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#but their curve WAS INSANE
oifaaa · 5 months
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Listen listen is the Percy Jackson show making changes so big that even me with my horrible little memory is noticing - yes Do I care - absolutely not I'm still enjoying the show and the changes so far have just helped keep me on my toes bc wtf do you mean Percy has 4 pearls?!?? What do you mean the summer solstice has happened?!!? What is going on I need to know !!!!
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egophiliac · 7 months
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"IT WAS SUPPOSED TO BE A JOKE" As someone who's been playing TWST since march and stopped going out of my way to be spoilerfree after I got stuck at Overblott!Jamil? That's honestly been one of my favorite things about it - seeing something in fanart or a comment you think is just fans joking, only for it to be canon. "The economy!", "May I also throw a tantrum?", Malleus' gargoyle thing, and... everything about Rook being my top examples.
there's a whole bit in Trey's platinum birthday card where he goes on about how he became increasingly obsessed with mustard for like a week straight until the other students held an intervention. how are you supposed to talk about this. how can you bring up something like Trey's descent into mustard obsession to the point that the other characters are worried for him without it sounding like the most obvious lolrandom "he mentioned it once and now fandom acts like he puts mustard in everything" joke. also, how can I slip this into every Twst post from now on, because I need everyone in the world to know that this is a real canon fact about Trey "I'm just an average normal guy (who sticks my hands into people's mouths and owns 20 toothbrushes and used to eat flowers off the side of the road)" Clover.
for bonus points, 1) the punchline is that he still doesn't even like mustard that much, 2) he's saying all of this to Leona, and 3) Leona is actually kind of invested in Trey's mustard story for some reason, which is the most unbelievable part of all of this to be honest. (then Trey gets distracted by a painting of the Cheshire Cat and Leona takes the opportunity to powerwalk away to freedom before they can start talking about dijon versus spicy brown or whatever and extend this bit even longer)
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pineappical · 10 months
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i love drawing ted smiling because i can just scrunch him up SO MUCH
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beggars-opera · 26 days
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Today I got the side eye from a bunch of teenagers while playing retro music in the car. I consider this a badge of honor
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fob4ever · 1 year
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NORMAL REACTIONS TO HAVE TO PLAYING HEADFIRST SLIDE LIVE IN 2023 BTW
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blackhholes · 2 months
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Teen Wolf as Arthurian Characters
Derek Hale as Merlin
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citrussillies · 9 months
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Ok everyone for my first trick I’ll smooch the robot
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yellowocaballero · 10 months
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dude psyched ur reading orv, insanely curious about ur takes
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My friend @charterandbarter put it best.
ORV is pretty fascinating to me. It's really just a self-insert isekai OP webnovel, and it is nothing else. Its medium is trashy and lowbrow, and its genre is almost devoid of high art. OP isekais are 'id' stories, meant to be satisfying and fun and contain very little of substance. ORV is a very well executed OP isekai - it contains the elements of the genre that make it satisfying, it understands why people read the genre and enjoy it, it reproduces those elements very well, and it is very concerned with telling an enjoyable story. ORV really, really loves webnovels and isekais and shitty wishfuillment stories. There's a lot more to ORV than the 'fist pump' moments of kdj doing something cool or pulling a fast one on a shmuck, but those moments are the undoubtedly the point of ORV, as they are the point of all SIOC isekai OP webnovels. And that's the point of ORV.
Metanarrative stories are cheap. Neil Gaiman's written 30 and millenials love waxing philosophical about the power of narratives. These metanarratives tend to describe stories as a theoretical framework through which we understand the world and our lives. Therefore, stories are tremendously important and valuable because they contain the totality of religion, history, culture, relationships, and lives. ORV says this too. But this theory tends to land at mystifying and exalting stories on virtue of them being stories, which I think misses the point. Stories aren't special because they're stories. They're not more sacred for containing our lives. What ORV says is that stories are important, because our lives are important. I like that a lot more.
ORV says that stories are our way of ordering a disordered world. A history, culture, nation, and religion are stories. None of those stories are true or real, because histories/cultures/nations/religions are constructs - they're how we interface with reality. They're created with a purpose, told for a point, pulled together into a narrative, and are satisfying or dissatisfying based on certain factors. ORV's perspective on fiction is deeply seeped in its own nature as 'low art'. There's something very cynical and commercialized about narratives in ORV, and every narrative in ORV is being told for a quick buck or to try and spread an idea for an individual's gains. It's a very unromantic, unimpressed view of narratives and fiction. It's pretty much the only way a SIOC OP isekai webnovel like ORV can talk about it without being disingenuous. And it's remarkably raw and visceral as a result, because ORV loves SIOC OP isekai webnovels like kdj loves yjh. Fiercely, insanely, like breathing, exactly for what it is. No pretensions.
It's bizarre, because ORV is about love. It's not about love for anything that deserves it. Not for a story with a lot of literary merit, a main character who is a remotely kind or lovable person, or art itself outside of its commercial or philosophical value. kdj really, really, really fucked loved TWS - because it was there, and because it lasted 15 years, and because it was fake, and because it was what he had. He loves yjh because yjh was his only companion in a dark world. That's fiction. Fiction helped him survive, because love is a way of ordering a disordered world.
I'm still reading myself, but ORV seems to be about how we manage to live in a hard world, and how to find it within ourselves to love each other and find meaning in that hard world. I see why kdj's the protagonist: he can find merit in something for existing, and loving it for being there, and he holds onto something because he has it. He sees the value in that. He read it in a book.
TL;DR: ORV is well-executed trashy commercialized art that is so obsessed with trashy commercialized art that it's looped straight back around into being somehow the most raw and visceral depiction of love I've seen in a long time.
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leatherbookmark · 8 months
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our flag means death S2E3: the innkeeper
#our flag means death#ofmd spoilers#ofmd s2 spoilers#shrimp gifs#it was just a very pretty scene i think#i'm laughing because i played around with curves -- as you do -- but then i had to manually bring the brightness down and make everything#more blue again because it's just better that way lol#god i'm having... so many little marbles bouncing around my head like#this post is already tagged with all the spoiler tags i think i can talk in here#the way it started i had No Inkling At All that this would be this kind of setting. so i didn't pay attention to the surroundings or all th#stuff. hell i could barely hear what they're saying because all my fancy schmancy english skills fall apart in the face of your normal soun#mixing. I MISSED THAT IZ AND ED SAID “LOVE” LIKE HELLO#but. but anyway. but. but once it was revealed that This Is All In Ed's Head. that hornigold is ed and everything is ed. man. god.#it's cold and wet and dark (ed likes warmth). ed was washed up on the shore with his face full of sand but THEN he got rescued by someone#who he hated and associated with all the pain and violence AND who then force-fed him soup so he could get better. who had pretty pieces of#glass hanging from his tent (there's no sun but the decoration itself is a promise of a pretty sighs when the rays of the sun hit#just right--) AND you can't forget the sandals. and the play-acting and aoughhhh EEEDDDDDDDD god he's so good HE'S SO GOOD#i dont think i should touch the delightful revenge scenes because they're dark as fuck and idk if the files i have are hq enough#to survive the becurvening. BUT. ed my love!!! i hope this is not where your insanities end
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kelocitta · 1 year
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With the conclusion of the Videocult Anniversary stream I can post a little reveal here too: I was the artist for vinyl cover for Downpour’s future vinyl soundtrack release, along with a new cover for the original soundtrack so that the two of them could be a nice matched set! These are Coming Soon, but you can sign up for a Mailing List as noted on the Original tweet.
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princelancey · 4 months
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Countdown to 150 | race 33/150 ¦ 2018 Belgian GP
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s-lycopersicum · 4 months
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I fixed up my script so I could generate these more easily, so here the same polygonal approximation of the Hilbert curve as before, with two extra steps to really hammer in the space-filling nature of it:
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And this one here is the Moore variant of the Hilbert curve (also referred to as the Moore curve):
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In the Moore variant, the curve starts and ends on the bottom-center point, providing a continuous path through the plane.
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fairykippen · 1 month
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in the hollywood ghost club episode, willie says a ton of rich people go to the club and it has me thinking, has bobby/trevor ever been there? maybe in search of his band mates? or like imagine the boys agreed to be part of caleb’s band and one night bobby/trevor goes to the club??
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milf-louis · 11 months
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we moved on too quickly I fear
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afieldinengland · 3 months
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okay
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captainpissofff · 10 months
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Leon Slut Kennedy.
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