Alright new Jason Todd headcanons in a dpxdc setting:
Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.
Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.
(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)
I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.
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As of late the term pick-me girl has been over-applied to the extent that it inhibits any and all critique or analysis of hegemonic femininity. And I think that is generally not good or helpful.
A girl isn't automatically a pick-me for recognizing that her experience with music does not reflect those of her peers.
An autistic girl isn't automatically a pick-me for having the lived experience of finding it easier to socialize with boys than girls.
If your use of the term (and I'd argue that it's often used primarily as a thought-terminating cliche) pick-me transcends the bounds of a girl fabricating traits and throwing other girls under the bus for the sake of male attention, you are using it wrong and may in fact be doing more harm than good to girls' self-perceptions.
You're potentially creating a new double standard for women in the process, too, because it's a not-so-indirect contradiction to our beliefs about authenticity and what it means to be different. It just becomes another invisible social barrier for women.
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Been contemplating what my writing is about, lately, and what it should be about.
Really curious to see what other folks have to say about their own work—if you feel like sharing, maybe reblog and add your thoughts to the tags?
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One thing I really want to see is Tubbo and Sunny going on an adventure together, go find somewhere far away to a modded terrane and pick some flowers, catch some animals and discover dungeons and stuffs.
I know it's not Tubbo style of playing Minecraft and he needs to be at the Tubchunk for it to load. But it's getting repetitive and i'm not gonna say boring but I want him to stir the pot, changing up something ya know.
Or if he think the cookie quests as the global contract, he don't have to rely on Bad or Fit to give him the stuffs because the cookie quests are intended for the eggs and parents to work together (like it gives them purpose/objective to do for the day).
*poking ccTubbo with a stick* hey u.... go outside of your factory and touch grass
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accidentally sanitized my desk too much while cleaning it. Removed the clutter but at the cost of rainbows and whimsy everywhere in the form of all my markers surrounding me
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do you know how many hours i spent renaming these tiers and reorganizing these dumb little icons? this was like planning a wedding seating chart except the freaks in the bottom row receive restraining orders instead of wedding invites. here's the link if you wanna try :)
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Just watched Fury from the Deep and I love Victoria's exit so much it breaks my heart. She's so worn down by their travels always ending up full of danger and death and her always being put in the position of damsel in distress. She really doesn't want to leave jamie and the doctor but she doesn't want that life and I love that it let's her make that choice. And I love that Jamie's concerned she won't be happy living in, what is to them, the future but she acknowledges she's changed too much to go back to Victorian England, and she's highly unlikely to get back there anyway, not without more death and danger. That the doctor changes his mind about slipping away in the night and agrees to stay another day so Victoria can think about her decision properly without feeling as pressured. The fact that she knows the doctor won't say a proper goodbye because that's his way. The way she stands on the beach watching them row out to the tardis, knowing she'll never see either of them again. The fact she doesn't go back to the tardis with them to collect her belongings. Jamie's "I don't care where we go next" because he's miserable that Victoria made that decision. The Doctor's "I was fond of her too, you know" which is the closest he'll get to admitting how much he cares about them all. I just love it
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