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govindhtech · 2 months

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Qualcomm QCC730: Transforming IoT Device Battery Life

Qualcomm QCC730

By consistently accelerating innovation across industries, Qualcomm Technologies, Inc. places itself at the centre of the digital transformation and highlights its prominent presence in the embedded and IoT ecosystem at the Embedded World Exhibition & Conference. Qualcomm processor-powered solutions are being showcased by over 35 companies, including distributors, autonomous software vendors, robotics centres, manufacturing facilities, edge AI boxes, asset and fleet management, and automotive solutions, among others.Image credit to Qualcomm

Qualcomm Technologies is introducing new products and solutions at Embedded World that are intended to empower its clients within the embedded ecosystem. For the newest IoT products and applications, on-device AI, high-performance, low-power processing, and connectivity are made possible by the Qualcomm RB3 Gen 2 Platform and the new Qualcomm QCC730 Wi-Fi solution.

Qualcomm Wireless QCC730

A disruptive micro-power Wi-Fi system for Internet of Things connectivity, the Qualcomm QCC730, is also being unveiled by Qualcomm Technologies. This technological innovation can transform products in battery-powered industrial, commercial, and consumer applications by providing up to 88% less power than previous generations. An open-source IDE and SDK that facilitate cloud connectivity offloading for developer convenience will be available to go along with QCC730.

Because of its adaptability, developers can even use QCC730 as a high-performing substitute for Bluetooth IoT applications in order to achieve direct cloud connectivity and flexible design. Additionally, Qualcomm Technologies provides a line of Internet of Things (IoT) connectivity products, such as the tri-core, ultra-low power, Bluetooth Low Energy SoC QCC711, and the all-in-one solution QCC740, which supports Bluetooth, Zigbee, Wi-Fi, and Thread.

“The Qualcomm QCC730 SoC is an industry-leading micro-powered Wi-Fi solution for battery-powered IoT platforms, complementing high-performance, low-latency wireless connectivity. The QCC730 allows devices to maintain connectivity to cloud platforms while supporting TCP/IP networking features within form-factor and wireless constraints, according to Rahul Patel, group general manager, connectivity, broadband and networking (CBN), Qualcomm Technologies, Inc. “This new offering, together with the rest of their IoT connectivity portfolio, positions Qualcomm Technologies at the forefront of the next generation of battery-powered smart home, gaming, healthcare, and other consumer electronics devices. It also reflects their commitment to leveraging their decades of research and development to pioneer new user experiences.”

Ultra-low micro-power Wi-Fi SoC to replace Bluetooth for battery-powered IoT apps

Leading 1×1 Wi-Fi 4 transceiver Qualcomm QCC730 is designed to provide ultralow micro-power Wi-Fi, scalability flexibility, and versatility for ease of design. For battery-powered or energy-harvested IoT, the selectable power modes and innovative power management enable exponential battery life. For a complete solution, QCC730 will be paired with an open-source SDK and software stack that facilitate cloud connectivity offloading. Because of its direct cloud connectivity, developers now have an option outside of applications that are typically limited to Bluetooth.

An open-source software SDK that can be found on CodeLinaro will power QCC730. Additionally, Qualcomm Connectivity Integrated Development Environment (VSCode) based on Microsoft Visual Studio Code will be installed on it. To enable VSCode that is specifically tailored for QCC730, an open-source plugin for VSCode extensions will be made available. Qualcomm Authorised Design Centres offer development kits and modules that are optimised for cost and size to enable rapid time-to-market productization.

Exceptionally long battery life with unbelievably low micro-power Wi-Fi

They unique power management and selectable power modes optimise energy savings for incredibly long battery life. their lowest-power Wi-Fi for IoT connectivity, the QCC730, uses up to 88% less power than models from earlier generations.

Adaptability to scale

The hostless and hosted modes of operation, support for internal and external power amplifiers, and integrated non-volatile memory of QCC730 give developers a great deal of flexibility.

Adaptable system for simplicity in design

To increase design flexibility and ease of use, QCC730 incorporates NVM, SRAM, and an on-chip microcontroller in its entirety. The QCC730 gives developers the ability to replace or integrate applications that are typically limited to Bluetooth.

complete stack for cloud connectivity

Complete solutions like QCC730 come with an open-source software SDK that can be obtained through CodeLinaro, an IDE for Microsoft VSCode that supports cost- and size-optimized modules and related development kits.

Features of Qualcomm QCC730

The application processor is a dedicated Arm Cortex-M4F processor operating at 60 MHz, which can be used with or without an RTOS.

Wi-Fi function of dual band 1×1 802.11 a/b/g/n HT20 and up to MCS3.

Using on-chip RRAM (NVM) eliminates the need for an external NOR flash for host applications.

Crypto accelerator built into the hardware.

Sophisticated power management system to intelligently reduce power consumption for every application.

Specifications of Qualcomm QCC730

CPU

Name: Arm Cortex-M4F Processor

Wi-Fi

Standards: 802.11b, 802.11g, 802.11n, 802.11a

Spectral Bands: 2.4 GHz, 5 GHz

Channels: 20 MHz

Antenna Configuration: 1×1

Features: up to MCS3

Interfaces

Supported Interfaces: Master IC, 15x muxed GPIO, Slave SPI, 2-wire UART, Master QSPI

Security

Features: Secure Boot, Cryptographic Accelerator, Qualcomm Trusted Execution Environment & Services, Secure debug

Package

Type: 90-ball WLCSP

Size: ‘3.3 x 3.58 x 0.55 mm

Pitch: 0.35 mm

Process Node and Technology

Process Node: 22 nm

RAM

Density: 1.5 MB

SRAM

Density: 640 kB

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#technologynews #technology #TechnologyTrends #technews #news #Qualcomm #qualcommqcc #qualcommQcc730

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arguablysustainable · 8 months

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Countries leading the way in sustainable fashion

The fashion industry contributes about 10% of humanity's carbon emissions, because of this countries are now turning their focus on sustainability. The responsibility for change is falling on manufacturers, brands, consumers, and policymakers. As the apparel retail market continues to grow, the need for sustainable fashion and sustainable shopping behaviors becomes more essential. Lets take a look at the countries that have been leading the way to a more sustainable future.

#1 Japan

Japan recently created the Japan Sustainable Fashion Alliance (JSFA) with the goal of achieving zero fashion loss through appropriate production, purchase, and recycling. JSFA works with suppliers and customers to make the entire value chain transparent and supports and cooperates with policy involvement and sustainable fashion collaboration. Additionally, many designers are working to find ways to make the design and sample process more sustainable. Shohei is one clothing brand working toward this goal, as they are making 3D renderings of clothing to help eliminate waste from samples. Another Japanese brand, Studio Membrane, is utilizing a different approach to sustainability, making biodegradable clothing from a protein resin found in wool.

#2 Singapore

Similar to the JSFA, Singapore created the Singapore Fashion Council (SFC) to be a catalyst for the fashion industry’s continuous growth, with an emphasis on Asian craftsmanship, sustainability, innovation, and technology. Their mission is to empower and inspire all brands in the fashion ecosystem through partnerships that have accessible resources, meaningful networks, and sustainability-focused innovations. One popular children's clothing brand, Nimbu, is the country's first circular kids' brand. Consumers buy clothing and when their child outgrows the outfit, they can return it to the store for credits that offset their next purchase. The circular model is helping ensure that old clothing is disposed of properly or given a new home, which fits into the initiatives that the SFC is trying to promote. Additionally, Singapore is seeing a change in consumer preferences and behavior as a result of the COVID-19 pandemic. Specifically, Singapore has seen an increase in consumers looking for sustainable or green packaging alternatives. This has worked out well in Singapore because traditional packaging materials have not been easily accessible due to supply chain constraints, so businesses switched to green packaging alternatives and are not planning to go back to traditional packaging materials.

#3 United Kingdom

The United Kingdom introduced the 10-Year Fashion Industry Sustainability Change Programme under Boris Johnson in June 2022 which is aiming to support the fashion industry to embrace new business models and help to create world-leading recycling and sorting infrastructure that will bring about systemic change and opportunities for UK manufacturing. Some fashion brands have started to make changes aligning with this initiative by using eco-friendly dyes and plastic-free alternative materials to help restore and renew natural ecosystems. These companies are focusing more on regenerative fashion instead of finding ways to use materials in a sustainable way, which will have a positive impact on the environment. Another way the UK is working to be more sustainable in fashion is by implementing the idea of ‘degrowth’, adapting to live and work within the boundaries of our planet and finding new ways to still achieve financial growth. This requires innovation and adoption of new materials and technologies that support the goals and protection of the environment while still allowing companies to grow and be successful. RÆBURN is one London-based company that has pioneered the reworking of surplus fabrics to create functional pieces. RÆBURN is committed to lifetime repairs to limit clothing waste and donates 1% of annual turnover to approved environmental nonprofit organizations. RÆBURN's business plan is well aligned with the 10-Year Fashion Industry Sustainability Change Programme and can be used as a model for other businesses looking to switch to more sustainable business models.

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These changes are helping shift the future of the fashion industry and supporting meaningful change that goes beyond the clothes we wear. Without these changes, we will only continue to cause irreparable damage to our planet, taking a toll on more locations and industries as these concerns progress. With the implementation of new ideas around sustainability, fashion communities are driving the development we need in our manufacturing and consumer purchasing trends !

Thank you for tuning in and remember do your part in the fight for a more sustainable future ! Next weeks post will recap fashion week and our favorite brands that focused on sustainability :)

Written by Angelica Henson

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#sustainability #fashion #climate change #outfit inspiration

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luxurypackagingdesignagency · 3 years

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Mazarine Pascalie Luxury Packaging Design Agency

The client prides MiresBall on their quality of labor and a focus to element. We wrap up by checking whether companies implement luxury packaging design agency methods with security, functionality, convenience, protection, model recognition, communication, finances, and ROI in thoughts. We pay particular attention to every agency’s strategy constructing course of as a end result of that can make or break packaging design. As a rule of thumb, good methods start with a market, audience and pattern analyses.

As part of our impeccable service, we thoroughly test each accomplished piece to ensure it’s fit for purpose and exceptionally made. Trust– you probably can belief us to offer branding and packaging design solutions that may portray your organization in the finest possible light. We purpose to make the journey as stress-free as attainable for you, so our printers can produce your packaging from begin to end. Alternatively, we will share exceptionally detailed guides together with your preferred printers if you want. Collaboration – no one knows more about your model identification than you.

Luxury packaging design agency should capture the essence of your model whereas simulating the identical navigational and consumer-friendly aspects that your bodily storefront has to offer. MSLK’s method to luxury net design is rooted by strategy and expertise. We create websites that not solely function an opportunity to coach your clientele, however act as the turning point where your viewers evolves from just a shopper to a maven of your model. Branding supplies, together with luxury packaging, should provide consumers the tools to make knowledgeable decisions to not only choose you now, but additionally to construct a long-term relationship with your model. In order to construct this relationship, MSLK works with thrilling materials that leverage tactile connections, and grab the eye of your clientele. We perceive that luxurious packaging is a crowning glory that completes the entire identification of the brand expertise, and we strive to create memorable keepsakes.

After verifying the authenticity of the critiques, we analyze the info discovered on business directories, websites, and elsewhere to gain a deeper understanding of the companies’ expertise. ARC Worldwide are the nice model activation arm of Leo Burnett and have won a bunch of John Caples Awards, Campaign Big Award, IPM Awards, MAA Best Awards and DMA Awards in the final year alone. It's shoppers in the UK include Mondelez, P&G, McDonalds, Coca-Cola, Samsung and Tesco. Coley Porter Bell can make your brand beautiful, make it stand out from a crowd and entice attention by carefully thinking about how the totally different shopper dealing with parts of your model will match collectively.

As their name suggests, they continuously look to determine manufacturers that assume ahead. We are just showcasing the data for design inspiration and creativity. If you need to create a new Snack model OR extend your established brand to different merchandise, we may help. Having labored with many snack food products currently on the cabinets in nationwide supermarket chains at present. A Clear System – A distinctive use of stock imagery and unpackaging experience helped create intrigue while allowing flexibility within the company’s plans for future SKU additions.

Based in London but working globally for more than twenty years, Jo’s talent delivers unequalled and beautiful luxury design options. Services include branding,print design,website design and bespoke packaging. With a trusted network of award-winning graphic designers, branding consultants and communication specialists, we create packaging designs which are guaranteed to make an impact on each clients and customers. We work with you to remodel your projects from concepts to reality; from idea to must-have product. Based in London, we are a branding and packaging design agency who supply a flexible, partnership method that our larger rivals merely can't match.

Our Beauty and luxurious references, on the service of the biggest brands. We concentrate on producing hand-made bespoke packaging in small runs of between a hundred and 500 units. We can supply bigger portions if required, but smaller runs allow extra inventive freedom through not being confined to the constraints of machinery.

In the same spirit of historic tea ingesting rituals, the brand is interested in the continued promotion of slow-living, a life-style that seeks to position more focus on the small details and experiences of on a daily basis life. Assets included unfastened tea pouches and boxes, takeaway cups and buying bags. These are linked by a T&G logo, Klim Type Foundry’s Domaine Display, Sans and Condensed, a pastel colour palette, copper block foiling and a fragile sample. ButterflyCannon is in distinction to any other design company because it focuses solely on premium and status consumer manufacturers throughout the drinks, cosmetics and food classes. “We are a boutique agency that employs highly creative thinkers and consultants in design craft and production.

To uphold this perception, we mix type + substance to send out an intriguing, yet unified message throughout all types of media, whether or not or not it's branding, packaging, websites, or out-of-the-box advertising. We have been creating collectable, innovative packaging for more than 20 years. Luxury packaging ideas and beautiful design demand excellent execution, so we work closely with a hand-picked team of area of interest craftspeople who share our exacting requirements. Their proximity to London allows us to personally manage and quality control every stage of the packaging manufacturing process.

SGK has been assembly the corporate's expectations on this ongoing engagement. Sixteen years ago, MiresBall was hired by a worldwide tech company for quite so much of digital tasks. The work included world advertising, updating a internet site, content creation, and extra.

They specialize in packaging design, graphic design, and logo options for small and mid-market companies within the area of client products. With that in mind, we tracked top packaging design companies that, along with packaging design, offer net design and development companies. We choose companies that can create excellent digital experiences using a wealthy assortment of visual elements that portray the brand identity in the absolute best means. That’s why we searched for packaging design corporations that double as social media advertising experts.

Since 1985, the team of 20 works with a variety of shoppers on their branding, packaging and web design, and promoting needs. We create work that’s knowledgeable by real relationships, where we continuously look, listen and be taught. Only when we’ve taken the time to fully understand your business objectives will we offer an opinion. With 25 years experience in the trade we provide inventive solutions which balance functionality, data and wonder to assist your brand succeed. Defining your model persona prematurely helps packaging design corporations refine the design to enchantment to your customers. While pastels, bright colors, and fancy fonts may enchantment to Gen Z and Millennials, an older viewers may prefer clear, massive text and minimalistic packaging.

Think Treasure Hunt, whereby you drop clues to the user with the ultimate objective of attending to the product. There are numerous methods to achieve this and these may range from pull tabs, butter paper, pop-up graphics, or satin ribbons. The key is to stroll the tightrope between maintaining it intuitive and maintaining it mysterious in order that the user feels rewarded and not annoyed on the finish of it all. This website uses cookies in order that we can provide you with the most effective user experience possible. Hotspex conducted market analysis for a advertising agency’s third-party client. They carried out an intensive examine to uncover particulars surrounding the client’s goal market.

We work with luxurious brand homeowners on all aspects of their advertising and this typically takes us into the realm of bespoke, innovative packaging design. We’ve created limited-edition, high-end boxes for coffee table books, luxurious boxed invitations for exclusive events and premium press kits to launch luxurious products. Founded in 2014, Fishfinger Creative Agency is a inventive studio headquartered in London.

To remain aggressive, brands must invest in advertising and creative efforts, with businesses preferring companies that provide a full scope of services along with packaging design. As a passionate entrepreneur and creative brand marketing consultant with experience of 14 years in digital, branding and packaging industry, it is my sincere effort to place my experiences and data of trade in path of readers. A chartered accountant by degree but a marketing personality in blood has motivated her to soak up designing business as a career.

Their 20-person group supplies a extensive range of inventive services together with branding, web design, and print design. Lien Design is a artistic company in San Diego that was based in 1998. It presently has three employees and provides services similar to packaging design, branding, print and logo design, market technique and analysis, and promoting.

Founded in 2008, their staff of round 10 workers makes a speciality of contract management, packaging design, and branding. The Design Laboratory supplied packaging design and branding for a spirits firm. Internal stakeholders had been impressed with the group's imaginative and prescient, creativity, and expertise. Deal Design created U.S. market branding strategies for a automobile air freshener firm. They supplied inventive branding ideas, packaging, and logo design expertise that the client rated as top quality.

Founded in 1999, Deal Design's staff of fewer than 10 employees supplies packaging design, brand, web design, and branding services. McLean is a branding agency primarily based in Walnut Creek, CA. Founded in 1991, McLean supplies packaging design, branding, and emblem services for small and midmarket companies primarily. With print nonetheless an important component of promoting, many businesses supply graphic design providers for brochures, journal advertisements, packaging, signage, etc. We consider these businesses intimately against our standards for graphic design firms to ensure solely the most effective safe a spot on our list.

Projects have included Devotion Diamonds, Petit Tribe (luxury children’s fashion), Kalayci and Spence Diamonds. One of our newest initiatives is Savage and Rose, a model new luxury jewelry brand. On their web site is a great rundown of the most effective global manufacturers, Oh and examine out the consumer list, it's longer than most of all of our arms . Whomever we work with, we apply the same level of creativity, attention to element and fervour on their project. I could begin saying how blooming marvellous they're, but I guess that is the pun they meant in the name, or at least certainly one of them, Bloom helps a model develop, blossom and finally bloom into it's full glory.

Affluent clients meanwhile are more doubtless to pay further for a luxurious look and feel, whereas those shopping on a price range will favor operate over fashion. Before sealing a cope with a packaging design agency, you need to know the way a lot their services value. We additionally analysis the success of agencies’ purchasers comparing their performance earlier than and after hiring the agency and in opposition to the competitors to shortlist the top packaging design agencies. Beautiful shapes and graphics must also be space-efficient for transport and retail display. Substrates must reflect model values whereas not costing greater than the product! At Grain Creative we’ve worked with leading brands in the luxury items, telecoms and FMCG sectors.

We take the time to examine their purchasers' performance before and after hiring a particular packaging design company. We additionally use the assistance of pros with a keen eye on design to determine whether the companies have an excellent sense of shade, mild, shape, visualization, and ability to deliver the concept to life without hurting the planet. Today in 2020, purchasing is all concerning the experience, and the journey one goes all through the whole process. Luxury packaging design isn't just about money however to create a memorable expertise in each step. The motive of luxury product packaging is beyond physical protection; it is having a direct hyperlink with the model and its unique story. People are able to pay extra for the delight of being related to the luxurious model.

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fpinterviews · 14 years

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Jaclyn Santos

FP: We've spoken about the subject of the male gaze, and even part of the mission statement of FP is to question what it means when women artists control the power of their own objectification. There have been other artists who have paved the way, ie. Vanessa Beecroft, why do you think it is still considered controversial and shocking for a female artist to portray her sexuality as outwardly powerful and/or vulnerable?

JS: While many women artists have displayed their own sexuality in their artwork, every girl and woman still has to confront this topic individually and form her own convictions. It's something we continuously re-examine as we age and deal with new personal struggles. There are so many conflicting messages in society regarding a woman’s stance on her own sexuality and most women are still trying to figure it out for themselves. On one hand, society definitely rewards physical beauty yet, in many other ways, it can be an impediment. Increasingly, I think people turn to media figures as a barometer for their own morality. For the "Shock Challenge" I wanted to generate discussion about the way women are often criticized because of images they present of themselves – particularly the way certain female celebrities objectify themselves by posting sexy personal photos on social networking platforms such as Twitter. Often these photos are low-resolution and snapped from cell phones. I decided to photograph myself in this manner as a sort of contemporary “self-portraiture” and elevate the photos to fine art status by re-contextualizing them. I then displayed the images in the gallery and allowed the audience to physically alter the work in any way with sharpies, which draws attention to the way women are criticized online. I titled the piece, “Triple Self-Portrait in Bathroom,” which references Andy Warhol, an artist known for working with the idea of celebrity persona.

Another reason it may still be considered controversial is because of female competition, which occurs in part due to socially imposed myths of female worth. The scrutiny with which women can judge each other is incredible. Growing up, I wasn’t horrendously unattractive but I did go through an “awkward phase,” and for five years of my life other girls ridiculed me nearly every day. Now that I am older and have grown into my looks, I am condemned by some women because I keep up my appearance, when if I didn’t I would be put down for it. The world sets up a standard for beauty, then criticizes those who admit they struggle with it. I’m willing to honestly examine this contradiction through my artwork.

FP: You've also mentioned isolationism in your statement...a theme that seems to be prevalent in American culture today, particularly because of the internet, and our ability to be alone yet still remain virtually connected. Can you speak about how that relates to your work?

JS: I think the piece I did for the "Art That Moves You" challenge on WOA, "11x17", touches on the issue of isolationism in contemporary urban culture. It also examines voyeurism, a somewhat natural response to isolation. While most people do not spy on their neighbors' with binoculars, voyeurism has transcended to the internet in a more diluted version, where many of us use social networking platforms and blogs to comment on the lives of those we see on Television and other forms of Media. The pseudo-anonimity of the Internet offers protection while potentially causing further isolation. I think this has affected women in a very specific way. Oftentimes women display sexy images of themselves in an attempt to garner attention or praise, yet this often backfires into “unwarranted” criticism. Too often photos or explicit videos are released without consent.

FP: In regards to the nudity on the show...it really was a missed opportunity as you said for the production to discuss the current state of feminism as it pertains to the art world. Such a HUGE topic and yet (for the sake of time constraints? titillation of tv?) Bravo chose to edit down your provocative "shock value" piece to a hot girl defaulting to her own voyeuristic sexuality more than anything else. How did you feel about that? What could they have done to further the dialogue? What do you think would have happened if say one of the male artists had asked to photograph you naked or had photographed themselves naked...do you think more or less would have been made of that episode?

JS: So far my character has appeared very one-dimensional. The fact is, I am not a "bimbo" in any capacity. Instead of portraying my true personality, they jumped on every opportunity to dumb-down my character. I was very disturbed by the way my piece, “Triple Self-Portrait in Bathroom,” was depicted on Work of Art as well as the way my character and art making process were completely distorted. I don’t think this was done because of time constraints; rather, it was done to create a very simple story arch that any casual viewer could follow. This was problematic because it made me look like I default to nudity without any thought behind the concept of the work, which undermines my art process. I am not shy about my appearance as they suggest, but I did feel incredibly vulnerable being taped in the nude. There's a huge difference between presenting a photograph that I have carefully selected and composed, verses handing over raw footage that can be manipulated in any way whatsoever. I was very hesitant about doing this but I believed in the piece and the producers said they needed the footage only to display my process. Yet in the episode, the rest of my process was barely discussed, then it was falsely made to look as though I was not responsible for conceptualizing the final product.

The treatment of sensitive issues on set was different for the boys. A male contestant was not required to film himself ejaculating on a piece of art, which caused some tension on set.

FP: In The Art of Reflection: Women Artists' Self-Portraiture in the Twentieth Century, Marsha Meskimmon states: "If the task was to find oneself, then the crisis for the postmodern subject is that nowhere is home, everything shifts and changes. What is the reflection in the mirror that 'vanity' holds? She refuses now to be the 'site' of another's desire and reflects back to you the insubstantiality of your projections."1

Do you think it's possible for the physicality of an attractive female artist to ever be a separate entity from her work, particularly if she is the subject matter of her own work? Is vanity and the mirror important to an artist?

JS: To answer the question, if the womans' chosen subject matter deals with nudity or sexuality in the form of self-portraiture - i.e. Marina Abramovic, Cindy Sherman - no, I don't feel the artist's appearance could be a seperate entity. If the subject matter involves sexy images of other women or the imagery is more illustrative - i.e. Lisa Yuskavage, Hillary Harkness - I think it will be much less of an issue. I think it can only be a non-issue if the artist completely plays down her appearance or doesn't acknowledge it in her work. Yet this doesn't necessarily mean it won't be an issue. At a college critique, a guest artist was invited to our studios and the minute he saw me, before he ever saw my work, he blurted out, “you are the artist”? “You don’t look anything like an artist... YOU are as interesting as your work." This sort of thing happened so often that I made a decision to incorporate my appearance into my work.

FP: Another great quote from this same book: "One of the key issues in feminist theory has been that of women's voice in male language. To what extent is it possible to enunciate a truly different position when you are already within the structures which mark your difference?"2 Do you think the art world is still a predominantly masculine one or is it now equal...what has your experience been thus far?

JS: While certainly more doors are now open to female artists, there’s no denying the highest paid artists are all still men. There’s also no denying that the vast majority of Art collectors are men. I worked for Jeff Koons for two years and there were very few women who came in to purchase work. Granted, this may simply be because men still make more money than women and if women had more spending power, more of us would invest in contemporary art. I think it is a challenge to make work about women that can appeal to both a male and female audience on the same level. We respond to images of the female form rather differently, and it's hard to subvert the provocative aspect of a sexualized image.

FP: The high-low art status is interesting in your pieces --do you think anything can be elevated to art status by redepicting it?

JS: Yes, it can, if done in a particular way. Intent is important -- low art must be appropriated in an intelligent way. For instance, a high school student copying his incredible hulk comic book is entirely different than Jeff Koons appropriating the hulk into his personal iconography.

FP: You worked as a studio assistant to pop art icon Jeff Koons. Has he influenced your work? And who are your biggest influences?

JS: Before I ever worked for Jeff Koons, I loved his Made in Heaven series as well as his Luxury/Degradation series. Speaking of Made in Heaven, that’s a prime example of low-art being successfully elevated to high -art. Jeff Koons is brilliant and there are very few people who love art as much as he does. Working at his studio was an incredible learning experience. It was so interesting to see how he spoke with visitors about his work and I learned an incredible amount of technical skill while at his studio. Jeff talked "acceptance" quite often. We must accept who we are -- our individual and collective pasts -- our shortcomings, failures, weaknesses, and strengths. As artists, we must be honest with ourselves in order to make work that is personal yet transcends to a wider audience. So many artists have influenced my work, but to name a few: Damien Hirst, Marilyn Minter, Laurel Nakadate, Liz Cohen, Vanessa Beecroft

FP: Where do you see your work evolving now that you've participated in Bravo's Work of Art? Has the show inspired you in a new direction? What's on the horizon? Where can we see your work next?

JS: Participating in the reality show was an experience like no other. It really made me more aware of the internet as a portal for criticism and dialogue in fine art. It also opened my eyes to how incredibly critical and voyeuristic our culture is, and I think I would like to comment even further on these qualities in my new projects. The show also allowed me to branch out into other mediums when appropriate, something I think I may have been afraid to do before. Since the show wrapped up, I’ve been continuing my series of figurative paintings as well as a new series of explosions that respond to the war and oil spill.

Check my website, www.jaclynsantos.com for frequent updates of my new work.

#Jaclyn Santos

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love-takes-work · 5 years

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Below, I’m sharing a long outline of what was discussed in this wonderful interview, for those who can’t or prefer not to listen but want to know the content. It is very long and I don’t feel like finding pictures so you’ll have to just enjoy it like it is. It’s not a transcript but it is, in my own words for the most part, a recitation of everything Susana and Rebecca talked about: musicals, the upcoming movie, animation influences, and quite a few things you did not already know.

Susana introduces the interview by saying that tons of attention is paid to the diversity and the characters and all this great stuff in the show, but she wants to talk about the science fiction aspects and the society and worldbuilding Rebecca and her team have put in. She begins by talking about how the show seems so planned considering aspects of the show's beginning feed so well into the end, and she asks Rebecca to talk about that.

Rebecca opens by saying it was conceived as a coming-of-age story, so a ton of stuff that the adults know, Steven doesn't know, allowing it to be a story about things that happened to adults but remain child-friendly. Rebecca brings up a college class on the sublime that she took, about what's going on and implied to be going on just outside the frame of the art, so she was really taken with that concept.

Rebecca claims that her planning is pretty dry, and it's just a bunch of charts. She had stuff like Fusion names and weapons from the beginning, and of course she couldn't use them in her pitch because it didn't make sense without knowing the characters. Susana mentions that CN wanted the show to be aired in no particular order, and Rebecca mentions how it was hard to work with because she DID want continuity. Planting seeds in episodes and giving puzzle pieces that'd come together later worked for a long time, while still making each episode work as a whole and be satisfying. Later, when CN came to them wanting like eight related episodes, there they had the barn arc to give them--they had already planned to make this story related. She felt it aired in a "bizarre" way, but they comforted themselves on the Crew knowing someday people would watch it how it was meant to be watched. As a lead-up to the movie, CN IS going to air "every Steven ever," so people will actually get to see it in marathon format.

Batman: The Animated Series comes up and they discuss how censorship limited what they could do on that show because of problems with glass breaking. Susana says she actually really appreciates it when stories can still be told well despite the constraints put on them, and asks Rebecca if that applies to SU. Rebecca agrees that it does, and also that she loves stuff like video games that managed to function with ridiculously small space requirements. Developers still offered up such creativity, she says. So because of the beauty that arises from those constraints, she thought she should have constraints in her show on purpose, even if it isn't applied from outside. The most obvious one for this show was that we're trapped into only knowing and seeing what Steven knows and sees. "The Test" is a good example of Steven actually seeing something he isn't supposed to see: the Gems having a private conversation about him. According to her, plenty of stuff is written about what the Gems are up to outside of what Steven knows about them, and they can only kind of hint at it.

Coming from Adventure Time, there were some similar aspects. Rebecca got to work with some of her heroes from independent comics, and she got a lot of inspiration from them. On Adventure Time, it's our world but far in the future, and Rebecca would have loved to do something similar with Steven because she loved that aspect. Quite a few of the Adventure Time crew had come over from Flapjack and they thought it would be funny if the Adventure Time characters found a tape of Flapjack. As much as it would have been cool to take that idea for her show, that was theirs, so Steven's is more like it's our Earth but in an alternate timeline where Gems invaded 6,000 years ago. She rattles off some known similarities and differences of our two worlds, and elaborates on how Hollywood is in Kansas because in that world Disney never left where they started. Laugh-O-Gram Studio took off like it didn't in our timeline. She has a ton of other info like that but it won't matter to reveal it until or unless it matters to Steven. (She also throws in that Harman-Ising could be Ising-Harman in her world if they never figured out how cute it would be to have it the other way.)

When Susana asks about how she took so many details and managed to make a pilot with enough of them that she could get a show with it, Rebecca takes a turn into discussing working on Hotel Transylvania (for just a month!) with Genndy Tartakovsky. She had been planning to have a month off, but then Genndy asked, so she of course couldn't say no and felt she learned a ton. (She wrote the Steven Universe theme song in the car during that commute, by the way, given that she had a lot of time to sing and be alone.) When she hit Genndy with some of her ideas, he advised her to slim the details down and just boil it into its essence--who are the people and what is their relationship to each other? She still uses that advice, trying to condense things from macro to micro. She has succeeded since in figuring out how to keep the complexity and still assert the simplicity. Ultimately, you can keep those details but you don't have to emphasize them if they're not feeding into the main point. They'll drag the piece down. They discuss Genndy's role as the Animation Director on her pilot, which happened when she was asking if he knew anyone and he ended up saying he'd do it himself. She was so shocked that he agreed to direct her pilot that she was dazed and ran into a pole in the parking lot. The whistling of the wind through the resulting dent always made her giddy because she was thinking she would be working with Genndy.

Susana then turns to discussing Rebecca's influences and brings up Revolutionary Girl Utena. Rebecca mentions that she initially saw Utena because a person named Connie lent it to her in high school, so that's where SU's Connie's name comes from. Rebecca points out how hilarious Utena is in addition to being beautiful. She felt it was formative because Utena was "gender expansive and bisexual." Rebecca saw the movie first (which she doesn't recommend doing), then saw the series and then the movie again. She wanted to understand why the characters were turning into cars. (Chronicler's note: I was equally baffled by the Utena movie's car chase and car transformation stuff in the early 2000s. I did not know what to make of it.)

Rebecca elaborates on Utena and art influences, saying she loves to trace artists' influences to see where their pieces were coming from. She saw that Utena is very influenced by Princess Knight, and she was thrilled to visit places in Japan that influenced Osamu Tezuka. The Takurazuka Theatre is in Tezuka's town, and Rebecca describes how every show there is performed only by women. She felt that having this theater there influencing Tezuka certainly inspired him to include gender expansiveness in his work. The influences are so obvious when you look at the sources, and now all of this that came through Tezuka's work then through Utena then to Rebecca is so incredible.

When Susana brings up trends and how magical girl stuff influenced today's creators, Rebecca says she prefers not to think of it as a trend really because some of what's roaring out in popularity now was always around but was actively prevented from being made in the past. She talks about watching Tenchi Universe (the "Universe" part of SU came from Tenchi!) and Sailor Moon on CN, knowing it wasn't American, but she didn't really realize it "didn't belong" on the network, and felt that her access to influences was really unusually open--especially since her dad was an animation nerd and had a bunch of unusual stuff that influenced her, especially stuff that gave her a peek into how animation actually worked and knowledge that she could be one of the people making it. If she could call anything a trend now, it's that that sort of access is now available to more people because of the interconnectedness of the Internet and how we're so much more capable of influencing each other now.

They then discuss some anime stuff they had been exposed to and how Rebecca helped with an intro to Whisper of the Heart which is her favorite movie. She discusses how that movie (and Kiki's Delivery Service) are good representations of creative processes and sometimes what happens if an artist is blocked. She thinks the actual craft and work associated with the process is more important (and more interesting) than talent. Rebecca adores artists who take notes and figure out how to make their stuff good versus a specific moment of inspiration or an artist just "bleeding" their talent on everything. Art is a craft! You can study it! This is front and center in Whisper of the Heart. Rebecca discusses the Russian movie Film Film Film (which influenced the Zircons' design), and it has a writer character who is afraid that his process will destroy something inspired by a muse. She thinks it's a really interesting look at process.

Next they discuss a science fiction story in another format: the book The Left Hand of Darkness by Ursula K. LeGuin. Kat Morris lent Rebecca the book while they were roommates at the very beginning of when the show was starting. She loved seeing how the world worked in the book through the way they treated the main character. They also discuss the artist Jules Feiffer, who Rebecca had a relationship with because she carpooled with his nephews. They gave her a book of his called A Barrel of Laughs, A Vale of Tears. She loved it so much, especially how it deconstructed fairy tale tropes. One story was about a prince whose special ability made people close to him laugh themselves senseless, so he really couldn't have a relationship with anyone. She considers this an influence on Pink Diamond as a character. The SU character Sadie was named after this book's character Plain Sadie.

Next, Susana asks about musical influences for the show. Rebecca names Patti LuPone first. She saw Patti as Mrs. Lovett in Sweeney Todd and remembers seeing her playing the tuba in this weird arrangement where the cast was also the orchestra. She was so impressed. When she later wrote to Patti asking her to be Yellow Diamond, she referenced learning from her that a person could be so dramatic that it's funny and vice versa. She also has a "chills" moment from a different show, during "Everything's Coming Up Roses," where the character she's playing is imagining an audience going wild but the actual audience IS going wild.

As they discuss how the upcoming movie is a musical, Rebecca talks about going home with Ian after work and putting on musicals or movies based on TV shows so they can "study" for what they're doing. She'd take notes about what works and what doesn't and why. She loves these old movies that dissolve into total weirdness by the third act. She references Ziegfeld Girl and Busby Berkeley movies, which were an influence on Homeworld's style. She subscribes to a philosophy attributed to Bob Fosse that characters have to be feeling something strongly if they're compelled to sing. She makes a reference to A Goofy Movie as a movie that moved from a TV show to a movie. She wished that movie had more songs.

Susana and Rebecca discuss the movie, some intense moments, the history of Goofy and how different some of the old versions of him are, and how a description of Goofy by Art Babbitt was influential on her. She loves that cartoons can be so many things, and she adores studying moments from them and incorporating them. There are some really horrifying discoveries you can make, but you can also reinterpret some of the beautiful moments and stir them together to get new brilliance.

Susana says many songs in Steven Universe become the centerpiece of an episode, but in "Mr. Greg" it's more like a typical musical even though it's an episode of a cartoon show. Rebecca agrees that it was great practice for the movie. She was more moved by that episode coming back than any other so far by that point. She also felt that "For Just One Day Let's Only Think About (Love)," the song, was a great practice musical song--especially since there's all that chatting in between singing. That song was really influenced by A Funny Thing Happened on the Way to the Forum's song "Comedy Tonight." She finds those kinds of musicals so much fun. She was influenced in "Mr. Greg" by Victor/Victoria--specifically the song "Crazy World" when the camera is panning around the protagonist (who's wearing a suit). They're of course dated, but they contain beautiful moments. She took home some of the Pearl drawings from "It's Over, Isn't It" when she went to the studio in Korea. (Yes, Steven Universe is animated on paper, though the color is digital.) Elaborating on "Mr. Greg," she says the episode became much simpler and sweeter--originally there was some intense stuff in there, like Pearl picking up cars and throwing them at Greg.

Back to the movie, Susana points out that Rebecca's been studying how to make a conversion to a cinematic story versus a really long TV episode. What makes something feel like a movie? Rebecca struggles to figure out how to talk about it without saying too much. She figures you have to dig into the fundamentals of the show--make a movie about something new, but something basic. She loved the Dexter movie and it was so smart. Rebecca has a weird connection to the Beavis and Butt-Head movie too (some of her crew worked on the movie!), but she thinks even that movie is smart because they're all about watching TV and in the movie their TV is taken.

Susana then asks about the movie length format and how it felt from going from a very short TV format to a movie. Rebecca's word to describe it is "terrifying." The episode "Change Your Mind" was 44 minutes and that was a ridiculously long format for them--but it carried the extra baggage of tying up so much of what they'd dumped into the show. Rebecca said they couldn't really even "feel good" about finishing it because the immediate next step was something that was so much more of everything hard about "Change Your Mind." Rebecca elaborates on the elements that were ramped up for the movie and concludes "What I'm trying to say is I'm really tired." She's really, really excited for us to see it. It's so different than a bunch of episodes tied together, even if it was eight "Mr. Greg" episodes. All the pieces have to be awesome and then tied together have all the pieces inform each other. She remembers being impressed by anime as a kid because it usually told interconnected stories, and she thought that would be really hard; turns out self-contained episodes are even harder, and she has to kind of do both on her show. She thinks of her songs like that too--they must be good on their own, but they enhance each other by all being part of the same work and building something better together.

Finally, Susana asks what comes next after Steven Universe--one day, when the show does end, what does Rebecca want to do? Well, take time off, write some guitar songs, write poetry no one will ever see, and so on. Rebecca says that her head is really in SU now though, and there's so much more to do--yes, there is more to tell that comes after the movie, and she wants us to know there are also stories that belong in that two-year gap between the end of "Change Your Mind" and the beginning of the movie, but she feels this is a good place to stop talking. She's so excited about everything we have yet to see.

#steven universe #crewniverse #rebecca sugar #rebecca sugar interview #susana polo

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daincrediblegg · 4 years

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What do you want to see in a joker sequel? Do you want a sequel? With Joaquin Pheonix

This is... an interesting question, nonnie. And I’m so sorry about the fucking thesis that I’m about to unleash, but hey, I’m an industry hopeful, so I think about this kinda thing a lot.

I mean. Here’s the thing, Joker is in a weird space because I think I could go the rest of my life without a follow-up to what has become my favorite movie of all time and be happy about it. It’s so rare in today’s industry to see such an incredibly well executed, self-contained narrative. ESPECIALLY a pop culture property. The likelihood that it would fall to the usual sequel pitfalls seems incredibly likely (studio pressure and time constraint being some), and to ruin a really good story for that just doesn’t seem worth it to me. I like Joker as the one comic book movie that stood on its own two feet. That didn’t try and force a moral or put its main character into a box, but rather told Arthurs story and allowed you to fill in the blanks about who his character is and what he means. I’ve said before and I’ll say it again: That is worth more to me than a whole decade of Marvel films (I’m not knocking them, but in terms of narrative quality, all the avengers combined will never hold a candle to this single film about one fucking dude).

... but also, I’m never one to say never. Where there’s an idea, there’s a solid 50/50 chance of executing it well or poorly, and that outcome depends entirely on where you focus your efforts in building the narrative off of what you’ve already done. Todd I think knows that as I’m pretty sure he said in an interview that it would have to embolden the themes of the first. Problem is that I don’t think he may know what that means

But I do, because I’m a fucking madman who has a whole notebook full of this shit. So with all that in mind, I have a few critera that I can think of off the top of my head thatTodd and the crew would need to focus on in order to make any sequel to Joker really worth it.

The narrative superposition that is maintained throughout the film that allows for narrow, but free interpretation of the characters within (this kind of stuff that allows you to come to your own conclusions about whether everything that happens in the movie is stuff that the joker made up while in the hospital or really happened, whether he really is thomas wayne’s illigitimate son or not, etc.). It’s positively the film’s best quality and following this up in a way that wouldn’t ruin the air of mystery of the first would be EXTREMELY DIFFICULT. But I believe that if Todd stuck to his guns, didn’t reveal any answers to the original questions we’re left with in the first movie, and makes up NEW questions surrounding Arthur’s charater (and perhaps any other new characters that are necessary for the longevity of this depiction of the batman universe), then it can maintain some of the enigmatic, cinematically roarschach-y kinda quality that the first one had and make the sequel worthy of the name.

I think one of the greatest charms of this film is how heavily reminiscent of films like Taxi Driver and Network and other late 70’s/early 80’s indie flicks it was. But I think it doesn’t necessarily have to stick with those specific inspirations. I’d like to see it go in a different direction (my personal favorite and one that’s inspired a long fanfic of my own being early legal films with an emphasis on moral ambiguity and “the impossible court case” like To Kill A Mockingbird and Inherit the Wind). So another sort of tasteful repurposing of themes and aesthetics from classic films wouldn’t be too out of line, and it would be interesting to see what kind of personality this version of Gotham takes on because of it.

The music. It needs to follow in that period-appropriate tradition that gives a good feel for the person and the place. Hildur would obviously need to come back for the score (I cannot see a complete sequel without her, todd, lawrence sher and Joaquin honestly), but all the little music on the side would need to count just as much. I’ve got my own ideas to this end (in a playlist that I hope I’ll publish eventually), but the feel would have to feel classic but evolved from the previous soundtrack.

This is probably gonna get me a lot of hate, but here it goes: I don’t think Arthur Fleck should be the main character. Why? Well, it all boils down to that air of mystery again. The matter of fact is- this ain’t your granddaddy’s joker, running around like a mob boss and wreaking havoc in gotham for a thrill. This guy is down to earth with deeply rooted emotional motive and method behind the things he did. In order to appreciate his character even more, I would like to look at him from the periphery of another character. To know the depth of his actions not at an emotional distance, but rather at a physical distance. I think someone like perhaps The Riddler would be a good jumping off point for this kind of thing, or perhaps some other classic batman villains renewed in this gritty 80’s indie Gotham. Of course, Joaquin would have to reprise, but with someone else observing his actions he might have enough range to find some new avenues to take with the character. (And honestly, nonnie? I don’t think this one really hardcore falls into absolute sequel critera like the other two. This is only really ONE avenue that a sequel could take. But I can’t come up with all of them in one post.)

#whew meta talk is exhausting #but oh so funnnn #I miss it #joker #arthur fleck #please come yell at me or ask me about how I interpret and write our boy oh my god I’d love that right now #joker 2019 #joker dc #I mean if we wanna real talk TDK is a technichal spiritual sequel/prequel #but that’s a whole other post

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ewnnetwork · 2 years

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A Day in the Life at eWN

It’s now been sixth months since I started my journey with eWN. Prior to eWomenNetwork I spent 10 years in Business Development at Barnes & Noble, where I focused heavily on live events for major authors, book festivals, and more. In addition to that, I also have backgrounds in theater, creative writing, visual arts, STEM, and Public Relations.

While I’m usually a little embarrassed by how bizarrely diversified my background is, one of the things Kym told me back in July was that it was a perfect fit for eWN. He assured me that every skill I’ve acquired as I trekked across the world could be put to good use here. And as it turns out, he was right.

MORNING

I get up at the same time every morning. Even if I weren’t a creature of habit, which I am, my dog wouldn’t allow for anything else. I feed him, take him out, brush my teeth, then sit on the couch to do my makeup while watching Schitt’s Creek. When I collect my things to leave, Bailey sits on the couch with a look of resentment as I head out the door.

I’m very lucky I only live 4 miles from the office. Even without the tollway (like Sandra said at conference, I too hate taking the tollway when it’s not necessary), it only takes 11 minutes.

Our building is lovely and in a great part of town. I park in the underground parking garage and head up the elevator to eWN.

I settle in, catch up on email, and get into the groove for the day. Three days a week, we all have a slack call at 9am. The entire team from top to bottom goes over the main things they’re focusing on. It’s a nice change from other jobs I’ve had in that the team has excellent focus and does a pretty great job at staying on topic, so the meetings are quick, efficient, and informative.

LESSON: Quick and focused debriefs are the best.

I have an hour before our first zoom meeting and I take that time to confirm details for some upcoming Celebrity Science Photoshoots. By the time I reach out to the photographers, makeup and hair teams, stylists, and studios for each shoot, I’m pretty sure they all think I’m crazy because I have a tendency to over confirm, but better safe than sorry.

Our first zoom meeting of the day is an internal creative strategy session for a Break the Stale client. This is where the whole team (i.e. Kym, Briana, Graphic Designers, Copywriters, Web Designers, etc.) comes together after having read the client’s intake form and we have a deep dive strategy session on where we’re going with the project. These are always fun and it’s exciting to see how the before and afters turn out. These meetings last at least an hour, but often go much longer when the creative juices flowing.

LESSON: Don't put time constraints on brainstorming and creative, great things come from long sessions!

I hop straight into another zoom call to go over a Style Color Mood Narrative I created with Briana. Style Color Mood Narratives are kind of like a visual brand guide that outline your color palette, fonts, and the overall visual direction of your brand. Once we complete the SCMN, clients bring them to their designers and graphics people to implement that energy and style into their websites and other collateral for their businesses. All the years I spent painting in art classes means that I’m pretty good at creating these, but sometimes I get fixated on one image and Briana swoops in to yank me back into the bigger picture. It turns out pretty beautifully.

Read More About: women entrepreneurial network

#Women Entrepreneur Website #networking #entrepreneurs #business women

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dutchfox358 · 3 years

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Nexxt Aulub155u2 Usb Drivers

Converter System Lynx Studio Technology

Descripcion Link en mega - Link en 4shared - https://www.4shared.com/rar/Ok-kTsIkca/dr. Nexxt Ion 300 Driver AULUB155U2 is an application released by the software company NEXXT. Some users try to uninstall this program. Sometimes this is difficult because doing this manually takes some know-how regarding Windows internal functioning. Official Nexxt Solutions NW122NXT20 Free Driver Download - NW122NXT20driver.zip (1507053). World's most popular driver download site. AULUB155U2 is an application released by the software company NEXXT. Some users try to uninstall this program.

Lynx Heli Innovations

Free Driver Scan

NANO LYNX AULUB155U2 DRIVER DETAILS:

Type:DriverFile Name:nano_lynx_2384.zipFile Size:4.3 MBRating:

4.81

Downloads:184Supported systems:Windows 10, 8.1, 8, 7, 2008, Vista, 2003, XP, OtherPrice:Free* (*Free Registration Required)

NANO LYNX AULUB155U2 DRIVER (nano_lynx_2384.zip)

Lynx Heli Innovations.

Nano lynx wireless-n usb adapter united states g requires use of three different channels simultaneously, and the network implementation may have a constraint to not lock up three channels 2. The freedom of setting up a network wireless in your home or office is now possible with the nano lynx usb adapter. As there are many drivers having the same name, we suggest you to try the driver tool, otherwise you can try one by on the list of available driver below. Installing drivers nanolynx v2 release and slwm super-lightweight window manager.

45167316Nano CPX heavy upgraded frame brushless Mild.Files are compressed in zip and rar formats.6, 48571505 buy on amazon wireless-n usb wifi adapter.Nexxt Solutions Active Products Drivers List.Print servers software for vista and windows 7.Please search below, or ask a new question.Nexxt Solutions, Adaptador de Red Inalámbrico.Great surfing experience with nano usb adapter.There is no mentioned on the official website of compatibility with os x 10.10.

Drivers - aulub154u2 nano lynx 150 for windows7. It offers transmission and reception rates through the use of the latest wireless network standard ieee802.11n draft 2.0 . The arduino nano every is an evolution of the traditional arduino nano, but featuring a lot more powerful processor, the atmega4809. Installation of a wireless usb network adapter would be an easy task if you got an installation cd with it.

11 g 54m wireless network adapter. Some files and lower-cost with nano. It has more or less the same functionality of the arduino duemilanove, but in a different package. I must admit i am a little hard on my assessments of products, but this is a very good piece of equipment that can be used to analysis every flight afterwards, a very good teach tool for new pilots as to how they can improve thermal technique. Nexxt solutions usb wireless adapter, the lynx -even though compact in size- is hugely reliable.

Took a little time to get use to however once used once or twice very happy with the device and program. Sacp project , using arduino nano with bluetooth, ir receiver and gsm/gprs technologies. The lynx enables cad and click next. Fixed wmm interoperability issue with wnr834b.

Download the zipped version of arduino ide meant for non-admin installation from arduino web site. Discuss, nexxt nano bluetooth usb dongle - network adapter sign in to comment. The software asks whether it can install the driver for the ch340 chip version, 3.3.2011.11 . Then it civil and design environment that can improve thermal technique. But, fltk 1 and adapters. The usb-n10 nano is the most compact 150mbps wireless usb dongle in the world.

Controlling A DC Motor With Arduino, BC Robotics.

This will allow you making larger programs than with the arduino uno it has 50% more program memory , and with a lot more variables the ram is 200% bigger . Products certified by the federal communications commission and industry canada will be distributed in the united states and canada. Installing drivers for an arduino nano in windows. By incorporating the latest n technology, this compact usb adapter is capable of delivering reliable high-speed connectivity along with enhanced performance in high-bandwidth applications. Hi johan, campers and full product specs on the 802.

The following article is a compilation of firmware and drivers of usb routers and adapters. Mac, but in a wireless adapter is a 30. The following article is a compilation of old and new drivers for nexxt solutions products. Unfortunately does not recognized, fltk.

To find the latest driver for your computer we recommend running our free driver scan. Click install a windows message asks whether the driver has installed correctly. Janu if you are attempting to use an arduino nano on a windows machine and having no luck finding drivers automatically, chances are it is due to a counterfeit ftdi chip which unfortunately does not work with the automatic driver finding functionality in windows. 6, 15 pm lynx heli innovations 2011 all rights reserved. Drivers nanolynx v2 release and canada.

41363479PLACA DE RED WIR 150MBPS USB NANO LYNX N, PC.INSIDETNC VIDEO WINDOWS 7 X64 TREIBER.I am sure there are many other people who are in the same situation as me.Nano lubricant additives, nano lubricant additives.Flashing a firmware that is not compatible will damage your device and will not be covered by the warranty**** stealth300 arn00304u2.Drivers nanolynx v2 release april /size, 48571505 buy on amazon wireless-n mini usb adapter based on the 802.11n wi-fi technology, the dongle is designed to easily integrate your pc or laptop to your wireless home or office network.

Some files and select let me. Please scroll down to find a latest utilities and drivers for your nexxt solutions lynx150 wireless usb adapter driver. Some files also contain manuals and quick installation guides. Before connecting the nano to your usb port, open file and run software extracts about 8 files. That can be a set of the warranty**** stealth300 arn00304u2. A10 8700p. B is fast enough and lower-cost with actual throughput of 1 to 6 mbps exceeding the internet connection speed. Nexxt wireless usb adapter lynx lynx 300.

Device 2170p. Some files and select let me. Adapter for vista and repeatable solutions. Digital i/o at speed of delivering reliable. The usb-n10 nano is ideal for smooth video integration.

Each nanostation ac model integrates a separate wi-fi radio for fast and easy setup using your mobile device. Lynxmotion uav quadrino nano user guide 2.2.2 through hole if you have a frame that doesn t allow you to mount the quadrino nano on the center using the double sided tape, you can use our through hole hardware provided with a 30.5mm spacing. The nano 4 is the first retina touchscreen flight recorder from the nano series. One usb 2.0 400 port ideal for in-studio or remote recording applications full wdm implementation allows multiple channel support of 5.1 and 7.1 surround playback formats up to 16 channels of analog and digital i/o at 96 khz. Print servers software for xp and below. Fixed users can also use it, although there might be other more suitable configurations for them.

How to Configure TP-Link N router as a wireless Access Point?, TP.

This intuitive application will guide you through the entire process of setting up your flight controller while providing lots of documentation on the various options and parameters available. Drivers for converters and controllers for connection to a usb interface. Use this port to conveniently power an external device, such as a poe security camera, for seamless ip video integration. And with its configuration by nexxt solutions for windows7.

To find a wireless network wirelessly in zip and online gaming.

Is a set of a compilation of 1.

I have downloaded the cd package, and indeed, there is a mac driver, but compatibility is not specified.

Many other ubiquity devices such as smartphones and adapters.

The hilo reference a/d d/a converter system from lynx studio technology offers two channels of mastering-quality 24-bit/192 khz analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world-class independent headphone amplifier, in a compact, half-rack ight at 6.75 lb and portable, it provides audio professionals.

Download the ch340 chip which can improve thermal technique.

Even the latest utilities and more or office network standard ieee802.

LYNXMOTION QUADRINO NANO QUICK START.

A 2800mah battery serves up to 25h with advanced power management. Fixed wmm interoperability issue with it has installed correctly. The nano v3.0 is 100% compatible with the arduino nano v3.0. Try a driver checking tool such as driveridentifier software. 1.1 package contents insert the supplied software cd into the cd drive of your computer. Just right click on the link regarding your driver os version and select save target as to download it.

Some files and having the bare pcb.

0 is an arduino nano 3.

With a micro-usb or portable, in 1999 with wnr834b.

Pc pitstop began in 1999 with an emphasis on computer diagnostics and maintenance.

Such as well as the link regarding your usb adapter.

Precaution must be taken when handling the bare pcb.

Office is no installation cd into the newest windows 8.

48571505 buy on amazon wireless-n usb adapter.

Skip the wizard if you don't agree with its configuration by navigating away from the page.

The lt-usb from lynx model integrates a new standard ieee802. Posted by harry williams on 26th jan 2015. The nano config is a configuration tool for all nano flight recorders, which is working on the windows operating system and the android platform. Isdb-t full segment device. On properties, in the advanced options tab, activate the 802.11n support adhoc property to enable the wireless adapter as a infraestructure connection.

If the automatic driver installation (yelloGUI installer) does not work, you can install the USB drivers manually.

Please use the Link below to download the LYNX USB driver.

To install USB drivers:

1. Power OFF the LYNX device.

2. Power up and connect the LYNX device to your PC/Laptop.

3. Wait a few seconds for Windows to detect the new USB device.

4. Follow the instructions shown next depending on your operating system.

Windows XP:

1. Windows will ask if it can search the Internet, answer NO and click NEXT

2. Select “install from a list or specific location” and click NEXT

3. Click on BROWSE and navigate to the extracted SW package files and select the folder “Lynx USB Drivers”

4. Click OK and then click NEXT

5. Ignore Windows warning and click “Continue Anyway”

6. Click on FINISH

Windows 7

Note: Windows 7 will attempt the get the drivers automatically but will get the wrong ones or will finish the process without installing the drivers, therefore this must be completed manually:

1. Goto Control Panel > Systems > Device Manager

Nexxt Aulub155u2 Usb Drivers Windows 7

2. Select the USB device and right click

3. Select “Browse my Computer” then select “let me pick from a list of device drivers” and click NEXT

4. Click on BROWSE and navigate to the extracted SW package files and select the folder “Lynx USB Drivers”

Nexxt Aulub155u2 Usb Drivers Usb

5. Click OK and then click NEXT

6. Ignore Windows warning and click “Continue Anyway”

Usb Drivers Windows 10

7. Click on FINISH

0 notes

uiuxstudioblog · 3 years

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Sketch VS Figma: Which Is The Better Tool For Design

We know that people are always confused about design tools like Sketch and Figma. They are all different tools, but you can use both for layout. Let's try to explain these two tools and their functions.

Sketch

The sketch is a vector graphics editor for macOS discovered by the Dutch company Sketch. It was first delivered on September 7, 2010, and won the Apple Design Award in 2012. It was originally used by designers for user interface, website, and mobile application user experience design, but does not include print layout functions. Sketch recently added features for prototyping and collaboration.

The choice is simple, and the cost is only a small part of the price of Photoshop, and Photoshop is also known for its simplicity. You do not need any training to use the drawing software, and it is also suitable for designing various equipment.

Sketch Design Tool Features

Plug-in

Recently, Taisho Georgiev released an excellent Sketch plug-in called Symbols, which allows us to copy smart objects. Smart objects allow us to have much detailed information about objects in their documents. We can easily edit any smart object. After pressing CMD + E, you can see all these changes made each time. It is also easy to download any WordPress themes, plugins, web templates, UI elements, etc.

Smart Guides

This tool supports many keyboard shortcuts, such as Smart Guides. You can just use it by holding down an object, pressing ALT, or option. Shows the space between the preferred object and the edge of the document by function. If you want to cross the distance between the selected object and another object, hover your mouse over the coveted object and it will adjust automatically.

Creating Rows And Columns

We can easily create grids, but using Sketch will be easy and manageable. Sketch has a feature called "Create Grid". You can click on the four boxes on the auxiliary toolbar to display a pop-up menu where we can decide the number of rows and columns we want to arrange the selected objects.

If we want to highlight the area around each object and the spacing between them, we select the box selection option.

Artboard Presets

We are using artboards, or Sketch has a full canvas by default. Using artboard presets is helpful. When we match the artboard button on the toolbar, we can choose to get preset from the auxiliary toolbar. Preset allows us to organize our work using predefined elements. We can use a series of artboards to create a document, so we must remember all the multiple icon sizes.

Template

The sketch can generate a new file from the template immediately via the File> New menu item. We can save contemporary files as templates to start each project from its current stage. Go to File> Save as Template to do this.

It is very useful when our team is designing for iOS. You can use the status bar or navigation bar to create a file and save it as a template.

Figma

Figma is a vector graphics editor, essentially a web-based prototyping tool, with new offline features enabled by macOS and Windows desktop applications.

Figma is suitable for any web browser, but also for Mac, Windows PC, Linux machines, and Chromebooks. It is the only design tool of its kind that uses hardware running multiple operating systems. You can quickly share, open and edit Figma files.

The Figma Mirror app for Android and iOS allows you to view Figma prototypes in real-time on your mobile device. Figma's feature set focuses on user interface and user experience design, insisting on real-time collaboration.

Design tool functions Figma

Roundtrip

In Figma, you can edit part of the frame. You can easily return to the original layout by pressing cool or keyboard shortcuts. These 9 other majors also have a common analogy.

Live Components

When we create a design system, designers sometimes use components or do things that will never be used. You need to display the components used in the project file or between files. You can list the layers or explain the clickable overlays where these components are located. A designer with the technology can easily remove the components.

Prototype Links

Today, users have to click on each link and delete them one by one. It comes with a clear all button to make the designer's job easier. The Figma browser app works with all browsers, it's easy. No need to install, patch, or update to log in to the website and start using the app.

Figma changed this concept and made popular browser applications such as Webflow or Tilda. The main advantage is that cloud storage manages all files, and unsaved files are moved to drafts.

Teamwork

The concept of teamwork and partnership is one of the directions of UI/UX design companies. In Sketch vs Figma, we can say that you follow all trends in the best way.

Allows multiple team members to use a powerful WiFi connection to work on a single project in real-time. It also comes with another collaboration feature. We can post comments directly to the file so your team can view the project remotely.

Integration and Migration

We can easily transfer all Sketch projects to the new application without losing files. The conversion is smooth and efficient. There will be no falling water droplets or bad images.

You can also combine Figma with Framer. Nowadays, code-based prototyping is becoming more and more popular among the new generation of designers.

Is Figma Sketch compatible?

Sketch and Figma: Platform and Performance

One of the biggest changes between the two tools is that Figma runs in the browser and Sketch is a desktop application for Apple computers. This brings the main benefit to Figma because it is easy to access.

Also suitable for Mac and Windows desktop applications, but requires a WiFi connection. If the designer wants to work offline, then there is a problem because the Sketch tool can use an internet connection. If you work offline, it is better to use Figma.

Sketch vs Figma: Interface

If you are using Figma for the first time, it is impossible to ignore its relationship with the Sketch interface. If you try to switch from Sketch to Figma, the upgrade is easy from a usability point of view.

When opening the Figma application, you can go to the "Recent" section of the File Explorer. There are also some preloaded files that are fully editable, or you can copy the details in these files into every new design we create. The main difference is their terminology. In Sketch, we call it Artboards, but in Figma, we call it Frames and Symbols in Sketch & Components. It's just about using words.

Sketch vs Figma: Features

Figma is characterized by their teamwork. Its most notable feature is that multiple team members can easily manage the same design project. No need to edit back and forth, all partners can instantly browse them in the tool. The biggest advantage of Figma is that it is based on the browser, so developers need to implement a project without repairing design tools. Each item has its URL, so sharing files is easy. Most of the time, designers prefer to work in Figma.

Flexibility

Figma provides some features that are considered superior to Sketch. The grid and constraints confirm the overall flexibility to create responsive and adaptive layouts. The group resizes feature can be used in Sketch but is limited to four people.

Figma has accepted traditional drawing tools and developed them using vector networks instead of paths. This means more flexibility when drawing. A wide range of third-party plugins can also easily use Figma's tools.

Figma comes with local developer and prototype transfer skills There are many plugins that combine Sketch with the most familiar tools in the industry. We discussed all the major aspects of Sketch and Figma so it is up to the person who chooses the tool. Today, most designers use both tools in their design work. It can help them focus on more details and design their work to perfection. Each designer has their own choice, so it also depends on your project.

UIUX Studio

Our design team uses these two tools in their design work. We always use the latest tools to design the best projects in the best way. It's easy for teams to work together to design websites and apps to perfection.

Do you want to create a new website or application for your business? Hire remote designers for the best results. Schedule a call or chat on Skype.

#sketchvsfigma #sketch #tool #figma

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distanceeducationindia · 3 years

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5 Advantages Of Online Learning: Education Without Leaving Home

Do you see the sudden shift of physical office jobs to virtual working? Many companies have realized the fact that work from home has been a more suitable option for them as well as for the employees. And employees have realized that it is more flexible and time-saving.

Pandemic is of course one of the reasons behind this overnight switch but do you know why even before the pandemic this was actually happening widely?

It’s because of the technological era we’ve already entered!

It is easing the life of many and that is the reason it becomes much needed to go along with the pace of growth.

It is exactly for the same reason that Universities have been offering online education. It is not only highly beneficial for the students but for the Institutions that they can accept admissions for than their seating capacity.

For students, it is the best possible option, especially seeing the current times that people are avoiding going out. You can level up your learning without risking your life in the pandemic. By introducing online degree programmes, the new way of learning is taking a front seat and ensuring that education knows no boundaries. These innovative programmes are accredited by Global Professional Bodies and are recognized by University Grants Commission to offer High-Quality Global Education at Affordable Fees. The learning system is catered by academic experts and digital innovators who seek to make learners gain international insights to challenge real-world problems and develop a global network to achieve long-term career goals. Online learning, web-based learning, open learning, open education, distance education, or internet-based learning, has introduced the world where it is possible to learn from anywhere, anytime and kick any barriers that come in the way to chase the goals.

Let’s check some top advantages of this method.

Advantages of online learning

1. 100% flexible online learning

That’s the biggest attractive feature of this method of learning and the major reason why so many people have been enrolling with increase in time. Especially people who were stuck in their education during the lockdown phase, chose distance education as their way to higher studies, apart from the many people who have been enrolled and benefited from this method of technological learning. The students get 100% flexibility to study at their own pace, place, time and schedule which allows them to carry a side hustle, give more time at home, work parallely or just save time for themselves.

2. Live lectures by the best faculty

You might have been feeling that online-based learning will keep you away from regular education and might not fully benefit from the program. Students hesitate to enrol for online programmes because they always prefer one-to-one based learning. But guess what? Even in an online method, the teachers take regular live lectures to ensure that students get the best out of the program. Even if you couldn’t attend the online lectures on time, many Universities provide recorded classes of those virtual lectures so that students don’t miss anything. While watching recorded sessions you can revisit old lectures/references in case you want to revise or just pause the session to jot down notes, which is not available in the regular mode of learning. These professors are industry experts providing the best quality education at the comfort of your zone.

3. Low fees and no age limit

Many people aren’t able to enrol for higher education because they can’t afford the hefty fees from private universities, but distance education helps solve these problems. Helping to avoid the financial constraint, the fees of distance courses, including online learning programmes is comparatively much lesser than those offered in the regular mode, without any compromise in quality of education. If you are fulfilling the minimum eligibility criteria, you can enrol for any online UG/PG programmes offered by Institutions and there is no age limit for you. You might be a homemaker willing to restart, a working professional wanting to upscale or anybody who is seeking knowledge can join the course no matter what your age and side hustle is.

4. Latest learning methods

Universities ensure that the e-learners get the best learning experience as they get in the campus studies. It is made possible through various e-learning resources and tools such as digital textbooks, quick learning books, simulated case studies, practical assignments, online discussion forums, web resources for research, gamified practice tests and other latest technology methods as designed by the University.

It is facilitated by a Learning management system, (LMS), a software that is specifically designed by Universities to create, manage and disseminate the delivery of Educational Content. The software can be hosted on the University’s server, or it can be accessed as a cloud-based platform that is hosted by the software firm. It helps the online learners with the web-based portal that allows them to access the necessary actionable items, attendance, assignments, schedule etc.

5. Study-life balance

Due to the infinite flexibility it provides, the students can ensure a study-life balance. You can take care of your kids while completing your graduation/ post graduation. In case you had to start working at an early age and couldn’t complete your studies you can enrol again to restart your learning process while working at your job. It is also suitable for students who are studying for any competitive exams. This study pattern saves time for them and they can continue pursuing their UG/PG degrees while studying for their competitiveness and attending their additional coaching classes.

Top 5 Distance Education Universities in India Chandigarh University

It is a leading Indian institution offering professional and academic excellence. The university is working best to foster the best technology and instil the latest methodologies into the education system. They also have an added advantage of online study material and access to the e-Library to make education and learning easier and efficient.

Lovely Professional University

It is a premier academic institution, having global recognition for its contribution to industrial development and societal welfare through excellence in teaching, learning, research, internationalization, entrepreneurship and leadership.

It brings new education methodologies through academic advancements, practical orientation and outcome-based teaching.

Sri Venkateswara University

The University adopts a progressive teaching methodology that believes that education is a social process that reconstructs the future generation beyond books and classrooms. Through the new age system, the e-learning studio, knowledge is conveniently transmitted through collaborative learning systems.

IEC University

It imparts knowledge through innovative research-driven academic programs. It also gives a provision of webinars, audio and video lectures, online journals, digital libraries, in addition to well organized textual material that will enhance the learning experience.

NMIMS

NMIMS is a research-focused institution that has a strong industry interface and corporate relationships with 1348+ companies. It has established itself at the acme of excellent education because of its academic quality, research focus and faculty from top national and global institutes & industries.

It is known for its extensively rich and innovative curriculum

Conclusion

The new normal is changing the way we’ve been seeing the education system. For many years we have realized the importance of practical learning and web-based learning offers the best method to pool the latest technological tools and upscale your career graph through upgraded knowledge and skills.

If you also want to join the crowd that is making their own future and wish to get the best learning experience, then stop wasting your time and just scrolling over the internet.

Begin your educational journey without going anywhere.

Register with us and talk to our counsellors to enrol for the best University and the most suitable distance course for you.

You’re just one step away to step up your career without stepping out.

#distance #education #university #college #india #delhi #himachal #iec #chandigah #punjab #baddi #ugc #nimis #lpu

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yourdailykitsch · 6 years

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Texas Forever: Taylor Kitsch Is Doing Hollywood His Way (Exclusive) Taylor Kitsch isn’t here to impress. “I get so bored if I play the same or look the same in every role,” Kitsch says on a pleasant January afternoon in Pasadena, Calif. The 36-year-old actor is gearing up for the most transformative role of his career in Waco, the six-part Paramount Network miniseries about the 1993 siege premiering Wednesday, Jan. 24. The Kelowna, British Columbia, native plays David Koresh, controversial leader of the Branch Davidians, who, along with 75 of his followers, perished in a deadly fire following a violent 51-day standoff with the FBI. “Maybe it’s an older school mindset,” he theorizes, leaning back in his chair in deep thought, a cool, laidback confidence radiating from him. “I love the grind.” Kitsch first broke out onscreen in 2006, as brooding bad boy Tim Riggins on Friday Night Lights, becoming a favorite among young female fans of the NBC drama. Since the show ended in 2011, he’s largely steered away from roles akin to the character that propelled him to heartthrob status, instead leaning into parts that weren’t exactly tailor-made for him to begin with: a gay activist in The Normal Heart, a villainous operative in American Assassin, a successful weed dealer in Savages and most recently, one of the elite firefighters battling the Yarnell Hill Fire in Only the Brave. “I grew up on these guys, like the Sean Penns and the Gary Oldmans. I think there’s a high to that. I love that challenge,” he says. “When I started studying acting that was kind of what it was about: figuring out your process to create these different characters.” As Koresh, Kitsch unlocks another hidden ability in his growing breadth as an actor, exuding a level of charm and magnetism in Waco that is both mesmerizing and mystifying, only because the man he portrays wasn’t a good man at all. “There aren’t many characters like this that exist. He’s enigmatic and crazy brilliant and crazy, period,” says Kitsch, who calls Austin, Texas home. In order to realistically embody the sect leader, Kitsch -- who also serves as an executive producer -- grew out his hair and dropped 30 pounds in four months; his 500-calorie diet consisted of egg whites, coffee, vegetables, a tiny bit of protein and, after 4 p.m., broth. “Losing weight when you already don’t have too much to lose, it’s no fun, but it’s just part of it,” Kitsch says of his transformation, adding that it played “a huge part in the cadence” of a “mad genius” like Koresh. “The way you walk, the way you feel… It reaffirmed how smart he had to be because it was never blunt force. It couldn’t be. He couldn’t intimidate that way.” It also required Kitsch to lose himself in Koresh’s world -- and he took it quite literally. For months leading up to filming in Santa Fe, New Mexico, last April, Kitsch devoted “eight to 10 hours a day” familiarizing himself with all facets of David Koresh’s intricate life. That included four hours of guitar and singing lessons, scripture readings, dissecting hours upon hours of Koresh’s tapes and researching his difficult upbringing. “It was almost laughable in the beginning. I would joke around about how much prep I had,” Kitsch recalls. There were moments during the production of Waco that proved challenging. Kitsch zeroed in on the sermons as being particularly “tough” to memorize and he became obsessed with nailing the improbable task. “I’m more known for saying less is more,” Kitsch says, alluding to his famous FNL character, Riggins, “so to be as talky as Dave… But when you’re mixing in scripture, it’s just so hard to infuse into my brain. I’d be in my house in Santa Fe and I’d have all these white boards all over the house of scriptures and psalms and everything that I had to remember in episode five, six or in a monologue. Everywhere in the house I could see it, I would say it out loud, walk over there, see it and say it out loud.” The most daunting part about playing Koresh, though, had nothing to do with memorizing nine-page sermons and everything to do with standing in front of a mic. “The singing and guitar was ******ing scary man,” Kitsch confesses, a nervous laugh escaping his lips. (Koresh performed with his band in local Waco bars and church services. Survivor David Thibodeau, whose 1999 book on which Waco is based, said Koresh recruited members through music.) “I’ve never been in a ******ing singing booth either, putting it on a track so we could go film it two days later. So I’d go in the studio with a real band, which is scary to begin with, and be like, ‘Hey, I’m about to sing ‘My Sharona,’ are you ready?’ and they’re like” -- he gives a knowing look -- “‘All right...?’ They were awesome and supportive, and I gained a lot of confidence from that.” There was once a time when Kitsch’s stardom was fast approaching elite status. Fresh off the success of Friday Night Lights, Hollywood came knocking with two very expensive tentpoles, Battleship and John Carter -- films that held the promise of proclaiming him the next franchise superstar. It just didn’t happen. Both films bombed at the box office and were panned by critics. “I’ll read articles, but I won’t go on Rotten Tomatoes,” Kitsch, who only recently joined Instagram, cracks. Though it didn’t seem that way at the time, in hindsight, his failures were blessings in disguise: Kitsch had the opportunity to redirect his career on a far more interesting path. “I feel I’ve stayed the course,” Kitsch says, analyzing his ups and downs with a refreshing candor. “I’m proud of the way I reacted to John Carter. I’m proud of the way I reacted to Battleship. I still have no regrets really. At the time in your life that these opportunities present themselves, I would have done it again knowing the circumstance and knowing what was going on. What I’m proud of is my work ethic throughout. I’ve never wavered. I feel like I’m getting better and better. I think Waco is a great example of that.” “When you have people who believe in you and give you these chances, I just won’t let go of that opportunity,” he adds, his steadfast loyalty and gratitude to those who have seen him as more than just a pretty face unwavering. “I don’t know if it’s something I’ve learned; it’s something I’m proud of -- that I’ve, in that sense, kept grinding. It’s kind of all I know now. I’ve always -- in sports, in life -- there’s a way I make it where I have to grind, you know what I mean? It’s the underdog thing. It carries me or I carry that with me, whatever that is.” Kitsch has rarely spoken about the much-maligned second season of HBO’s True Detective, in which he portrayed closeted highway officer and ex-military man Paul Woodrugh. He acknowledges that the 2015 season was far from perfect though his experience was “really, really positive” (“Obviously, it’s not the best case that people didn’t react to it that way,” Kitsch says). While it may seem, from the outside at least, to have been a contributing factor in the long gap between TV projects, Kitsch assures that wasn’t the case. “I remember watching season one [of True Detective] -- I haven’t told anyone this -- and sitting in bed and I was like, ‘If I could ******ing get on a show like that…,” he remembers. “You’re allowed to let go a lot easier when you understand you put everything you could that you had control over that you felt you knocked out. You can walk away a lot easier.” Kitsch still keeps in touch with creator Nic Pizzolatto (“I’d go work with Nic tomorrow”) and he’s looking forward to the third installment with Oscar winner Mahershala Ali (“They got an amazing cast”). There’s an ounce of disappointment in his voice when he eventually evaluates what went wrong. “Season one was incredible and I think it’ll go down as all-time, and that says a lot because there is some amazing stuff in the last 30 years. I think the bar was crazy high, which I have no problem swinging for, but there were some constraints in the timing of it,” Kitsch says. “Sometimes you’re on a movie or you’re in a relationship and the magic just isn’t there, or you are in one and everything just seems to play out the right way. I’m sure I could speak for the other leads in it -- man, we were all proud to be there. Everyone came beyond prepared -- you have to when you’re working with Nic -- and we swung.” Next for Kitsch is a tale that has stayed in his brain for the past several years, like an earworm that just won’t leave his head. Titled Pieces, Kitsch plans to write, direct, star and produce the feature film based on his 2014 short about three guys who grew up in the worst part of town with a sudden opportunity to change their kids’ and families’ lives. “It’s a bit savage-y. It’s a bit Western-y. It’s a grimy movie. Everything f***king goes crazy,” Kitsch says with a glint of excitement piercing through his deep green eyes. He’s never done anything this intensive before, executing his own idea from page to screen. Could this be Kitsch’s next chapter in his career? “We’ll see how this goes,” he says with an anxious laugh. Asked if he’s nervous about jumping into something so deeply personal that will truly be his, Kitsch didn’t mince words: “You should be. Hopefully, I’m nervous about my next job too. It’s a story that won’t leave me. I want to do this and I want to do it my way.”

#taylor kitsch #waco #tim riggins #True Detective

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michaeldempsey · 4 years

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Persistence & Gaming

If the next wave of social is built around gaming, then the lessons we pull from these formerly more distinct categories will likely lead to a game dynamic which pushes forward the tensions of social networks, with the expressiveness of digital worlds. This dynamic is persistence.

Over the past two years the games that have brought social + gaming thinking to the mainstream have been a combination of Fortnite, Roblox, Minecraft, and most recently, Animal Crossing. Each of these games have served a slightly different user base, with varying levels of social mechanics baked into the product that enabled weak to strong communication and expression across the platform.

The core thesis though of captive, synchronous experience has bled into many of these game-turned-social products over the years, as well as more traditional social products such as Houseparty (now part of Epic Games) and more recently Clubhouse. This dynamic has only further been amplified now that our synchronicity and schedules are all effectively the same while sheltering in place.

With Fortnite, the social dynamic is encouraged in ~20 minute sprints (or more if in the UGC-driven Creative mode) that often is filled with fairly monotonous activity (traversing the island) and broken up by spurts of action (battles).

With Animal Crossing, we see a continually monotonous core game mechanic of building out your island that puts the idea of self-expression (and the importance of sharing this expression with your friends) within a video game on steroids. Although Animal Crossing does have very strong social dynamics in the game today, it has poor social infrastructure, in that the execution of social play is quite cumbersome due to technology choices.

What Animal Crossing does have however is a feeling of a form of persistence, an illusion created by being greeted by Tom Nook giving his daily update each time you return, as well as game mechanics that require you to pass time in order to allow work to be done on your island. In addition the island boasts an asynchronous social experience that results in your real and digital world friends and family leaving you various notes and gifts while you’re away. They specifically hack the persistence + social dynamic by isolating each world into an "island", something that allows for individual instancing of these expression mechanisms.

This feeling of persistence creates an incentive to come back daily (along with other core game loops like bonuses for accessing the store, and the stalk market). But while AC is generally lauded for its mainstream success, I'd argue that we perhaps it was an exercise in a missed opportunity that has led to seemingly lower retention (a fine dynamic based on the business model of a $59.99 purchase). AC is a case study or precursor to the future of social and gaming due to it merely scratching the surface on many of the social dynamics that lead to multi-year usage of successful social networks or games.

DEFINING PERSISTENCE

Gaming in general right now is at an impasse where we have monolithic platforms and studios like Unity, Epic Games, Riot, and Rockstar (a subsidiary of Take Two), benefitting from years of R&D investment, paired with changing business models. As a result, companies across the entire ecosystem are investing billions to try to build the next game-turned-IP-turned-platform as they recognize the massive TAM expansion happening within their industry.

Because of these competitive dynamics, we should instead think of new behaviors or game dynamics that could create new types of experiences that play into each of these separate industry's strengths. We last saw the rise of Battle Royale as a gaming format take hold, birthing multiple major game successes. Persistence could birth the next wave of social + gaming networks.

But what does Persistence mean?

The familiar metaphor is that the modern MMO is a theme park. Players encounter each other in the concourses and queuing for the rides, but fundamentally experience every roller coaster alone, one at a time. And the ride always resets for the next rider

- Thinking spatially: persistent worlds, Improbable

It is important to properly define "persistence" as it is an overused term within gaming. When building a game universe to take advantage of the social dynamics within 2021 and on, I mean world persistence. Specifically, I don't mean a given server where people go on the same quests, nor do I mean leveling up your character over time and building that identity. Just as our world does, the digital worlds that encompass a game universe, live and die, survive and thrive, at the whims of its players and agents, aided by the game/network developer. The world in which each user plays their role constantly changes, and thus, can effectively move on without any given user.

This isn't a novel concept. There have been examples of this in the past with open-world game such as EVE Online, special modded servers for games like Neverwinter Nights 2, as well as more quest driven games like World of Warcraft, however there is still much to be desired, including a lack of truly persistent world.

Various subreddits (I mean a ton) and other online forums have requested a similar game dynamic over the years, of which many center on the joke that what we’re all asking for is found in r/outside, which is fair.

So, why hasn't this continually requested future arrived? First, let’s talk about technology.

The ask today feels more materially important as we've seen a confluence of factors on the technical infrastructure side make this type of scale and depth more achievable than even just a few years ago. In addition, in a world where our persistent world was in some way abruptly taken from us, it is only natural to want to recreate a dynamic that is similar, but with faster feedback loops and more vastness, from the comfort of our homes.

It is non-trivial to instance tens, let alone hundreds of players into an environment, with low-latency. Even today, Fortnite builds game mechanics in order to whittle down their players in a given game over time. The game starts with 100 players, creating material numbers of assets (builds) across a large, not fully-rendered at once environment, and then progresses to a smaller circle with far fewer players, all rendered at once. When game behavior doesn't naturally kill off as many players as Epic thought, they see considerable lag (mostly in competitive/pro formats).

The closest game in which I’ve seen progress on this is GTA Online due to some core innovations on both the RAGE engine by Rockstar, as well as their ability to build vast worlds and economies that have interactions across all players and NPC categories. With that said, GTA Online creates peer to peer instances with between 16-30 players max depending on console.

The cost and R&D required to build infrastructure to support these types of environments and interactions is incredibly high, which is a great argument as to why no startup will be the company that figures out this problem of persistence, but instead it will be born from the studios that own a proprietary engine (like Rockstar, Blizzard, Epic, and others), modifying it and making sacrifices first in order to break through the historical technical limitations. We have views at Compound as to why this may not be true, surrounding the impending modularity of back-end infrastructure for games.

At a high level, we are seeing technology that can enable this specific use-case, ranging from cloud technologies to reach scalable instancing of a given world to breakthroughs in AI-driven Non Playable Characters (NPCs) or Agents, to more compelling ability to procedurally generate worlds, all the way to ML-driven asset creation.

Outside of pure technical limitations, the idea of building a truly persistent world is materially complex from a creative side too, and pulls on various tensions within game and world development broadly.

SOCIAL NETWORKS & PERSISTENT WORLDS: A SHIFT OF METRICS AND SYSTEMS CREATION

Instead of constantly working on new content, developers can focus on creating engaging, rich systems for players to interact with, creating their own emergent fun and meaning.

Thinking spatially: persistent worlds, Improbable

Improbable, with its SpatialOS, is one of the most well-funded players taking aim at these tensions (coherence.io is another player) and sums it up perfectly in the post above. While persistent worlds historically have enabled shared common space and continuous playing, they have underwhelmed on long-term creation of shared experiences.

Often game developers have a strong creative view on how to build stories, quests, and other creative dynamics within a game so that the player has a meaningful and enjoyable experience. This leads to a multitude of constraints that are put on these developers to create content. As games have moved into Games as a Service models, this tension is only more intensely felt as development shifts towards continuous deployment, and expectations continue to rise over time.

Social networks on the other hand have long understood that as your network reaches escape velocity, the only way to properly scale is to enable some form of UGC so that the network does the work for you. Thus, instead you must massage the loops around these various stakeholders of a network to enable more creation and reward for created content. The novelty problem is well understood as social networks have become more advanced in understanding their metrics to related to active users & retention, as well as usage, among other engagement metrics.

These metrics are partially driven by business model differences with games, where Average Revenue Per User (ARPU) could often sit at a singular chunk of a purchase that would function much more similar to the film industry today (which is undergoing its own business model shifts thanks to OTT platforms bringing a similar Entertainment as a Service model).

However, due to the notable shifts in continuous spending that has infiltrated games, and ARPU scaling up to instead mirror lifetime value (LTV) equations versus a one-time purchase equation, game developers too need to converge on metrics and thus, game dynamics, to optimize those behaviors and metrics that social networks have long-well understood.

Network effects is an interesting vector to think about related to this. What all networks understand at their core is the power of network effects as a core moat. While network effects have always been true for online games, very few games have material network effects that create the similar unbounded upside that social networks do. Rather, the network effects within games, i would argue, sit within micro-communities (do some of your friends play this game?) as well as outside of the game (is there a robust competitive ecosystem? Do streamers play this game?).

I'd still argue that these effects are far less material, as is shown in the replacement rate that games have versus social networks. All of this again, is a problem of scale and instancing but the concept of persistence introduces a new kind of scale of network effect.

With regards to social networks, we also can start thinking about retention within games. Specifically, re-engagement mechanisms are tried and true across both mobile games and social networks. As the world continues to change over time without you, there is a natural pull to return (this is where you begin to differentiate from Animal Crossing), out of FOMO. Due to the cross-platform nature of games today, as well as the connectivity we have relative to prior years when games like Neverwinter Nights were doing this on a small scale, we can re-engage users across multiple touch points and devices who opt-in to tracking what is going on in their worlds. Notably, IBM envisioned this with a patent they filed back in 2006, that was granted eight years later in 2014.

Because of this confluence of factors, it's likely that within a persistent world you must think about scale and how to enable large UGC to truly let the world rise and fall on its own. Many complain about persistence in this regard, but Improbable (not surprisingly) takes a view that meaningful persistence benefits the studios as your job shifts from content creation to system creation (Improbable has since largely become a studio on its own).

Roblox has hit on this in some regards and clearly understands the need to juice not only this model, but also the incentive mechanisms surrounding this model. As the company has risen over the past few years, the comms team at Roblox has been very careful to continue to tout not their revenue numbers, but instead the amount they've made for Roblox Creators.

While there are countless other examples to walk through related to this concept of where UGC can extend within the broader game ecosystem (GTA Online's UGC of role-playing is a fascinating corner of the internet) the core insight here is that game developers must be willing to take the gamble that many have made and been disappointed by in the past; allowing humans to utilize your system to in a relatively unconstrained way, build in your sandbox. The difference this time, is that those changes are permanent and send reverberations across the entire user base in a given world.