.11.2009 Witchies (Middle East Downstairs) p&s

6.11.2009 Elfin Saddle (Middle East Downstairs) p&s

6.11.2009 Sunset Rubdown (Middle East Downstairs) p&s (v)

6.10.2009 Ida Maria (Skellig Pub) p&s (v)

5.19.2009 Pattern Is Movement (Somerville Theatre) p&s

5.19.2009 St. Vincent (Somerville Theatre) p&s (v)

5.14.2009 Animal Collective (House of Blues)

5.11.2009 Bon Iver (Cape Cinema) p&s (v)

5.10.2009 Ben Harper & Relentless 7 (Paradise Rock Club) p&s (v)

5.6.2009 These United States (Harpers Ferry) p&s

5.6.2009 Papercuts (Harpers Ferry) p&s

5.6.2009 Vetiver (Harpers Ferry) p&s (v)

4.26.2009 Travis (Newbury Comics) p&s (v)

4.22.2009 Bruce Springsteen (TD Garden) p&s

4.21.2009 Fire Zuave (Paradise Rock Club) p&s

4.21.2009 Sugar and Gold (Paradise Rock Club) p&s

4.21.2009 Of Montreal (Paradise Rock Club) p&s (v)

4.19.2009 The Dead (DCU Center, Worcester) p&s

4.2.2009 Josh Ritter (Avalon Theatre, MD) p&s (v)

3.31.2009 Ida Maria (Paradise Rock Club) p&s

3.31.2009 Glasvegas (Paradise Rock Club) p&s (v)

3.15.2009 Pete Yorn (Majestic Theatre) p&s (v)

3.14.2009 Dent May & His Magnificent Ukelele (Paradise Rock Club) p&s

3.14.2009 A.C Newman (Paradise Rock Club) p&s (v)

2.26.2009 Alena Diane (Paradise Rock Club) p&s

2.26.2009 Blitzen Trapper (Paradise Rock Club) p&s (v)

2.21.2009 Ryan Adams & the Cardinals (Orpheum Theatre) p&s

1.30.2009 Andrew Bird (Orpheum Theatre) p&s (v)

1.18.2009 Frightened Rabbit (Great Scott) p&s (v)

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landscape-lunacy · 6 years

Photo

Wareham, Dorset, England - by Andy Farrer

#england #uk #dorset #wareham #trees #flowers #foggymorning #sun through trees #sunrise #nature #scenery #landscape

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blogentupantalla · 6 years

Video

youtube

CRÍTICA | #Overlord: Videocrítica de este triller producido por JJ Abrams de @ElengyCine Vídeo-crítica de ‘Overlord’, la nueva aventura de Bad Robot con Wyatt Russell, John Magaro y Mathilde Ollivier como protagonista.

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thecraggus · 6 years

Text

Star Wars: The Last Jedi (2017) Dark Side Review

I've seen this flawed strength only once before. I didn't care enough then. I do now. Star Wars: The Last Jedi Dark Side #Review #Spoilers

*SPOILERS* There has been an awakening. Have you felt it? There is a stirring of fears, long thought extinct. Fears that “Star Wars” could once again fall to the dark side. Fears that may lead to anger. After you saw it, how did you feel? Darkness? Light? A balance? It’s so much bigger and so much messier than I expected. I went into the cinema expecting to love it and came out deeply conflicted.…

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serpentinesheldonserpentine · 5 years

Note

Pass the happy! 🌻🌈 When you receive this list 5 things that make you happy and send this to 10 of the last people in your notifications

Geez this was going to sound like a Hallmark card and you’d hate me for it so I’m changing and offer this:

The work of Frank Lloyd Wright, Philip Johnson, Mies Van Der Rohe, Walter Gropius, Pablo Picasso, John Singer Sargent, John Singleton Copley, Tim Page, Hunter Thompson, Charles Bulfinch, Richard Nuetra, Louis Kahn, Rembrandt , Juan Gris, Basquiat, Keith Haring, Roy Lichtenstein, William Eggleston, Lee Friedlander, Andy Warhol, Wagner, Monet, Tchaikovsky, Mozart, Herbie Hancock, Miles Davis, Miles Davis, Miles Davis, Chet Baker, Duke Ellington, Frank Sinatra, Ella Fitzgerald, Johnny Hartman, Alex Chilton, Weegee, John Waters, Little Walter, Little Jimmy Scott, Pete Townshend, Billy Wilder, Ernst Lubitsch, Martin Scorsese , Francis Coppola, Bryan Ferry, David Bowie, David Bowie, David Bowie, David Bowie, Roger Keith Barrett, Townes Van Zandt, Stevie Van Zandt, Jimmy Gandolfini, Keith Jarrett, Chick Corea, Jeff Beck, Walter Becker, Donald Fagen, Jimmy Page, Jimmy Page, Jimmy Page, F. Scott Fitzgerald, Walker Percy, Tennessee Williams, William Faulkner, Nick Cave, Nick Drake, Nick Kent, Brian Wilson, Iggy Pop, Roger Waters, Steve Marriott, Gram Parsons, Mac Rebbenack, Erick Purkhiser, Kristy Wallace, Steve Earl, Lou Reed, Lou Reed, Lou Reed, Leonard Cohen, Dean Wareham, Joe Strummer, Bruce Springsteen, John Lydon, Siouxsie Sue, Otis Redding, Isaac Hayes, Sly Stone, Sly Stone, Sly Stone, George Clinton, Al Green, Chuck D, Professor Griff, Terminator X, Flava Flav, The RZA, ODB, Kraftwerk, Joy Division, New Order, Depeche, Monkees, Doc Pomus, Van Morrison, Lee Perry, Phil & Don, The Move, Cheap Trick, Redd Kross, X, The Turtles, Jan & Dean, Link Wray, Little Richard, Little Richard, Little Richard, Larry Williams, Eno, Japan, Ennio Morricone, St. Etienne, Fountains of Wayne, Ivy, Blossom Dearie, Julie London, The Stylistics, The Trammps, The Delfonics, The Supremes, The Temptations, Marvin Gaye, Marvin Gaye, Chris Stamey, Peter Holsapple, Chris Bell, Kenn Kweder, The New York Dolls, Robert Quine, Chuck Berry, Bo Diddley,Richard Hell, Richard Lloyd, Billie Holiday, Ray Charles, Beatles, Beatles, Beatles, Kinks, Kinks, Donna Summer, Ike and Tina, Black Uhuru, The Who, Phillip Schultz,The Pink Floyd, Pink Floyd, Southside Johnny Lyon, Horst Faas, Lee Friedlander, Danny Lyons, Billy Shakes, Marcus Aurelius, Tim Ferris, Pauline Kael, Joan Didion, Dennis Hopper, Natalie Wood, Golden Boy Bill Holden, Audrey Hepburn, Grace Kelly, Jimi Hendrix, Patti Smith, Dylan, Dylan, Dylan, Dylan, Dylan, Dylan, Joni Mitchell, Carole King, Karen Dalton,James Brown, Mary Karr, David Carr, Kipling, Peter O’Toole, Arto Lindsay, John Lurie, Carl Rogers, Nile Rodgers, Ramones, Run-DMC, Erik B and Rakim, Yardbirds, Betty Bacall, Fairport Convention, The White Stripes, Flat Duo Jets. So many more.

Oh yeah. The Rolling Stones.

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