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#at least then i'll have tried
amateuraspect · 1 year
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Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away.
Bojack Horseman, S5:E6 - Free Churro
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stevebabey · 1 year
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not if it’s you.
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word count: 7k summary: After the events at Starcourt Mall, you have a hard time convincing Steve that he’s allowed to be not okay. You want to take care of him. And if you harbour some more-than-friends feelings at the same time? Well, that’s nobody’s business but yours. [angst + hurt/comfort + friends to lovers]
You’re bone-deep tired.
The red and blue lights of the ambulance feel branded onto the inside of your eyelids, there even when your tired eyes slide shut. The cool metal on the ambulance door soothes your forehead and for a moment, head tilted against it, you could honestly just sleep even with all the noise.
It’s been a hell of a night.
You blink. You need to keep yourself awake, you’re not home yet. Gazing blankly across the crowded parking lot, reporters and townspeople milling between the yellow police tape, you can feel your brain begin to try to grapple with all the events of the night.
It’s like some warped horror flick of memories, parts of the film blacked out that you can’t quite recall. The elevator, the Russians, and some god-awful melted monster of people — even in your mind the image makes you shudder.
The longer you think about it, the more it feels like the stress is fusing with your bones, attaching itself to every cell in your body. It makes you shake, a forceful twitch of your head to put all the thoughts to rest.
Process it later. Make sure you can stay stitched together physically tonight. You must look a tad loony from the outside, twitching and shaking, but considering your night it’s more than warranted.
The gash on your arm is the worst of your injuries. A jagged stretch of torn skin that was gifted by one of the Russian soldiers who had hoped it would loosen your tongue. And when that didn’t work, the pliers nearly had — you would’ve told them anything when they took them out and lined it up with one of your fingernails.
But Steve then had done something stupid — kicked to get a guard’s attention since his yelling obviously hadn’t made a difference, let one of them lean down real close, and then headbutted him with all his might.
Relief had shocked your system, some broken cry as you slumped over when the pliers moved away. Fingers saved, if only briefly.
It had all turned to dread when they had lugged him out of his chair, preparing for round two of questioning. You had felt it then, a twisted gurgle of emotion lurched up your throat — violent enough it might have made you sick if you had managed to open your mouth. You hadn’t. There was a chance you would’ve said something worse, some jumble of feelings that wouldn’t have helped.
So, you had bit your tongue. Tasted blood and pretended that closing your eyes meant you couldn’t hear Steve pleading in the room over.
He hasn’t said much since the two of you had been sat in the back of the ambulance, gloved hands of the paramedics roaming over skin to find and treat injuries. There’s just one guy left now, still hovering around Steve with a flashlight and treating him with much less care than you’d like.
Steve looks as tired as you feel and when he can’t focus enough to look ahead, the paramedic prods his cheek unkindly. Steve winces.
“Hey,” you snip, cutting into the interaction. “Are you done? Can we go home?”
The paramedic turns the flashlight on you, blinding you for a moment. It confirms your asshole hypothesis of his character and you cringe at the brightness. It’s gone in the next moment, finally clicked off. He observes you both for another moment before an annoyed drawl comes out.
“Yeah, scram. But first you,” He jabs a finger at Steve who blinks but doesn’t react. “Lots of rest. No big brain work, no alcohol, and don’t run any marathons or anything.”
Steve nods, then grimaces at the pain the movement causes. You can’t help the wrinkle in your brow as you watch - you startle a bit when the paramedic turns his pointed finger on you.
“And you. His pupils are still dilated so keep an eye for seizure symptoms. Wake him every couple of hours and get a CT scan tomorrow.”
Some part of you is perturbed that he’s put you in charge of taking care of Steve. Another part gleans and blushes because you’d accepted the task the moment he’d asked, without question.
“Tomorrow?” You ask hotly, at the same time Steve says, “I’ll be fine on my own.”
The paramedic shakes his head, tsking as if you’re bothersome school-children not patients, and steps back with his hands raised. “Figure it out, I don’t care. I’ve got a dozen other people to check over.”
He winds around the door of the ambulance and leaves the both of you alone. A cool wind skirts through the parking lot, ruffling your hair. A sigh wrestles out your chest, a pathetic attempt to alleviate the tightness in your chest.
You don’t think you’ve ever hated the colours blue and red more than right now. The blazing colours atop police cars that flood the parking lot, the colours of Steve’s Scoops uniform, the colour of blood seeping into your pale blue shirt.
If you squint, you can see your own car parked alongside Steve’s in the distance — it feels like a lifetime ago when you had driven in and parked up. Your keys are lost down, down below you, taken in the interrogation. You stand to shake off that train of thought. 
You turn back and offer your hand out to Steve. After all the blows he’s taken tonight, you desperately want to offer him kindness. Offer him a touch that doesn’t hurt, doesn’t make him flinch or wince. Steve stares at your hand for a long moment, eyes contemplating — and then puts his in yours.
He lets you pull him to his feet.
One of the police cruisers takes you to Loch Nora, Steve and you tucked away in the backseat. His hand is still in yours, barely holding it in his tiredness; when the car rounds a corner though, you can feel his fingers clench tighter so your hand doesn’t slip away.
They detach eventually when the wheels roll up on the curb outside Steve’s house, late in the night. Like the rest of the sleeping houses, the lights are all off. There are no cars in the driveway. The loneliness of it yawns out down the drive, like visible smoke plumes that escape every window.
Steve somehow looks tenser at seeing it; he still forces himself out of the car, bloody sneakers scraping against the gravel. You follow. It aches to move too much, even just shuffling out of the car feels like moving a mountain. The door clips closed quietly behind you. You hear the engine fade back down the road.
Steve is still stuck in place — you have a feeling he’s not looking at the house at all but stuck in thought, looking through the timber and paint and seeing all the horrors of the night. You step up beside him and gingerly reattach your hands.
It seems to surprise him, jumping ever so slightly at the touch and turning to look at you. “I didn’t...”
I didn’t think you’d stay. The sentence dies in his throat, a little embarrassed by how relieved he is that you’ve stayed with him - so much it shows in the quiver in his voice. Steve doesn’t finish it because then you’ll hear the other part of the sentence, even without him saying it. No one stays.
“C’mon,” you urge him to walk with you, beginning to drift up the driveway.
There’s no rush, you’ll wait as long as he needs to before moving, but it’s colder out tonight. Maybe it just feels that way with all your tiredness, the frostiness nipping at your skin. All your energy is focused on staying on your feet, on helping Steve. There’s none left to keep you warm.
He ambles after you like walking is an afterthought and following you is the priority. His sneakers drag, soft scraping noises with every step. You can feel his gaze burning into the back of your head, his fingers squeezing as if he’s checking you’re really still here with him.
The front door is unlocked and it’s only when it snicks shut behind you, do you wonder if you’ve overstepped. It’s awkward, but only a bit. You’ve been in Steve’s house before — though, who hadn’t with all his parties in sophomore year?
But not quite like this. Not just the two of you, and never holding his hand.
The events that had transpired last fall in Hawkins had thrown Steve into your life, along with a dizzying revelation of new dimensions and an unsettling truth about monsters that came right out of your nightmares.
Though, maybe it made more sense to say you were thrown into Steve’s life. You had always known of him - he couldn’t say the same about you.
Like the hoards, freshmen you had not been immune to the boyishly good looks and charismatic nature of Steve Harrington. Once upon a time, before someone called him King Steve and it stuck, there had been a crush.
But like red wine on white linen, with time — and plenty of distance — it had faded.
Not even the adventure that bound you two together, the tunnels that snaked beneath Hawkins and your shaky hands lugging him into the car, had been enough to reignite old affections. Not his insistence on you leaving the tunnels first, not even the way he clutched you when you all made it out. Not unscathed, but alive.
Pitifully, it had been his shoddy attempts at flirting in his ridiculous sailor uniform to kick-start your heart back up.
You had sighed, chin in hand, and leaned into the foolish feelings — because going crazy over a boy felt the most normal thing you could do. And after demodogs and slithering vines kept creeping from the past into your slumbers, normal was all you wanted.
But Steve needed you as a friend, more so considering his fallout with Tommy H and Carol had become permanent. He flirted with customers, every girl you’d recognised from your year, but never you.
It felt a good enough reason to bite your tongue. Keep him close, but never as close as you’d like.
But now you’ve done it again — been pulled along on another adventure that’s brimming with terrors that will take years to forget.
Everything feels worse this time round, a decay that ebbs away your hope. It’s somehow harder to heal from wounds that come from evil, but not the supernatural. It’s all the heavier when the boy who holds your heart made himself a punching bag so you didn’t get hurt. 
The warmth of his hand, squeezing for only a moment, brings you back to the present. To now, still standing in the entryway to Steve’s house. You blink, coming back to yourself, and turn back to him. There’s a crinkle between his brow, and worry washed across his features.
“Are you okay?” He asks it tentatively like he’s afraid to spook you. It sends a rush to your system, a pleasant throb in your chest. You can’t deny you like knowing he worries. That he cares.
“Yeah,” you croak out, nodding as you speak. “Do you— I mean, you don’t mind me staying, do you?” 
Suddenly, the potential embarrassment of inviting yourself in, even with the good intentions of taking care of Steve, is overwhelming. The next words tumble out without thought.
“I just, I don’t want to be alone right now.” It’s a bit hurried, tinged with nervousness. You stammer. “And I don’t want you to be alone right now.”
Something like pure affection blooms in Steve’s chest at your words, the heat of it stealing his breath and pain for just a moment. It’s a different sort of ache in between his ribs, something white-hot and pure.
He hadn’t been able to voice his relief when you’d gotten out of the car and stayed with him — and it fails him now at your admittance.
You don’t want to be alone. You don’t want him to be alone.
Steve doesn’t think he’s deserving of your good will, nor the kindness in every touch. He can’t help how he consumes it greedily, drinks in the touches like he knows it’ll be taken from him soon enough. His eyes stay fixed on you.
There’s something so alluring about your silhouette, the golden street light let in through slits in the door. It halos you, soft amber that softens every curve. You’re enchanting, even when bloodied.
Steve’s not sure his heart has felt like this before — so molten hot, valves working overtime, ribbons of affection tied tight across his chest. He’s sure they’ll leave scorch marks, testimonies to his bleeding heart that pulses with each beat for you, for you, for you.
Because you’re still here and something in his trodden on heart perks up before he remembers to crush it. It’s not that Steve has never thought of you as more — god, the mere thought of you as more to him.
More than a friend, more than this, it’s enough to make his head spin. To make his hands shake and return a nervousness to his system he hasn’t felt since sophomore year when he first laid eyes on Nancy Wheeler.
But you’re not Nancy. In the best way, that makes all the difference,
You were some breath of fresh air, bursting into his life in all the middle of his estranged drawn out break-up with Nancy — brash in all the right ways, kind when he needed, and far too soft to be tangled up in any of this mess.
You’re still too soft for it now, and it shows in the jagged cut torn into the fabric of your skin — it doesn’t matter how it happened, Steve still feels like it’s his fault. It’ll scar, red puckered skin that twists down the expanse of your shoulder. A living reminder of the night burned into you to carry forever.  
It hurts Steve maybe more than he’s warranted to. You’re both just friends.
But when Steve thinks of how he’s accidentally pulled you too close, put you first in the heart, it aches evermore.
He’s not sure when you went from barely a friend to this — you’re a crush, an Achilles heel, the unattainable from the moment he met you, the moment he knew you. Steve feels like he’s been building himself towards you, pushing his growth to aim for anywhere near enough for you. You’ve been too good for him from the start.
It doesn’t stop him from loving you.
Steve realises after a moment that he hasn’t said anything when your fingers start to slip from his. His grip tightens to keep your hand in his.
“No, I— Stay. I...” It’s a struggle to say it, too many years of suppressing any urge to ask for comfort. “I don’t want to be alone, either. Or for you to be. Stay.”
Your lips, chapped and still with a hint of blood, twitch into somewhat a smile. “Okay.”
This time it’s Steve who drags you along, both slowly moving up the stairs. Each step threatens to reopen the scabs that have only just begun to form. It’s like some micro-dose of torture, Steve thinks, hearing your winces behind him.
The fluorescence of the bathroom lights is bright enough to make your eyes fly shut. Steve’s braver, taking only a moment to pause. He ignores how the lights dance, a sickening comparison to his experience with the drugs that had barely left his system. Though it’s the last thing he wants, Steve drops your hand to begin his search.
When your eyes blink open, prepared to face the lights, you’re a bit perplexed to see Steve hunting through the linen cupboard. He produces a towel, white and fluffy.
You cringe internally at the thought of sullying the pale colour with blood but it’s but a blip in tonight’s problems. Besides, the Harrington’s could certainly afford to replace it.
“Here.” Steve murmurs. You both seem to have agreed to keep softly spoken for the night.
He presses the cotton into your hands as he walks, ready to shoulder out and take care of himself. There was an en-suite in his own room — and sure, it would hurt like hell rinsing his wounds but he’d done it last year. Blasted the heat so he was wincing at the burn atop his skin and not the ache underneath it. 
“Steve?” You question, turning and halting his feet. He pauses, confused by the questioning expression on your face. He gestures to the shower, hiding how the movement makes his ribs sting painfully.
“You can shower here and- and the guest room’s all made up.” The words trip a bit on the way out, weakness beginning to weigh on his voice.
Somehow being back home crumbles his walls sooner than he’d like. Tonight has been heavy, a burden that lies thick on his shoulders and creeps down, taking root in his muscles.
But Steve will do what he had done last year; take the punches, burn them off in the heat of the shower — hot enough that he can’t feel any tears — and then deal with it.
“No, s’not that.” You shake your head, a strand of hair coming loose. “I... What about you?”
What about all the blood? The bruises and cuts? You’d seen the scars littered on the skin of his face from Billy, cuts that had healed wrong and left marred skin. Wounds left uncared for, only healed with time.
The question only begs more confusion from Steve. He gestures to somewhere behind him as he says, “There’s another shower, don’t worry.”
He pulls a smile to ease you. It wobbles at the ends of his mouth. Something claws into your heart, a profound heartache at the thought it doesn’t even occur to Steve to take care of himself.
“Steve,” you begin, beginning to get a sense of the wall you’re encountering.
Steve Harrington has some very thick defenses and not without good reason; they’ve got him through some treacherous times. Even now, he uses it like a crutch, a seal to hide away horrid memories. Ignored in favour of temporary strength. 
You don’t need his display of strength — you’re not one of the kids that needs to be shielded from the reality that even Steve has a breaking point — certainly not when his state is far worse than your own.
But you have a feeling he doesn’t know how to switch it off. Steve doesn’t seem to understand what you mean when you say you don’t want him to be alone. 
“Steve, you’re not okay.”
“I’m- I’ve done this before, alright?” He insists, eyes darting between yours, features turning stonier. You can see his defensiveness begin to curl his shoulders in. “I’m alright, I promise.”
“Are you?” You say, not unkind. “Tonight was— Steve, you were tortured.”
The effect of your words is instantaneous. Steve’s face falters, his icy expression dissolving with a shudder he can’t stop. You watch it warp him painfully, jaw clenching and eyes misty; he blinks furiously to clear them. You continue.
“You can’t just- just bounce back from that. Nobody can.” You shake your head as if it proves your point. “It doesn’t matter if you’ve done this before, this— this is a lot for anyone, even—”
“Well then, why are you still here, huh!” His words interrupt your own, tone angrier than you’re expecting. “If this is so much!”
His chest rises and falls quickly, brows draw together like it hurts to breathe so harshly. The words don’t sting, but his tone does. You reel in your hurt and focus past his anger, focus on what it really is.
A final line of defense. A ploy to make you upset or angry, to make you emotional enough to storm out and leave him to lick his wounds alone. Another way to ignore it, compartmentalize what happened instead of facing it head on.
Maybe it’s cruel of you to make him deal with it so soon. But you care, too much to pretend to ignore his pain. 
“Steve.”
“Don’t.” It wobbles, voice weak. His anger has already drained away in a moment.
“You’re not alright,” you insist, voice barely above a whisper. “C’mere.”
You don’t give him a choice, your free hand reaching out to snag his own, which hangs loose at his side.
Steve stumbles forward as you tug him back into the bathroom. Without his anger, he’s pliant and goes without protest. Your gentle fingers on his chest nudge him in the direction of the sink, the cool porcelain pressing through the back of his soiled Scoops top.
“Can you do something for me? Can you...” You bite your already bloody lip, nervousness sketched across your features.
How can you say this without giving too much away? It feels too intimate, like flying too close to the sun, well within the realm of potentially hurting your own feelings. You’ll do it for him gladly. 
“Can you just...let me take care of you?”
It hurts like a sucker punch to the gut. Like a breath has been forced out of his chest, because when was the last time someone has asked him that?
Silence stains the air.
“It won’t be pretty.” He croaks finally, still giving you an easy out. Still prepared to spare you the ugliness of his emotions.
“Doesn’t matter to me,” You respond, lips twitching. You bare your heart and half hope he sees it — sees it and knows he’s loved when you say, “Not if it’s you.”
Another beat of quiet.
“Okay.” Steve breathes, so faintly you barely hear it. Then as if you’ll rescind the offer any moment, he nods fervently.
Your smile is genuine, maybe the first in hours and something in you relaxes. He won’t fight you on this. He may have taken the beating earlier for you but, at the very least, you can do your best to patch him back up — let your hidden feelings translate into a gentleness he so very deserves.
It takes only a quick rummage beneath the sink to find a first-aid kit. It feels wildly underprepared; an afterthought purchase once upon a time that was only ever intended for scraped knees. It hasn’t ever been opened. The tear of the zipper is the only noise in the bathroom, bouncing off the tiles.
As expected, there’s not much in it. It contains a box of plasters in multiple sizes, one roll of gauze, a bottle of antiseptic, and a mixture of other pills and eye drops.
Some loose safety pins rattle around in the bottom as you take inventory. It’s not stellar and you’re no doctor, but it’ll do. It has to do.
When you finally look up, wondering where to begin on his injuries, Steve is regarding you with a look you can’t quite name.
If you were sure of yourself, you might call it awe.
You tell yourself it’s because you’re here, helping him, and it can be awfully easy to mix up feelings when you’re getting stitched up. You don’t let your hopes rise, not even for a moment.
Steve’s blood sings, ears rushing with the sound of it when you step closer. You’re so damn close. Steve can’t ignore the scent that carries with you, his brain involuntarily committing each detail of you that he can get to memory - lest he never gets you this close again.
You want to take care of him; Steve thinks this might be a dream.
Nimble fingers work to gather some cotton with antiseptic and then you’re holding it up, posed, and ready to mend.
“Can you sit up on the counter?” You ask, all sweetness. Steve obliges easily, despite the protests from his sore body that cries out as he shifts up. You smile, then warn, “This might sting.”
It’s overwhelming as you step closer, between his legs, and take the cotton to his face with a gentleness Steve hasn’t felt in years. His eyes close instinctively.
It does sting. The wince leaks out through his clenched teeth, soothed instantly by your soft apologies that pour out like honey.
For a moment, it’s easier this way; with his eyes closed, Steve can pretend this is usual. That when he gets roughed around, there’s someone to tend and clean his wounds — instead of just himself and the harsh rinse of the hot shower.
He tries and fails not to think of last year, his poor attempts to patch himself up. Hands too shaky, touch too rough.
The memory bites. The injuries of tonight somehow feel worse. A tinge of bile taints his mouth and Steve swallows it back down, concentrating on you.
You’re not quite humming but soothing noises, low and soft, come from your throat. Steve’s not even sure you know you’re doing it. His hands clench emptily as his side — the split knuckles make them hurt and when you’re this close, the itch to hold you is near unbearable.
It doesn’t take long for the first cotton pad to turn a violent shade of pink. Steve’s face looks a tad clearer than before but uncovering old blood means finding new wounds.
Your stomach burns pitifully as you take them all in. There are too many to count, a thousand different hues — broken blood vessels that run in all directions, little labyrinths under his skin.
Why does it hurt so much? Even with your bound shoulder that still sends out pain with every motion, it all dulls away when you look at Steve. Lashes fluttering, eyes still closed, marred with wounds you’re begging to ease. You know it hurts so much because you care.
Love is pain, you suppose, with only a twinge of bitterness. It’s swallowed instantly, consumed and disintegrated by the fact you get this. The boy you love, between both palms, trusting you to take care of him.
A year ago, you’d met only the steely exterior he’d put up — and thought it had simply been remnants of King Steve. Maybe Steve Harrington was as much of an asshole as half the town said.
He was all bite, glowers, and clipped answers. With time though, he’d softened like snow melting in the sun; all the parts of him trickling into your life until he was cemented by your side. 
He hadn’t even let you patch him up after the scrap with Billy that had taken him out. You hadn’t felt you could ask.
But this time...your throat grows a bit thicker at the trust that binds the pair of you. Affection rushes your system and forces a sharp inhale from your lungs. You step back.
The space makes it easier to breathe. Dials down the chances of pressing your lips against his skin — if only to give him a mark born of love. Hands searching through the first-aid kit again, you produce some painkillers and locate an arnica pill.
You give yourself one more moment; inhale and withhold the tidal wave of devotion that begs to spill from within you.
“Take these, please.” You say quietly, uncurling one of his fists to press the pills into. He swallows them dry.
You prep more cotton and begin again with the gentle touches, coaxing off dried blood. This time, Steve’s eyes stay open. He watches you, an unreadable emotion in his eyes.
You work away the blood from a cut above his eyebrow and when it’s clean, your thumb follows. You caress along the broken skin as if you could meld it back together with pure will.
Steve’s chest grows tight. Something about you being here, taking care of him makes the night’s memories all too present. Nausea sways in his gut. It’s impossible to shove them to the back, to press them down, when it feels like each cut is being reopened. Cleansed with a douse of love.
You’re altering the history of each wound but to do so, he has to recall how each of them was carved into his skin. It hurts. Why are you still here?
Steve’s head pulls back unexpectedly, eyes shuttering closed in a scrunched expression. You startle a bit.
“Shit, I’m sorry — too harsh?”
He makes a strained noise, effectively gutting you with it. If you weren’t so close — an inch further and you could press your forehead to his — you wouldn’t hear it. Hear the tiny whisper that scratches out the word, “Why?”
“What?” You whisper. You don’t understand.
“Why...Why are you...?” He’s clearly struggling to find the words he wants. His hand reaches up, fingers brushing the bridge of his nose before he drops it again. His chin quivers. It stops your heart for a moment to realise he’s crying.
“I don’t— I don’t understand.” Steve grinds the words out, voice thick. A tear splatters, seeping into the blue of his uniform. He won’t look at you, eyes trained on the loose thread on his shorts.
“Steve?” you murmur, wary and heavy with concern. This is— you don’t know what this is.
“I don’t understand.” He repeats, shaking his head slightly. He seems to choke on the next words. “You’re still here. Why are you...? Everybody...”
He trails off, some whimper of sorts forcing its way out his throat. You’re stuck, absorbing each of his words and putting together the pattern that Steve can’t seem to voice. I don’t understand. You’re still here. Why are you...? Everybody... Everybody leaves. 
Oh.
Rich King Steve who’s got it all. The house, the car, and any girl he fancies, all of them fawning for a look from him at one of his legendary parties.
His lack of parental supervision had been lusted over in high school, furious whispers of envy over the fact he could get away with parties every weekend. That booze went missing and he never seemed to catch any shit for it. It occurs to you now that nobody was around to notice.
The absence in his life is vast and suddenly blindingly obvious — a chasm in his chest that is bleeding all his secrets to you.
Steve Harrington is lonely.
When you surge forward, injuries be damned, and your arms loop around his neck, there’s a moment of stillness. You can feel the tension in his muscles, hear his ragged inhale, and then— he sags into you, finally, finally letting himself lean on someone else.
His arms wind around your middle in a desperate motion, tugging you closer and the fabric of your shirt clenches between his fingers. His face buries in your neck and hot wet tears soak the collar of your shirt. You can hear his raspy noises, soft cries as he clings to you like a lifeline.
“Why did this happen to me?”
It fucking hurts to hear. You don’t know how to tell him there’s no why — that there is no reason that can justify why he’s gone through this much suffering. Just the bitter fact that, sometimes, bad things happen to good people.
“Steve,” you feel like you’re saying his name an awful lot tonight. You say it because you can’t begin to think of how to answer his heartbreaking question. “I—“
“I-I used to think,” The words are muffled into your neck. His grip on you is nearly tight enough to hurt but you don’t dare relent any space. His voice is barely above a whisper, just loud enough to hear. “That- that it was like karma, yanno?”
“Steve, no,” you whisper, horrified. If he hears you, he doesn’t show. 
“B-Because that first time,” He’s stuck on some belittling ramble about himself, continuing between his sniffs. “I definitely deserved it. But then I grew and I changed.”
Something twists painfully in your stomach.
“And then last year, it made sense, yeah? Billy, he was— a real piece of work.” He sniffs again, his voice a little harder at the mention of the deceased.
The tension falls away at the next sentence, voice wobbling through the thickness in his throat. “And I used to be like that, so—“
You pull back instantly, hands shifting back from around his neck. It effectively halts him, and whatever he was saying dies in his throat. Your hands move to cradle his jaw and, as lightly as you can with his injuries, you tug him from his hiding place and stare him in the face.
Steve’s eyes look bigger and browner full of tears. His nose is red, just the tip, and runs messily at the onslaught of tears. Pink splotches bloom underneath his cheeks, patchy and warm, his face etched in complete misery.
It wrecks you to see. More so to think he’s been shouldering all this alone since ‘83.
“People don’t deserve suffering, Steve.” You state it strongly enough that he can’t refute the truth, punctuating with your thumbs on either cheek, pressing light touches.
“You don’t deserve suffering. You never did.” Your voice quivers a bit, some shred of your heart shriveling pathetically at the fact you even need to tell him this. Your hands shake ever-so-slightly. A hot tear streaks down your cheek.
Steve crumbles. You don’t resist when he drops his head down, only move back in— offering a place to hide away again. You let him stay hidden away, a sanctuary in your arms, safe when he’s buried in the curve of your neck.
“And- and just ‘cause,” you say, sniffling a bit now. He holds his breath, a sharp inhale that quietens his whimpering crying. “Just ‘cause no one has stayed before doesn’t mean you don’t deserve this, Steve.”
His fingers press harsher into your back and your feet stumble a bit, pulled off balance. Adjusting your arms, you pull him tighter yet, hoping that the closeness will make all your sentiments seep in. Your shoulder aches terribly; you don’t dare move away.
“You know that, right?” You whisper, unable to stop your fingers from grazing the nape of his neck softly. “You deserve to be taken care of.”
A soft kiss to the side of his head, barely noticeable between his shakes, but it eases the strain on your heart. Time wanes and melts beneath the glow of the bathroom lights, an unending amount of tears that you suspect reach back further than just the memories of tonight.
You stay like this, holding him close. You give him all the time he needs, sweet nothings mumbled until he feels strong enough to face you— to face the world.
Eventually, Steve’s breathing slows, crying turning to trembling gasps. When he finally does retreat, you curse internally because of course, only Steve Harrington can still look devastatingly beautiful after crying.
Tears cling to his lashes, sparkling reflections. He wipes his nose on the back of his hand.
Silence ebbs. Steve gathers himself, another sniff, and wipes his nose before he lifts his head. You can see in his face the moment he’s about to apologise; the word sorry is about to come tripping out his mouth. You beat him to it.
“I’m sorry to inspire more tears,” Your voice, still quiet, aims for a comforting jest. “But I’m not quite done cleaning you up.”
You twist the cotton between your fingers to show him. Steve blinks, eyes focusing on your hand, perhaps surprised you’re still taking care of him. He forgets about his needless apologies. 
“Though, your tears did a lot of the work.” You say cheekily, a smile teasing at the edges of your lips. It makes him huff a laugh. Steve could nearly cry again; you’re so nice. He thinks about the last time cried, thinks about Tommy’s sneer, his scoffed words that told him toughen up, King Steve.
He lets you wipe them away, clear his face and patch it up as best you can. Any tension from before, the mental barb-wire defenses he had still held up to keep you out, has ebbed away. It’s softer now, easier between you two.
Trust flows from Steve in the form of his allowance, letting you fuss. It flows from you in the form of your touch, which still dances too close for just friends. You let your fingers dot the kisses across his face since you can’t.  
“You’re good at this,” Steve murmurs, breaking the silence. He allows himself the privilege of your touch, his fingers burning where they graze your sides.
Patching people up? Injuries from last year made sure you got decent practice on yourself. You’re decent, you’ll admit.
Maybe he means taking care of him. You’re proving to be very good at that. 
You want to. Somewhere rooted in feelings that sway closer to love, genuine love, is the urge to be the one who does it. The shoulder to cry on, the one who carries his woes when it gets too much — and you want him to do the same for you. Achingly, you want to take care of him; and him, you.
The thought burns so viciously through your chest, you sink your teeth into your bottom lip a bit meanly. It stings.
You don’t notice it, trying to rein in your drifting heart that sings to be closer to him, but Steve does. His fingers twitch; he wants to rescue it, pull it from your harsh grip with his thumb.
He does.
You stop moving.
His thumb is calloused, a bit rough against the supple plumpness of your bottom lip. The blood beneath it tingles, gloriously hot at the attention. Either all the air in the room has been sucked out or you’ve stopped breathing.
You’d hazard a guess it’s the second, given the stillness your body has taken on. Muscles locked, eyes frozen on his face — the only part of you that moves is your heart, thundering pumps going far too fast.
Steve’s gaze stays on his thumb on your lip. You’re desperate to find out what to call the emotion swimming in his eyes.
“Steve?” you say his name yet again, lips moving against his thumb. He blinks like a frog, one eye after the other, and drags his gaze up to your eyes.
His hand shifts, brushing across your mouth to hold the side of your jaw, cupping it sweetly. The cotton falls from your grip as Steve urges you closer with a gentle tug.
Then his eyes are back on your lips and even though it feels like slicing your own heart open to do it, you speak before he can kiss you.
“Please don’t,” you whisper, eyes crushing closed.
You want to terribly. The want for his kiss warbles from deep within you, a yawning ache. But it might just finish you off if it’s all heat of the moment — a kiss that is just some twisted thank-you because Steve isn’t used to being taken care of.
You clear your throat, swallowing heavily. “Not— not if it’s just for tonight. Not just because I stayed, please.”
There’s a pause. His shaky exhale breezes across your face. It’s possible your ears might be ringing as if straining to hear the sound of Steve’s heart— dying for a clue to what he’s feeling. You’re not brave enough to open your eyes and read it in his face.
His thumb scrapes across your bottom lip again and then— then, he kisses you, impossibly tender.
The tiny gasp that escapes you is consumed instantly, swallowed up by Steve’s kiss. He kisses gentle, touch so soft that it has you searching for more the moment you’ve got a taste of it.
You barely get a moment to lean into it, to kiss him back before Steve breaks it. He hovers close, close enough that you could steal another taste of his lips if you wanted. You want to— the ferocity of your eagerness sends a shiver along your spine. He speaks before you seize the opportunity.
“I want to.” He says, voice a bit raspy and the words inspire enough bravery to look at him, eyes creasing open. “I- I’ve wanted to for a while.”
You nearly sink in your relief, knees trembling for a moment as your hand comes up to enclose the wrist of the hand that holds your face. Thumb sweeping short strokes, you clutch the tan skin and lean into his caress.
“You mean it?” You whisper, far too excited. Your heart may as well be on your sleeve, cards once played close to your chest now splayed on the table. Your tone reveals all, spilling with hope, even as you ask whether it means the same to him as it does to you.
Yes. The word seems stuck in his throat, suddenly too thick to speak. Because it’s only three letters and that can’t possibly cover what Steve means when he says I’ve wanted to for a while.
That you’d somehow snuck into his life and intertwined among all of his heartstrings, like spun gold mixing until the whole organ felt terribly tangled in a way he’d never want to change.
Nancy had given him the thump of his head.
But you? You were the thump on his heart. Not a push for change, nor for growth — but permission to grant himself a second chance in love.
“I mean it.” He says, emotion coating each word. “Yes, god, I really mean it.”
And you let him tell you over and over again with his mouth pressed to yours, searing kisses that make your head dizzy and pulse speed.
Steve knows he’s not alright — not physically or mentally after what he’s faced tonight, not with the vice grip on his chest that had clung tightly and all the ugly parts of him had all slithered out for you to see.
He also knows that he will be alright, sometime in the far future.
When wounds have healed, when scars are beginning to fade, and the nightmares start being every couple of nights, instead of every night, then he’ll be nearly okay. It’ll take time, lots of it.
But when your gentle hands coax him to bed and you slip beneath the covers beside him, leaving a warm quick kiss upon his shoulder — Steve thinks that, maybe, that future isn’t nearly as far away as it seems.
Your hand finds his under the sheets, twisting your fingers together to act like an anchor in the inkiness of the night.
There are no nightmares that night.
tags below! @hawkinsindiana @harringtonbf @spideystevie​ look technically there’s no tags this is just all da bitches i’m always talking to <3
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starry-bi-sky · 29 days
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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akai-anna · 3 months
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Hello there, dear @itsokaytomakemosstakes!
I was your assigned gift maker for the @dcmk-exchange event!
Ever since you shared your lovely mugs with me, the thought that Ran would get them as a matching kitty set for herself and Conan, wouldn't leave me alone. So I decided to embrace the idea; for both the headcanon and the personal touch.
Originally I planned something more silly, but the soothing vibes of my first sketch were just so lovely, I went with this instead (especially since I thought you might appreciate a bit of peace).
I hope you'll like this, and I really have enjoyed chatting with you, Moss!
#dcmk exchange#dcmk-exchange#detective conan#dcmk#meitantei conan#名探偵コナン#edogawa conan#fanart#the detective gremlin#my stuff#HELLO THERE: TIS I YOUR GIFTER AND I HAVE ARRIVED#i'm sorry i'Ll be ranting in the tags (as i wont to do)#*inhales deeply* i know you said you wanted something silly but... the image of him drinking from his mug was so soothing to me#i hoped it would be a bit soothing for you too *fidgets with hands*#i'm not really good at fanart but i saw in your form that you would like a fanart if possible#and i wanted to give it a try and i actually really loved working on it a lot i accidentally got into the zone for hours#i mostly used markers and a bit of coloured pencil to colour his pajamas.#(a very light green which the scanner killed but well...) so a mixed media piece?#i also felt more comfortable for going with a semi-realistic style? i always wanted to do my own interpretation of shinichi's adorable hair#and i tried to imitate how gosho colours hair since i've always liked that style. an attempt was made at least#i really hope you like this at least a tiny bit and if you ever want to talk you are more than welcome to#and stay strong darling. and let yourself heal and grieve. give yourself all the time you need.#i also didn't want to set too high a bar for myself since i have a weird relationship with doing fanart. so i kept this fairly simple.#but i'm really satisfied. more than i thought i would be. so thank you for this experience a lot!!!#i also wanted to go for the feeling that he is tiny... so the mug is big and he is tiny... extra tininess... a baby...#also me realizing late in the game that i wanted to add a tiny blush but... well... *coughs*
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lucy-ghoul · 9 days
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can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.
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assblastergaster · 5 months
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being an etho follower means you will patiently and diligently wait all day for the SL upload, watching other perspectives go up in the early hours of the morning, and then seeing the announcement that the episodes are getting combined far too late in the day to replan the snack-getting relaxation time you had prepared
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lunarharp · 14 days
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shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc
#witch hat tag#orufrey#the first image is qifrey dressed as that guy. i'm glad she has an inexplicable attachment to some dorky pokemon man like i do#someone was like 'wouldn't it make more sense for deanreldea to be the champion' .... well no. not in my world .#it maps onto magic skill. champions aren't like the Rulers of the land they're just the most skilled at this thing#oru as a burnt out champion who's gently encouraging a kid like coco to reach him one day means a lot to me. i like pokemon narratives#agott went shiny hunting for the same thing coco had but cooler - just to impress her. she really is a pokemon rival type girl#pushing myself to the limit to prove my worth to you - to get to the summit first so i'm waiting for you..#and then realising it wasn't just to be strong - i realised i started wanting to see your smile. i wanted you to have fun.#i think coco would defeat agott at the end of victory road and then defeat oru & i'll probably draw one last thing abt that at least..#the image is very cinematic..the dialogue and music in my mind..I WANT TO FACE ORU!!!!!!!!!!#the super cool insanely powerful awesome champion is the spouse of my professor and he gave me advice at the beginning...no way....#btw the elite four would be the sages which is perfect (and maybe easthies as the first guy?) evil Team Brimhats#coustas as their renegade gladion-type figure. the gym leaders would be like sun/moon and s/v combined#travelling around facing the best students from different classes - so jujy and eunie etc.#i've barely thought about 'teams' or anything bc i care amore about the narrative side of things always lol#but idk. tetia with a swirlix - eunie would be ghost type boy - riche with small things but also a ceruledge or a steelix something massiv#and brushbug would have a final form which is really long like an eastern dragon- fluffy and with wings like a fairy. It's beautiful to me#well anyway *tries to move on to the rest of life now the brief obsession has passed*#obviously oru would be fire-type tho and qifrey would be water-type and they set off together and traded their starters etc.....it goes on
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Test Track AU (T$$ AU Masterlist)
previous /// next
@theonewithallthefixations , @violets-whumperflies , @whump-me , @pirefyrelight , @soheavyaburden , @snakebites-and-ink , @whumpsday , @suspicious-whumping-egg , @cryptidwritings , @painsandconfusion , @grizzlie70 , @bloodsweatandpotato , @ladyblogofficialreporter @whumper-soot
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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽
Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.
I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.
Area 51:
Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.
I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.
When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.
Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.
The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.
Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.
Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)
Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.
Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.
Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?
Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.
Tyler's voted out, yada yada yada.
The Jet:
Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.
Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.
Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.
"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.
Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.
"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."
Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.
"Does that mean you don't like Al?"
"I never said that."
"Well, how do you feel about him, then?"
Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.
"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.
"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."
Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.
He's always been the type to play his cards close to his chest, so why...?
"I, uh, didn't mean to go off like that."
And he also didn't mean to admit it, either. What was going on?
The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.
"Sounds like someone has a cruuuush!~"
What? No? No! Not at all, where would Owen even get that idea?!
Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.
Alejandro has a lot to think about in regards to a certain cynic, it seems.
#I'd like to apologise for taking this idea and running with it.#Cutting myself off here before I breach 2k+ words or else I'll be here all day.#Sort of entered actual Writing Mode at the end there instead of Outline Mode but this idea is. So Full Of Potential I couldn't help myself.#But from here it'd basically be Alejandro using his newfound knowledge of Noah's crush on him to his advantage.#Whilst Noah's doing his best (and failing) to deny that he has any feelings for Alejandro.#Eventually leading to the two of them having a Bonding Moment where Alejandro gets Noah to divulge some personal information.#And in turn- or an effort to garner some trust (to be abused later)- Alejandro also lets himself be vulnerable towards Noah.#Something something Alejandro tries to use Noah as a pawn but ends up catching feelings of his own.#Then of course the potion wears off and Noah goes back to being just as prickly and standoffish as he was before.#A point of conflict maybe? Imagine bearing your soul out to someone only for them to close themself off to you not even days afterwards.#...Also imagine being practically forced to divulge information about yourself to someone you don't trust because of a truth potion.#Oh yeah. That's some good angst material right there.#Especially is you have Alejandro be- if not fully aware- than at least suspect that Noah's not being agreeable on his own terms.#Anon why have you given me The Thoughts?? I can't keep brainstorming AUs when I already have fics to work on!!#ophe's ranting in the tags again#total drama#td noah#td alejandro#team chris is really really really really hot#alenoah#-ish#silly ideas#other's ideas#long post#replies#kinda drafty in here (posts from the drafts)
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Some (late) holiday photos of the boye~!
#cats#holiday#OUGHH....... barely could even get these edited and posted... my mysterious sickness flare up has been sooo bad the past few#days.. I didn't even go to the usual obligatory family christmas I was supposed to attend (!!! health issue/medical mention in tags below)#My stomach issues basically put me in a constant state of uncontrollable shivering/body shaking + nausea + sometimes rapid heart#rate. and when it happens at night that makes it like.. nearly impossible to sleep when you're violently shaking + you can feel your heart#so strong + you keep having to run to the bathroom every 5 minute to cough and gag#and throw up and so on and so forth. etc. So I went like 40 hours without any sleep almost for christmas eve and all of christmas day#last night I finally got maybe 2 hours of sleep in between the nausea and shaking and stuff. and then today I was able to get a few#hours of sleep in the afternoon. Today I tried taking an anxiety mediciation a doctor gave me in case it was anxiety related (it's apparent#ly used to relax people and works in the moment. rather than like Anxiety Mediciation that you have to take for weeks to see any effect#because I think this isn't actually acting on your brain chemistry it's judt like..a mild sedative or something.) but all that did was make#me dizzy and sweaty lol. I;m glad I slept a little but I'm just still frustrated that I don't feel normal. I started having these#'episodes' (with the stomach issues + shaking + heartrate + nausea etc.) like at the end of october. And usually it will happen for like a#few hours at a time. or i'll lose sleep one day and then be fine the next. but this has been like nearly 3 days of feeling weird. so is#getting kind of annoying... It's funny too because I was so so productive like.. literally the few days before. I was feeling much better#and I was working on my game and blah blah. But then.. random issue flare up out of nowhere of course.. yaayy.... happy holidays to meee lo#I did at least see two random ducks outside of my window in the yard area for christmas. and havent seen them since. So it's like.. hrmm..#pacing around my room nauseous and shakings and etc. but at least... hello.. two little ducks placed there just for me :3c#Now I get anxiety every night which I'm sure doesn't help/could exacerbate whatever underlying genuinely physical issues exist. But after#like 2 nights of 'I spend the night sleepless and incredibly uncomfortable just sitting in the dark sick' then bedtime is like.. dread...#I even was trying slapping myself in the face in desperation to see if somehow that could shock my body out of whatever the hell it was#doing lol.. up at 3am holding ice cubes in my hand and hitting myself in the head and crying from exhaustion and thowing up.. literally#ridiculous cartoon character feeling... AAANYWAY!!! At least I have baby boy pictures. and I have lots of doctors appointments so hopefully#whatever the issue is can be sorted out at some point. I don't know much about ibs but hopefully maybe something like that that I could pos#ibly take medication for and not something more seirous or anything. Maybe there's a food I'm secretly intolerant to or whatever.#And I did at least post a sims holday video actually timed for the holidays so that's something. I havent been productive really latrely#though obviously.. I can't even play games or small tasks when in that state since I'm just SO physically uncomfortable. Nausea and heart#stuff are THE hardest physical sensations to ignore.. BUT yeah... hoping I shall sleep at all tonight. hopeing to get like 3 productive#things done.. at some point... at least SOMETHING... lol..... *** *** ***
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beesorcery · 1 month
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hello it's part 3 of 3 for my cool fun graphic design adventure!! part 1 and part 2 got too long. to recap i am recreating this t-shirt design but with the magic 8 ball songs instead of city names:
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here is the current draft, updated through 3/27 (pittsburgh) (!!!!)
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brittlebutch · 1 month
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actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored
#N posts stuff#like even if you think alex was lying throughout the entirety of season 2 and he was waiting from the Moment jay showed up#JUST to kill him (Which again i don't think makes much sense when he could have killed Tim & Jay immediately instead of#breaking Tim's leg. anyway) EVEN IF alex spent that whole time lying it doesn't actually change the fact that he would have at least#been Pretending to Ask For Help and if he wasn't lying then he was Literally Asking For Help and it doesn't Actually matter#what intention Alex had because the text is Ambiguous about Alex's honesty during season two; what isn't ambiguous is the way#other characters (specifically Jay) respond to him; like yeah - S2 Brian/Tim were never in one million years going to help Alex with shit#so sort of any argument that brings up Tim as someone who asks for/offers help is borderline meaningless in this era of the series#Jay had the 'opportunity' to help Alex (and i'll get back to that in a sec) but DIDN'T - Jay wasn't Interested in actually offering Alex#'help' bc Jay is ultimately curious about Answers and 'Offering Help' and 'Getting Answers' are two Wildly conflicting goals#Jay thinks Alex has answers and when Alex doesn't Offer these 'Answers' to Jay on a silver platter Jay gets pissed off and paranoid#and starts Stalking Alex bc he thinks it's 'Suspicious' that Alex won't give him the Answers (that Alex probably doesn't Actually have)#ANYWAY. ultimately this post is about how it's absurd when people argue#that individual character choices could have made a difference in the way this series played out - specifically wrt Alex#because EVERYONE in this WHOLE series are being affected by influences outside of their control ; including Brian Tim and Jay#so it's silly when people are like 'if ALEX had just made a different choice For Himself this could have all been avoided' WRONG.#bc Ultimately there's not really a way to 'help' someone else out of this situation - Tim tried and failed Repeatedly#the comics proved he even failed with Jessica - like MH isn't a horror situation where you can kill the big bad#'getting help' is a meaningless argument - what would successfully helping or getting help even look like? anyway.#the sub argument of this post is that Alex's biggest 'sin' is that he doesn't perform emotions the way other people want him to#like Alex is a character with a kind of flat affect - instead of LOOKING scared or grieved he LOOKS bored or angry#and everyone judges him based on that - so Alex is 'Suspicious' he's 'Lying' he's 'Guilty' but all of these deductions are predicated#on the belief that Alex isn't reacting to his circumstances the way a 'Normal' person would - so it MUST all be an act and so he's guilty#so everyone treats him like he's guilty until the end of season two when he's like 'Fuck it FINE i'll be guilty then' and so it goes#not a self-fulfilled prophecy but being Cornered Into a prophecy and then Blamed for it - SAD. anyway
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littlemissmanga · 5 months
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Personal nonsense below the cut. I struggled with whether I should even make this post but it's my blog. Even if no one sees this I need to get it out.
I'm struggling. Hard.
Mostly it's work stress, but it's reached critical mass and it's sparking my anxieties even after I log off of work.
There's nothing I can do about the stress at work, nothing I can do to change the situation or make it better. And I can't leave because my mental health will suffer more without the stability my job gives me.
But lately, when I turn to Tumblr or writing to refocus and escape, it's not escaping. I can't write - i have no energy to find inspiration. I'm completely drained. It's taking so much just to comment on everyone's amazing stories. But without creating the content I want to see, I feel like I'm getting left behind.
I saw a post about commenting on old fics and it said:
 Fanfic authors feel constant pressure to create more and crippling fear of being forgotten, useless, and being literally kicked away from fandom.
And that's exactly it. That's what I'm feeling so acutely. Because it's happened before. And this fandom isn't that one and I know no one thinks this way about my work but me. But I still gotta live with my own thoughts and they're telling me it's true.
I had the extreme privilege of finding this lovely and amazing community over the past year and I am so grateful and I can't help but fear losing it if I take time away from it.
But what's hurting the most is my own inability to talk about it. It never feels like an "appropriate" time to bring it up in conversation because everyone has their own issues and I don't want to pile on/take attention away from them. I don't like calling attention to myself because it feels conceited and selfish - even though the only way I know how to connect with people is through my personal experience, so even without talking about my actual issues even just responding to support someone feels incredibly self-absorbed of me.
And again I know if anyone said that to me, of course I'd make space for them. But my brain can't make space for me, so I don't say anything. Even to my friends off of Tumblr - they're all going through the ringer right now and I just ... can't. I haven't had a night without a breakdown in over a week and I'm really struggling to get through this funk.
I know it's probably best for me to take a step back from Tumblr if I feel I can't keep up, but it hurts to potentially lose my favorite leisure platform and community just because I can't handle the other stress in my life.
It's not fair and I hate being in this place.
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raiiny-bay · 2 months
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finished dhes & kel's character pages so here are the lil edits i made for both of em :-)
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sapphire-weapon · 1 year
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I’m about to vomit out a bunch of thoughts, and I’m not sure any of this is going to make sense by the end, but. I’ve been thinking a LOT about these three lines in RE4make:
“You haven’t changed. You just think you have.”
“You can’t save her. You can’t save anyone.”
“This time, it has to be different...”
I’ve seen people focus in on that Krauser line and tie it directly back to Sherry, which is cool! Even as recently as five years ago, people completely glossed over Sherry’s impact on Leon’s life, and it’s cool that the remakes have had people digging into his character and realizing “oh shit, literally everything that happens to him after RE2 is because of his paternal love for Sherry.”
But... Krauser’s line is about more than just her.
With the remake turning Krauser into Leon’s combat trainer, chances are he knows about everything that happened in Raccoon City. And I don’t mean, like. He read a government file. Leon probably told him.
In OG, Krauser and Leon have this exchange of dialogue:
Krauser: “What is it that you fight for, comrade?” Leon: “My past, I suppose.” Krauser: “Hmph. Umbrella.”
It was axed completely from the remake, because it doesn’t make sense for it to happen in the remake. If Krauser was Leon’s trainer, that question was probably asked very early in their relationship. And since they weren’t currently in a fight to the death, and because they weren’t already six years removed from Raccoon City, chances are, Leon’s answer was a bit more involved than just “my past.”
So, let’s back up a little bit. In RE2make, they basically turned Kendo into a completely different character. OG Kendo was literally just there to point a shotgun at Leon and/or Claire and then go “oh my bad you’re not a zombie” and hook them up with some guns before he gets eaten. In RE2make, he’s a desperate and terrified father just trying to spend his last few moments with his infected 6 or 7 year old daughter before she turns. After he shuts the door on Leon and Ada, Leon turns to Ada and says, “Protecting people like that is why I joined the force.”
But Leon doesn’t protect or save Kendo or his daughter. He doesn’t protect or save... anyone. Every single person that Leon comes into contact with and tries to save dies horrifically -- and some, he even has to kill, himself (Marvin Branaugh). The only people who make it out of Raccoon City alive are people who saved themselves (Claire and Ada).
Of course, there is Sherry. But Leon didn’t save Sherry; Claire did. ESPECIALLY in remake canon, since nearly all of Leon’s scenes with Sherry got severely shortened or removed completely in RE2make.
But then, when Claire entrusts Sherry to Leon’s care (on his own insistence, per her RE3 epilogue), he goes and fucks that up, too. Gets her kidnapped and held hostage indefinitely by the federal government, and the only thing he can do about it is do exactly as they say and just hope they keep their end of the bargain and not hurt her.
So, when Krauser says “You can’t save anyone,” he means anyone. Ever. And even up to that point in RE4... Leon got the two officers who drove him into town killed, and he watched Luis die a slow, agonizing death right in front of him. And then, past that point, Leon has to kill Krauser with his own hands. Then he watches Mike die.
Ashley is literally Leon’s first and only success story, up to this point in canon. (And even when you go all the way up to current-day canon, Ashley is one of... three? People? I can think of? Total? Who Leon actually saves?)
So, Leon saying, “This time, it has to be different,” he doesn’t just mean Sherry. He means Ada. He means Kendo. He means Marvin. He means the entirety of Raccoon City. He’s staring down a repeat of what happened back then, not in terms of the bioterror situation, but in terms of his own personal failures. His survivor’s guilt. He can’t handle the thought that he’ll be the only person to walk away again -- and he refuses to be.
And that’s why Ada’s line bothers me so fucking much.
I mean, first of all -- Ada, you haven’t seen this man in six years, and you’ve spent a total of like five minutes with him since meeting up with him again here, so how the fuck would you even know -- but even aside from that...
To be clear: she’s right.
But she’s also wrong.
Leon has changed -- to an extent. In RE2 (OG or remake), Leon honestly believed that if it was lawful, then it was also morally right. He doesn’t believe that anymore. There’s no more “letting the law sort it out” or trusting in the power of authority for him anymore. His moral compass has been boiled down to: “If you hurt or murder innocent people, you’re a fucking asshole, and I don’t really care who you are, I’ll kill you myself.”
RE2 Leon was willing to hear people out and give them an honest benefit of the doubt -- even Annette Birkin. RE4 Leon just tells people to shut the fuck up before opening fire.
RE2 Leon was honest and trusting to a fault, and he felt stronger as part of a team. RE4 Leon is suspicious almost to the point of paranoia, and he just wants to be left the fuck alone to do his job.
These are all things that were really important to who Leon was in Raccoon City, and they’re reasons why things turned out the way they did for him, back then.
But at the same time, Ada’s right in saying that, at the core of it all, Leon is still that kind-hearted, decent guy who just wants the good guys to win and the bad guys to lose. That’s why it hits him somewhere sensitive when Krauser says: “You can’t save anyone.” 
It’s just that, now, the way he approaches it is different. His outlook on life in terms of his goals is different. His expectations for it have changed.
So, if Leon had been smarter/wittier, he absolutely could have turned it around on her and said: “No, I’ve definitely changed. You just think I haven’t.”
And not only would that sound threatening as fuck, he’d also be right. They both would be, at that point.
And for all of those major parts of him to have changed and still be facing down the possibility of failing every single person he comes across, especially Ashley...
"This time, it has to be different.”
And this time, it was.
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coraline-piange · 1 month
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orpheus and eurydice in the correr museo in venice
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the symbolism of placing orpheus in front of a mirror is genuinely making me go insane. orpheus has already turned back and broken the deal, eurydice is lost. tragedy has run its course. and: it wouldn't have mattered. there was never a way out. he's walking towards the mirror, even if he had looked forward he'd have looked back. it wouldn't have turned out anyway. the tragedy is inevitable
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