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#but sometimes something is just a good story with good characters. the story is done there aren't really any loose threads
mediumgayitalian · 1 day
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fic rec friday 17
hi!! welcome to fic rec friday. every week, i pick five fics i have bookmarked and rec them with a little review. check them out!
Drew Tanaka's True Love Connections by @buoyantsaturn
Will smiled. "I have an appointment next door with the, uh… Matchmaker lady?” He winced at his own awkwardness, trying to bite back the embarrassment he felt. “Well, actually my friend set it up for me, but-- Sorry, do you know anything about her? The matchmaker lady, not my friend, I mean. I’m just not sure what to expect, you know? I’ve never, uh, done something like this before.” 
THIS WAS SO SICK I LOVED IT!!!!!! flowershop au with a twist oh yes ma’am. also im so pumped drew was in this every time i see her im like hello my love how are you
2. just desserts by @thegoldenappleofdiscord
It’s just a cupcake, Nico reminds himself. Surely that justifies breaking into the infirmary at the break of dawn. or: nico's love language is baking and will solace gets a lot of cake as a result.
end note hate me GIGGGGLIIING. also i am OBSESSED with this author but i haven’t read the solangelo book yet so i haven’t read a lot of her stuff and i’m DYING to. this was as sweet as nico's baking fr!! i'm writing less of a note on this fic (altho i love it) bc the WORDS i have to say about the next one,,,
3. caught in the river of tears that i cried by @thegoldenappleofdiscord*
In all honesty, it was really for the best that Will didn’t think about all the strange things that sometimes happened around him. After all, his mama had more than enough on her plate already. He was a good kid, and it was best everything stayed as it were. (Though admittedly, the flock of flesh-eating maniac pigeons, men with hooves, and the growing darkness in his veins might just make this a tiny bit more difficult than he anticipated) or: will can only push down a part of him for so long (will has plague powers, but he's known it from the very start.)
UPDATE WHEN UPDATE WHEN UPDATE WHEN REESE PLEASE 😭😭i am genuinely so obsessed with this fic and the WAY everything is woven together....like fear is a driving force!! you can feel it!! this is one of those starred fics fr bc it Changed the way i wrote and characterized will. he is fr a character who has been controlled by fear his Whole life actually. of the world and what it takes from him. of the Fates that do not care for your fragile love. of the things they are forced to do. of the precarity of life. and perhaps most intimately and ardently Himself, and the abilities he does not want to have, the life he does not want to live. the parts of himself that do not fit in the mold he has Built for himself and Forced himself into. and this fic shows that so so beautifully like this story is Woven.....i think about it literally all the time it's insane
4. a handful of almosts by @thegoldenappleofdiscord
He’d said it so easily: “Best friends don’t do that to each other, Will.” It had been a throwaway comment after Will decimated him in a card game, which was usually Nico’s forte. Following that had been a furious, “Besides, it’s war. Entirely luck-based. Winning this game doesn’t mean anything. Stop laughing – why the hell are you laughing?” He’d mostly been laughing because of Nico’s expression – eyebrows drawn tight, mouth twisted in an adorable scowl – but also because of the sudden elation pumped into him like helium. They were best friends – and maybe someone else would be hopeful for more, and maybe one day he'll pursue it (he did want it, had wanted it for a long time) but for now, he’s content where they are, sitting in Nico’s room and cursing at each other through a deck of cards. or: 5+1 of will solace being a pining loser
A HANDFUL OF ALMOSTS!!! WHAT!!! every once and a while u just hit a title that Hits u u know. like a handful of almosts. yeah. what a deeply poignant and tragic thing. how fitting for the pjoverse, a universe of people who are haunted by their almosts. god. and then to turn around and make this story FLUFFY?? MAKE IT THE CUTEST THING IN THE WORLD??? "will solace and his rose coloured glasses" REESE!!!!!! PLEASE!!!!
5. Damage Control by @nikkira
“I couldn’t save Lee. I couldn’t save Michael. I couldn’t save Silena.” “You saved Annabeth when she was stabbed, right? And Annabeth was kind of imperative to the whole saving the world effort. The people you save go on to do things and help people and save people. When you lose someone, you lose them. But when you save someone, you save a dozen more people.”
"i dream of the people i could not save. they're mad at me." oh i am UNWELL. ill i tell you. i read this line and had to sit down for a little while like actually. one thing about will solace is that he never stops punishing himself and no one got that like this fic nine years ago
thank you for joining me this friday!! happy reading!!
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animentality · 6 months
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I know everyone wants stories with happy endings, and they all hate when the main characters die, and insist well what's the point of the story then, it didn't matter at all! they died!
but.
I don't know. do the stories of those who die at the end not matter at all?
because if that's the case, I have news about the stories told by everyone who has ever lived in this world.
we all die at the end. we are all doomed by the narrative.
but our stories still matter.
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anyoldfandom · 4 months
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I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.
A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.
But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.
And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.
And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.
He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.
We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.
We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.
The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.
And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.
And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.
It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.
#This is also. Why I dislike the 'Rex was secretly made for the nanite experiments the accident was a lie' theory so much#Bc it assigns malice where the show says over and over again there was only love.#That this was only ever a tragedy of good people whose good intentions were manipulated and twisted.#And I think giving them something shitty to have done in the past especially goes against the message of the show's perspective on adoption#The family we choose is not always stronger than the family we are born to. Sometimes they are equal in different ways.#Rex's bio parents are gone but not replaced. They have also shaped who he is#Six and Holiday are just picking up where they left off. Because they have to.#Also I don't like the theory that Rex's parents are EVOs somewhere bc I think it diminishes the impact of the tragedy too.#I get. Wanting them to have a happy ending. But I think it's important to realize that this is the closest they can have to a happy ending.#Some things cannot be replaced. Or fixed. Sometimes life takes what we love and what loves us. And that is okay.#It is okay to be upset at that and it is okay to never fully move on.#'What about Caesar?' I have. Another post's worth of thoughts about him.#But I think he's also a character who is defined more by Rex by their relation and defined by the story by his guilt#I think he is the closest thing Rex has to a shitty bio family member and he is shitty in plenty of ways#But he's also a parallel to Rex in a lot of ways. He fails where Rex succeeds bc of it.#generator rex#genrex#Anyways. Sorry for the big post.
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finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh
#Given some of it IS lines of code and stuff but like.. minus all that it's still probably at least 85 - 95k words hhhhhh#AND I have to do this for another 3 characters. Then a few partial quests for 3 others. THEN the other random misc stuff in the game#(like there are public areas in the city like a park and a forest that you can go and do a few things at. and chat with a few random#townsfolk that aren't actually full characters or anything. And there's a community board where you can#browse some of the random job advertisments or silly things that happen to be posted around#and also pick up a few odd jobs of your own to help earn coin to buy gifts for the npcs. etc. etc.)#Originally I was thinking like 'ah I'll make a short little game just to try it out! :3 It'll take maybe a few months!''#haha........................hee hee........................................hoho#Also evil that it would have been done already if I didn't totally drop itand stop working on it for like 5 years randomly#i could have made 5 years of steady slow progress gradually. instead of like 'one initial idea dump + about a month of art and writing'#...... 5 year break..... 'sudden mad dash to try to get probably 400.000 words written in a year or less' lol#I just really want to be done and have something out there already so it can lead to doing other things in my world..!!!!!! T o T#Like this can be an introduction and then maybe from that I can make other games. or short story anthologies. or other such things#But there needs to be some initially not very complex easy to interact with starting point first I guess... if that makes sense#That's part of why I stopped posting worldbuilding lore dump stuff as often because its' like.. massive walls of novella length#text are much more inacessible to engage with than like.. ooh a game! and there's characters! so its more approachable! and theres#visuals! oo! and the text is broken up in small bits line by line with other things in betwen! oo! etc. etc. lol#Not that THIS is even very accessible. I think dialogue heavy interactive fiction/visual novel type stuff is pretty niche and considered#boring or tedious compared to something with more ''gamplay'' like where you can actually move around in a world#and shoot things or whatever lol. But its an inbetween point. something SLIGHTLY#more accesible for now. Since i just dont have the budget or means or ability to make some skyrim type thing obviously LOL#Though maybe if theres any interest in the visual novel that could lead to making other things too. or at least I hope. I have a VERY cool#idea for a more ''gamey'' type of game that is a super fun concept and etc. but I would need to hire at least 2 people to make it.. ough..#I could do all the writing and probably half of the art. But I think I'd inevitably need a 3d artist and someone who can Code For Real hbjh#the system for ren'py (the thing I'm making a visual novel in) is not that complicated if you stick to just simple dialogue and stuff.#Making a whole moderately sized 3d game with minigames in it and a bunch of quest features and etc. would be out of my simplistic scope#''just learn it yourself!!' ... i barely manage to eat and sleep reliably every day lol... i do not function well enough to spend months#learning that many new skills. I already have a lot of of things I'm good at (not in a braggy way but just factually like.. i already have#a wide variety of different things under my belt).. at some point I have to just be happy with what i CAN already do and focus on that#and admit I need to get outside help sometimes ghjbh... NO more new skills/hobbies!!! ... ANYWAY
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angiestown · 27 days
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idk if people on the engaging with fandom spaces website can relate to this but do you ever watch or play something so good by yourself and then you're like. shit I have to deal with having watched/played that by myself. I have nobody to share this with who would appreciate it
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end-orfino · 2 months
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ahhhhhh i remember why i dont read comics & books and watch movies as much as I should. Because they make me lose it
#i get suddenly hit with a tsunami of inspiration and an urgency to Make Something#but the urgency isn't about the process of making it's about I Have Stories To Present Too. I have to See Them Realized.#and that hit of urgency is obviously far too short lived to make anything. esp since it comes in a set with a feeling of 'wow this-#-thing was so great' that transforms into intensified perfectionism of No No What Im Doing Here Isnt Good. What Is This. Disgrace-#-to my idea AND to what inspired it AND to my self proclaimed status as an amateur storyteller#which turns into artblock. so like low chances that ill even get a singular good drawing made during this#and the multiple comic or script or whatever ideas that appear in my head during this are out of the question entirely#oh and all of this appears next to the normal feelings caused by a good story like attachment to the characters and having to process it-#-for a while and if its very good then even sometimes rarely i get the need to make fanart#so all of this combined just leads to me not being able to do anything for a while and feeling awful about it.#fun./sar#i wish i was a normal artist people here are so resilient and do stuff even though they dont want to or they DO want to#because idk they enjoy being pissed bcs of a thing not turning out right and they dont mind how tedious it can get-#-and they enjoy sacrificing hours&days&months of their lives without a guarantee that anyone will appreciate it accordingly and itll pay of#its probably the resilience though#im weak like a dried twig both mentally and physically#this sounds like i never enjoyed drawing&writing ever. and to clarify thats far from true. i frequently enjoy it#just never frequently enough and consistently enough to actually make something more 'worthwhile' or linear#it's like a wind that comes & goes that i have no control over.#i try to keep telling myself that in the past i struggled to make anything 'bigger'....& know i even made animatic shitposts#this sounds so stupid god. an animatic shitpost being an achievement.#its not an art skill achievement its a fighting tooth and nail with my own self to actually finish it because its a struggle almost every-#-time achievement#what im saying is im trying to tell myself that i already improved. im doing more than i could have done in the past.#even if the process is so slow and i dont know when ill advance again#if ill advance again. i just gotta believe i guess? thank u parappa
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harrykim · 3 months
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i must say people acting like voy was bad until seven showed up have terrible taste, like i like seven, i love her, but she also took over arcs and screen time that should've been given to other characters sorry!
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tvrningout-a · 8 months
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i really gotta get some linguistics studying done, so i'll be doing that for now but!! ko bio soon...
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gg-selvish · 1 year
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dduane · 9 months
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Do you have any recommendations on what to do when you can’t write?
I’ve been struggling to write for years, but telling stories is all I want to do. I have ideas and plots and characters all figured out! But actually getting the words onto paper? I just can’t do it. There’s a mental block or something getting in the way.
I want to write, I so badly do. I want to tell my stories! But no matter how hard I try, no matter how much I love the story, the words never work properly. I can day dream scenes up perfectly, but as soon as I’m near paper the words all vanish.
I guess what I’m actually asking is: how did you defeat the blank page?
Well, first of all, I can confidently tell you that your storytelling per se is working just fine. You just told me a perfectly cogent story right there, in writing. So that's good to know.
Now let me put your mind a little at rest by telling you something reassuring about the Writer's Brain:
It's not the sharpest knife in the block, if you take my meaning. It can be tricked. It can be fooled. It can be bamboozled into working when it doesn't want to... sometimes with embarrassing ease. (And this approach is, by and large, far preferable to sitting around over-analyzing one's interior life to figure out what went wrong with your developmental process somewhere in the dim lost past. Just hornswoggle the silly thing into working and then do the analysis later, if you can be bothered.)
Sometimes just changing something basic in the process the Writer's Brain is expecting is enough to make it lose the plot (so to speak...) and let you get on with work. And in your case I'd say, more or less immediately: Have you tried telling the story to yourself out loud, recording it, and then transcribing the recording?
Because this problem is a commonplace among storytellers. Sit them down in the pub and give them tea or a drink and start them going, and you'll get half an effortless hour of hilarious prose about What The Cat Did In The Middle Of The Night or When The Neighbors Were Fighting In The Street Again Yesterday. But show them blank paper, or an empty screen, and (now that the pressure to perform is suddenly in place) they freeze.
So try doing an end run around your writing brain. Borrow or otherwise procure a little recorder of some kind. (Or if you've got a smartphone, add a voice recording app to it.) Go get comfortable somewhere and get yourself into that daydream state, and then—making sure the recorder's on—start talking.
It doesn't have to be perfect unblemished prose. The pursuit of that comes later, after draft zero-minus-one. Just tell the story... or some of it. Or a fragment of it. Even a few paragraphs is a triumph, in a situation like this. You may, during the recording, have to talk yourself into the story stage by starting out talking about something else first. Let that happen.
Then when you're done recording, listen to it and transcribe it (typed or handwritten, as you please).
And maybe a day later, do this again. And a day or two later, once more. And so forth.
You're going to have to keep at this, because your Writer's Brain may start suspecting what you're up to, and try throwing spanners into the works. (Its favorite being "Oh, this isn't working, I may as well give up..." Pay no attention to that nagging little voice behind the curtain. Just keep doing what you're doing. Persistence is a superpower.)
The thing to keep reminding yourself, as you settle into this process, is that sooner or later the WB's resistance is going to flag, because you really do want to tell stories. It does too. What you have to teach it is that—to coin a phrase—resistance is useless. :)
Anyway: give this a try. You'll need to be doing this daily for at least a couple of months to find out whether it works or not. So let me know how it goes.
(BTW: once you've broken through the barrier, you may well find that dictation is a good routine way for you to generate your first draft. At that point—should you feel inclined to go a little higher-tech than recording and hand transcription—let me recommend Dragon Anywhere. This is a month-to-month subscription version of Dragon's flagship text to speech program—the one @petermorwood and I got Terry Pratchett to use when he started having difficulty typing. I use Anywhere a lot, on days when it's easier to write stretched out or lying down than it is sitting up. It transcribes what you say, and then you can just email it to yourself and cut-and-paste it into your writing document. Very handy.)
Hope this helps!
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hellenhighwater · 4 months
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Mildly weird question for story research purposes: when your cats ride on your shoulder, what does it feel like for you?
Context: My main character has a cat who likes to ride around on her shoulder, and since it's a thing that happens frequently, I'm trying to make sure I write about it well. And, unfortunately, I do not have a cat to even attempt to test it with, so I'm going to the one person I KNOW has experience with this situation.
Specific things that would be helpful to know:
Do you have to be careful not to upset their balance, or can you more or less walk normally once they're up there?
How are they keeping themselves up there? Are there claws involved? Or just good balance?
Where's most of their weight? I looked back at some pictures/vids, and it looks like they typically ride with their front paws on the shoulder and their back paws somewhere a bit below and beside your neck, but I could be wrong.
How long can they stay on your shoulder before one of you has to take a break? Is the weight of the cat tiring, or is it pretty easy to deal with?
Anything else I should be aware of regarding shoulder cats?
Thank you SO MUCH for your help!
Oh, I can definitely answer that! One: It's waaay easier to shoulder a small cat than a big one.
For the most part, they kind of drape themselves over the shoulder; this is specifically what I've trained them to do. Cats will also "shoulder" by draping across both shoulders/back of neck, but this forces your head forward to allow room for them, and it's not comfy. Hence the trained posture. (Malice, in the early days:)
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I taught Mal to jump up when I bent forward for her, and circle to face front while I stood up. She can actually do that pretty quickly. Their weight is pretty evenly distributed across the top of the shoulder and down on the pectoral, not really on the back at all. Mal sometimes hooks her back claws into my shirt near the shoulderblade, which is more about balance than weight support. Nim, who was significantly smaller, actually kept her back feet tucked up so that her feet were on the top of my shoulder. This is a significantly more ready posture than Mal's--she would have to readjust for a better foothold to jump down; Nim could leap directly off at a moment's notice. Overall, Nim had far superior shouldering skills to Mal. Malice rides like the meatball she is; I'm hoping she'll learn with age. Here's some pictures of Nim:
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To give them a stable position, I do keep my back straight and shoulders back; if I have to pick something up, I will crouch down instead of bending over. If I have to bend forwards, I will put my palm up flat so that they can stand with their front paws on it and keep their body on my shoulder. Generally, I can move, walk, and even work normally. I've cooked, painted, done chores, even run. Both hands are free to use, though generally you can't lift the arm the cat is on above a T position. They don't need to use their claws for balance unless I am doing something really active. I do shoulder almost exclusively on my left shoulder, so that my dominant hand is more free.
The weight is not significant--Nim was only about 8 lbs, Mal is about 11, and because there's no grip to maintain them and they're naturally situated on the shoulder, it's easy to carry them for a long time. I used to walk miles with Nim on my shoulder. It's actually more the heat--cats run hot, and it's a lot of fur on your neck and shoulder if it's warm out. Great in the winter, though!
Notable things you might not realize--their head is in front of yours, so you can still see ear positions, what they're looking at, etc. Nim's night vision/hearing/sense of smell was better than mine, so I could tell if we were sneaking on wildlife based on her reactions and responses to things. You can also feel them tense or adjust posture before they jump or try to get down, and you can feel their tail moving. You can also feel if they're growling or purring, even if you can't hear it. If you're used to paying attention to those cues, you'll notice them while just carrying the cat normally too--Nobody could sneak up behind me if I was carrying Nim facing over my shoulder to the back.
They can jump from shoulder height but it's a hard landing. Usually if I want them down, I just kneel with a knee up, or lift a leg flat while standing so they can jump to the top of my leg and then to the ground.
If I was in a fictional setting and traveling with them long term, I would be investing in a really weird piece of leather armor, that goes to the edge of the neck/crest of shoulder, and down past the bottom of the shoulderblade, with little easy-to-grip leather loops or chainmail on the back of the shoulder.
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nanowrimo · 1 year
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4 Tips for Autistic Writers
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Autistic writers can face unique challenges when it comes to writing. NaNo Participant Auden Halligan has tips to handle some of those challenges!
So, you’ve just sat down at your desk, all ready to work on your next chapter, but you just can’t seem to start. Something is itching at your brain, and no matter how hard you think, you can’t figure it out. For autistic writers, that itch might be even harder to get around when compounded with autistic inertia, introspection issues, and sensory processing disorder — even if we were super excited to get started, sometimes the stumbling blocks are enough to keep us from going anywhere at all.
Here are four tips to identify your struggles and work around them rather than against them as an autistic writer!
1. Schedule your writing time appropriately
While keeping a schedule can help you stave off unwanted change in your routine, the need to switch to another task when the clock strikes the hour sometimes feels like a monumental task, one that eventually becomes detrimental to your creative pursuits.
If switching tasks is the biggest hurdle to your writing, setting a designated writing time with no other plans around it could do the trick. Oftentimes, just one hour of time to transition from doing dishes to sitting down at your computer to write is exactly what you need to get past that point and find your writing headspace.
2. Make sure your sensory environment is right
Sometimes getting into that writing headspace is harder than normal, but you can’t put your finger on a reason. Chances are, you’re not quite ready until you have your sensory needs met and you can fully focus on your story.
Personally, I like to be on the couch with my water bottle, a playlist at just the right volume, and a comfortable jacket or hoodie on. For you, the ideal sensory space might involve a desk and a snack, a pet nearby, and a quiet room. For others, it could be outside or even at a library or coffee shop. Autistic people are all different and so are their sensory needs, so this one is super subjective — do what works best for you!
3. Take breaks often
Writing can be exhausting, and if you’re struggling to keep going, you might need to take a pause. If you’re like me and struggle with remembering to hydrate and eat once you’re deep in a task, use your break to get some water and a snack. If you’re having trouble staying focused, get up and move around and stim or go outside to give your brain a reset. If you feel like you’ve gotten some good progress done, however small, reward yourself — do something related to your special interest, dance with a pet, and celebrate your little (or big!) win!
The pomodoro method is a good way to keep yourself from working too long without a break, and if that doesn’t work for you, methods like the Eisenhower method with breaks interspersed and even simply inserting breaks into your scheduled writing time are just as valid.
4. Don’t be afraid to skip around
Another thing that often trips us autistic people up is needing to follow the story down its natural progression, from start to middle all the way to the finish. But inevitably, once we’ve gotten past the initial excitement of having the project started, we hit a stumbling block…and the project gets abandoned. I’ve left behind countless projects because I lost interest after hitting a scene I wasn’t excited for after just a few chapters.
To combat this, try writing out of order! Skip ahead to the scene directly after your stumbling block. You could also skip to the next scene your favorite character is in or even to the climax if it helps you move forward. If you’re having trouble putting your first words down, try writing a random scene in the middle of your story to get into the groove of writing your characters.
Alternately, if you can’t abide by the out of order method and really need to get your characters from Point A to Point B, try putting the scene you’re stuck on in brackets. For example:
[Character 1 and Character 2 fight over the decision to kick Character 3 off the team. 2 leaves in anger.]
It’s simple, efficient, and gets you out of that particular rut so you can keep moving toward that sweet, sweet conversation you’ve wanted to write since Day 1.
Now go forth and write, my friends!
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Auden Halligan is a creator through and through. She’s been writing her entire life, but didn’t start participating in NaNoWriMo until 2017–right now she’s working on developing a TV series (or two!) and has several novels and short films in the drafting phase. Auden is currently a college student studying film production and hoping to minor in disability studies. You can find her on her very sparse Twitter at ink.and.spite. Photo by Lisa Fotios from Pexels
If you’re an autistic writer, check out the Pillow Fort in the NaNoWriMo forums! It’s a group for people who are neurodivergent, have disabilities, mental health concerns, or physical challenges that affect their lives.
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rainbow-nerdss · 9 days
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AITA for accidentally traumatising a 13 year old kid by pretending to be his dead mom?
So basically a couple of weeks back i (33F) was at work and I noticed this guy (30sM) staring at me. Now, this isn’t totally unheard of, I'm kind of used to it because I've done some acting in the past and sometimes people sort of stare while they try to figure out where they know me from. Usually I ignore it, but this guy was like crazy hot so I figured, fuck it, I’ll go talk to him, maybe make a sale out of it. We sort of talked a bit while I served him, and found out he’s a single dad. He had sort of sad vibes and I was kind of into it so when he asked me out I said sure, why not and we agreed to go for dinner.
So everything was going well for a while, we went on a few dates but mostly we facetimed bc he works 24 hour long shifts and scheduling dates around that and a kid is tough, which i totally understood and I was happy to be patient with him.  I should also say we still haven’t kissed at this point, even when he took me out on a boat on a lake, which was probably in my top 5 dates of all time? Anyway, I got the vibe he was holding back a bit but I figured I could wait bc he seemed like he was working through some stuff and dating in LA is fucking hard. 
What happened next was where the real shit started to hit the fan, though.
Basically, I decided to bring him some brownies at work, but I mistimed it and he’d already gone home so I gave them to his coworker who looked at me like I was a ghost or something. I should have recognised something was off then but I brush it off and the next day I get a call from the guy, and he asks me to come over to his place which hasn’t happened before. I figure this is a good sign, that maybe he’s ready to start moving things forward, but when I get to the house, there’s all these pictures on the coffee table and they all look EXACTLY like me. My first thought was: holy shit, this guy’s a stalker. Great. Then I looked closer, though, and the pictures weren’t even of me. Turns out, I look exactly like this guy’s dead wife???
Anyway, that was wild and obviously I left after hearing him out a little bc I just needed to wrap my head around it.
Now this next bit might be where i’m the AH, bc i haven’t had a chance to do any acting in a while and I genuinely felt bad for the guy, he just wanted a chance at closure with his wife and I couldn’t really fault him for that. 
So long story short, I cut my bangs (they looked cute in the pictures of his wife so I figured they’d work on me) and I went to his house in character as his wife and encouraged him to say what he needed to say to her. Things got pretty heated and he shared some really intimate thoughts and feelings so I was getting into it, you know? We embraced and I was feeling pretty good about the whole thing. I thought it really helped him until the door opened and in walks his kid with a woman who is apparently his girlfriend? So i guess the single part of “single dad” wasn’t totally accurate either.
Also, the kid called me mom, which kind of broke my heart, and I feel like maybe I might have fucked up somewhere here.
So reddit, I have to ask AITA for pretending to be a dead woman and accidentally being the other woman while simultaneously traumatising a thirteen year old kid?
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writingwithcolor · 5 months
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Author with cultural disconnect: How do I write without making it seem as if I hate my own heritage?
Anonymous asked:
I’m a white-passing Asian author, and I’ve never felt all that connected with my heritage. My current story centers on a fairy (re: fantasy-world POC) child and ends with her realizing that her parents are toxic af and her human best friend’s family takes her in. This is the perfect opportunity to sort through my own issues with my heritage and finally convince my monkey-brain that it’s okay to not know how to cook Vietnamese food or celebrate tet or speak Vietnamese… But I also realize that if I’m not careful, this could easily slip into “Hey, I hate my heritage and so should you!” So how can I stop that from happening?
Writing for yourself first, not an audience
I ask you a simple question: why put pressure on yourself to have any sort of non-offensive messaging for a story that hasn’t been drafted yet and is to convince your monkey brain it’s okay to exist as yourself?
That seems like the fastest way to stop the story from being actually cathartic and instead a performance art piece when you already feel hung up on performing as “properly” part of your culture.
As I said in Working Through Identity Issues and Other Pitfalls of Representation, not all stories you write need to be for public consumption. Especially stories you’re using for your own self-processing and therapy, because you’re trying to get a cathartic moment that is rewriting your own story.
At what point does the public need to be involved in that?
I do understand the compulsion to want to post—I have definitely posted some Questionable™ material in my drive to get validation for feeling the way I do, wanting people to witness me and say “same.” It’s a powerful urge. Sometimes it’s worked, but most of the time it’s just made me feel horrifically exposed.
But you really do not have to post in public to get any sort of validation. Set up a groupchat with friends if you want the cheerleading and witnessing—people who will know your story and give you good-faith interpretations and won’t accuse you of anything. Honestly I’d suggest setting up this groupchat anyway; as someone who just got one again after quite a few years without it, my productivity has skyrocketed from being around supportive people.
Let the monkey brain have its monkey brain moment and shut off the concept the story is for the public. Shut off the concept of performing for an unknown audience. It’s for you. Be authentic, no matter how bad it would look to outsiders. They’re not reading it. Part of getting catharsis, sometimes, is being the worst version of yourself, somewhere nobody else can see it.
Deciding to publish the work
If, after you do write it, you find that you actually do want to polish it up and put it somewhere… edit it. Rewrite it entirely if that’s what it takes. Take the story through the same drafting process every story needs to go through, ripping out the unfortunate implications as you go.
Editing can be its own form of healing, as you try to figure out what this character would need to not be hateful. As you realize, once this longform journal entry is out of your head, what was bothering you now that you can see it pinned down on a page. But you absolutely do not need to write with the intention of editing in that healing. When I’ve tried, it’s fallen flat.
The healing will come from being yourself, no public involved, and writing about your feelings in their rawest form. Anything else is extra.
There’s no point in trying to put guard rails on the drafting process, not for a deeply personal piece. And by the time that drafting process is done, you’ll likely have specific scenarios and contexts that you can ask about, and you might even have ideas on how to fix it yourself once the story has a shape to it.
This is 100% a situation where there’s no real sense in idea workshopping something in the plotting stage. You’re doing something for you. Decide if it’s for public consumption later (while acknowledging “no” is a perfectly valid answer), and only figure out how to make the story not overtly harmful if you decide to put it out into the public.
~ Leigh
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thebadboyfanclub · 10 months
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I Don’t Think I Can Do This (Daemon x Reader)
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Hey y’all so I know I was supposed to write another request but my job has cause my imagination to ran dry and this was certainly easier cause i wanted to write something that shows the burden that women carry and also that Daemon is a very grey character, I hope you guys like it
The story of (y/n) Eaglemore and Daemon Targaryen did not start as a love story, one would suppose that seems to be a common trait amongst the concept of arranged marriages, especially to a young maiden of an independent kingdom to the rogue prince Targaryen, their marriage was the establishment of Eaglemore joining their forces with the Targaryens, (y/n) was dressed in her traditional attire with her hair in an intricate style, she was breath of fresh air in the house of the dragons, a proud Eagle that was brave enough to fly with the dragons as the flag with the colors of red and black flew next to the black and red she assumed the similarities were bound as an omen for success.
That was quickly ripped out of her mind at the bedding ceremony that she endured, the prince was not brutal, yet she had hoped that he would forbid it, he was cold and only placed a kiss at the top of her head after it was done before he left her laying while the ones that observed it cleared the room, tears streamed down from embarrassment while the handmaidens helped her get up to assist her with her bath.
-
“Husband!”
She exclaimed excitedly before she skipped over to Daemon who was preoccupied with having a conversation with Viserys was much more important than turning his head to face her, alas the newlywed stood by his side and reached for his hand to get his attention, innocently she squeezed it only to be met with an annoyed expression as he gazed intensely at her.
“What?! (Y/n)! Did they not teach basic manners in your homeland?”
“I-I just, I wanted to give you this, I sewed it for you, it’s the dragon symbol with the eagle”
“Great, give it to the handmaidens, is that all?”
Suddenly she became hyper-aware of the pie of eyes around her, mostly men that had taken interest in the scene that unfolded in the gardens, she felt like a little girl scolded by her father, she bit her lower lip as her shoulders sunk in defeat, the glimpse in her eyes slowly disappearing like a light snuffed out.
“My apologies, I did not wish to interrupt you and the king, I hope you can forgive me, y-your grace”
“It is quite alright, my dear, for what it’s worth I found your creation a wonderful gift, do not pay attention to daemon he has never been good with gifts”
“If that means I have never been good with gifts that have no use then yes, I agree”
“I shall go, excuse me, your grace, husband”
She curtsied before she ran off, her chocolate-colored hair swinging left and right in her ponytail as her eyes looked down to hide the tears that she desperately held back, Daemon watched her and could sense the damage he had caused, sometimes he would catch himself staring at her with purity and interest, he had even smiled once when she struggled to find the right word in his language.
He should have stopped, he should have held his tongue when the evident quiver of her chin started to show when her eyes bounced in different directions as she wanted to gather her composure, but he didn’t, now Daemon stood as still as a grain of salt whilst she once again ran away from him covered in shame.
“She is your lady wife Daemon, must you be so hard on her?”
“A wife that was bestowed to me”
“She is also someone that was bestowed a spouse, yet she took it with grace and is grasping desperately to create the best out of the worst, as a man that prides himself on his intelligence your lady wife has surpassed you, at least in principle and empathy”
Daemon was stunned, as Viserys spoke in such kind words his words slashed through Daemon like the sharpest of knives, this was Daemon's second marriage, and it had become second nature to be rude and unattainable to his lady wife since the bronze bitch shared the same hatred as he did for her, now the cheerful lady with the deer like eyes and red puffy cheeks had been nothing but kind, a foreign pain in his chest started to make Daemon uneasy as she ran further and out of his line of sight.
“If I were you I would be very ashamed”
-
(Y/n) sat in front of the mirror as one of her handmaidens lit her candles and the other brushed (y/n)s hair to prepare her for bed, (y/n) stood as still as she could though her fingers intertwined with one another and twisted in odd ways.
“Could you leave me with Chiara, please? Thank you”
(Y/n) requested softly, the young handmaiden only curtsied before she walked out of (y/n)s chamber, whilst Chiara continued to brush her hair, they had grown into a bond that (y/n) felt comfort in, Chiara was sweet and honest, somewhat older, and had just given birth to her first child, she was the first handmaiden that she met when she got to the red keep.
“Do you love your lord husband?”
“I do, now”
“What do you mean?”
“I married him per my father's request, and he gave the biggest dowry, at first it was difficult, we had to figure out a way to communicate and after a while, I like to think that he grew to love me as much as I love him, though first, we respected one another, then love came gradually”
(Y/n) grew silent, her head hanging low before she bit her lip in defeat, she respected her lord husband? Did her lord husband respect her? After the incident on the morrow, it certainly didn’t feel like it.
(Y/n) had not noticed that Chiara had scrounged in front of her and placed her hands over (y/n)s, she only saw the tears that splashed over the handmaidens' skin.
“You won’t always feel like the outsider”
“I don’t think I can do this”
“You can, it is alright my dear”
One sob came after the other as (y/n)s body shook and Chiara lovingly wrapped her arms around the lady’s frame in such delicacy, it resembled a girl hugging her porcelain doll while she tried to not crack it, in its macabre nature you could identify a certain beauty, someone that had the strength to comfort a disheveled young lady as she navigated through womanhood and all its trials.
What had (y/n) nor Chiara had taken into account was that Prince Daemon had made his way to the half-cracked door, freezing in his sport once the whimpers of agony hit his ears, he peaked through the shadows only to be met with his lady wife letting tears stain her dress and hiccups shaking her hunching back as the handmaiden rubbed circles on her back.
“Prince Daemon is a fool for not acknowledging the precious stone that is you, may the gods bless him and open his eyes before he is taken from us”
Daemon had no reason to intervene, the poor lady was right, he was a fool, here she was, a beautiful and intelligent young royalty crying over his acts, he had always longed for home, for family, and now he kicked and toyed with it.
He should be the one comforting his lady wife, to gaze upon (y/n)s puffy and red face and do his best to calm her nerves, not to be the face of her pain, shamefully he scurried away without a word, mad at his reflection that stared back at him in such high horse, he had become everything he hated, a man that did not care about anyone but himself, stopping at nothing to prove he was right.
-
“Good morrow”
(Y/n) did not respond, she only raised her head and nodded at Daemon that had just entered the dining area, exhausted from crying the lady felt like a family of horses had run over her, getting barely a wink of sleep, evidently so by the veins under her eyes.
(Y/n)s silence was deafening to Daemon, however, he cleared his throat and took a sit next to his lady wife, waiting for a servant to pour him some wine.
“Orange juice? I believe we do not grow these over here”
“A gift from my mother, she said orange juice in the morning is a secret to a woman’s beauty”
“She must be the most astonishing lady back in your line”
“You met her, on our wedding feast, I believe you were too busy to pay attention, like always”
The last comment was barely above a whisper still sharp as a knife right on Daemon's abdomen, Daemon only turned his gaze at her, confused by her demeanor, it wasn’t uncalled for yet it took him by surprise, she always seemed to have the ability to hide her agony at least in public.
“Mayhaps we could go to her, I’m sure she will be more than happy if her daughter visited her”
“Not if my belly is flat, as much as she wanted me to be thin for most of my life she is now sending raven after raven to just check in with my monthly bleeds”
She informed him in a mumbling tone while her hand was rubbing circles on her temples, visibly annoyed over her mother's disregard for her well-being and hyper-focused on her womb.
Daemon was taken back by her comfortability to speak over her monthly visits, brushing it off easily though since they were husband and wife after all, those matters should concern him as well, the idea of a sweet little child running to (y/n)s arms brought him joy.
“It must be uneasy, being put in this position”
“Indeed and if I am being honest, my lord husband has not been making it any easier, with my empty womb nor his attitude”
“I understand you are cross with me”
“Can you blame me? You humiliated me”
Her tone switched from my king to a hiss, her eyes spewing fire as she stared back at him, it was the first time that she dared to show her true emotions, albeit Daemon could detect that it wasn’t just an act of anger but a sense of fear was laying behind those hues of hers.
He was correct, (y/n) feared for her future, the whispers of Daemon's visits to the street of silk, the adoration for his niece, his continuing ignorance over their wedlock, it all came crashing on her chest making it unable to breathe sometimes.
“I came to break my fast with you as a sign of goodwill, I want us to work on our relation-“
“Us? There is no us, you made sure of that my prince, you have crashed all my efforts and now you dare to speak of us”
“I cannot correct my past mistakes, I can only hope that you will allow me to work on our future, you did not deserve my coldness and for that, I sincerely apologize, I only wish for your good graces and for you to allow me to show you how I truly feel for you and our wedlock”
Silence, her eyes focused on his to scatter for one ounce of a lie, alas she was left with nothing, a sigh left her lips as she sunk to her chair defeated, why did the gods curse her with such a difficult match?
“I do not know if I can love you, I tried to desperately earn your affection for so long, I have grown tired of this”
“I know you have and I do not blame you, I beg you, my sweet (y/n), let me try”
His hand had found hers to hold, the warm flesh against hers grew goosebumps, a small beam of light found its way into her soul and a ghost of a smile appeared as (y/n) glimpsed upon their hands locked together, she gave him a subtle squeeze to see if this was a dream or reality.
“I suppose trying couldn’t hurt”
“Thank you, now you must eat, your mother might be right you have lost some weight”
“My efforts of getting accustomed to your foods have not been working”
“You do not have to, we can bring a cook from your homeland, my lady wife shall eat whatever her heart contents”
“There are some delicacies that I believe you would enjoy”
“I am not very picky with food so I will try anything you put in front of me”
Chatter was something (y/n) could easily do, however, even though Daemons spirits were high, (y/n) would steal glances of caution at him, was this another scheme? Or was he genuinely craving her presence and good graces?
“I was hoping you could come to meet Caraxes later”
“I do not know if that is the best idea”
“Nonsense, Caraxes is a part of me, therefore a part of you by law, soon our children will have their eggs on their cradle, if you are surrounded by dragons you need to get used to their presence”
Requests are open!
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phantomarine · 11 months
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Clam's Quick Tips for Starting Your Very First Webcomic
Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.
1) Make Your First Chapter a Pilot Episode
You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.
But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.
Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.
2) Simplify Your Art Style For Your Own Sanity
Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.
But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.
Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!
3) Resist the Reboot! RESIST!
The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."
You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.
I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.
But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."
Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!
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That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!
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