Chapter 105.5 Thoughts: Control, Manipulation and Partnership
Or, how Chuuya is actually the most qualified character to land a victory over Dostoevsky.
I just want to preface this with: I think Chuuya has woken from the brainwashing. We can't see his eyes, he's holding his hat again, and look at the progression of his face and expression from the last few chapters with him (these are in order btw from left to right).
I'm not completely sure how he did this, but I chalk a lot of it up to sheer stubborn determination on Chuuya's part, mostly because it's funny and he was clearly fighting back before Dazai's speech. However, I find it likely the speech did contain some kind of code - others have pointed out how "Goodbye!" might be a reference to the original author's last unfinished book and we know skk's codenames for things generally are based off their real counterparts' works so, maybe he'd already broken out of it, maybe there was something in there that gave him the final push - who knows at this point honestly? Either way, it means Chuuya had the capacity to break out of the vampire curse on his own and that's incredibly funny to me for many reasons but mostly:
Fyodor: "Bold of you to assume Chuuya's ability can't overcome flooding."
Dazai: "Bold of you to assume Chuuya's personality can't overcome brainwashing."
But really, this highlights something interesting here, both in what Chuuya's role is ultimately intended to be in this arc, and in the way Fyodor and Dazai manipulate and value others in very different ways.
I've said it before but it bears repeating: we already know that Fyodor is an excellent long-term planner, while Dazai is effectively able to counter him because Dazai shifts into thinking like his opponent. They're foil characters for a reason; they're both highly intelligent, manipulative, and willing to play the long game for the sake of winning against their opponent.
Thing is, I also stand by the idea that personality-wise, they're not similar at all - and that has serious implications for the people they are connected with. The build-up to the prison escape arc really highlights this. Some examples:
Chapter 46: Fyodor believes that all people are sinful and foolish and that his goal is to remove sin. Dazai believes that all people are sinful and foolish but asks what's so wrong with that.
Chapter 64: They decide to have a "super-happy chit-chat" about their problems. Dazai's solution to Fyodor's issue with his lazy subordinates is to get them to think lazing around is a bad thing so they will put in effort of their own. Fyodor's solution to Dazai being unable to woo the waitress is to isolate her from her job, house and family so that she can only rely on Dazai.
Chapter 77: Fyodor believes god is perfection and harmony, and thus that the people capable of change are the superior ones with most control. Dazai believes god is the accidental and illogical and believes it is the ordinary people who fight and live in that uncertainty who create the greatest change.
So, what's happening here? Fyodor's manipulation is shown to be very exacting and direct. He leaves no room for error and regards people on a hierarchy - God above all, himself as a servant of God's will, and the sinful and foolish humans he has little regard for. Dazai's manipulation involves manipulation of the situation, and is often indirect. It involves people coming to the conclusion he intends for them to on their own. And from his later dialogue with Sigma, we see he doesn't regard the world in that same kind of hierarchy.
Now, look at the way Fyodor picks an item and Dazai picks a person when starting the game. Look at the way Fyodor refers to Chuuya respectfully but brainwashes him entirely and mocks Dazai for not being worthy of "using" his ability. Look at the way Dazai is a complete ass to Chuuya but ultimately lets him make his own choices (begging people to take note of that moment in Stormbringer where Dazai cuts himself off to correct his referring to Corruption as Arahabaki's true power to Chuuya's true power).
So, the actual strength Dazai has over Dostoevsky then, is not really his strength at all, it's the strength of others and their choice and willpower to act in the way they believe is best. It's the only means of getting a leg up on Dostoevsky, otherwise they will continue to go around and around in circles forever.
And Chuuya is the best candidate for finally throwing Fyodor off his game.
Firstly, let's just establish something: no matter how mad he is at Dazai, he's not going to side with Fyodor, not willingly. Fyodor threatened the Mafia in the Cannibalism arc by attacking Mori, first of all. I doubt he's forgiven him for that. Secondly, Fyodor embodies everything Chuuya can't stand about Dazai, at the very least, younger Dazai - the manipulation, the lack of consideration and connection with others, the callousness and lack of regard for life.
Well, perhaps he's not quite as irritating. +1 point for Dostoevsky I guess?
But lastly, it is more advantageous for Chuuya at this point to help fight against Fyodor, especially since most of the Mafia has been vampirized by his organization. Helping the Agency stop the terrorist plot will help the Mafia by extension by undoing that. And we know from Stormbringer that no matter how much Chuuya is personally hurt, he considers taking out the threat to his people a higher priority. Always.
(You could make the argument that he was told whatever Teruko told Atsushi and decided to join, but not only do I find this wildly out of character, but if that was the case then there would've been no reason to brainwash him.)
That said, I don't think this was preemptive "Dazai's master plan #3057", and in fact, I stand by the idea that Dazai had no idea Chuuya was going to be in the prison. It is very, very important to me that for the rest of this arc, no matter what Chuuya does, that his actions are his own. Not Fyodor's, not Dazai's, but his. And not just because I hate that he's being controlled right now and that freedom of choice has always been important for Chuuya.
But because it makes narrative sense.
The vampires are a bit silly, yes, but they represent the way Fyodor and Fukuchi think - humanity will commit atrocities. They cannot be trusted to make their own decisions. They want to make a world that is free by... mind-controlling people so their plans work without a hitch. In short, they choose, on behalf of others, to sacrifice human autonomy for peace. So, if we are going to turn this arc around, we need to have characters breaking out of that control and thinking for themselves, in spite of the uncertainty of the outcome.
We already see this with Atsushi in the last chapter! He finally takes initiative and makes that choice to leave the room when he doesn't exactly know what the right thing to do is. And this is also why I don't think Teruko is wholly convinced by the DoA either - she lets him go. She gives him the freedom to choose what he does with that information.
Another one of the focus characters here is Sigma. Sigma is a guy who has no past, whose humanity is questioned, who keeps being used by organizations for his valuable ability, who has no home but desperately wants one... oh wait. Remind you of anyone's younger self? This could go one of two ways: Chuuya fails to assert his autonomy, leaving Sigma to learn from that failure, or, Chuuya succeeds in asserting his autonomy, leaving Sigma to learn from his success.
I think it, by necessity, has to be the latter. Sigma's at a tipping point right now, and I think seeing someone try to assert their freedom only to fail would damage him greatly. And I think it's a waste of Chuuya's character honestly.
Chuuya needs to assert his autonomy in this arc. Not just for thematic reasons but because I can think of no one else who can effectively break the "super-genius stalemate".
I keep hearing "Dazai knows Chuuya" in response to Fyodor calling their bond shallow, and that is absolutely true! But Chuuya also knows Dazai. Incredibly well. Odasaku knew Dazai's soul, but Chuuya knows Dazai's mind, knows his strategies and ways of thinking without even needing words. What's more, Chuuya has thrown off Dazai before and done what he didn't expect him to.
Which is nifty, because Dazai and Fyodor think a lot alike. Chuuya is in a unique position to thwart Dostoevsky because he may actually be able to predict him to a degree. Chuuya can absolutely land a victory against him, and it's excellent because it would be completely unexpected to Fyodor, who apparently thinks Chuuya's strength lies only in what his ability has to offer and not much else.
But listen. This also can't be skk's plan. I need Chuuya to sideline both of them. Both for the sweet, sweet catharsis of putting those two idiot geniuses in their places and also because I need Dazai to have screwed up. He wasn't wrong about people making their own choices in uncertainty. People need to assert their autonomy to create change. Dazai can't be wrong in this regard.
But with going ahead with the trap to drown Fyodor despite also having to drown Chuuya when he promised not to let him get killed... this needs to have been a mistake, otherwise the value of Dazai's emotional speech to him is diminished.
I want Dazai to try to laugh it off. I want him to say he always knew Chuuya would escape and then for Chuuya to deck him because "no, the fuck you didn't".
I really think Dazai hoped Chuuya would make it. Do remember that Chuuya was one of the first reasons young Dazai decided to try giving life a chance. The fact that he flashbacked to all his key memories with Chuuya says a lot. But his survival was no guarantee and it seemed very unlikely.
So, Chuuya is faced with the fact that Dazai nearly sacrificed him to kill Dostoevsky and save his new Agency friends.
And I hope he finally gets mad. I hope he finally expresses hurt on his own behalf for once. I hope they are forced to break their status quo that they have carefully maintained by not talking about anything ever. I hope they are pushed to uncomfortable places and that it is Chuuya who finally spurs this development.
Let Chuuya break the stalemate between Dazai and Dostoevsky. Let him shatter the status quo that him and Dazai have kept going for year after year.
Autonomous action in the face of uncertainty is necessary for change.
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I have spent so much time thinking about the miss holloway musical WHICH THEY HAVE ALREADY WRITTEN and I need to spill my thoughts about it
there is no point or end to this it’s just a brain fart of all the thoughts I’ve been having so enjoy I guess lmfao
“backstory”. it will be about her backstory. was she an 80’s music star who sold her mortal life for fame in a deal that backfired on her?? or was she a woman with the gift about to be hanged by the hatchet men who saved herself by making that same deal?? HOW FAR BACK DOES THIS GO IS WHAT IM ASKING WE KNOW FUCK ALL ABOUT THIS WOMAN
if it’s the former, I would love to maybe have mariah as casey (the girl with the gift in the witchwood who asked for her autograph) be an actual character who holloway maybe tries to help. also kim singing 80’s songs fuck yeah
and if it’s the latter then,,, oh wow. some heavy musical numbers, a shitload of hatchetmen / church of the starry children lore, and maybe another form of the lords in black (maybe the creepy hooded figures that we see drawn in the black book???)
also sorry EDIT I just looked at this picture again and the middle one (probably wiggly) is holding a knife. there’s no fucking way that’s not the black blade this is absolutely miss holloway guys omggggg
I would love to see this scene on stage with kim!!!! this would make 5 different forms of the LIB that we’ve seen / heard about (dolls, teens / humans, their true forms, wiggly in made in america, and whatever this is). I’m just imagining you see these black hooded figures, and then in the pro-shot you get a good look inside their hoods… and their faces are NOT human. like just imagine a massive purple eye staring out of one of those hoods, maybe even moving and blinking, a cool animatronic thing. SO CREEPY!! I also love the idea of switching up the actors again - I love jon so much as wiggly and I don’t think they would change him bc of his voice, but with the rest of them I think any actor can play a LIB which opens up so many possibilities…
I also would love to know how miss holloway met duke, and potentially even how many times they have met and then he had to forget her. considering the fact that we now have weird lore about his dad in 2005, did she know duke when he was younger?? did she help him out when he was a teenager, or help his dad?? is it a family thing, like she’s vowed to watch over the keane family or something??
duke’s dad is a big part of this tbh, because what a random insane lore / backstory drop, like WHAT? I genuinely have no idea what douglas keane sr’s murder could be about, except that it ties in to duke and to wilbur. and shows that 2005 is SO DAMN IMPORTANT
2005 was the year hannah was born, the year the portal to the black and white was created, the year wilbur cross went insane and became a disciple of the LIB, the year miss holloway took on the mantle of “miss holloway”, and (very likely) the year miss holloway and wilbur fought. so i think it’s safe to say that the musical itself will be set in 2005, which to me means macnamara and wilbur backstory alongside holloway and duke, which is very very fun
I like the idea that wilbur and macnamara were canonically together, and I really want to see pre-LIB wilbur. I also love the idea of macnamara and holloway working together or even becoming friends - despite being set a decade and a half before nightmare time, it would feel like the culmination of the two hanging plot threads / overarching arcs to me. also the idea that it was holloway who introduced macnamara to the paranormal and therefore essentially set up PEIP and doomed wiley is some juicy stuff that I would LOVE to see, especially if either macnamara or wiley lived in hatchetfield as kids and miss holloway helped them, inspiring whichever one of them to set up PEIP
ok so leading off of that I have a clear vision of a potential final scene that is driving me insane, and that’s the main reason why I patched together this post.
the final scene is the fight between miss holloway and wilbur, the one that happens in every single timeline.
and the basic idea is that we see both fights at once. there’s a song, and the stage is like black friday and spies are forever, with a level above the stage the actors can walk up to and stand on. joey and kim sing, and do their bit on the stage, but above the stage there are either doubles or a projection, mirroring the choreography. only in the pro-shot version, they would splice in joey and kim playing both pairs, which I just think would turn out looking really awesome despite being tricky to pull off live.
and yeah basically at the exact same time, one wilbur stabs holloway, and the other holloway stabs wilbur, creating a gorgeous visual representation of the newly splintered timelines.
either that or they do a trail to oregon and just do a different ending each night, and then splice them together in the pro-shot like I was saying. but I personally prefer the first one, if they’re able to pull it off and make it look good
and duke shows up just after that, having followed miss holloway throughout the story so far. and in the universe where wilbur’s dead, miss holloway makes him forget it all, hence this being the year that she takes on the new name and the fact that we know he has forgotten about her / her true past before. and then in the universe where holloway is dead, he holds her as she dies in his arms. bonus points if we get dying holloway saying “please don’t forget me” and living holloway saying “you have to forget me”. oh and just to be cruel, both dukes saying “I could never forget you” at the same time :) stew on that for a bit. yeah. fuck you I guess lol I woke up and chose violence today apparently
the idea of the two of them finding each other again after that in some timelines is just gorgeous to me, especially given the fact that NMT3 seems to suggest them finding each other AGAIN after she needs to make him forget. truly star crossed lovers they are so insane for this
in summary I guess what I’m trying to say is I think it will include miss holloway’s full backstory and then be mostly set in 2005, and centre around the opening of the black and white portal (macnamara and wilbur), miss holloway meeting duke (wilbur murdering duke’s dad, possibly something with lex and hannah if duke was already a social worker) and eventually the big fight between holloway and wilbur, ending in the audience seeing both potential endings. also obviously a reference to hannah’s birth because that seemed to be some kind of catalyst. thank you for coming to my utterly deranged ted talk goodbye
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