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#because he clearly has some resolve about parting ways
sleepdepravity · 10 months
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Okay so like, Stella mentioned that she thought there was a compilation of whenever usopp said “sanji-kun” and out of curiosity I tried doing a little search of it and I kept getting results about nami saying “sanji-kun” which was annoying. Then I saw a Reddit post that apparently was like “why did nami give up on Sanji immediately when he beat up Luffy?” (This referring to of course whole cake island) and just auauururrughhhhhhhhhhhh!!! Aaaahhhhgghrrgh!!!!!
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lancermylove · 1 month
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Body Swap (HC)
Fandom: Obey Me
Pairing: DB x fem!Reader
Warning: None
Requested by: Anon
Prompt: Can you do a body swap headcanon with demon brothers? So basically female MC swap body with one of the brothers
A/N: Hope you like it! Anon, who requests the N.SFW version of this. I don't write for gender bender, especially with 18+ HCs. This one is an exception because it's more emotional and comedic, so sorry!
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Lucifer
Lucifer is the most mature in handling the body swap incident. He doesn't make a big deal about having to deal with being in a woman's body, even though he secretly feels uncomfortable.
If you set any rules for him, he will gladly follow them as it is your body, and Lucifer does not intend to take advantage of it.
He asks Solomon and Barbatos to help resolve this situation as soon as possible. But for some reason, he can be himself without feeling pressured to uphold his title.
On the other hand, you don't like openly showing your emotions, even more than usual. You also feel the pressure of being prideful. It almost feels like things are out of your hands. You don't want to be prideful, but the universe forces you to behave that way. Is this how Lucifer always feels as the Avatar of Pride? Your ego also gets wounded more than usual.
But you can finally take off your...Lucifer's shirt...and get to see the scars of his wings firsthand.
Most of all, you enjoy ordering others around. Even though the brothers know that you are not Lucifer, they still get intimated since you are using the first brother's body.
You would have taken full advantage of this by transforming into Lucifer's demon form, but he already warned you not to do that by threatening you with a tough punishment once you two switch back.
Mammon
He is embarrassed! Why did he switch bodies with you? How is he supposed to sleep and go to the bathroom and stuff? Just the thought of undressing makes his mind explode.
When you suggest using a blindfold or closing his eyes, Mammon tries his best to do things without peeking at your body, even though a part of him is tempted. But no! Respect is more important.
Meanwhile, you have the sudden urge to hoard valuable things and 'borrow' things from others, and the most prominent thing in your mind is money. Money, money, and MONEY!
You feel your greed levels rising and have a hard time to control. Sometimes, you have to talk to Mammon to figure out the best way to control your destructive urges.
"Now, y'know how I feel..."
Those words hit you hard, and you forgive him for everything he has ever done.
While you were protective of the younger brothers before, you have a devastating urge to sacrifice yourself for them, even though your...Mammon's body trembles at the thought of what punishment Lucifer will give him.
You make a mental note to help Mammon get out of punishments in the future when you switch back.
Levi
Absolutely refuses to do anything and sits in his room in a fetal position. He can't even bring himself to go to the bathroom or take a bath. Even if you tell him to clean your body, he will refuse.
Though, Levi feels lighter because he can think more clearly being away from his demonic body. It's almost like he can think more clearly.
For some reason, you start to feel jealous of everything...every little thing to the point where it makes you feel down and suffocated. When you start crying from the feeling, Levi panics and tries to calm you down. After calming down, you realize that he always feels this way - no wonder Levi is always down. You give him (your body) a tight hug, making him blush profusely.
Unfortunately for the brothers, when you become aggravated due to an argument between them, your emotions accidentally summon Lotan. However, the brothers don't blame you for it, and Levi finally realizes how scary it is for the others when he calls Lotan out of nowhere.
You spend the most time in Levi's room and get into a habit of changing into his demon form and wrapping his tail around him (your body) just to get a reaction out of him.
This experience brings you two much closer than before, and Levi trusts you far more than before.
Satan
Oh my Devildom, he doesn't feel angry, even when triggered. This feeling is very difficult for him to get used to, but it's a refreshing change. However, he constantly reminds himself that this is only temporary and that he should not get used to it.
He is also mature about the body swap and does his best to respect your body as best as possible. Even though Satan won't admit it, he finds the experience fascinating and finally understands how a woman's body works. Although, he will never get used to random body aches, especially random lower back pain.
You, on the other hand, are not so fortunate. You feel like you are a ticking time bomb of anger. One little mishap, and you feel like destroying everything around you. Satan tries his best to pacify you, but it doesn't work all the time. At times, Beel and Lucifer have to restrain you after you have a rage episode. Then, you profusely apologize and nearly break into tears. It's a vicious cycle.
This makes you realize just how hard Satan has to work to keep his anger in check, and Satan realizes how difficult it is for his brothers to control him when he gets angry.
Once you switch back, you are tempted to tell Satan to meditate, but the thought of a demon meditating is hilarious yet odd.
Asmo
Asmo is the only one who is excited about the body switch. He doesn't feel uncomfortable in any way and actually enjoys being in your body. He has always wanted to see what it feels like to be a woman.
Even though Asmo is in your body, he has the urge to fix every skin problem you have. If you don't have any, he will continue to take care of your skin for you. He may even go as far as to develop a skincare routine tailored to you. If the two of you stay switched for a long time, he will whip your skin into perfect shape.
Meanwhile, even though you feel beautiful in Asmo's body, there is always a voice in the back of your head that whispers 'what-if' scenarios. What if you stop being beautiful? What if you get breakouts? What if no one loves you? What if others think you are unattractive? The pressure to be beautiful is suffocating. A part of you feels very bad for Asmo and can finally understand why he has to be beautiful at all times.
One thing makes you very uncomfortable, and that is Asmo's urge for desire. His avatar needs physical affection all the time. The thought of getting close to someone in Asmo's body is very disturbing, so he helps you out by cuddling with you whenever you need to get close to someone. At least you are hugging your own body...which is still odd to think about but better than the alternate option.
Beel
He doesn't like the feeling of being shorter and less muscular, but that doesn't stop him from working out. However, you will have to remind him not to start with heavy exercises if you don't work as much as him.
Most of all, he feels odd not having to think about eating 24/7. He can actually focus on other things, and it's a nice change. But he does miss eating endlessly solely for the taste of good food.
Meanwhile, you feel like devouring the entire world's food supply. Nothing you eat, no matter how much and how heavy, satisfies you.
You cannot focus on anything except food. The worst part is that Beel forces you to exercise, following his normal routine. He doesn't want his body to be out of shape.
On the plus side, you can see over most people's heads. You will never lose anyone in a crowd. Also, you have a great deal of strength to the point where you can lift an entire house if you want.
For the time you are in Beel's body, you act like a superhero, saving everyone from the bullies and villains. All you need to do is grab them by their shirt and lift them off the ground with one hand. That is enough to make them petrified.
You also get the pleasure of flexing in front of the mirror and admiring Beel's rock-hard muscles to your heart's content.
Belphie
He finds the situation hilarious and doesn't seem to care. Belphie almost has a 'it is what it is' reaction. Initially, he thinks his sloth-like nature will pass to your body but soon realizes that he has a lot more energy to do anything and everything he wants.
Belphie decides to use this chance to fulfill this bucket list before he returns to his sleepy body. Of course, he drags you with him everything, much to your dismay.
You feel sleepy, lazy, and lethargic. No matter how much you sleep, it's never enough. Your brain always feels hazy to the point where you can't even think straight. How does Belphie constantly put up with this? No wonder he sleeps most of the day.
You secretly try to consume caffeine products, but nothing works to keep you awake. Sometimes, Beel has to carry you around because you get into a habit of falling asleep anywhere at any time.
Though you don't tell Belphie, you are secretly happy to return to your body. A part of you doesn't feel like sleeping for days as you got all the sleep you needed in the few days you were in Belphie's body.
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Epilogue:
After you switch back, you finally understand why the brothers behave the way they do. While you don't say it aloud, you believe the avatars are more curses than anything else. However, you learn to sympathize with them more. How do they deal with the curse every day? They are strong.
So, the next time Lucifer gets prideful, Mammon gets greedy, Levi gets jealous, Satan gets angry, Asmo goes on about beauty, Beel eats endlessly, and Belphie dozes off, you don't get mad at them. All you do is hug them and tell them, "It's okay."
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annebrontesrequiem · 3 months
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Thinking about how in Dune Part 1 the concept of Paul dying and rising is this big set up to his fight with Jamis. And how through killing a man for the first time, Paul does in some ways kill a part of himself, which is then reborn.
Now thinking about how many times Paul dies and is reborn in Dune Part 2. When he is accepted by the Fremen, and rejects his status as outsider of the planet. He severs his ties to Caladan more than even the death of his father.
When he accepts his fate and goes South. Though Paul is saving himself from being killed by the Harkonnens, he's also killing his hope. The last of his resolve. And he accepts his terrible destiny, rising again.
Of course, drinking the Waters is the most explicit example of this. Paul literally almost dies, only to be resurrected by Chani. Only this time it's the most terrible death of them all. Because Chani assured him that she would always be his as long as he remained himself. And in this act Paul is losing her. Already when he goes South he's lost. But now he can see it clearly. And she can too. Paul Atreides is dead. Paul the Messiah is born. He's gained so much, and yet how much he's also lost.
Then, of course, circling back to Dune Part 1, Paul the Duke is killed by Feyd Rautha, before being reborn as Paul the Emperor. Again he comes perilously close to dying, yet even here the loss and gain does not match the scope of when he took the Waters. Thus, though this is his 'moment' politically, in terms of fate that moment has already passed.
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appocalipse · 4 months
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MAKE IT EASY (part 2) : ̗̀➛ STEVE HARRINGTON
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・❥・part 1・part 2・❥・3k words
Summary: steve asks you to pretend to be his girlfriend for a family dinner. the problem is: after all is said and done, he gives you the cold shoulder. have you done something wrong?
Steve has a problem.
No, scratch that. He created a problem for himself, actually, about a week ago. A big, confusing problem that he now has no idea how to solve, so naturally what he's doing is plan B, which is the next best thing: avoiding the problem until it somehow resolves itself.
You are Steve Harrington's problem.
You, with your disarming smile, your gratuitous kindness and your impossible-to-forget laugh. You had made his parents like you, for God's sake. If that's not proof enough that you have some kind of magic working behind your smile, Steve doesn't know what is.
Oh! And of course, there is that damn dress.
Steve lowers his head until his forehead rests on the counter and sighs. Ah, that dress. Steve probably shouldn't think about it, let alone what was beneath it, the warm skin he touched for just a few seconds…no. He shouldn't think about it if he wanted to keep his sanity intact. But apparently, he likes to torture himself.
Steve stays in this awkward position for all of five dramatic seconds until his spine hurts. He straightens up again, with another sigh.
"You should talk to her."
It's Robin (of course) giving her opinion (that no one asked, Steve thinks bitterly) as she walks past him with a stack of tapes in her hands.
"I should never talk to her again. In fact," he argues, speaking a little louder so Robin can hear him from the back of the store, "if you're really my friend, you should make sure that I don't talk to her for the rest of my life."
"Coward."
"Maybe I am."
Even from this distance, Steve is under the impression that he hears Robin sighing.
She walks so fast that he doesn't even register the sound of her footsteps until Robin is in front of him, on the other side of Family Video's front counter, looking at him the way a mother would look at a child throwing a tantrum.
"You are going to talk to her," says Robin, with the certainty of someone who says the sky is blue.
"No."
She smiles. Steve is certain he recognizes that smile. It's the one that scares him, the same that precedes the moment when Dustin or one of the other kids says something like "just trust me, I have an idea", and the idea usually involves a robbery, a murder or interdimensional travel. Sometimes, all three of them.
"Robin-"
She has her backpack on her back.
"End of my shift," Robin hums, suspiciously happy. She takes a step back which, Steve thinks, is quite prudent considering what she says next, "…which means, my dear Steve, that you are obligated to serve our customers. Any customer. Even if you don't want to speak to this specific customer, you'll have to-"
Steve leans over the counter — to do what exactly, he's not sure; strangle her, perhaps — but Robin, as always, is faster. She laughs, and before he can do anything other than practically beg her to stay, Robin is out the front door yelling I'm sorry! over her shoulder, even though Steve knows she's not sorry at all.
Less than ten minutes later, the bell above the door rings again, and Steve wouldn't even have to look to know it's you.
You enter the store and your steps are quick, hurried, a clear goal in your mind.
You stop in front of Steve, almost exactly where Robin had stood a few minutes ago, but the look in your eyes is completely different for more reasons than one.
Steve swallows hard. You had been here two other times this week, and both times Steve managed to somehow force Robin to distract you, acting as if he was too busy to see you. You had clearly decided to talk to her behind his back, because all this had definitely been an elaborate plan between the two of you so that Steve couldn't get away.
You get to the point, crossing your arms. "You are avoiding me."
You're not asking; you're telling him. You know. You noticed.
Well, of course you did. You're smart. Smarter than him for sure.
Steve can only hope you haven't found out about the reason why he's avoiding you these past few days. That would be hard to explain.
He clears his throat. It's like he's trying to breathe with a couple of birds inside his ribcage.
"I'm not avoiding you," he says, but he looks away so quickly he doubts you believe him. "I've just got a lot going on lately…" he trails off, racking his brain for an excuse that would make sense without revealing too much.
It isn't fair — you're the last person he wants to hurt, and yet it took some elaborate plan between you and Robin to get him to stand in front of you again.
Pathetic.
You don't seem impressed. In fact, you laugh before he's even finished speaking, but it's not your usual light, happy laugh; It's a low, wry chuckle that makes Steve feel instantly irritated, even though he knows he probably doesn't even have that right after everything.
He knows he hurt you. He knows. He never wanted that. But you…you have no idea how torturous that night, that dinner had been for him. So yes; he does get a little angry.
"You've got nothing new going on lately!" you retort, growing angry yourself. "You just- I don't know. Have I…done something wrong? Did I make your parents mad that night or something? Because all of a sudden-"
"No!" he snaps, the word coming out harsher than he intended, and definitely louder. His cheeks flush with anger, and then embarrassment, and suddenly Steve desperately wants to crawl into a hole somewhere.
He clears his throat.
"No, you didn't do anything wrong," he repeats, softer this time. "It's just…it's complicated."
"It's complicated?" you ask, and now you're all but yelling too. Great. "That's your excuse for flat out ignoring me for the past week?"
"I'm not ignoring you!" he protests, his voice a bit higher than usual.
The truth is: he has been avoiding you. Every time he sees you, he feels this strange pull towards you - a mix of attraction and annoyance that he can't quite figure out. And every time he talks to you, he worries that maybe he'll say too much, or worse yet, say nothing at all and you, with your annoyingly sharp mind, will read him like a book.
As if that wasn't enough, Steve thinks, tormented, you decide to walk around the counter to literally stand in front of him, nothing else between the two of you besides a couple of steps.
This proximity feels like a trap. Steve takes another step back and his hipbone hits the counter. Dear God.
"Yes, you are!" you argue, crossing your arms and taking a step forward almost without realizing it. "You asked me to pretend to be your girlfriend for one night so that your parents would leave you alone, and I did. I thought it was okay. But then you pretty much ran out of my house afterwards and refused all my attempts to talk to you ever since."
You sigh. You lift your chin and look up at him, and, alarmed, Steve notices that your eyes are a little red, as if you're holding yourself back from crying.
He's making you cry?
Shit. The last thing he wants in the world is to make you cry.
"Tell me what I did wrong," you say, and the sudden softness of your voice catches Steve off-guard. "You owe me at least that, don't you? If seeing me is such a problem for you, just..tell me what I did wrong and I'll leave you alone. I'll go…clearly that's what you want."
"No, that's not what I want," he says quickly, stepping closer to you before his mind can catch up on his intentions. "Look, I'm sorry. I just…I don't know how to handle this."
He runs a hand through his tousled hair, and you probably notice the desperation in his tone, because you just stand there, looking at him. Waiting, he realizes. You don't move.
Then you ask, sounding so innocently confused that Steve almost feels like screaming:
"How to handle…what?"
It's not possible, he thinks. There's no way you didn't notice. You would have to be blind, deaf and…well, maybe not even then. Steve had thought things had gotten pretty clear the week before, at your place, when you had asked him to unzip your damn dress and he had gotten so carried away he almost kissed you and…
Well.
"You," he answers immediately, looking you square in the eye with all the genuine honesty he still has the capacity for. "I don't know how to handle the fact that I…" Steve swallows.
"That you..?" you encourage, taking a tentative step closer.
"Do you really want to know?" he asks, not moving an inch.
"Yes."
Steve's heart skips a beat, a beat that could very well be his last. "Look-"
"Tell me."
"I think you already know."
"I don't."
"Oh, come on," Steve says, his voice cracking as he lets out a humourless chuckle. "You can't tell me you didn't notice the way I looked at you last week. I mean, Jesus, I asked you to pretend to be my girlfriend for dinner with my parents, and then I almost…"
He trails off.
And there it is; that funny feeling inside your chest, that warmth you can't even begin to explain.
"You almost what?"
He chuckles again. "Why do you think I left like that?"
"I honestly have no fucking idea, Steve."
"You asked me to unzip your dress."
"And?"
Steve looks at you like you'd just grown an extra limb.
"You can't be serious."
"Okay, fine, I'm sorry I asked you to do that, but I didn't mean to make you, uh…uncomfortable. You could have said no if-"
"That's not it." Steve cuts you off, frustrated because God help him, you don't get it. You still, somehow, don't get it. He doesn't know whether to laugh or to cry.
So what he does instead is turn around, placing his hands on the counter, his back turned to you so that he can think clearly for a moment without being distracted by the way you're looking at him.
But you…oh, you never let things go, do you?
"What is it then, Steve, huh?" you ask, shortening the distance between the two of you by half. You know the answer, or at least a part of you does. But the other part, the part that's stubborn and insecure and tired…wants to hear him say it. Needs to hear him say it. "What is it? Because it feels like you just want to hurt me. You asked me to pretend to be your girlfriend for one night, but it didn't feel like we were…"
Pretending. Is that what you were going to say?
You stop speaking abruptly, eyes wide as if the words had come out of your mouth on their own. Judging by how angry you sounded, Steve thinks that's exactly what happened.
"Then you just…decided to ignore me."
For one moment, the only thing between you two is the silence.
"I didn't do that to hurt you," his voice is a whisper.
"Then what the fuck were you trying to do, Steve?"
"Get over you!"
"I...what?"
It feels like you're taunting him at this point.
"What, not what you expected?" He says, voice tight as he turns around to face you again, a bitter laugh trapped inside his throat. "C'mon, are you that oblivious?" 
He's getting closer to you as he speaks now, voice growing more intense, more desperate; but you don't back away, he notices. You don't move, don't push him away. All you do is look up at him with those pretty eyes of yours, waiting, searching for something in his expression. 
"I-I fucked up, okay? I told you it was just play pretend but the truth is…I didn't have to pretend one bit," he confesses, eyes finding yours, and immediately that anger — or whatever it was — dissipates, his tone softening as a small smile tugs at the corners of his lips. "I should have known that having you for one night, even if it was just pretend, would just make it that much worse. That's why I tried to avoid you. To get over you…and clearly that didn't work."
There's so much you want to say that you feel like you're choking on your own words. "I don't- you, I mean-"
"No, it's alright, just…" He looks down at the ground, then steps back again with a small, empty chuckle. "Go ahead and reject me. Make it easy for me."
"I-what? Reject you?" If a demogorgon suddenly showed up and swallowed your left leg whole, you're pretty sure you would have been less taken aback.
"I know it's not what you want to hear. It's not how I wanted things to go either. But I'm trying to be honest here," he says, taking another step back, feeling more and more exposed with every stupid word that comes out of his mouth. "I care about you. And I know that if I don't get over this, it's going to ruin everything. So, please, just-"
"Oh my God, you are so stupid!"
Your tone of voice changed completely. Steve lifts his head to look at you, and to his complete and utter confusion, you're laughing.
Laughing.
For a terrible moment, the thought that you're laughing at him crosses his mind, but then…
You hug him. You hug him so tightly, in fact, that Steve is pushed back a step or two, and suddenly he's pressed up against the counter once again.
“You didn’t kiss me,” you murmur, your arms wrapped tightly around his waist, your cheek pressed against his chest. 
He takes a deep breath, inhaling the scent of your hair and feeling the soft cotton of your shirt under his fingers. He can feel the warmth of your body against his. It's almost painful, how good it feels to be this close to you. 
He wonders if he heard it wrong.
No — he certainly heard it wrong. He's hallucinating. Must be.
"Wait, I…what?"
You don't move an inch, but Steve feels as you take a deep breath against his shirt. He wishes he could see your face. 
"That night," you explain, finally looking up at him. You look more flustered than he's ever seen you. Closing one of your hands into a fist, you hit Steve's chest without any real force. "I thought you were going to kiss me, but then you just ran off without saying anything. How was I supposed to guess that you actually liked me, Steve Harrington?"
He almost chuckles. Steve feels like his heart is in his throat, he can't believe what he's hearing. You like him? You, the girl he's been crushing on for what feels like forever, actually like him? 
It's too much to process. He tries to form a response, but all that comes out is a strangled sound that's somewhere between a laugh and a sob.
So instead of trying to use any stupid words, he reaches out and cups your face in his hands, feeling the warmth of your skin against his. He leans down slowly, his heart pounding in his chest, and finally, finally, when you don't move away…he brushes his lips against yours. 
It's just a soft, tentative touch, but it's enough to make him forget about everything else. 
Steve pulls back then, waiting for you to pull away, to tell him no…but you don't. You close your eyes and lean into him, opening your mouth a little more against his, inviting him in. He takes the invitation, pressing his lips against yours again, more firmly this time, feeling your soft, warm tongue slide against his. He presses harder, deepening the kiss, feeling your hands curl into his shirt as he pulls you even closer.
You feel dizzy, light-headed, and utterly, perfectly lost in this moment. 
Your hands cling to his shoulders, fingers digging into the muscles there as you, too, attempt to pull him closer, as close as possible…and then, the bell above the front door rings, announcing that someone just entered the store.
Fuck. 
Steve groans as you pull back immediately.
It's just a customer, an older man with a newspaper under his arm, looking around curiously. Steve knows it's not his fault, but he doesn't think he's ever hated anyone quite so strongly.
He looks down at you and it's a mistake; you look so beautiful with your cheeks flushed, lips swollen from the kiss, a soft, embarrassed smile on your mouth. Steve doesn't know what to say, he's not even sure he knows how to find his voice right now, so one of his hands finds its way up to cup your cheek again, fingers curling gently while the man walks around the store looking for God knows what.
Steve feels like he's on cloud nine. He wants nothing more than to lose himself in you again, and to hell with Family Video's customers. But you, on the other hand…
You grin. "You should probably-"
"Don't go anywhere," Steve tells you with a grin of his own. "I'll be right back."
Apparently, he wasn't aware that he wouldn't be able to get rid of you if he tried.
tags (i hope i haven't forgotten anyone, sorry!): @siriuslysmoking @sebastiansstanswhore @sorchateas @boomitsallie1 @vivzzi @mel119g @skrzydlak
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theemporium · 1 year
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[REQUESTS OPEN]
[4.7k] remus is dragged out to a rock pub after being influenced by sirius, but maybe the pretty punk girl talking to him makes it worth the sacrifice. even if she makes him unreasonably flustered. (smut)
based off the prompt: “i’ve never wanted anyone to fuck me this badly”
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Remus Lupin was never one to let peer pressure get to him, especially done by the likes of Sirius Black. 
His resolve was always pretty strong and despite his friend’s annoying persistency, he always did a pretty damn good job of telling him to fuck off before he finally caught the hint. It had been the practice over the many years of friendship the boys had shared and would most likely continue into their many years spent together into the future. 
Except for tonight. 
For some reason that was beyond him, he had broken his own tradition and found himself agreeing to whatever nonsense Sirius was rambling on about when he walked into the common room, dramatically sighing and pouting when he mentioned James bailed on him at the last minute for a date with Lily. 
“C’mon, Moony, it’s just one night,” Sirius had pleaded, half lying on the boy’s lap so he could grab the book out of his hands and gain the werewolf’s full attention. “Prongs is off with Evans and Peter has detention with Minnie. Come on! You’re my only hope!” 
“What about Mary?” 
“It’s not her scene.” 
“And Marlene?” 
“She slammed the door in my face before I could even ask.” 
Remus closed his eyes, letting out a sigh that told the boy his resolve was wearing thin. “And you can’t take Lily and James?” 
“I’m not being the fucking third wheel again,” Sirius scoffed, nose scrunched up as memories flashed through his mind. “Not after New Years. I don’t think I’ll ever get my innocence back.” 
Remus snorted. “Like you ever had it in the first place.” 
Sirius waved him off, eyes wide and hopeful as he flashed his friend a grin. “So you’ll come with?” 
“I–” 
“Brilliant, see you at six, Moony!” 
“I didn’t even say yes yet!” Remus called out after him but the boy was already running towards the common room door, not giving the boy a chance to even wiggle his way out of whatever Sirius had been begging him to attend. 
And maybe that was his mistake. He never asked Sirius what this event was, mostly because it was usually easier to not be an accomplice in his crimes—even by knowledge. But that was clearly the regrettable choice when Sirius dragged him away from the school, using the map to guide them through the secret passages until they were beyond the wards before apparating to merlin-knows-where. 
Because of fucking course Sirius Black would drag him to a punk rock grunge bar in a part of London he wasn’t familiar with.
“Pads,” he murmured in a warning voice, hands tucked into the pocket on his jacket as he followed his friend towards the door. 
“Just chill, Moony,” Sirius called out as the sound of music thumped beyond the closed doors. “Who knows, maybe you’ll have fun.” 
“In a muggle bar?” 
Sirius turned to look at him over his shoulder, eyes gleaming with mischief. “Who said it was a muggle bar?”
Remus held back his own wince the second the atmosphere of the bar hit him: the loud music, the throng of dancing bodies, the smell of alcohol and sweat and the taste of tobacco and marijuana thick in the clouded air. 
No wonder the little prick ran out before Remus could interrogate him on where they were going. 
To his credit, Sirius had stuck to his side for a total twenty minutes before the boy disappeared into the crowd of dancing partygoers, drink in one hand and a half-smoked cigarette in the other. Remus could only laugh and shake his head as he watched his friend go. 
He knew there was nothing stopping him from walking out the pub and heading back. Despite his dramatics, Sirius would understand and wouldn’t hold it against him. But he knew the kind of mood his friend was in, and nine times out of ten, Remus would be needed to intervene before Sirius got his ass kicked. 
Might as well sit around until that moment inevitably came. 
He had tucked himself at the back of the pub where the bar was situated, taking a stool at the very end of the bar where he could sip on his drink and observe. He recognised most of the songs considering Sirius had played them in the dorm more times than he could remember, and he couldn’t deny he enjoyed some of them. But it was difficult to fit in when everybody there was in various pieces of leather clothing, chunky boots and more pieces of jewellry than he could ever imagine.
It was a pub full of Sirius Black’s and that thought was concerning enough for him to order another drink soon after.
He was fiddling with a napkin when a body slid between his stool and the one next to him, arms pressed against the sticky counter and the scent of vanilla overbearing his senses from the smell of the pub. It felt almost instinctive to keep his eyes on the napkin, watching the way the paper shredded with each piece he ripped off until he had a small pile lying beside his glass. It felt instinctive to keep his eyes anywhere but on the pair of eyes he could feel burning into his side. 
“You look like you’ve just been dropped here after your shift at the library.”
But something about the voice was magnetic and he couldn’t help himself from turning his head to peek at you through the mess of brown curls on his head and—fuck, it felt like someone had hit him right in the centre of his chest.
Remus had met many attractive people in his life. Pretty ones and handsome ones and gorgeous ones and ones that took your breath. Everyone had a side of beauty in them that could make them shine and stand out in a crowd, but fuck had he ever seen someone like you. 
His mind went completely blank when he looked at you, almost as though his brain was trying to process the fact you existed and were not just a perfect figment of his imagination. Your skin was covered with a thin layer of sweat, your hair was messy and wild from dancing and the makeup around your eyes looked a little more smudged than usual—but it was fucking mesmirising and he couldn’t find it within himself to look away.  
He opened his mouth to say something—anything—to you. Hell, even just to say hello but the boy found himself speechless as he openly gaped at you. 
“It’s cute though,” you reassured him, painted lips curving up in a smirk and it took him a few seconds to tear his eyes away from them. “Hot librarian is really in these days.” 
“I’m not a librarian!” he blurted out, his cheeks instantly heating up when he realised how loud he had him.
But you laughed and the embarrassment swelling in his chest eased up a little at the sound. 
“Of course not, silly,” you said with an amused tone in your voice. “You’re missing the glasses.” 
Remus could only let out a shaky breath, hand clenching around his glass a little too hard that he was honestly surprised it didn’t shatter in his hold but he couldn’t quite find the words to reply just yet. 
“So, how did you find yourself dragged out here?” you asked, seeming to take it upon yourself to continue the conversation even when the bartender dropped your drink in front of you. But you remained in your spot, tucked between the stools as you took a leisurely sip from the bottle you had just ordered. “Got a girlfriend who dragged you out?” 
His eyes widened a little. “No!” 
“No?” you questioned, not even bothering to bite back your smile. “Boyfriend then?” 
“No, no, I–” Remus paused for a moment, clearing his throat as he tried to string together a coherent sentence. “I came with my friend, Sirius. He didn’t have anyone to go with so…I came.”
You raised your brows. “Do I get to know your name or do I have to keep referring to you as Sirius’ cute friend?”
Remus only hoped the lights of the pub didn’t pick up on his burning cheeks, or the way the tips of his ears matched his blush. “I, uh, Remus. My name is Remus.” 
“Well, Remus, it’s a pleasure to meet you,” you said as you introduced yourself, extending your hand to the boy. You watched the way his eyes dropped to your hand, eyeing it carefully and you couldn’t help but laugh a little. “I promise I don’t bite.” 
His eyes widened. “No, I–” 
 “Unless you want me to,” you added and watched in delight the way his lips parted in surprise. 
Remus was different from every other witch and wizard in this establishment. From the tattered jeans and knitted sweater he wore to the worn trainers and dishevelled hair, he stood out like a sore thumb in a place like this. And yet, you loved it. 
You loved it when you spotted him from across the pub. You loved it when you pushed your way through the crowd and made your way to the bar to get closer to him. You loved it when you could see the way his eyes fought to not glance over as you settled beside him. 
You fucking loved how flustered he got around you. It wasn’t the first time you made a man feel that way and you doubt it would be the last, but there was something different—something more satisfying—when it came to Remus.
“I mean, I just—” he gulped a little when you stepped closer to him, his body seeming to have a mind of its own as his legs parted to accommodate you standing between them. “Yeah…” 
“Yeah? You’d like that?” you teased, head tilted to the side as you raised a hand to his face. Your finger traced down the line of his jaw, watching the way it clenched under your touch before he let out a shaky breath. “Maybe I can add to those wicked scars you have.” 
His heart was thundering in his chest. “Wicked?” 
“Wicked hot,” you murmured absentmindedly as you traced along the scars slashed across his face. They weren’t obvious, the pale marks almost invisible against his skin in the pub lighting but you noticed them the second you stepped between his legs. And fuck, you loved the way they looked. 
“T-Thanks,” he stuttered out, hooded eyes focused on how close you were to him. How fucking easy it would be for him to just lean down and—
“Do I make you nervous, Remus?” you asked innocently. 
His eyes snapped back up to meet yours, a small crease forming between his brows. “I–no, why would you think that?”
“You’re really hot and you’re breathing funny,” you told him, though the gleam in your eyes told him this was beyond concern. You knew you made him nervous and he knew you loved. Fuck, he loved it. You were the kind of girl people would tell him to run for the hills if he ever came across you, but he didn’t want to run. He wanted to stay right where he was even if it was his own ruination. 
“Crowds make me nervous,” he blurted out, smart enough to know you were teasing him but not quite brave enough to admit it. It seems like the Gryffindor within him couldn’t compete with the pretty girl standing between his legs.
Your smile made his breath catch in his throat. “Yeah?” 
“Yeah,” he rasped as your hand fell to his chest, feeling his pounding heart beneath your palm before your hand slid down to intertwine with his.
“You wanna go somewhere a little more quiet?” 
And before he could even process the question, the words left his lips.
“Lead the way.” 
His drink was left abandoned on the bar counter as he let you pull him through the crowd of dancing witches and wizards. His eyes never strayed away from you, his attention completely locked on you as you led him down a dimly lit corridor before you reached a fire exit door and quickly pushed it open, leading him outside before the door closed behind you. 
He glanced around, picking up on the small space as the light chill brushed against his heated cheeks. It seemed like it was a back alley, blocked off from the main street. The space was decorated with some old, battered sofas and chairs but there was an odd sense of comradery in the air.
“Are we allowed to be back here?” he asked, taking a few steps deeper into the back alley. 
“Legally? No,” you stated simply, grinning at the way his head swivelled around to meet your gaze. “But that’s why it’s so fun.” 
“You’re confident we won’t get caught?” 
“Also no.” 
Remus huffed out a little laugh. It was almost like you were reading out the marauders motto and he found his chest tightening a little at the idea. 
He watched as you sauntered across the space, falling back onto one of the cracked leather sofas and grinned up at him. You patted the spot next to you, eyebrows raising a little in your offer and he couldn’t find it within himself to deny you. 
Remus settled into the spot next to you, his thigh pressed against your thigh and his shoulder pressed against your shoulder. He could feel his body tensing at the touch, his hands laying on his lap in tight fists as he cleared his throat a little to distract him from the way his stomach twisted in delight at the lack of space between you. 
“Relax, Remus,” you spoke softly, arm stretching out along the back of the sofa as your hand rested on his shoulder.
“You got something to help me relax?” he joked, though it came off a little flat with his shaky voice but you laughed regardless.
“Is that all you need to let me see the real Remus?” you questioned, bottom lip tucked between your teeth. 
His eyes caught the movement, body working on autopilot when his brain went blank with an array of thoughts that made him want to squirm in his seat. “Maybe so.”
“You should’ve told me earlier,” you grinned at him, watching as his eyes went comically wide as you reached into your bra, only to pull out a joint a few seconds later. “Got a light?” 
“Uh, no,” he murmured as he watched you place the joint between your lips. You raised your brows and Remus leaned forwards slightly, whispering a charm under his breath until the end of the joint lit up in a soft orange.
“Guess the nerd aesthetic isn’t for show,” you teased, taking a deep inhale before softly blowing out the smoke. “Good to see you got the looks and the brains, Remus.” 
But the boy could barely reply, just simply content to lay his head back on the back of the sofa and watch you. The way your body was twisted, turned towards him with your legs tucked underneath you. The way your painted lips wrapped around the joint, staining the rolling paper with the colour of your lipstick but it drove him even more mad to see the marks. Even the way your hair fell across your face, a mind of his own as the light breeze softly grazed your skin, goosebumps raised on your arms but you only grinned when he offered to charm a heating spell over you.
He was completely and utterly enamoured about you, and he couldn’t bring himself to even care or bother hiding it.
“You think you can handle a hit, big boy?” you asked, a dangerous look on your face that told Remus you could’ve asked him anything and he would’ve agreed to it. 
He nodded his head, eyes dipping down to your lipstick-stained joint before he lifted his hand to take it from you, but you acted quicker than the werewolf. 
Before he could even process it, you had swung your legs over him and planted yourself on his lap. Your smile widened when you saw the way his cheeks flushed, his hands instantly dropping to your waist and holding onto you, almost like he was scared you were going to jump off his lap. 
“Be a good boy f’me, okay?” you murmured before bringing the joint to your lips, taking a deep inhale and keeping the smoke in your mouth. 
Your eyes never looked away from him as you gripped his chin, watching his lips part just enough for you to lean down and slowly blow the smoke into his mouth. 
The boy beneath you let out a soft groan, your lips brushing against his and his grip on your waist tightening as he pulled you a little closer. 
“Keep it there,” you ordered him softly, nose nudging against his as you watched his face. As you watched the way his eyes started to water slightly and his lips trembled and only then did you whisper again. “Let it out.”
His breaths were a little shaky as he stared up at you, eyes a little hooded and hazy as your hand still gripped his chin. You murmured a soft praise under your breath, thumb fanning over his pouty lips but it wasn’t enough. 
“Please,” he let out, his voice low and guttural and fuck, you couldn’t lie at the way your stomach clenched a little at the sound. 
“Such a gentleman, Remus,” you murmured before you threw the joint somewhere behind you on the ground, both hands grabbing his face before you pressed your lips against his. 
The boy shamelessly moaned against your lips, squeezing your hips as his lips began to move against yours. It was slow and lazy at first, no rush as your tongue teased him before you deepened the kiss. And then the pace started picking up and your hands were running up and down his chest, along his neck and through his hair and Remus felt like he was going to fucking explode. 
The way your fingers tangled in his messy brown hair, tugging his head to the side before your head dipped down to kiss along the expanse of his neck and jaw, nibbling on the skin softly just to hear the way he whimpered into your ear when your teeth bit down on the spot just below his ear. 
But no matter how passionately you kissed him and no matter how much he moaned, his hands never swayed away your hips. They stayed firmly planted at your sides, squeezing whenever you did anything that made his head fucking spin but they never moved. 
He didn’t want to push your boundaries or cross a line you didn’t want. The boy could barely comprehend the super hot witch grinding against his lap and kissing him until he couldn’t breathe, he wasn’t about to ruin it with wandering hands. 
But then you pulled away, lips red and swollen, and gave him a look that made his jeans feel tight around his cock. 
“Do you want to fuck or not?” you asked bluntly, eyes darkened by desire and lust for the werewolf beneath you. 
“I’ve never wanted anyone to fuck me this badly,” he blurted out, cheeks tinted pink by his confession but it was the least of his problem when a smirk split across your face. 
“Then touch me like you mean it,” you said as you slid your hands over his, guiding them along your sides and up your stomach until both hands rested over your tits. “Get it?” 
“Got it,” he confirmed with a nod of his head, hooded eyes stuck on your chest as he gave your tits an experimental squeeze. 
“C’mon, Remus,” you murmured as you leaned down to kiss along his jaw and towards his ear, lips brushing against him as your warm breath fanned over his skin. “Show me your wild side.”
Remus couldn’t get enough of you from that point on. Maybe it was the liquid courage. Maybe it was the weed that finally relaxed him. Or maybe it was that Gryffindor courage that finally made him get his head out of his ass and take what he wanted. 
Because he wanted you. Fuck, he wanted you badly. He wanted you the second he first laid his eyes on you and now here you were, sitting on his lap and practically ordering him to touch you, and he honestly thought he was seconds away from waking up from the best dream in his life but this was real. 
You were real. 
And Merlin, did Remus want to bask in every fucking moment of attention you gave him.
“Fuck,” you whispered between kisses, your fingers tugging the fabric of his knitted sweater over his head. “You taste like chocolate.” 
He lifted his hands, letting you chuck the sweater to the side before his hands were all over you again. The way he wrapped his arms around you, tugging you closer to him as your head dipped down to press kisses along his scars. The way his hands grabbed your ass, groaning at the way your jeans fitted you because it was just another thing added to your list of many perfections. 
“Are you particularly attached to this top?” he asked breathlessly, fingers digging into your thighs as he impatiently tugged on the denim fabric. 
Your hands moved to the button of your jeans, your belt already long gone and your jeans soon following. “Not really—” 
You hadn’t even finished talking before the sound of fabric ripping echoed against the brick walls of the back alley, your top now in shred and abandoned to the side before Remus’ face was nuzzled between your tits, his hands groping any inch of skin his lips couldn’t kiss. 
“Fucking knew it,” you moaned as your head fell back, nails digging into his shoulders as he began to leave pretty purple marks along the swells of your tits. “Wild side.” 
“Just wanna make you feel good,” he muttered as a pathetic defence, but defending his honour was the last thing on his mind when he could feel the fabric of your soaked panties pressed against the bulge of his jeans. 
Remus whined when you pulled away, even if it was for a short few moments to shed the remainder of the pieces of clothing keeping you away from each other. But then you were grabbing his face once again, fingers pressing into his cheeks as he stared up at you with wide eyes. 
“You gonna let me fuck you, baby?” 
He nodded. 
“You gonna make me feel good?” 
He nodded again. 
“Good,” you murmured before kissing him senseless, letting your moans be muffled by his lips against yours as you reached down to stroke his cock. He whined and bucked against your touch, letting out a pathetic whimper when you squeezed his tip before you slowly sunk down on him, eyes falling shut and curse words leaving your parted lips. 
“Shit,” he hissed, squeezing your hips as he watched himself disappear inside you. “You feel…so fucking good, sweetheart.” 
“Fuck, Remus,” you breathed out, nails digging into his shoulders but he couldn’t even bring himself to care about the sting of pain. Not when you were squeezing around his cock, making the werewolf whine in response. “That’s it, baby, let me hear it.”
The idea of silencing charms and spells were the last thing on either of your minds. It wouldn’t take long to do, maybe less than thirty seconds. But you would be lying if he didn’t fucking love the idea that anybody could walk through that fire door and catch you both. That anybody could come out here and see the flustered, needy boy beneath you. That anybody could see the way he begged for your touch, your kisses, your filthy words whispered in his ear.
“Remus,” you moaned, your words seeming to get choked up in your throat as you bounced up and down on his cock, as you listened to the way he whined about how good you felt. “Fuck, that’s it, baby, just like that.” 
He could feel the way you were clenching around him. He could see the way your eyes were fluttering shut, breathless remarks made as you tried to catch your breath but he knew you were struggling. Your legs starting to shake and your nails digging further into skin and you were close, so fucking close but you just—” 
“Shit!”
You could barely comprehend the wizard below you as he lifted you, his hips bucking up into you at a relentless speed that made it difficult to fight the orgasm washing over you. You whined as he kept going, kept fucking you as stars started to dance in your vision and your muscles tensed but he never stopped. Never stopped fucking you until you were whining his name. 
Your hands laid on his chest, your own lungs heaving for air as you rolled your hips against his, biting back the whimpers of pleasure that wanted to escape. “You didn’t—”
“Wanted to make you feel good,” he whispered as he kissed you, soft and chaste kisses that were pressed along your neck and chest as he continued to speak. “Wanna see you come again. You look so pretty when you come.” 
“Fuck,” you murmured as his hands on your hips started to move you on his cock again. “Remus, I can’t—”
“Shhh, relax,” he whispered between kisses. “Let me make you feel so fucking good, sweetheart.” 
And you didn’t have it within you to argue when he shifted you with unreasonably ease, picking you up like you weighed nothing until your back was pressed against the tattered leather sofa and he was crawling above you, kissing up your stomach and between your tits before he met your lips once again. 
Your legs wrapped around his waist like instinct, ankles locked behind his back as he slowly guided his cock back inside you with a guttural groan, his face nuzzled into the crook of your neck as he slowly began to thrust. 
“Right there, baby, right there,” the words left your lips in breathless praises, seeming to spur the boy on as he gripped your hips, his tempo speeding up shit. “Shit, yes!” 
“Fuck,” Remus whined, his cock hard and desperate for release. He didn’t know how much longer he could last inside you, last with your nails raking down his back and face scrunched up as your second orgasm was so close. He couldn’t help himself as a hand disappeared between your bodies, pressing his thumb against your swollen clit and watching as your lips parted in a silent scream as you came, him following you seconds after. 
It took you a few minutes to ground yourself. To catch your breath and open your eyes, taking in your surroundings before you glanced down at the boy laying on your chest, his arms wrapped around you and soft kisses pressed on your skin that made your heart swell. 
“Did you really throw your joint on the floor?” 
The question caught you off guard before you laughed, your fingers running through his hair before he lifted his head up to look at you. “Want another hit?” 
“No, I just—” Remus flashed you a sheepish smile. “I felt bad, don’t want you to waste it.” 
“You’re quite adorable, aren’t you?” you commented casually, and despite the fact this boy had just given you two of the best orgasms of your life, he still had the audacity to blush at the simple compliment. 
“Thank you,” he murmured before pausing. “I think.”
“It was a compliment, Remus,” you hummed as you pushed some of his hair away from his face, eyes scanning the small details you hadn’t noticed before. The small scars you couldn’t see unless you were up close, or the freckles sprinkled along the bridge of his nose or apples of his cheeks. “More people oughta tell you how pretty you are.” 
He let out a slightly nervous laugh. “I don’t think anyone has ever called me pretty before.” 
“Tragic,” you muttered before smiling at him. “I guess I gotta change that.” 
His mood seemed to perk up a little. “You mean like…you’d wanna do this again?” 
“You don’t?” you teased.
“No, I do!” he blurted out before clearing his throat. “I-I would love to see you again.” 
“Good, because I wanna see how many other pretty ways I can make you blush, baby.”
And fuck, there were many ways a girl as pretty as you could make Remus Lupin blush.
.
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moremousewrites · 1 month
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Alone With You
Pairing: Rolanxf!Reader
Summary: Rolan has been taking out his anger on you ever since you've arrived at the Last Light Inn. You finally get fed up and snap at him, which leads you feeling bit guilty. You try to make it up to him and let him take out his anger on you yet again
Tags: smut, PiV sex, degradation, hate sex, light angst, tail sucking, face fucking, creampie
Of all the people you could have found in the depths of the shadow cursed lands, why did it have to be Rolan. You groaned as you watched him fire off magic missles, clearly overwhelmed by the wraiths that were clawing at him. 
“Why couldn't he just stay at the Inn?” You grumbled to yourself, rubbing your hand down your face. You were in no mood to be dealing with his egotistical bullshit. You told him you would save his siblings. 
You ran down the hill, your party in tow. The look of despair on Rolan's face was hard to miss. Shadowheart made quick work of two of the wraiths and you finished the others with a few focused attacks. The fight was over in moments and Rolan approached you, fuming.
“Gods damn it all. I can do nothing right- not a damn thing!” He yelled to himself, though his ire was pointed at you. It had been all night. Ever since you stepped foot in the Last Light Inn, he'd been taking out his rage on you. You knew it was misdirected, he was scared and insecure. But your patience was running very thin.
“You shouldn't be here, Rolan” you said through gritted teeth. The tiefling had every right to be upset, but he was really grating on your nerves tonight.
“Yes, I should,” he challenged. “I came here to save Cal and Lia. Instead, I found myself in need of rescue. From you… of all bloody people” he scowled at you, referring to you as if you were the scum of the realm.
You gripped the lantern so hard you thought it might splinter. “Unbelievable. I have been nothing but nice to you, you self absorbed prick. You wanna do something for your siblings? Stop trying to get yourself killed for your ego, sober up, and pull yourself together” you chastised him, fed up with his attitude. 
Rolan looked as though he had more to say, but held his tongue and walked back in the direction to the Inn. You figured it was for the best. If he said one more thing you thought you might smack that repugnant look off his face. 
You watched him conjure a transportation spell back to the Inn. He stomped his way into the bar and the portal closed behind him. Rude he didn't offer to transport you as well but at least he was gone.
“Gods, he's a piece of work” you said, rubbing your temples from the stressful encounter. 
Shadowheart raised a brow at you. “Is that what you think of him?” She asked, in a curious manner.
You eyed her, suspiciously. “I think he's probably very scared about his siblings being captured and he's blaming me because that's something he can control right now,” you explained, not very comfortable with her tone. “I also don't care to be his stress relief. He can deal with it like a big boy or deal with it alone. It's not my problem” you were firm in your resolve. Whatever she was implying, you weren't taking the bait.
“If you're sure” Shadowheart shrugged and walked on. Of course you were sure, you just explained it to her. 
You walked the rest of the way in silence, too irritated to say anything productive. You noticed the bar at the Inn was empty. Maybe what you said to Rolan finally got through to him.
A small part of you felt bad for chewing him out and you felt you should apologize before he took off again. You asked Jaheira if she'd seen him and she shrugged. She mentioned he might have gone to a spare room but she wasn't sure. You thanked her and made your way around the Inn. After looking in some of the guest rooms  you started to think he'd gone off again. You checked the Inn more frantically, scouring every room until you found one last door. 
For some reason, you felt the urge to listen through the door. You pressed your ear against the wood and tried to silence the loud beat of your heart in your ears.
At first, you heard nothing. Then, after a few moments, you heard his voice. It was strangled, and low. Unlike how you'd heard him speak before. Almost as if it were a purr. You were so relieved to hear his voice you didn't even process what you were listening to. You immediately knocked on the door.
“Zurgan- leave me alone!” you heard him answer from the other side of the door. His voice was pitchy, like he was straining from something. 
You rolled your eyes. “Rolan, it's me, we need to talk” you placed your hand on the door handle, clicking it open.
“No! No- don't!” opening the door, you were at a loss for words. The wizard apprentice was sprawled out on the bed, shirt removed, fisting his cock with fervor. You shut the door behind you. “Gods damn it, why did it have to be you? Why is it always you?” He let go of himself, dropping his hand on the bed and giving you a stare that could cut you into pieces. 
“I'm sorry, I-” you started to apologize. 
“No, enough of your sorries! You have no respect for my life, for my privacy,  or anyone's for that matter. You just go around involving yourself wherever you think it makes you important and don't stick around to see it through” he ranted at you. You couldn't tear your eyes away from his cock. It was still fully erect. 
“I'm sorry” you walked over to him, eyes taking him in. His normally upkept hair was completely disheveled and framed his face which was glistening with sweat. He'd been fucking his hand furiously. The image it brought to your mind filled you with a heat deep inside you. 
He guffawed at you, furious. “Did you not hear a word I said? Are you dull?” he watched in awe as you sank to your knees at the side of his bed, eyes looking at him in expectation. 
Rolan sat up to face you, feet on either side of you, his cock poking at his navel. “You think I want to fuck you? After everything you've done to me?” He fisted your hair and tilted back your head. You noticed his tail was twitching excitedly. 
His eyes followed yours to his tail and he groaned. He stood, grasping your jaw so it hung open. “I'd tell you to breathe but I don't care,” he said before thrusting into your open mouth. 
Even with his big talk, he showed restraint. His hips only rutting shallow thrusts and he was clearly focused on slowing his pace. You gripped the backs of his thighs, pulling him closer. 
“You brat” he huffed, thrusting harder. A mischievous thought crossed your mind and you narrowed your eyes to look up at him. You were going to be a brat, alright. Your hand moved upwards, carefully locating the base of his tail, and you grasped it lightly.
Rolan's shocked sputtering was a satisfying result of your plotting. He pulled you off of him in a quick motion and grabbed your wrist. “What is wrong with you?!” He sounded exasperated.
“Oh you didn't like that? It kind of felt like you did when your cock was twitching in my throat” you grinned at him.
Rolan pulled you onto the bed, grunting as he did. He was deceptively strong for a wizard. You were bent forward, your ass lifted for him as your face pressed into the mattress. “Will you just shut up already?” he pulled your pants down your thighs and you felt his tail wrap around your naked thigh, firmly. 
You felt the head of his rigid cock press against your hole. You could tell you were soaked as he pressed the tip against you. Letting out a loud whine, Rolan snapped his hips, driving himself into you. “I said shut up!” He set a bruising pace, forcing you down into the mattress with his hips while a hand pressed your shoulder down. 
You could feel his infernal ridges dragging against the walls of your cunt, pulling out to slam back into you as you moaned out his name.
“The brave adventurer moaning my name like a whore. What would your friends think if they knew you were taking a foulbloods cock like a dirty slut? Fucking pathetic” he pounded into you harder, his tail flexing against your leg. 
Your back arched deeper and you rocked your hips to his thrusts. The sound of skin slapping against skin was echoing against the walls of the room, only to be quieted by your moans. 
You looked back to your thigh to see the tip of his tail was twitching frantically. He was restraining it. You reached back and stroked the tip with your thumb, eliciting a strangled moan from the tiefling. Cautiously, he unfurled it and let you take it in your grasp. You lightly ran your fingers on the edges of his tail, testing the sensitivity while he tried to compose himself. It was clear by his sporadic pace and breathy moans that his tail was incredibly sensitive. As an experiment, you ran the flat of your tongue along the tip of his tail. Rolan nearly collapsed on you.
“W-wait” he stuttered, composure lost. He'd stopped moving entirely, disappointing you.
“What's wrong?” You asked, innocently. You pressed a kiss to his tail and felt him shudder around you.
“It's too much, really. I won't last” he breathed out. 
You licked again, lighter this time, then gave a dark grin. “I don't care,” you said before stuffing the tip in your mouth, swirling your tongue around the tail and humming. 
Rolan cursed at you and lifted his leg onto the bed to fuck into you mercilessly. The unforgiving pace and intense angle was overwhelming. You were fastly approaching your climax along with him. Rolan felt as your cunt clenched around him and in an effort to bring you to completion, he brought his fingers to your clit to finish you off, making you squeal around his tail.
The combined pleasures of your orgasm and your mouth pushed him over the edge, causing him to come deep inside of you. In his exhaustion, he grabbed you and collapsed on his side, still buried in your aching cunt.
For a while, you didn't say anything. His tail had slipped out of your mouth and his spend was seeping out of you while his cock softened. But you laid still in his arms while the afterglow diminished. 
From behind you, you heard a faint sound. He was saying something so quiet you weren't sure you were supposed to hear it.
“What?” You asked, quietly. 
“I said I'm sorry” he replied. You nodded, not wanting to press on the issue. 
“It's okay. Do you want me to stay?” You asked, unsure of what he needed. 
Rolan didn't respond for a moment, ashamed to say yes. Ashamed to say he needed you again. That you really weren't the bane of his existence and that he was scared of being alone. Instead, he held you closer.
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patricia-taxxon · 8 months
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So, I watched that response stream that DeadwingDork made about my furry boinking video, here it is if you're curious.
youtube
By some accounts, this gentleman seems like he means well, with regards to pronouns he pulls the "when in doubt, they/them" gambit, which is partway there. If he finds this, I'll politely let him know I don't use they, just she & it. Thanks!
I have good reason to believe he began this journey in good faith, but over the course of the video he slowly gives up being charitable, and it's very frustrating to watch. There's a few key moments of miscommunication I noticed that I'd like to clear up.
DeadwingDork and I got off on the wrong foot very early on, and part of that's my fault. I start the video openly lusting after Garth Alphandomega, and this put him on edge. This might be an ideological difference we can't get past, he says that Garth is "Just a wolf" when I personally think he's quite different from a wolf. After that, I do the joke where I say "If the opportunity presented itself I would fuck my-" and cut to The Flowers of Robert Mapplethorpe, but he didn't have the context to understand what I'm saying by cutting to that album in particular, so he thought I was jokingly saying I would fuck my dog. He spends the rest of the stream with that initial impression of me lusting after what he perceives as literal animals, it's kinda the initial rock that starts the avalanche and closes him off from understanding basically anything that I'm saying, until the end, where he's convinced I've just spent 43 minutes coming out as a zoophile.
This might just be a difference in artistic philosophy, like he interprets Alpha & Omega to be about wolves whereas I interpret it as being about people through the aesthetic lens of wolves. Metaphor isn't just for abstract art movies, after all. Garth walks on 4 legs, but he has enough obvious persistent human-like traits both visually and behaviorally for me to understand him as a person delivered via wolf. For the same reason, he is disturbed by my lusting for Shoukichi Pompoko, because he interprets that movie as literally being about tanuki. I think this the main reason the concept of a character being "simultaneously human and inhuman" completely whiffed on him. He skimmed over my segment on how Leo can be both a wolf and hispanic & didn't understand the relevance, because I don't think that contradiction can be resolved in his head.
The most frustrating part of this stream is the way he clearly picks up on a lot of the overarching subtext that I'm putting down, but by that point in the video he doesn't have enough faith in me to interpret it as being put there intentionally. He treats the connection between my special-ed dog training and my current animal identity as an unintentional self-report, when it isn't. There's this *maddening* segment where I talk about Pom Poko for the first time, and he... honestly quite accurately picks apart the picture I'm illustrating about alienation, but he handwaves it away in favor of his horrible mangling of the exact literal sentence I am saying at that moment.
He says:
"There's clearly a story here, but it's being buried. There's a lot of stuff that's leading towards... 'oh, you watched this movie and this movie and your parents did this and your fuckin' teachers did this, and that's why this is happening.' That's like the fuckin' undertones of this video, [but] the main takeaway is supposed to be that this movie... I dunno, makes you f.. is supposed to feel like how fuckin' animal people feel like they're... whatever, I don't, I don't... whatever."
He grabs at the subtext, the story I'm obviously telling with the surface level anecdote of my experience seeing Pom Poko when I was young. I say obviously, because he and his chat both understood it. But then he discards that, assumes it was unintended, and importantly, he doesn't have a good answer for what I'm actually saying divorced from that. Because... what's even left after you remove the subtextual story I'm telling with this anecdote? The anecdote itself? Of course he's empty handed.
Other notes:
He can't decide whether I'm an over zealous recruiter trying to call everything furry, or that I'm a gatekeeper trying to force robust definitions of 'furry' into the general lexicon. This isn't very important, it's just kind of funny.
He is dismissive of me saying I won't report news if my only source is Kiwifarms, but he doesn't really give a good reason for it. I am having trouble summarizing his argument for why I should have referenced a website whose users doxxed me. He hilariously suggests that I should negotiate with them to have my address taken down, as long as I'm not a "lolcow" about it. I'll be charitable and say that I don't think he's thought this through very much.
He hates that I "compare autistic people to animals," when that really just doesn't mean anything on its own. A comparison is a comparison, a follower of mine pointed out to me they could say that trans people are like cockroaches & it could either mean they are doggedly resilient in the face of harsh circumstances or that they are pests that need to be exterminated. I meant something specific by using an animal metaphor to describe my autistic identity, and it transcends the literal reading of "calling autistic people animals."
He derisively calls Echo a "gay furry sex game" when it simply is not. I'll forgive him for this because he hasn't played it, but Echo isn't porn, it's a horror game. There's sex in it, and it has the framework of a dating game, but it is far from the main appeal. I'm not saying this to elevate Echo above the degrading label of "porn," because Adastra is definitely porn and it's almost as good, just not as easily recommendable to outsiders.
He thinks its commendable that Sean Booth bought my album, which is nice.
Overall, I don't think DeadwingDork is outwardly hateful, but he is quite gullible. He accepts hate speech at face value and buys into narratives useful for hate movements. There's echos of trans groomer panic, that old "you're the reason people are transphobic" chestnut, and of course, using Kiwifarms as a news source. He said he came into the video knowing nothing about me and had no reason to be approaching me in bad faith, but he clearly doesn't trust me enough to think the main rhetorical thrust of the video was intentional.
bad stream lol
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iamthedukeofurl · 5 months
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One interesting thing that can happen in long running media is that the general cultural background can shift under the work, recontextualizing it as it is being written. I'm specifically thinking of the Order of the Stick, a Dungeons and Dragons themed webcomic that started in 2003 with the titular party of adventurers going through a dungeon.
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From left to right, we have Belkar Bitterleaf the halfling ranger, Vaarsuvius the Elf Wizard, Elan the Human Bard, Haley Starshine the Human Rogue, Durkon Thundershield the Dwarf Cleric, and Roy Greenhilt the Human Fighter. The comic takes place in a fantasy setting that knowingly runs off the rules of Dungeons and Dragons third edition. Characters talk about rolls and bonuses and intentionally take levels in various classes. At the start, the comic was a pretty basic gag comic about the D&D rules, basic fantasy/adventure tropes, ect.
In the 20 years the comic has been running, it has updated about 1300 times, not counting bonus strips exclusively made for the printed version, and several print (or PDF) only side and prequel stories. It has also dramatically grown from it's roots, the art has improved while keeping the same general aesthetic, and the gag-a-day comic has become a sweeping fantasy epic. The characters have grown beyond their initial bits (Belkar is a Murderhobo, Elan is stupid, Haley is greedy, ect), and it's genuinely up there as one of my favorite stories. But anyway, let's talk about Vaarsuvius. If you look at the above art, You'll notice that the characters tend to have three types of body shapes: Rectangles for Roy, Belkar, and Elan, feminine curves for Haley, and Robes for Vaarsuvius. This presentation is a pretty consistent signifier of gender and/or somebody wearing robes. Early on, part of Vaarsuvius's running gag became their ambiguous gender. At the time, it was a fairly common joke in fantasy to talk about how Elven men had androgynous or "Girly" appearances, so V was part of that. Instead of a singular pronoun, characters would generally just abbreviate Vaarsuvius's name as "V", and whenever the narrative would have naturally provided some indication of gender one way or another, V would resolve the situation without providing any such indication. For example, an early gag has the characters seeking out a set of modern style bathrooms in the dungeon. When they find them, V says that their "More Efficient elven biology" means they don't have to go yet, so they wait outside while the boys go into the Men's room and Haley waits in the inevitable long line at the women's. When Vaarsuvius reveals that they are married, they use the term "Spouse" to refer to their partner, when we see their children, the children are clearly adopted (V and their partner both have pale skin, their children have darker skin) and refer to Vaarsuvius as "Parent". Vaarsuvius themselves seems to have trouble identifying other people by gender. Characters outside the central cast might refer to Vaarsuvius as "He" or "She", but doing so was always shedding light on that character's perspective, rather than saying anything about Vaarsuvius. The assumption behind the gag is that Vaarsuvius must be either male or female, and the joke is that the narrative/Vaarsuvius themselves keeps finding ways to avoid "Revealing" their gender. Fan wikis and official books list Vaarsuvius's gender as "Ambigious" and on the forum there used to be a regular, multi-part thread dedicated to debatings Vaarsuvius's gender, even after the author declared that it would "never be revealed".
Anyway, going back to the start, it's 2023, and something shifted at some point, both in the comic and in the general cultural background. The jokes about V's gender kind of fell off, not just because the gag got played out, but because the basic assumption behind it simply doesn't work anymore. Everybody knows that Nonbinary people exist. There's no point in the comic where Vaarsuvius switches from being "Ambigiously Gendered" to Nonbinary, in fact, the entire comic reads just fine if you read Vaarsuvius as male or female and just not caring enough to clarify their gender to anybody and at some point other characters just stop thinking about it. But it's interesting to see how a character trait that was once included in even the most basic character descriptions (Varsuvius: Elven Wizard. Arrogant, Intelligent. Ambigiously gendered) just kind of got washed away by a rising tide of cultural nuance towards gender. Also go read OOTS, it's pretty great.
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circeyoru · 4 months
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Angelic Doctor
[Human!Alastor x Disguised Angel!Reader]
Part 1 (here)
Part 2
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You were one of the rarer angels that could travel between Heaven and Earth with the purpose of spreading good. Your job was to pose as a regular human and do good wherever you were for the people, that is until you were given the opportunity to ‘die’ and rid yourself of the false human identity you have
One of your identities was in New Orleans, Louisiana. You were one of the rare female doctors on staff at the hospital, you followed the ways of the humans with their medical practices even while you could have used your healing powers behind closed doors. But you just didn’t when human ways could heal, just needing more time and resources. You only used your powers when it was a dire situation and the patient didn’t deserve death, particularly souls that would do good or spread good 
Your angelic moment was brought out when you were suddenly met with a runaway offender who had been released from prison on good behaviour. The man was begging for you to hide him or bring him somewhere safe because he wasn’t familiar with the surroundings, your angelic eyes caught the colour of his soul - light red, so he was destined for Hell. Against your better judgment, you brought him to the hospital for treatment
Sadly, the next day when you returned for work, the man was found murdered in the bathroom with organs missing, only to be found in the donation box. You were beyond distraught and took some time off. It wasn’t that you were overly sensitive about the death of the man, it was more so that you didn’t protect him well enough. Who knows, if he was let out because of good behaviour, perhaps he could be changed. After all, his soul was yet to be dark blood red, so there was still time to save him from damnation in Hell. That was your job as an Angel!
You have yet to meet one that was impossible to be changed, irredeemable ones, and you met one sooner than expected. You heard him before you met him. While the radio was broadcasting in the cafe you frequent before your work hours, the moment his voice was echoed in the room, the patrons would speak softer to hear his voice. You have to admit that his voice was melodious and he sure has a way with words, with his charisma, you figured that he was a good and honest person, favoured and have a place in Heaven
Oh how wrong were you
You remember it so clearly, the moment you met him, face-to-face, a chance encounter where he protected a fair lady that was you against a drunken man, your eyes widened when you got a good look at his soul the moment things were resolved. A blood-red soul, nearly black. A serial killer that was suspected to be a cannibal as well roamed the street, striking fear and worry to the good people. That was him, Alastor the famous and beloved radio host
Alastor had heard of your lifesaving work all around town, pun intended. People sang praises of you no matter how small or big of an injury or illness that you had cured. In fact, he had put his trust and faith in you when he enlisted his sick mother into the hospital, although you were only a small-time doctor and one who was in training since you were a transfer from the town over
His mother’s doctor in charge was more than unwelcoming since he was a greedy and unethical man, how he wished he could just off the man and have the hospital staff change doctors. But you were under that doctor’s guidance, he did his research. If that doctor were gone, you would be transferred away. So he put up with it
While Alastor didn’t have the time to meet you face to face since there seemed to never be a moment where he caught you on break or free during his rare visits to the hospital, he could only watch you from afar
Don’t think he didn’t catch the way you’d keep his kind sick mother entertained while he wasn’t around. If it wasn’t him catching you leaving the room, it was his mother who spoke highly of you when he apologised for keeping her waiting. For some reason, his mother was always more energetic after your visits, like you were a breath of fresh air in a polluted fog
However, the tragic news of his mother’s passing came and it just so happened to be during the days when you were off duty, on vacation as it were. He took some time to adjust, only really bouncing back when he received a handwritten letter that was addressed to him (the family of the mother, professionally) expressing your condolences and that you assured him his mother was a pure and loved soul who would be welcomed in Heaven where paradise awaits
His killing took a different turn, he didn’t want to kill the innocent and pure, no one like his good angelic trainee doctor, no, death should be for the wicked. So he played god on another level, hunting down the no goods of the city and feasting on them like they were animals in the slaughterhouse. His slaughterhouse, or cabin in the swamps
Imagine his surprise when one of his killings brought him to you. You, the kind now full-time doctor, took his prey to the hospital to nurse him back to health. Oh, but that prey was no good, that prey was an enemy to the kind children you’d smile and teach and a vermin that took what it couldn’t have. So he waited until you were out of the building and began his work. This time, instead of feasting on the organs, they looked to be in good condition to donate to someone in need of it. And into the organ donation section they go 
It was one fated night that you and Alastor had your one-sided reunion. Like a heroic knight in shining armour, he rescued you from the brute of a drunk man. “Are you alright, dear?” He’d ask, he figured you were in a state of shock from the ordeal so he brought you to a diner and gave you space to breathe and recollect everything. He would have to deal with that drunk man who gave his angelic doctor a fright at a later time
For now, he can finally get to know you. Of course, he’d keep his double life a secret, but surely his charming radio host self can blind you enough that you fall for him first, right? Then he can slowly plan your days together like his mother would want for him. Until his time is up and he’d be in Hell
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Note: Another one! Cause I'm in the mood for writing, plus I have the time~ ლ(´ڡ`ლ)
Should I do part 2 for this one? There's still some ideas left ~(˘▾˘~)
Circe Y.
MASTERLIST
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lynxgriffin · 3 months
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What are your predictions for Deltarune Chapters 3-4 ?
Hmmm, let's see...
I think Susie and Ralsei are going to work out very quickly that Kris was the one to create this fountain. Susie's going to brush it off like "Okay yeah I get why you would, it's okay we'll just have fun and seal the fountain when we're done anyway!" and Ralsei will try and act like it's not a problem, when he clearly is bothered by it, and this will start to build up some tension between Ralsei and Kris.
I am open to Toriel being another side party member, less convinced yet that we'll be seeing another adult like Undyne or Napstablook there as well. I do not think we'll be getting a Snowgrave repeat where Toriel is manipulated into killing Undyne or anything like that. If there's a weird route continuation here, it'll be handled very differently.
I don't think we'll be seeing more of the Dreemurr household in the dark world; it'll just be focused on what's on the TV. We've already got a few possibilities for areas: a cooking show, the weather report, and the monster movie, plus we do keep getting hints that the western show may show up in some capacity.
To that end...hopefully a Susiezilla sequence for the monster movie part!
Unsure of what Mike's role will be in here, but I'm anticipating Tenna as the main big bad for this Dark World.
I don't think anyone has guessed the secret boss for chapter three yet, and I don't think anyone will. Thusfar for secret bosses, there's been no hints of them from other places, and you have to go out of your way to find them. Their function as Darkners made from discarded/forgotten objects makes sense in hindsight, but isn't obvious from the get-go. All we know is that we'll need the shadow mantle for a future secret boss, and that that's missing now.
At the end of chapter three, Asriel is going to call on the landline phone and talk to Toriel briefly, but WE won't get to actually communicate with him and it's going to drive me bonkers.
We know less about chapter four, except for some very basic things...Susie and Kris have a few scenes talking out in the light world, and it's raining some of that time. It could either go the direction of an all-light world chapter, or another dark world they explore the next day.
Assuming it's the latter and there's another dark world (which makes more sense to me), I feel the best location options are the hospital, the church, and Asgore's flower shop. If there's a thread started in chapter three getting into more of the Dreemurr family history and Kris's place in it (which does seem to be the case), Asgore's shop seems the best bet to continue that thread next, so I'm going to predict Asgore's shop for chapter four.
Since that's a flower shop and all, a more Alice In Wonderland sort of theming seems likely, with more of a jungle/wild area that the Fun Gang has to explore compared to the city and sound stage areas of previous chapters.
I am expecting Catti (and potentially also Jockington) to be future Dark World partners, and either chapter four or chapter five seems a good option for that.
I think Catti is necessary as a partner 1) because of her occult history with Kris, 2) her focus on protecting Noelle, who I could see showing up in the Dark World again as early as chapter four or five, and 3) her clearly having beef with Susie.
If we're dealing with Kris's family history through chapters 3 and 4, I can see that then going into more of Susie's backstory and whatever is going on with her family. I get the feeling that Catti knows some secret about Susie that makes her dislike her more than just "she stole Jockington's hat once", and that will need to be resolved in conjunction with learning more on Susie's situation.
Every day in-game that big-headed blue bird monster is going to reveal another shelf in the second floor of the library, which will slowly give more worldbuilding lore, and it's going to be maddening just getting those little crumbs of info one at a time.
We'll be getting more Knight hints, but not a real reveal until chapter five.
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pencil-amateur · 10 months
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The Heaviside Layer
Or, Cats and the Narrative Parallels of Steve and Cesare
After watching UP and re-listening to the Bigtop Burger soundtrack several times, I'm finally able to put into words while Steve and Cesare are obviously different in terms of personality, presentation, etc., when you consider their stories... they're more similar than you may initially realize.
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(Watching the 1998 recording of Cats was also very important here. This will come back later.)
So first of all, what's the first thing that these two have in common, ownership of food trucks aside?
To put it the way Cesare does, they're freaks. They're weird. The only way they are able to fit in with others is by being the head of said themed food trucks, and making the uniforms their employees wear match them.
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In other words, they are outsiders.
Even before the narrative begins, Steve and Cesare were shown to be cast aside by others. In "UP", Steve is banished from his home planet because he made a mistake at a crucial time, and the lyrics to Friends In Low Places reveal Cesare "wasn't missed or mourned" after he was killed.
They're both dead to the worlds they once knew.
But then...
"up, up, up, to the heaviside layer" - UP
"I was chosen for a second chance at life" - Friends in Low Places
For those of you unfamiliar with the musical Cats, the Heaviside Layer is the place a single Jellicle cat is chosen to go to at the Jellicle Ball each year to be reborn into a new life. Old Deuteronomy, the role Steve played, is the cat that chooses the one who will go to the Heaviside layer. However, Steve, along with Cesare, is more similar to the cat Old Deut ultimately picks.
I'm talking, of course, about Grizabella.
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Grizabella is a former Jellicle cat who tries to rejoin the group, only to be rejected. Act II's opening number, "The Moments of Happiness", is sung by Old Deuteronomy (and was fumbled by poor Steve). It foreshadows Grizabella's last desperate cry for another chance in her big number, "Memory". The other cats accept her, and she is chosen to go to the Heaviside Layer and begin again.
So how does this relate to Steve and Cesare?
Both allude to having a new life, but are followed by their pasts. While Steve is happy with his food truck and his new friends, he is pursued by unknown authorities telling him he doesn't belong and can't belong. Along with being cast out from society millions of years ago, he's now been rejected from doing what he loves twice.
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Cesare is almost the inverse. He talks up how he's got new friends (in low places), but he doesn't seem eager to stick around underground, and is vocally relieved that he won't have to be a watcher anymore. Despite being clearly very strange himself, his job is to imprison "freaks and weirdos"- and it might not be a stretch to say he's taken that to heart. Where Steve has no problem standing out, even going out to eat with his employees when they're out of makeup, Cesare insists his own employees make him look less conspicuous whenever he's with them. (Of course, this could be partially because he didn't want Steve to catch on to his plans, but I doubt Steve would have cared, since he had no idea Cesare even wanted to capture him.)
So how can this be resolved? Is there a way to truly begin again?
"Let your memory lead you/Open up, enter in If you find there the meaning of what happiness is/Then a new life will begin" - The Moments of Happiness
This part in "The Moments of Happiness" is sung not by Old Deut, but a cat in the ensemble named Jemima (and then sung again by the rest of the cats). The lyrics and melody are reprised in Grizabella's song, "Memory". She then adds some more.
"Memory, all alone in the moonlight I can smile at the old days/I was beautiful then I remember a time I knew what happiness was/Let the memory live again...
...Touch me, it's so easy to leave me All alone with the memory/Of my days in the sun If you touch me you'll understand what happiness is/Look, a new day has begun" - Memory
"Touch me" has both a literal and figurative meaning here. Throughout the musical, the Jellicle cats are noticeably physically affectionate with one another. They play with other cats while dancing, snuggle, and even greet each other by pressing their hands together. This makes it all the more jarring when the Jellicle cats refuse to touch Grizabella at the beginning- even the curious younger cats are held back from getting too close. It is a visual sign that they do not accept her. After Grizabella sings her song, one of the younger cats reaches out to her and touches her hand. None of the other cats make any attempt to stop her. Then, the Jellicle cats finally show Grizabella the affection they denied her before, letting her finally belong, and of course she becomes the Jellicle choice.
I think, just like Grizabella, what Steve and Cesare need is acceptance and a place to belong. This doesn't mean the whole world needs to say they're okay with clowns, or zombies, or general weird freaks who don't fit in. It doesn't even mean they have to give up the memories of how they got here, be they happy or sad. What they need is to be loved for who they are, and to live without being afraid to do so.
And I think the friends they have are a good place to start.
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just-j-really · 8 months
Text
Concept that grabbed me and wouldn't let me go:
Dreamling soulmate AU, only they're not soulmates.
I have ideas for the canon timeline, but for the sake of argument, let's go with a modern AU. Dream and Hob aren't friends, exactly, but they're in the same friend circle, so they see each other fairly often. And one night, Dream's been dragged out drinking with some friends, and he overhears a very drunk Hob saying that soulmates are stupid, HE'S not going to go along with it, he'll fall in love with whoever he wants! So Dream (a hopeless romantic) makes some sort of bet with him, that when he finds his soulmate he'll be blissfully happy with her.
After that, whenever they run into each other at other's friends' events Dream will ask Hob if he's met his soulmate (Eleanor, according to the messy handwriting on Hob's arm), and Hob will be like "Nope! But I've got a job at this weird startup!" and then talk at him for three hours. The bet goes from a bet they're taking seriously to an excuse to talk to each other to a Weird Bit that's an essential part of their friendship.
And they are, genuinely, friends at this point, which is why it's such a betrayal for Dream when Hob answers his joking "found your soulmate yet?" with a quiet, "I think I might have. He's been asking me that question for like a year now."
Dream does not take this well. He believes in soulmates, wholeheartedly. He can't figure out a single interpretation of Hob's declaration that doesn't leave him feeling used: best-case scenario Hob legit believes what he's saying (but is still using Dream in this obviously doomed experiment of his), worst-case scenario Hob's noticed that Dream is attracted to him (even if that will never ever go any further than meaningless attraction because they are not soulmates) and is deliberately trying to take advantage of him to prove his point.
They argue. Dream storms off.
Somewhere in here, Dream has a relationship with his Actual Literal Soulmate, Alianora. It is extremely Messy, and she breaks it off because they may be soulmates but clearly this is not working. She's not the first person ever to end things with their soulmate, but it's extremely rare, and the fallout is shit-awful for both of them because everyone in their lives is trying to figure out whose fault it was, never mind that the answer was "nobody's- they met under really awful circumstances and the specific cocktail of that and the pressure, both internal and external, they were under to Be Perfectly Happy Together Forever just. Poisoned their relationship and they didn't deal with it until it exploded and by then it was too late."
Eventually, Dream and Hob resolve their argument, complete with an inn-building-equivalent Big Gesture from Hob. Their relationship goes back to the way it was, mostly, except that Dream is undeniably aware that Hob is sad and pining after Dream and trying to hide it from him. And Hob being sad is Basically the Worst Thing That Could Possibly Happen.
Dream is... more aware of the implications of that thought than he'd like to be.
And once he's noticed that it's really, really hard not to notice how gorgeous Hob is when he smiles, the way his heart flutters whenever Hob calls him a nickname or makes sure to grab Dream a coffee when he gets one for himself, the fact that he'd be perfectly happy sitting and listening to Hob talk for hours...
And things are different now. Dream's soulmate doesn't want him, he's not betraying her if he starts a doomed relationship with someone else. Hob will be happy. The only person getting hurt here will be Dream, when Hob inevitably meets his soulmate. He's setting himself up to get hurt, yes, but at least he'll get to be happy with Hob before that.
So one night he very tentatively asks if Hob still meant what he said, about Dream being his soulmate. Hob's like "Crap I thought I was hiding it I'm so sorry I don't want you to be uncomfortable."
Dream's like "You are not actually that subtle. But I'm. Glad. You still feel that way."
It takes Hob a few seconds and a fairly terrible emotional rollercoaster to figure out what Dream meant by that, and Dream is not good about clarifying. But when he does he asks Dream on a date, and Dream agrees, and before he knows what's hit him Hob's moved in with him and is very cautiously hinting around about engagement rings and he can't possibly be in love with Hob, right? Whatever's between them is too easy, too natural, too much like they added romance to their existing friendship and somehow it worked perfectly and-
Oh. Shit.
And just when Dream realizes he's invested- not just invested, committed, this was Absolutely Not how the story's supposed to go and it's terrifying but he desperately wants it anyway- just when he's got something to lose-
Hob meets Eleanor.
And almost immediately asks if Dream would mind him explaining things to her one-on-one, since he thinks it would go more smoothly that way. Dream says he doesn't, and braces himself. It's not that he thinks Hob is lying to him. He 100% trusts that Hob has made this meeting to turn Eleanor down.
He's just also 100% certain that the moment Hob has a conversation with his soulmate he'll realize just how important a soulmate is, that Dream was right and that next to the person he's destined for, Dream means nothing to him.
When Hob gets back from the meeting he's happier than Dream's seen him in months, maybe ever, and Dream braces himself.
But the first thing Hob does after closing the door is kiss Dream, for several minutes.
And the second thing he does is excitedly tell Dream, "It went really well! She said I'm not worth it!"
And Dream's like "...what."
And Hob explains that he'd told Eleanor that he was very sorry, but he already had a soulmate, and she'd been upset but essentially told him "Yeah fine, if you're this adamant about not wanting a soulmate it is not at all worth it for me to pursue anything," with a grudging sort of understanding.
And Dream's like "...what."
And they go back and forth for a bit until finally Dream's like "But she's your SOULMATE. You're not even going to TRY to have something with your soulmate in order to stay with a man who is so bad at romance his soulmate left him."
And Hob's like "I've been saying for years now that you're my perfect other half, soulmates and destiny be damned, and I meant it. You're perfect, and I'm not letting you go for anything."
And Dream... still can't entirely believe in an undying non-soulmate romance the way Hob does. But he wants to, and he trusts Hob enough to try. And several years later they're married, maybe talking about kids, and in some mundane little domestic moment Dream realizes he does entirely believe in this now, in a way that snuck up on him gradually.
And he tells Hob he's won the bet.
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licorice-tea · 4 months
Text
You’re An Angel When You Sleep
Pairing: Trafalgar Law x reader
Content: angst, drowning, a little “off-screen” violence, hurt/comfort, near death experience
Word Count: 1.5k
A/N: literally wrote this in between classes so hopefully it doesn’t feel too rushed! not edited super closely yet, the grammar might be a little off. inspired by the song “Around The Bend” by Pearl Jam, specifically the last verse <3
Edited 2/28/24
Law is sinking, and there’s nothing he can do.
People call it “The Curse of The Sea.” They say that “she” turns her back on you when you eat a devil fruit. It’s simply the price to pay for such immense power.
And he has never had to worry about it before. His devil fruit ability affords him the security of being to prevent trips into the ocean. Not that he ever would fall- Law is far too careful a man- but he has plenty of crewmates and friends/allies that could somehow knock him overboard.
How sickening, that the first time it actually happened was at the hands of an enemy. And how disappointing, that it had only happened because of his own pride. A foolish disregard of taking caution while standing close to the railing on the enemy ship, when one of his opponent’s underlings threw something that didn’t even really hurt, but sent him overboard. In the midst of a battle where everyone was expected to hold their own- Law could expect no help as he plunged into icy waters.
It’s cold enough as it is, and his curse does nothing to help. He tries his hardest to stay conscious- perhaps he can still use his power if he thinks hard enough. People awaken their devil fruits all the time, so there’s no reason why he can’t do it now. But, no matter how badly he wants to simply teleport back to the deck of the ship, he can’t. The feeling of impending doom only serves to weaken his resolve, and soon enough Law is unwillingly giving up and giving in to the sea.
He’s about 10-12 meters down now. The weight of the water makes it feel nearly impossible to hold his breath for longer, so he lets out an exhale ever so slowly.
But no one is coming, and it’s time to accept his fate. “This is it,” he thinks, “just another pirate lost to the sea. That’s how it ends for me.”
He takes a moment to reflect on life up until now. So much pain and suffering, but in the end he just can’t stop remembering what little good there has been. His crew, who, no matter how much they bothered him, were his family. His blood family and Corazon, who he hopes to see again soon if there is any sort of afterlife. Then there’s you- with your uncanny ability to make him smile and laugh, your clever personality and friendly nature, all your strength and intelligence, and seemingly unwavering good morals. Law feels he barely deserves to have known you in this life, let alone fall in love with you as he has. Which is why he never shared his feelings with you or anyone, in all the time you’d been on his crew. Before this moment, he’d at least had the comfort of knowing there would always be the future, and therefore more time to open up to you figure out his feelings.
“How foolish.”
Law is just about to close his eyes- at least then it might be a more peaceful demise- when there’s a splash that breaks the surface of the waves. His eyes shoot wide open as he tries to figure out what it is, as it’s rather difficult to see clearly with his vision blurring and on the verge of losing consciousness.
All he can be sure of is that it’s a person. The light from above the waves surrounds their silhouette giving them an angelic halo, but simultaneously blocking out all their features from his view.
Law wonders, “Are you here to seal my fate? To ensure I don’t find some way out of this?” If he could, he’d ask that they do it quickly. Still, that painfully hopeful little part of his mind can’t help but come out in what are more than likely his last moments alive. “Or, are you here to save me? Are you gonna give me a second third chance at this? I don’t deserve it, but I will accept it. I’ll use it to do more; work harder, fulfill every goal. Confess to y/n.”
And that hopeful streak seems to take over his body as he uses his last iota of strength to reach upwards. Law’s angel continues swimming downward, but he can’t hold his breath long enough to see them reaching out to him, too.
His last thought is of you. He swears he can see your face on this mystery person as they get closer; your pretty eyes and lips, your hair swirling around your form underwater. Could it actually be… No, he doubts you’d even seen him falling overboard. But maybe he’s already dead, and you really are an angel. Law doesn’t get the chance to fully consider either reality though, as he finally blacks out.
-
“Gimme gimme gimme… a man after midnight…”
This is how Law taught you to do CPR on someone whose heart had stopped. Years ago, when you were struggling with keeping count of 100-120 beats per minute, he told you to “think of a song with the same count.” Most everyone’s go-to CPR song is “Stayin’ Alive.” But, you prefer the classic ABBA song. You pause every 30 compressions to administer 2 breaths, and as you remove your lips from his, a thought crosses your mind. “He looks so peaceful like this.” And even while unconscious, he’s handsome… angelic, even. Nevertheless, you’d much rather have an alive and annoyed looking Law than a dead and calm one.
“Is there a soul out there… Someone to hear my-”
Law coughs suddenly, and shoots up into a sitting position, gasping for breath.
“Law!” You throw your arms around his neck, nearly knocking the man back over.
And though he’s still catching his breath and coming to his senses, he lets you, and puts an arm around your back. “Y/n,” another cough, “what happened?”
You release him (much to his disappointment) and explain how the fight had ended soon after the crew lost sight of him; their captain. And, while the others quickly overtook the enemies, you dove overboard where you’d last seen him. It was pure luck, though guided by your intuition, that you found Law beneath the surface.
“Then I swam over here-“
“Which is where?”
You nod in the direction behind him. “Just around the bend from the harbor. The Polar Tang and the enemy’s ship can be seen from there, so I thought it’d be best to hide while you…”
“While I was dying.”
“Don’t say it like that,” you scold him with a frown, “you’re alive.”
“But I could have died.” Law says with very little pride. He sounds a little out of it, which makes sense considering the circumstances. “I could have died, and you saved me.”
“Well, any one of us would’ve, Captain-“
“Thank you, y/n.”
You shake your head bashfully. “It was no problem, really.” That’s a lie, and you both know it. The water in this part of the ocean is freezing, but through some incredible resolve that you hadn’t been aware of before, you pushed through it. For him. “So… We should get back to the fight, yeah?”
You move to stand up from your place on your knees, but Law stops you. With his hand on your shoulder, he pulls you back down to his side. “You said the fight is over?”
“Mhm.”
“Then let’s just… stay here, for a moment.”
He leans toward you hesitantly, though you’re not sure if it’s because he feels weak or he just wants you to hold him again. Either way, you wrap your arms around him and rest your chin on his shoulder. You hold onto each other with gentle force, and you feel him exhale deeply.
“I need to tell you something.” Law mutters.
You pull back enough to see his face. “Right now? Can’t it wait, Law-“
“I can’t want any longer.” And he really can’t. He’d tell you about how he had mistaken you for a living, breathing angel another time. For now, he just needs to fulfill his promise to said angel (to you?), and confess his love for you.
“Ok… What is it?”
Law is very straightforward as he says it. “I’m in love with you.” And he makes it impossibly hard to return to the battle when he asks that you never leave him in this life, like so many others have. Which you promise not to, of course, though it’s not exactly your decision. You tell him that you love him too, and in turn demand that he doesn’t die on you, either. Law nods against you.
The two of you stay there a while longer, in each other’s arms around the bend.
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thats-ill-eagle · 5 months
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HELLUVA BOSS DEVIATING FROM ITS ORIGINAL PREMISE FUNDAMENTALLY DESTROYED THE SHOW
So, it has already been discussed many times in HB critical community that HB deviated from its premise after S1 and that anyone with an once of media literacy can tell that you can't describe it in any way other than horrible writing.
Now, I'm going to ask you this for a second - imagine that you haven't seen S1, the pilot or read the premise of Helluva Boss anywhere. Imagine that you watch all (available) episodes of S2 and are asked to write a premise about it on some movie review website. How would you briefly describe what happens in S2?
Oh, you can't or are having major trouble doing it? Don't worry, you are not media illiterate, my friend. That is the case because IT'S LITERALLY IMPOSSIBLE TO TELL WHAT HELLUVA BOSS IS SUPPOSED TO BE ABOUT ANYMORE.
There are many flaws that your writing could possess - inconsistent characterization, too fast/slow pacing and so on. However, they do not automatically derail your work. It is very much possible to recognize those faults, learn from them and do better in the future.
But the premise of your work is its literal BONES. You build up the plot and characters based on it. You just can't expect your show to be good, if you tear out its basis. Of course the pacing, character development and how plot points are wrapped up in HB is horrible - how can anything function without the very thing that holds it all together?
And I MEAN that the premise of HB completely disappears, not shifts or changes. Like, seriously, what the hell is HB supposed to be about now?
Stolitz?
Their interactions indicate zero meaningful development and are tediously spaced out to the point that it's hard to care about their relationship. It is made even worse by the fact that Stolas, just like in S1, still keeps pressuring Blitzo, despite him being clearly uncomfortable.
Blitzo making amends with people he hurt?
Even ignoring S1's nonexistent buildup of this plotline (Blitzo looking at photos on his phone doesn't count, since it's literally the ONLY moment that barely suggests it), there's no buildup in S2 either, when it comes to both Barbie and Fizz. It is certainly not helped by the fact that Barbie just vanishes after Unhappy Campers and Blitzo and Fizz's beef is resolved in a single episode.
Any other plotlines of S2, like Fizz's job, Crimson, Striker, or Stolas and Stella's separation are just too small or insignificant to be considered part of the supposed premise, INCLUDING the assassination business, which arguably takes up the least amount of time of aspects of the show listed.
It's no surprise that Helluva Boss is slowly crumbling. At this point, it's just a paralysed zombie who completely forgot what it once was. And it's damn sad to watch, because the show comforted me during some dark times and, despite Viv being an awful person, I truly hoped for HB to be great.
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manicpixiefelix · 1 month
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head, heart, hand. {Felix Catton/Reader/Oliver Quick}
Part 22.
Summary: After mostly resolving your issues regarding Oliver and Venetia, it's much easier to enjoy the time leading up to the dinner with the Henrys. Still, Oliver seems more than a little nervous to be around you and Felix, much to Felix's ongoing chagrin. He wonders how long it will take for Oliver to take the hint.
{ masterpost }
Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.
A/N: 3044 words. oh yeah, its all coming together. :) i know the last few updates have been kind of spaced out, so i'd love to get some feedback from you lovely folks about how you think it's coming along now that we're in the back half.
TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)
----
One day - probably one day soon - you'd have to tell Felix the truth about Oliver and Venetia. By that time, you reasoned, you'd have come up with a way to say it that would make him see why you hadn't called Oliver out for lying, and why you'd kept it from him. His gut reaction, like your own, was to immediately jump to the worst possible, malevolent conclusion. Based on past events, it was a sound conclusion to jump to. But Oliver's not Eddie. It was a moment of weakness, and Oliver really does love Felix. Somehow you'd find a way to make this painless, perhaps even a way to show how much Oliver cared, because that's what you'd seen, that's the why behind your own deception.
Except Felix wasn't even ready to admit out loud to himself, let alone you, or god forbid Oliver, that he genuinely felt that way about him. Even if he definitely, clearly did. But again, past heartbreak makes some of his trepidation far more excusable.
At least you have a distraction for the afternoon - not Oliver, no, he would never be so bold in direct sunlight as to do anything more than make out with you on the pool lounge. No, this distraction wasn't a particularly good one.
The NDA from your parents, sitting in your study.
Part of you knows you should probably have a lawyer look over this, but there was something about the idea of involving yet another person in your parents ongoing attempts to abandoned you that left a sour taste in your mouth. So that left you to look over it all on your own. The sticky-hot afternoon in the study wears thin on your nerves, but irritation was all that ever came of it, not upset or disappointment. Reconciling with Oliver probably had quite a bit to do with it.
Dinner is a welcome reprieve. When Oliver smiles at you across the table, there's a weight that's lifted from your shoulders are you smile back. Felix too is in notably high spirits, though he's decidedly not talking to Venetia; his parents don't seem to mind, however, as long as he's happier than when he'd started the day.
"Is there anything planned for after dinner?" Oliver asked, eyes wide and earnest as he looks around the table, all present sharing an equally confused look as if one of them may have planned something all the others had forgotten.
"Not as far as I'm aware," Sir James offers after a moment.
"Tomorrow will be quite the busy night," Elspeth elaborates with ease, "I'm sure we'd all like to conserve our energy."
"Last chance to cancel dinner with the Henrys," Felix says, already knowing it's not a real option, even after Elspeth chides him for the suggestion, that they'd already had all the food brought and extra help hired.
"Has the seating chart been organised yet?" You asked hopefully, to which Elspeth smiled when her gaze landed upon you, assuring you she'd finalised it that afternoon, turning only to remind Duncan to have it delivered to your study that evening.
"You'll be seated next to Henry of Suffolk, dear," she also tells you, and immediately you're filing that information away in the back of your mind. Henry of Suffolk, partner at Richmond & Suffolk Legal; his late wife was named Clarice, he had a daughter and son a few years younger than you... their names escaped you at that moment.
Beside you, Felix is shamelessly admiring you.
"What?" You ducked your head to try and hide your embarrassed grin.
"Just watching your mind work," he teased with a laugh which had you rolling your eyes with fond exasperation.
"So you can see the cogs too then?" Venetia giggles across the table, though Farleigh chimes in before Felix has the chance to give his sister a look.
"Surprised there's not steam coming out of their ears."
"I'm not a robot," you insisted, flustered by the attention and their combined teasing.
"Just your beautiful brain then," Oliver adds fondly, and out of sheer surprise you look up to meet his endeared gaze as he looks back at you. When had he been let in on that particular joke, you wondered? Something in the back of your mind is sure that it was Venetia, after all, she was the one who most often referred to your 'robot brain' as such, but you don't have it in you to be upset. You never do at these jokes, even though you may occasionally protest about them, they're always intended as a compliment.
And there's no way you could be mad with Oliver looking at you like that.
Dinner continues on with very little fuss after that, and you return to your study feeling much lighter than you had before. Felix joins you, complaining about how you'd spent all afternoon in here, and he couldn't bare to think of you spend all evening alone in here too. Of course he knows that Oliver will more than likely join you when it gets late enough, but he's brought a book, and has quietly claimed the sofa beneath the window for himself. These nights have never been uncommon, but this Summer has seemed especially busy at Saltburn, so you more than welcome his quiet company as the day's heat slowly burns away.
It's not long before there's someone approaching your door.
"It's Duncan," you say, mostly for Felix's benefit, before the butler himself knocks and you invite him in.
"The seating arrangements for tomorrow night's event, Captain," Duncan says graciously, giving you the faintest smile as he hands the document over and turns swiftly on his heel, practically evaporating into the darkness of the house silently.
"Still have no idea how you do that," Felix sounds rather impressed from where he's draped himself over the sofa.
"Do what?" You asked distractedly, examining the seating chart in the golden glow of the lamp.
"How you know exactly who's coming and going without even seeing them."
"Duncan was just being courteous for me," you mutter off-handily, "if I'd heard nothing before he'd knocked, I'd still know it was him."
"You know that's even more impressive, right?" Felix laughs, and finally you turn to him, only to see him watching you like he can't quite believe what you're saying. Sometimes you find yourself surprised by the Cattons, and how little they seem to understand or appreciate about the Estate on which they live.
"No, what's impressive is that I can tell what kind of mood your in half the time just by the sound of your footsteps," you tells him with a grin.
"Now you're lying," Felix snorts, shaking his head. But you continue.
"No, seriously Fi, it's not always entirely accurate, but it's pretty close; I'm not quite there with the rest of your family, but I think I know you well enough."
"That's like, stalker levels of dedication," but his smile is bright in the light of the moon, and his tone turns teasing, "do you have a thing for me or something?"
"I wouldn't go that far," you huffed a laugh, playing along with the bit.
"Shame," he sighed dramatically, "I was really hoping you did, 'cos I kind of have a thing for you."
"I wouldn't if I were you," finally standing, you sauntered over to him, smirking as he beamed up at you, thoroughly pleased by this silly little bit, "that sounds like a scandal waiting to happen."
"Call the tabloids then," Felix laughed softly as he welcomed you into his arms.
"Any stalker-like tendencies of yours I should be worried about?" You asked, settling against him, leaning into him.
"Yeah, I've got a bunch of your things in my room," Felix murmurs right before you kiss him, grinning as you do so. Things devolve from there to the two of you making out in the moonlight, giggling together, teasing nonsense passed back and forth as the moon rose higher in the sky.
"Ollie's at the door," you see fit to finally tell Felix, who looks down at you with wide, surprised eyes. Sheepishly you admit, "he's been there for like five minutes." It's getting terribly late, but you really don't want to go bed right now, or go anywhere that isn't here, in this moment. Felix snorts a laugh, face scrunching up with something close to embarrassment; he knows letting Oliver get away with this kind of thing is part of the game you're all playing, but it still catches him off guard with just how aware you were of the whole situation.
"Ollie," Felix called out, and you both heard a him start behind the study door, "Christ, mate, don't linger," he insists, righting both him and yourself to something more respectable on the sofa, but still insisting on holding you close, "come in already." You're practically in his lap.
Like a deer in the headlights, looking absolutely mortified at being caught out, Oliver pushes the door open and faintly apologises, telling you both he didn't want to interrupt.
"Interrupt what?" Felix says far too easily, smile wide and a bit coy, "nothing to interrupt," though you can hear it for what it is; nothing you, Oliver, could ever interrupt if you simply asked to join. How long would it take Oliver to realise this, you wondered; Felix is getting less subtle by the day.
"I was going to ask -" Oliver pauses, focus stolen by the way Felix presses a kiss to your shoulder, before his gaze returns to your face, your expectant smile. Felix knows exactly what he's doing, "um, was going to ask about the seats for the dinner tomorrow?" Oliver manages, "I don't... know the Henrys?"
As you stand, Felix lets out a loud, disappointed sigh, but lets you go, returning to his book. Every movement, every sound Felix makes captivates Oliver in this moment, and both you and Felix are more than aware of this. Still, you swan over to your desk, looking over the seating chart before you usher Oliver over.
"They've got you next to Ven and Lady Daphne," you show him, pointing out his place along the table, "she's Henry's wife," you add wryly, and hear Felix bark a laugh behind you. Oliver, for a moment, seems confused, gaze flicking between you both.
"Aren't all the -?"
"That's the joke, Ollie," you tell him, but he still seems too nervous to properly see the humour in it, just making a faint noise of understanding in the back of his throat. "Did you want to hang out for a bit?" You offered, "this contract's doing my head in," you flicked at the thick contract on your desk dismissively, "so I'm probably going to get stuck into something lighter, but you know we always love your company."
"Thanks, but, uh," Oliver hesitated, looking to Felix again, "I think I'm gonna turn in for the night."
"Okay," you say sunnily, leaning over to give him a quick peck on the lips, which seems to startle him, "hope you sleep well, Ollie."
"Yeah," Oliver still seems to be reeling from the brief show of affection, "you too."
"Good night, mate," Felix offers with a cheery wave.
"You going to kiss me good night too?" Oliver sounds almost dazed, and suddenly looks mortified once more, like he can't quite believe he'd said that. Felix, unphased, stands and makes his way over to you both.
"Sure," he seems to take the suggestion in stride, kissing the top of Oliver's head before he bends to quickly kiss him on the lips. For a moment after Felix has pulled back, Oliver's look at him like he's staring at the sun, and Felix is wearing a sharp, knowing smile, "'night, Ollie," he says, quieter this time.
"G'night, Felix," Oliver murmurs, making his way to the door as Felix nonchalantly reaches to take the seating chart from your hand to look it over for himself. You, however, watch Oliver go, feeling both helpless and amused all at once.
"You think if I fuck him he'll take the hint?" Felix asks quietly once the door was shut, and you'd both heard Oliver's door squeak closed for the night.
"Do you think if you fuck him you'll take the hint," you asked disbelievingly, "that man is so into you, Fi," you hissed, almost furiously wide-eyed as you looked up at him. As always, Felix responds dismissively.
"Told you I'm not saying anything until he does," Felix puts the document down, choosing instead to drape his arms over your shoulders, "we can fuck around all Summer for all I care, but you know I'm not going to hold my breath for things to get more serious unless he tells me."
"He just asked you to kiss him, Felix!"
"I wasn't in love with you when we first kissed."
"Bad example; yes you were."
"Okay, bad example, yes I was," Felix admits with a faint flush, "but for the record, I didn't think I was at the time; we were twelve," he regains his composure quickly, "but it's not like you're in love with Farleigh or my sister; yeah, I know you love them, but you're not in love with them."
"That's different, Fi, we've been fucking around since forever," you sighed, resting your head against him for a moment.
"It's not different," Felix insists, "I just-" but he paused, and when you chance a look up at him, his face is scrunched up, like he's on the verge of admitting something he really doesn't want to, "I don't want to be getting my hopes up if it's just fucking around with Ollie, you know?" It comes out far more frustrated than you'd anticipated, and though you pat his back comfortingly, you can't help but add -
"He drank your bathwater."
"He fucking watched me get myself off and didn't even do anything about it until after it happened! And not even with me!" Felix points out, sounding almost like a petulant child, "I left the fucking door open and everything!" He's pouting now, actually pouting.
"He probably thinks that if he's too forward he'll scare you off, or your parents will kick him out or something," you tried to reason with him, to which Felix groaned.
"But they won't! You saw how much they loved Eddie, fucking hell," he huffed, stepping back, now wearing a scowl. Where had this night turned to something unfortunate? "Mum would throw a fucking parade if I got a boyfriend who wasn't a cheating dickhead."
"You should tell Oliver that," you pointed out frankly, "or at the very least tell him the truth about things with Eddie, so he knows that you do more than just fuck around with pretty boys."
Everything suddenly goes very still.
"What?" There's no frown, no anger anywhere on Felix's face, just pure surprise, "do you think he thinks that?" You watch Felix re-evaluate the entire situation, giving him space to sort out his feelings, "I made it clear I'm into guys too- do you think he thinks -"
"I think," slowly, carefully, you step up to Felix, voice firm but kind, "that despite how much he's seen you fuck around with other people on campus, the only person you are actually in love with is me," Felix is quiet, looking down at you with this crestfallen look like he's disappointed in himself, "and he, like most people I'll remind you, probably assumes that if he wants you to look at him like you look at me, it'll be a competition."
"Of course it's not, that's so stupid," Felix muttered reflexively.
"I've tried to tell Ollie that," you sighed, wrapping an arm around him. Felix presses his face into your hair for a very long moment.
"What if he doesn't, though?" Comes through muffled and forlorn. You're not quite sure what he means, and thankfully Felix continues, not that he moves his face at all, "what if it is just fucking around and we've misread all of this; I can't tell him I actually love him too, I'd look like an absolute freak."
"Tell him about Eddie," you advised softly, "at least he'll get the hint that you're capable of falling in love with someone who isn't me." The reminder of Eddie would always probably ache, you're starting to come to realise. For now, however, you ignore it.
Felix hugs you tightly, and mumbles that you're probably right. Something eases in your chest at that.
Curled up together in bed not ten minutes later, neither your pyjamas or duvet are as comfortable or warm as Felix's arm around you. He's still deep in thought about the night that had just passed; when he muses that at least it was a better talk than the night before, he sounds like he's still making his mind up about that. Settling into sleep, however, you're contented knowing it was true.
The following morning feels comparatively serene, chattering away to the rest of the family about the night's coming festivities. Both you and Felix drop a quick kiss to the top of Oliver's head in passing on your way to collect breakfast - Farleigh's the only one who notices, and he rolls his eyes at you both. Venetia asks you what you'll be wearing to the event and lights up when you tell her it's the jumpsuit she'd bought you from Yves Saint Laurent for your last birthday, while Elspeth coos that you'll look just darling in it.
After yesterday morning's tenseness, getting to work in your garden, planting the flowers that had arrived for you, music playing cheerily through your little speaker, it feels like a dream. The sun is warm against your back, and for some weird reason you think you see Oliver skulking around in one of the gardens by the wall of the house. Lurking again. Probably habit more than anything else, you figured. Considering the games you've been playing with him, you don't see the need to discourage that kind of behaviour. He's by the window of one of the little libraries; you wonder what must be going on in there to have caught his attention.
Oh well, you'll ask later if you remember.
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witlesswitnesstm · 2 months
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Ok so I haven’t posted anything about this before, but I feel as though I have to now because this obsession is taking over my life.
The Marvin Trilogy: My Speculations about Marvin’s sexual trauma
(Surprisingly, I’ve seen almost no one talk about this)
Cw: Pedophila, SA, mention of suicidality
For this, I am taking from both the 1979 album and the 1985 rewrite of In Trousers.
So, the elephant in the room: Set those sails. When I first watched the Trinity College production, the entire song gave me a sense of unease unlike anything else. There’s this whole depiction of Mrs. Goldberg stripping in front of Marvin, a 14 year old, and then Marvin backing away and watching all of the ladies sing. I want to note here how Marvin doesn’t sing in this at all. Then the song ends, and Mrs. Goldberg claims the entire song was a highschool fantasy by Marvin. See, I don’t doubt that parts of it were definitely made up, but I think Mrs. Goldberg coming onto Marvin was not. To me, Set those sails is Marvin’s interpretation of his teacher’s assault. He’s trying to justify his uncomfortableness by imagining this scenario is a sort of “wake up call” to manhood. One of the lines is “You might tell me you’re a victim, you might get what you deserve.” Which, in my opinion, is near damning evidence to suggest that Mrs. Goldberg groomed/abused Marvin in some way. She says that she can’t excuse a boy who’s lost his nerve, which seems to me like her encouraging Marvin’s perception of masculinity, and saying that he needs to reciprocate her affection to be a man. There are further references to how a good man never fails or how men account for the appetite of all, that could be him trying to tell himself he should’ve enjoyed it. A “good man” in Marvin eyes, is someone who has incredible resolve to his heterosexuality, and always lusts for women. What better a way to prove that than to pretend he enjoyed being assaulted?
Next, I want to note the differences between Set those sails and the R—- of Mrs. Goldberg. The r of Mrs. Goldberg is incredibly childish, and it’s clearly stated at the beginning that it’s a fantasy by Marvin. In this song, Marvin has the control. He’s the hero who takes Mrs. Goldberg instead of the other way around. He has no clear understanding of what sex actually is, and just wants the absolute power that is implied with it. I personally like the interpretation that Marvin made fantasies of having control to cope with being assaulted. I also like the interpretation that this song is a story he made up to tell others in order to “prove” his heterosexuality. As I briefly mentioned earlier, the behavior of Marvin between the 2 songs is also very stark. In set those sails, Marvin actively tries to get away from Mrs. Goldberg and stays absolutely silent. This is extremely uncharacteristic of Marvin, especially at this age. He always acts out, he always yells, except for this song. This deeply contrasts the R of Mrs. Goldberg, where Marvin is loud and happy, as usual. I take this to mean that Set those sails is one of the few moments where he is truly paralyzed.
There are a few references to Mrs. Goldberg’s misconduct in Highschool sweetheart as well, even if they are a stretch. Marvin says “She gives me words to say” and while this is obviously a reference to the script, it might also be her telling Marvin to lie about what happened. There’s also Mrs. Goldberg saying “Stop making me crazy, Marvin. I love the way Marvin acts, I do.” which is obviously about his unruly behavior, but might also be about her sexual feelings towards him.
As for how this ties into the main theme of misogyny, misogyny affects all. The idea that women are docile and innocent, and men are sex crazed is a product of misogyny. Marvin holding this belief actively hurts him over and over again, blaming himself for not living up to this standard. I truly have no idea if this is what William Finn intended, but I find it interesting how it all fits.
Moving on from childhood, let’s talk about Nausea before the game. Besides probably being my favorite song in the whole show, it gives a whole lot of insight as to how Marvin feels about sex now that he’s presumably experienced it. The constant references to games are important here, I feel like. Marvin absolutely loves winning. He even says that winning is everything to him in The Chess Game. Marvin would do anything to win, including forcing himself through intercourse he desperately does not want to have. It’s implied that he literally throws up afterwards, trying to purge himself of his shame. He even prays for it to stop, but inevitably, it never does. And of course this all stems from his internalized homophobia, and the added layer of possibly being assaulted as a child just makes the entire situation even more tragic. Having sex with Trina could *literally* be bringing back traumatic experiences. This also makes me feel for Trina, because she did nothing wrong. She just wants love, but Marvin is so fucked up. There’s also even more references to being inappropriately touched in highschool with the line “It's anxiety when you recall girls who touch you when you're walking down the hall.”
My chance to survive the night just further elaborates how much Marvin hates being heterosexual. I find the word “survive” to be very peculiar in this case. It went from “winning” sex to “surviving” it. This might imply how worn out he is because of all of this, focusing his attention to his literal survival than his pride. It might also imply suicidal thoughts during sex, leading to him just wanting to live through it, although that might be a stretch. (Marvin’s suicidality is a whole other can of worms that I’d love to get into in another post). One thing though, I don’t actually know if My chance to survive the night is before or after Nausea before the game, but it has a similar implication either way. Anyway, there’s one verse in the song I want to note. Marvin says sex as a dance, but he describes all the movements very objectively, and notes how he isn’t very lucid about it. This might be a sign of disassociation, which is a common trauma response. Another thing from this song is that he says he wants to sleep, but the phone will ring (Presumably a call to intimacy). And this theme of wanting to sleep but not being able to is a theme throughout the whole musical. There’s a reference to it in Nausea before the game with “If I touch her would she let me fall asleep?”, and many references in “I can’t sleep”, but I think that song is more about how Marvin’s ex lovers haunt him in general.
Next up, I want to talk about Your lips and me reprise. This really digs into the whole “Marvin’s ex lovers are haunting him” deal. This is the first time we really see Marvin actually acknowledge the ladies’ accompaniment for his songs, and it’s because of his guilt for making up a story about Mrs. Goldberg. I think Marvin thinking about this in one of his most private places, his shower, just shows how much this affected him, even in adulthood. The line “My body is not yours to hold” by Mrs. Goldberg is extremely powerful, and I think it could have multiple meanings. It’s Marvin’s guilt about fantasizing about her, yes, but it could also be him finally accepting that what he and Mrs. Goldberg did wasn’t supposed to happen. The ensuing panic attack is caused by Marvin’s perception of his childhood crashing around him. If anyone has seen lars_orange’s animatic of this song on YouTube, I really love their depiction of Marvin recovering from his panic attack. He thinks about Whizzer, and he breathes. This is where Marvin takes a victory shower starts. He’s not ashamed anymore. (Unrelated, but is it just me or is this song seem like Marvin taking a shower after having sex with Whizzer? It’s referenced in How America got its name that Columbus planned to take a shower after he and Amerigo spent so much time together.)
Finally, I want to talk about Another sleepless night. Specifically the 1985 version. This gives a clue into how passionate Whizzer and Marvin are, even before The thrill of first love. There is one key difference in the lyrics from the college production to the actual lyrics. In the actual lyrics, there’s a line, “I’m feeling hot. He'll close his eyes, and then surprise: I'll be awake and performing” but the college production changes it to “He’s feeling hot. I’ll close my eyes, and then surprise: I'll be awake and performing”. The actual lyrics enforce Marvin’s need for homosexual intimacy, which feels very in character for him at this point. He’s craving anything other than heterosexual sex and he finally has that in Whizzer. The college lyrics paint a completely different picture, implying that Whizzer is the one who wants passion. Then Marvin says “He'll wanna sleep, but asks for more. To put up with a guy like myself must be a bore.” This suggests Marvin still feels a sense of guilt for not being able to give what others want from him. These different interpretations bring completely different meanings to the line “But he sleeps in this bed, with me, a survivor.” For the original lyrics, the connotation of “survivor” is positive; he’s survived his trauma and able to move on. For the college production, it’s negative; he still feels fragile or insecure because of what he’s been through. Ultimately it ends semi positively with both versions saying that Marvin’s never felt more alive.
Ok, god damn that was a lot of words. Short story, Marvin is hells of fucked up, and I really really really love the Marvin trilogy
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