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#create auction website
floweroflaurelin · 2 months
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The Hermitcraft Charity Auction includes this painting created by yours truly! It’s painted in real paint on real canvas, and the gold foil was applied by hand! It’s framed! It’s live on the website! <- link!!
I had the pleasure of working with Grian to create a real-life version of the iconic mending book painting “9000 Fish” by @ink-ghoul for the Gamer’s Outreach auction. There are also versions of the painting by @belmarzi and @sevenchiart on the site to check out!!
I’m so delighted to get to be a part of fundraiser for such a good cause. The auction runs til Sunday so go check it out! 😄✨
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recycledmoviecostumes · 3 months
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This Edwardian-style gown was created for the Ascot scene in the original 1956 Broadway production of the Lerner and Loewe musical My Fair Lady. The scene was filled with beautiful gowns, all in black and white, in keeping with the famous “Black Ascot” of 1910, when King Edward VII died shortly before the event, making it inappropriate to wear color. Thus, those who attended wore all black, aside from accents of white from pearls and flowers.
The gown was designed by Cecil Beaton and executed by Helene Pons based on his sketches. The cream crepe dress has black velvet stripes and an embroidered lace bib. The photo above most likely shows actress Melisande Congdon in the costume, as she performed in the play for three years.
When Truman Capote decided to throw his famous “Black and White Ball,” – he used the scene from My Fair Lady as its inspiration. Deborah Davis’ wonderful book The Party of the Century mentions that much of the gossip about town was about “who” everyone would wear. Amanda Carter Burden, daughter of Babe Paley, was able to sidestep this conversation and not commit to any one designer when she chose a gown from the film My Fair Lady. A drawing of Amanda in costume, sketched by Kenneth Paul Block, appeared on the front page of Women’s Wear Daily.
But was her gown from the film adaptation of My Fair Lady? Amanda was based in New York City, and it would have been far easier for her to obtain one of the costumes from the Broadway show.
In addition, no costume in the film accurately matches the one she wore to the ball. There is one that is similar and clearly based on the same design, but it appears to be a different piece. 
In 2015, the dress from the Broadway production went up for sale, where it sold for $1280. It contains a lace dickey that the auction house noted has been added post-production. The dickey is clearly visible on Amanda Carter in the Black and White Ball photo. While I cannot confirm for certain that she is wearing the dress from the stage production rather than the film production, I am confident that she is.
Costume Credit: Katie S.
Follow: Website | Twitter | Facebook | Pinterest | Instagram
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abnerkrill · 1 year
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fandom participation in the 2007 wga strike: some notes
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fans4writers.com (a website that is still live, though most links are broken!) was a fandom grassroots organization, originating primarily in Firefly/Whedonverse fandom
fans4writers emphasizes cross-fandom solidarity (all fans of all writers) with the very catchy logo "don't write until it's right"!
that group was responsible for pizza deliveries to picket lines, joining in picketing efforts, mass mailing pencils to studios, and sky writing in support of the wga during the tournament of roses parade. (reportedly, universal studios called the cops on a pencil delivery.)
the website had these (honestly still very good) FAQ for joining in picketing. [I'm currently aware (may 5) that the WGA is open to non-members picketing as well, and some "pre-WGA" (aka aspiring writers) are even organizing carpools on Twitter!]
fans4writers also had forums for organizing purposes (that are now dead, that I wish I could view and archive) and a still-existing but unused Twitter account with updates.
I ask again: who in the 2023 fandom landscape has the balls to organize fandom in support of the WGA?? Whedonverse and Battlestar Galactica fans were crowdsourcing pizza funds, creating auctions, putting together this website and all its outreaches and mf'ing official press releases... where can we find that energy now?
note: I was 10 years old when the 2007 strike happened; I just like digging on the Internet and may have gotten things wrong about these organizations and am open to corrections from anyone who was present and in the trenches. In fact, if you were a part of the aforementioned organizing efforts, I would LOVE to chat with you!
[read the WGA's official statement on the strike here and always get your strike news from official WGA sources. Don't trust the biased trade sources or social media.]
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rebirthgarments · 2 months
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Mohammed Hammad increased his goal for evacuation to $25k so that he can bring his 6 younger siblings with him!
I was informed by my comrade Brenda that the first goal was originally $10k to evacuate Mohammed Hammad and his mother because since he is under 18, he can only evacuate with a parent or legal guardian. But in this case, his 6 younger siblings would have to be left behind on their own, so @fedup4palestine raised the goal to $25k so that Mohammed’s whole immediate family can all evacuate together. Since you all have been so amazing and we have raised $9k in just 24 hours, I think we can do it!
[Image description: an amazing colored pencil drawing by my 12 year old student Mos @NicoCavalu made of Mohammed Hammad laying down with his leg propped up with the metal fixator on his knee. Hand drawn block text in red, black, white and green reads “Disabled 17yo Mohammed needs medical Evacuation immediately”. Red typed text in red reads “Goal increased to $25k so that his 6 younger siblings are not left behind alone in Rafah
givebutter.com/mogaza
There is a QR code that goes to the Give Butter Link.]
Caption continues:
I’ve had some questions from people asking about my vetting process and about @fedup4palestine and if @moh.2090727 is able to access the money for sure, so here are some short answers:
I or a trusted comrade have personally vetted all of the fuhnd-raizers that are under the heading labeled “Pal-eh-stienian Fundraisers Sky of Rebirth Garments is helping with” in my AllMyLinks. Half of them we vetted through video chat, and the other half were already friends of my friends from before the “escalation”. Mohammed Hammad’s campaign was already vetted through @fedup4palestine , and over the course of the last 36 hours I have messaged with him extensively. I talk to every one of the people that I have been working on helping every day (unless they lose access to the internet).
Pretty much all of the families I am working for are more than down to be connected with anyone and answer questions, so don’t be shy, if you are not supporting fuhn-raisers because you are not fully sure about them, just DM me and I can get you directly connected with a family so you can see how real they are!
Note: I am currently not able to add on any more fuhnd-raisers for me to personally work on (until more of them have been totally met)
@fedup4palestine is a very new nonprofit, they have been too swamped with making the fuhnd-raizer pages to finish and launch their website yet. They have their nonprofit status, and they use it to create the GiveButter campaign pages. I just went through the process with my other fuhnd-raizer with Seraj to make a GiveButter, and you have to be a nonprofit in order to make any campaigns there (I ended up using my fiscal sponsor Allied Media Projects’ GiveButter in order to make the auction for Seraj, which will go live in the next couple days!). GiveButter is now the recommended alternative to GFM, since GFM keeps shutting down Pal-eh-stinian fuhnd-raizers. This does not mean you shouldn’t give to GFM’s that you know are vetted, but it means that you should also work to help folks get GiveButter campaigns as well!
Mohammed Hammad has a bank account with Bank of Pal-eh-stein , and I have confirmed with both him and @fedup4palestine that he has access to withdraw the money from his fundraising money anytime he needs. He is currently waiting to withdraw until he now has the full amount for him + his siblings’ evacuation because he doees not want to leave them behind.
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hello-vampire-kitty · 6 months
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Servamp online kuji: how to get the merchandise
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There are new Servamp merchandise that can be obtained through online kuji (lottery)
(h)ttps://kujibikido.com/lp/servamp/?utm_source=twitter&utm_medium=social&utm_campaign=twi
Tumblr has a problem with links, remove the () from the adress to go on the kuji website.
I'll try to provide some help if you would like to obtain them, based on my experience ordering stuff from Japan.
To start off, the kuji will start on December 1st and will last until December 29th (Japan time).
One draw costs 770 yen.
Estimated shipping time: Ships around early March to early April 2024
Alright, so how kuji works is that you have categories, this one having from A-D and another one called S. Each category has different merchandise and you cannot choose the item you want, so if you wanted an item with a specific character within the category and you don't get it on the first draw, you'll have to try again until you get it.
From what I have seen on the official website, if you only get the S category, you can select between these two framed artworks.
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Category A- Acrylic stands
Category B- Half tapestries
Category C- Acrylic charms
Category D- Can badges
Okay, so like I mentioned, it's been a while since I bought things from Japan and only once did I get stuff from kuji.
If you never bought from Japan before, you're gonna have to look into a proxy or forwarding service. They're middlemen basically that will ship items where you live because most shops in Japan do not have international shipping.
A proxy service is where you will have everything handled by the service, from buying until shipping your items.
This method is for those who are not confident to handle part of the processes themselves because they don't understand Japanese.
Proxy might also be the only option if for some reason, you want to order stuff within Japan to be delivered to the middleman's warehouse, however your debit/credits cards might be rejected. (not many online stores offer Paypal or Google Pay. Animate Japan has Paypal, I got Servamp merchandise from there).
So if you try various cards and none of them will work, then you have to use proxy service because some shops might reject foreign cards.
If there are stuff that you want from online stores that sell second-hand items (such as Mercari) or you want something from auctions, you have to use proxy because you need someone in Japan to discuss with the sellers.
You need to look into services and see which ones will be best for you, based on their handling fees and what things they can do on your behalf, like the stuff like I mentioned above.
So, I summarized the proxy service and there's another one called forwarding service that I mainly used in order to reduce costs, because shipping isn't cheap...
The main difference about forwarding service is that you handle the buying part. You make the necessary accounts on the websites where the merchandise is sold, maybe even have to reply to messages...
If choose this option, when you create accounts on websites, you have to use the shipping adress provided by the forwarding service.
Once you set up the accounts and succeed in making purchases, the items will be delivered to the warehouse in Japan, to the middle-man.
So, this is the option if you want to save a bit of money. You can't do auctions or buy from second-hand shops because they are bit more complicated and you would need the help of someone living in Japan.
I hope this helps! You gotta look into these services and see their offers. Wish you good luck if you will try getting the merchandise!
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crayfurbs · 1 year
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Bejewled furby resurfaces - June 2023
Hello everyone! I have been on a slight hiatus due to a myriad of personal reasons, I am back for a short post with some interesting news
a GENUINE Bejeweled furby has surfaced! 
Foreword: 
This bejeweled furby is in my opinion the only one to exist, as with much other furby information numbers of units produced is a shaky 25 year-old game of telephone. But having researched archived Tiger and FAO sites, it appears all promotional images are the same snowball furby (Notably with green eyes) and we haven’t really seen any different versions, For the information in this post I consulted several archived websites on archive.org along with the new listing 
Background info: 
The following description is transcribed from the original FAO Schwarz listing for the bejeweled furby. 
“Created by designer Sidney Mobell. The world's most exciting tay is now the world's
most precious. bedecked with 156 gleaming and glittering genuine gemstones Lovable Furby comes adorned with a tiara necklace. and earrings crafted in platinum and 18k gold and containing 63 full cut diamonds (3.7 ctw) 44 rubies (4.5 ctw) blue sapphires (5 3 ctw) and emeralds (1.O ctw). AIl 3 pieces are removable So you can wear them too!
A portion of the proceeds will benefit the word class hasbro children's hospital–”
The listing + info
So here is the description of the listing, the starting bid is 1,200.
(ill add it in later once the auction ends)
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Now for those of you at home, you may be thinking... a $100,000 furby with an auction cap of $2,000. somthing must be fishy right?
but on paper... the bejweled furby isnt worth that much, and Ill explain.
For those of you who are not jewelers (I have only taken intro classes myself) this furby may appear to be absolutely studded in expensive gems… but in reality the true value is being obscured by the cwt, or Carat Total Weight, this value is in reference to the TOTAL cumulative weight of the gemstones. So for example, the 63 diamonds CWT is 3.7, so each diamond is only 0.06 ct. so in reality the QUALITY of the dimaonds used is very low, for comparison you can purchase 25 loose diamonds of the same color, carat and clarity for around $50
So after a very novice rough calculation the total value of all the metals and gemstones here dont seem to total over $800. This is why I think the piece was designed to be a symbolic representation to the person who donated the $100,000 to the hospital, rather than a truly $100,000 furby which is why the capped value of the auction is $2,000
Conclusion + opinions
I still think this is an absolute amazing piece of furby history, one that I admittedly was not to familiar with, but was aware of in my deep dives into the furby archived sites, I think that the resurfacing of this piece is a ode to the furby community, and the fact that we are STILL actively learning about undiscovered information relating to Furbys a quarter of a century later! This toy line was only produced for just under 3 years but has provided a trove of information that's out there just waiting to be discovered! 
And with that, ciao
-Cray 
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walnuthillfarm · 5 months
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Complete List of Twelve Days of Christmas CC Gifts!
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In case you haven't been keeping up with our advent-style Christmas event on the website, we've compiled a list of all the mods currently available to download! Also included are the day numbers so you can easily find what you're after. ♡
I will be posting some of the gifts available individually in the next few days as some of them will become permanent downloads. All other gifts will leave the website on December 26th, so grab them while you can!
Our TOU has been updated - because these are gifts and not official releases, please do not use them for your own work (recolors, edits, etc.)
View all of the mods here!
Create A Sim
Christmas-Themed Tack: — 7 Santa Exercise Blanket (includes tartan swatches which suit the colder times of year and not just Christmas! Recolor of Objuct's exercise sheet) — 4 Santa Saddle Pad — 4 Elf Saddle Pad (Western) — 3 Santa Headcollar — 7 Christmas Headcollar — 9 Christmas Ear Bonnet — 9 Christmas Brushing Boots (recolor of SchrodCat's brushing boots) — 4 Christmas Leg Wraps — 9 Christmas Bell Boots (recolor of SchrodCat's bell boots) Other Christmas Related Items: — 1 Santa Hat (for your horse!) — 2 Christmas Mane Ribbons — 2 Rudolph Nose (fitted to your bridle) Generic Tack: — 10 Foal Rugs (yay! These are conversions of Objuct's rug and my recolor) — 11 Icelandic Saddle Pad (fits SchrodCat's Icelandic saddle) — 9 Full-Body Slinky — 9 Slinky Hood — 12 Cribbing Collar — 3 Basic Ear Bonnet Other: — 8 Multicolor Long & Longest Straight Tail (116 swatches each, includes pinto variations, two-tone chestnut tails, flaxen chestnut tails, silver black/bay tails, black to brown tails, frosted tails, and more! Edit of Objuct's tails) — 10 Generic Coat Clip Thicknesses 2 (new clips for your horse!) — 11 Auction Number Stickers — 8 Snow-verlay (tack item that makes it look like your horse is covered in snow!) — 12 Long Scalloped Braided Mane (edit of SchrodCat's Scalloped Braided Mane) — 12 Short Lattice Braid Mane (edit of SchrodCat's Lattice Braid Mane)
Build & Buy
— 12 Paddock Fencing Override (makes EA's Horse Ranch Paddock Fencing a little bit less chunky) — 12 Paddock Fence (Objects) (the above fence made placeable) — 12 Tall Paddock Fence (Objects) (an edit of the above fence, also made placeable) — 5 Tack Room Locker — 6 Hanging Horse Bits (edits of SchrodCat's bridles, made placeable for your tack room) — 6 Christmas Jump Pole (ground pole but can be raised) — 6 Equine Stocking (stockings for your horses, recolor of Severinka's Country Christmas Socks) — 5 Christmas Wish List (for your sims/horses, Simlish and non-Simlish included) — 5 Winter Horse Painting
Poses
— 1 Picture Day Pt. 1 (conformation poses for LOADS of breeds) — 2 Picture Day Pt. 2 (more but including foals) — 7 Those Pesky Flies (itchy horses in the Summer) — 8 Snow Day (horses playing in the snow) — 11 Did Someone Say Food? (horses eating/grazing) — 12 Bad Habits (horses cribbing, pawing, stall walking, head shaking)
Below is the link to our website page where you can download everything!
Most importantly.. Thank you all for your support over this period! We're so glad everyone's enjoyed our daily gifts and we can't wait to do it all again next year. ♡
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formlines · 6 months
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Rez Dogs
Trevor Husband
from the website: “Reservation Dogs is one of the best pieces of indigenous art ever created, and I wanted to honour the series with this box. I represented the 4 main characters: Bear and Cheese are obviously Bear and Mouse Woman; Willie Jack is Raven because she uses her voice to push the elders into dealing with their issues and moving forward, just as Raven likes to challenge authority; and a Salmon Egg represents Elora Danan because she is finding her way back to her home and family throughout the series.”
-Trevor Husband
This piece is part of Lattimer Gallery's 2023 annual Charity Bentwood Boxes auction running from November 25th to December 9th. All proceeds will be donated to the Urban Native Youth Association.
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exeggcute · 6 months
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it's interesting to me how much ire gets directed at music streaming and distribution platforms (and you know, not wrongfully) for payment schemes that fuck over musicians, but increasingly less ire seems to get directed at the big record labels, who have not only been fucking over musicians since before the moon landing but are continuing to fuck over misicians in the streaming-centric landscape by collecting extremely tidy payouts from those platforms while their musicians barely see a cent. and now I'm no big city IP lawyer but my understanding is that it's not as simple as forcing platforms to bypass labels and just pay musicians directly because of how all the licensing and shit works, so at least in theory fixing this would at least in part require going after big labels directly and fundamentally changing how they manage their artist portfolios, and my understanding of that basically amounts to Good Fucking Luck.
it has to be convenient though for e.g. RCA records to have the spotlight shifted off of them as they become more of an invisible middleman than before and therefore less widely reviled. I think about this sort of invisible middleman situation a lot, especially in the context of [guy who's only seen boss baby voice] adtech where, at least as far as I'm aware, the whole "companies are buying and selling your data" thing is almost always carried out by the ad platforms who facilitate ad auctions rather than the actual websites and apps who sell ad space... which in turn creates a situation where the intermediaries are the ones up to no good, but since very few people are aware of these intermediaries they instead turn to blame the websites and apps who these platforms work with, which means the intermediaries get to evade scrutiny while their own customers take the heat on their behalf! nefarious shit
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ngkiscool · 4 months
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Some thoughts and tips for FTH
This is a big event, one that can be confusing and even stressful, so here are some tips for contributors before the whole thing begins.
Most importantly, this is meant to be a fun way to raise donations for important causes. If thinking about it stresses you out too much, don't do it. There are many ways to donate and participate in charity events, and it is perfectly valid to choose what is best for you.  
After you decide you want to participate – look at the 2022 auction page (here) to get a general idea of how it looks. Be not afraid – once you understand the logic, it is easy to navigate. And now that you have some idea how the FTH offers look like, read the FAQ (here). It is a bit long, and can be a bit overwhelming, but well worth the reading.
And now, to the interesting part – my suggestions for a successful bid.
Firstly, decide how many creations you want to offer. Each person can offer up to three creations (fic, art, beta, podfic, ect,), and in a variety of lengths and ratings. Can you really commit to writing 3 fics, each one more than 10K? If so, excellent. If not, it might be better to offer shorter fics, or a long fic but only one.
Don't forget that creators who are offered the option to make something for their second bidders BEFORE second bidders are offered the chance to donate in return for a fanwork. So, it is possible that instead of 3 entries, you will end up with 6.
Equally important is to be clear about your yay and nay. Is there a rare pair that you can’t wait to create art for them? Maybe a character that you don’t want to engage with? What are your favourite genres? Do you prefer canon compliant or AU? Are there scenes you love more than others?
Elaborate what you are especially interested in writing about, but also what you are unwilling to address. There is no need to explain your reasons, but the more specific you are, the more chance people will get excited about your ideas, and won't ask you for things you are not willing to engage with. You can also check for past years to see what others wrote, to some inspiration. 
That is true also for notes and special interests – have you worked in a circus? Maybe you have experience with making flint knives? Sometimes people need very niche knowledge, so don't hesitate to add things.
Highest rating means just that - how explicit you are willing to create, based on the AO3 rating system. If you prefer to stay in the SFW zone, choose G or T. If you want to write NSFW, your choice is between M or E. That means that if a contributor chose G they will create only something with that rating, but a contributor who chose E can write at all the ratings, depending upon the prompt from the bidder. 
Example works - there will be people who are not familiar with your work, so choose the ones that reflect you and your style the best. Make sure they are those you love the most, even if they are not the one with the most kudos or comments.
Ways of communication - sometimes people will have specific prompts in their mind, and want to make sure the contributor is fine with it before they bid. You can choose how to communicate (email, twitter, tumblr, ect.), but whatever way you choose, remember to leave your messages open and check your spam. 
About the bidding price - the default minimum bid price is $5. The money is donated straight to a charity, and the contributors are donating their time and labour. Each year, the FTH mods decide upon a certain number of charities that the winners donate to, and each contributor can decide if they want the donations for their creations to be passed to any of the organisations on the list or specific ones. 
Some organisations are marked with an asterisk (*), which means they allow for international donations directly through their websites, while other organisations don't allow it. The bidders are from all over the world, so it is advised to choose at least one organisation that allows international donations as well.  
The sign-up period is two weeks, so no need to rush. Don’t forget to look at your offers after the browsing week starts, and contact mods if there is any mistake.  
Don’t be disheartened if your offers don’t get bidders straight away. While some people bid as soon as it is possible, others wait for the last minute to make their offer. In any case, the mods highlight offers without bidders, and eventually most, if not all, offers are being claimed.
Once the bidding is over, it takes some time for the mods to notify the winners, for them to donate and present a proof, and after that to receive your contacts from the mods and reach out, so please wait a few days. If after a week no one has approached you, ask the mods and they will solve the problem.
Once your bidders contact you, the real fun starts. This is the time to decide on a prompt both of you will be happy with, and how much collaboration you want. Some contributors prefer to deliver the final creation, while others want to update every step of the way. Some winners will ask to see the work before it is published, while others wish to be surprised, so make sure to reach an agreement beforehand. 
Enjoy, and thank you for your donation!
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blueiskewl · 1 month
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Gustav Klimt Portrait Missing for a Century Sells for $32 Million
A portrait by Gustav Klimt that was unseen for almost a century has sold for $32 million – the bottom end of its pre-auction estimate.
The “Portrait of Fräulein Lieser,” thought to be one of the Austrian painter’s final works, created huge excitement in the art world, but it ended up selling at the lower end of its valuation of €30 million-€50 million ($32 million to $53.4 million).
Bids started at €28 million and the work went for a hammer price of €30 million. This does not include the auction house’s fees.
The sale price was less than half that fetched by another Klimt painting – “Dame mit Fächer” (Lady with a Fan) – in London last year. The last portrait completed by Klimt became the most expensive artwork ever to sell at a European auction, when it sold for a £85.3 million ($108.4 million).
The “Portrait of Fräulein Lieser” had long been considered lost, according to Vienna auction house im Kinsky. However, it recently emerged that it had been privately owned by an Austrian citizen.
“The rediscovery of this portrait, one of the most beautiful of Klimt’s last creative period, is a sensation,” the auction house said in a press statement on its website prior to its sale on Wednesday afternoon.
The intensely vivid and colorful piece had been documented in catalogues of the artist’s work, but experts had only seen it in a black and white photo.
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The sitter is known to have been a member of a wealthy Austrian Jewish family who were then part of the upper class of Viennese society, where Klimt found his patrons and clients. Nevertheless, her identity is not completely certain.
Brothers Adolf and Justus Lieser were leading industrialists in the Austro-Hungarian empire. Catalogues of Klimt’s work state that Adolf commissioned the artist to paint his teenage daughter Margarethe Constance. However, new research by the auction house suggests Justus’ wife, Lilly, hired him to paint one of their two daughters.
The statement on the auctioneer’s website reveals that the sitter – whoever she was – visited Klimt’s studio nine times in April and May 1917. He made at least 25 preliminary studies and most likely began the painting in the May of that year.
“The painter chose a three-quarter portrait for his depiction and shows the young woman in a strictly frontal pose, close to the foreground, against a red, undefined background. A cape richly decorated with flowers is draped around her shoulders,” the auction house said.
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It added: “The intense colors of the painting and the shift towards loose, open brushstrokes show Klimt at the height of his late period.”
When the artist died of a stroke the following February, the painting was still in his studio — with some small parts not quite finished. It was then given to the Lieser family.
Its exact fate after 1925 is “unclear,” according to the auction house.
“What is known is that it was acquired by a legal predecessor of the consignor in the 1960s and went to the current owner through three successive inheritances,” the statement said.
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The painting was to be sold on behalf of its Austrian owners, who have not been named, along with the legal successors of “Adolf and Henriette Lieser based on an agreement in accordance with the Washington Principles of 1998,” the auction house said.
Established in 1998, the Washington Principles charged participating nations with returning Nazi-confiscated art to their rightful owners.
Claudia Mörth-Gasser, specialist in modern art at im Kinsky, explained the situation in an email.
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She said the auctioneer checked the painting’s history and provenance “in all possible ways in Austria,” adding: “We have checked all archives and have found no evidence that the painting has ever been exported out of Austria, confiscated or looted.”
But by the same token, she added: “We have no proof that the painting has not ever been looted in the time gap between 1938 and 1945.”
And this is the reason “why we arranged an agreement between the present owner and all descendants of the Lieser family in accordance to the ‘Washington Principles,’” she said.
Klimt’s portraits of women “are seldom offered at auctions,” the press release stated. It continued: “A painting of such rarity, artistic significance, and value has not been available on the art market in Central Europe for decades.”
By Lianne Kolirin.
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recycledmoviecostumes · 8 months
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This distinctive pearl necklace was designed by Joseff of Hollywood, who created jewelry for many films during Hollywood’s Golden Age. Because Joseff was not contracted to a particular studio, he was able to rent out his pieces to all of the film studios.
The above necklace first appeared on Kay Francis as Donna Lucia d’Alvadorez in the 1941 adaptation of Charley’s Aunt. In 1945 it appeared on Marsha Hunt as Constance Scott in The Valley of Decision. The following year saw it worn on the neck of Nella Walker as Mrs. Lawrence Tyburt Patterson Sr. in Two Sisters from Boston. 1947’s Northwest Outpost used it on Lenore Ulric as Baroness Kruposny. Ilona Massey was next to wear the piece as Madame Egelichi in the 1949 Love Happy. 
In the 1952 adaptation of Daphne Du Maurier’s novel My Cousin Rachel, Olivia de Havilland wore the necklace as Countess Rachel Sangalletti Ashley, and it features somewhat in the plot of the production. Richard Burton’s character gives the necklace to Rachel as a symbolic gesture that he wishes to marry her, which sets the remainder of the story into motion. The passage in the novel describing the necklace says:
There were four strands. They fastened around the neck like a band, with a single diamond clasp.
The description in the novel obviously does not match its representation on screen, but it is a beautiful necklace nonetheless. 
Finally, in 1987, the necklace was seen on Joan Collins’ character Alexis Carrington Colby in the episode of Dynasty entitled The Fair. 
The necklace eventually went up for auction at Julien’s Auctions in the 2017 Joseff of Hollywood: Treasures from the Vault. The action describes the piece as: 
A triple-strand, tiered necklace of alternating simulated diamonds and pearls with pearl drops. The necklace has four simulated mabe pearl medallions and is stamped on the back “Joseff Hollywood.”
To learn more about Joseff of Hollywood jewelry, you can visit their official website, or read Jewelry of the Stars: Creations from Joseff of Hollywood by Joanne Dubbs Ball.
Costume Credit: Dean, Eugene Joseff (Joseff of Hollywood), Veryfancydoilies, Katie S., Solidmoonlight
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wishingicouldfly · 9 days
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How Books are Published - Some Personal Insight
I have a bit of experience with how the publishing industry works, and I thought some of you might be interested in taking a peek behind the curtain. For the record, I don’t know anything about the veracity of Maya Henry’s novel (Looking Forward) or what she drew from her own life experiences, the quality of her writing, or her individual path to publication. The following is based on my personal knowledge of the industry.
Under the cut for more.
When someone (celeb or otherwise) has a manuscript, generally speaking, they are going to look for the best deal. One of the “Big 5” publishers (or their subsidiaries) are going to be able to offer the biggest advance, the best PR support, etc. While there are reputable publishers that aren’t considered “Big 5” – those smaller entities aren’t going to be able to afford a big advance on royalties. Sometimes publishers will engage in bidding wars to win the opportunity to publish a book that has wide commercial appeal. This would be known publicly, and the deal would be announced with a flourish and a press release.
Even a smaller deal without a bidding war would be announced through Publisher’s Weekly with information about the book, author, and who made the deal (agent), not announced via the authors Instagram account with no information about the publisher or a link on how to pre-order. See examples: Anne Twist’s book announcement on Publisher’s Weekly: Betty and the Mysterious Visitor (publishersweekly.com) and Lottie Tomlinson’s press release for her 7-way bidding war: The Bookseller - Rights - Blink Publishing wins Lottie Tomlinson's 'inspirational' memoir in seven-way auction
For me, it’s telling that Henry’s book appears to be published by a small press (MARS Book Publishing (marsbookspublishing.com) with little to no platform. This is not inherently bad. However, as of May 17, 2024, the website has typos, does not have links to its staff or published works, and both the Instagram and TikTok links on the website lead to accounts with no posts. If you’re a writer, this would be very concerning to say the least. Huge red flag. Even a small press should be able to promote your product. My advice to someone looking to publish a book would be to stay away from this press, as it doesn’t look to be reputable.
That said, if one was going to self-publish, they’d need to have a publisher listed for the business side of things – that’s the way Amazon publishing works. Most self-published authors create a business name for their own published works. Again, this is not inherently bad or wrong, just pulling the curtain back. If you don’t have a book deal with a reputable publisher, then this is the way you can publish your book. From the outside, it appears that there is a publisher attached to the book.
For both traditional and self-published books, authors should have readers prepared with reviews. Currently (as of 5/17/24) there are no reviews on Goodreads, which again, for me, is a flaw if the goal is a longer shelf life and a wider audience.
Ultimately, the quality of the book will be the determining factor. People who read the book will talk about it, recommend it, or not recommend it. Relying on word of mouth, a salacious story, some entertainment magazines interested in a click, and a big-name singer (albeit allegedly fictionalized) attached to the story is certainly helpful to garner interest in a novel. But even on the third day of release (5/17/24) the book isn’t hitting the top marks on Amazon in its selected categories. (Screen shot taken by me on 5/17/24 at 12:06 p.m. ET).
Note: these ratings update and change constantly, this is simply one snapshot in time.
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If I were to make an educated guess, the book was shopped around and declined by reputable publishers, leading the author to decide to self-publish. The author created a publishing company name and published via Amazon KDP. In my opinion, it appears to have been done quickly and sloppily, without the amount of professional input it should have had.
Again, I don’t have any first-hand knowledge of this book’s path to publication, so these are educated guesses from personal experience, not personal knowledge of the author’s process.
Not having a deal announced in PW, not having a legitimate publisher website with links to staff and other published works, and not having an author website are all clues to someone wanting to capitalize on something quickly, not someone wanting to take the time to publish with precision.
I don’t have anything against self-publishing, I’ve done it myself. It’s a great way to get a book out if an author doesn't have a book deal and/or the book doesn’t hit traditional niches. However, I think it’s odd for a pseudo-celebrity, with a seemingly compelling story based on life events, to not have a bigger publishing deal with a wider reach.
The reliance on entertainment news outlets for publicity can temporarily raise the interest level; but, not having a book tour, not having books available in bookstores, not having any sort of commercial push for sales will have a detrimental effect on how this book does in the long run, regardless of how many print interviews the author does about her former relationship. Of course, the author could do all of these things at their own expense, so perhaps this is on the horizon.
One last thing to add, a self-published author, with no publishing contract or commitment to a company, has the absolute final decision about everything to do with the book from the content, the packaging, and edits, and the PR.
Self-published books can do quite well in the market, when well written and promoted. I'll be curious to see how this one does.
(For reference, I have professional insight into publishing with Big 5 publishers, smaller independent publishers, educational publishers, and with self-publishing through an independent press).
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startreksetplans · 1 year
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The Set Blueprint Archive
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Archive : http://archive.frogland.co.uk/
I run a site called the Set Blueprint Archive. Its aim is to archive and make available the blueprints used to create the various sets of Star Trek shows and movies.
There is also an RSS feed to be notified of additions to the archive - http://archive.frogland.co.uk/plugins/rss/
It started back in 2014, I had found that several websites that once had images of set plans were returning "Error 404" - website dead. So I placed all the ones I had saved in archive and reached out to the TrekBSS community. They shared their images and the archive grew.
Since then, myself and many members of TrekBBS have sought out auction photos, book scans, and images from websites. Some of us have been fortunate to acquire original set blueprints and scan them for the archive.
Recently our efforts to preserve have widened the scope and added images of the CGI models and photos of the LCARS.
As extensive as the archive is, there are still large gaps. So I work on reverse engineering the sets using the blueprints as a start. These projects (Runabout Project, Voyager Project, and Galaxy Project) are released incrementally, with each PDF file under a creative commons licence.
Hopefully these resources can help with others with their own projects - fan art, fan films etc.
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buglover3000 · 19 days
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also for any book lovers who want to support families in Palestine I highly recommend checking out gazabookauction on instagram or the website here for info on different bookish items that are being auctioned to raise money for families (signed copies, arcs, merch etc.). if you don’t want to bid but still want to donate, this is a list of the families they’re fundraising for!
just want to spread the word to this community for anyone who hasn’t heard about it! and make sure to spread leen and collaborators some love for their extremely hard work creating this auction!!!
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marveltrumpshate · 8 months
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Talking about Marvel Trumps Hate on AO3
We love it when folks spread the word about Marvel Trumps Hate—the more people take part, the more money we raise, all of which goes to amazing charities!
We encourage all creators to shout from the rooftops (and their social media platforms) that they're participating in the auction, so people can check out what's on offer. We also really appreciate when creators acknowledge that their work was made for MTH to create awareness after the auction ends.
However, if you want to talk about MTH on AO3 specifically, there are a few things to keep in mind about how you're talking about the auction and your involvement so that you don't break any rules. We don't want you to get into trouble!
You can:
Say that your work was created for Marvel Trumps Hate
Provide a link to the MTH Tumblr, Twitter, or website to explain why a fanwork was created (we also encourage you to post to the appropriate annual MTH collection and use the gifting function to gift a work to the person who won your fanwork)
Refer to your fanwork as a gift (NOT commission or charity/gift commission) for your winner
You can't:
Say that you're participating in a current or upcoming charity auction and link to your auction listing (or anyone else's) in your author's notes, footnotes, or elsewhere on AO3
Call an MTH work a commission anywhere on AO3—instead, say that it's a gift for your winner for the Marvel Trumps Hate event
Solicit money by asking people to bid on you, encouraging donations to a charity and/or including a link to the charity or your auction listing, or mentioning that you take commissions (including charity commissions) on AO3
On platforms other than AO3, you're welcome to talk up your offerings, link to the specific charities that you're supporting through your auction offers, and share your (or others') auctions by reblogging your mthofferings.tumblr.com auction post or linking to your auction listings on the MTH website.
Why shouldn't you advertise charity auctions or use the word "commission" on AO3?
Using the right words matters.
MTH is proud to be inspired by other fandom charity auctions and positions itself within the long tradition of fans gifting fanworks and fan labor to each other. The auction event team members gift their time and talents to organize MTH, and fandom creators agree to gift their creative efforts in recognition of the donation that bidders make to the nonprofit organizations that are listed on our Supported Organizations page.
We want to make sure that people thinking about participating as creators and/or as bidders are 100% clear about what the auction involves and are confident about the integrity of the auction. One way of doing this is making sure that everyone knows how the money travels—directly from bidders to the nonprofit they're supporting, without ever being touched by MTH creators or the event team.
That being said, AO3 is not an advertising space and has Terms of Service around commercialization of fanworks (Section I. D5) that forbids any form of commercial promotion on AO3, even if it's for charity. This is not because exchanging money for fanworks is explicitly illegal but because the OTW legal team believes that one of the ways the archive can be protected legally, as both a collection of transformative works and as a nonprofit organization, is to have a firm "no commercial promotion" policy.
On charity events specifically, the TOS FAQ clarifies:
"The Archive will host fanworks of any origin, including fanworks created in response to charity drives or other challenges. A link to a charity drive to explain the origin of a fanwork is appropriate. Solicitation itself, however, should take place outside the Archive. We concluded that this policy was the easiest to apply fairly to everyone, given the wide range of possible solicitation activities." (AO3 TOS Content FAQ).
If you're reported by someone for soliciting on AO3 and found to be in breach of the TOS, you'll be emailed by their team, asking you to remove all the "commercial promotion" material (i.e., all the money-related words like "bid," "donation," or "commission") from the work, comment, bookmark, or profile in question. This includes tags, descriptions in author's notes, and comments on works. The Policy and Abuse committee doesn't screen fanworks; instead, all reports are made by users of the archive. That means that even though there may be places you violated these rules, the committee may not be immediately aware of it; however, as a violation can be found by a user and reported at any time, even from long, long ago, we encourage people to review the wording they used in reference to MTH—or any fandom charity events, for that matter—and make edits if necessary to be on the safe side.
Note: if this does happen to you, you can always appeal or ask for more time to rectify the issue so don't be alarmed. All Policy and Abuse reports are handled by real people who are volunteers for the organization.
We ask that you follow these guidelines so that if you spread the word about Marvel Trumps Hate on AO3, you do so in a way that won't cause you stress or trouble in the future.
If you ever lose track of this explanation and need to refer to it, we also have this information up on our website.
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